Unnamed Relationship Quotes

We've searched our database for all the quotes and captions related to Unnamed Relationship. Here they are! All 21 of them:

Philosophers call this state of isolation and disconnection “species loneliness”—a deep, unnamed sadness stemming from estrangement from the rest of Creation, from the loss of relationship. As our human dominance of the world has grown, we have become more isolated, more lonely when we can no longer call out to our neighbors. It’s no wonder that naming was the first job the Creator gave Nanabozho.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
They were like two inviolable spheres touching at a fine point in their curves, touching but failing to penetrate, failing to breathe the other's air.
Joshua Ferris (The Unnamed)
What I did know was that as we sheltered from our own private tempests, something immutable happened to the bond between Finn Strachan and me, and our unnamed relationship shifted into something far stronger than either of us knew how to control. If I'd had the energy, I might have halted it there, kept my face turned away and driven on through the storm. But right then, I needed the haven that Finn offered more than oxygen.
Tabitha McGowan (The Tied Man (The Tied Man, #1))
It was possible she might not have the right feeling after all, that she wasn't in love, wasn't in limerence, but was in some unnamed place alone.
Catherine Lacey (The Answers)
It is hard to explain just how a single sight of a tangible object with measurable dimensions could so shake and change a man; and we may only say that there is about certain outlines and entities a power of symbolism and suggestion which acts frightfully on a sensitive thinker’s perspective and whispers terrible hints of obscure cosmic relationships and unnamable realities behind the protective illusions of common vision.
H.P. Lovecraft (The Case of Charles Dexter Ward)
Let’s not name it. Once you name something, you have to define it: say what it is and isn’t. Not to mention maintenance. All the relationships with names – parent, sister, husband, lover – come with maintenance. All that effort keeping it to what it’s supposed to be. Shouldn’t we allow ourselves at least one unnamed, undefined close relationship in our lives? A free-standing, wild-card arrangement. How about it, Joseph? How about you just try to make me happy, and I’ll try and do the same for you?
Ronan Hession (Panenka)
Domestic violence has often gone unnamed and unblamed in my society. It is the norm for men to teach their wives a lesson, and for the women to bear that beating and teaching with no complaints.
Fatima Mohammed (Higher Heels, Bigger Dreams)
Language, the home and receptacle of beauty and meaning, itself begins to think and speak for man and turns wholly into music, not in terms of sonority but in terms of the impetuousness and power of its inward flow. Then, like the current of a mighty river polishing stones and turning wheels by its very movement, the flow of speech creates, in passing, by virtue of its own laws, meter and rhythm and countless other relationships, which are even more important, but which are as yet unexplored, insufficiently recognized, and unnamed.
Boris Pasternak (Doctor Zhivago)
Names are the way we humans build relationship, not only with each other but with the living world. I’m trying to imagine what it would be like going through life not knowing the names of the plants and animals around you. Given who I am and what I do, I can’t know what that’s like, but I think it would be a little scary and disorienting—like being lost in a foreign city where you can’t read the street signs. Philosophers call this state of isolation and disconnection “species loneliness”—a deep, unnamed sadness stemming from estrangement from the rest of Creation, from the loss of relationship.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
It is hard to explain just how a single sight of a tangible object with measureable dimensions could so shake and change a man; and we may only say that there is about certain outlines and entities a power of symbolism and suggestion which acts frightfully on a sensitive thinker’s perspective and whispers terrible hints of obscure cosmic relationships and unnameable realities behind the protective illusions of common vision.
