“
The truth is, unless you let go, unless you forgive yourself, unless you forgive the situation, unless you realize that the situation is over, you cannot move forward.
”
”
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
“
Forgiveness is not about forgetting. It is about letting go of another person's throat......Forgiveness does not create a relationship. Unless people speak the truth about what they have done and change their mind and behavior, a relationship of trust is not possible. When you forgive someone you certainly release them from judgment, but without true change, no real relationship can be established.........Forgiveness in no way requires that you trust the one you forgive. But should they finally confess and repent, you will discover a miracle in your own heart that allows you to reach out and begin to build between you a bridge of reconciliation.........Forgiveness does not excuse anything.........You may have to declare your forgiveness a hundred times the first day and the second day, but the third day will be less and each day after, until one day you will realize that you have forgiven completely. And then one day you will pray for his wholeness......
”
”
William Paul Young (The Shack)
“
Once a King in Narnia, always a King in Narnia. But don't go trying to use the same route twice. Indeed, don't try to get there at all. It'll happen when you're not looking for it. And don't talk too much about it even among yourselves. And don't mention it to anyone else unless you find that they've had adventures of the same sort themselves. What's that? How will you know? Oh, you'll know all right. Odd things, they say-even their looks-will let the secret out. Keep your eyes open. Bless me, what do they teach them at these schools."
-The Professor
”
”
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
“
Resentment always hurts you more than it does the person you resent. While your offender has probably forgotten the offense and gone on with life, you continue to stew in your pain, perpetuating the past. Listen: those who hurt you in the past cannot continue to hurt you now unless you hold on to the pain through resentment. Your past is past! Nothing will change it. You are only hurting yourself with your bitterness. For your own sake, learn from it, and then let it go.
”
”
Rick Warren (The Purpose Driven Life: What on Earth Am I Here for?)
“
My father taught me that you can you read a hundred books on wisdom and write a hundred books on wisdom, but unless you apply what you learned then its only words on a page. Life is not lived with intentions, but action.
”
”
Shannon L. Alder
“
The boy is destined for greatness, but with you, he is in danger. You are linked, the two of you. You must leave him. This is what I have seen.”
I grew frustrated. “Is he in danger because of me?”
“He will die before his time with you by his side, unless you let him go. Fate or chance? Coincidence or destiny? I cannot say.” Her voice had turned soft.
Soft and sad.
A fist closed around my heart. I tried to let him go once before. It didn’t work.
“I can’t,” was all I said to her, and quietly.
“Then you will love him to ruins,” she said, and let my hands go.
”
”
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
“
Let's do it. Monkeys are always funny. You pretty much can't go wrong with a monkey, right? Hi paused. Well unless that monkey wants you dead, or does needle drugs or something. Then it's wrong, and a bad monkey.
”
”
Kathy Reichs (Virals (Virals, #1))
“
If you think I'm going to let six people risk their lives - !'
'because it's the first time for all of us,' said Ron.
'This is different, pretending to be me -'
'Well, none of us really fancy it, Harry,' said Fred earnestly. 'Imagine if something went wrong and we were stuck as specky, scrawny gits forever.'
Harry did not smile.
'You can't do it if I don't cooperate, you need me to give you some hair.'
'Well, that's the plan scuppered,' said George. 'Obviously there's no chance at all of us getting a bit of your hair unless you cooperate.'
'Yeah, thirteen of us against one bloke who's not allowed to use magic; we've got no chance,' said Fred.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Well, thanks. It was nice of you to give me anything." The tension between them seemed to press down on her like humid air. "Better than a bath in spaghetti any day."
He said darkly, "If you share that little bit of personal information with anyone, I may have to kill you."
"Well, when I was five, I wanted my mother to let me go around and around inside the dryer with the clothes," Clary said. "The difference is, she didn't let me."
"Probably because going around and around inside a dryer can be fatal," Jace pointed out, "whereas pasta is rarely fatal. Unless Isabelle makes it.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
If you ever think of takin’ off, if you ever get scared enough at what I do for a living that you decide you can’t hack it, then you best think again because unless what we have turns shit like everything else in my life, I’m not ever letting you go.
”
”
Kristen Ashley (Rock Chick Renegade (Rock Chick, #4))
“
You can get what you want. Never sell out. Don't break. Don't weaken. Don't let the kindness of strangers be your salvation, for it is no salvation at all. Unless you sleep alone, you sleep with the enemy. Never come out of the storm. On the other hand, maybe you should. You don't have what it takes to go the hard way. Come out of the cold and sit by the fire. Let them warm you with the smiles and promise of friendship's fortune. Lose your edge. A soft body and chained mind suit you. Chances are you don't have what it takes to walk the frozen trail. Stay home and relax.
”
”
Henry Rollins (Solipsist)
“
All depression has its roots in self-pity, and all self-pity is rooted in people taking themselves too seriously.”
At the time Switters had disputed her assertion. Even at seventeen, he was aware that depression could have chemical causes.
“The key word here is roots,” Maestra had countered. “The roots of depression. For most people, self-awareness and self-pity blossom simultaneously in early adolescence. It's about that time that we start viewing the world as something other than a whoop-de-doo playground, we start to experience personally how threatening it can be, how cruel and unjust. At the very moment when we become, for the first time, both introspective and socially conscientious, we receive the bad news that the world, by and large, doesn't give a rat's ass. Even an old tomato like me can recall how painful, scary, and disillusioning that realization was. So, there's a tendency, then, to slip into rage and self-pity, which if indulged, can fester into bouts of depression.”
“Yeah but Maestra—”
“Don't interrupt. Now, unless someone stronger and wiser—a friend, a parent, a novelist, filmmaker, teacher, or musician—can josh us out of it, can elevate us and show us how petty and pompous and monumentally useless it is to take ourselves so seriously, then depression can become a habit, which, in tern, can produce a neurological imprint. Are you with me? Gradually, our brain chemistry becomes conditioned to react to negative stimuli in a particular, predictable way. One thing'll go wrong and it'll automatically switch on its blender and mix us that black cocktail, the ol’ doomsday daiquiri, and before we know it, we’re soused to the gills from the inside out. Once depression has become electrochemically integrated, it can be extremely difficult to philosophically or psychologically override it; by then it's playing by physical rules, a whole different ball game. That's why, Switters my dearest, every time you've shown signs of feeling sorry for yourself, I've played my blues records really loud or read to you from The Horse’s Mouth. And that’s why when you’ve exhibited the slightest tendency toward self-importance, I’ve reminded you that you and me— you and I: excuse me—may be every bit as important as the President or the pope or the biggest prime-time icon in Hollywood, but none of us is much more than a pimple on the ass-end of creation, so let’s not get carried away with ourselves. Preventive medicine, boy. It’s preventive medicine.”
“But what about self-esteem?”
“Heh! Self-esteem is for sissies. Accept that you’re a pimple and try to keep a lively sense of humor about it. That way lies grace—and maybe even glory.
”
”
Tom Robbins (Fierce Invalids Home from Hot Climates)
“
He sighed. "You want to live in your church, going about your life as if you're like everyone else."
"So?"
"You aren't. And because of that, someday you're probably going to find yourself in a position where your choices will have an impact far beyond what you see right now. And when that happens, I want you to remember what it's like to ride through the woods on horseback under a night sky with no moon and nothing stronger than you are. I want you to know so you will fight for it. So that my children will know of it. You have to keep the demons where they are, Rachel. No one else can do it. You won't fight for us unless you know. Let me show you what you're fighting for.
”
”
Kim Harrison (Black Magic Sanction (The Hollows, #8))
“
I was aware that we were both silently making those inevitable comparisons, putting our relationship in context. She is more this and less that. He is better or worse in these ways. It is human nature to do this--unless its your first relationship, which might be the very reason that your first relationship feels special and remains forever sacred. But the older you get, the more cynical you become, and the more complicated and convoluted the exercise is. You begin to realize that nothing is perfect, that there are trade-offs and sacrifices. The worst is when someone in your past trumps the person in the present, and you think to yourself: if I'd known this, then maybe I wouldn't have let him go.
”
”
Emily Giffin (Baby Proof)
“
We can talk about courage and love and compassion until we sound like a greeting card store, but unless we’re willing to have an honest conversation about what gets in the way of putting these into practice in our daily lives, we will never change. Never, ever.
”
”
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Suppose to Be and Embrace Who You Are: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
“
Unless you make a conscious choice to let them go, unpleasant things will continue to haunt you.
”
”
Prem Jagyasi
“
He cleared his throat.
“You know this means that what we did what we almost did in Paris...”
“Going to the Eiffel Tower?”
He tucked a lock of hair behind her ear.
“You never let me off the hook for a single minute, do you? Never mind. It’s one of the things I love about you. Anyway, that other thing we almost did in Paris, that’s probably off the table for a while. Unless you want that whole baby-I’m-on-fire-when-we kiss thing to become freakishly literal.”
“No kissing?”
“Well, kissing, probably. But as for the rest of it…”
She brushed her cheek lightly against his. “It’s okay with me if it’s okay with you.”
“Of course it’s not okay with me. I’m a teenage boy. As far as I’m concerned, this is the worst thing that’s happened since I found out why Magnus was banned from Peru.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
We're going to investigate," Fireheart meowed. "We can't decide how to get rid of these dogs until we know exactly what we have to face. We're not going to attack them, not yet-have you got that, Cloudtail?"
Cloudtail's blue eyes burned into his, and he did not reply.
"I won't take you, Cloudtail, unless you promise to do as you're told without question."
"Oh, all right." The tip of Cloudtail's tail flicked irritably. "I want every last dog turned into crowfood, but I'll do it you're way, Fireheart."
"Good." Fireheart's gaze swept over the rest of the patrol. "Any questions?"
"What if we come across Tigerstar?" asked Sandstorm.
"A cat from another Clan on our territory?" Fireheart bared his teeth. "Yes, you can attack him.
Cloudtil let out a growl of satisfaction.
”
”
Erin Hunter (A Dangerous Path (Warriors, #5))
“
Whatever your goal is you will never succeed unless you let go of your fears and fly.
”
”
Richard Branson (Screw It, Let's Do It: Lessons In Life (Quick Reads))
“
(Alexander)'Sometimes I forget all this for months on end. Sometimes I think of it day and night. Sometimes I think, unless I find out the truth of it, I shall go mad.'
(Hephaistion)'That's stupid. You've got me now. Do you think I'd let you go mad?
”
”
Mary Renault (Fire from Heaven (Alexander the Great, #1))
“
There have been times when friends have said they hooked up with someone and all it means is that they had a highly anticipated kissing session. Other times it's a full-on all-night sex-a-thon. Can't we have a universal understanding of the term, once and for all? From now on, let's all agree that hooking up = sex. Everything else is "made out." And if you're older than twenty-eight, then just kissing someone doesn't count for crap and is not even worth mentioning. Unless you're Mormon, in which case you're going to hell. There, I think we're all on the same page.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
Listen: Those who have hurt you in the past cannot continue to hurt you now unless you hold on to the pain through resentment. Your past is past! Nothing will change it. You are only hurting yourself with your bitterness. For your own sake, learn from it, and then let it go.
”
”
Rick Warren (The Purpose Driven Life: What on Earth Am I Here For?)
“
It starts now. Right here, right now. If you do not want to get bent over this table and fucked in this booth, I suggest you say spinach. I'll let you go with the warning to never come back here again unless you're ready for it.
”
”
Lainey Reese (A Table for Three (New York, #1))
“
Watson: When do we start?
Holmes: You are not coming.
Watson: Then you are not going. I give you my word of honour - and I never broke it in my life - that I will take a cab straight to the police station and give you away unless you let me share this adventure with you.
”
”
Arthur Conan Doyle
“
Here I am, your one man circus freak show, having bled out for mother Russia, having desperately tried to get to you, now on top of you with this scourge marks, and you, who used to love me, who was sympathized, internalized, normalized everything, you are not allowed to turn away from me....this is what I am going to look like until the day I die. I can't get any peace from you ever unless you find away to make peace with this. Make peace with me. Or let me go for good.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
I want to talk about creating your life. There’s a quote I love, from the poet Mary Oliver, that goes:
Tell me, what is it you plan to do with your one wild and precious life?
I so clearly remember what it was like, being young and always in the grip of some big fat daydream. I wanted to be a writer always, but more than that, I wanted to have an extraordinary life. I’m sure I dreamed it a million different ways, and that plenty of them were ridiculous, but I think the daydreams were training for writing, and I also think they spurred me to pursue my dreams for real.
Daydreaming, however awesome it is, is passive. It happens in your head. Learning to make dreams real is another matter, and I think it should be the work of your life. Everyone’s life, whatever their dream (unless their dream is to be an axe murderer or something.)
It took me a while to finish a book. Too long. And you know, it doesn’t matter how good a writer you are unless you finish what you start! I think this is the hardest part for most people who want to write. I was in my mid-30s before I figured it out. The brain plays tricks. You can be convinced you’re following your dream, or that you’re going to start tomorrow, and years can pass like that. Years.
