Unless Your Hands Are Clean Quotes

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Amelia stopped before him, her skirts crowded between his parted knees. The clean, salty, evergreen scent of him drifted to her nostrils. “I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in." "Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.” Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”—she paused with a quick, abashed smile—“whatever that is.” “My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base. “When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him . . . I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle. “Yes, love?” "I would think,” she continued,” ‘Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Besides," said Suriyawong. "This was not a rescue operation." "What was it, target practice? Chinese skeet?" "An offer of transportation to an invited guest of the Hegemon," said Suriyawong. "And the loan of a knife." Achilles held up the bloody thing, dangling it from the point. "Yours?" he asked. "Unless you want to clean it," said Suriyawong. Achillese handed it to him. Suriyawong took out his cleaning kit and wiped down the blade, then began to polish it. "You wanted me to die," said Achilles quietly. "I expected you to solve your own problems," said Suriyawong.
Orson Scott Card (Shadow Puppets (The Shadow Series, #3))
So what's your doll's name?" Boo asked me. "Barbie," I said. "All their names are Barbie." "I see," she said. "Well, I'd think that would get boring, everyone having the same name." I thought about this, then said, "Okay, then her name is Sabrina." "Well, that's a very nice name," Boo said. I remember she was baking bread, kneading the dough between her thick fingers. "What does she do?" "Do?" I said. "Yes." She flipped the dough over and started in on it from the other side. "What does she do?" "She goes out with Ken," I said. "And what else?" "She goes to parties," I said slowly. "And shopping." "Oh," Boo said, nodding. "She can't work?" "She doesn't have to work," I said. "Why not?" "Because she's Barbie." "I hate to tell you, Caitlin, but somebody has to make payments on that town house and the Corvette," Boo said cheerfully. "Unless Barbie has a lot of family money." I considered this while I put on Ken's pants. Boo started pushing the dough into a pan, smoothing it with her hand over the top. "You know what I think, Caitlin?" Her voice was soft and nice, the way she always spoke to me. "What?" "I think your Barbie can go shopping, and go out with Ken, and also have a productive and satisfying career of her own." She opened the oven and slid in the bread pan, adjusting its position on the rack. "But what can she do?" My mother didn't work and spent her time cleaning the house and going to PTA. I couldn't imagine Barbie, whose most casual outfit had sequins and go-go boots, doing s.uch things. Boo came over and plopped right down beside me. I always remember her being on my level; she'd sit on the edge of the sandbox, or lie across her bed with me and Cass as we listened to the radio. "Well," she said thoughtfully, picking up Ken and examining his perfect physique. "What do you want to do when you grow up?" I remember this moment so well; I can still see Boo sitting there on the floor, cross- legged, holding my Ken and watching my face as she tried to make me see that between my mother's PTA and Boo's strange ways there was a middle ground that began here with my Barbie, Sab-rina, and led right to me. "Well," I said abruptly, "I want to be in advertising." I have no idea where this came from. "Advertising," Boo repeated, nodding. "Okay. Advertising it is. So Sabrina has to go to work every day, coming up with ideas for commercials and things like that." "She works in an office," I went on. "Sometimes she has to work late." "Sure she does," Boo said. "It's hard to get ahead. Even if you're Barbie." "Because she wants to get promoted," I added. "So she can pay off the town house. And the Corvette." "Very responsible of her," Boo said. "Can she be divorced?" I asked. "And famous for her commercials and ideas?" "She can be anything," Boo told me, and this is what I remember most, her freckled face so solemn, as if she knew she was the first to tell me. "And so can you.
Sarah Dessen (Dreamland)
I reach out and squeeze her hand, and remember everything we’ve lived through together. The normal things we endured as we grew from girls to women. The days in school where boys would line us up in order of our fuckability. The parties where it was normal to lie on top of a semi-conscious girl, do things to her, then call her a slut afterwards. A Christmas number-one song about a pregnant woman being stuffed into the boot of a car and driven off a bridge. Laughing when your male friends made rape jokes. Opening a newspaper and seeing the breasts of a girl who had only just turned legal, dressed in school uniform to make her look underage. Of the childhood films we grew up on, and loved, and knew all the words to, where, at the end, a girl would always get chosen for looking the prettiest compared to all the others. Reading magazines that told you to mirror men’s body language, and hum on their dick when you went down on them, that turned into books about how to get them to commit by not being yourself. Of size zero, and Atkins, and Five-Two, and cabbage soup, and juice cleanses and eat clean. Of pole-dancing lessons as a great way to get fit, and actually, if you want to be really cool, come to the actual strip club too. Of being sexually assaulted when you kissed someone on a dance floor and not thinking about it properly until you are twenty-seven and read a book about how maybe it was wrong. Of being jealous of your friend who got assaulted on the dance floor because why didn’t he pick you to assault? Boys not wanting to be with you unless you fuck them quickly. Boys not wanting to be with you because you fucked them too quickly. Being terrified to walk anywhere in the dark in case the worst thing happens to you, and so your male friend walks you home to keep you safe, and then comes into your bedroom and does the worst thing to you, and now, when you look him up online, he’s engaged to a woman who wears a feminist T-shirt and isn’t going to change her name when they get married. Of learning to have no pubic hair, and how liberating it is to pay thirty-five pounds a month to rip this from your body and lurch up in agony. Rings around famous women’s bodies saying ‘look at this cellulite’, oh, by the way, here is a twenty-quid cream so you don’t get
