Unfinished Hope Quotes

There is a place called ‘heaven’ where the good here unfinished is completed; and where the stories unwritten, and the hopes unfulfilled, are continued. We may laugh together yet.

Babe, tell me right now you aren’t fuckin’ with me.” “I’m kind of fucking with you in the hopes that you’ll return the favour,” I replied.

We must never underestimate our power to be wrong when talking about God, when thinking about God, when imagining God, whether in prose or in poetry. A generous orthodoxy, in contrast to the tense, narrow, or controlling orthodoxies of so much of Christian history, doesn't take itself too seriously. It is humble. It doesn't claim too much. It admits it walks with a limp.

I was told The average girl begins to plan her wedding at the age of 7 She picks the colors and the cake first By the age of 10 She knows time, And location By 17 She’s already chosen a gown 2 bridesmaids And a maid of honor By 23 She’s waiting for a man Who wont break out in hives when he hears the word “commitment” Someone who doesn’t smell like a Band-Aid drenched in lonely Someone who isn’t a temporary solution to the empty side of the bed Someone Who’ll hold her hand like it’s the only one they’ve ever seen To be honest I don’t know what kind of tux I’ll be wearing I have no clue what want my wedding will look like But I imagine The women who pins my last to hers Will butterfly down the aisle Like a 5 foot promise I imagine Her smile Will be so large that you’ll see it on google maps And know exactly where our wedding is being held The woman that I plan to marry Will have champagne in her walk And I will get drunk on her footsteps When the pastor asks If I take this woman to be my wife I will say yes before he finishes the sentence I’ll apologize later for being impolite But I will also explain him That our first kiss happened 6 years ago And I’ve been practicing my “Yes” For past 2, 165 days When people ask me about my wedding I never really know what to say But when they ask me about my future wife I always tell them Her eyes are the only Christmas lights that deserve to be seen all year long I say She thinks too much Misses her father Loves to laugh And she’s terrible at lying Because her face never figured out how to do it correctl I tell them If my alarm clock sounded like her voice My snooze button would collect dust I tell them If she came in a bottle I would drink her until my vision is blurry and my friends take away my keys If she was a book I would memorize her table of contents I would read her cover-to-cover Hoping to find typos Just so we can both have a few things to work on Because aren’t we all unfinished? Don’t we all need a little editing? Aren’t we all waiting to be proofread by someone? Aren’t we all praying they will tell us that we make sense She don’t always make sense But her imperfections are the things I love about her the most I don’t know when I will be married I don’t know where I will be married But I do know this Whenever I’m asked about my future wife I always say …She’s a lot like you

You should regard each meeting with a friend as a sitting he is unwillingly giving you for a portrait - a portrait that, probably, when you or he die, will still be unfinished. And, though this is an absorbing pursuit, nevertheless, the painters are apt to end pessimists. For however handsome and merry may be the face, however rich may be the background, in the first rough sketch of each portrait, yet with every added stroke of the brush, with every tiny readjustment of the "values," with every modification of the chiaroscuro, the eyes looking out at you grow more disquieting. And, finally, it is your own face that you are staring at in terror, as in a mirror by candlelight, when all the house is still.

Accumulating orthodoxy makes it harder year-by-year to be a Christian than it was in Jesus' day.

you’re gone and your unfinished poem lies alone on my desk— empty of tears, I only hope it rains today

The Church has little idea how unorthodox it is at any given moment. If a church can't yet be perfectly orthodox, it can, with the Holy Spirit's help and by the grace of God, be perpetually reformable.

You will die in your sleep and leave everything unfinished. This is also speculation. I had obligations: hope, but hope negates the experience. I owe myself nothing. I cut off my head and threw it on the ground.

From the cave to the skyscraper, from the club to weapons of mass destruction, from the tautological life of the tribe to the era of globalization, the fictions of literature have multiplied human experiences, preventing us from succumbing to lethargy, self-absorption, resignation. Nothing has sown so much disquiet, so disturbed our imagination and our desires as the life of lies we add, thanks to literature, to the one we have, so we can be protagonists in the great adventures, the great passions real life will never give us. The lies of literature become truths through us, the readers transformed, infected with longings and, through the fault of fiction, permanently questioning a mediocre reality. Sorcery, when literature offers us the hope of having what we do not have, being what we are not, acceding to that impossible existence where like pagan gods we feel mortal and eternal at the same time, that introduces into our spirits non-conformity and rebellion, which are behind all the heroic deeds that have contributed to the reduction of violence in human relationships. Reducing violence, not ending it. Because ours will always be, fortunately, an unfinished story. That is why we have to continue dreaming, reading, and writing, the most effective way we have found to alleviate our mortal condition, to defeat the corrosion of time, and to transform the impossible into possibility.