The thing is, there will be pressure to adjust your expectations, always shrinking them, shrinking, shrinking, until they fit in your pocket like a folded slip of paper, and you know what happens to folded slips of paper in your pocket. They go through the wash and get ruined. Don’t ever put your dream in your pocket. If you have to put it somewhere, get one of those holsters for your belt, like my dad has for his phone, so you can whip it out at any moment.
Hello there, dream.
Also, don’t be realistic. The word “realistic” is poison. Who decides?
And “backup plan” is code for, “Give up on your dreams,” and everyone I know who put any energy into a backup plan is now living that backup plan instead of their dream. Put all your energy into your dream. That’s the only way it will ever become real.
The world at large has this attitude, “What makes you so special that you think you deserve an extraordinary life?”
Personally, I think the passion for an extraordinary life, and the courage to pursue it, is what makes us special. And I don’t even think of it as an “extraordinary life” anymore so much as simple happiness. It’s rarer than it should be, and I believe it comes from creating a life that fits you perfectly, not taking what’s already there, but making your own from scratch.
You can let life happen to you, or you can happen to life. It’s harder, but so much better.
”
”
Laini Taylor
“
Your true family.
But what did that mean? Was family the ones you were born to, or the ones who took you in? Did the first years of his life weigh more than the rest?
Strange thing about forgetting spells.
Rhy was his brother.
They fade on their own.
London was his home.
Unless we don’t let go.”
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
What was I thinking?" Chiron cried. " I can't let you get away without this."
He pulled a pen from his coat pocket. It was an ordinary disposable ballpoint, black ink, removable cap. Probably thirty cents.
Gee," I said. "Thanks."
Percy, that's a gift from your father. I've kept it for years, not knowing you were who I was waiting for. But the profecy is clear to me now. You are the one.
I remembered the feild trip to the Metropolitan Museum of Art, when I'd vaporized Mrs. Dodds. Chiron had thrown me a pen that turned into a sword. Could this be...?
I took off the cap, and the pen grew longer and heavier in my hand. In half a second, I held a shimmering bronze sword with a double-edged blade, a leather=wrapped grip, and a flat hilt riveted with gold studs. It was the first weapon that actually felt balanced in my hands.
The sword has a long and tragic history that we need not go into," Chiron told me. "It's name is Anaklusmos."
Riptide," I translated, surprised the Ancient Greek came so easily.
Use it only for emergencies" Chiron said, "and only against monsters No hero should harm mortals unless absolutely, of course, but this sword wouldn't harm them in any case.
”
”
Rick Riordan
“
We cannot let go of the past enough to live in the present unless we are able to grieve our losses. We must deeply feel our emotional pain in order to accept that what is happening is not what we wanted.
”
”
John Kuypers (What's Important Now: Shedding the Past So You Can Live in the Present)
“
...you're going to have to face this. You can't let other people decide your life for you...Other people's judgement doesn't have any power unless you offer yourself up for trial, so don't.
”
”
Lisa Wingate (The Prayer Box (Carolina Heirlooms #1))
“
Plans never go as planned, ever; that’s just how life is. People spend way too much time dreaming about a future they should be having more nightmares warning them against. But that doesn't mean you should let those bad dreams scare you away; all those nightmares want is respect. If you give them that, they’ll give you the space you need. Unless, of course, they’re the type of nightmares that have an appetite, then you’re fucked.
”
”
Dave Matthes (Sleepeth Not, the Bastard)
“
So you decide to use life to free yourself. You become willing to pay any price for the freedom of your soul. You will realize that the only price you have to pay is letting go of yourself. Only you can take inner freedom away from yourself, or give it to yourself. Nobody else can. It doesn’t matter what others do, unless you decide that it matters to you.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
When someone hurts your pride, do not allow them to force you to run away or lose hope. They want you to struggle, they want you to feel like you are suffocating, and they want you to feel like you cannot go on. Let go of wasted negative energy and fear —you are only human and you cannot please everyone at the same time. Remember, nobody can take your inner peace unless you allow them to.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
What is it that constitutes virtue, Mrs. Graham? Is it the circumstance of being able and willing to resist temptation; or that of having no temptations to resist? - Is he a strong man that overcomes great obstacles and performs surprising achievements, though by dint of great muscular exertion, and at the risk of some subsequent fatigue, or he that sits in his chair all day, with nothing to do more laborious than stirring the fire, and carrying his food to his mouth? If you would have your son to walk honourably through the world, you must not attempt to clear the stones from his path, but teach him to walk firmly over them - not insist upon leading him by the hand, but let him learn to go alone.'
'I will lead him by the hand, Mr. Markham, till he has strength to go alone; and I will clear as many stones from his path as I can, and teach him to avoid the rest - or walk firmly over them, as you say; - for when I have done my utmost, in the way of clearance, there will still be plenty left to exercise all the agility, steadiness, and circumspection he will ever have. - It is all very well to talk about noble resistance, and trials of virtue; but for fifty - or five hundred men that have yielded to temptation, show me one that has had virtue to resist. And why should I take it for granted that my son will be one in a thousand? - and not rather prepare for the worst, and suppose he will be like his - like the rest of mankind, unless I take care to prevent it?
”
”
Anne Brontë (The Tenant of Wildfell Hall)
“
Honey, I appreciate that so much, I really do, but it’s not just transferring that I’m worrying about. I’m worried about his mind-set. When he gets to UVA, he needs to be focused. He’s going there to be a student athlete. He can’t be driving down to North Carolina every weekend. It just isn’t practical. You’re both so young. Peter’s already making big life decisions based on you, and who even knows what’s going to happen with you two in the future. You’re teenagers. Life doesn’t always work out the way you think it’s going to work out. . . . I don’t know if Peter ever told you this, but Peter’s dad and I got married very young. And I’d—I’d just hate to see you two make the same mistakes we did.” She hesitates. “Lara Jean, I know my son, and he’s not going to let you go unless you let him go first.” I
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
HOME
no one leaves home unless
home is the mouth of a shark
you only run for the border
when you see the whole city running as well
your neighbors running faster than you
breath bloody in their throats
the boy you went to school with
who kissed you dizzy behind the old tin factory
is holding a gun bigger than his body
you only leave home
when home won’t let you stay.
no one leaves home unless home chases you
fire under feet
hot blood in your belly
it’s not something you ever thought of doing
until the blade burnt threats into
your neck
and even then you carried the anthem under
your breath
only tearing up your passport in an airport toilets
sobbing as each mouthful of paper
made it clear that you wouldn’t be going back.
you have to understand,
that no one puts their children in a boat
unless the water is safer than the land
no one burns their palms
under trains
beneath carriages
no one spends days and nights in the stomach of a truck
feeding on newspaper unless the miles travelled
means something more than journey.
no one crawls under fences
no one wants to be beaten
pitied
no one chooses refugee camps
or strip searches where your
body is left aching
or prison,
because prison is safer
than a city of fire
and one prison guard
in the night
is better than a truckload
of men who look like your father
no one could take it
no one could stomach it
no one skin would be tough enough
the
go home blacks
refugees
dirty immigrants
asylum seekers
sucking our country dry
niggers with their hands out
they smell strange
savage
messed up their country and now they want
to mess ours up
how do the words
the dirty looks
roll off your backs
maybe because the blow is softer
than a limb torn off
or the words are more tender
than fourteen men between
your legs
or the insults are easier
to swallow
than rubble
than bone
than your child body
in pieces.
i want to go home,
but home is the mouth of a shark
home is the barrel of the gun
and no one would leave home
unless home chased you to the shore
unless home told you
to quicken your legs
leave your clothes behind
crawl through the desert
wade through the oceans
drown
save
be hunger
beg
forget pride
your survival is more important
no one leaves home until home is a sweaty voice in your ear
saying-
leave,
run away from me now
i dont know what i’ve become
but i know that anywhere
is safer than here
”
”
Warsan Shire
“
Sorry I overheard that, but I'm glad he's staying," Luke's sister said. "Not just because he'll be near me but because it gives him a chance to get over you."
Jocelyn sounded defensive. "Amatis-"
"It's been a long time, Jocelyn," Amatis said. "If you don't love him, you ought to let him go."
Jocelyn was silent. Clary wished she could see her mother's expression- did she looked sad? Angry? Resigned?
Amatis gave a little gasp. "Unless- you do love him?"
"Amatis, I can't-"
"You do! you do!" There was a sharp sound, as if Amatis had clapped her hands together. "I knew you did! I always knew it!"
"It doesn't matter." Jocelyn sounded tired. "It wouldn't be fair to Luke."
"I don't want to hear it." There was a rustling noise, and Jocelyn made a sound of protest. Clary wondered if Amatis had actually grabbed hold of her mother. "If you love him, you go right now and tell him. Right now, before he goes to the Council."
"But they want him to be their Council member! And he wants to-"
"All Lucian wants," said Amatis firmly, "is you. You and Clary. That's all he ever wanted. Now go."
Before Clary had a chance to move, Jocelyn dashed out into the hallway. She headed toward the door- and saw Clary, flattened against the wall. Halting, she opened her mouth in surprise.
"Clary!" She sounded as if she were trying to make her voice bright and cheerful, and failed miserably. "I didn't realize you were here."
Clary stepped away from the wall, grabbed hold of the doorknob, and threw the door wide open. Bright sunlight poured into the hall. Jocelyn stood blinking in the harsh illumination, her eyes on her daughter.
"If you don't go after Luke," Clary said, enunciating very clearly, "I, personally, will kill you."
For a moment Jocelyn looked astonished. Then she smiled. "Well," she said, "if you put it like that."
A moment later she was out of the house, hurrying down the canal path toward the Accords Hall. Clary shut the door behind her and leaned against it.
Amatis, emerging from the living room, darted past her to lean on the window sill, glancing aniously out through the pane. "Do you think she'll catch him before he gets to the Hall?"
"My mom's spent her whole life chasing me around," Clary said. "She moves fast.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
There are things you should learn. Your past is a skeleton walking one step behind you, and your future is a skeleton walking one step in front of you. Maybe you don’t wear a watch, but your skeletons do, and they always know what time it is. Now, these skeletons are made of memories, dreams, and voices. And they can trap you in the in-between, between touching and becoming. But they’re not necessarily evil, unless you let them be.
What you have to do is keep moving, keep walking, in step with your skeletons. They ain’t ever going to leave you, so you don’t have to worry about that. Your past isn’t going to fall behind, and your future won’t get too far ahead. Sometimes, though, your skeletons will talk to you, tell you to sit down and take a rest, breathe a little. Maybe they’ll make you promises, tell you all the things you want to hear.
Sometimes your skeletons will dress up as beautiful Indian women and ask you to slow dance. Sometimes your skeletons will dress up as your best friend and offer you a drink, one more for the road. Sometimes your skeletons will look exactly like your parents and offer you gifts.
But, no matter what they do, keep walking, keep moving. And don’t wear a watch. Hell, Indians never need to wear a watch because your skeletons will always remind you about the time. See, it is always now. That’s what Indian time is. The past, the present, the future, all of it is wrapped up in the now. That’s how it is. We are trapped in the now.
”
”
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
“
1. Children are not pets.
2. The life they actually live and the life you perceive them to be living is not the same life.
3. Don’t take what your children do too personally.
4. Don’t keep score cards on them – a short memory is useful.
5. Dirt and mess are a breeding ground for well-being.
6. Stay out of their rooms after puberty.
7. Stay out of their friendships and love-life unless invited in.
8. Don’t worry that they never listen to you; worry that they are always watching you.
9. Learn from them; they have much to teach you.
10. Love them long; let them go early.
Finally. You will never really know what kind of parent you were or if you did it right or wrong. Never. And you will worry about this and them as long as you live. But when your children have children and you watch them do what they do, you will have part of an answer.
”
”
Robert Fulghum (It Was on Fire When I Lay Down on It)
“
The beauty of the concept is that it takes the wind out of so many would-be ethical sails: the company that owns the porn-mag owns the company that makes the washing powder. The company that owns the munitions plants owns the company that makes the budgerigar food. The company that owns the nuclear waste owns the company that picks up your trash. These days, thanks to me, unless you pack up and go and live in a cave, you're putting money into evil and shit. And let's be realistic, if the cost of ethics is life in a cave . . .
”
”
Glen Duncan (I, Lucifer)
“
How can you blame a person for his fears and weaknesses unless you have felt the same and done differently? How can you think everyone can be a hero, choosing death, when it is part of our nature to let go of brave thoughts at the last moment and cling to hope and life?
”
”
Amy Tan (The Kitchen God's Wife)
“
Who told you that?" I say. "Davy Prentiss?"
He blinks. "What?"
"What do you mean what?" My voice is harder now. "Your new best friend. The man who shot me, Todd, and who you ride to work with laughing every morning."
He clenches his hands into fists.
"You've been spying on me?" he says. "Three months I don't see you, three months I don't hear nothing from you and you been spying? Is that what yer doing in your spare time when yer not blowing people up?"
"Yeah," I yell, my voice getting louder to match his. "Three months of defending you to people who'd only be too happy to call you enemy, Todd. Three months of wondering why the hell you're working so hard for the Mayor and how he knew to go right for the ocean the day after we spoke." He winces, but I keep going, thrusting out my arm and pulling up on the sleeve. "Three months wondering why you put these on women!"