Holly Bourne (Girl Friends: the unmissable, thought-provoking and funny new novel about female friendship)
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished. “I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy. Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie. They all waited for Lillian to make the introductions. Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.” Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby. Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it. “That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.” That should get rid of him quickly, Daisy thought. Men were terrified of crying babies. “Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief. “Mr. Swift, what are you doing?” Evie asked with a quizzical smile. “Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness. Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry. Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted. When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch. “Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.” “What were you saying to her?” Lillian demanded. He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.” Daisy spoke to him for the first time. “What was that?” Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body. “The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.” “I see,” Daisy said. “You bored the poor baby to sleep.” “You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
I will give you my word that she will not be harmed if you help us." "No offense, but that's not enough." "You doubt my word." His voice growled low and warm, angry. "No, but you don't hold Aubrey's leash. Unless he answers to you you can't guarantee his behavior." Aubrey's laughter had softened to a few faint giggles. I had never heard a vampire giggle before. It wasn't a pleasant sound. The laughter died completely, and he straightened. "No one holds my leash, girl. I am my own master." "Oh, get real. If you were over five hundred years old, and a master vampire, you'd have cleaned up the stage with me. As it was" - I flattened my hands palms up - "you didn't, which means you're very old but not your own master." He growled low in his throat, face darkening with anger. "How dare you?" "Think, Aubrey, she judged your age within fifty years. You are not a master vampire, and she knew that. We need her.
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
I'll turn my back, unless you think you need help getting dressed." Lord, he silently prayed, pleased don't test my chivalry that far! "I can manage, thank you very much!" she returned tightly. Turning his back, Rider grinned and lifted his eyes to heaven. "Thanks, big Fellah." "Did you say something?" Willow inquired. Rider kept a steady gaze on the trees. "Just talking to myself." He heard her mumble something about crazy people talking to themselves before she announced it safe for him to turn around. He did and was given an immediate jolt. She wore not her usual shirt and pants,but a clean nightshirt and wrapper. However,it wasn't her scanty attire that startled him as much as her pain-glazed eyes. "My God,what is it?" Stunned, his hands automatically came up under both her elbows to steady her. "Are you in pain?" A thought came to him then. He hesitated, studying his boots. "Is it...I've got sisters, so don't be embarrassed.Is it your woman's time?" Rider's ears reddened, but it was nothing compared to Willow's high color. She jerked away from his touch, squeezed her eyes shut, and cradled her forehead in one hand. "And I wondered what else could go wrong," she muttered under her breath. "What?" "Dammit,Sinclair, men aren't suppose to talk to women about those things.
Charlotte McPherren (Song of the Willow)
Yeah, about last night … it’s been brought to my attention that I may have been a little out of line with somethings I did and said so—” “Really? Such as …” I can’t believe he’s going to make me say it. He’s so frustrating. One minute he’s cleaning puke off the drunk girl, showing his kind side, and the next he’s trying to humiliate me. Granted, I do a pretty good job of setting myself up for it. “Such as drinking too much to begin with, then maybe giving the impression that I was … jealous of Claire, or Dr. Brown.” “You mean Dr. Skank?” Shit! “Yes—I mean—no, not Dr. Skank. I don’t remember calling her that, but if I did then I’m sorry. I didn’t mean it.” I may have meant it. “Don’t sweat it, Syd. I think you’re adorable when you get all jealous.” “I was not jealous!” I yell in a high-pitched voice. “Uh … your striptease was entitled ‘Where Lautner’s hands will never be again if he doesn’t keep them off Dr. Skank.’” Kill me now and never let another drop of alcohol pass my lips. “So how was golf?” Lautner laughs. “I take it we’re done talking about last night?” “It’s pointless because it’s your word against mine, unless Swarley goes all Bush Beans Duke on me.” “God, you’re something else. So what did you call about?” “Oh … just to …” “I’m just flipping ya shit. I know why you called.” He does? I’m not entirely sure I know why I called so how can he know? “You do?” “I left you in a hot mess this morning and you need to be serviced.” His voice drips of confidence or most likely arrogance. “What? No, that’s not … um …” “Sorry, babe. I didn’t realize just how tightly wound you would be by now. Damn, you can’t even form a coherent thought. Get naked, I’ll see you in ten.” “Lau—” He hung up on me!
