Unique Sister Quotes

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Sisters, as you know, also have a unique relationship. This is the person who has known you your entire life, who should love you and stand by you no matter what, and yet it's your sister who knows exactly where to drive the knife to hurt you the most.
Lisa See
There was a girl, and her uncle sold her. Put like that it seems so simple. No man, proclaimed Donne, is an island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived and then by some means or other, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes- forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'll mistake one for another, after a minute's close inspection) but still unique. Without individuals we see only numbers, a thousand dead, a hundred thousand dead, "casualties may rise to a million." With individual stories, the statistics become people- but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children? We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain. Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives. A life that is, like any other, unlike any other. And the simple truth is this: There was a girl, and her uncle sold her.
Neil Gaiman (American Gods (American Gods, #1))
I believe the road to hell is paved with adverbs, and I will shout it from the rooftops. To put it another way, they're like dandelions. If you have one on your lawn, it looks pretty and unique. If you fail to root it out, however, you find five the next day... fifty the day after that... and then, my brothers and sisters, your lawn is totally, completely, and profligately covered with dandelions. By then you see them for the weeds they really are, but by then it's—GASP!!—too late.
Stephen King (On Writing: A Memoir of the Craft)
The world would be a much better place if they stopped congratulating themselves on being normal and started to accept that there were countless different normals.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
It’s harder to forgive someone else your own sins than those uniquely theirs. Much harder.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
And anyway, in our house, no-one is obliged to sparkle. Which, I find, makes it far more likely that they might.
Janice Hadlow (The Other Bennet Sister)
A good motivation is what is needed: compassion without dogmatism, without complicated philosophy; just understanding that others are human brothers and sisters and respecting their human rights and dignities. That we humans can help each other is one of our unique human capacities.
Dalai Lama XIV
I had a son and I breathed for him. When we buried him my sorrow consumed me. Was my grief holy? Was it unique? All our hurts and follies are repeated time and again. Generation after generation live the same mistakes. But we’re not like the fire, or the river, or the wind—we’re not a single tune, its variations played out forever, a game of numbers until the world dies.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
I wonder if you sisters full understand the greatness of your gifts and talents and how all of you can achieve the "highest place of honor" in the Church and in the world. One of your unique, precious, and sublime gifts is your femininity, with its natural grace, goodness, and divinity. Femininity is not just lipstick, stylish hairdos, and trendy clothes. It is the divine adornment of humanity. It finds expression in your qualities of your capacity to love, your spirituality, delicacy, radiance, sensitivity, creativity, charm, graciousness, gentleness, dignity, and quiet strength. It is manifest differently in each girl or woman, but each of you possesses it. Femininity is part of your inner beauty. One of your particular gifts is your feminine intuition. Do not limit yourselves. As you seek to know the will of our Heavenly Father in your life and become more spiritual, you will be far more attractive, even irresistible. You can use your smiling loveliness to bless those you love and all you meet, and spread great joy. Femininity is part of the God-given divinity within each of you. It is your incomparable power and influence to do good. You can, through your supernal gifts, bless the lives of children, women, and men. Be proud of your womanhood. Enhance it. Use it to serve others.
James E. Faust
These thoughts were as familiar to her, and as comforting, as the precise configuration of her knees, their matching but competing, symmetrical and reversible, look. A second thought always followed the first, one mystery bred another: Was everyone else really as alive as she was? For example, did her sister really matter to herself, was she as valuable to herself as Briony was? Was being Cecilia just as vivid an affair as being Briony? Did her sister also have a real self concealed behind a breaking wave, and did she spend time thinking about it, with a finger held up to her face? Did everybody, including her father, Betty, Hardman? If the answer was yes, then the world, the social world, was unbearably complicated, with two billion voices, and everyone’s thoughts striving in equal importance and everyone’s claim on life as intense, and everyone thinking they were unique, when no one was. One could drown in irrelevance. But if the answer was no, then Briony was surrounded by machines, intelligent and pleasant enough on the outside, but lacking the bright and private inside feeling she had. This was sinister and lonely, as well as unlikely. For, though it offended her sense of order, she knew it was overwhelmingly probably that everyone else had thoughts like hers. She knew this, but only in a rather arid way; she didn’t really feel it.
Ian McEwan (Atonement)
Their friendship is like a tapestry in a drawer. Today is the iron passing over the cloth, smoothing out the wrinkles, bring out the pattern that makes it unique and beautiful.
Nancy Thayer (Nantucket Sisters)
My little sister is on the spectrum. So, while everyone’s unique, and I’m no expert, I love someone who’s autistic. And I hope you know I’m a safe place for you to be you.
Chloe Liese (Always Only You (Bergman Brothers, #2))
The way of the Three Sisters reminds me of one of the basic teachings of our people. The most important thing each of us can know is our unique gift and how to use it in the world. Individuality is cherished and nurtured, because, in order for the whole to flourish, each of us has to be strong in who we are and carry our gifts with conviction, so they can be shared with others. Being among the sisters provides a visible manifestation of what a community can become when its members understand and share their gifts. In reciprocity, we fill our spirits as well as our bellies.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
It seems to me, dear sister, that you still think the important thing is to become like everybody else. In reality, the important thing is to become different from the others, to discover your uniqueness. You're a rebel by birth, but that doesn't mean much. Your own rebellion is still ahead of you.
Andreas Eschbach (The Carpet Makers)
I believe the road to hell is paved with adverbs, and I will shout it from the rooftops. To put it another way, they’re like dandelions. If you have one on your lawn, it looks pretty and unique. If you fail to root it out, however, you find five the next day  . . . . fifty the day after that  . . . . and then, my brothers and sisters, your lawn is totally, completely, and profligately covered with dandelions. By then you see them for the weeds they really are, but by then it’s—GASP!!—too late.
Stephen King (On Writing: A Memoir of the Craft)
Frankly, accepting the family's unique qualities has done wonders to help my own sanity.
Carly Philips (Summer Lovin' (Costas Sisters, #2))
In the end I decided to hold onto the book, my thought being that his story was a unique one, and so best to keep his words aboveground where they might be shared and admired.
Patrick deWitt (The Sisters Brothers)
Winning a soul for Jesus. Now there was a unique incentive for a date.
Vonette Bright ('Round The Corner (Sister Circle #2))
...every once in a while, a single person arises without whom everything would be different. Such a man was Churchill. After having single-handedly saved Western civilization from Nazi barbarism--Churchill was, of course, not sufficient in bringing victory, but he was uniquely necessary--he then immediately rose to warn prophetically against its sister barbarism, Soviet communism.
Charles Krauthammer (Things That Matter: Three Decades of Passions, Pastimes and Politics)
it is only by the threat of sticks, ropes, spears, and guns that one can tear people out of those endlessly complicated webs of relationship with others (sisters, friends, rivals …) that render them unique, and thus reduce them to something that can be traded.
David Graeber (Debt: The First 5,000 Years)
From assorted challenges, diverse gifts, unique personalities, and varied contributions, Mary and Martha lead us to the Necessary One--Jesus Christ. Like the sisters of Bethany, we do not fully acknowledge Him as necessary until we confront our lost and fallen condition without Him. Most often that occurs when we face a crisis greater than alternative methods can help us to survive. In such dire circumstances, when neither our finest skills nor those of anyone else on earth are effective, we become profoundly humble. We cry out to the One who is necessary, and we wait--wait for Him--because we realize that no other power can rescue us.
Camille Fronk Olson (Mary, Martha, And Me: Seeking the One Thing That Is Needful)
Married love is fiery, passionate, and intense. It is not constant; it flares up and cools down again. That’s what makes it unique and what creates the attraction. The strength of this kind of love lies in the fact that it is not constant and consistent. Were the relationship of husband and wife to become steady and unchanging like that of a brother and sister, the relationship would become stagnant, and that would be unhealthy.
Manis Friedman (The Joy of Intimacy: A Soulful Guide to Love, Sexuality, and Marriage)
Silver did not flinch away from her. She was a powerful and dangerous and strange creature, one of the mysteries of the Hallow Wood, unique even among her tree-sisters, but she did not frighten him. Nothing very much frightened him. Was he not the Lord of the Wood, nearer demigod than mortal man, master of time and seasons, beasts and birds, earth and sky? "You mother is here," said Bramble. Silver froze. After a long silence he managed, "Make her go away.
