Unnamed Relation Quotes

Everyone is dazed. Screaming silently, making endless cups of tea. Grief is bewilderment. Grief is circling rooms and talking to unnamed relatives. Grief is a permanent headache and knotted stomach. Grief is sluggish time, staring at strangers on the street and thinking 'how can you act like nothing's happened?'. Grief is being angry that the sun is still shimmering away, smiling in the sky.

I had a dream about you. It's been a while since I could remember any of my dreams, and still, this one has left me with such strong impression. Even now, when I am fully awake, your face flashes before my eyes. It's a face I can totally relate to, as if it wasn't any more yours than it is mine. Terrifying thing, you know? I can't say I've felt that sort of intimacy with anyone. For a moment you knew all my secrets, without me even having to tell them. For a moment I even knew them myself… While I was looking into your eyes, I suddenly started to realize things about myself that were unspoken for years, like fragments of my inner life that were deeply repressed. It’s hard to distinguish if they were buried inside because dealing with them was such a dirty work, or if leaving them unnamed meant that it was not possible to define them precisely enough, so they would keep their true meaning. Perhaps, all this life that I've known so far was in fact no more but a dream about living. The only thing that has kept me in touch with reality was you… I know it comes as a surprise, and you may be wondering why it took me so long to come clean. You also may be wondering how come you've never noticed before. I've tricked you on purpose, yes, and you must realize it really has nothing to do with you. It’s always been me. This is why, seeing you in my dream like that, came out as a shock. You also must forgive me. You must forgive me because I know how it looks like, that everything we ever shared was a lie, and it wasn't… I am more of an illusionist that a deceiver, but it all comes from being in fact, a very private person. Even if it was true that you knew me better than anyone, I’d never admit it. I’d rather dig my own heart out, with a rotten spoon, than admitting it. I may let people in my own little world occasionally, but I would never let them be aware of it. I don’t throw my intimacy in front of others, especially when I care. The more I care, the less I give away, and this is something for you to understand, and grant me your forgiveness. I didn't play my tricks on you in order to deceive you, but rather to save myself, and maybe even deceive myself as well. I’ve had hidden my feelings for you so deeply that I've learned to live with them, as if any other casualty. I have done wrong to myself as much as I did to you, and I don’t know if I can forgive myself. So now I wonder, could you forgive me without feeling sorry for me? I certainly don’t deserve your pity. Especially not now that I am awake.

He read the veinings of a leaf, the pattern on a mushroom cap, and divined mysteries, relations, futures, possibilities: the magic of symbols, the foreshadowing of numbers and writing, the reduction of infinitudes and multiplicities to simplicity, to system, to concept. For all these ways of comprehending the world through the mind no doubt lay within him, nameless, unnamed, but not inconceivable, not beyond the bounds of presentiment, still in the germ, but essential to his nature, part of him, growing organically within him. And if we were to go still further back beyond this Rainmaker and his time which to us seems so early and primitive, if we were to go several thousand years further back into the past, wherever we found man we would still find - this is our firm belief - the mind of man, that mind which has no beginning and always has contained everything that it later produces.

On a spring day in 1988…a Massachusetts man who collected books about local history was rummaging through a bin in a New Hampshire antiques barn when something caught his eye. Beneath texts on fertilizers and farm machines lay a slim, worn pamphlet with tea-colored paper covers, titled Tamerlane and Other Poems, by an unnamed author identified simply as “a Bostonian.” He was fairly certain he had found something exceptional, paid the $15 price, and headed home, where Tamerlane would spend only one night. The next day, he contacted Sotheby’s, and they confirmed his suspicion that he had just made one of the most exciting book discoveries in years. The pamphlet was a copy of Edgar Allan Poe’s first text, written when he was only fourteen years old, a find that fortune-seeking collectors have imagined happening upon probably more than they’d like to admit. The humble-looking, forty-page pamphlet was published in 1827 by Calvin F.S. Thomas, a relatively unknown Boston printer who specialized in apothecary labels, and its original price was about twelve cents. But this copy, looking good for its 161 years, most of which were probably spent languishing in one dusty attic box after another, would soon be auctioned for a staggering $198,000.

There are vast differences of experience within those categories, so consider their use to be broad guideposts for how anti-fatness can impact fat people at different sizes. THIN AND NON-FAT describe those whose bodies are thinner than fat people’s, and who receive social, cultural, and institutional privileges on the basis of that thinness and proximity to thinness. Those same people may describe themselves as “feeling fat” or may not describe their own bodies as thin. But the privileges we receive are based more on how others perceive us than how we perceive ourselves. Because fatness is often defined relative to thinness, thinness itself often goes unnamed, treated as a default not worth commenting on. But tackling biased myths against fat people requires naming thinness too, so that we can identify the ways in which these myths allow some thin and small fat people to evade and perpetuate anti-fatness by aligning themselves with thinness instead.