Jewel E. Ann (Undeniably You)
TIO TITO’S SUBLIME LIME BAR COOKIES Preheat oven to 350 degrees F., rack in the middle position. ½ cup finely-chopped coconut (measure after chopping—pack it down when you measure it) 1 cup cold salted butter (2 sticks, 8 ounces, ½ pound) ½ cup powdered (confectioners) sugar (no need to sift unless it’s got big lumps) 2 cups all-purpose flour (pack it down when you measure it)   4 beaten eggs (just whip them up with a fork) 2 cups white (granulated) sugar cup lime juice (freshly squeezed is best) cup vodka (I used Tito’s Handmade Vodka) ½ teaspoon salt 1 teaspoon baking powder ½ cup all-purpose flour (pack it down when you measure it) Powdered (confectioners) sugar to sprinkle on top Coconut Crust: To get your half-cup of finely-chopped coconut, you will need to put approximately ¾ cup of shredded coconut in the bowl of a food processor. (The coconut will pack down more when it’s finely-chopped so you’ll need more of the stuff out of the package to get the half-cup you need for this recipe.) Chop the shredded coconut up finely with the steel blade. Pour it out into a bowl and measure out ½ cup, packing it down when you measure it. Return the half-cup of finely chopped coconut to the food processor. (You can also do this by spreading out the shredded coconut on a cutting board and chopping it finely by hand.) Cut each stick of butter into eight pieces and arrange them in the bowl of the food processor on top of the chopped coconut. Sprinkle the powdered sugar and the flour on top of that. Zoop it all up with an on-and-off motion of the steel blade until it resembles coarse cornmeal. Prepare a 9-inch by 13-inch rectangular cake pan by spraying it with Pam or another nonstick cooking spray. Alternatively, for even easier removal, line the cake pan with heavy-duty foil and spray that with Pam. (Then all you have to do is lift the bar cookies out when they’re cool, peel off the foil, and cut them up into pieces.) Sprinkle the crust mixture into the prepared cake pan and spread it out with your fingers. Pat it down with a large spatula or with the palms of your impeccably clean hands. Hannah’s 1st Note: If your butter is a bit too soft, you may end up with a mass that balls up and clings to the food processor bowl. That’s okay. Just scoop it up and spread it out in the bottom of your prepared pan. (You can also do this in a bowl with a fork or a pie crust blender if you prefer.) Hannah’s 2nd Note: Don’t wash your food processor quite yet. You’ll need it to make the lime layer. (The same applies to your bowl and fork if you make the crust by hand.) Bake your coconut crust at 350 degrees F. for 15 minutes. While your crust is baking, prepare the lime layer. Lime Layer: Combine the eggs with the white sugar. (You can use your food processor and the steel blade to do this, or you can do it by hand in a bowl.) Add the lime juice, vodka, salt, and baking powder. Mix thoroughly. Add the flour and mix until everything is incorporated. (This mixture will be runny—it’s supposed to be.) When your crust has baked for 15 minutes, remove the pan from the oven and set it on a cold stovetop burner or a wire rack. Don’t shut off the oven! Just leave it on at 350 degrees F. Pour the lime layer mixture on top of the crust you just baked. Use potholders to pick up the pan and return it to the oven. Bake your Sublime Lime Bar Cookies for an additional 30 minutes. Remove the pan from the oven and cool your lime bars in the pan on a cold stovetop burner or a wire rack. When the pan has cooled to room temperature, cover it with foil and refrigerate it until you’re ready to serve. Cut the bars into brownie-sized pieces, place them on a pretty platter, and sprinkle them lightly with powdered sugar. Yum! Hannah’s 3rd Note: If you would prefer not to use alcohol in these bar cookies, simply substitute whole milk for the vodka. This recipe works both ways and I can honestly tell you that I’ve never met anyone who doesn’t like my Sublime Lime Bar Cookies!
Joanne Fluke (Blackberry Pie Murder (Hannah Swensen, #17))
Your only other option is to marry one of us.” He paused. “Me.” Travis suddenly felt the need to clear his throat. “This alternative would repair your reputation, give you a place to live, and provide the protection of four able-bodied men. Unless you have something else to suggest . . . ?” “Actually, there is something else.” Her quiet statement startled him. “There is?” He glanced over at Crockett. His brother shrugged. Meredith slowly lowered herself into the straight-back chair, the fight draining from her. “I could leave Anderson County. I could go farther west to where the railroad is opening new towns, or head to a larger city where no one knows me.” Her chin jutted upward. “I could find work. Make a clean start.” Leave Anderson County? Travis frowned. He hadn’t considered that option. Didn’t really want to, either. It was reckless. Dangerous. And for some odd reason . . . disappointing. Besides, he’d already settled his mind on this marrying business. No sense muddying the waters. “You’re a good man, Travis. An honorable man.” Meredith plucked at her sleeve. “You drew the short straw, and you’re willing to stand before a preacher because you feel responsible for me. But you’re not. I made the decision to come here, and I’ll deal with the consequences. You deserve to have a wife of your own choosing, not one forced on you through circumstances outside your control.” “It’s not like that, Meredith. It’s . . .” Travis sighed and rubbed his jaw. Why did she say nothing about what she deserved? He didn’t know much about the workings of the female mind, but he knew one thing—she deserved a choice. “I’m not going to force you, Meredith. If you believe leaving is the best option, I’ll not stop you. But if you think you might be able to make a home for yourself here, with a bunch of unrefined men, we’d like you to stay. I’d like you to stay.” Stretching his hand across the space that separated them, he caressed her cheek with his knuckles, then let his arm fall away. “You’re a fine woman, Meredith Hayes. You’re strong and brave and kind. And should you decide to take a chance on me, I’d be honored to make you my bride.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
