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In an essay, “Against Epiphanies,” Charles Baxter says that epiphanies are by nature deceptive. Foundational shocks happen to children. For adults, they are, at least in part, posturing. Melodrama. In fiction workshop, we asked, have I written this truthfully? We didn’t mean, “Are my facts correct?” We meant, “Is the story believable?” Often the facts are the least believable, and it is fiction’s job to fix them in service of the truth. A fact, given disproportionate context and attention, can lie about a life, or a day, or a marriage, a war, a childhood. A fiction can be true, when it throws a light on the unseen, those unclaimed spectacles that occur again and again but that shame and trauma keep hidden from view.
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