His face changes in an instant. He actually calls out as if he felt the pain himself. He puts a hand to his mouth to stifle it but his Noise is suddenly washed with blackness. He moves his fingertips of his other hand within reach of the band, hovering over my skin, over the band that'll never be removed unless I lose my arm. The skin is still red, and band 1391 still trobs, despite the healing of three mistresses.
"Oh, no," he says. "Oh, no."
The side door opens and the man who let me in leans out. "Everything all right out there, Lieutenant?"
"Lieutenant?" I say.
"We're fine," Todd chokes a little. "We're fine."
The man waits for a second, then goes back inside.
"Lieutenant?" I say again, lowering my voice.
Todd's leant down, his hands on his knees, staring at the floor. "It wasn't me, was it?" he says, his voice quiet, too. "I didn't-" He gestures again at the band without looking up. "I didn't do it without knowing it was you, did I?
”
”
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
“
Sometimes, in your battle with unbelief, your greatest ally will wrestle you—he might even make you limp—until you’re desperate enough to say, 'I will not let you go unless you bless me.' It is a great mercy to be brought to the point where you’re desperate enough to insist on what you need the most.
”
”
Jon Bloom (Things Not Seen: A Fresh Look at Old Stories of Trusting God's Promises)
“
As the lotus does not touch the water
so do not let the world enter your heart..
Being busy in the world is no trouble,
unless you are troubled being busy,
then the only trouble is the trouble..
Ocean does not complain about the dance of ten million waves!
so don't be concerned with the rise and fall of thoughts..
Keeping an old troublesome habit
is like keeping poisonous snakes in your arms.
Now is the time to hold this snake and throw it out..
Bad moods are either past or imaginary future,
in the Present there are no moods at all..
Moods belong to the circumstance, to the past;
face the Sun and there will be no shadow of the moods..
The world is like a tail of dog, it's nature is to curl.
The best you can do is stay Quiet
and not let anything bother you..
Visitors will come and go, don't interfere with these waves..
Just be silent..
”
”
H.W.L. Poonja (The Truth Is)
“
Anyone who could build a universe in six days isn’t going to let a little thing like that happen. Unless they want it to, of course.” “Oh, come on. Be sensible,” said Aziraphale, doubtfully. “That’s not good advice,” said Crowley. “That’s not good advice at all. If you sit down and think about it sensibly, you come up with some very funny ideas. Like: why make people inquisitive, and then put some forbidden fruit where they can see it with a big neon finger flashing on and off saying ‘THIS IS IT!’?
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
Caleb?” My heart is beating hard, and I’m still pissed at him. He’s smiling … but when his eyes meet mine, he sobers.
“Yeah.”
“Don’t fucking touch me like that again unless you plan to finish what you start.”
His eyes go hard and his jaw tightens. Before I can turn and walk away, he grabs my wrist and pulls me against him, pinning my arms between our bodies.
“Let’s get this straight, Brynna. I want you so fucking bad my teeth ache. I’ve wanted you for months. But you’re part of my family, and I’m supposed to be protecting you. Dropping my guard and fucking you into the mattress is not the way to keep any of you whole.
”
”
Kristen Proby (Safe with Me (With Me in Seattle, #5))
“
Can go downstairs right now and let my mom know how I’m feeling—if she’s even home—but she’ll tell me to help myself to the Advil in her purse and that I need to relax and stop getting myself worked up, because in this house there’s no such thing as being sick unless you can measure it with a thermometer under the tongue. Things fall into categories of black and white—bad mood, bad temper, loses control, feels sad, feels blue.
”
”
Jennifer Niven
“
Are you glad I came?" "Delighted, dear Carmilla," I answered. "And you asked for the picture you think like me, to hang in your room," she murmured with a sigh, as she drew her arm closer about my waist, and let her pretty head sink upon my shoulder. "How romantic you are, Carmilla," I said. "Whenever you tell me your story, it will be made up chiefly of some one great romance." She kissed me silently. "I am sure, Carmilla, you have been in love; that there is, at this moment, an affair of the heart going on." "I have been in love with no one, and never shall," she whispered, "unless it should be with you." How beautiful she looked in the moonlight! Shy and strange was the look with which she quickly hid her face in my neck and hair, with tumultuous sighs, that seemed almost to sob, and pressed in mine a hand that trembled. Her
”
”
J. Sheridan Le Fanu (Carmilla)
“
Wolsey sits with his elbows on his desk, his fingers dabbing his closed lids. He takes a great breath, and begins to talk: he begins to talk about England. You can’t know Albion, he says, unless you can go back before Albion was thought of. You must go back before Caesar’s legions, to the days when the bones of giant animals and men lay on the ground where one day London would be built. You must go back to the New Troy, the New Jerusalem, and the sins and crimes of the kings who rode under the tattered banners of Arthur and who married women who came out of the sea or hatched out of eggs, women with scales and fins and feathers; beside which, he says, the match with Anne looks less unusual. These are old stories, he says, but some people, let us remember, do believe them.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
I would give anything not to have to spend the next twenty minutes sitting across from her, because she doesn't believe in letting silence go. No, she has to fill it up with talk. I want to tell her that's what the voices in your head are for, to get you through all the silent parts. But she doesn't want to be with her thoughts unless she's saying them out loud
”
”
John Green (Will Grayson, Will Grayson)
“
Choose your sister.'
'Sir?'
'Choose her. Don't choose Daria. You'll end up giving her less than she deserves. And my daughter deserves everything. Not half of it. Not a quarter. And definitely not messy. Let her go. Unless, of course...' He pauses, cocking his head to examine my expression. I don't breathe.
'Unless?'
'You love Daria. Then I do not allow you, under any fucking circumstances, to break both your hearts because Sylvia still holds a grudge.
”
”
L.J. Shen (Pretty Reckless (All Saints High, #1))
“
We look for the sense of being Home in a physical home, in a family, in a lover. But unless we can experience it in the still moments of our life, no house, family, lover, or anything else will ever satisfy our longing for Home. The feeling of being Home is never found by doing, going somewhere, having things, or thinking, but by simply stopping and just being long enough to let ourselves feel that we are Home. Our longing for Home can call it forth. Know Home, value it, and you will have it. The most precious attainment is right here in Stillness and in just being.
”
”
Gina Lake (What About Now?: Reminders for Being in the Moment)
“
Without trust, I cannot let myself be found. Trust is that deep inner conviction that the Father wants me home. As long as I doubt that I am worth finding and put myself down as less loved than my younger brothers and sisters, I cannot be found. I have to keep saying to myself, “God is looking for you. He will go anywhere to find you. He loves you, he wants you home, he cannot rest unless he has you with him.
”
”
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
“
Where's my sister?"
"She's setting up the island we found tonight."
Galen shakes his head. "You slithering eel. You might have told me what you were up to."
Toraf laughs. "Oh sure. 'Hey, Galen, I need to borrow Emma for a few minutes so I can kiss her, okay?' Didn't see that going over very well."
"You think your surprise attack went over better?"
Toraf shrugs. "I'm satisfied."
"I could have killed you today."
"Yeah."
"Don't ever do that again."
"Wasn't planning on it. Thought it was real sweet of you to defend your sister's honor. Very brotherly." Toraf snickers.
"Shut up."
"I'm just saying."
Galen runs a hand through his hair. "I only saw Emma. I forgot all about Rayna."
"I know, idiot. That's why I let you hit me fifty-eight times. That's what I would do if someone kissed Rayna."
"Fifty-nine times."
"Don't get carried away, minnow. By the way, was Emma boiling mad or just a little heated? Should I keep my distance for a while?"
Galen snorts. "She laughed so hard I thought she'd pass out. I'm the one in trouble."
"Shocker. What'd you do?"
"The usual." Hiding his feelings. Blurting out the wrong thing. Acting like a territorial bull shark.
Toraf shakes his head. "She won't put up with that forever. She already thinks you only want to change her so she can become another of your royal subjects."
"She said that?" Galen scowls. "I don't know what's worse. Letting her think that, or telling her the truth about why I'm helping her to change."
"In my opinion, there's nothing to tell her unless she can actually change. And so far, she can't."
"You don't think she's one of us?"
Toraf shrugs. "Her skin wrinkles. It's kind of gross. Maybe she's some sort of superhuman. You know, like Batman."
Galen laughs. "How do you know about Batman?"
"I saw him on that black square in your living room. He can do all sorts of things other humans can't do. Maybe Emma is like him."
"Batman isn't real. He's just a human acting like that so other humans will watch him."
"Looked real to me."
"They're good at making it look real. Some humans spend their whole lives making something that isn't real look like something that is."
"Humans are creepier than I thought. Why pretend to be something you're not?"
Galen nods. To take over a kingdom, maybe? "Actually, that reminds me. Grom needs you."
Toraf groans. "Can it wait? Rayna's getting all cozy on our island right about now."
"Seriously. I don't want to know."
Toraf grins. "Right. Sorry. But you can see my point, right? I mean, if Emma were waiting for you-"
"Emma wouldn't be waiting for me. I wouldn't have left."
"Rayna made me. You've never hit me that hard before. She wants us to get along. Plus, there's something I need to tell you, but I didn't exactly get a change to."
"What?"
"Yesterday when we were practicing in front of your house, I sensed someone. Someone I don't know. I made Emma get out of the water while I went to investigate."
"And she listened to you?"
Toraf nods. "Turns out, you're the only one she disobeys.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Don't worry about hurting me, Jordan." She brushed back her hair again as she turned from him and headed for the bedroom. "It was too late for that a long time ago."
...
"I've heard the lecture," she informed him as she glared back at him. "I've heard you tell your men how love is an illusion, and how they need to watch their backs before that illusion bites him on the ass, so many times it sickens me. Unless you have something original to add to it, then I don't want to hear it again, if you don't mind."
...
"You're fooling yourself." He had to force the words past his lips. "You're letting lust and pleasure betray you. Tehya. It tricks you. When it fades, all you have left is either friendship or enmity. It's the enmity that worries me, the knowledge of all the little ways you can destroy one another with the knowledge you've gained. I don't want us to go that route. I don't want you to hate me."
...
"Who ruined you before I ever had a chance at your heart?
”
”
Lora Leigh (Live Wire (Elite Ops, #7))
“
I can go downstairs right now and let my mom know how I am feeling-if she's even home-but she'll tell me to help myself to the Advil in her purse and that I need to relax and stop getting myself worked up, because in this house there's no such thing as being sick unless you can measure it with a thermometer under the tongue. Things fall into categories of black and white- bad mood, bad temper, loses control, feels sad, feels blue.
”
”
Jennifer Niven (All the Bright Places)
“
Okay, I don't know if any of you have ever lost consciousness before, so let me just say here real quickly: Don't do it.
Really. If you can avoid situations in which you might lose consciousness, please do so. Whatever you do, do not pass out. Trust me. It is not fun. It is not fun at all.
Unless, of course, you're guaranteed to wake up having mouth-to-mouth performed on you by a totally hot California lifeguard. Then I say go for it.
”
”
Meg Cabot (Reunion (The Mediator, #3))
“
You’re with Hunter.” It was more of a question than a statement.
Tears welled up in my eyes. “But it hasn’t been right. It hasn’t been you. I can’t . . . I haven’t been able to—” I sucked in a deep breath. “I can’t be a real girlfriend to him when all I can do is think about you.”
“Ah, shit, Pepper.” Still holding my face, he lowered his forehead to mine. “I’m not going through this again with you just so you can run when you get scared that I’m not like some ideal you built up in your head. I love you. I’m fucking in love with you, but it’s all or nothing. I won’t do this again unless it’s going to be like that.”
Now I was crying, choking on my sobs. “I know. I want that. It took me so long to figure that out, but I know now. You are the safest thing I’ll ever find.” I deliberately repeated his words, holding his gaze and letting them sink in. “Because you love me. Because I love you.
”
”
Sophie Jordan (Foreplay (The Ivy Chronicles, #1))
“
Let your thoughts run free, as if your mind is taking a leisurely Sunday afternoon walk through a garden in spring bloom.
I stand in the hallway, mute. Alone. I realize: I must develop the ability to go the distance rather than just envy it.
Don't speak unless you can improve on silence
The truth is never as interesting as what people whisper about them
It's because the dream is so perfect that I can walk away from it
That blackness brought me out of the nightmare and into this morning's light
”
”
Rachel Cohn (You Know Where to Find Me)
“
When I got to school the next morning I had stepped only
one foot in the quad when he spotted me and nearly tackled me to the ground. “Jamie!” he hollered, rushing across the lawn without caring the least
bit about the scene he was creating.
The next thing I knew, my feet were off the ground and I was squished so tightly in Ryan’s arms that I could barely breathe.
“Okay, Ryan?” I coughed in a hushed tone. “This is exactly the kind of thing that can get you killed.”
“I don’t care, I’m not letting go. Don’t ever disappear like that again!” he scolded, but his voice was more relieved than angry. “It’s been days! You
had your mother worried sick!”
“My mother?” I questioned sarcastically.