Ryder! What’s taking you so long?” “I’m on my way!” he yells back. It feels like forever before he pushes open the door and ducks inside. Then I see why it took him so long. He’s somehow got the three cats tucked under one arm and the cake plate clutched in the other hand. No spare for a flashlight or lantern--so he accomplished this all in the dark. “Here,” he says, handing off the cake to me before releasing Kirk, Spock, and Sulu into the crate and latching the door. “Seriously, Ryder? You brought the cake?” He shrugs. “I was hungry.” Hmm, I guess all that kissing worked up his appetite. For cake. I’m not sure if I should be offended or not. On the plus side, he doesn’t look like he’s about to puke. So we’re making progress as far as his fear of storms goes. I guess that’s something. “Did you happen to bring a fork?” I ask, setting the plate on the makeshift tabletop. He produces two from his pocket, holding them up triumphantly. So we eat cake while the sirens blare. Actually, it doesn’t sound that bad out there. Still, the fact that we’re so calm--that Ryder’s so calm--should tell you how routine this is getting. As long as we don’t hear that awful freight-train sound, we’re good. “What happened to the cake?” he asks between bites. “It looks like someone mutilated it while I was gone.” “Sorry,” I mutter. “Guess I did some stress bingeing. You realize you’re not wearing a shirt, right?” He glances down and shrugs, his cheeks flushing ever so slightly. “Sorry ’bout that.” It might seem silly that he’s apologizing, but at Magnolia Landing, you don’t come to the table unless you’re fully dressed. It’s one of Laura Grace’s most unbendable rules--you dress for meals, even breakfast. Not that this counts as a meal, and I’m not sure you could call this plywood-on-top-of-a-crate thing a “table.” But still… By the time the sirens shut off, we’ve completely cleaned the plate, even scraping off the hardened frosting with our fingers. “That was quick,” I say, setting aside the now-empty plate. Ryder nods. “I guess we should give it a minute or two. You know, make sure it’s not coming back on.” So we wait. Silently. Ryder can’t even meet my eyes, and all I want to do is stare at his lips. This is crazy. I mean, what do we do now--now that the sirens are off and the cake is gone? Apparently, the answer is pretend like nothing happened.
Kristi Cook (Magnolia (Magnolia Branch, #1))
We're having roast beef tonight, Lord Charles," Mildred announced, as though the smell that wafted throughout the house was not enough reason for Charles to guess that fact for himself. "I wouldn't have known." "I just adore roast beef," she continued breezily.  "It is one of my absolute favorite dishes." "Mine too," Ophelia added.  "Do you like roast beef, Captain?" "I do.  And did you cook it yourself, Miss Leighton?" "Oh no, Amy makes all the meals around here." "So I've noticed.  She is a very accomplished cook." "Oh, she's passably fair," Ophelia said, with an airy little laugh.  "I'm a better one, when I put my mind to it." "Are you?  Perhaps, then, you should put your mind, and your hands, to it tomorrow.  I daresay I would enjoy sampling your efforts and deciding for myself whether or not your claim is a valid one." Ophelia's smug smile promptly vanished.  She was trapped, and she knew it. Will saw instantly what the captain was up to.  "What a good idea!" he said loudly, earning a vicious glare from his sister.  "You haven't cooked anythin' in ages, Ophelia!  Why, I'll bet you're so out of practice that even the water won't remember how to boil for you!" "I'm not cooking unless Millie helps me!" "Do you mean that Mildred can also cook?" Charles murmured, raising his brows.  "Dear me.  I didn't know that either of you possessed such . . . talents." "Of course I can cook!  And I can make anything that Ophelia makes taste like slops in comparison!" "I should like to see you try!" snapped Ophelia. "Yes, so would I," mused Charles.  "But since you are both so eager to prove your culinary expertise to me, perhaps Ophelia can cook tomorrow, and Mildred can have her turn the following day." ""I can't cook tomorrow, I have other things to do.  Besides, Amy does the all the cooking around here." Charles smiled thinly.  "Yes, so I've noticed," he murmured.  And then, his voice hardening, "As well as all the baking, sewing, mending, cleaning, washing, weaving, marketing, and soap-making.  Rather a lot for one woman, isn't it?" Ophelia