H.P. Lovecraft (H.P. Lovecraft, The Complete Omnibus Collection, Volume II: 1927-1935)
There is one subtle psychological lever that seems to hasten habit formation: the language you use to describe your behavior. Suppose you were trying to avoid using Facebook. Each time you’re tempted, you can either tell yourself “I can’t use Facebook,” or you can tell yourself “I don’t use Facebook.” They sound similar, and the difference may seem trivial, but it isn’t. “I can’t” wrests control from you and gives it to an unnamed outside agent. It’s disempowering. You’re the child in an invisible relationship, forced not to do something you’d like to do, and, like children, many people are drawn to whatever they’re not allowed to do. In contrast, “I don’t” is an empowering declaration that this isn’t something you do. It gives the power to you and signals that you’re a particular kind of person—the kind of person who, on principle, doesn’t use Facebook. We
Adam Alter (Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked)
It is hard to explain just how a single sight of a tangible object with measureable dimensions could so shake and change a man; and we may only say that there is about certain outlines and entities a power of symbolism and suggestion which acts frightfully on a sensitive thinker’s perspective and whispers terrible hints of obscure cosmic relationships and unnameable realities behind the protective illusions of common vision. In that second look Willett saw such an outline or entity, for during the next few instants he was undoubtedly as stark mad as any inmate of Dr. Waite’s private hospital.
H.P. Lovecraft (H.P. Lovecraft, The Complete Omnibus Collection, Volume II: 1927-1935)
Determining when not to overestimate and when not to underestimate is a crucial skill that is not easily acquired. But it's unspeakably important to be able to know when not to underestimate, for example, another person's affections towards you; but then also when not to overestimate the same thing. If only we could all have radar that could tune into these two measures of living, we'd name it something like "humameter" or "give-a-shit-o-meter." Either way, unnamed or named, I've learned that this is among the most important skills accomplishable by mankind. Insecurities should not be allowed to dictate how we determine the amount of value another person has placed on us; fears should not be let in to tell us how much or how little of worth we have in someone else's eyes.
C. JoyBell C.
It is not, on the whole, that natural phenomena and entities themselves are disappearing; rather that there are fewer people able to name them, and that once they go unnamed they go to some degree unseen. Language deficit leads to attention deficit. As we further deplete our ability to name, describe and figure particular aspects of our places, our competence for understanding and imagining possible relationships with non-human nature is correspondingly depleted. The ethno-linguist K. David Harrison bleakly declares that language death means the loss of ‘long-cultivated knowledge that has guided human–environment interaction for millennia … accumulated wisdom and observations of generations of people about the natural world, plants, animals, weather, soil. The loss [is] incalculable, the knowledge mostly unrecoverable.’ Or as Tim Dee neatly puts it, ‘Without a name made in our mouths, an animal or a place struggles to find purchase in our minds or our hearts.
Robert McFarlane
I am grappling with fullness and emptiness and the unnameable something that could change everything. I am thinking of spells chosen, not cast, of polarity, of clear mirrors. I wonder at how the body can brace itself and choose surrender all at once. I contemplate the way Ink bleeds through from one page to the next, and how all the stories do this really, the way the lines of my tattoo soften into my skin over time. The way all lines blur in the end. I hold the language and complexity and sovereignty of my yes. I imagine the spaces where sacred and tender and profane and primal meet and dance. The intimacy that exists between us and how it takes me by surprise every single time. I dream of the way a future want can also feel like a memory lived, where the body inexplicably knows what it has not yet experienced. Of the way that the doing and the undoing of me are sometimes the very same thing. Of the hunger of my skin and my holy pleasure and the turning inward and the space where they collide. Of lighting seeking ground. Of the first taste of coffee in the morning and the way my body unfolds into it. Of the infinities of her and how and where I might one day find and taste them. How sometimes, when I dive into the root of what my lonely feels like, it is just that the light is so beautiful here, and I want someone else to feel it with me. Do you feel it? Tell me you do. Please. Tell me you do.