Ryan laughed as he finally set me back on my feet. “Okay, fine, me too.” He still wouldn’t let go of me, though. He was gripping my arms while he
looked at me with those eyes, and that smile… You know, being all Ryan-ish. And then, when I got lost in the moment, he totally took advantage of
how whipped I was and he kissed me. The jerk. He just pulled my face to his right then and there, in the middle of a crowded quad full of students,
where I could have accidentally unleashed an electrical storm at any moment. And okay, maybe I liked it, and maybe I even needed it, but still! You
can’t just go kissing Jamie Baker whenever you want, even if you are Ryan Miller!
“Ryan!” I yelled as soon as I was able to pull away from him—which admittedly took a minute.
“I’m sorry.” Ryan laughed with this big dopey grin on his face and then kissed me some more.
I had to push him away from me. “Don’t be sorry, just stop!” I realized I was screaming at him when I felt a hundred different pairs of eyes on me. I
tried to ignore the audience that Ryan seemed oblivious to and dropped the audio a few decibels. “I wasn’t kidding when I said this has to stop.
Look, I will be your friend. I want to be your friend. But that’s it.
We can’t be anything more. It’ll never work.”
Ryan watched me for a minute and then whispered, “Don’t do that.” I was shocked to hear the sudden emotion in his voice. “Don’t give up.”
It was hopeless.
“Fine!” I snapped. “I’ll be your stupid girlfriend!”
Big shocker, me giving Ryan his way, I know. But let’s face it—it’s just what I do best. I had to at least act a little tough, though. “But!” I said in the
harshest voice I was capable of. “You can’t ever touch me unless I say. No more tackling me, and especially no more surprise kissing.” He actually
laughed at my request. “No promises.”
Stupid, cocky boyfriend.
“You’re crazy. You know that, right?”
Ryan got this big cheesy smile on his face and said, “Crazy about you.”
“Ugh,” I groaned. “Would you be serious for a minute? Why do you insist on putting your life in danger?”
“Because I like you.”
His stupid grin was infectious. I wanted to be angry, but how could I with him looking at me like that?
“I’m not worth it, you know,” I said stubbornly. “I have issues. I’m unstable.”
“You’re cute when you’re unstable,” Ryan said, “and I like your issues.” The stupid boy was straight-up giddy now. But he was so cute that I cracked
a smile despite myself. “You really are crazy,” I muttered.
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
Here it comes,” I say gleefully. “The levelheaded reason for why they stay in the house.”
“Watch, the ghost won’t let them leave,” Logan guesses.
He guesses wrong.
On the screen, the characters argue about whether they should go, and one of the girls announces, “We’re doing important work here, guys! We’re proving the existence of paranormal entities! Science needs this. Science needs us.”
I burst out laughing, shuddering against Logan’s rock-hard chest. “Did you hear that, Johnny? Science needs them.”
“I fucking hate you,” he grumbles.
“Five bucks…” I say in a singsong voice.
His hand slides down to pinch my butt, making me squeak in surprise. “Go ahead and gloat. You win the battle by getting five bucks out of me, but I win the war.”
I sit up. “How do you figure?”
“Because you still have to sit through the rest of this movie, and you’re going to hate every second of it. I, on the other hand, am enjoying it immensely.”
The jerk is absolutely right.
Unless…
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
In times of old when I was new
And Hogwarts barely started
The founders of our noble school
Thought never to be parted:
United by a common goal,
They had the selfsame yearning,
To make the world’s best magic school
And pass along their learning.
“Together we will build and teach!”
The four good friends decided
And never did they dream that they
Might someday be divided,
For were there such friends anywhere
As Slytherin and Gryffindor?
Unless it was the second pair
Of Hufflepuff and Ravenclaw?
So how could it have gone so wrong?
How could such friendships fail?
Why, I was there and so can tell
The whole sad, sorry tale.
Said Slytherin, “We’ll teach just those
Whose ancestry is purest.”
Said Ravenclaw, “We’ll teach those whose
Intelligence is surest.”
Said Gryffindor, “We’ll teach all those
With brave deeds to their name.”
Said Hufflepuff, “I’ll teach the lot,
And treat them just the same.”
These differences caused little strife
When first they came to light,
For each of the four founders had
A House in which they might
Take only those they wanted, so,
For instance, Slytherin
Took only pure-blood wizards
Of great cunning, just like him,
And only those of sharpest mind
Were taught by Ravenclaw
While the bravest and the boldest
Went to daring Gryffindor.
Good Hufflepuff, she took the rest,
And taught them all she knew,
Thus the Houses and their founders
Retained friendships firm and true.
So Hogwarts worked in harmony
For several happy years,
But then discord crept among us
Feeding on our faults and fears.
The Houses that, like pillars four,
Had once held up our school,
Now turned upon each other and,
Divided, sought to rule.
And for a while it seemed the school
Must meet an early end,
What with dueling and with fighting
And the clash of friend on friend
And at last there came a morning
When old Slytherin departed
And though the fighting then died out
He left us quite downhearted.
And never since the founders four
Were whittled down to three
Have the Houses been united
As they once were meant to be.
And now the Sorting Hat is here
And you all know the score:
I sort you into Houses
Because that is what I’m for,
But this year I’ll go further,
Listen closely to my song:
Though condemned I am to split you
Still I worry that it’s wrong,
Though I must fulfill my duty
And must quarter every year
Still I wonder whether
Sorting May not bring the end I fear.
Oh, know the perils, read the signs,
The warning history shows,
For our Hogwarts is in danger
From external, deadly foes
And we must unite inside her
Or we’ll crumble from within.
I have told you, I have warned you. . . .
Let the Sorting now begin.
The hat became motionless once more;
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
It took Aaron a minute to find his voice again. He still sounded angry, but there was a muted edge to his, "You wouldn't even look at me. You wouldn't say a word to me unless I said something first. I'm not psychic. How was I supposed to know?" "Because I made you a promise," Andrew said. "I did not forget it just because you chose not to believe me. I did what I said I would do, and fuck you for expecting anything else." There it was again: a hint of that infinite anger at Andrew's core. Aaron opened his mouth, closed it again, and dropped his eyes. Andrew stared at his brother's bowed head for an endless minute. Aaron had given up the fight, but every passing second seemed to put more tension in Andrew's frame. Neil watched Andrew's fingers curl against his thighs, not into fists but a mimicry of crushing the life from someone, and knew Andrew's temper was nearing a breaking point. He put his hand up between them, trying to block Andrew's view of Aaron, and Andrew cut a vicious look at him. A heartbeat later Andrew's expression went dead. Neil regretted his intervention immediately. No one could let go of that much rage that easily; Andrew had simply buried it where it could hurt only him. It was too late to take it back, so Neil dropped his hand to his lap in defeat.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
He removed his hat, something a wizard doesn't ordinarily do unless he's about to pull something out of it, and handed it to the Bursar. Then he tore a thin strip off the bottom of his robe, held it dramatically in both hands, and tied it around his forehead.
"It's part of the ethos," he said, in answer to their penetratingly unspoken question. "That's what the warriors on the Counterweight Continent do before they go into battle. And you have to shout --" He tried to remember some far-off reading. "-er, bonsai. Yes. Bonsai!"
"I thought that meant chopping bits off trees to make them small," said the Senior Wrangler.
The Dean hesitated. He wasn't too sure himself, if it came to it.
But a good wizard never let uncertainty stand in his way.
"No, it's definitely got to be bonsai," he said. He considered it some more then brightened up. "On account of it all being part of bushido. Like...small trees. Bush-i-do. Yeah. Makes sense, when you think about it."
"But you can't shout 'bonsai' here." said the Lecturer in Recent Runes. "We've got a totally different cultural background. It'd be useless. No one will know what you mean.
"I'll work on it, " said the Dean.*
”
”
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
“
The berth belongs to you too. It will always be there when—if you want to come back.”
Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.”
His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.”
“I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words.
Kaz cast her a swift glance. “I thought you wanted to hunt slavers.”
“I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.”
“I’m a Barrel boss.”
“You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.”
“The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.”
“Why not?” Inej asked. “One the seas and in the city. One by one.”
“Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“
“This city doesn’t need a good man. It needs you.”
“Inej—“
“How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.”
He made a sound that might almost have been a laugh.
One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach.
Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away.
“I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving.
Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too.
Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying.
She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I told them you’d take it like this,” said Hermione with a hint of complacency.
“If you think I’m going to let six people risk their lives--!”
“--because it’s the first time for all of us,” said Ron.
“This is different, pretending to be me--”
“Well, none of us really fancy it, Harry,” said Fred earnestly. “Imagine if something went wrong and we were stuck as specky, scrawny gits forever.”
Harry did not smile.
“You can’t do it if I don’t cooperate, you need me to give you some hair.”
“Well, that’s that plan scuppered,” said George. “Obviously there’s no chance at all of us getting a bit of your hair unless you cooperate.”
“Yeah, thirteen of us against one bloke who’s not allowed to use magic; we’ve got no chance,” said Fred.
“Funny,” said Harry, “really amusing.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
People have been taught to hide. They have been taught not to trust. They have been taught that man is naturally bad, that life is naturally dangerous, that unless you keep very alert you are going to be cheated and deceived. If you don’t protect yourself you will be lost. These things have been put into the unconscious from the very childhood. They have become part of our foundation and because of them we go on hiding.
The reality is just the opposite: man is not naturally bad, man is naturally good. Nobody really wants to do bad, and if somebody is doing bad it simply means that he has been a victim of circumstances and situations so he has been forced to do that. No thief is happy to be a thief and no murderer is happy to be a murderer. They have been forced. In fact they are Victims; they have been compelled by the logic of situations. They have been brought up in such a way that their whole being has been poisoned.
”
”
Osho (Let go!: A darshan diary)
“
If he wasn't angry, he certainly did a good imitation. His voice was clipped and as hard as stone. She wrung her hands together. "I love you. Clay."
"No, you don't."
Meg felt as though he'd just slapped her. "Yes, I do. When you leave this town, I'll go with you."
Narrowing his eyes, he studied her. "Will you marry me?"
"Yes."
"Will you give me children?"
"If I can. Kirk and I were never able to conceive, but if I can have children, I want to have yours."
"In this town that we move to, wherever it is, will you walk down the street with me?"
"Of course."
"Holding my hand?"
"Yes."
"And the hands of my children?"
"Yes."
He unfolded his arms and took a step toward her. She wanted to fling herself into his embrace, but something hard in his eyes stopped her.
"And what happens, Mrs. Warner, when someone you know rides through town and points at me and calls me a yellow-bellied coward? What will you do then? Will you let go of my hand and take my children to the other side of the street? Will you pretend that you haven't kissed me, that you haven't lain with me beneath the stars?" With disgust marring his features, he turned away. "You think I'm a coward. Go home."
"I don't think that. I love you."
He spun around. "You don't believe in that love, you don't believe in me."
"Yes, I do."
He stalked toward her. She backed into the corner and bent her head to meet his infuriated gaze.
"How strongly do you believe in our love?" he asked, his voice ominously low. "If they threatened to strip off your clothes unless you denied our love, would you deny our love?"
He gave her no chance to respond, but continued on, his voice growing deeper and more ragged, as though he were dredging up events from the past.
"If they wouldn't let you sleep until you denied our love, would you deny our love so you could lay your head on a pillow?
"If they stabbed a bayonet into your backside every time your eyes drifted closed, would you deny our love so your flesh wouldn't be pierced?
"If they applied a hot brand to your flesh until you screamed in agony, would you deny our love so they'd take away the iron?
"If they placed you before a firing squad, would you say you didn't love me so they wouldn't shoot you?"
He stepped back and plowed his hands through his hair. "You think I'm a coward. You don't think I have the courage to stand beside you and risk the anger of your father. I'd die before I turned away from anyone or anything I believed in. You won't even walk by my side."
He looked the way she imagined soldiers who had lost a battle probably looked: weary, tired of the fight, disillusioned.
"You don't believe in me," he said quietly. "How can you believe in our love?
”
”
Lorraine Heath (Always to Remember)
“
January?
The month is dumb.
It is fraudulent.
It does not cleanse itself.
The hens lay blood-stained eggs.
Do not lend your bread to anyone
lest it nevermore rise.
Do not eat lentils or your hair will fall out.
Do not rely on February
except when your cat has kittens,
throbbing into the snow.
Do not use knives and forks
unless there is a thaw,
like the yawn of a baby.
The sun in this month
begets a headache
like an angel slapping you in the face.
Earthquakes mean March.
The dragon will move,
and the earth will open like a wound.
There will be great rain or snow
so save some coal for your uncle.
The sun of this month cures all.
Therefore, old women say:
Let the sun of March shine on my daughter,
but let the sun of February shine on my daughter-in-law.
However, if you go to a party
dressed as the anti-Christ
you will be frozen to death by morning.
During the rainstorms of April
the oyster rises from the sea
and opens its shell —
rain enters it —
when it sinks the raindrops
become the pearl.
So take a picnic,
open your body,
and give birth to pearls.
June and July?
These are the months
we call Boiling Water.
There is sweat on the cat but the grape
marries herself to the sun.
Hesitate in August.
Be shy.
Let your toes tremble in their sandals.
However, pick the grape
and eat with confidence.
The grape is the blood of God.
Watch out when holding a knife
or you will behead St. John the Baptist.