...it is never safe to classify the souls of one's neighbors; one is apt, in the long run, to be proved a fool. You should regard each meeting with a friend as a sitting he is unwillingly giving you for a portrait -- a portrait that, probably, when you or he die, will still be unfinished.

...it is never safe to classify the souls of one's neighbors; one is apt, in the long run, to be proved a fool. You should regard each meeting with a friend as a sitting he is unwillingly giving you for a portrait -- a portrait that, probably, when you or he die, will still be unfinished. And, though this is an absorbing pursuit, nevertheless, the painters are apt to end pessimists. For however handsome and merry may be the face, however rich the background, in the first rough sketch of each portrait, yet with every added stroke of the brush, with every tiny readjustment of the 'values,' with every modification of the chiaroscuro, the eyes looking out at you grow more disquieting. And, finally, it is your own face that you are staring at in terror, as in a mirror by candle-light, when all the house is still.

In addition to unfinished business, some ghosts haunt so that they will be remembered.

You should regard each meeting with a friend as a sitting he is unwittingly giving you for a portrait — a portrait that, probably, when you or he die, will still be unfinished.

You’re the girl you take out to dinner. Get the good champagne. You pay her attention. Buy her some shit that softens her up and makes her happy. Then you hope all that sweet turns wild when you get her in bed.

I've been here in Richmond for six years and I still don't get it. To me, having the principal Richmond monuments dedicated to the Lost Cause is like saying we're dedicated to no hope, no future. It's like having a monument to unrequited love.

I hope that whatever I have learned along the way, from fellow passengers, from my efforts and my own mistakes, can contribute to your journey, too. Because as I have discovered, if you’re willing to be a student of life, the possibilities are endless.

Well, I think I laid down my sunshade first,'said Mrs. Twining reflectively. 'Ah, that doesn't interest you. I told Finch that I wanted to tidy my hair (a euphemism for "powder my nose", of course), and would show myself out on to the terrace.' 'And you did in fact powder your nose, Mrs. Twining, at the mirror over the fireplace?' 'Most thoroughly,' she agreed. 'How long did that take you?' She looked rather amused. 'When a woman powders her nose, Inspector, she loses count of time. My own estimate would be a moment or two; almost any man, I feel, would probably say, ages.' 'Were you as long, perhaps, as five minutes?' 'I hope not. Let us say three - without prejudice.

Then you're leaving the story unfinished, Mr. Author!" "Not more unfinished then a story ought to be, I hope. If you ever knew a story finished, all I can say is, I never did. Somehow, stories won't finish. I think I know why, but I won't say that either, now.

NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!

Because we remain a land of hope and opportunity, and new Canadians see in our unfinished destiny an image of their own unfinished destines.

Between what we know and what we cannot hope to know about how we come to be as we are lies an emotional dumping ground into which exceptional writers pour all the art they are capable of making.

I am very concerned when I imagine how strangled and cut off you currently live, afraid of touching anything that is filled with memories (and what is not filled with memories?). You will freeze in place if you remain this way. You must not, dear. You have to move. You have to return to his things. You have to touch with your hands his things, which through their manifold relations and affinity are after all also yours. You must, Sidie (this is the task that this incomprehensible fate imposes upon you), you must continue his life inside of yours insofar as it was unfinished; his life has now passed onto yours. You, who quite truly knew him, can quite truly continue in his spirit and on his path. Make it the task of your mourning to explore what he had expected of you, had hoped for you, had wished to happen to you. If I could just convince you, my dear friend, that his influence has not vanished from your existence

I hope this email finds you well I hope this email finds you calm. I hope this email finds you unflustered about your inbox. I hope this email finds you in a state of acceptance that this email isn’t exactly important in the cosmic scheme of things. I hope this email finds your work happily unfinished. I hope this email finds you beneath a beautiful sky with the wind tenderly caressing your hair like an invisible mother. I hope this email finds you lying on a beach, or maybe beside a lake. I hope this email finds you with the sunlight on your face. I hope this email finds you eating some blissfully sweet grapes. I hope this email finds you well but, you know what, it is okay if it doesn’t because we all have bad days. I hope this email finds you reading a really good poem or something else that requires no direct response from you. I hope this email finds you far away from this email.

Thinking about this cage he lived in, this prison where it felt like he'd spend the entirety of his life, cradle to grave, measuring the distance between his most modest hopes and all the cheap regret he actually ended up living. You passed your time in the cage, he figured, by clinging pointlessly and desperately to an endless series of unfinished sorrows.

The regret of unfinished business is particularly oppressive, even haunting in its oppressive grief.