Emily Tesh (Drowned Country (The Greenhollow Duology, #2))
I remember not belonging. I was always Summer’s older sister—the plain one with the red hair and a gap between her front teeth. The first boy I had a crush on said my teeth looked like piano keys. My smile hid behind by hand until one day the captain of the hockey team said I looked like Madonna. It was like instant validation. Mine wasn’t a flaw, it was a feature . . . my unique trademark. I knew then I didn’t want to be perfect nor was my self-esteem tied to any clique. Starla reassuring teenage Willa of the correct perspective on self esteem and self-worth.
JoDee Neathery (A Kind of Hush)
And is one to be sorry that the doctors brought her back to life and operated, or not? She, who did not want to lose a single day, “won” thirty: they brought her joys; but they also brought her anxiety and suffering. Since she did escape from the martyrdom that I sometimes thought was hanging over her, I cannot decide for her. For my sister, losing Maman the very day she saw her again would have been a shock from which she would scarcely have recovered. And as for me? Those four weeks have left me pictures, nightmares, sadnesses that I should never have known if Maman had died that Wednesday morning. But I cannot measure the disturbance that I should have felt since my sorrow broke out in a way that I had not foreseen. We did derive an undoubted good from this respite; it saved us, or almost saved us, from remorse. When someone you love dies you pay for the sin of outliving her with a thousand piercing regrets. Her death brings to light her unique quality; she grows as vast as the world that her absence annihilates for her and whose whole existence was caused by her being there; you feel that she should have had more room in your life—all the room, if need be. You snatch yourself away from this wildness: she was only one among many. But since you never do all you might for anyone—not even within the arguable limits that you have set yourself—you have plenty of room left for self reproach. With regard to Maman we were all guilty, these last years, of carelessness, omission, and abstention. We felt that we atoned for this by the days that we gave up to her, by the peace that our being there gave her, and by the victories gained over fear and pain. Without our obstinate watchfulness she would have suffered far more.
Simone de Beauvoir (A Very Easy Death)
When you do the work of cultivating your individual garden and your shared garden, you’re not just doing good for yourself and your erotic relationship, you’re doing good for the world. Every time you pull the invasive weeds of body self-criticism or sexual shame, you weaken the social vine, making it that much easier for your sister to pull it from her garden, or your daughter or your niece, your clients and patients, your romantic and sexual partners. When you cultivate a garden that is uniquely your own, filled with whatever brings you delight, you make it a little easier for everyone else to do the same.
Emily Nagoski (Come Together: The Science (and Art!) of Creating Lasting Sexual Connections)
[Lena Lees describes from trance her experience of Kuan Yin]: “I see Kuan Yin. She is like Venus, statuesque and standing in front of a beautiful pink half-shell. Quickly, she walks in front of me, pointing the way. We are entering the mouth of a cave. It’s so interesting. I see stairs carved out of rock in the cave. We walk up the stairs to a door. I know somehow this is just another entrance, a doorway to another time, place. Perhaps at another historical time monks lived there. Now, I’m seeing a huge image, a beautiful statue of Kuan Yin right at the top of the mountain. There are stairs leading up to her and it is as if I’m right on location, standing alongside a group of worshipers. I feel the potency of her energy. In these places, perhaps China or Vietnam, there is a palpable sense of being immersed in and supported by her presence. There is a need by the people to know more, to pick up and accumulate wisdom. I’m suddenly feeling a need to be in that kind of energy. Suddenly it is Kuan Yin who is speaking: “Some believe I am in servitude to Buddha. However, Buddha doesn’t see it like that. We’re more like brother and sister. I’m showing, Lena, my abode, a place on earth where humans can visit me and be in my potency. Lena is looking at my statue and then at my form. There’s a difference. I come to people in many forms, forms constructed from people’s own perceptions of how I should come to them. And it is individual spiritual needs that create these unique perceptions. In the end, it does not matter what form I take.” “Kuan Yin wants me to know that I can have the most divine life imaginable,” whispers Lena, still very deep in trance. “She’ll be here until the last soul passes off the earth. She remains in deity form to assist people in transcending their materialistic nature, to help them attain their highest spiritual level.
Hope Bradford (Oracle of Compassion: The Living Word of Kuan Yin)
Other groups of color need to acknowledge the courage of Black America, and our indebtedness to them for what we have learned from their struggles. Although all groups can recount their own unique struggles for equal rights, African Americans have always been in the forefront in advocating for social justice. Many other groups of color (and other marginalized groups—women and LGBTQ [lesbian, gay, bisexual, transgender, and queer] individuals) have learned much from the Black movement, including the importance of group identity, and have profited from the work, struggle, and sacrifice of African American brothers and sisters.
Derald Wing Sue (Race Talk and the Conspiracy of Silence: Understanding and Facilitating Difficult Dialogues on Race)
No man, proclaimed Donne, is an Island, and he was wrong. If we were not islands, we would be lost, drowned in each other’s tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature, and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived, and then, by some means or another, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes—forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There’s not a chance you’d mistake one for another, after a minute’s close inspection), but still unique. Without individuals we see only numbers: a thousand dead, a hundred thousand dead, “casualties may rise to a million.” With individual stories, the statistics become people—but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child’s swollen, swollen belly, and the flies that crawl at the corners of his eyes, his skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted, distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies’ own myriad squirming children? We draw our lines around these moments of pain, and remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain.
Neil Gaiman (American Gods)
Was everyone else really as alive as she was? For example, did her sister really matter to herself, was she as valuable to herself as Briony was? Was being Cecilia just as vivid an affair as being Briony? Did her sister also have a real self concealed behind a breaking wave, and did she spend time thinking about it, with a finger held up to her face? Did everybody, including her father, Betty, Hardman? If the answer was yes, then the world, the social world, was unbearably complicated, with two billion voices, and everyone’s thoughts striving in equal importance and everyone’s claim on life as intense, and everyone thinking they were unique, when no one was. One could drown in irrelevance.
Ian McEwan (Atonement)
Jesus said, “In my Father’s house are many rooms” (John 14:2). Could it be that those rooms are inner chambers in the heart of God, each of which has an individual’s name on it? If this is true, and I’d like to believe it is, then all I have to do is tell about my Lord and my God. Because I know him intimately, uniquely, it may be a revelation, in a sense, of the secret things of the Father. This is part of my calling—to make known the heart of God. And because he holds a special place in his heart for me and me alone (just as he holds a special place for you), my story stands a chance to be edifying to my sisters and brothers, just as your story, your insight, your revelation of God’s heart, is something the rest of us need.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
Next week is Beltane,” she reminded him. “Do you suppose we will make it through the wedding this time?” “Not if Gideon says you cannot get out of this bed,” he countered sternly. “Absolutely not!” she burst out, making him wince and cover the ear she’d been too close to. She immediately regretted her thoughtlessness, making a sad sound before reaching to kiss the ear she had offended with quiet gentleness. Jacob extricated himself from her hold enough to allow himself to turn and face her. “Okay, explain what you meant,” he said gently. “I refuse to wait another six months. We are getting married on Beltane, come hell or . . . necromancers . . . or . . . the creature from the Black Lagoon. There is no way Corrine is going to be allowed to get married without me getting married, too. I refuse to listen to her calling me the family hussy for the rest of the year.” “What does it matter what she says?” Jacob sighed as he reached to touch the soft contours of her face. “You and I are bonded in a way that transcends marriage already. Is that not what is important?” “No. What’s important is the fact that I am going to murder the sister I love if she doesn’t quit. And she will not quit until I shut her up either with a marriage or a murder weapon. Understand?” Clearly, by his expression, Jacob did not understand. “Thank Destiny all I have is a brother,” he said dryly. “I have been inundated with people tied into knots over one sister or another for the past weeks.” “You mean Legna. Listen, it’s not her fault if everyone has their shorts in a twist because of who her Imprinted mate is! Frankly, I think she and Gideon make a fabulous couple. Granted, a little too gorgeously ‘King and Queen of the Prom’ perfect for human eyes to bear looking at for long, but fabulous just the same.” Jacob blinked in confusion as he tried to decipher his fiancée’s statement. Even after all these months, she still came out with unique phraseologies that totally escaped his more classic comprehension of the English language. But he had gotten used to just shrugging his confusion off, blaming it on the fact that English wasn’t his first, second, or third language, so it was to be expected. “Anyway,” she went on, “Noah and Hannah need to chill. You saw Legna when she came to visit yesterday. If a woman could glow, she was as good as radioactive.” She smiled sweetly at him. “That means,” she explained, “that she looks as brilliantly happy as you make me feel.” “I see,” he chuckled. “Thank you for the translation.” He reached his arms around her, drawing her body up to his as close as he could considering the small matter of a fetal obstacle. He kissed her inviting mouth until she was breathless and glowing herself. “I thought I would be kind to you,” she explained with a laugh against his mouth. “You, my love, are all heart.” “And you are all pervert. Jacob!” She laughed as she swatted one of his hands away from intimate places, only to be shanghaied by another. “What would Gideon say?” “He better not say anything, because if he did that would mean he was in here while you are naked. And that, little flower, would probably cost him his vocal chords in any event.” “Oh. Well . . . when you put it that way . . .