Touch the Cross in September,
knock on it three times
and say aloud the name of the Lord.
Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain.
Do not faint in September
or you will wake up in a dead city.
If someone dies in October
do not sweep the house for three days
or the rest of you will go.
Also do not step on a boy's head
for the devil will enter your ears
like music.
November?
Shave,
whether you have hair or not.
Hair is not good,
nothing is allowed to grow,
all is allowed to die.
Because nothing grows
you may be tempted to count the stars
but beware,
in November counting the stars
gives you boils.
Beware of tall people,
they will go mad.
Don't harm the turtle dove
because he is a great shoe
that has swallowed Christ's blood.
December?
On December fourth
water spurts out of the mouse.
Put herbs in its eyes and boil corn
and put the corn away for the night
so that the Lord may trample on it
and bring you luck.
For many days the Lord has been
shut up in the oven.
After that He is boiled,
but He never dies, never dies.
”
”
Anne Sexton
“
Why did we come back this way instead of popping up somewhere less…cramped?” I asked, substituting the word cramped for creepy. I was trying not to feel weirded out that I was in my boyfriend’s crypt. It was only a building, after all.
A very unpleasant one.
“This is a portal,” he said, as if that explained everything.
“A what?”
“A portal,” John whispered. “A direct link from here to the Underworld. That’s why you don’t feel dizzy this time.”
I hadn’t even noticed, but he was right. I didn’t feel sick, for once, though we’d just jumped between astral planes.
“This is a doorway through which the souls of the departed enter the world of the dead after they pass,” John explained softly. “The doorway closes behind the dead once they enter. They can never leave again-“
“Unless they escape,” I interrupted. Because this was what had happened to me.
He glanced down at me with a teasing smile. “Unless I choose to let them escape,” he said, “because they seem to want their mothers so badly.”
“That was two years ago,” I reminded him. I shouldn’t have mentioned the thing that morning about being inexperienced with men, even if it was technically true. He was never going to let me help him if he always thought of me as someone he had to protect. “And do I have to remind you that you didn’t let me escape, I-“
“Shhh.” He held up a hand. “Someone’s coming.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
Grey refused to shy away from the intensity heating in Sirus's eyes to charcoal. As he waited for the man to roll over, Grey watched, unwavering, challenging the fire burning hot in Sirus's gaze. Sirus lifted up to his elbows, but didn't make any effort to shift his position. In fact, he looked downright defiant, and Grey's pulse started to race.
"I want a nice view of my cock taking your sweet ass."
"You want me to flip you over and hold you down, fuck you that way?"
"Yeah, you want it." Grey said to Sirus. "But is it the fucking that has you leaking so damn hard, or is it the thought of force?"
"Don't try to overtake me," Sirus bit Grey's lower lip and tugged, letting it pull through his teeth until it released, "unless you're ready to be the one who ends up on the bottom, with my cock buried in your ass."
Grey wrapped his hand around Sirus's throat, yanked the man's head back and took his mouth in a hard, thrusting kiss, going deep and aggressive enough to make Sirus jerk and go compliant. An almost silent whimper escaped the man, begging without words for more. Knowing he was in charge fully once again, Grey reached between their bodies, positioned the head of his cock and drove his length home.
”
”
Cameron Dane (Grey's Awakening (Cabin Fever, #2))
“
BRADBURY: Well, if you love people you criticize them, and if you don’t love them you don’t criticize them, you let them go to hell, don’t you? To help any kind of friendship, your marriage, your children, you criticize because you love. And this works the same way. With your friends--let’s say in writing--if you don’t offer criticism to them and scare them on occasion… In other words you say to a new writer, for gods sake write, because if you don’t you will disappear. The world doesn’t give a damn about you unless you do something. Those are the rules; I didn’t make them. If you are lazy, if you don’t get the work that you love done, the world won’t care if you die tomorrow and go into the grave and are gone and forgotten forever.
”
”
Ray Bradbury
“
This is meant to be in praise of the interval called hangover,
a sadness not co-terminous with hopelessness,
and the North American doubling cascade
that (keep going) “this diamond lake is a photo lab”
and if predicates really do propel the plot
then you might see Jerusalem in a soap bubble
or the appliance failures on Olive Street
across these great instances,
because “the complex Italians versus the basic Italians”
because what does a mirror look like (when it´s not working)
but birds singing a full tone higher in the sunshine.
I´m going to call them Honest Eyes until I know if they are,
in the interval called slam clicker, Realm of Pacific,
because the second language wouldn´t let me learn it
because I have heard of you for a long time occasionally
because diet cards may be the recovery evergreen
and there is a new benzodiazepene called Distance,
anti-showmanship, anti-showmanship, anti-showmanship.
I suppose a broken window is not symbolic
unless symbolic means broken, which I think it sorta does,
and when the phone jangles
what´s more radical, the snow or the tires,
and what does the Bible say about metal fatigue
and why do mothers carry big scratched-up sunglasses
in their purses.
Hello to the era of going to the store to buy more ice
because we are running out.
Hello to feelings that arrive unintroduced.
Hello to the nonfunctional sprig of parsley
and the game of finding meaning in coincidence.
Because there is a second mind in the margins of the used book
because Judas Priest (source: Firestone Library)
sang a song called Stained Class,
because this world is 66% Then and 33% Now,
and if you wake up thinking “feeling is a skill now”
or “even this glass of water seems complicated now”
and a phrase from a men´s magazine (like single-district cognac)
rings and rings in your neck,
then let the consequent misunderstandings
(let the changer love the changed)
wobble on heartbreakingly nu legs
into this street-legal nonfiction,
into this good world,
this warm place
that I love with all my heart,
anti-showmanship, anti-showmanship, anti-showmanship.
”
”
David Berman
“
On Rachel's show for November 7, 2012:
Ohio really did go to President Obama last night. and he really did win. And he really was born in Hawaii. And he really is legitimately President of the United States, again. And the Bureau of Labor statistics did not make up a fake unemployment rate last month. And the congressional research service really can find no evidence that cutting taxes on rich people grows the economy. And the polls were not screwed to over-sample Democrats. And Nate Silver was not making up fake projections about the election to make conservatives feel bad; Nate Silver was doing math. And climate change is real. And rape really does cause pregnancy, sometimes. And evolution is a thing. And Benghazi was an attack on us, it was not a scandal by us. And nobody is taking away anyone's guns. And taxes have not gone up. And the deficit is dropping, actually. And Saddam Hussein did not have weapons of mass destruction. And the moon landing was real. And FEMA is not building concentration camps. And you and election observers are not taking over Texas. And moderate reforms of the regulations on the insurance industry and the financial services industry in this country are not the same thing as communism.
Listen, last night was a good night for liberals and for democrats for very obvious reasons, but it was also, possibly, a good night for this country as a whole. Because in this country, we have a two-party system in government. And the idea is supposed to be that the two sides both come up with ways to confront and fix the real problems facing our country. They both propose possible solutions to our real problems. And we debate between those possible solutions. And by the process of debate, we pick the best idea. That competition between good ideas from both sides about real problems in the real country should result in our country having better choices, better options, than if only one side is really working on the hard stuff. And if the Republican Party and the conservative movement and the conservative media is stuck in a vacuum-sealed door-locked spin cycle of telling each other what makes them feel good and denying the factual, lived truth of the world, then we are all deprived as a nation of the constructive debate about competing feasible ideas about real problems. Last night the Republicans got shellacked, and they had no idea it was coming. And we saw them in real time, in real humiliating time, not believe it, even as it was happening to them. And unless they are going to secede, they are going to have to pop the factual bubble they have been so happy living inside if they do not want to get shellacked again, and that will be a painful process for them, but it will be good for the whole country, left, right, and center. You guys, we're counting on you. Wake up. There are real problems in the world. There are real, knowable facts in the world. Let's accept those and talk about how we might approach our problems differently. Let's move on from there. If the Republican Party and the conservative movement and conservative media are forced to do that by the humiliation they were dealt last night, we will all be better off as a nation. And in that spirit, congratulations,
everyone!
”
”
Rachel Maddow
“
You're the whole focus of my world," he murmured. "After you left, I went crazy.I flew down to New Orleans, and-"
"You did?" Stunned,she drew back to look at him. "You went after me?"
"With various purposes in mind," he muttered. "First,I was going to strangle you,then I was going to crawl, then I was going to just drag you back and lock you upstairs."
Smiling,she rested her head on his chest. "And now?"
"Now." He kissed her hair. "We compromise. I'll let you live."
"Good start." With a sigh,she closed her eyes. "I want to watch the sea in winter."
He tilted her face to his. "We will."
"There is something else..."
"Before or after I make love to you?"
Laughing,she pulled away from him. "It better be before.Since you haven't mentioned marriage yet,it falls to me."
"Gennie-"
"No,this is one time we'll do it all my way." She draw out the coin Serena had given her before she'd lef the Comanche. "And,in a way,it's a kind of compromise.Heads,we get married. Tails we don't."
Grant grabbed her wrist before she could toss. "You're not going to play games with something like that, Genvieve, unless that's a two-headed coin."
She smiled. "It certainly is."
Surprise came first,then his grin. "Toss it.I like the odds.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
You want to give up and you start thinking maybe it's a good idea because the pain of holding on ... because then it wouldn't hurt anymore. Because holding steady is- is-
There is this bad, really bad, sense of uncertainty, an uncertainty so painful, so asshole-clenching, that it becomes- It's an awful thing to say, but it's easier to let go and be split in half than it is to try and hold on, suffering and not knowing what is going to happen. That is courage. Taking your own fucking life in your own fucking hands when that is the hardest thing you can do. No one thinks of it. Everyone thinks they'd do the right thing, but that's not true. They don't understand how scary it is. How hard it is. No one understands unless they've been there. We're there now, Jacob, and you're gonna do the right thing despite the fear and despite the hurt.
”
”
Gabriel Tallent (My Absolute Darling)
“
My Dearest, Can you forgive me? In a world that I seldom understand, there are winds of destiny that blow when we least expect them. Sometimes they gust with the fury of a hurricane, sometimes they barely fan one’s cheek. But the winds cannot be denied, bringing as they often do a future that is impossible to ignore. You, my darling, are the wind that I did not anticipate, the wind that has gusted more strongly than I ever imagined possible. You are my destiny. I was wrong, so wrong, to ignore what was obvious, and I beg your forgiveness. Like a cautious traveler, I tried to protect myself from the wind and lost my soul instead. I was a fool to ignore my destiny, but even fools have feelings, and I’ve come to realize that you are the most important thing that I have in this world. I know I am not perfect. I’ve made more mistakes in the past few months than some make in a lifetime. I was wrong to deny what was obvious in my heart: that I can’t go on without you. You were right about everything. I tried to deny the things you were saying, even though I knew they were true. Like one who gazes only backward on a trip across the country, I ignored what lay ahead. I missed the beauty of a coming sunrise, the wonder of anticipation that makes life worthwhile. It was wrong of me to do that, a product of my confusion, and I wish I had come to understand that sooner. Now, though, with my gaze fixed toward the future, I see your face and hear your voice, certain that this is the path I must follow. It is my deepest wish that you give me one more chance. For the first few days after you left, I wanted to believe that I could go on as I always had. But I couldn’t. I knew in my heart that my life would never be the same again. I wanted you back, more than I imagined possible, yet whenever I conjured you up, I kept hearing your words in our last conversation. No matter how much I loved you, I knew it wasn’t going to be possible unless we—both of us—were sure I would devote myself fully to the path that lay ahead. I continued to be troubled by these thoughts until late last night when the answer finally came to me. Oh, I am sorry, so very sorry, that I ever hurt you. Maybe I’m too late now. I don’t know. I love you and always will. I am tired of being alone. I see children crying and laughing as they play in the sand, and I realize I want to have children with you. I am sick and sad without you. As I sit here in the kitchen, I am praying that you will let me come back to you, this time forever.
”
”
Nicholas Sparks (Message in a Bottle)
“
I am going to make you what you may perhaps consider rather a singular proposition. It is this, that if you don’t like me, say so at once, and we will part now, before we have time to know anything more of each other, and I will endeavour not to cross your path again unless you seek me out. But if on the contrary, you do like me,—if you find something in my humour or turn of mind congenial to your own disposition, give me your promise that you will be my friend and comrade for a while, say for a few months at any rate. I can take you into the best society, and introduce you to the prettiest women in Europe as well as the most brilliant men. I know them all, and I believe I can be useful to you. But if there is the smallest aversion to me lurking in the depths of your nature”—here he paused,—then resumed with extraordinary solemnity—“in God’s name give it full way and let me go,—because I swear to you in all sober earnest that I am not what I seem!
”
”
Marie Corelli (The Sorrows of Satan; or, The Strange Experience of One Geoffrey Tempest, Millionaire)
“
Take this. When you’re ready, I want to put it on your finger. I want you to meet my son. I want you to let me bring you into my world – because I need you there. The media crap is just PR. Piece of cake for you, trust me. There are a hundred people ready to help us nail it. Let me help you rebuild your faith, because that’s who you are, and I love who you are.
