Unpredictable Friends Quotes

We've searched our database for all the quotes and captions related to Unpredictable Friends. Here they are! All 100 of them:

Harry Marsham, who was known as Marsh to his friends, should have died that night.
Michael Parker (The Devil's Trinity)
I ran into an old friend on the street and we started up a conversation. Four hours and six bottles of wine later, we decided the weather was just too unpredictable, and we parted ways.
Bauvard (Some Inspiration for the Overenthusiastic)
I am not delicate. I am skinny dipping at 2am; I am dancing naked under the full moon and playing in the mud. I am the reverberating echoes of a curse word ricocheting off the steeply sloping mountain you thought I couldn’t climb; I am bare skin in the deepest depths of winter; I am the song of courage, and the melody of freedom you long to sing. I am a fearless mother. I am a passionate lover; a devoted friend. I am the healer, the witch, the nurturing of your wounds. I am the heat of a wildfire, the rage of a storm. I am strong. Delicate things are pretty-cute, even. But I am not delicate. I am wild, fierce and unpredictable. I am breathtaking. I am beautiful. I am sacred.
Brooke Hampton
It is unpredictable for you to know which of the strangers you are about to meet that becomes your friend. Be polite to every stranger!
Israelmore Ayivor (The Great Hand Book of Quotes)
Love has no time constraints.There is no time frame for when a person can fall in love with another,it just happens.It's spontaneous, unpredictable, it's timeless.
Becky Andrews (The Forgotten Night)
Your cruelties and mistakes may look damning to you, but that is not what I see. Every human conversation is more elegant and complex than the entire solar system that contains it. You have no idea how marvelous you are, but I am not only here to protect what you are now, I am here to protect what you will become. I can't tell you what that might be because I don't know. That unknown is a diamond in a universe of dirt. Uncertainty. Unpredictability. It is when you turn your emotions into art. It is BTS and the Sistine Chapel and Rumi's poetry and Ross Geller on the stairs yelling, 'Pivot.' Every creation great and small, they are our diamonds. And what you may be in two hundred years, we can guess with fair accuracy. What you are in two thousand . . . Oh, my friends . . . my best friends, you cannot know.
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
Indeed, Gabriel knew it wasn't all just empty green fields of moorland grass for miles around. Tucked within the wide landscapes of these uplands was an unpredictability that a less observant person might never be aware of. There were waterfalls concealed in swaths of wilderness, rocky stream beds ramblings in deep valleys, and...knotted sheets?
Olivia Parker (At the Bride Hunt Ball (Devine & Friends, #1))
Human beings are very unpredictable in relations and there are no written agreements... Unlike in business transactions...
honeya
Meaning comes from the unknown, from the stranger, from the unpredictable that suddenly knocks at your door — a flower that suddenly blooms and you never expected it; a friend that suddenly happens to be on the street you were not waiting for; a love that blooms suddenly and you were not even aware that this was going to happen, you had not even imagined, not even dreamed. Then life has meaning. Then life has a dance. Then every step is happy because it is not a step filled with duty, it is a step moving into the unknown. The river is going towards the sea.
Osho (When the Shoe Fits: Stories of the Taoist Mystic Chuang Tzu)
War is an unpredictable beast. Once unleashed, it runs like a rabid dog, ravening friend or foe alike. It can drag on for years, a slow attrition of nerve and fortitude, or be over in one brilliant flash, an extravagant conflagration of flame and blood and waste.
Kate Forsyth (The Fathomless Caves (The Witches of Eileanan, #6))
Happiness is not a zero-sum game. It's the only case in which the resources are limitless, and in which the rich can get richer at no expense to anyone else. That day in the park, I found it remarkably easy to own my happiness and celebrate Kate's as well. It's a strange thing, though, how rare, maybe impossible, it is to have everyone you care about thriving at the same time. For a short spell, life seems certain and stable, until something shifts and redistributes, randomly, unpredictably, and when you look around at the new landscape, you see that it's someone else's turn now. You redirect your attention to focus on the friend in need. You hope - you know - they will do the same for you, when your turn comes.
Amy Poeppel (Small Admissions)
Parental love is not contingent on the talents and attributes the child happens to have. We choose our friends and spouses at least partly on the basis of qualities we find attractive. But we do not choose our children. Their qualities are unpredictable, and even the most conscientious parents cannot be held wholly responsible for the kind of child they have. That is why parenthood, more than other human relationships, teaches what the theologian William F. May calls an “openness to the unbidden.
Michael J. Sandel (The Case against Perfection: Ethics in the Age of Genetic Engineering)
Fate was a dangerously unreliable accomplice. Sometimes your friend, but just as often an unpredictable enemy.
Erik Axl Sund (The Crow Girl)
In the travellers’ world, social media have enlarged the generation gap. The internet has brought a change in the very concept of travel as a process taking one away from the familiar into the unknown. Now the familiar is not left behind and the unknown has become familiar even before one leaves home. Unpredictability – to my generation the salt that gave travelling its savour – seems unnecessary if not downright irritating to many of the young. The sunset challenge – where to sleep? – has been banished by the ease of booking into a hostel or organised campsite with a street plan provided by the internet. Moreover, relatives and friends evidently expect regular reassurance about the traveller’s precise location and welfare – and vice versa, the traveller needing to know that all is well back home. Notoriously, dependence on instant communication with distant family and friends is known to stunt the development of self-reliance. Perhaps that is why, amongst younger travellers, one notices a new timidity.
Dervla Murphy
A lot can be changed in a span of a year. A thousand lives can be moulded, a lot many lessons can be learnt and life can show its unpredictability. Even so, one year is enough to prove to yourself that you are worth the struggle that you undertake just to reap a momentary fruit of that labour. If fighting a new fight keeps us motivated each year, so be it. Here is wishing every fighter, struggling to make a break and succeed in life a memorable New Year. Do what you do best and don't trade your passion for fame but rather earn the fame through your passion. May your fight be fruitful this year and your name engraved in hearts of horde in the form of your work. A Happy New Year to all my well wishers, peers, friends, colleagues, acquaintances and readers. May your year be blessed with good fortune and health with added wealth. My message this New Year is that in a world full of possibilities never limit yourself to the sky for what is sky when there is endless darkness beyond to lighten up. Take care.
Adhish Mazumder
There are all kinds of things that can scare you every day. What if someone you know gets cancer? What if something happens to you sister or your friends or your parents? And what if you get hit by a car crossing the street or the kids at school find out what an unnatural freak you are and what if you go too far out in the lake and the water is over your head and what if there's a fire or a war? And you can lie awake at night and worry about these things because it's scary and unpredictable, but it's REAL. It's possible." -Mackie Doyle, The Replacement
Brenna Yovanoff (The Replacement)
....Dear friends, I am often a lonely man, Even in a room full of people who love me. Dear friends, my brain-- Unpredictable as it was--is even more unpredictable now. But thank God for all of the ways in which we compensate. For our deficiencies.
Sherman Alexie (You Don't Have to Say You Love Me)
A smile which had nothing to do with her physical beauty; a smile which had nothing to do with her unpredictable yet mature behaviour; a smile which had nothing to do with the day we had spent together but a smile which had everything to do with the thing called 'love !
Sumrit Shahi (Just Friends)
Life is like Mother Nature - unpredictable. Friends /relatives who promise to help, will avoid you when you need them. Then, you struggle to get through and suddenly, some stranger walks in offering you the help you needed. The hope, the betrayal and the miracle...all are just part of our life...
Sandhya Jane
It’s hard to exaggerate how much the “like” button changed the psychology of Facebook use. What had begun as a passive way to track your friends’ lives was now deeply interactive, and with exactly the sort of unpredictable feedback that motivated Zeiler’s pigeons. Users were gambling every time they shared a photo, web link, or status update. A post with zero likes wasn’t just privately painful, but also a kind of public condemnation: either you didn’t have enough online friends, or, worse still, your online friends weren’t impressed. Like pigeons, we’re more driven to seek feedback when it isn’t guaranteed.
Adam Alter (Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked)
That’s why I like you, he would say. You’re unpredictable. You have no code. Really, Henry—and he would give a hearty guffaw—you’re essentially treacherous. If we ever make a new world you’ll have no place in it. You don’t seem to understand what it means to give and take. You’re an intellectual hobo… At times I don’t understand you at all. You’re always gay and affable, almost sociable, and yet … well, you have no loyalties. I try to be friends with you … we were friends once, you remember … but you’ve changed … you’re hard inside … you’re untouchable. God, you think I’m hard … I’m just cocky, pugnacious, full of spirits. You’re the one who’s hard. You’re a gangster, do you know that? He chuckled. Yes, Henry, that’s what you are—you’re a spiritual gangster. I don’t trust you.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
An up-front enemy is rare now and is actually a blessing. People hardly ever attack you openly anymore, showing their intentions, their desire to destroy you; instead they are political and indirect. Although the world is more competitive than ever, outward aggression is discouraged, so people have learned to go underground, to attack unpredictably and craftily. Many use friendship as a way to mask aggressive desires: they come close to you to do more harm. (A friend knows best how to hurt you.) Or, without actually being friends, they offer assistance and alliance: they may seem supportive, but in the end they’re advancing their own interests at your expense. Then there are those who master moral warfare, playing the victim, making you feel guilty for something unspecified you’ve done. The battlefield is full of these warriors, slippery, evasive, and clever.