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Translating how that latter fact came to life in the studio, engineer Chuck Zwicky explained from his own observations during the recording of the album that “the way that Prince’s music comes together has everything to do with how he views the individual instruments, and for example, when he’s sitting down at the drums, he’s derivatively thinking about Dave Gerbaldi, the drummer from Tower of Power, and that’s a real fascile and funky drummer; and when he plays keyboards, he’s thinking about James Brown’s horn player, on one aspect; and when he’s playing guitar, other elements creep in, because he loves Carlos Santana, and Jimi Hendrix, and this other guitar player named Bill Nelson, a rock guitar player from the 70s. And so these aspects all come together to make this unique sound that is Prince, and it’s not rock, it’s not funk, it’s not jazz, it’s not blues—it’s just his own kind of music. I remember there was one particular moment when he started playing this keyboard line, and I’m thinking ‘He can’t play that, that’s Gary Newman.’ And at that moment, he stops the tape, and turns and looks at me and asks ‘Do you like Gary Newman?’ And I said ‘You know, the album Replica never left my turntable in Jr. High School after my sister bought it for me. I listened to it until it wore out.’ And he said ‘There are people still trying to figure out what a genius he is.
Jake Brown (Prince "In the Studio" 1975 - 1995)
Since every I is, in itself, fundamentally criminal in its attitude toward the State and the people, we must recognize that to live is to transgress. Unless we accept death, we must be willing to kill in order to be unique. "You are not as noble as a criminal, you who do not desecrate anything." Moreover Stirner, still without the courage of his convictions, specifies: "Kill them, do not martyr them." But to decree that murder is legitimate is to decree mobilization and war for all the Unique. Thus murder will coincide with a kind of collective suicide. Stirner, who either does not admit or does not see this, nevertheless does not recoil at the idea of any form of destruction. The spirit of rebellion finally discovers one of its bitterest satisfactions in chaos. "You [the German nation] will be struck down. Soon your sister nations will follow you; when all of them have gone your way, humanity will be buried, and on its tomb I, sole master of myself at last, I, heir to all the human race, will shout with laughter." And so, among the ruins of the world, the desolate laughter of the individual-king illustrates the last victory of the spirit of rebellion. But at this extremity nothing else is possible but death or resurrection. Stirner, and with him all the nihilist rebels, rush to the utmost limits, drunk with destruction. After which, when the desert has been disclosed, the next step is to learn how to live there. Nietzsche's exhaustive search then begins.
Albert Camus (The Rebel)
The Sumerian pantheon was headed by an "Olympian Circle" of twelve, for each of these supreme gods had to have a celestial counterpart, one of the twelve members of the Solar System. Indeed, the names of the gods and their planets were one and the same (except when a variety of epithets were used to describe the planet or the god's attributes). Heading the pantheon was the ruler of Nibiru, ANU whose name was synonymous with "Heaven," for he resided on Nibiru. His spouse, also a member of the Twelve, was called ANTU. Included in this group were the two principal sons of ANU: E.A ("Whose House Is Water"), Anu's Firstborn but not by Antu; and EN.LIL ("Lord of the Command") who was the Heir Apparent because his mother was Antu, a half sister of Anu. Ea was also called in Sumerian texts EN.KI ("Lord Earth"), for he had led the first mission of the Anunnaki from Nibiru to Earth and established on Earth their first colonies in the E.DIN ("Home of the Righteous Ones")—the biblical Eden. His mission was to obtain gold, for which Earth was a unique source. Not for ornamentation or because of vanity, but as away to save the atmosphere of Nibiru by suspending gold dust in that planet's stratosphere. As recorded in the Sumerian texts (and related by us in The 12th Planet and subsequent books of The Earth Chronicles), Enlil was sent to Earth to take over the command when the initial extraction methods used by Enki proved unsatisfactory. This laid the groundwork for an ongoing feud between the two half brothers and their descendants, a feud that led to Wars of the Gods; it ended with a peace treaty worked out by their sister Ninti (thereafter renamed Ninharsag). The inhabited Earth was divided between the warring clans. The three sons of Enlil—Ninurta, Sin, Adad—together with Sin's twin children, Shamash (the Sun) and Ishtar (Venus), were given the lands of Shem and Japhet, the lands of the Semites and Indo-Europeans: Sin (the Moon) lowland Mesopotamia; Ninurta, ("Enlil's Warrior," Mars) the highlands of Elam and Assyria; Adad ("The Thunderer," Mercury) Asia Minor (the land of the Hittites) and Lebanon. Ishtar was granted dominion as the goddess of the Indus Valley civilization; Shamash was given command of the spaceport in the Sinai peninsula. This division, which did not go uncontested, gave Enki and his sons the lands of Ham—the brown/black people—of Africa: the civilization of the Nile Valley and the gold mines of southern and western Africa—a vital and cherished prize. A great scientist and metallurgist, Enki's Egyptian name was Ptah ("The Developer"; a title that translated into Hephaestus by the Greeks and Vulcan by the Romans). He shared the continent with his sons; among them was the firstborn MAR.DUK ("Son of the Bright Mound") whom the Egyptians called Ra, and NIN.GISH.ZI.DA ("Lord of the Tree of Life") whom the Egyptians called Thoth (Hermes to the Greeks)—a god of secret knowledge including astronomy, mathematics, and the building of pyramids. It was the knowledge imparted by this pantheon, the needs of the gods who had come to Earth, and the leadership of Thoth, that directed the African Olmecs and the bearded Near Easterners to the other side of the world. And having arrived in Mesoamerica on the Gulf coast—just as the Spaniards, aided by the same sea currents, did millennia later—they cut across the Mesoamerican isthmus at its narrowest neck and—just like the Spaniards due to the same geography—sailed down from the Pacific coast of Mesoamerica southward, to the lands of Central America and beyond. For that is where the gold was, in Spanish times and before.
Zecharia Sitchin (The Lost Realms (The Earth Chronicles, #4))
Unlike any other chromosome, the Y is “unpaired”—i.e., it has no sister chromosome and no duplicate copy, leaving every gene on the chromosome to fend for itself. A mutation in any other chromosome can be repaired by copying the intact gene from the other chromosome. But a Y chromosome gene cannot be fixed, repaired, or recopied from another chromosome; it has no backup or guide (there is, however, a unique internal system to repair genes in the Y chromosome). When the Y chromosome is assailed by mutations, it lacks a mechanism to recover information. The Y is thus pockmarked with the potshots and scars of history. It is the most vulnerable spot in the human genome. As a consequence of this constant genetic bombardment, the human Y chromosome began to jettison information millions of years ago. Genes that were truly valuable for survival were likely shuffled to other parts of the genome where they could be stored securely; genes with limited value were made obsolete, retired, or replaced; only the most essential genes were retained (some of these genes were duplicated in the Y chromosome itself—but even this strategy does not solve the problem completely). As information was lost, the Y chromosome itself shrank—whittled down piece by piece by the mirthless cycle of mutation and gene loss. That the Y chromosome is the smallest of all chromosomes is not a coincidence: it is largely a victim of planned obsolescence (in 2014, scientists discovered that a few extremely important genes may be permanently lodged in the Y). In genetic terms, this suggests a peculiar paradox. Sex, one of the most complex of human traits, is unlikely to be encoded by multiple genes. Rather, a single gene, buried rather precariously in the Y chromosome, must be the master regulator of maleness.I Male readers of that last paragraph should take notice: we barely made it.