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Swift released the bowl in a strong drive. It sped obediently down the green, perfectly reproducing Daisy’s shot, though with more calculated momentum. Hitting Daisy’s bowl cleanly off the grass, it took her place right in front of the jack. “He knocked my bowl into the ditch,” Daisy protested. “Is that legal?” “Oh, yes,” Lord Llandrindon said. “A bit ruthless, but perfectly legal. Now it is properly referred to as a ‘dead bowl.’” “My bowl is dead?” Daisy asked indignantly. Swift returned her scowl with an implacable glance. “Never do an enemy a small injury.” “Only you would quote Machiavelli during lawn bowling,” Daisy said through gritted teeth. “Pardon,” Lord Llandrindon said politely, “but I believe it’s my turn.” Seeing that neither of them were paying attention, he shrugged and went to the delivery line. His bowl careened down the green and ended just beyond the jack. “I always play to win,” Swift said to Daisy. “Good God,” Daisy said in exasperation, “you sound exactly like my father. Have you ever considered the possibility that some people play just for the fun of it? As a pleasant activity to pass the time? Or must everything be brought down to life-and-death conflict?” “If you’re not out to win, the game is pointless.” Seeing that she had completely slipped from Swift’s notice, Cassandra Leighton sought to intervene. “I fancy it’s my shot now, Mr. Swift. Would you please be so kind as to retrieve a bowl for me?” Swift complied with barely a glance at her, his attention riveted on Daisy’s small, tense face. “Here,” he said brusquely, thrusting the bowl into Miss Leighton’s hands. “Perhaps you could advise me…” Miss Leighton began, but her voice faded as Swift and Daisy continued to bicker. “All right, Mr. Swift,” Daisy said coolly. “If you can’t enjoy a simple game of bowls without making it into a war, you’ll have a war. We’ll play for points.” She wasn’t quite certain if she had moved forward or if he had, but suddenly they were standing very close, his head bent over hers. “You can’t beat me,” Swift said in a low voice. “You’re a novice, and a woman besides. It wouldn’t be fair unless I was assigned a handicap.” “Your teammate is Miss Leighton,” she whispered sharply. “In my opinion, that’s enough of a handicap. And are you implying that women can’t bowl as well as men?” “No. I’m saying straight out they can’t.” Daisy felt a rush of outrage, augmented by a fiery desire to pound him into the ground. “War,” she repeated, stalking back to her side of the green.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
I’ll have to throw these jeans away and get new ones,” Luca said. “Unless you want these to make a pair of cut-offs?” “Your jeans would be way too big on me,” she said, not looking up from the bowl of ingredients she was mixing. “But there’s something in them for you.” She chuckled. “I bet there is.” “Naughty girl,” he said. “I mean there’s something in the pocket for you. Do you want it?” She walked over to him and held out her hand. “Sure. Whatever.” He placed a tiny charm in the palm of her hand. A heart. “It’s all yours now,” he said. “Even if you drop it, and step on it, and bend it out of shape, it’s still yours. I don’t want it back.” “You had this in your pocket?” “I’ve had it in my pocket every day for the last three months. Except one day when I thought I lost it in the washing machine, but then I found it in the filter. Don’t worry. It’s clean.” She stared at the heart and thought about all the times she’d taken the alley to work, or ducked into a store to avoid seeing Luca on the street. All the times she’d missed her chance to get Luca’s heart back. “I can understand if you don’t want my stupid heart,” he said. “If I were you, I wouldn’t take me back either, because I’m not always a fan of Luca Lowell. He doesn’t always do the right thing.” “Don’t say that.” “It’s true. If I hadn’t gotten backed into by a truck last night and hadn’t gone to the hospital, I don’t know if you ever would have brought me back to your house. Back into your life.” “My tiny house, and my tiny life.” He shrugged. “It’s big enough for me.” He stretched out on the sectional. “You’ll have a hard time kicking me out again.” “Luca, I can’t make you any promises.” “Yes, you can. You can promise to give me a second chance the next time I screw up.” “You didn’t screw up. I did. I’m the one who kicked you out.” “Then I’ll give you a second chance. I won’t be a chicken and take the alley to work so I don’t run into you.” “You did that?” “Only for about a week, until your sister busted me sneaking through the alley like a burglar, and tore me a new one.” He rubbed his beard. “You know, now that I’m thinking over my conversations with her, it’s all making sense. She must have thought Chris’s wife was my girlfriend. The two of them stop by the garage a lot, but not always together. I thought your sister was being—well, you know how she is—but now I think I understand what was really going on.” Tina looked down at the heart in her palm then at Luca. She closed her fingers around the charm. “Don’t worry,” she said. “I’m not going to drop it again.” There was a scratch at the door. Luca rolled himself along the couch, reached out with one long arm, and opened the door. Muffins strolled in like he owned the place. Luca exclaimed, “Kitty!” Muffins jumped up on the couch and started sniffing Luca’s cast. Then he meowed about dinner. Luca picked the cat up gently and held him like a baby. “You are a cutie patootie,” he said, then he cleared his throat and said gruffly, “Yes, uh. This is a healthy cat specimen. A strong hunter. I can tell by his, uh, ample midsection.” Tina said, “That’s some pretty impressive baby talk for a big, tough guy like you.” “Big, tough guys have feelings, too,” Luca said. “And they like cats.