Robert Greene (The 33 Strategies Of War (The Modern Machiavellian Robert Greene Book 1))
She was crazy, and she was unpredictable, but she was also generous and open-hearted and like no friend I'd ever had before.
Sara Barnard
I like to work in watercolor, with as little under-drawing as I can get away with. I like the unpredictability of a medium which is affected as much by humidity, gravity, the way that heavier particles in the wash settle into the undulations of the paper surface, as by whatever I wish to do with it. In other mediums you have more control, you are responsible for every mark on the page — but with watercolor you are in a dialogue with the paint, it responds to you and you respond to it in turn. Printmaking is also like this, it has an unpredictable element. This encourages an intuitive response, a spontaneity which allows magic to happen on the page. When I begin an illustration, I usually work up from small sketches — which indicate in a simple way something of the atmosphere or dynamics of an illustration; then I do drawings on a larger scale supported by studies from models — usually friends — if figures play a large part in the picture. When I've reached a stage where the drawing looks good enough I'll transfer it to watercolor paper, but I like to leave as much unresolved as possible before starting to put on washes. This allows for an interaction with the medium itself, a dialogue between me and the paint. Otherwise it is too much like painting by number, or a one-sided conversation.
Alan Lee
The Westcotts differed from their friends, their classmates, and their neighbors only in an interest they shared in serious music. They went to a great many concerts—although they seldom mentioned this to anyone—and they spent a good deal of time listening to music on the radio. Their radio was an old instrument, sensitive, unpredictable, and beyond repair. Neither of them understood the mechanics of radio—or of any of the other appliances that surrounded them—and when the instrument faltered, Jim would strike the side of the cabinet with his hand. This sometimes helped. One Sunday afternoon, in the middle of a Schubert quartet, the music faded away altogether. Jim struck the cabinet repeatedly, but there was no response; the Schubert was lost to them forever.
John Cheever (The Stories of John Cheever)
But for me, the best things happened out of unpredictability. My mind used to make my options limited that I was left with little room for new ideas or endings. I would call the unknown and I best friends now. Because the unfamiliar is my path to my next great task. I wake up with an excited feeling within my stomach about all the possibilities ahead. Here's to living without the fear of not knowing what's around the bend.
Jennae Cecelia (Uncaged Wallflower)
For me, the phone remains miraculous in a way that electronic communication just isn’t. A phone brings the voice of a friend. It’s live. Email is a movie—once you get it, nothing you do will change it. A call is theater—surprising and unpredictable. What’s more, your presence is essential.
Will Schwalbe (We Should Not Be Friends: The Story of a Friendship)
She made me feel uneasy, or perhaps cautious is a better word—the way you feel around an unpredictable, bad-tempered cat, liable to lash out at you with no warning. I don’t believe you can ever truly be friends with someone if they frighten you. How can you be yourself? If you’re afraid, you can’t be authentic.
Alex Michaelides (The Fury)
Soon after Justine Sacco’s shaming, I was talking with a friend, a journalist, who told me he had so many jokes, little observations, potentially risqué thoughts, that he wouldn’t dare to post online anymore. “I suddenly feel with social media like I’m tiptoeing around an unpredictable, angry, unbalanced parent who might strike out at any moment,” he said. “It’s horrible.” He didn’t want me to name him, he said, in case it sparked something off. We see ourselves as nonconformist, but I think all of this is creating a more conformist, conservative age. “Look!” we’re saying. “WE’RE normal! THIS is the average!” We are defining the boundaries of normality by tearing apart the people outside it.
Jon Ronson (So You've Been Publicly Shamed)
As soon as two people have resolved to give up their togetherness, the resulting pain with its heaviness or particularity is already so completely part of the life of each individual that the other has to sternly deny himself to become sentimental and feel pity. The beginning of the agreed-upon separation is marked precisely by this pain, and its first challenge will be that this pain already belongs separately to each of the two individuals. This pain is an essential condition of what the now solitary and most lonely individual will have to create in the future out of his reclaimed life. If two people managed not to get stuck in hatred during their honest struggles with each other, that is, in the edges of their passion that became ragged and sharp when it cooled and set, if they could stay fluid, active, flexible, and changeable in all of their interactions and relations, and, in a word, if a mutually human and friendly consideration remained available to them, then their decision to separate cannot easily conjure disaster and terror. When it is a matter of a separation, pain should already belong in its entirety to that other life from which you wish to separate. Otherwise the two individuals will continually become soft toward each other, causing helpless and unproductive suffering. In the process of a firmly agreed-upon separation, however, the pain itself constitutes an important investment in the renewal and fresh start that is to be achieved on both sides. People in your situation might have to communicate as friends. But then these two separated lives should remain without any knowledge of the other for a period and exist as far apart and as detached from the other as possible. This is necessary for each life to base itself firmly on its new requirements and circumstances. Any subsequent contact (which may then be truly new and perhaps very happy) has to remain a matter of unpredictable design and direction. If you find that you scare yourself.
Rainer Maria Rilke (Letters on Life)
People who think that queer life consists of sex without intimacy are usually seeing only a tiny part of the picture, and seeing it through homophobic stereotype. The most fleeting sexual encounter is, in its way intimate. And in the way many gay men and lesbians live, quite casual sexual relations can develop into powerful and enduring friendships. Friendships, in turn, can cross into sexual relations and back. Because gay social life is not as ritualized and institutionalized as straight life, each relation is an adventure in nearly un-charted territory—whether it is between two gay men, or two lesbians, or a gay man and a lesbian, or among three or more queers, or between gay men and the straight women whose commitment to queer culture brings them the punishment of the "fag hag" label. There are almost as many kinds of relationship as there are people in combination. Where there are -patterns, we learn them from other queers, not from our-parents or schools or the state. Between tricks and lovers and exes and friends and fuckbuddies and bar friends and bar friends' tricks and tricks' bar friends and gal pals and companions "in the life," queers have an astonishing range of intimacies. Most have no labels. Most receive no public recognition. Many of these relations are difficult because the rules have to be invented as we go along. Often desire and unease add to their intensity, and their unpredictability. They can be complex and bewildering, in a way that arouses fear among many gay people, and tremendous resistance and resentment from many straight people. Who among us would give them up? Try standing at a party of queer friends and charting all the histories, sexual and nonsexual, among the people in the room. (In some circles this is a common party sport already.) You will realize that only a fine and rapidly shifting line separates sexual culture from many other relations of durability and care. The impoverished vocabulary of straight culture tells us that people should be either husbands and wives or (nonsexual) friends. Marriage marks that line. It is not the way many queers live. If there is such a thing as a gay way of life, it consists in these relations, a welter of intimacies outside the framework of professions and institutions and ordinary social obligations. Straight culture has much to learn from it, and in many ways has already begun to learn from it. Queers should be insisting on teaching these lessons. Instead, the marriage issue, as currently framed, seems to be a way of denying recognition to these relations, of streamlining queer relations into the much less troubling division of couples from friends.
Michael Warner (The Trouble with Normal: Sex, Politics, and the Ethics of Queer Life)
I really, really hope she’s not standing me up. I sort of hate that she’s unpredictable now. A really big piece of me misses when I was a part of her life. I was her best friend and her lover. She shared her thoughts with me, her hopes, and even her dreams. We dreamed together, we laughed together—I knew every thought she had, every tear she shed. Now I’m an outsider, waiting for her to decide to call me. I miss the days when it wasn’t even a question if I was worth her time.
Anna Todd (Nothing More (Landon Gibson, #1))
Like Job’s three friends, we naturally conclude that good people get good stuff and bad people get bad stuff. The idea that bad people get good stuff is thickly counterintuitive; it seems terribly unfair and offends our sense of justice. Even those of us who have tasted the radical saving grace of God find it intuitively difficult not to put conditions on grace.… Grace is radically unbalanced. It has no “but”; it is unconditional, uncontrollable, unpredictable, and undomesticated.
Preston Sprinkle (Charis: God's Scandalous Grace for Us)
The child in Bethlehem would grow up to be a friend of sinners, not a friend of Rome. He would spend his life with the ordinary and the unimpressive. He would pay deep attention to lepers and cripples, to the blind and the beggar, to prostitutes and fishermen, to women and children. He would announce the availability of a kingdom different from Herod’s, a kingdom where blessing—of full value and worth with God—was now conferred on the poor in spirit and the meek and the persecuted.
John Ortberg (Who Is This Man?: The Unpredictable Impact of the Inescapable Jesus)
I draw all the time. I draw cartoons of my mother and father; my sister and grandmother; my best friend, Rowdy; and everybody else on the rez. I draw because words are two unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture, everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
Sherman Alexie
St. Leonard’s Police Station DS Siobhan Clarke (pronounced “Shiv-awn”) DI Derek Linford no friend to Rebus, disliked by Siobhan DCS Gill Templer officer in charge of St. Leonard’s DC David Hynds a new recruit DS George “Hi-Ho” Silvers officer with both eyes on approaching pension DC Grant Hood young and unpredictable officer with a crush on Siobhan DC Phyllida Hawes tough female officer, usually based at Gayfield Square DCI Bill Pryde second in command to DCS Gill Templer The Edward Marber Murder Case Edward Marber murdered Edinburgh art dealer Cynthia Bessant friend of the
Ian Rankin (Resurrection Men (Inspector Rebus, #13))
Dear friends, my brain— Unpredictable as it was—is even more unpredictable now. But thank God for all of the ways in which we compensate For our deficiencies. In order to play Ping-Pong—in order to make it Through this crazy life—I needed somebody to step in and take   The next shot. So let’s call this a Ping-Pong prayer. Let’s call it A Ping-Pong jubilation. I am not alone in this world. I am not Alone in this world. I am not alone in this world. I am not alone In this world. I will never be alone, my friends, and as long as I am Alive to be your teammate, neither will any of you.