Siddhartha Mukherjee (The Gene: An Intimate History)
Unconditional Love - Love Without Condition I love you as you are, as you seek to find your own special way to relate to the world. I honour your choices to learn in the way you feel is right for you. I know it is important that you are the person you want to be and not someone that I or others think you "should" be. I realise that I cannot know what is best for you, although perhaps sometimes I think I do. I have not been where you have been, viewing life from the angle you have. I do not know what you have chosen to learn, how you have chosen to learn it, with whom or in what time period. I have not walked life looking through your eyes, so how can I know what you need. I allow you to be in the world without a thought or word of judgement from me about the deeds you undertake. I see no error in the things you say and do. In this place where I am, I see that there are many ways to perceive and experience the different facets of our world. I allow without reservation the choices you make in each moment. I make no judgement of this, for if I would deny your right to your evolution, then I would deny that right for myself and all others. To those who would choose a way I cannot walk, whilst I may not choose to add my power and my energy to this way, I will never deny you the gift of love that God has bestowed within me, for all creation. As I love you, so I shall be loved. As I sow, so shall I reap. I allow you the Universal right of Free Will to walk your own path, creating steps or to sit awhile if that is what is right for you. I will make no judgement that these steps are large or small, nor light or heavy or that they lead up or down, for this is just my viewpoint. I may see you do nothing and judge it to be unworthy and yet it may be that you bring great healing as you stand blessed by the Light of God. I cannot always see the higher picture of Divine Order. For it is the inalienable right of all life to choose their own evolution and with great Love I acknowledge your right to determine your future. In humility I bow to the realisation that the way I see as best for me does not have to mean it is also right for you. I know that you are led as I am, following the inner excitement to know your own path. I know that the many races, religions, customs, nationalities and beliefs within our world bring us great richness and allow us the benefit and teachings of such diverseness. I know we each learn in our own unique way in order to bring that Love and Wisdom back to the whole. I know that if there were only one way to do something, there would need only be one person. I will not only love you if you behave in a way I think you should, or believe in those things I believe in. I understand you are truly my brother and my sister, though you may have been born in a different place and believe in another God than I. The love I feel is for all of God's world. I know that every living thing is a part of God and I feel a Love deep within for every person, animal, tree and flower, every bird, river and ocean and for all the creatures in all the world. I live my life in loving service, being the best me I can, becoming wiser in the perfection of Divine Truth, becoming happier in the joy of ... Unconditional Love
Sandy Stevenson
Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.” “But who will arbitrate?” Daisy protested. “Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.” “Yes we have,” Daisy argued, and turned to Swift. “What is the score?” “I don’t know.” As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment. Amusement glittered in Swift’s eyes. “I think you won,” he said. “Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.” “I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.” “Which means that in all likelihood you preserved your early lead.” “But you chipped away at it after the third round—” “Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ‘til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.” “There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace. Swift began to pick up the wooden bowls. “Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.” Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight. Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.” Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.” “Then it seems I misinterpreted your apparent passion for bowls.” Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.” “The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—” “I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will. “If you say so,” Westcliff said, sounding unconvinced.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
As the most perfect subject for painting I have already specified inwardly satisfied [reconciled and peaceful] love, the object of which is not a purely spiritual ‘beyond’ but is present, so that we can see love itself before us in what is loved. The supreme and unique form of this love is Mary’s love for the Christ-child, the love of the one mother who has borne the Saviour of the world and carries him in her arms. This is the most beautiful subject to which Christian art in general, and especially painting in its religious sphere, has risen. The love of God, and in particular the love of Christ who sits at’ the right hand of God, is of a purely spiritual kind. The object of this love is visible only to the eye of the soul, so that here there is strictly no question of that duality which love implies, nor is any natural bond established between the lovers or any linking them together from the start. On the other hand, any other love is accidental in the inclination of one lover for another, or,’ alternatively, the lovers, e.g. brothers and sisters or a father in his love for his children, have outside this relation other conceI1l8 with an essential claim on them. Fathers or brothers have to apply themselves to the world, to the state, business, war, or, in short, to general purposes, while sisters become wives, mothers, and so forth. But in the case of maternal love it is generally true that a mother’s love for her child is neither something accidental just a single feature in her life, but, on the contrary, it is her supreme vocation on earth, and her natural character and most sacred calling directly coincide. But while other loving mothers see and feel in their child their husband and their inmost union with him, in Mary’s relation to her child this aspect is always absent. For her feeling has nothing in common with a wife’s love for her husband; on the contrary, her relation to Joseph is more like a sister’s to a brother, while on Joseph’s side there is a secret awe of the child who is God’s and Mary’s. Thus religious love in its fullest and most intimate human form we contemplate not in the suffering and risen Christ or in his lingering amongst his friends but in the person of Mary with her womanly feeling. Her whole heart and being is human love for the child that she calls her own, and at the same time adoration, worship, and love of God with whom she feels herself at one. She is humble in God’s sight and yet has an infinite sense of being the one woman who is blessed above all other virgins. She is not self-subsistent on her own account, but is perfect only in her child, in God, but in him she is satisfied and blessed, whether. at the manger or as the Queen of Heaven, without passion or longing, without any further need, without any aim other than to have and to hold what she has. In its religious subject-matter the portrayal of this love has a wide series of events, including, for example, the Annunciation, the Visitation, the Birth, the Flight into Egypt, etc. And then there are, added to this, other subjects from the later life of Christ, i.e. the Disciples and the women who follow him and in whom the love of God becomes more or less a personal relation of love for a living and present Saviour who walks amongst them as an actual man; there is also the love of the angels who hover over the birth of Christ and many other scenes in his life, in serious worship or innocent joy. In all these subjects it is painting especially which presents the peace and full satisfaction of love. But nevertheless this peace is followed by the deepest suffering. Mary sees Christ carry his cross, she sees him suffer and die on the cross, taken down from the cross and buried, and no grief of others is so profound as hers. Mary’s grief is of a totally different kind. She is emotional, she feels the thrust of the dagger into the centre of her soul, her heart breaks, but she does not turn into stone.
Georg Wilhelm Friedrich Hegel
Ah, look at that sunrise!” Tim says at the first stoplight, lifting his arms toward the windshield. “Four billion sunrises, over the dinosaurs, the pharaohs, and now ours today. And no one’s ever the same. Isn’t it just the most remarkable thing? Each day is fresh and unique, yet each is also a link to every dawn all the way back to the Precambrian.
Rachel Simon (Riding the Bus with My Sister: A True Life Journey)
Every child is born, with some inherited characteristics, into a specific socio-economic and emotional environment, and trained in certain ways by figures of authority. I inherited honesty and self-discipline from my father; from my mother, I inherited faith in goodness and deep kindness and so did my three brothers and sister. But it was the time I spent with Jallaluddin and Samsuddin that perhaps contributed most to the uniqueness of my childhood and made all the difference in my later life. The unschooled wisdom of Jallaluddin and Samsuddin was so intuitive and responsive to non-verbal messages that I can unhesitatingly attribute my subsequently manifested creativity to their company in my childhood.
A.P.J. Abdul Kalam (The Righteous Life: The Very Best of A.P.J. Abdul Kalam)
Every relationship we have —with Mom, with Dad, with brothers, with sisters, with friends —is unique because we dream a small dream together. Every relationship becomes a living being made by two dreamers.
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship)
That night, I read all about the miracle of me as I sat on the windowsill with Roger curled up by my feet. The book went on and on about how I was special and unique ’cos there was only a one in a million trillion chance that I’d turned out to be me. If that one sperm of Dad’s hadn’t met that one egg of Mum’s right at that one moment in time, then I would have been someone different. That didn’t sound like a miracle. That sounded like bad luck.
Annabel Pitcher (My Sister Lives on the Mantelpiece)
No two zebras are alike. Each pattern of stripes is unique, unlike any other zebra that ever lived. It was my mom’s way of reminding me to just be me. That I don’t have to try and be like everyone else. To stand out.” She laughs. “And apparently zebras can’t be broken. They can’t be domesticated. My mom was always telling me when I was growing up that I was part zebra because she could never tame me.
Samantha Christy (Purple Orchids (The Mitchell Sisters, #1))
No two zebras are alike. Each pattern of stripes is unique, unlike any other zebra that ever lived. It was my mom’s way of reminding me to just be me. That I don’t have to try and be like everyone else. To stand out.