Angie Pepper (Romancing the Complicated Girl (Baker Street Romance #2))
Harper, wait up!” He caught my arm and spun me around so I was facing him. “You’re not even going to say hi now?” “Hi.” My voice cracked and I kept my eyes to the ground. Chase gently placed his hand under my chin and lifted until I was staring at him through unshed tears. “Baby what’s wrong?” God I didn’t want to hear him call me that. Memories of our times together flashed through my mind and my cheeks instantly filled with heat. “Nothing,” I cleared my throat and blinked back the tears, “it’s just allergies or something.” His look told me he wasn’t buying that, but didn’t push that subject further. Stepping back he hung his head and sighed roughly, shifting his weight a few times, “I haven’t seen you around my house much. I know you don’t want to be with me, but don’t feel like you can’t be there, I won’t bother you and Brandon.” “That’s not why I haven’t been there. I um, I broke up with him.” Chase’s head snapped up, “You did? When, why didn’t you tell me?” He was failing miserably at trying to hide his elated smile. “A little over a week ago. But it hurt me more than I could ever explain to do it, and I need time to get over that. I can’t just rush back to you because Brandon and I aren’t together anymore.” He cupped my cheeks and hunched down so he was almost eye level, “I love you, I’ll give you all the time you need. Unless. Unless you don’t want me anymore?” I pressed my face harder into his left hand and closed my eyes, inhaling his clean masculine scent. “I’ve told you, I will always love you Chase, but I’m still not sure you won’t eventually leave me. Because of that fear, I don’t know if I can be with you. And some things have changed since we talked last, you might change your mind about me altogether.” “That’s not possible.” I pulled his hands off my face and wrapped his tattooed arms around my shoulders. After placing a kiss on his throat I buried my head in his chest, “I wish that were true.” My life had drastically changed in such a short amount of time. For obvious reasons, I’d had to break up with Brandon and now Chase and I were going to have a baby. Because of the turn of events, I found myself wanting a life with Chase more and more, I wanted him to be there for me and his baby. Here, wrapped up in his strong arms, I could almost let myself believe it might happen. But Chase was about to graduate college, he was a tattoo artist and spent most of his mornings surfing. I couldn’t see him settling down with me and our baby. “It is Harper,” his voice cracked when he said my name, and tears started falling down his face, “I love you so damn much, why can’t you see that?” Oh
Molly McAdams (Taking Chances (Taking Chances, #1))
A gentleman doesn’t go down to dine unless he’s properly bathed, and you, I fear, will take a deal of bathing.” “I am not a gentleman,” the child said, the truculence back in full force. The earl glanced down at his own naked chest and recalled that grown men were not necessarily an easy thing for not-so-grown men to compare themselves to. He shrugged into a dressing gown and tossed his shirt to the child. “For your modesty. Now let’s be about it, shall we? The sooner we’re clean, the sooner we eat.” He eyed the child’s hair and suspected getting clean might involve a quantity of shampoo, but merely held out his hand again. “Come along, child.” “I am not a gentleman,” the child said again, scooting back against the sofa. “We can remedy that,” the earl said with what he hoped was a reassuring tone. “A little scrubbing, some decent attire, small refinements of speech.” He slipped the child’s shirt off in a single motion. “If I can master it in not quite thirty-two years, there is certainly hope for you.” “I am not a gentleman,” the child ground out, standing on the sofa cushions and swatting at the earl’s hands, “and I do not want to be a gentleman.” “Then you can be a pirate,” the earl reasoned. “But if you are eating my food, you shall do so with clean fingers.” He made a deft grab for the scruffy britches, yanking them down over narrow hips and bony knees with a swift jerk. The child stood up on the sofa, naked and indignant. “I am not a gentleman. I do not want to be a gentleman!” “Jesus, God, and the Apostles!” The earl swiftly wrapped the child in his shirt and stood panting in shock. “You are a benighted damned female!” “Do I still have to take a bath?
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
We will need to hire a great deal of help if we’re ever to live in a proper house,” Annabelle had said pertly. “Unless you plan to have me on my hands and knees, scrubbing the floors and cleaning the grates?” The suggestion had caused Hunt’s coffee black eyes to glint with a wicked humor that escaped her. “I plan to have you on your hands and knees, my sweet, but I can guarantee that you won’t be scrubbing.” He had laughed softly as he saw her bewilderment.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
White Man, to you my voice is like the unheard call in the wilderness. It is there, though you do not hear it. But, this once, take the time to listen to what I have to say. Your history is highlighted by your wars. Why is it all right for your nations to conquer each other in your attempts at domination? When you sailed to our lands, you came with your advanced weapons. You claimed you were a progressive, civilized people. And today, White Man, you have the ultimate weapons. Warfare which could destroy all men, all creation. And you allow such power to be in the hands of those few who have such little value in true wisdom. White Man, when you first came, most of our tribes began with peace and trust in dealing with you, strange white intruders. We showed you how to survive in our homelands. We were willing to share with you our vast wealth. Instead of repaying us with gratitude, you, White Man, turned on us, your friends. You turned on us with your advanced weapons and your cunning trickery. When we, the Indian people, realized your intentions, we rose to do battle, to defend our nations, our homes, our food, our lives. And for our efforts, we are labelled savages, and our battles are called massacres. And when our primitive weapons could not match those which you had perfected through centuries of wars, we realized that peace could not be won, unless our mass destruction took place. And so we turned to treaties. And this time, we ran into your cunning trickery. And we lost our lands, our freedom, and were confined to reservations. And we are held in contempt. 'As long as the Sun shall rise...' For you, White Man, these are words without meaning. White Man, there is much in the deep, simple wisdom of our forefathers. We were here for centuries. We kept the land, the waters, the air clean and pure, for our children and our children's children. Now that you are here, White Man, the rivers bleed with contamination. The winds moan with the heavy weight of pollution in the air. The land vomits up the poisons which have been fed into it. Our Mother Earth is no longer clean and healthy. She is dying. White Man, in your greedy rush for money and power, you are destroying. Why must you have power over everything? Why can't you live in peace and harmony? Why can't you share the beauty and the wealth which Mother Earth has given us? You do not stop at confining us to small pieces of rock an muskeg. Where are the animals of the wilderness to go when there is no more wilderness? Why are the birds of the skies falling to their extinction? Is there joy for you when you bring down the mighty trees of our forests? No living things seems sacred to you. In the name of progress, everything is cut down. And progress means only profits. White Man, you say that we are a people without dignity. But when we are sick, weak, hungry, poor, when there is nothing for us but death, what are we to do? We cannot accept a life which has been imposed on us. You say that we are drunkards, that we live for drinking. But drinking is a way of dying. Dying without enjoying life. You have given us many diseases. It is true that you have found immunizations for many of these diseases. But this was done more for your own benefit. The worst disease, for which there is no immunity, is the disease of alcoholism. And you condemn us for being its easy victims. And those who do not condemn us weep for us and pity us. So, we the Indian people, we are still dying. The land we lost is dying, too. White Man, you have our land now. Respect it. As we once did. Take care of it. As we once did. Love it. As we once did. White Man, our wisdom is dying. As we are. But take heed, if Indian wisdom dies, you, White Man, will not be far behind. So weep not for us. Weep for yourselves. And for your children. And for their children. Because you are taking everything today. And tomorrow, there will be nothing left for them.