Sherman Alexie (You Don't Have to Say You Love Me)
Adventures are not predictable and moderately exciting, with predetermined outcomes. Adventures are things going wrong: situations you don't expect, friends who betray you, equipment that fails when you most need it, enemies who are stronger and even smarter than you, and the possibility--no, the certainty, at times--that you will be injured or die. And it is for the real adventures--the ones where your knowledge, your skills, and your strength of character are necessary to complete your assigned mission--that the carefully designed training adventures here in the Academy prepare you.
Elizabeth Moon (Into the Fire (Vatta's Peace, #2))
How Robin would have loved this!’ the aunts used to say fondly. 'How Robin would have laughed!’ In truth, Robin had been a giddy, fickle child - somber at odd moments, practically hysterical at others - and in life, this unpredictability had been a great part of his charm. But his younger sisters, who had never in any proper sense known him at all, nonetheless grew up certain of their dead brother’s favorite color (red); his favorite book (The Wind in the Willows) and his favorite character in it (Mr. Today); his favorite flavor of ice cream (chocolate) and his favorite baseball team (the Cardinals) and a thousand other things which they - being living children, and preferring chocolate ice cream one week and peach the next - were not even sure they knew about themselves. Consequently their relationship with their dead brother was of the most intimate sort, his strong, bright, immutable character shining changelessly against the vagueness and vacillation of their own characters, and the characters of people that they knew; and they grew up believing that this was due to some rare, angelic incandescence of nature on Robin’s part, and not at all to the fact that he was dead.
Donna Tartt (The Little Friend)
I don’t know when I started to realize that my country’s past was incomprehensible and obscure to me, a real shadowy terrain, nor can I remember the precise moment when all that i’d believed so trustworthy and predictable—the place I’d grown up, whose language I speak and customs I know, the place whose past I was taught in school and in university, whose present I have become accustomed to interpreting and pretending I understand—began to turn into a place of shadows out of whcih jumped horrible creatures as soon as we dropped our guard. With time I have come to think that this is the true reason why writers write aboutn the places of childhood and adolescence and even their early touth: you don’t write about what you know and understand, and much less do you write because you know and understand, but because you understand that all your knowledge and comprehension is false, a mirage and an illusion, so your books are not, could not be, more than elaborate displays of disorientation: extensive and multifarious declarations of preplexity. All that I thought was so clear, you then think, now turns out to be full of duplicities and hidden intentions, like a friend who betrays us. To that revelation, which is always annoying and often frankly painful, the writer responds in the only way one knows how: with a book. And that’s how you try to mitigate your disconcertion, reduce the space between what you don’t know and what can be known, and most of all resolve your profound disagreement with that unpredictable reality. “Out of the quarrel with others we make rhetoric,” wrote Yeats. “Out of the quarrel with ourselves we make poetry.” And what happens when both quarrels arise at the same time, when fighting with the world is a reflection or a transfiguration of the subterranean but constant confrontation you have with yourself? Then you write a book like the one I’m writing now, and blindly trust that the book will mean something to somebody else.
Juan Gabriel Vásquez (La forma de las ruinas)
When I heard about Randy’s death, I instantly thought about the movie Stand by Me, based on the novella The Body, by Stephen King. I thought about the end of that movie, when we learn that Chris Chambers, played as a kid by River Phoenix, became a lawyer. And we also learn that he was stabbed to death while trying to break up a fight in a fast-food restaurant. A tragic, unpredictable death. I have seen that movie a hundred times, at least, but I still cry every time. And I really cry when Gordie Lachance, played by Richard Dreyfuss as an adult, types those amazing, amazing words: I never had any friends later on like the ones I had when I was twelve. Jesus, does anyone?
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
Soon after Justine Sacco's shaming, I was talking with a friend, a journalist, who told me he had so many jokes, little observations, potentially risqué thoughts, that he wouldn't dare to post online anymore. 'I suddenly feel with social media like I'm tiptoeing around an unpredictable, angry, unbalanced parent who might strike out at any moment,' he said. 'It's horrible.' He didn't want me to name him, he said, in case it sparked something off. We see ourselves as nonconformist, but I think all of this is creating a more conformist, conservative age. 'Look!' we're saying. 'WE'RE normal! THIS is the average!' We are defining the boundaries of normality by tearing apart the people outside of it.
Jon Ronson (So You've Been Publicly Shamed)
Groupies and hangers-on somehow fancy themselves entitled to the narcissist’s favour and largesse, his time, attention, and other resources. They convince themselves that they are exempt from the narcissist’s rage and wrath and immune to his vagaries andabuse . This self-imputed and self-conferred status irritates the narcissist no end as it challenges and encroaches on his standing as the only source of preferential treatment and the sole decision-maker when it comes to the allocation of his precious and cosmically significant wherewithal. The narcissist is the guru at the centre of a cult. Like other gurus, he demands complete obedience from his flock: his spouse, his offspring, other family  members, friends, and colleagues. He feels entitled to adulation and special treatment by his followers. He punishes the wayward and the straying lambs. He enforces discipline, adherence to his teachings, and common goals. The less accomplished he is in reality – the more stringent his mastery and the more pervasive the brainwashing. Cult leaders are narcissists who failed in their mission to "be someone", to become famous, and to impress the world with their uniqueness, talents, traits, and skills. Such disgruntled narcissists withdraw into a "zone of comfort" (known as the "Pathological Narcissistic Space") that assumes the hallmarks of a cult. The – often involuntary – members of the narcissist's mini-cult inhabit a twilight zone of his own construction. He imposes on them an exclusionary or inclusionary shared psychosis, replete with persecutory delusions, "enemies", mythical-grandiose narratives, and apocalyptic scenarios if he is flouted. Exclusionary shared psychosis involves the physical and emotional isolation of the narcissist and his “flock” (spouse, children, fans, friends) from the outside world in order to better shield them from imminent threats and hostile intentions. Inclusionary shared psychosis revolves around attempts to spread the narcissist’s message in a missionary fashion among friends, colleagues, co-workers, fans, churchgoers, and anyone else who comes across the mini-cult. The narcissist's control is based on ambiguity, unpredictability, fuzziness, and ambientabuse . His ever-shifting whims exclusively define right versus wrong, desirable and unwanted, what is to be pursued and what to be avoided. He alone determines the rights and obligations of his disciples and alters them at will.
Sam Vaknin
A few days ago. I don’t know where they all are or whether they’ll arrive in time. Maeve might not let them come—or some of them might not even ask her. They can be … unpredictable. And it may be that I just get the order to return to Doranelle, and—” “You actually called for aid?” His eyes narrowed. I just said that I did. She stood, and he retreated a step. What changed your mind? Some things are worth the risk. He didn’t back away again as she approached and said with every ember left in her shredded heart, “I claim you, Rowan Whitethorn. I don’t care what you say and how much you protest. I claim you as my friend.” He just turned to the washbasin again, but she caught the unspoken words that he’d tried to keep her from reading on his face. It doesn’t matter. Even if we survive, when we go to Doranelle, you will walk out of Maeve’s realm alone.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Charlie, I want to get married," she said. "Well, so do I, darling -" "No, you don't understand," she said. "I want to get married right now." Froggy knew from the desperate look in her eyes that Red was dead serious. "Sweetheart, are you sure now is a good time?" he said. "I'm positive," Red said. "If the last month has taught me anything, it's how unpredictable life can be - especially when you're friends with the Bailey twins. This could very well be the last chance we'll ever get! Let's do it now, in the Square of Time, before another magical being can tear us apart!" The idea made Froggy's heart fill with joy, but he wasn't convinced it was the right thing to do. "Are you sure this is the wedding you want?" he asked. "I don't mean to be crude, but the whole street is covered in a witch's remains." A large and self-assured smile grew on Red's face. "Charlie, I can't think of a better place to get married than on the ashes of your ex-girlfriend," she said. "Mother Goose, will you do the honors?" Besides being pinned to the ground by a three-ton lion statue, Mother Goose couldn't think of a reason why she couldn't perform the ceremony. "I suppose I'm available," she said. "Wonderful!" Red squealed. "And for all intents and purposes, we'll say the Fairy Council are our witness, Conner is the best man, and Alex is my maid of honor. Don't worry, Alex! This will only take a minute and we'll get right back to helping you!" Red and Froggy joined hands and stood in the middle of Times Square as Mother Goose officiated the impromptu wedding. "Dearly beloved, we are gathered here today - against our will - to unexpectedly watch this frog and woman join in questionable matrimony. Do you, Charlie Charming, take Red Riding Hood as your lovably high-maintenance wife?" "I do," Froggy declared. "And do you, Red Riding Hood, take Charlie Charming as your adorably webfooted husband?" "I do," Red said. "Then it is with the power mistrusted in me that I now pronounce you husband and wife! You may kiss the frog!" Red and Froggy shared their first kiss as a married couple, and their friends cheered. "Beautiful ceremony, my dear," Merlin said. "Believe it or not, this isn't the strangest wedding I've been to," Mother Goose said.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
The book I have not yet written one word of is a thing of indescribable beauty, unpredictable in its patterns, piercing in its color, so wild and loyal in its nature that my love for this book, and my faith in its as I track its lazy flight, is the single perfect joy in my life. It is the greatest novel in the history of literature, and I have thought it up, and all I have to do is put it down on paper and then everyone can see this beauty that I see. And so I do. When I can’t think of another stall, when putting it off has actually become more painful than doing it, I reach up and pluck the butterfly from the air. I take it from the region of my head and I press it down against my desk, and there, with my own hand, I kill it. It’s not that I want to kill it, but it’s the only way I can get something that is so three-dimensional onto the flat page. Just to make sure the job is done I stick it into lace with a pin. Imagine running over a butterfly with an SUV. Everything that was beautiful about this living thing-all the color, the light and movement-is gone. What I’m left with is the dry husk of my friend, the broken body chipped, dismantled, and poorly reassembled. Dead. That’s my book.