Samantha Christy (Purple Orchids (The Mitchell Sisters, #1))
their share of tragedy, sisters Lily and Sasha embark on a dream holiday—only to find themselves in hell. Kidnapped by a rich madman, Sasha is sold into slavery, while Lily is forced to join The Collection, a unique
Evie Harper (You Loved Me At My Darkest (You Loved Me, #1))
His decision to attend had been based solely on his desire to be near Lily. Though they'd arranged to meet later in the night, he found it difficult to go so many hours without seeing her smile and feeling her presence. He'd noticed her the moment he stepped into the ballroom. She had told him once how she had grown accustomed to blending in and going unnoticed beside her sisters or in a crowd. He did not know how it was possible for anyone not to see the treasure that was Lily. Her unique and subtle brand of grace and charm accented her every movement and filled her expression with warmth. Men should be falling at her feet in hopes of gaining her favor.
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
Our time to die is as unique as the life we leave behind.
Jennifer L. Hart (Witch Way After Forty (Silver Sisters #1))
The best thing about falling in love with a book is that your relationship with it is separate and unique, but when someone else loves it too, you’re not envious and jealous of their love - you only love each other more
Daisy Buchanan (The Sisterhood: Everything My Sisters Taught Me About Loving Women and Being One)
While Harriett was certainly unique, Sebastian felt they had developed a cordial friendship rather than a romance. She was funny and sweet, and he enjoyed talking to her. If they married, he didn’t think he would have any aversion to consummating the union and sharing a bed with her. But Harriett didn’t make him feel as if he’d been kicked in the gut at the mere sight of her. She didn’t make him fantasize about silencing her sarcastic mouth with a searing kiss. Helena did all that, and then some. Sebastian would be a fool to ignore what his instincts were trying to tell him. Helena Montgomery might possibly be the woman he was meant to marry.
Elise Marion (Spinster Sister (Lawless Ladies, #1))
The most important thing each of us can know is our unique gift and how to use it in the world. Individuality is cherished and nurtured, because, in order for the whole to flourish, each of us has to be strong in who we are and carry our gifts with conviction, so they can be shared with others. Being among the sisters provides a visible manifestation of what a community can become when its members understand and share their gifts. In reciprocity, we fill our spirits as well as our bellies
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
The particular design of Dandelion’s root system breaks up soil in a unique manner which greatly enhances the condition of any garden soil. In fact Dandelion and its sister compositae, Chamomile, another soil-conditioning plant, have been referred to in farming cultures as “the soil doctors.
James Green (The Herbal Medicine-Maker's Handbook: A Home Manual)
They believed in me, paid for my tuition, enabled me to glean the culture that I embraced with great devotion. They taught me principles and values. For this, I will forever be grateful to them. Likewise, I know that they beguiled, manipulated, and broke me into a thousand pieces. They treated me like clay that they could shape as they saw fit. Yet, I bear them no ill will. The outcome has been quite different from what they hoped for—not that it exceeds their expectations; it is just starkly different from what they could have expected. They gave me the tools to create a perfectly unique patchwork, full of all these things—books, culture, experiences—but also of Awaya, sinking deep into the forest to harvest her medicinal herbs. I am the product of the generosity of the reverend sister who first called me 'Anna' and who widened my horizon. I am also the product of the protection of Samgali and my deceased mothers. I am made of movies and music, of the contradictions that ripple through my country, of the political consciousness born of the covert, dirty war that set Bamileke country on fire.
Hemley Boum (Days Come and Go)
Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.” “But who will arbitrate?” Daisy protested. “Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.” “Yes we have,” Daisy argued, and turned to Swift. “What is the score?” “I don’t know.” As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment. Amusement glittered in Swift’s eyes. “I think you won,” he said. “Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.” “I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.” “Which means that in all likelihood you preserved your early lead.” “But you chipped away at it after the third round—” “Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ’til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.” “There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace. Swift began to pick up the wooden bowls. “Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.” Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight. Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.” Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.” “Then it seems I misinterpreted your apparent passion for bowls.” Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.” “The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—” “I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will. “If you say so,” Westcliff said, sounding unconvinced.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Daisy has a unique spirit,” Westcliff said. “A warm and romantic nature. If she is forced into a loveless marriage, she will be devastated. She deserves a husband who will cherish her for everything she is, and who will protect her from the harsher realities of the world. A husband who will allow her to dream.” It was surprising to hear such sentiment from Westcliff, who was universally known as a pragmatic and level-headed man. “What is your question, my lord?” Matthew asked. “Will you give me your word that you will not marry my sister-in-law?” Matthew held the earl’s cold black gaze. It would not be wise to cross a man like Westcliff, who was not accustomed to being denied. But Matthew had endured years of Thomas Bowman’s thunder and bluster, standing up to him when other men would flee in fear of his wrath. Although Bowman could be a ruthless, sarcastic bully there was nothing he respected more than a man who was willing to go toe-to-toe with him. And so it had quickly become Matthew’s lot in the company to be the bearer of bad tidings and deliver the hard truths that everyone else was afraid to give him. That had been Matthew’s training, which was why Westcliff’s attempt at domination had no effect on him. “I’m afraid not, my lord,” Matthew said politely. Simon Hunt dropped his cigar. “You won’t give me your word?” Westcliff asked in disbelief. “No.” Matthew bent swiftly to retrieve the fallen cigar and returned it to Hunt, who regarded him with a glint of warning in his eyes as if he were silently trying to prevent him from jumping off a cliff. “Why not?” Westcliff demanded. “Because you don’t want to lose your position with Bowman?” “No, he can’t afford to lose me right now.” Matthew smiled slightly in an attempt to rob the words of arrogance. “I know more about production, administration, and marketing than anyone else at Bowman’s…and I’ve earned the old man’s trust. So I won’t be dismissed even if I refuse to marry his daughter.” “Then it will be quite simple for you to put the entire matter to rest,” the earl said. “I want your word, Swift. Now.” A lesser man would have been intimidated by Westcliff’s authoritative demand. “I might consider it,” Matthew countered coolly, “if you offered the right incentive. For example, if you promise to endorse me as the head of the entire division and guarantee the position for at least, say…three years.” Westcliff gave him an incredulous glance. The tense silence was broken as Simon Hunt roared with laughter. “By God, he has brass ballocks,” he exclaimed. “Mark my words, Westcliff, I’m going to hire him for Consolidated.” “I’m not cheap,” Matthew said, which caused Hunt to laugh so hard that he nearly dropped his cigar again. Even Westcliff smiled, albeit reluctantly. “Damn it,” he muttered. “I’m not going to endorse you so readily—not with so much at stake. Not until I am convinced you’re the right man for the position.” “Then it seems we’re at an impasse.” Matthew made his expression friendly. “For now.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Most of the crowd spread their garments on the road, and others cut branches from the trees and spread them on the road. And the crowds that went before him and that followed him shouted, “Hosanna to the Son of David!…” —Matthew 21:8–9 (RSV) PALM SUNDAY: REMAINING FAITHFUL It’s graduation day at the University of Pittsburgh. It’s thrilling, watching the young men and women I’ve taught go forth and do all of the world’s work, but there’s a nagging disquiet. Like many weighty truths, their education is accompanied by an equally weighty lie. I’ve told my students they’re unique and capable of wonderful things (true); I didn’t warn them of the attendant difficulties that lay ahead. I’ve long stopped betting on their futures. Who am I to tell them about the odds of a successful life, the weird dance of hard work and good luck, the slings and arrows of outrageous fortune? Luckily, today is filled with smiles, flowing robes, hugs, funny hats. In ancient times such celebrations would be marked by palm fronds, like Jesus’ entrance into Jerusalem. And then is no different from now, where celebration can suddenly turn to trepidation, where young lives quickly discover that speaking the truth may lead to trouble, betrayal, or worse. But today they’ll throw their hats into the air with faith in the future. And when asked, I’ll pose with them for photos. Years from now they’ll wonder about the teacher with the gray hair and wan, anxious smile, who looks as if he might be praying. Lord, we often praise You one day, then betray You the next. Let us overcome our fickle nature and be faithful companions to You and our brothers and sisters. —Mark Collins Digging Deeper: Mt 21:1–11
Guideposts (Daily Guideposts 2014)
Your sister is indeed correct,” Dr. Pym said. “Each of the Books of Beginning has a unique name. Technically, the book we are searching for is the Atlas of Time—” “That’s right,” Emma said, nodding seriously. “Technically.” “—but it is usually just referred to as the Atlas, an appropriate name, as the book contains maps of all possible pasts, presents, and futures and allows one to move through both time and space. But now is not the moment to get into all the whys and wherefores.” “Sure,” Emma said, “we can get into those later. All the whys and stuff.” In
John Stephens (The Emerald Atlas (The Books of Beginning #1))
At Westminster Abbey, Welsh Guards in crimson uniforms raised the casket to their shoulders. They took it down the long aisle of the church and placed it at the front of the altar. After laying a bouquet of white lilies at the foot of the coffin, Prince Charles and Prince Philip led William and Harry, Queen Elizabeth II, and the Queen Mother to seats in the front of the sanctuary. About two thousand mourners were seated behind them. Her brother Charles said, “Above all, we give thanks for the life of a woman I am so proud to be able to call my sister; the unique, the complex, the extraordinary and irreplaceable Diana, whose beauty, both internal and external, will never be extinguished from our minds.” The dean of Westminster said, “Diana profoundly influenced this nation and the world.” At William’s suggestion, Elton John sang “Candle in the Wind,” in which he made specific reference to Diana: “Your footsteps will always fall here/among England’s greenest hills;/ your candle’s burned out long before/ your legend ever will.” The funeral procession made a two-hour trip to the Spencer family home. Along the way, crowds sobbed and threw flowers. Diana was buried on an island in the middle of a small lake on the family estate. The burial was private.