‘Remember last fall, when you needed to be reckless, and I told you to use me? Well, now, it’s time to be fearless. I can’t promise that you won’t be hurt again, because life can suck. And, sometimes, it hurts like hell. I’m asking you to have faith in one thing, for now: the fact that when we’re alone, I’m just Reid, and you’re just Dori, and we’re going to love each other for the rest of our lives.’
She’s staring at me, the velvet-covered box clutched in her hand. I lean forward and kiss her, tasting her tears or my own, I don’t know which. ‘Come to me when you’re ready to be fearless. Unless you can look me in the eye right now and tell me you don’t love me.’
Lower lip trembling, she says nothing, and I kiss her again before I leave.
”
”
Tammara Webber (Here Without You (Between the Lines, #4))
“
Fine, fuck it," Clay said, tossing the plate into the yard. The chicken parts bounced nicely, breading themselves with a light coating of sand, ants, and dried grass. "When did chicken become like plutonium anyway, for Christ's sake? You can't let it touch you or it's certain fucking death. And eggs and hamburgers kill you unless you cook them to the consistency of limestone! And if you turn on your fucking cell phone, the plane is going to plunge out of the sky in a ball of flames? And kids can't take a dump anymore but they have to have a helmet and pads on make them look like the Road Warrior. Right? Right? What the fuck happened to the world? When did everything get so goddamn deadly? Huh? I've been going to sea for thirty damned years, and nothing's killed me. I've swum with everything that can bite, sting, or eat you, and I've done every stupid thing at depth that any human can -- and I'm still alive. Fuck, Clair, I was unconscious for an hour underwater less than a week ago, and it didn't kill me. Now you're going to tell me that I'm going to get whacked by a fucking chicken leg? Well, just fuck it then!
”
”
Christopher Moore (Fluke: Or, I Know Why the Winged Whale Sings)
“
Recently, my friend Erika called my cell phone. I will never understand why people insist upon calling my cell phone. It’s such an aggressive action to take: calling someone. Each time my phone rings, I have a heart attack like my pocket’s on fire and a tiny siren is going off. I’d also like to take this opportunity to address texting. Texting = Better Than Calling. Unless. Unless you are one of those people who doles out texts like IOUs. Unless you believe that whenever you feel like it, you can just poke at me, ping me, jump into my day like Hiiiiii and feel so entitled to a response that the next time I see you, you will arrange your face in an injured manner and say quietly, “Hey. You doing okay? I just never heard back…” At this moment, I have 183 unread texts. Texts are not the boss of me, and neither is anybody who texts me. I have decided, once and for all, that just because someone texts me does not obligate me to respond. If I believed differently, I’d walk around all day feeling anxious and indebted, responding instead of creating. Now that we’ve established why I have no friends, let’s return to Erika.
”
”
Glennon Doyle (Untamed)
“
That reminded him of how thrifty she was, and he promptly decided-at least for the moment-that her thriftiness was one of her most endearingly amusing qualities.
“What are you thinking about?” she asked.
He tipped his chin down so that he could better see her and brushed a stray lock of golden hair off her cheek. “I was thinking how wise I must be to have known within minutes of meeting you that you were wonderful.”
She chuckled, thinking his words were teasing flattery. “How soon did my qualities become apparent?”
“I’d say,” he thoughtfully replied, “I knew it when you took sympathy on Galileo.”
She’d expected him to say something about her looks, not her conversation or her mind. “Truly?” she asked with unhidden pleasure.
He nodded, but he was studying her reaction with curiosity. “What did you think I was going to say?”
Her slim shoulders lifted in an embarrassed shrug. “I thought you would say it was my face you noticed first. People have the most extraordinary reaction to my face,” she explained with a disgusted sigh.
“I can’t imagine why,” he said, grinning down at what was, in his opinion-in anyone’s opinion-a heartbreakingly beautiful face belonging to a young woman who was sprawled across his chest looking like an innocent golden goddess.
“I think it’s my eyes. They’re an odd color.”
“I see that now,” he teased, then he said more solemnly, “but as it happens it was not your face which I found so beguiling when we met in the garden, because,” he added when she looked unconvinced, “I couldn’t see it.”
“Of course you could. I could see yours well enough, even though night had fallen.”
“Yes, but I was standing near a torch lamp, while you perversely remained in the shadows. I could tell that yours was a very nice face, with the requisite features in the right places, and I could also tell that your other-feminine assets-were definitely in all the right places, but that was all I could see. And then later that night I looked up and saw you walking down the staircase. I was so surprised, it took a considerable amount of will to keep from dropping the glass I was holding.”
Her happy laughter drifted around the room and reminded him of music. “Elizabeth,” he said dryly, “I am not such a fool that I would have let a beautiful face alone drive me to madness, or to asking you to marry me, or even to extremes of sexual desire.”
She saw that he was perfectly serious, and she sobered, “Thank you,” she said quietly. “That is the nicest compliment you could have paid me, my lord.”
“Don’t call me ‘my lord,’” he told her with a mixture of gentleness and gravity, “unless you mean it. I dislike having you address me that way if it’s merely a reference to my title.”
Elizabeth snuggled her cheek against his hard chest and quietly replied, “As you wish. My lord.”
Ian couldn’t help it. He rolled her onto her back and devoured her with his mouth, claimed her with his hands and then his body.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I lost my second judo tournament. I finished second, losing to a girl named Anastasia. Afterward, her coach congratulated me.
"You did a great job. Don't feel bad, Anastasia is a junior national champion."
I felt consoled for about a second, until I noticed the look of disgust on Mom's face. I nodded at the coach and walked away.
Once we were out of earshot she lit into me. "I hope you know better than to believe what he said. You could have won that match. You had every chance to beat that girl. The fact that she is a junior national champion doesn't mean anything. That's why they have tournaments, so you can see who is better. They don't award medals based on what you won before. If you did your absolute best, if you were capable of doing nothing more, then that's enough. Then you can be content with the outcome. But if you could have done better, if you could have done more, then you should be disappointed. You should be upset you didn't win. You should go home and think about what you could have done differently and then next time do it differently. Don't you ever let anyone tell you that not doing your absolute best is good enough. You are a skinny blonde girl who lives by the beach, and unless you absolutely force them to, no one is ever going to expect anything from you in this sport. You prove them wrong.
”
”
Ronda Rousey (My Fight / Your Fight)
“
So these Kings and Queens entered the thicket, and before they had gone a score of paces, they all remembered that the thing they had seen was called a lamppost, and before they had gone twenty more, they noticed that they were making their way not through branches but through coats. And next moment they all came tumbling out of a wardrobe door into the empty room, and they were no longer Kings and Queens in their hunting array but just Peter, Susan, Edmund, and Lucy in their old clothes. It was the same day and the same hour of the day on which they had all gone into the wardrobe to hide. Mrs. Macready and the visitors were still talking I the passage; but luckily they never came into the empty room and so the children weren’t caught.
And that would have been the very end of the story if it hadn’t been that they felt they really must explain to the Professor why four of the coats out of his wardrobe were missing. And the Professor, who was a very remarkable man, didn’t tell them not to be silly or not to tell lies, but believed the whole story. “No,” he said, “I don’t think it will be any good trying to go back through the wardrobe door to get the coats. You won’t get into Narnia again by that route. Nor would the coats be much use by now if you did! Eh? What’s that? Yes, of course you’ll get back to Narnia again someday. Once a King in Narnia, always a King in Narnia. But don’t go trying to use the same route twice. Indeed, don’t try to get there at all. It’ll happen when you’re not looking for it. And don’t talk too much about it even among yourselves. And don’t mention it to anyone else unless you find that they’ve had adventures of the same sort themselves. What’s that? How will you know? Oh, you’ll know all right. Odd things they say--even their looks--will let the secret out. Keep your eyes open. Bless me, what do they teach them at these schools?”
And that is the very end of the adventures of the wardrobe. But if the Professor was right, it was only the beginning of the adventures of Narnia.
”
”
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
“
Do you think Archer is right about everyone here being de-magicked? Or maybe the fog, like, made his and Evan’s magic…de-magic.”
Crossing over to the closet, I sighed and said, “I’m betting the kids here are de-magicked, but it doesn’t really matter.” I flung open the closet. Just as I’d thought, the only things hung up inside where Hex Hall uniforms. “I’m pretty much de-magicked myself these days,” I said to Jenna over my shoulder. “Also, maybe we should stop saying de-magicked. It’s starting to sound weird.”
She sat up straighter. “What?”
“You know, when you say things too much, and-“
“Sophie,” Jenna said, tilting her head and frowning at me.
Sighing, I sat down on my own bed, facing her. “Thanks to some mojo from the Council, I’m currently powerless.”
Her expression softening, Jenna breathed, “Oh, Soph. I’m so sorry.”
“It’s not as bad as it sounds,” I told her. “My powers aren’t gone gone. They’re still bumping around in here, but I can’t use them unless I touch this particular-whoa.”
“What?”
I crossed the room to grip the footboard of Jenna’s bed. “There’s this spell in the Throne family grimoire. If I touch it, my powers will be restored. And Dad was sure the Casnoffs had the grimoire. It might be here, Jenna.” I let go of her bed to pace as my magic pounded inside me. “If we find it, I could be demoning up the place by dinnertime.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
I am a Roman,' he said to the king; 'my name is Gaius Mucius. I came here to kill you - my enemy. I have as much courage to die as to kill. It is our Roman way to do and to suffer bravely. Nor am I alone in my resolve against your life; behind me is a long line of men eager for the same honor. Brace yourself, if you will, for the struggle - a struggle for your life from hour to hour, with an armed enemy always at your door. That is the war we declare against you: you need fear no action in the battlefield, army against army; it will be fought against you alone, by one of us at a time.'
Porsena in rage and alarm ordered the prisoner to be burnt alive unless he at once divulged the plot thus obscurely hinted at, whereupon Mucius, crying: 'See how cheap men hold their bodies when they care only for honor!' thrust his right hand into the fire which had been kindled for a sacrifice, and let it burn there as if he were unconscious of the pain. Porsena was so astonished by the young man's almost superhuman endurance that he leapt to his feet and ordered his guards to drag him from the altar. 'Go free,' he said; 'you have dared to be a worse enemy to yourself than to me. I should bless your courage, if it lay with my country to dispose of it. But, as that cannot be, I, as an honorable enemy, grant you pardon, life, and liberty.'
'Since you respect courage,' Mucius replied, as if he were thanking him for his generosity, 'I will tell you in gratitude what you could not force from me by threats. There are three hundred of us in Rome, all young like myself, and all of noble blood, who have sworn an attempt upon your life in this fashion. It was I who drew the first lot; the rest will follow, each in his turn and time, until fortune favor us and we have got you.'
The release of Mucius (who was afterwards known as Scaevola, or the Left-Handed Man, from the loss of his right hand) was quickly followed by the arrival in Rome of envoys from Porsena. The first attempt upon his life, foiled only by a lucky mistake, and the prospect of having to face the same thing again from every one of the remaining conspirators, had so shaken the king that he was coming forward with proposals for peace.
”
”
Livy (The History of Rome, Books 1-5: The Early History of Rome)
“
If A were to go to B, a merchant, and say to him, "Sir, I am a night-watchman, and I insist upon your employing me as such in protecting your property against burglars; and to enable me to do so more effectually, I insist upon your letting me tie your own hands and feet, so that you cannot interfere with me; and also upon your delivering up to me all your keys to your store, your safe, and to all your valuables; and that you authorize me to act solely and fully according to my own will, pleasure, and discretion in the matter; and I demand still further, that you shall give me an absolute guaranty that you will not hold me to any accountability whatever for anything I may do, or for anything that may happen to your goods while they are under my protection; and unless you comply with this proposal, I will now kill you on the spot,"—if A were to say all this to B, B would naturally conclude that A himself was the most impudent and dangerous burglar that he (B) had to fear; and that if he (B) wished to secure his property against burglars, his best way would be to kill A in the first place, and then take his chances against all such other burglars as might come afterwards. Our government constantly acts the part that is here supposed to be acted by A. And it is just as impudent a scoundrel as A is here supposed to be. It insists that every man shall give up all his rights unreservedly into its custody, and then hold it wholly irresponsible for any disposal it may make of them. And it gives him no alternative but death.