Ann Patchett
Tegularius was a willful, moody person who refused to fit into his society. Every so often he would display the liveliness of his intellect. When highly stimulated he could be entrancing; his mordant wit sparkled and he overwhelmed everyone with the audacity and richness of his sometimes somber inspirations. But basically he was incurable, for he did not want to be cured; he cared nothing for co-ordination and a place in the scheme of things. He loved nothing but his freedom, his perpetual student status, and preferred spending his whole life as the unpredictable and obstinate loner, the gifted fool and nihilist, to following the path of subordination to the hierarchy and thus attaining peace. He cared nothing for peace, had no regard for the hierarchy, hardly minded reproof and isolation. Certainly he was a most inconvenient and indigestible component in a community whose idea was harmony and orderliness. But because of this very troublesomeness and indigestibility he was, in the midst of such a limpid and prearranged little world, a constant source of vital unrest, a reproach, an admonition and warning, a spur to new, bold, forbidden, intrepid ideas, an unruly, stubborn sheep in the herd. And, to our mind, this was the very reason his friend cherished him.
Hermann Hesse (The Glass Bead Game)
What is so rewarding about friendship?” my son asked, curling his upper lip into a sour expression. “Making friends takes too much time and effort, and for what?” I sat on the edge of his bed, understanding how it might seem simpler to go at life solo. “Friendship has unique rewards,” I told him. “They can be unpredictable. For instance....” I couldn’t help but pause to smile crookedly at an old memory that was dear to my heart. Then I shared with my son an unforgettable incident from my younger years. “True story. When I was about your age, I decided to try out for a school play. Tryouts were to begin after the last class of the day, but first I had to run home to grab a couple props for the monologue I planned to perform during tryouts. Silly me, I had left them at the house that morning. Luckily, I only lived across a long expanse of grassy field that separated the school from the nearest neighborhood. Unluckily, it was raining and I didn’t have an umbrella. “Determined to get what I needed, I raced home, grabbed my props, and tore back across the field while my friend waited under the dry protection of the school’s wooden eaves. She watched me run in the rain, gesturing for me to go faster while calling out to hurry up or we would be late. “The rain was pouring by that time which was added reason for me to move fast. I didn’t want to look like a wet rat on stage in front of dozens of fellow students. Don’t ask me why I didn’t grab an umbrella from home—teenage pride or lack of focus, I’m not sure—but the increasing rain combined with the hollering from my friend as well as my anxious nerves about trying out for the play had me running far too fast in shoes that lacked any tread. “About a yard from the sidewalk where the grass was worn from foot traffic and consequently muddied from the downpour of rain, I slipped and fell on my hind end. Me, my props, and my dignity slid through the mud and lay there, coated. My things were dripping with mud. I was covered in it. I felt my heart plunge, and I wanted to cry. I probably would have if it hadn’t been for the wonderful thing that happened right then. My crazy friend ran over and plopped herself down in the mud beside me. She wiggled in it, making herself as much a mess as I was. Then she took my slimy hand in hers and pulled us both to our feet. We tried out for the play looking like a couple of swine escaped from a pigsty, laughing the whole time. I never did cry, thanks to my friend. “So yes, my dear son, friendship has its unique rewards—priceless ones.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
What It’s Like to Be a Six I’m always imagining and planning for the worst. I often don’t trust people who are in authority. People say I am loyal, understanding, funny and compassionate. Most of my friends don’t have as much anxiety as I do. I act quickly in a crisis, but when things settle down I fall apart. When my partner and I are doing really well in our relationship I find myself wondering what will happen to spoil it. Being sure I’ve made the right decision is almost impossible. I’m aware that fear has dictated many of my choices in life. I don’t like to find myself in unpredictable situations. I find it hard to stop thinking about the things I’m worried about. I’m generally not comfortable with extremes. I usually have so much to do it’s hard for me to finish tasks. I’m most comfortable when I’m around people who are pretty much like me. People tell me I can be overly pessimistic. I am slow to start, and once I do get started I find myself continuing to think about what could go wrong. I don’t trust people who give me too many compliments. It helps me to have things in some kind of order. I like to be told I am good at my job, but I get very nervous when my boss wants to add to my responsibilities. I have to know people for a long time before I can really trust them. I am skeptical of things that are new and unknown.
Ian Morgan Cron (The Road Back to You: An Enneagram Journey to Self-Discovery)
During the months (or years) it takes me to put my ideas together, I don’t take notes or make outlines; I’m figuring things out, and all the while the book makes a breeze around my head like an oversized butterfly whose wings were cut from the rose window in Notre Dame. This book I have not yet written one word of is a thing of indescribable beauty, unpredictable in its patterns, piercing in its color, so wild and loyal in its nature that my love for this book, and my faith in it as I track its lazy flight, is the single perfect joy in my life. It is the greatest novel in the history of literature, and I have thought it up, and all I have to do is put it down on paper and then everyone can see this beauty that I see. And so I do. When I can’t think of another stall, when putting it off has actually become more painful than doing it, I reach up and pluck the butterfly from the air. I take it from the region of my head and I press it down against my desk, and there, with my own hand, I kill it. It’s not that I want to kill it, but it’s the only way I can get something that is so three-dimensional onto the flat page. Just to make sure the job is done I stick it into place with a pin. Imagine running over a butterfly with an SUV. Everything that was beautiful about this living thing—all the color, the light and movement—is gone. What I’m left with is the dry husk of my friend, the broken body chipped, dismantled, and poorly reassembled. Dead. That’s my book.
Ann Patchett (This Is the Story of a Happy Marriage)
Consider a world in which cause and effect are erratic. Sometimes the first precedes the second, sometimes the second the first. Or perhaps cause lies forever in the past while effect in the future, but future and past are entwined. On the terrace of the Bundesterrasse is a striking view: the river Aare below and the Bernese Alps above. A man stands there just now, absently emptying his pockets and weeping. Without reason, his friends have abandoned him. No one calls any more, no one meets him for supper or beer at the tavern, no one invites him to their home. For twenty years he has been the ideal friend to his friends, generous, interested, soft-spoken, affectionate. What could have happened? A week from this moment on the terrace, the same man begins acting the goat, insulting everyone, wearing smelly clothes, stingy with money, allowing no one to come to his apartment on Laupenstrasse. Which was cause and which effect, which future and which past? In Zürich, strict laws have recently been approved by the Council. Pistols may not be sold to the public. Banks and trading houses must be audited. All visitors, whether entering Zürich by boat on the river Limmat or by rail on the Selnau line, must be searched for contraband. The civil military is doubled. One month after the crackdown, Zürich is ripped by the worst crimes in its history. In daylight, people are murdered in the Weinplatz, paintings are stolen from the Kunsthaus, liquor is drunk in the pews of the Münsterhof. Are these criminal acts not misplaced in time? Or perhaps the new laws were action rather than reaction? A young woman sits near a fountain in the Botanischer Garten. She comes here every Sunday to smell the white double violets, the musk rose, the matted pink gillyflowers. Suddenly, her heart soars, she blushes, she paces anxiously, she becomes happy for no reason. Days later, she meets a young man and is smitten with love. Are the two events not connected? But by what bizarre connection, by what twist in time, by what reversed logic? In this acausal world, scientists are helpless. Their predictions become postdictions. Their equations become justifications, their logic, illogic. Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world? In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective. Most people have learned how to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. Families comfort a dying uncle not because of a likely inheritance, but because he is loved at that moment. Employees are hired not because of their résumés, but because of their good sense in interviews. Clerks trampled by their bosses fight back at each insult, with no fear for their future. It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.
Alan Lightman (Einstein's Dreams)
He was a good, even a shining light as a Castalian to the extent that he had a many-sided mind, tirelessly active in scholarship as well as in the art of the Glass Bead Game, and enormously hard-working; but in character, in his attitude toward the hierarchy and the morality of the Order he was a very mediocre, not to say bad Castalian. The greatest of his vices was a persistent neglect of meditation, which he refused to take seriously. The purpose of meditation, after all, is adaptation of the individual to the hierarchy, and application in it might very well have cured him of his neurasthenia. For it infallibly helped him whenever, after a period of bad conduct, excessive excitement, or melancholia, his superiors disciplined him by prescribing strict meditation exercises under supervision. Even Knecht, kindly disposed and forgiving though he was, frequently had to resort to this measure. There was no question about it: Tegularius was a willful, moody person who refused to fit into his society. Every so often he would display the liveliness of his intellect. When highly stimulated he could be entrancing; his mordant wit sparkled and he overwhelmed everyone with the audacity and richness of his sometimes somber inspirations. But basically he was incurable, for he did not want to be cured; he cared nothing for co-ordination and a place in the scheme of things. He loved nothing but his freedom, his perpetual student status, and preferred spending his whole life as the unpredictable and obstinate loner, the gifted fool and nihilist, to following the path of subordination to the hierarchy and thus attaining peace. He cared nothing for peace, had no regard for the hierarchy, hardly minded reproof and isolation. Certainly he was a most inconvenient and indigestible component in a community whose idea was harmony and orderliness. But because of this very troublesomeness and indigestiblity he was, in the midst of such a limpid and prearranged little world, a constant source of vital unrest, a reproach, an admonition and warning, a spur to new, bold, forbidden, intrepid ideas, an unruly, stubborn sheep in the herd. And, to our mind, this was the very reason his friend cherished him.