Nancy Whitelaw (Lady Diana Spencer: Princess of Wales)
In the twenty-first century the difference between whites and minorities was that minorities are constantly aware of their unique ethnic lenses; to his white brothers and sisters, though, most of them did not consciously think of themselves as white. What Peter once thought was racism, he later realized was a naiveté that his friends needed to have exposed.
Bryan Loritts (Right Color, Wrong Culture: The Type of Leader Your Organization Needs to Become Multiethnic (Leadership Fable))
what it does in order to increase its own growth. But as it happens, when the individuals flourish, so does the whole. The way of the Three Sisters reminds me of one of the basic teachings of our people. The most important thing each of us can know is our unique gift and how to use it in the world. Individuality is cherished and nurtured, because, in order for the whole to flourish, each of us has to be strong in who we are and carry our gifts with conviction, so they can be shared with others. Being among the sisters provides a visible manifestation of what a community can become when its members understand and share their gifts. In reciprocity, we fill our spirits as well as our bellies.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
And so there I am standing beside you on your phantom wedding day, holding back tears, offering you to the future you will never have. Your mother is in the front row waiting for me to join her. Your sisters are by the preacher, opposite the boy, and they are beaming and nervous and proud and tearful from the romance and also from fear of the changes they know will come. They are both maids of honor. They are both wearing dresses that were fought over long ago. They are both so proud and so pretty and so ready to get out of their tight dresses and pinching heels. You cling to my arm. You hold on to my hand—tightly, the way you used to do when we crossed the street, when a scary movie was on, when you just wanted to let me know that you were there and that you loved me. You look up at me. I am startled. Suddenly, quite miraculously, you are a grown-up beautiful woman. You look so much like your mother, but you are still uniquely you. You have thoughts I will never know. Desires I will never understand. Friends I will never meet. Passions I will never share. You have a life. You have an entire world in front of you. Then you smile, and you squeeze my hand, and even in my sleep, I understand the truth: No matter what happened to you, no matter what horrors you endured when you were taken away, you will always be my pretty little girl.
Karin Slaughter (author)
• HAVING STRONG, CLEAR BOUNDARIES IS AN ACT OF SELF-LOVE. THEY’RE ESSENTIAL, SISTER! Clear boundaries allow you to be the best version of yourself. They allow you to share your unique gifts with the world because you’ve taken care of yourself first. Stay true to your boundaries and respect others in return.
Melissa Ambrosini (Open Wide)
Beyond the walls and solid roofs of houses is the outdoors. It is always on the doorstep. The sky, serene, or piled with white, slow-moving clouds, or full of wind and purple storm, is always overhead. But walls will assert themselves and domineer. They insist on the unique importance of the contents of walls and would have you believe the spaces above them, the slow processions of the seasons and the alternations of sunshine and rain, are accessories, pleasant or unpleasant, of walls. Collected in: Sisters of the Earth: Women's Prose and Poetry About Nature by Lorraine Anderson
Edna Brush Perkins
The spiritual life of one person should never be a carbon copy of that of another. Peter and John had quite different personalities and quite different transformational journeys as they followed Jesus. Mary and Martha, two sisters whom Jesus loved deeply, each expressed their love for him uniquely. And he received both, not discouraging Martha from busying herself in service, simply encouraging her to not fret in doing so (Luke 10:38-42).
David G. Benner (The Gift of Being Yourself: The Sacred Call to Self-Discovery (The Spiritual Journey, #2))
Nachama, his parents, and two sisters would eventually be rounded up and transported to a concentration camp, Auschwitz, in the spring of 1943. All but Nachama were gassed, and he would spend the next two years of living hell surviving on his wits, charm, and his extraordinary singing voice. Prisoner 116155, as was tattooed on Nachama’s wrist, entertained the camp guards, inspired and revived his fellow prisoners with his unique and powerful baritone, his popular rendition of “’O Sole Mio” gaining him the nickname “the singer of Auschwitz.
Iain MacGregor (Checkpoint Charlie: The Cold War, the Berlin Wall and the Most Dangerous Place on Earth)
Now, sisters and friends, I want you to do something. Go look in the mirror. Take off any worldly lens that has affected the way you see yourself—a lens of insecurity, jealousy, comparison, negativity, self-hatred, or anything else. And stare at yourself. You are altogether beautiful, my darling. Wow, the Lord takes such great delight in you. Look at the color of your eyes. Look at the strands of your hair and the unique shapes and features of your face. God made you, and you are exactly how He intended you to be. He created every detail—details no other person on earth has. He did this so He could reveal a new image of beauty and another side of Himself to the world.
Sadie Robertson (Live)
Hair has been a lightning rod for enforcement of White standards of beauty. And reactions to Black women’s natural hair help illustrate the broader disdain for Black appearance. While Black hair can have a variety of textures, most tends to be curly, coily, or nappy. It grows out and up and not down. It may not shine. It may be cottony or wiry. It is likely more easily styled in an Afro puff than a smooth chignon. For centuries, Black women have been told that these qualities make their hair unsightly, unprofessional, and uniquely difficult to manage.
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
For starters, I'm thankful and honored to have so many friends and family to share this table with. From my older sister Dee to little Merriam and everyone in between, I'm thankful for you all. We don't look alike and some of us have accents different from others. I'm thankful for those differences because it makes each one unique with a perspective to add. Sorrow, joy, and everything in between – we've experienced it all at one time or another and leaned on someone at this table for support. Let’s all be thankful for our shared humanity and thank God for the bounty we
Ivory Fields (The Christmas Miracle (Xmas With You Book 1))
If a boy escaped the fire with the basket, or if a girl fled the flames with the bow, then the tribe would know the child’s true nature, and the child would be honored for being a perfect and unique balance of male and female, neither one nor the other, but something more—a third gender, one thought to possess two spirits instead of one. The child, it was believed, would grow to be the tribe’s best protector, teacher, healer, provider, and caregiver. The child would forever be respected and revered.” Gran’s hands fell into her lap. “But that was long ago.
Nick Medina (Sisters of the Lost Nation)
Who was the artist? The line of her body was slim and softly feminine in a way that spoke to every one of his senses. Her hair, a rich mahogany had smelled wonderful, though he'd be hard-pressed to describe just exactly what it smelled like... fresh, he would have said, Or clean. Or sweet. But none of those words really seemed to apply, precisely. How he loved discovering the unique smell of a woman... a good place to start discovering it, he knew, was the nape of the neck. But there were other delightful places, too. He smiled, a wicked, private smile, which faded when he remembered he was not to be discovering the smells of females while he was in Barnstables. You were bloody quiet, she'd said. As though he'd thwarted her. He gave a bark of delighted laughter. It rather sounded like something he would have said.