In any long fiction, Henry James remarked, use of the first-person point of view is barbaric. James may go too far, but his point is worth considering. First person locks us in one character's mind, locks us to one kind of diction throughout, locks out possibilities of going deeply into various characters' minds and so forth. ....Vulgar diction in the telling of the Helen story would clearly create a white-hot irony, probably all but unmanageable. Colloquial diction and relatively short sentences would have the instant effect of humanizing once elevated characters and events. Highly formal diction and all that goes along with the traditional omniscient narrator might seem immediately appropriate for the seriousness of the story, but it can easily backfire, providing not suitable pomp but mere pompousness. And some choices in p.o.v. as well as in other stylistic elements, may have more direct bearing on the theme than would others. For instance, the "town" point of view, in which the voice in the story is some unnamed spokesman for all the community--among the most famous examples is Faulkner's "A Rose for Emily"--might have the immediate effect of foregrounding the story's controlling idea, conflicting community values versus personal values.

If you, illustrious Prince (the words were addressed to the Duke of Wurtemberg) had informed your subjects that you were coming to visit them at an unnamed time, and had requested them to be prepared in white garments to meet you at your coming, what would you do if on arrival you should find that, instead of robing themselves in white, they had spent their time in violent debate about your person—some insisting that you were in France, others that you were in Spain; some declaring that you would come on horseback, others that you would come by chariot; some holding that you would come with great pomp and others that you would come without any train or following? And what especially would you say if they debated not only with words, but with blows of fist and sword strokes, and if some succeeded in killing and destroying others who differed from them? “He will come on horseback.” “No, he will not; it will be by chariot.” “You lie.” ”I do not; you are the liar.” “Take that”—a blow with the fist. “Take that” ”—a sword-thrust through the body. Prince, what would you think of such citizens? Christ asked us to put on the white robes of a pure and holy life; but what occupies our thoughts? We dispute not only of the way to Christ, but of his relation to God the Father, of the Trinity, of predestination, of free will, of the nature of God, of the angels, of the condition of the soul after death”—of a multitude of matters that are not essential to salvation; matters, moreover, which can never be known until our hearts are pure; for they are things which must be spiritually perceived. Sebastian Castellio

Scottish witchcraft suspect Isobel Gowdie claimed that she had been favoured with gifts of meat (food) by the ‘Qwein of Fearrie’ who was “brawlie clothed in whyt linens, and white and browne cloathes.” This queen had a partner, an anonymous king, as was the case too with the faery queen of the ballad of Thomas of Erceldoune- and from whom her sexual relationship with mortal Thomas had to be concealed.57 Accused witch Isobel Watson was privileged enough to be midwife to an unnamed fairy queen, whereas Alison Pearson, from St Andrews in Fife, failed to achieve such intimate access. She had (deceased) relatives who resided in the fairy court and who were on good terms with the queen, she told to her trial in 1588, but she personally had never met her majesty, who was, by all accounts, quite a moody individual. Sometimes she was good, sometimes evil; sometimes she was present in the court and sometimes elsewhere.58 Another anonymous queen was met by Andro Man of Aberdeen- who entered into a long-term sexual relationship with her and was taught healing and prophetic skills by her. Elizabeth Dunlop from Lyne near Peebles was endowed with the same knowledge by the queen herself.

Wire man, electric cell in which the family energy from the naming of a man is converted directly to electrical water flaps in a continuous person. The efficiency of conversion from name to water in a wire man is between Ocean (Gary%) and River (Lewis%), nearly twice that of the usual dry method of switching, in which wires are used to whip steam to turn a man connected to an electric family of waters. The earliest father, in which a Gary and Lewis were mixed to form Michael%, was constructed in the Age of Wire and String by the English. In the Ocean and River wire man, Garies and Lewises are bubbled into separate rooms connected by a porous cell, through which a wire can freely move. Inert, unnamed men, mixed with a collection of unrelated waters, are dipped into each room. When Gary and Lewis are connected by a wire, the combination of flap, wire, and name form a complete family, and an emotion takes place in the cell: The inert men are covered with the flap to form a home surrounded by water; relatives are liberated by this process and flow through the wire to other rooms; and the fathers themselves sail outward on the back of the wire, carrying a succession of cells and water, which they distribute as names to the new children who are floating in their homes.

In other words, questions about the validity of your ministry, your ability to do ministry, or who you are in ministry all have a causal point that has little to do with those specific questions, or is only tangentially related; the stated questions have more to do with unnamed and unexamined assumptions and expectations than the issue named on the surface. Being able to identify this underlying matter when addressing a superficial issue as presented is an important strategy for success. If you spend your time and energy tending the manifesting topic rather than the fundamental concern, this will be a significant cause, at best, for fatigue in your ministry and, at worst, for burnout. Managing the indications without addressing their root cause will also lead to a personal sense of loss—and likely an actual loss—of your own power.

Mrs. Hale seemed like the pure concentration of all the light and air and earth and people of Enon, from every lap it had ever taken around the sun, not merely from its relatively brief and no doubt fleeting career as a village of colonists but from its centuries as home to more original souls and a tract of forest, and its millennia under glaciers and at the bottoms of unnamed oceans, all taken in by her ancestral house and focused through the precisely configured windows, aligned and coordinated with the clocks and orrery and rendered into the small, prim, neatly dressed figure sitting on a plain wooden settle beneath an electric candle, in the middle of the room, the temple, the dim penetralia, everything else shrouded in darkness, as if she were an artifact in a museum or a prophet in a pew.