Hermann Hesse (The Glass Bead Game)
The hurricane was almost upon her. If she didn’t leave right now, dragons on the lost continent would die. Dragons who might one day be her friends, if she saved them. Dragons who had no idea what was bearing down on them, because there was no one there to warn them. Yet. Clearsight took a deep breath, vaulted into the sky, and pointed herself west. Her mind immediately started flashing through all the ways she could die in the next two days. This was why she hated flying in storms. They were too unpredictable; the smallest twitch of the wind in the wrong direction could send her plummeting to the rocks below, or drive a stray palm branch into her heart. Don’t think about that. Think about the dragons who need you. The other vision was fading; the one where she flew southeast and hid. In that one, she’d arrived on the lost continent in the hurricane’s aftermath. The images of the devastation and dead bodies would be hard to shake off, even if she prevented them in reality. Will they believe me? Will they listen to me? In some of her visions, they did; in some, they didn’t. All she could do was fly her hardest and hope. The hurricane fought her at every wingbeat, as if it knew she was trying to snatch victims from its claws. Rain battered her ferociously. She felt like she’d be driven into the endless sea at any moment. Or maybe she’d drown up here, in the waterlogged sky. But this was only the outer edge of the storm; there was far worse still to come. Clearsight was trying to reach land before the really terrible fury behind her did. She couldn’t stop, couldn’t slow down for a moment. At one point she glanced back and saw a spout of water sucked into the air. In the middle of it, an orca flailed desperately, before the storm flung it away. A while later, after the sun had apparently been swallowed for good, Clearsight saw an entire hut fly by her, then splinter apart. She had to duck quickly to a lower air current to avoid the debris. Where had it come from? Who had lived in it? She would never know, her visions told her. And then, when Clearsight was beginning to lose all feeling in her wings, she saw a shape loom out of the clouds ahead. A cliff. Land. A lot of land. A whole continent, in fact.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
There are many types of teachers out there from many traditions. Some are very ordinary and some seem to radiate spirituality from every pore. Some are nice, some are indifferent, and some may seem like sergeants in boot camp. Some stress reliance on one’s own efforts, others stress reliance on the grace of the guru. Some are very available and accessible, and some may live far away, grant few interviews, or have so many students vying for their time that you may rarely get a chance to talk with them. Some seem to embody the highest ideals of the perfected spiritual life in their every waking moment, while others may have many noticeable quirks, faults and failings. Some live by rigid moral codes, while others may push the boundaries of social conventions and mores. Some may be very old, and some may be very young. Some may require strict commitments and obedience, while others may hardly seem to care what we do at all. Some may advocate very specific practices, stating that their way is the only way or the best way, while others may draw from many traditions or be open to your doing so. Some may point out our successes, while others may dwell on our failures. Some may stress renunciation or even ordination into a monastic order, while others seem relentlessly engaged with “the world.” Some charge a bundle for their teachings, while others give theirs freely. Some like scholarship and the lingo of meditation, while others may never use or even openly despise these formal terms and conceptual frameworks. Some teachers may be more like friends or equals that just want to help us learn something they happened to be good at, while others may be all into the hierarchy, status and role of being a teacher. Some teachers will speak openly about attainments, and some may not. Some teachers are remarkably predictable in their manner and teaching style, while others swing wide in strange and unpredictable ways. Some may seem very tranquil and mild mannered, while others may seem outrageous or rambunctious. Some may seem extremely humble and unimposing, while others may seem particularly arrogant and presumptuous. Some are charismatic, while others may be distinctly lacking in social skills. Some may readily give us extensive advice, and some just listen and nod. Some seem the living embodiment of love, and others may piss us off on a regular basis. Some teachers may instantly click with us, while others just leave us cold. Some teachers may be willing to teach us, and some may not. So far as I can tell, none of these are related in any way to their meditation ability or the depths of their understanding. That is, don’t judge a meditation teacher by their cover. What is important is that their style and personality inspire us to practice well, to live the life we want to live, to find what it is we wish to find, to understand what we wish to understand. Some of us may wander for a long time before we find a good fit. Some of us will turn to books for guidance, reading and practicing without the advantages or hassles of teachers. Some of us may seem to click with a practice or teacher, try to follow it for years and yet get nowhere. Others seem to fly regardless. One of the most interesting things about reality is that we get to test it out. One way or another, we will get to see what works for us and what doesn’t, what happens when we do certain practices or follow the advice of certain teachers, as well as what happens when we don’t.
Daniel M. Ingram (Mastering the Core Teachings of the Buddha: An Unusually Hardcore Dharma Book)
Today's enemies can be your friends tomorrow. And today's friends can be tomorrow's enemies. What you reject today, you could accept tomorrow. And what you accept today, you could reject tomorrow. Never say never unless you can predict the future. Unforeseeable circumstances can make a rich man, poor - And a poor man, rich. And unpredictable experiences can also make a good man, bad - And a bad man, good. Like the weather or bonds between lovers, Transformations cannot always be predicted. All energy transmutes one day or another, In one way or another, Either in its form or composition, Or in its position or disposition. Today will always offer new experiences, And tomorrow will always offer new opportunities. But if you heed to yesterday's lessons, You can shape your present and future To be filled with positive relationships And beautiful blessings. TODAY AND TOMORROW by Suzy Kassem THE SPRING FOR WISDOM Copyright 1993
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Life aboard ship was like living in paradise for my agile friend and he could have continued this way forever if he hadn't discovered a splendid new game. When the stevedores were loading or discharging the ship, Peanut would hop onto the edge of the hatch and urinate down on them. Oh what great fun he had, never thinking that they would object to what he was doing. At first they would try to catch him but he was far too agile for them. Not that I understood what they were saying but I knew enough to know that the stevedores were shouting Bassa swearwords at him. Frustrated they would flip him the bird as they climbed down into the hold, foiled again. What a wonderful time Peanut had! His safest refuge was on top of the Wheel House, where the stevedores couldn’t go. Sometimes as a place of last resort he would dive through the open porthole into my state room. He didn’t like the Engine Room, as an alternate route to safety, since it was too hot and noisy. Besides the engineers didn’t much like a monkey messing with their things and who knows what trouble he could get into down there? Peanut, was wonderful entertainment when visitors came aboard. The Pan American flight attendants, they were called stewardesses back then, thought him adorable. I always had roasted peanuts for them to feed him, which he would pick and chew apart, littering the deck. The stewardess’s that came for my famous pizza parties always tried to pick him up and cuddle with him. Monkeys are unpredictable so I cautioned them to be careful but being such a cute little guy they seldom were. Ear rings were a favorite piece of jewelry to tug on, causing the ladies to scream. Most often he would let go but the wings above their pockets was another matter. Peanut would yank and pull on the insignia until it was his. I knew where he usually hid his loot and so could return their stuff but some of the stewardesses flew home without their wings.
Hank Bracker
The last Melnibonean thinks of his people's history and legends, and he tells his human friends some of what he knows and one day a human scribe will write these remembered words which will become in turn the foundation for whole cycles of myths, whole volumes of legend and superstition, so that a grain of a grain of prehuman memory is carried over to us, blood to blood, life to life, And the cycles turn and spin and intersect at unpredictable points in an eternity of possibilities, paradoxes and conjunctions, and one tale feeds another and one anecdote provides others with entire epics. Thus we influence past, present and future and all their possibilities. Thus are we all responsible for one another, through all the myriad dimensions of time and space that make up the multiverse...
Michael Moorcock (Elric: The Stealer of Souls (Eternal Champion, #11))
What an unpredictable and alienlike creature he is. That is indeed my friend, my cat.
Brianna Zhong
Most people enjoyed their summer break. The sunshine, the beach, the cold drinks on a hot day, and, most importantly, not being at school. But not Hannah, she didn’t find them interesting at all. Of course, most people didn’t enjoy school as much as she did. There was something about the buzz of getting things right, the way things were organized, and the idea you had to do something a certain way that just pleased her. It was everything else in the world that scared her. Unpredictability was a nightmare. Hannah slumped on the chair, counting in her head how many days she had to wait for the chaos to be restored. Ninety-three, that’s how many. She considered making a countdown calendar, that would take up a few minutes of her boring existence. “You’re not going to laze about here all summer.” Her mother, the irrepressible Coco, butted into her thoughts. She stood over her, both hands on her hips, with that ‘I’m not taking no for an answer’ look on her face. Hannah hated that look. “Well you wouldn’t let me go to summer school, so what am I supposed to do?” “Get a job, I don’t care, just get out of this house. Be normal for once in your life and have some fun.” Coco turned and left her there, letting her words sink into the seemingly impenetrable skull of her daughter. Hannah waited just long enough for it not to be because she was told, to get up and do as she was told. She picked up her handbag and made a point of slamming the front door behind her. So she was outside of the house, just like Coco ordered her. But now what? She looked from left to right at the other houses in the street. They were all exactly the same, two storey, shutters on the windows, friendly doormats on the porches. It seemed like the entire world was conforming and giving up on any hope of being an individual.