Beatrice Mosionier (In Search of April Raintree)
Tamlin broke the silence. 'Feyre likes to hunt.' 'I don't like to hunt.' I should have probably used a more polite tone, but I went on. 'I hunted out of necessity. And how did you know that?' Tamlin's stare was bald, assessing. 'Why else were you in the woods that day? You had a bow and arrows in your... house.' I wondered whether he'd almost said hovel. 'When I saw your father's hands, I knew he wasn't the one using them.' He gestured to my scarred, calloused hands. 'You told him about the rations and money from pelts. Faeries might be many things, but we're not stupid. Unless your ridiculous legends claim that about us, too.' Ridiculous, insignificant. I stared at the crumbs of bread and swirls of remaining sauce on my golden plate. Had I been home, I would have licked my plate clean, desperate for any extra bit of nourishment. And the plates... I could have bought a team of horses, a plow, and a field for just one of them. Disgusting.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
God Reveals Sin to Redeem, Not to Condemn Moreover the law entered that the offense might abound. But where sin abounded, grace abounded much more, What shall we say then? Is the law sin? Certainly not! On the contrary, I would not have known sin except through the law. For I would not have known covetousness unless the law had said, “You shall not covet.” (Rom. 5: 20; 7: 7) Never forget that God has given a way to have full and abundant life. We do not have to live with the oppression of sin. The law helps us to see the way toward dealing with sin in our life. For us to walk in our own ways when we know the power of the resurrected Christ living in us is sin. There has to be recognition of sin if we are going to go through the process of dealing with wrongness in our life. Suppose you washed your hands and then entered a large room full of people. If you held up your hands in front of a large group of people and asked them to look at your hands they would appear clean. However, appearing clean is different than being clean. If a bright light was focused on your hands and maybe even if someone examined one of your hands under a magnifying glass, impurities would be revealed. The hand appears acceptable from a distance but close observation reveals there are some problems. God is like a bright light shining on your heart and mind. His light reveals all the impurities in your life. If sin is revealed, God then convicts you... not to discourage you but to redeem you! What do you do when God shows you the impurities? Do you draw near to God and say, “Oh God, I see impurities. I see something that You see in me and I want to get rid of it. Will you help me with this?” If you do, God will help you. He can forgive you and cleanse you and empower you to walk a new way of life.
Kerry L. Skinner (The Joy of Repentance)
I surface from the simulation with a heavy feeling in the pit of my stomach. I detach from the wires and get up. She’s still recovering from the sensation of almost drowning, shaking her hands and taking deep breaths. I watch her for a moment, not sure how to say what I need to say. “What?” she says. “How did you do that?” “Do what?” “Crack the glass.” “I don’t know.” I nod, and offer her my hand. She gets up without any trouble, but she avoids my eyes. I check the corners of the room for cameras. There is one, just where I thought it would be, right across from us. I take her elbow and lead her out of the room, to a place where I know we won’t be observed, in the blind spot between two surveillance points. “What?” she says irritably. “You’re Divergent,” I say. I haven’t been very nice to her today. Last night I saw her and her friends by the chasm, and a lapse in judgment--or sobriety--led me to lean in too close, to tell her she looked good. I’m worried that I went too far. Now I’m even more worried, but for different reasons. She cracked the glass. She’s Divergent. She’s in danger. She stares. Then she sinks against the wall, adopting an almost-convincing aura of casualness. “What’s Divergent?” “Don’t play stupid,” I say. “I suspected it last time, but this time it’s obvious. You manipulated the simulation; you’re Divergent. I’ll delete the footage, but unless you want to wind up dead at the bottom of the chasm, you’ll figure out how to hide it during the simulations! Now, if you’ll excuse me.” I walk back to the simulation room, pulling the door closed behind me. It’s easy to delete the footage--just a few keystrokes and it’s done, the record clean. I double-check her file, making sure the only thing that’s in there is the data from the first simulation. I’ll have to come up with a way to explain where the data from this session went. A good lie, one that Eric and Max will actually believe. In a hurry, I take out my pocketknife and wedge it between the panels covering the motherboard of the computer, prying them apart. Then I go into the hallway, to the drinking fountain, and fill my mouth with water. When I return to the simulation room, I spit some of the water into the gap between the panels. I put my knife away and wait. A minute or so later, the screen goes dark. Dauntless headquarters is basically a leaky cave--water damage happens all the time.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