”
”
Lysander Spooner (A Letter to Grover Cleveland On His False Inaugural Address, The Usurpations and Crimes of Lawmakers and Judges, and the Consequent Poverty, Ignorance, and Servitude Of The People)
“
Okay, that’s fair,” I said. “But it’s not a contest about whose days suck the most, Auggie. The point is we all have to put up with the bad days. Now, unless you want to be treated like a baby the rest of your life, or like a kid with special needs, you just have to suck it up and go.” He didn’t say anything, but I think that last bit was getting to him. “You don’t have to say a word to those kids,” I continued. “August, actually, it’s so cool that you know what they said, but they don’t know you know what they said, you know?” “What the heck?” “You know what I mean. You don’t have to talk to them ever again, if you don’t want. And they’ll never know why. See? Or you can pretend to be friends with them, but deep down inside you know you’re not.” “Is that how you are with Miranda?” he asked. “No,” I answered quickly, defensively. “I never faked my feelings with Miranda.” “So why are you saying I should?” “I’m not! I’m just saying you shouldn’t let those little jerks get to you, that’s all.” “Like Miranda got to you.” “Why do you keep bringing Miranda up?” I yelled impatiently. “I’m trying to talk to you about your friends. Please keep mine out of it.” “You’re not even friends with her anymore.” “What does that have to do with what we’re talking about?” The way August was looking at me reminded me of a doll’s face. He was just staring at me blankly with his half-closed doll eyes. “She called the other day,” he said finally. “What?” I was stunned. “And you didn’t tell me?” “She wasn’t calling you,” he answered, pulling both comic books out of my hands. “She was calling me. Just to say hi. To see how I was doing. She didn’t even know I was going to a real school now. I can’t believe you hadn’t even told her. She said the two of you don’t hang out as much anymore, but she wanted me to know she’d always love me like a big sister.” Double-stunned. Stung. Flabbergasted. No words formed in my mouth. “Why didn’t you tell me?” I said, finally. “I don’t know.” He shrugged, opening the first comic book again. “Well, I’m telling Mom and Dad about Jack Will if you stop going to school,” I answered. “Tushman will probably call you into school and make Jack and those other kids apologize to you in front of everyone, and everyone will treat you like a kid who should be going to a school for kids with special needs. Is that what you want? Because that’s what’s going to happen. Otherwise, just go back to school and act like nothing happened. Or if you want to confront Jack about it, fine. But either way, if you—
”
”
R.J. Palacio (Wonder)
“
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late."
"Always," Josh corrects. "Always running late."
I clear my throat. "I think I met him last night. In the hallway."
"Good hair and an English accent?" Meredith asks.
"Um.Yeah.I guess." I try to keep my voice casual.
Josh smirks. "Everyone's in luuurve with St. Clair."
"Oh,shut up," Meredith says.
"I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend.
He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it."
"This school has a prom?" I ask.
"God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes."
"Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead."
"St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug.
"No kiss? I'm crushed,mate."
"Thought it might miff the ol' ball and chain. She doesn't know about us yet."
"Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often.
Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me.
"Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race.
Josh must be right. Every girl in school must be in love with him.
"Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban."
I'm determined to speak rationally in his presence. "I'm not sure how to order."
"Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood."
"I heard they raised it to three pints this year," Rashmi says.
"Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe."
"I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language."
"You don't speak French?" Meredith asks.
"I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris."
"It's okay," Meredith says quickly. "A lot of people here don't speak French."
"But most of them do," Josh adds.
"But most of them not very well." Rashmi looks pointedly at him.
"You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit."
"Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk."
I glance at the chalkboard again. It's still in French. "And, um, until then?"
"Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Anticipating sorrow to neutralize sorrow—that’s paltry, cowardly stuff, I told myself, knowing I was an ace practitioner of the craft. And what if it came fiercely? What if it came and didn’t let go, a sorrow that had come to stay, and did to me what longing for him had done on those nights when it seemed there was something so essential missing from my life that it might as well have been missing from my body, so that losing him now would be like losing a hand you could spot in every picture of yourself around the house, but without which you couldn’t possibly be you again. You lose it, as you always knew you would, and were even prepared to; but you can’t bring yourself to live with the loss. And hoping not to think of it, like praying not to dream of it, hurts just the same.
Then a strange idea got hold of me: What if my body—just my body, my heart—cried out for his? What to do then?
What if at night I wouldn’t be able to live with myself unless I had him by me, inside me? What then?
Think of the pain before the pain.
I knew what I was doing. Even in my sleep, I knew what I was doing. Trying to immunize yourself, that’s what you’re doing—you’ll end up killing the whole thing this way—sneaky, cunning boy, that’s what you are, sneaky, heartless, cunning boy. I smiled at the voice. The sun was right on me now, and I loved the sun with a near-pagan love for the things of earth. Pagan, that’s what you are. I had never known how much I loved the earth, the sun, the sea—people, things, even art seemed to come second. Or was I fooling myself?
”
”
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
“
Do you have any cheese preferences?” Jack asked.
“All cheese is good cheese, Lend said.
“True dat.” I nodded solemnly.
“You did not just say ‘true dat,’” Arianna said, walking into the kitchen. “Because if you think you have any ability whatsoever to pull that off, we are going to have to have a long, long talk.”
“Can I at least use it ironically? Or ‘dude.’ Can I use ‘dude?’ Because I really want to be able to use ‘dude.’”
“No. No, you cannot, but thank you for asking. Besides, ironic use always segues into non-ironic use, and unless you suddenly become far cooler or far more actually Californian than you are now, I simply cannot allow it.”
“But on Easton Heights—”
“You are not going to bring up Cary’s cousin Trevyn’s multiepisode arc where he’s sent there as punishment for his pot-smoking surf-bum ways, are you? Because that arc sucked, and he wasn’t even very hot. Also, what’s the lunatic doing?” She jerked her head toward Jack.
He flipped a gorgeous looking omelet onto a plate and placed it with a flourish in front of Lend. “I am providing insurance against frying pan boy deciding to enact all the very painful fantasies he’s no doubt entertained about me for the last few weeks. An omelet this good should rule out any dismemberment vengeance.”
“Have you been reading his diary?” I asked. “Because I’ll bet he got really creative with the violence ideas.”
“No, I only ever read yours. But let me tell you, one more exclamation mark dotted with a heart while talking about how good a kisser Lend is and I was about ready to do myself in. You’re rather single-minded when it comes to adoring him.”
“True dat,” Arianna said, nodding.
“How come you can use ‘true dat’ if I can’t?” I asked, rightfully outraged.
“Because I’m dead, and none of the rules apply anymore.”
Lend ate his omelet, refusing to answer Jack’s questions about just how delicious it was on a scale from cutting off limbs to just breaking his nose. I gave Jack full points for flavor but noted the texture was slightly off, exempting him from name-calling but not from dirty looks.
Arianna lounged against the counter, and when I finished first we debated the usage rules of “dude,” “true dat,” and my favorite, “for serious.”
“I kind of wish they’d shut up,” Jack said.
“Dude, true dat,” Lend answered.
Jack nodded solemnly. “For serious.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
Well,’ said Crowley, who’d been thinking about this until his head ached, ‘haven’t you ever wondered about it all? You know – your people and my people, Heaven and Hell, good and evil, all that sort of thing? I mean, why?’ ‘As I recall,’ said the angel, stiffly, ‘there was the rebellion and—’ ‘Ah, yes. And why did it happen, eh? I mean, it didn’t have to, did it?’ said Crowley, a manic look in his eye. ‘Anyone who could build a universe in six days isn’t going to let a little thing like that happen. Unless they want it to, of course.’ ‘Oh, come on. Be sensible,’ said Aziraphale, doubtfully. ‘That’s not good advice,’ said Crowley. ‘That’s not good advice at all. If you sit down and think about it sensibly, you come up with some very funny ideas. Like: why make people inquisitive, and then put some forbidden fruit where they can see it with a big neon finger flashing on and off saying “THIS IS IT!”?’ ‘I don’t remember any neon.’ ‘Metaphorically, I mean. I mean, why do that if you really don’t want them to eat it, eh? I mean, maybe you just want to see how it all turns out. Maybe it’s all part of a great big ineffable plan. All of it. You, me, him, everything. Some great big test to see if what you’ve built all works properly, eh? You start thinking: it can’t be a great cosmic game of chess, it has to be just very complicated Solitaire. And don’t bother to answer. If we could understand, we wouldn’t be us. Because it’s all – all—’ INEFFABLE, said the figure feeding the ducks. ‘Yeah. Right. Thanks.’ They watched the tall stranger carefully dispose of the empty bag in a litter bin, and stalk away across the grass. Then Crowley shook his head. ‘What was I saying?’ he said. ‘Don’t know,’ said Aziraphale. ‘Nothing very important, I think.
”
”
Terry Pratchett (Good Omens)
“
Has he invited you to dinner, dear? Gifts, flowers, the usual?”
I had to put my cup down, because my hand was shaking too much. When I stopped laughing, I said, “Curran? He isn’t exactly Mr. Smooth. He handed me a bowl of soup, that’s as far as we got.”
“He fed you?” Raphael stopped rubbing Andrea.
“How did this happen?” Aunt B stared at me. “Be very specific, this is important.”
“He didn’t actually feed me. I was injured and he handed me a bowl of chicken soup. Actually I think he handed me two or three. And he called me an idiot.”
“Did you accept?” Aunt B asked.
“Yes, I was starving. Why are the three of you looking at me like that?”
“For crying out loud.” Andrea set her cup down, spilling some tea. “The Beast Lord’s feeding you soup. Think about that for a second.”
Raphael coughed. Aunt B leaned forward. “Was there anybody else in the room?”
“No. He chased everyone out.”
Raphael nodded. “At least he hasn’t gone public yet.”
“He might never,” Andrea said. “It would jeopardize her position with the Order.”
Aunt B’s face was grave. “It doesn’t go past this room. You hear me, Raphael? No gossip, no pillow talk, not a word. We don’t want any trouble with Curran.”
“If you don’t explain it all to me, I will strangle somebody.” Of course, Raphael might like that . . .
“Food has a special significance,” Aunt D said.
I nodded. “Food indicates hierarchy. Nobody eats before the alpha, unless permission is given, and no alpha eats in Curran’s presence until Curran takes a bite.”
“There is more,” Aunt B said. “Animals express love through food. When a cat loves you, he’ll leave dead mice on your porch, because you’re a lousy hunter and he wants to take care of you. When a shapeshifter boy likes a girl, he’ll bring her food and if she likes him back, she might make him lunch. When Curran wants to show interest in a woman, he buys her dinner.”
“In public,” Raphael added, “the shapeshifter fathers always put the first bite on the plates of their wives and children. It signals that if someone wants to challenge the wife or the child, they would have to challenge the male first.”
“If you put all of Curran’s girls together, you could have a parade,” Aunt B said. “But I’ve never seen him physically put food into a woman’s hands. He’s a very private man, so he might have done it in an intimate moment, but I would’ve found out eventually. Something like that doesn’t stay hidden in the Keep. Do you understand now? That’s a sign of a very serious interest, dear.”
“But I didn’t know what it meant!”
Aunt B frowned. “Doesn’t matter. You need to be very careful right now. When Curran wants something, he doesn’t become distracted. He goes after it and he doesn’t stop until he obtains his goal no matter what it takes. That tenacity is what makes him an alpha.”
“You’re scaring me.”
“Scared might be too strong a word, but in your place, I would definitely be concerned.”
I wished I were back home, where I could get to my bottle of sangria. This clearly counted as a dire emergency.
As if reading my thoughts, Aunt B rose, took a small bottle from a cabinet, and poured me a shot. I took it, and drained it in one gulp, letting tequila slide down my throat like liquid fire.
“Feel better?”
“It helped.” Curran had driven me to drinking. At least I wasn’t contemplating suicide.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
Books? Yes, I read a lot, I’ve always read a lot. No, I’m not sure we do understand each other. I like to read best on the floor, or in bed, almost everything lying down, no, it has less to do with the books, above all it has to do with the reading, with black on white, with the letters, syllables, lines, the signs, the setting down, this inhuman fixing, this insanity, which flows from people and is frozen into expression. Believe me, expression is insanity, it arises out of our insanity. It also has to do with turning pages, with hunting from one page to the other, with flight, with complicity in an absurd, solidified effusion, with a vile overflow of verse, with insuring life in a single sentence, and, in turn, with the sentences seeking insurance in life. Reading is a vice which can replace all other vices or temporarily take their place in more intensely helping people live, it is a debauchery, a consuming addiction. No, I don’t take any drugs, I take books, of course I have certain preferences, many books don’t suit me at all, some I take only in the morning, others at night, there are books I don’t ever let go, I drag them around with me in the apartment, carrying them from the living room into the kitchen, I read them in the hall standing up, I don’t use bookmarks, I don’t move my lips while reading, early on I learned to read very well, I don’t remember the method, but you ought to look into it, they must have used an excellent method in our provincial elementary schools, at least back then when I learned to read. Yes I also realized, but not until later, that there are countries where people don’t know how to read, at least not quickly, but speed is important, not only concentration, can you please tell me who can keep chewing on a simple or even a complex sentence without feeling disgust, either with the eyes or the mouth, just keep on grinding away, over and over, a sentence which only consists of subject and predicate must be consumed rapidly, a sentence with many appositions must for that very reason be taken at tremendous speed, with the eyeballs performing an imperceptible slalom, since a sentence doesn’t convey anything to itself, it has to “convey” something to the reader. I couldn’t “work my way through” a book, that would almost be an occupation. There are people, I tell you, you come across the strangest surprises in this field of reading . . . I do profess a certain weakness for illiterates, I even know someone here who doesn’t read and doesn’t want to, a person who has succumbed to the vice of reading more easily understands such a state of innocence, really unless people are truly capable of reading they ought not to read at all.