Jamie Campbell (A Hairy Tail (A Hairy Tail, #1))
HAVE FRIENDS Most comedians have a group of friends they grow and change with. Gossip and decompression are key, but so are people you trust who will tell you what they think, good or bad, and who you know are going through the same things you are. Standup comedy PTSD bonds can last a lifetime. Also, it’s good to care about how someone else is doing. Narcissism is exhausting!
Joe Randazzo (Funny on Purpose: The Definitive Guide to an Unpredictable Career in Comedy)
Alicia hated confrontation, hated to disappoint or upset her family. Her role had always been the sensible one, the peacekeeper, the organiser. She had never had the teenaged rebellion that many of her friends had gone through. Alicia realized now that she had spent her whole life trying to be inconspicuous, unnoticed, unremarkable. She dressed conservatively, never showing her body or doing anything to draw attention to herself. It was not through shyness she now understood. It was an attempt to protect herself from a world that was cruel and unpredictable and where no-one could be trusted.
Sheryl Lee (Living a Lie)
If you have homes, I suggest you flee them. If you have friends, I suggest you warn them. If you have children, did you not know how dangerous and unpredictable the world was when you created a defenseless tiny human within it? And
Joseph Fink (The Great Glowing Coils of the Universe (Welcome to Night Vale Episodes, #2))
Luck is unpredictable. She’s not your friend. She won’t stand by you.
Francine Pascal (Sam (Fearless, #2))
GRIEF IS THE MOST NATURAL HUMAN EXPERIENCE THERE IS, AND YET SOMEHOW THE MOST UNCOMFORTABLE AND UNPREDICTABLE. LIKE ANY PROCESS, WE MUST BE WILLING TO EXPERIMENT AND EVOLVE
Addison Brasil (First Year of Grief Club : A Gift From A Friend Who Gets It)
seldom traveled. Not really. Travel was too damn unpredictable. Instead, they contrived daydreams. They chose template fictions that matched, or came close enough to, the vacation they wanted to describe to their friends back home.
Randy Wayne White (Mangrove Lightning (Doc Ford #24))
unpredictable relationships, news media that leave us feeling scared and angry, social media that allow us to pick fights online. This is why we are drawn to vent to friends and chronically complain; these behaviors help us remain in a heightened state. Nonactivated peace is dull and unfamiliar. Our
Nicole LePera (How to Do the Work: Recognize Your Patterns, Heal from Your Past, and Create Your Self)
unpredictable relationships, news media that leave us feeling scared and angry, social media that allow us to pick fights online. This is why we are drawn to vent to friends and chronically complain; these behaviors help us remain in a heightened state. Nonactivated peace is dull and unfamiliar. Our body and mind seek the familiar, even if it is painful, and many of us are left ultimately feeling ashamed about and confused by our behavior.
Nicole LePera (How to Do the Work: Recognize Your Patterns, Heal from Your Past, and Create Your Self)
Look at stocks as part ownership of a business. 2. Look at Mr. Market—volatile stock price fluctuations—as your friend rather than your enemy. View risk as the possibility of permanent loss of purchasing power, and uncertainty as the unpredictability regarding the degree of variability in the possible range of outcomes. 3. Remember the three most important words in investing: “margin of safety.” 4. Evaluate any news item or event only in terms of its impact on (a) future interest rates and (b) the intrinsic value of the business, which is the discounted value of the cash that can be taken out during its remaining life, adjusted for the uncertainty around receiving those cash flows. 5. Think in terms of opportunity costs when evaluating new ideas and keep a very high hurdle rate for incoming investments. Be unreasonable. When you look at a business and get a strong desire from within saying, “I wish I owned this business,” that is the kind of business in which you should be investing. A great investment idea doesn’t need hours to analyze. More often than not, it is love at first sight. 6. Think probabilistically rather than deterministically, because the future is never certain and it is really a set of branching probability streams. At the same time, avoid the risk of ruin, when making decisions, by focusing on consequences rather than just on raw probabilities in isolation. Some risks are just not worth taking, whatever the potential upside may be. 7. Never underestimate the power of incentives in any given situation. 8. When making decisions, involve both the left side of your brain (logic, analysis, and math) and the right side (intuition, creativity, and emotions). 9. Engage in visual thinking, which helps us to better understand complex information, organize our thoughts, and improve our ability to think and communicate. 10. Invert, always invert. You can avoid a lot of pain by visualizing your life after you have lost a lot of money trading or speculating using derivatives or leverage. If the visuals unnerve you, don’t do anything that could get you remotely close to reaching such a situation. 11. Vicariously learn from others throughout life. Embrace everlasting humility to succeed in this endeavor. 12. Embrace the power of long-term compounding. All the great things in life come from compound interest.
Gautam Baid (The Joys of Compounding: The Passionate Pursuit of Lifelong Learning, Revised and Updated (Heilbrunn Center for Graham & Dodd Investing Series))
When people know what to expect each and every time they do business with you—caring, knowledgeable, and competent employees that won’t let them walk away unhappy—they are more likely to return again with their funds and friends in tow. But if you’re seen as erratic and unpredictable—some days delivering on the service promise, and other days treating standards as “nice to” but not “need to” performance goals—it creates a sense of unease and distrust that has a corrosive effect on loyalty.
Chip R. Bell (Managing Knock Your Socks Off Service)
Play to your strengths. There are many roads to happiness, but almost all of them are found by pursuing your particular strengths, which are likely to change over time. Change is intimidating for almost everyone, as it requires us to move from the known to the unknown, and hence from the predictable to the unpredictable. For this reason, many people remain too long with jobs or hobbies that once suited them but do not anymore. Just because you once loved something doesn’t mean you are destined to always feel that way. Your changing sources of happiness are probably telling you that your old life doesn’t suit you anymore. Seek the original source. Our modern world provides numerous opportunities for happiness that resemble but do not duplicate the original sources. Some are perfectly fine (e.g., TV and movies), some probably do more harm than good (e.g., alcohol, drugs, and junk food), but none is as good as the ancestral originals. Time with family and friends sits at the top of our species’ checklist and is our best recipe for happiness.
William Von Hippel (The Social Leap: The New Evolutionary Science of Who We Are, Where We Come From, and What Makes Us Happy)
The Russians are fascinating, ingenious, creative, sentimental, warm-hearted, generous, obstinately courageous, endlessly tough, often devious, brutal and ruthless. Ordinary Russians firmly believe that they are warmer-hearted then others, more loyal to their friends, more willing to sacrifice themselves for the common good, more devoted to the fundamental truth of life. They give the credit to the Russian soul as broad and all embracing as the Russian land itself. Their passionate sense of Russia's greatness is paradoxically undermined by an underlying and corrosive pessimism and it is tempered by resentment that their country is insufficiently understood and respected by foreigners.
Rodric Braithwaite (Russia: Myths and Realities: The History of a Country with an Unpredictable Past)
Over time (as with other addictions, such as to sugar or sex, or drug or alcohol dependency), our body needs more and more intense experiences to receive the same chemical “hit.” Our subconscious leads us into situations where we can get that hit in increasingly powerful doses: unpredictable relationships, news media that leave us feeling scared and angry, social media that allow us to pick fights online. This is why we are drawn to vent to friends and chronically complain; these behaviors help us remain in a heightened state. Nonactivated peace is dull and unfamiliar. Our body and mind seek the familiar, even if it is painful, and many of us are left ultimately feeling ashamed about and confused by our behavior.
Nicole LePera (How to Do the Work: Recognize Your Patterns, Heal from Your Past, and Create Your Self)
You may be a fierce, brutal, scheming, bloodthirsty girl, but I like you.
GLEN NESBITT (SUS: Short Unpredictable Stories)
In a world of endless choices, unpredictable outcomes, and no guarantees, they are doing the bravest thing two people can do: making a commitment before their friends and family to devote the rest of their lives to each other. We call this a wedding, but really this word derives from an old Germanic word meaning a pledge. And this is worth remembering as we consider what this day is all about. We make few pledges in our modern lives, but today we celebrate with Petra and Alexander as they make their greatest: a pledge to and for each other, not as individuals, but as two that are choosing to become one.
Melanie Martins (Lured into Lies (Blossom in Winter, #3))
Should you do what you love, what’s outrageous and unpredictable, and worry about the future later, or plug away at a steady job first and go off and have your fun when you retire? In
Rachel Friedman (The Good Girl's Guide to Getting Lost: A Memoir of Three Continents, Two Friends, and One Unexpected Adventure)
Roadblock #5: It's Unpredictable By and large, human beings don't like surprises. I know that I don't. Okay, maybe I like that rare piece of unexpected good news or a letter from a friend or a thoughtful thank-you. But I'm willing to bet that people in funny hats jumping out of dark closets are responsible for more heart attacks than expressions of unbridled delight. When the doorbell rings late at night, I'm under no illusion that it's the Publisher's Clearing House Prize Patrol! This, most likely, goes back to our caveman past when a big, exciting surprise was apt to be something like an 800-pound,snarling, saber-toothed tiger about to rip the head from our shoulders. Surprises were usually bad news. (Think about this the next time you're crouching in the dark in somebody's front hall closet with their raincoats and umbrellas.)