You needn’t have come to Hampshire in such a hurry.” “The threat of lawyers and Chancery Court impressed me with the need for haste,” he said darkly. Perhaps her telegram had been a bit dramatic. “I wasn’t really going to bring layers into it. I only wanted to gain your attention.” His reply was soft. “You always have my attention.” Kathleen wasn’t certain how to take his meaning. Before she could ask, the latch of the bathroom door clicked. The wood panels trembled as someone began to push his way in. Kathleen’s eyes flew open. She wedged her hands against the door, her nerves stinging in horror. A violent splash erupted behind her as Devon leaped from the bathtub and flattened a hand on the door to keep it from opening farther. His other hand slid around her to cover her mouth. That was unnecessary--Kathleen couldn’t have made a sound to save her life. She quivered in every limb at the feel of the large, steaming male at her back. “Sir?” came the valet’s puzzled voice. “Confound it, have you forgotten how to knock?” Devon demanded. “Don’t burst into a room unless it’s to tell me that the house is on fire.” Distantly Kathleen wondered if she might swoon. She was fairly certain that Lady Berwick would have expected it of her in such circumstances. Unfortunately her mind remained intractably awake. She swayed, her balance uncertain, and his body automatically compensated, hard muscles flexing to support her. He was pressed all along her, hot water seeping through the back of her riding habit. With every breath, she dew in the scents of soap and heat. Her heart faltered between every beat, too weak, too fast. Dizzily she focused on the large hand braced against the door. His skin was faintly tawny, the kind that would brown easily in the sun. One of his knuckles was scraped and raw--from lifting the carriage wheel, she guessed. The nails were short and scrupulously clean, but ink stains lingered in faint shadows on the sides of two fingers. “I beg your pardon, my lord,” the valet said. With an overdone respect that hinted at sarcasm, he added, “I’ve never known you to be modest before.” “I’m an aristocrat now,” Devon said. “We prefer not to flaunt our assets.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Death hit people differently. She was getting by. He had all but given up. There was no middle ground as woman. She was used to it, but it still pissed her off. Frigid, or a slag. Girly, or one of the boys. Hrad, or emotionally unstable. When USA sneezed , the UK caught the cold. Her face was often difficult to read, but at that moment it told him whatever McEvoy found Margie Knight o not, she'd tear every dodgy sauna, massage parlour and tin-pot knocking shop in the city apart trying. It might have been a few minutes, it might have been an hour, when he heard Holland's voice... The mood she is in right now, Holland, if you're so much as suggest that it might be her time of the month, I'm guessing she'll kill you on the spot. I think the poison inside me has eaten away every ounce of courage there might ever have been. I need to find just a little more. "Look, I'm getting tired of saying sorry" "Well I'm not tired of hearing you say it, OK?" Maybe they bred them somewhere, taught then how to put their hair in a bun and look down their pointed noses, before sending them out into the world with a pair of bug glasses, a fondness for tweed and something uncomfortable up their backside. "I'm going to kill Holland. No, I'm going to make him listen to some proper country music and then I'm going to kill him." "Actually, fuck that, the music would be wasted on him anyway. I'll just kill him." "fuckfuckbullocksfuck..." "What? I make you sick? I make you want to hurt me?" "You knock, you wait, you get asked to come in, you come in. It's pretty bloody straightforward." ...sat at home like Tom Throne, trying to keep the rest of the world well away. Police officer and prison staff are old enemies. The finders and the keepers resenting each other. 'Everybody says it switches around when you get old and they have to look after you. The parent becomes the child...It's non sense though., it really is. Even when they're cooking for you and getting your shopping in, you know? Even when they're doing up the buttons on your pyjamas and pretending to listen to your stupid stories, even when they're wiping your arse, you're still the father--It never stops, never. You're still the father and he's still the son. Still the son...' A thin layer across the top of the cistern in the ladies, invisible unless used in some of the more drugs-conscious clubs. ...Depending on how it looks, thy either do nothing, or break it again, re-set it.' 'Do they need volunteers?' "Don't talk to me. Not like that, do you understand? Not 'are you all right?' Not 'sorry'..." "I don't..." "Talk to me like a murdered." Holland couldn't believe what he was hearing. Palmer? 'Sorry?' Throne shouted. 'Fucking sorry...?' 'Shut your fucking stupid cunt's mouth. I will kill you, is that clear? I'm not afraid, certainly not of you. I don't care what happens. He can shoot the pair of us, I don't give a fuck. But if I hear so much as a breath coming out of you before this is finished, a single poisonous whisper, I'll rip your face off with my bare hands. I'll take it clean off, Nicklin, I'll make you another nice, new identity...
Mark Billingham (Scaredy Cat (Tom Thorne, #2))