”
”
Ingeborg Bachmann (Malina)
“
To realize we love another to get love because we do not love our own self is one of our core human wounds. For each of the two parts of this prayer meditation, express out loud or silently these sentences. Let the feelings and memories come. Express the feelings intuitively, changing and adding to the sentences if it helps. You can repeat one sentence several times in a row until you feel it, or go straight into the next one. You can improvise sentences that may better fit your feelings. One may also experience spirit interference in this prayer meditation. This can manifest as voices and feelings disagreeing with it. Unless you are living as unconditional love, you can be sure these are negative spirits trying to dissuade you from traveling deeper into your own wounds to release them, thereby banishing these spirit influences forever. Do each part for one hour. This meditation prayer can be about two hours long. Center yourself and drop into a prayerful, silent heartful space. Ask to become vulnerable and open your heart. Part One: I am not loved I am not loved I am not loved I have never been loved My parents did not love me I need love I need love I need love Please love me My quest for love has never worked My quest for love will never work Nobody really loves me Nobody really loved me How do you feel? Part Two: I am love I am love I am love God loves me God loves me God loves me God desires me God desires me God desires me I am love I am love I am love (from your heart) I am not loved I have never been loved I am not loved I am not LOVED I am just not loved No one has ever loved me No one loves me I am not loved I am not loved I do not love myself I do not love myself I do not love myself I am loved I am loved I am loved I am LOVED God is not here for me God has never been here for me God is not here for me God has left me I am not loved I have never been loved No one loves me God loves me God LOVES me God wants me God wants me God LOVES me God WANTS me God desires me I don’t want God I don’t want God I don’t want God I want fear I want fear I want fear I AM LOVED I AM LOVED I AM LOVED God wants me God desires me God loves me What does this make you feel? The experience of love and need in co-dependent relationships In such a relationship, one or both partners cover each others emotions by giving false comfort, false ‘love’ and other placating behaviors that prevent the other in deeply feeling and owning their own emotions. When you want to get out of this pattern, this prayer meditation will help. It will let both partners feel the truth of the unspoken demand of love and how they respond to it. Simply sit in front of your partner and express out loud these sentences as a way to reveal the unconscious behavior that is being played out between you both.
”
”
Padma Aon Prakasha (Dimensions of Love: 7 Steps to God)
“
Megan Meade’s Guide to the McGowan Boys
Entry One
Observation #1: When they’re beautiful, they know they’re beautiful.
Like the second-to-oldest one, Evan. He’s a senior. He is perfection personified. And he knows it. You can tell because he just sort of smiles knowingly when you gape at him. Not that I’ve been gaping at him. Not at all. Anyway, too soon yet to tell if it negatively affects his behavior. (Like Mike Blukowsi and his Astrodome-sized ego problem.)
Observation #2: They like skin.
Especially skin they think they’re not necessarily supposed to be seeing. Like the space between your belly tee and your waistband.
Observation #3: They have no problem bringing up events that would mortify me into shamed silence if the roles were reversed.
Like Evan totally brought up the wiffleball bat incident, when if that had happened to me, I’d be wishing on every one of my birthday cakes for everyone to forget it.
Observation #4: They gossip.
Can you believe it? I overheard Finn and Doug in the backyard talking about some girl named Dawn who blew off some guy named Simon for some other guy named Rick for like TWENTY MINUTES! They sounded like those old mole-hair ladies at Sal’s Milkshakes. ‘Member the ones who lectured us for a whole hour that day about how young women shouldn’t wear shorts? Wait, okay, I got sidetracked.
Observation #5: The older ones are so cute with the younger ones.
They were playing ultimate Frisbee when I first got here and Evan totally let Caleb and Ian tackle him. It was soooooo cute. **sigh.**
Observation #6: They’re cliquey.
I mean, eye-rolling, secret-handshake, don’t-talk-to-us-unless-you’ve-got-an-X-and-a-Y cliquey. Very schooled in the art of the freeze-out.
Observation #7: They have no sense of personal space.
I need a lock on my door. STAT.
Observation #8: Boys are icky.
Do not even get me started on the state of the bathroom. I’m thinking of calling in a haz-mat team. Seriously.
Observation #9: They have really freaky things going on down there.
Yeah, I don’t think I’m ready to elaborate on that one yet.
Observation #10: They know how to make enemies.
Big time.
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
Well, she would marry a man who didn't need or want her fortune. Mr. Pinter didn't fall into that category.
And given how blank his expression became as his gaze met hers, she'd been right to be skeptical. he would never be interested in her in that way.
He confirmed it by saying, with his usual formality, "I doubt any man would consider your ladyship unacceptable as a wife."
Oh, when he turned all hoity-toity, she could just murder him. "Then we agree that the gentlemen in question would find me satisfactory," she said, matching his cold tone. "So I don't see why you assume they'd be unfaithful."
"Some men are unfaithful no matter how beautiful their wives are," Mr. Pinter growled.
He thought her beautiful?
There she went again, reading too much into his words. He was only making a point. "But you have no reason to believe that these gentleman would be. Unless there's some dark secret you already know about them that I do not?"
Glancing away, he muttered a curse under his breath. "No."
"Then here's your chance to find out the truth about their characters. Because I prefer facts to opinions. And I was under the impression that you do, too."
Take that, Mr. Pinter! Hoist by your own petard. The man always insisted on sticking to the facts.
And he was well aware that she'd caught him out, for he scowled, then crossed his arms over his chest. His rather impressive chest, from what she could tell beneath his black coat and plain buff waistcoat.
"I can't believe I'm the only person who would object to these gentlemen," he said. "What about your grandmother? Have you consulted her?"
She lifted her eyes heavenward. He was being surprisingly resistant to her plans. "I don't need to. Every time one of them asks to dance with me, she beams. She's forever urging me to smile at them or attempt flirtation. And if they so much as press my hand or take my for a stroll, she quizzes me with great glee on what was said and done."
"She's been letting you go out on private strolls with these scoundrels?" Mr. Pinter said in sheer outrage.
"They aren't scoundrels."
"I swear to God, you're a lamb among the wolves," he muttered.
That image of her, so unlike how she saw herself, made her laugh. "I've spent half my life in the company of my brothers. Every time Gabe went to shoot, I went with him. At every house party that involved his friends, I was urged to show off my abilities with a rifle. I think I know how to handle a man, Mr. Pinter."
His glittering gaze bored into her. "There's a vast difference between gamboling about in your brother's company with a group of his friends and letting a rakehell like Devonmont or a devilish foreigner like Basto stroll alone with you down some dark garden path."
A blush heated her cheeks. "I didn't mean strolls of that sort, sir. I meant daytime walks about our gardens and such, with servants in plain view. All perfectly innocent."
He snorted. "I doubt it will stay that way."
"Oh, for heaven's sake, why are you being so stubborn? You know I must marry. Why do you even care whom I choose?"
"I don't care," he protested. "I'm merely thinking of how much of my time will be wasted investigating suitors I already know are unacceptable."
She let out an exasperated breath. Of course. With him, it was always about money. Heaven forbid he should waste his time helping her.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
Suppose he really is in love. What about her? She never has anything good to say about him.”
“Yet she blushes whenever he enters a room. And she stares at him a good deal. Or hadn’t you noticed that, either?”
“As a matter of fact, I have.” Gazing up at him, she softened her tone. “But I do not want her hurt, Isaac. I must be sure she is desired for herself and not her fortune. Her siblings had a chance of not gaining their inheritance unless the others married, so I always knew that their mates loved them, but she…” She shook her head. “I had to find a way to remove her fortune from the equation.”
“I still say you’re taking a big risk.” He glanced beyond her to where Celia was talking to the duke. “Do yo really think she’d be better off with Lyons?”
But she doesn’t love him…If you’d just give her a chance-
“I do not know,” Hetty said with a sigh. “I do not know anything anymore.”
“Then you shouldn’t meddle. Because there’s another outcome you haven’t considered. If you try to manipulate matters to your satisfaction, she may balk entirely. Then you’ll find yourself in the sticky position of having to choose between disinheriting them all or backing down on your ultimatum. Personally, I think you should have given up that nonsense long ago, but I know only too well how stubborn you can be when you’ve got the bit between your teeth.”
“Oh?” she said archly. “Have I been stubborn with you?”
He gazed down at her. “You haven’t agreed to marry me yet.”
Her heart flipped over in her chest. It was not the first time he had mentioned marriage, but she had refused to take him seriously.
Until now. It was clear he would not be put off any longer. He looked solemnly in earnest. “Isaac…”
“Are you worried that I am a fortune hunter?”
“Do not be absurd.”
“Because I’ve already told you that I’ll sign any marriage settlement you have your solicitor draw up. I don’t want your brewery or your vast fortune. I know it’s going to your grandchildren. I only want you.”
The tender words made her sigh like a foolish girl. “I realize that. But why not merely continue as we have been?”
His voice lowered. “Because I want to make you mine in every way.”
A sweet shiver swept along her spine. “We do not need to marry for that.”
“So all you want from me is an affair?”
“No! But-“
“I want more than that. I want to go to sleep with you in my arms and wake with you in my bed. I want the right to be with you whenever I please, night or day.” His tone deepened. “I love you, Hetty. And when a man loves a woman, he wants to spend his life with her.”
“But at our age, people will say-“
“Our age is an argument for marriage. We might not have much time left. Why not live it to the fullest, together, while we’re still in good health? Who cares about what people say? Life is too short to let other people dictate one’s choices.”
She leaned heavily on his arm as they reached the steps leading up to the dais at the front of the ballroom. He did have a point. She had been balking at marrying him because she was sure people would think her a silly old fool.
But then, she had always been out of step with everyone else. Why should this be any different? “I shall think about it,” she murmured as they headed to the center of the dais, where the family was gathering.
“I suppose I’ll have to settle for that. For now.” He cast her a heated glance. “But later this evening, once we have the chance to be alone, I shall try more effective methods to persuade you. Because I’m not giving up on this. I can be as stubborn as you, my dear.”
She bit back a smile. Thank God for that.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps.
Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air.
He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.”
“Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.”
“There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.”
“Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!”
The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.”
“You keep saying ‘he.’ Who was it that got to work on you?”
“Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!”
The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves.
That night, the news of a far more terrible incident flew around the camp.
Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board.
His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite.
The astonishing thing was that he did not kill himself immediately afterward.
”
”
Boris Pasternak (Doctor Zhivago)
“
You sit and lean against the wall, and look at the beautiful, riddlesome totality. The Summa52 lies before you like a book, and an unspeakable greed seizes you to devour it. Consequently you lean back and stiffen and sit for a long time. You are completely incapable of grasping it. Here and there a light flickers, here and there a fruit falls from high trees which you can grasp, here and there your foot strikes gold. But what is it, ifyou compare it with the totality, which lies spread out tangibly close to you? You stretch out your hand, but it remains hanging in invisible webs. You want to see it exactly as it is but something cloudy and opaque pushes itself exactly in between. You would like to tear a piece out of it; it is smooth and impenetrable like polished steel. So you sink back against the wall, and when you have crawled through all the glow- ing hot crucibles of the Hell of doubt, you sit once more and lean
back, and look at the wonder of the Summa that lies spread out before you. Here and there a light flickers, here and there a fruit falls. For you it is all too little. But you begin to be satisfied with yourself, and you pay no attention to the years passing away. What are years? What is hurrying time to him that sits under a tree? Your time passes like a breath of air and you wait for the next light, the next fruit.
The writing lies before you and always says the same, if you believe in words. But if you believe in things in whose places only words stand, you never come to the end. And yet you must go an endless road, since life flows not only down a finite path but also an infinite one. But the unbounded makes you53 anxious since the unbounded is fearful and your humanity rebels against it. Consequently you seek limits and restraints so that you do not lose yoursel£ tumbling into infinity Restraint becomes imperative for you. You cry out for the word which has one meaning and no other, so that you escape boundless ambiguity. The word becomes your God, since it protects you from the countless possibilities of interpretation. The word is protective magic against the daimons of the unending, which tear at your soul and want to scatter you to the winds. You are saved if you can say at last: that is that and only that. You spealc the magic word, and the limitless is finally banished. Because of that men seek and make words.54
He who breaks the wall ofwords overthrows Gods and defiles temples. The solitary is a murderer. He murders the people, because he thus thinks and thereby breaks down ancient sacred walls. He calls up the daimons of the boundless. And he sits, leans back, and does not hear the groans of mankind, whom the fearful fiery smoke has seized. And yet you cannot find the new words if you do not shatter the old words. But no one should shatter the old words, unless he finds the new word that is a firm rampart against the limitless and grasps more life in it than in the old word. A new word is a new God for old men. Man remains the same, even if you create a new model of God for him. He remains an imitator. What was word, shall become man. The word created the world and came before the world. It lit up like a light in the darkness, and the darkness did not comprehend it.55 And thus the word
should become what the darkness can comprehend, since what use is the light if the darkness does not comprehend it? But your darkness should grasp the light.
The God of words is cold and dead and shines from afar like the moon, mysteriously and inaccessibly: Let the word return to its / creator, to man, and thus the word will be heightened in man. Man should be light, limits, measure. May he be your fruit, for which you longingly reach. The darkness does not compre- hend the word, but rather man; indeed, it seizes him, since he himself is a piece of the darkness. Not from the word down to man, but from the word up to man: that is what the darkness comprehends. The darkness is your mother; she is dangerous.
”
”
C.G. Jung