Paul Powers (Winning Job Interviews: Reduce Interview Anxiety / Outprepare the Other Candidates / Land the Job You Love)
Calling themselves the Slush Pile Brigade as a nod to the unsolicited writings sent to publishing houses, four friends take on the publishing industry and get caught up in dangerous events beyond their control in Samuel Marquis's The Slush Pile Brigade. This high-energy, rollicking misadventure will change the way you look at the publishing industry forever. The plot--complete with car chases and the requisite gun play--is unpredictable and sometimes turns violent; twists and turns and counterturns abound. So, too, does the humor. Numerous references to classic movies, songs, and literature are sprinkled throughout...The dialogue is superb, especially the rat-a-tat round robin responses given when the Slush Pile Brigade members are in discussion. Be prepared to never look at the publishing world in the same way again." Foreword Reviews - Five Stars (******)
Foreword Reviews Magazine
Change, even if it is positive, can be stressful. At times it will feel like everything is fluctuating—friends relocate, jobs come and go, and even values can vary with cultural trends. It can be difficult to make a decision when everything is so unpredictable. However, the one thing you can hold on to when everything else is shifting is God. No matter what happened today—or what may occur tomorrow—he will never stop loving you, and he is always ready to help you.
Bethany House Publishers (Moments of Peace for the Evening)
In Freudian terms, each of us houses a dark self, an id, a brute that can unpredictably wrest control away from the superego. Thus a pleasant, friendly neighbor, seized by road rage, crashes his car into a semi. A teenager grabs a gun and shoots his friends. A priest rapes a boy. All these otherwise good people assume that they understand themselves. But in the heat of passion, suddenly, with the flip of some interior switch, everything changes.
Dan Ariely (Predictably Irrational: The Hidden Forces That Shape Our Decisions)
Jesus took care of himself. He ate healthy food. He rested when he was weary. He sought time alone when he needed to recharge. He laughed with his friends. He wept when he was sad. He walked long distances and climbed hills and moved. From barren wilderness to unpredictable waters, he spent the majority of his time outside in nature. He loved wholeheartedly. He served others. He cooked. He studied and learned and grew in wisdom. Jesus cared for himself physically, mentally and spiritually. To be aligned with him, we must do no less.
Toni Sorenson (Aligned With Christ)
Life is life. It screws with our plans. It can be cruel and unpredictable.’ Life can also be beautiful and good and great. It can bring us happiness we never imagined. There is no recipe to avoid bad times and have only good ones. My advice is to enjoy the good while it lasts, and when things aren’t great—fight, believe in yourself and never lose hope. If you’re lucky enough to have a family, spouses, kids, and real friends hold on to them tight in joy as well as in sorrow. Hold on to them—period.
Emily Krat (Fears and Scars)
Trying a new food, being honest with a friend, and asking for a promotion are all mystery boxes too.
Tania Luna (Surprise: Embrace the Unpredictable and Engineer the Unexpected)
Stepping out and stepping up can be an intimidating experience, especially in social situations where the outcomes are unpredictable and uncertain. Have you ever been reluctant to . . . • Say "no?" • Request help? • Ask for a raise? • Stand up to a bully? • Talk about tough topics? • Confront a friend or spouse? • Speak up and share your opinion? • Begin a conversation with a stranger? • Deliver a presentation or speak in public? • Talk about the “white elephant” in the room? • Befriend people who are much different than you? • Make sales calls because you don’t want to be rejected? • Approach a new group of people at a networking event? • Go to an event by yourself where you did not know anyone?
Susan C. Young (The Art of Action: 8 Ways to Initiate & Activate Forward Momentum for Positive Impact (The Art of First Impressions for Positive Impact, #4))
Stepping out and stepping up can be an intimidating experience, especially in social situations where the outcomes are unpredictable and uncertain. Have you ever been reluctant to . . . • Say "no?" • Request help? • Ask for a raise? • Stand up to a bully? • Talk about tough topics? • Confront a friend or spouse? • Speak up and share your opinion? • Begin a conversation with a stranger? • Deliver a presentation or speak in public? • Talk about the “white elephant” in the room? • Befriend people who are much different than you? • Make sales calls because you don’t want to be rejected? • Approach a new group of people at a networking event? • Go to an event by yourself where you did not know anyone? Each of these scenarios can strike fear in the hearts of many because each involves risk and potential discomfort. Life holds endless circumstances with a broad and diverse range of challenge or conflict that require you to be brave.
Susan C. Young (The Art of Action: 8 Ways to Initiate & Activate Forward Momentum for Positive Impact (The Art of First Impressions for Positive Impact, #4))
Extroverts typically . . . • Process information externally by verbalizing, collaborating, brainstorming, discussing, sharing their ideas, and communicating until they achieve desired results. • Are rejuvenated and re-charged by being around people, interacting with friends and family, and having dynamic conversations. • Enjoy the excitement and adventure of a new situation or setting. • Tend to be more colorful, unpredictable, daring, stylish, and cluttered in their clothing, home furnishings, offices, and surroundings. • Love meeting new people and making new friends. They enjoy variety and engaging on all levels. • Are very spontaneous, resilient, and adapt well to change.
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
Reflex or Response I did not survive to be untouched. The emotional patterns of our lives are very strong. They often come into being because we've needed them to survive. But sooner or later, we all arrive at moments where the very thing that has saved us is killing us, keeping us from truly living. Being invisible once kept us from being hurt, but now we are vanishing. Or listening once kept us in relation, but now we are drowning in our unheard cries. Or avoiding conflict once kept us out of the line of fire, but now we are thirsting for contact that is real. Early in my life, I learned to protect myself, and this meant that I became very good at catching things. In fact, I never went anywhere without my catcher's mitt. No matter what came at me, nothing could surprise me. And while this saved me from the unpredictable assaults of my family, and even helped me in my odyssey through cancer, it eventually had a life of its own. Everything—birds, women, friends, truth—was intercepted by the quick reflex of my mitt. Eventually, nothing got through, and the very thing that helped me survive was now keeping me from being touched. The softness and wonder of the world was vanishing from my life. But I did not survive to live at a distance from things, and so I began the long and painful process of putting my mitt down, of regaining choice about when and how to protect myself. I began to realize that letting life in was a deeper way to survive.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
Pete has a few methods he uses to help manage people through the fears brought on by pre-production chaos. “Sometimes in meetings, I sense people seizing up, not wanting to even talk about changes,” he says. “So I try to trick them. I’ll say, ‘This would be a big change if we were really going to do it, but just as a thought exercise, what if …’ Or, ‘I’m not actually suggesting this, but go with me for a minute …’ If people anticipate the production pressures, they’ll close the door to new ideas—so you have to pretend you’re not actually going to do anything, we’re just talking, just playing around. Then if you hit upon some new idea that clearly works, people are excited about it and are happier to act on the change.” Another trick is to encourage people to play. “Some of the best ideas come out of joking around, which only comes when you (or the boss) give yourself permission to do it,” Pete says. “It can feel like a waste of time to watch YouTube videos or to tell stories of what happened last weekend, but it can actually be very productive in the long run. I’ve heard some people describe creativity as ‘unexpected connections between unrelated concepts or ideas.’ If that’s at all true, you have to be in a certain mindset to make those connections. So when I sense we’re getting nowhere, I just shut things down. We all go off to something else. Later, once the mood has shifted, I’ll attack the problem again.” This idea—that change is our friend because only from struggle does clarity emerge—makes many people uncomfortable, and I understand why. Whether you’re coming up with a fashion line or an ad campaign or a car design, the creative process is an expensive undertaking, and blind alleys and unforeseen snafus inevitably drive up your costs. The stakes are so high, and the crises that pop up can be so unpredictable, that we try to exert control. The potential cost of failure appears far more damaging than that of micromanaging. But if we shun such necessary investment—tightening up controls because we fear the risk of being exposed for having made a bad bet—we become the kind of rigid thinkers and managers who impede creativity.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
In the aftermath of the attacks on the United States – that included chaotic overall of airline security – and the exploding tensions in Nepal, friends thought it ill-advised for me to board a flight to Kathmandu. Yet my existence at home felt so tenuous and unpredictable that political unrest in Asia barely registered. Also, it seemed more important than ever for me to keep going, not only overseas but also in the direction of a more satisfying life. Somehow the two felt connected.
Gina Greenlee (Belly Up: Surviving and Thriving Beyond a Cruise Gone Bad)
Your candidness is charming and not at all off-putting. Our parents’ friends adore you. You are…lively.” “Lively.” Alex tested the word on her tongue. “That makes me sound like an unpredictable racing horse.” A broad grin spread across Blackmoor’s face and Alex resisted the urge to hit him. That would have been unpredictable. “Do you think me horselike, my lord?” Realizing the threat to his personage, Blackmoor wiped the smile from his face and replied, “Not at all. I said I think you charming.” “A fine start.” “And I appreciate your exuberance.” His eyes glittered with barely contained laughter. “Like that of a child.” Hers sparkled with irritation. “And, of course, you are entertaining.” “Excellent. Like the aforementioned child’s toy.” He couldn’t hide a chuckle. “Not at all. You are a far better companion than any of the toys I had as a child.” “Oh, I am most flattered.” “You should be. I had some tremendous toys.” Eyes wide, she turned on him, catching his laughing gaze. “Oh! You are incorrigible! Between you and my brothers, it’s no wonder I can’t manage to be more of a delicate flower!” Blackmoor stopped in the midst of acknowledging the Viscountess of Hawksmore, who, accompanied by her enormous black poodle, walked past. He turned back to Alex and answered with one eyebrow raised, “I beg your pardon? A delicate flower?” Alex sat back in the curricle, quoting in a singsong voice, “A young lady should be as a delicate flower; a fragile bud, with care, will blossom by the hour.” Blackmoor’s eyes widened. “Where on earth did you hear that rubbish?” “My governess.” “I do not traditionally speak ill of women, but your governess is a cabbagehead.