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
As the saying goes, "It's not who you know, but who knows you." How does that relate to getting a job? Lets look at 2 cases where "who knows you" resulted in landing the best job. Keep in mind: The great thing is that you can start right where you are right now! Case 1 In my first teaching job in Mexico in the early 1980's, we were half way through the semester, when the director called me into his office to tell me he had taken a job in Silicon Valley, California. What he said next floored me. "I'd like you to apply for my job." How could I apply to be the director of an English school when it was my first teaching job, all the teachers had more teaching experience than I did, and many of them had doctorate degrees. I only had a bachelors degree. "Don't worry," he said. "People like you, and I think you have what it takes to be a good director." The director knew me, or at least got to know me from teachers' meetings, seeing me teach, and noticing how I interacted with people. Case 2 Fast forward 3 years. After Mexico, I moved to Reno, Nevada, to work on my Master's degree in Teaching English as a Second Language. I applied for a teaching job at the community college, and half-way into the semester, a teacher had to leave and I got the job. I impressed the director enough that she asked me to be the Testing and Placement Coordinator the next year. At the end of that year, I wrote a final report about the testing and placement program. It so impressed the college administration that when a sister university was looking for a graduate student to head up a new language assessment program for new foreign graduate teaching assistants and International faculty, I got recommended. What Does This Mean? From these two examples, you can see that when people see what you can do, you have a greater chance of being seen and being known. When people see what you are capable of doing, there is less risk in hiring you. Why? Because they've seen you be successful before. Chances are you'll be successful with them, too. But, if people don't know you and haven't seen what you can do, there is much greater risk in hiring you. In fact, you may not even be on their radar screen. Get On Their Radar Screens To get on the radar screens for the best jobs, do the best job you can where you work right now. Don't wait for the job announcement to appear in the newspaper. Don't wait for something else to happen. Right now, invest all of you and your unique talents into what you're doing. Impress people with what you can do! Do that, and see the jobs you'll get!
HASANM21
Hannah shook her head, exasperated. She did that a lot, I noticed. A fierce energy infused her every long-limbed movement, led her easily to frustration. Emmeline, by contrast, had the calculated posture of a doll come to life. Their features, similar when considered individually- two neat noses, two pairs of intense blue eyes, two pretty mouths- manifested themselves uniquely on each girl's face. Where Hannah gave the impression of a fairy queen- passionate, mysterious, compelling- Emmeline's was a more accessible beauty. Though still a child, there was something in the way her lips parted in repose that reminded me of a glamour photograph I had once seen when it fell from the pedlar's pocket.
Kate Morton (The House at Riverton)
In addition, you will be exploring the unique terrain of this person’s life. You should feel free to ask questions about her experience. For instance, “Mary is your sister-in-law?” or “Did you move a lot?” or “It sounds like things changed a lot after your mother died.” And most importantly, it is okay to say, “I don’t understand.” Remember, the client will appreciate your interest in her, and asking her to help clarify who or what or when or how is a way of demonstrating your interest. The question to avoid, however, is “Why?” For instance, “Why did your father do that?” or “Why did you feel that way?” or “Why can’t you tell your brother that?” These questions call for an understanding of motivation and for a response that suggests insight about the client’s own behavior or the behavior of others. They are also implicitly asking the client to articulate feelings. She may do that spontaneously, but it is best not to ask for feelings yet. There are a number of reasons for this. First,
Susan Lukas (Where to Start and What to Ask: An Assessment Handbook)
Growing up in the Edgemoor neighborhood of Bellingham, Maggie and her brothers and sisters had explored the trails of Chuckanut Mountain and played along the shores of Bellingham Bay. The quiet neighborhood offered views of both the San Juans and the Canadian mountains. It was also situated next to Fairhaven, where you could browse through unique shops and galleries, or eat at restaurants where the waiters could always tell you about the freshest catch and where it had been brought from.
Lisa Kleypas (Christmas Eve at Friday Harbor (Friday Harbor, #1))
If our vision is based on the social mirror, we make choices based on expectations of others. It’s been said that “when man discovered the mirror, he began to lose his soul.”If our self-vision is no more than a reflection of the social mirror, we have no connection with our inner selves, with our own uniqueness and capacity to contribute. We’re living out of scripts handed to us by others—family, associates, friends, enemies, the media. And what are those scripts? Some may seem constructive: “You’re so talented!” “You’re a natural ball player!” “I always said you should be a doctor!” Some may be destructive: “You’re so slow!” “You can’t do anything right!” “Why can’t you be more like your sister?” Good or bad, these scripts can keep us from connecting with who we are and what we’re about.
Stephen R. Covey (First Things First)
If we spent our whole lives here we would have little to offer the world and know little enough of the world to have context for our prayer …’ Seeing Nona’s frown she spoke more simply. ‘We wouldn’t understand what we’re praying for. Without knowing the chaos and confusion that washes all around this plateau, our Rock of Faith, we could not appreciate the serenity we seek.’ Abbess Glass paused and fixed Nona with dark eyes. It seemed important to her that Nona understand … that Nona believe. ‘I wasn’t always a nun. I had a son and I breathed for him. When we buried him my sorrow consumed me. Was my grief holy? Was it unique? All our hurts and follies are repeated time and again. Generation after generation live the same mistakes. But we’re not like the fire, or the river, or the wind – we’re not a single tune, its variations played out forever, a game of numbers until the world dies. There’s a story written in us. Your parents – your father and his ice tunnels, your mother and her Church of Hope, both of them, whether they loved you or left you, are in you bone-deep, remembered in your blood.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
The ban uncovered the truth, which was that when you decide to want less, you can buy less and, ultimately, need less money. Decluttering and purging 70 percent of my belongings came with different lessons. I realized I had spent the first 29 years of my life doing and buying whatever I could to be someone I thought I should be. I kept so many things, and consumed the wrong things, all because I never felt like I was good enough. I wasn’t smart enough or professional enough or talented enough or creative enough. I didn’t trust that who I was or what I brought to the table in any situation was already unique, so I bought things that could make me better. Then I spent a year sorting through the mess and figuring out who I really was. A writer and a reader. Hiker and traveler. Dog owner and animal lover. Sister, daughter, and friend. It turned out I had never been someone who valued material objects. I valued the people in my life and the experiences we shared together. None of that could be found in the belongings in my home. It had always been in my heart.
Cait Flanders (The Year of Less: How I Stopped Shopping, Gave Away My Belongings, and Discovered Life Is Worth More Than Anything You Can Buy in a Store)
If we spent our whole lives here we would have little to offer the world and know little enough of the world to have context for our prayer'' Seeing Nona's frown she spoke more simply.'We wouldn't understand what we're praying for. Without knowing the chaos and confusion that washes all around this plateau, our Rock of Faith, we could not appreciate the serenity we seek.' Abbess Glass paused and fixed Nona with dark eyes. It seemed important to her that Nona understand' that Nona believe.'I wasn't always a nun. I had a son and I breathed for him. When we buried him my sorrow consumed me. Was my grief holy' Was it unique' All our hurts and follies are repeated time and again. Generation after generation live the same mistakes. But we're not like the fire, or the river, or the wind' we're not a single tune, its variations played out forever, a game of numbers until the world dies. There's a story written in us. Your parents' your father and his ice tunnels, your mother and her Church of Hope, both of them, whether they loved you or left you, are in you bone-deep, remembered in your blood.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
Mrs. Bennet, Lady Bertram, Mrs. Norris, Mrs. Elton, the Steele sisters, Fanny Dashwood, Elizabeth Elliot, Mrs. Clay, Lady Catherine de Bourgh … all differentiated, all unique in their unpleasantness.
Claire Harman (Jane's Fame: How Jane Austen Conquered the World)
The relationship between a brother and sister is peculiar in the sense that it is unique for it is the only one in which the two sexes can meet as equals on a purely personal basis. No brother thinks of his sister as a woman and few sisters can see their brothers as men. For this reason there can be real friendship between them.
D.E. Stevenson (Shoulder the Sky (Dering Family #3))
The title on the front of the sketchbook was written in bold cursive: 'Libby's Book of Butterflies.' One of the edges was folded, and she smoothed it with her hand, reverently, to honor the sister she'd never known. Then she stepped back under the light and flipped through the first pages. There were beautiful paintings of butterflies, their wings bright from the watercolors. Did her sister create this book or did someone make it for her? Mum had loved her gardens, but Heather had never known her to do any kind of artwork. She'd always been busy planting her flowers and working as a hairdresser and caring well for their family. Intrigued, Heather slowly turned the pages. The butterflies were unique in their brilliance, each one with a magical name. Golden Shimmer. Moonlit Fairy. Lavender Lace. Under the butterflies were short descriptions. Like they all had different personalities. Her favorite was the Autumn Dancer, colored a vibrant orange and red with speckles of teal. It reminded her of a leaf, clinging to its branch before the autumn winds blew it away.