Jeanette LeBlanc
Scottish witchcraft suspect Isobel Gowdie claimed that she had been favoured with gifts of meat (food) by the ‘Qwein of Fearrie’ who was “brawlie clothed in whyt linens, and white and browne cloathes.” This queen had a partner, an anonymous king, as was the case too with the faery queen of the ballad of Thomas of Erceldoune- and from whom her sexual relationship with mortal Thomas had to be concealed.57 Accused witch Isobel Watson was privileged enough to be midwife to an unnamed fairy queen, whereas Alison Pearson, from St Andrews in Fife, failed to achieve such intimate access. She had (deceased) relatives who resided in the fairy court and who were on good terms with the queen, she told to her trial in 1588, but she personally had never met her majesty, who was, by all accounts, quite a moody individual. Sometimes she was good, sometimes evil; sometimes she was present in the court and sometimes elsewhere.58 Another anonymous queen was met by Andro Man of Aberdeen- who entered into a long-term sexual relationship with her and was taught healing and prophetic skills by her. Elizabeth Dunlop from Lyne near Peebles was endowed with the same knowledge by the queen herself.
John Kruse (Who's Who in Faeryland)
I’m sorry if my words hurt you earlier. I thought I’d been pretty clear about my not wanting kids.” Alex winced, but tried to cover it by tucking her hair behind her right ear. “You were. I remember you saying it the first night. But we clicked on everything else and I guess I thought you might possibly start to rethink your position.” He could understand why she would think that. They had clicked on everything. She’d fit into his house as if she’d always been here. Hell, she fit into his life as if she’d always been there. All of the worries he’d had about her youth had faded. She was more mature for her age than most of the men he knew, and that was the truth. “I don’t want this,” he motioned between them, “to end because of just this one thing.” She frowned. “I hope you didn’t mean that the way it sounded, because that one thing is very important to me. I’m almost thirty-two. As trite as it is to say, my childbearing time is ticking away.” Duncan growled, pissed that he couldn’t articulate his feelings the way he needed to. He was losing her, he could see it in her eyes. “I don’t want the responsibility of children, but I don’t want our physical or emotional relationship to end. I enjoy having you in my life.” She gave him a narrow-eyed look. “It’s convenient, right? Having a woman in your house and bed, falling in love with you? I can’t just be ‘enjoyed’ Duncan, I need more that that. I felt like we had a deeper connection than that.” Scowling, he turned to look at the cold fireplace. Then her words slowly sank in. She’d said she was falling in love with him. Fuck… Alex muttered a curse under her breath and pushed to her feet to pace. Duncan watched her move, thoughts swirling in his mind. She thought she loved him, but she’d only been here a couple of days. Yes, they’d been together the entire time since she’d been here, but surely she didn’t think she loved him. Maybe she was less mature than he thought. No one could decide to tie themselves to a man that quickly, let alone a disabled veteran destined to have long-term emotional and medical issues. She paused in her pacing, as if coming to a decision. “I think I’m going to go home.” The words fell into the silence and he lost his breath. But he couldn’t blame her. She wanted more than he could give her. Once again, like with Melanie, he was being tossed over for another man, this one just so far unnamed. “If you make your reservations, I can drive you whenever you need me to.” She blinked at him, a strange expression on her face, then she shook her head as if she couldn’t believe it was ending. He couldn’t either. “All right. Goodnight.” Duncan
J.M. Madden (Embattled Ever After (Lost and Found #5))
The number of relationships you’ve had the courage to end. The easy way out is to stay. The comforting idea is to settle. The liberation is how many times you reach for something more even though you can’t conceive of what that could be. That unnamable feeling is the mark of a good life.
Brianna Wiest (101 Essays That Will Change The Way You Think)
Philosophers call this state of isolation and disconnection “species loneliness”—a deep, unnamed sadness stemming from estrangement from the rest of Creation, from the loss of relationship
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
a deep, unnamed sadness stemming from estrangement from the rest of Creation, from the loss of relationship.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
She doesn't know what to call it—this free-falling sensation she feels every time she looks at Taylor, like her hands are closing again and again on emptiness—but she thinks she knows better than to call it love.
Kristen Roupenian (You Know You Want This: Cat Person and Other Stories)