Sarah MacLean (The Season)
I thought the tribes around here were friendly,” she said, her eyes widening as she looked up at Caleb. His broad shoulders moved in a shrug. “If there’s one thing I’ve learned about the red man, it’s that he’s unpredictable.” Lily bit her lower lip, thinking of all the nights ahead, when she would be alone on her little farm with no one to protect her. Caleb favored her with an indulgent smile. “You don’t need to worry, Lily. You’re safe as long as you don’t go wandering off into the countryside by yourself.” The reassurance didn’t help. How on earth could she run a homestead single-handedly and not be alone? “I’ll just have to buy a rifle and practice my shooting,” she reflected aloud. Even though they hadn’t quite reached the valley, Caleb stopped the rig again. “What did you say?” he asked. Lily sighed. “I want to practice shooting. I used to hunt grouse with Rupert, and—” Caleb was staring at her as though she’d just said she planned to ride to the stars on a moonbeam. “A lady’s got no business fooling with a weapon,” he interrupted. Lily sat up very straight. “You’re certainly entitled to your opinion, Major Halliday,” she said primly, “however antiquated and stupid it might be.” Caleb started the rig rolling again with a lurch, slapping the reins down on the horse’s back. “What would you want with a gun?” he asked after a few moments had passed. Although Lily knew her answer would start more trouble, she could no longer hold it back. “I’ll need it for hunting, of course—and to protect myself, should the need arise. I mean to farm for a living, you see.” “By yourself?” There was a note of marvel in Caleb’s voice. “By myself,” Lily confirmed as the horse and buggy topped a grassy knoll.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Let's say your the girl who saved your best friends life. The person who apparently kept her alive With your love and your constancey. With your steadfast disregard for the worser parts of her nature. Like the way she had, of acting like she and you were the last real people on earth. Then let's say she changed over night. Became elusive, Unpredictable. Treated your love like it was a cage Untill you hit your limit And canceled your constancy. Held your love in reserve. saw her for what she was, and let her know it too. What happens then? What becomes of her life? when your sick of saving it.
Melissa Albert (The Bad Ones)
My family’s leaving tomorrow,” Ned told Mariel at the bar. “But I’d love to take you out for coffee. Or maybe a beer. Or something else? Are you free tonight?” The two seconds awaiting her response became the most fertile pasture of possibilities he’d ever imagined. “Well, some friends and I are going to watch the fireworks by the lake,” she replied. “Would you like to come with?” Sadly, this was not a response he’d anticipated. If he had, he would’ve specified after the fireworks to Mariel, but now it was too late. The word “yes” rose from his heart, and was so big and meaningful it got jammed in his throat against what he was supposed to say. He was supposed to say he had plans with his family. They’d watched the fireworks out on their private dock together every year of his life. It was tradition, and there was no changing it. “Yes,” he said aloud, and he felt for the first time, in that moment, like a decisive man, capable of navigating an unpredictable future.
J. Ryan Stradal (Saturday Night at the Lakeside Supper Club)
Whenever you check your email, you’re expecting a reward, which could be a message from a friend or some exciting news. Whenever you check stats, such as investment portfolio, or website traffic stats, you expect a reward from seeing encouraging numbers. And the unpredictability makes it more exciting. Whenever you visit YouTube, you expect to watch interesting or exciting videos. Whenever you visit social media sites, such as Facebook, Twitter or Instagram, you’re anticipating rewards such as likes or comments on your posts, messages from friends or interesting content.
Thibaut Meurisse (Dopamine Detox : A Short Guide to Remove Distractions and Get Your Brain to Do Hard Things (Productivity Series Book 1))
Finally, after an awkward episode later that evening in which my friend couldn’t get me into a party he was attending, I took a cab back to the hotel, slept on the couch in his suite, and flew back to Chicago just as Al Gore was accepting the nomination. It’s a funny story, especially in light of where I ultimately ended up. It speaks, I tell my audience, to the unpredictable nature of politics, and the necessity for resilience. What I don’t mention is my dark mood on that flight back. I was almost forty, broke, coming off a humiliating defeat and with my marriage strained. I felt for perhaps the first time in my life that I had taken a wrong turn; that whatever reservoirs of energy and optimism I thought I had, whatever potential I’d always banked on, had been used up on a fool’s errand. Worse, I recognized that in running for Congress I’d been driven not by some selfless dream of changing the world, but rather by the need to justify the choices I had already made, or to satisfy my ego, or to quell my envy of those who had achieved what I had not.
Barack Obama (A Promised Land)
When women don’t assert themselves properly and instead let others walk all over them, they resent it, either consciously or unconsciously, and stockpile unexpressed angry feelings. Those resentful feelings that weren’t expressed in the original situation will tumble out and be expressed indirectly in other situations, leading to unpredictable explosions over minor annoyances or to subtle, passive-aggressive expressions [...] any woman who believes that Christians should be “sugar and spice and everything nice” 24/7 is going to build up an imposing stockpile of simmering anger. And that festering resentment is rocket fuel for passive-aggressive responses
Paul Coughlin (No More Christian Nice Girl: When Just Being Nice--Instead of Good--Hurts You, Your Family, and Your Friends)
I found that people with addictions weren’t driven only by drugs. Moreover, they weren’t any more antisocial or criminal than people I’d grown up with, many of whom rarely or never got high; in fact, their behavior wasn’t much different from what I’d engaged in myself with my friends back home. They didn’t seem overwhelmed by craving: they basically sought drug rewards in the same way that they sought sex or food. I began to see that their drug-related behavior wasn’t really that special and to think that perhaps their drive to take drugs obeyed the same rules that applied to these other human desires. The notion that addiction was some kind of “character defect” or extreme condition that created completely unpredictable and irrational actions began to seem misguided.
Carl L. Hart (High Price: A Neuroscientist's Journey of Self-Discovery That Challenges Everything You Know About Drugs and Society)
Helen Keller, a woman in another type of trap said, “Although the world is full of suffering, it is also full of the overcoming of it.” ▪ ▪ ▪ Many batterers control the money, allowing little access to bank accounts or even financial information. Some control the schedule, the car keys, the major purchases, the choice in clothes, the choice in friends. The batterer may be a benevolent control freak at the start of an intimate relationship, but he becomes a malevolent control freak later. And there’s another wrinkle: He gives punishment and reward unpredictably, so that any day now, any moment now, he’ll be his great old self, his honeymoon self, and this provides an ingredient that is essential to keeping the woman from leaving: hope. Does he do all this with evil design? No, it is part of his concept of how to retain love. Children who do not learn to expect and accept love in natural ways become adults who find other ways to get it. Controlling may work for a while, even a long while, but then it begins not to work, and so he escalates. He will do anything to stay in control, but his wife is changing, and that causes him to suffer. In fact, the Buddhist definition of human suffering applies perfectly: “clinging to that which changes.” When men in these situations do not find out what is going on inside them, when they do not get counseling or therapy, it is a choice to continue using violence. Such men are taking the risk that violence will escalate to homicide, for as Carl Jung said, “When an inner situation is not made conscious, it appears outside as fate.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
many of the 1977–1978 punk generation “flopped the hardcore testo rage rite,” and gravitated to a new breed of roots-based rock bands with a foot planted in the O.G. punk firmament. These included Top Jimmy and the Rhythm Pigs, a brawny, hard-drinking blues–rock unit fronted by “Top Jimmy” Koncek, a close friend of and sometime roadie for the punk band X; the Gun Club, a feral, unpredictable punk–blues unit led by vocalist–songwriter Jeffrey Lee Pierce, a blues devotee and frequent contributor to Slash magazine; and Phast Phreddie and Thee Precisions, a cranked-up R&B unit featuring singer Fred “Phast Phreddie” Patterson, former co-editor of Back Door Man, the first fanzine to explore L.A. punk. By late 1980, the NYC-by-way-of-Cleveland psychobilly quartet the Cramps had relocated to Los Angeles. The Flesh Eaters—one of the earliest L.A. punk bands, led by singer–songwriter Chris D. (born Chris Desjardins), another Slash contributor and head of the magazine’s in-house subsidiary label, Ruby Records—would begin to probe punk–blues terrain with the 1981 album A Minute to Pray, A Second to Die, a swampy collection on which the bandleader was backed by members of X and the Blasters.
Chris Morris (Los Lobos: Dream in Blue)
Eager to get in on the action, friends, cabdrivers, and schoolteachers told me they’d started flipping houses, everyone suddenly fluent in the language of balloon payments, adjustable-rate mortgages, and the Case-Shiller Index. If I cautioned them gently—real estate can be unpredictable, you don’t want to get in too deep—they’d assure me they had talked to their cousin or uncle who had made a killing, in a tone of mild amusement that implied I didn’t know the score.
Barack Obama (A Promised Land)
It’s a strange thing, though, how rare, maybe impossible, it is to have everyone you care about thriving at the same time. For a short spell, life seems certain and stable, until something shifts and redistributes, randomly, unpredictably, and when you look around at the new landscape, you see that it’s someone else’s turn now. You redirect your attention to focus on the friend in need. You hope—you know—they will do the same for you, when your turn comes.
Amy Poeppel (Small Admissions)