Melanie Dobson (Shadows of Ladenbrooke Manor)
John and Diane Worcester are always on the run. In their amazing pursuit of God’s call, they have planted churches in cities like Moscow, Toronto, and Fort Worth. John tells part of their story: God has called my wife, Diane, and me to be sequential church planters. We move to one city after another to plant churches. Our goal is to make disciples of unsaved people and gather them in churches, where they can mature and be mobilized to make more disciples. By God’s grace, we have planted eight churches and over a dozen other expressions of the church, such as evangelistic campus ministries, singles ministries, etc. We typically apprentice future church planters as we plant, and once the church starts, we turn the church over to a long-term pastor. As planters like John and Diane Worcester run after what God has called them to do, their coaches run alongside them. God has used them to make an incredible gospel impact for thousands of people. No doubt well-intended advisors suggested they stop moving so often, but God had a unique plan. Paul reminds Thessalonian believers to give honor, respect, and love to those who lead: Dear brothers and sisters, honor those who are your leaders in the Lord’s work. They work hard among you and give you spiritual guidance. Show them great respect and wholehearted love because of their work. And live peacefully with each other. (1 Thess. 5:12–13 nlt)
Dino Senesi (Sending Well)
Red Sister "We’re Giljohn’s children. The thought rolled across the smoothness of her mind as the Ancestor’s song grew louder. Sisters of the cage." Hessa had not feared dying. But Nona feared living without her. “The truth is a weapon and lies are a necessary shield.” "All the world and more has rushed eternity’s length to reach this beat of your heart, screaming down the years. And if you let it, the universe, without drawing breath, will press itself through this fractured second and race to the next, on into a new eternity. Everything that is, the echoes of everything that ever was, the roots of all that will ever be, must pass through this moment that you own. Your only task is to give it pause—to make it notice." "His older two were long grown, and little Sali would always be five." "It’s harder to forgive someone else your own sins than those uniquely theirs." “Those that burn short burn bright. The shortest lives can cast the longest shadows.” "The new picture didn’t erase the old—the bump was still a hole, but now it was a bump as well; the old lady was still a young one, but now she was old too. Clera was still her friend, and now an enemy also." “People always want to know things . . . until they hear them, and then it’s too late. Knowledge is a rug of a certain size, and the world is larger. It’s not what remains uncovered at the edges that should worry you, rather what is swept beneath.” Kettle sat with her head back against the bark, her face white as death, a tear running from the corner of her eye. “I can always reach her. A thousand miles wouldn’t matter.” She raised an arm, unsteady, and beneath it a shadow blacker than the night stretched out, reaching for infinity, as if the sun had fallen behind her. “It’s done. She knows I need her. She knows the direction.” “You swear it?” “I swear it.” “By the Ancestor?” “By the Ancestor.” The faintest echo of that grin. “And by the Hope, and the Missing Gods who echo in the tunnels, and by the gods too small for names who dance in buttercups and fall with the rain. Now go. For the love of all that’s holy, go. You wear me out, Nona. And I’ve got to concentrate on being alive. It would break her heart to get here and find me dead.” She drew a shallow breath. “They’re both in that direction. If you take it until you find some sort of trail there’s a good chance you’ll find Ara and the others on it. Try to travel with Ara and Zole. Tarkax may be able to protect you if the Noi-Guin track you from here.” Another shallow breath, snatched in over her pain. “Go! Now!” Nona came forward. She set her canteen in Kettle’s lap and kissed her icy forehead. Then she ran.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
Tell me, Merritt, if someone you knew were carrying on like this over a stranger- one of our sisters, God forbid- what would you say to her?" At the moment, Merritt didn't feel like justifying her actions to anyone, least of all a younger sibling. But during the past year, she and Luke had formed a working partnership and friendship that made their bond unique. She would tolerate more from him than from nearly anyone else in her life. "I would probably caution her that she was acting impulsively," she admitted, "and advise her to rely on the counsel of those who love her." "All right, then. I'm counseling you to stay in London and let Ransom and Uncle Sebastian decide what to do with MacRae. Whatever it is you feel for him, it's not real. It happened too fast." In her weariness and strain, Merritt's temper had a lower flashpoint than usual. She could feel it beginning to ignite, but she grimly tamped it back down and managed a calm reply. "You may be right," she said. "But someday, Luke... you'll meet someone. And from one breath to the next, everything will change. You won't care whether it makes sense. All you'll know is that a stranger owns your every heartbeat." Luke's mouth twisted. "God, I hope not.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
My sister is an unusual person. Her intelligence, education, and singing ability make her quite unique, but she is sure those traits, along with the fact that she is willing to sing at the café concert hall and lives and works with her merchant uncle and aunt, will make those in the Ton look down on her. She is proud of what she has accomplished, despite our family circumstances, and knows she would be upset finding herself in an atmosphere where her work and dedication is not appreciated. She is not willing, as I am, to take the chance it might not be as bad as she thinks it to would be. My
Don Miller (The Angel of Grove Street: A Novel of the Darcys and Bennets)
I baked all those cakes, and I didn't want them to just sit." "You could have told me," I said through gritted teeth. "I'm sure I wasn't missed," Sabrina replied. I looked back at Dante, who was ignoring the conversation in favor of chatting through his Bluetooth earpiece neck thingy. "What do you sell?" I asked Tameka. "I make jams and jellies. Chowchow." "It's so delicious," Sabrina added. I cocked an eyebrow at my sister. "Sabrina had a great sales day. Most of her cakes sold out." Tameka turned to Sabrina. "How many jars did you sell?" "Thirty-four," Sabrina said, cutting her eyes away from me. Thirty-four. In one morning? At a farmers market? I couldn't believe it. A sting of resentment settled around my heart. I didn't know why that bothered me so much. Tameka looked at my cake tray and said to Sabrina, "The little jars would fit nicely at events like this." Once again, my uninventive and un-unique dessert display was dissed.
Rhonda McKnight (Bitter and Sweet)
The scent of caramelized peanuts drifted down the path from the Nuts 4 Nuts cart, mingling with that unique combination of mowed grass, garbage, horse manure, and car exhaust that could only be found in Central Park.
Coco Mellors (Blue Sisters)
Lucifer as recognized today has many faces, roles and symbols. The old deities and demons are approached by identifying each uniquely as a specific type of “Mask” which contains an associated energy, force or power in nature and within us. This allows the approach of Atheistic and Theistic depending on the individual.  Lucifer is thus a “Deific Mask” of various ancient deities who are associated with the planet Venus. One of the most ancient was a goddess, Ishtar. The traditional symbol of Ishtar was the eight-pointed star, known from ancient Akkadian through to the Neo-Babylonian Period in Mesopotamia. Ishtar (Inanna) was a balanced goddess; her charge was both love and war. The planet Venus as the morning and evening star presents her authority as a very powerful goddess of battle and lust. Ishtar was honored by the conquering Assyrian kings as a bloodthirsty war-goddess, lusting for battle. She was also a goddess who crossed boundaries and sought her own type of infernal and empyrean knowledge; Ishtar initiated herself into the wisdom of death and rebirth by going beyond the seven gates of the Underworld and facing her death-goddess sister, Ereshkigal.
Michael W. Ford (Apotheosis: The Ultimate Beginner's Guide to Luciferianism & the Left-Hand Path)
Every time they shared their talent, they discovered that one of them had a unique gift. Clio had always possessed a keen mind and an ability to remember and recite facts after hearing them only once, but after they performed that skit for Apollo and Hermes, Clio's powerful intelligence had amplified. Just as Thalia's ability to make people laugh and forget their troubles had intensified so much that it cleared the clouds away and brought in sunshine.
Farrah Rochon (Bemused)
I kept so many things, and consumed the wrong things, all because I never felt like I was good enough. I wasn’t smart enough or professional enough or talented enough or creative enough. I didn’t trust that who I was or what I brought to the table in any situation was already unique, so I bought things that could make me better. Then I spent a year sorting through the mess and figuring out who I really was. A writer and a reader. Hiker and traveler. Dog owner and animal lover. Sister, daughter, and friend. It turned out I had never been someone who valued material objects. I valued the people in my life and the experiences we shared together. None of that could be found in the belongings in my home. It had always been in my heart.
Cait Flanders (The Year of Less: How I Stopped Shopping, Gave Away My Belongings, and Discovered Life Is Worth More Than Anything You Can Buy in a Store)