Gap... A gesture, incomplete! Something unfinished, Left. A trust of heart, Faith! Hope... A few Stories yet to be completed! Perhaps. A side yet to be unfolded, Filled, completed... Finished!

Spilled Ink It seemed unfair And unfinished, And now it would always be tragic. Because you kept Loving them Even when the story ended. And there was nowhere To spill the ink Of the heartbreak their absence wrote.

The experience that the God we meet in prayer and in history actually loves us indicates, as we have seen, that we make a difference to the eternal God. The hope, then, is that nothing good is lost. Even though each and every accomplishment we achieve will eventually become space dust, and that dust may itself dissipate into cold cosmic darkness, we hope that God will not let our efforts turn to nothing. We hope and we sense that all is preserved in God

You’re through running from that sh*t. I get it now, I don’t like it, but I get it. You still have unfinished business that’s why they’re always on your mind. I hope you’ll get to the point where you stop running and start fighting back.

The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.” “Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.” “Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.” “If you mean the other tasks we have to do, I’m already aware of that.” “I’m not talking about that. I’m talking about us.” “What about us?” I put my hands under the table and wiped my clammy palms on my napkin. “I think there are a few things we’ve left unsaid, and I think it’s time we said them.” “I’m not withholding anything from you, if that’s what you mean.” “You are.” “No. I’m not.” “Are you refusing to acknowledge what has happened between us?” “I’m not refusing anything. Don’t try to put words in my mouth.” “I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.” “If I did have feelings for you, you’d be the first one to know.” “Are you saying that you don’t feel anything for me?” “That’s not what I’m saying.” “Then what are you saying?” “I’m saying…nothing!” I spluttered. Ren smiled and narrowed his eyes at me. If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar. He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.” Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me. When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again. He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier. When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?” “Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.” I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.” He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?” He must be joking! But he looked completely serious. Great! There go the nervous butterflies again. “Stop looking at me like that.” “Like what?” “Like you’re hunting me. I’m not an antelope.” He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.” “Stop it.” “Am I making you nervous?” “You could say that.” I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over. “I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.

Human being" is more a verb than a noun. Each of us is unfinished, a work in progress. Perhaps it would be most accurate to add the word "yet" to all our assessments of ourselves and each other . . . If life is process, all judgments are provisional, we can't judge something until it is finished. No one has won or lost until the race is over . . . In our instinctive attachments, our fear of change, and our wish for certainty and permanence, we may undercut the impermanence which is our greatest strength, our most fundamental identity. Without impermanence, there is no process. The nature of life is change. All hope is based on process . . . It is taken me somewhat longer to recognize that a diagnosis is simply another form of judgment. Naming a disease has limited usefulness. It does not capture life or even reflect it accurately. Illness, on the other hand, is a process, like life is. Much in the concept of diagnosis and cure is about fixing, and the narrow-bore focus on fixing people's problems can lead to denial of the power of their process. Years ago, I took full credit when people became well; their recovery was testimony to my skill and knowledge as a physician. I never recognized that without their biological, emotional, and spiritual process which could respond to my interventions, nothing could have changed at all. All the time I thought I was repairing, I was collaborating.

At This Moment Of Time Some who are uncertain compel me. They fear The Ace of Spades. They fear Loves offered suddenly, turning from the mantelpiece, Sweet with decision. And they distrust The fireworks by the lakeside, first the spuft, Then the colored lights, rising. Tentative, hesitant, doubtful, they consume Greedily Caesar at the prow returning, Locked in the stone of his act and office. While the brass band brightly bursts over the water They stand in the crowd lining the shore Aware of the water beneath Him. They know it. Their eyes Are haunted by water Disturb me, compel me. It is not true That "no man is happy," but that is not The sense which guides you. If we are Unfinished (we are, unless hope is a bad dream), You are exact. You tug my sleeve Before I speak, with a shadow's friendship, And I remember that we who move Are moved by clouds that darken midnight

I believe this movement will prevail. I don’t mean it will defeat, conquer, or create harm to someone else. Quite the opposite. I don’t tender the claim in an oracular sense. I mean that the thinking that informs the movement’s goals will reign. It will soon suffuse most institutions, but before then, it will change a sufficient number of people so as to begin the reversal of centuries of frenzied self-destructive behavior. Some say it is too late, but people never change when they are comfortable. Helen Keller threw aside the gnawing fears of chronic bad news when she declared, “I rejoice to live in such a splendidly disturbing time!” In such a time, history is suspended and thus unfinished. It will be the stroke of midnight for the rest of our lives. My hopefulness about the resilience of human nature is matched by the gravity of our environmental and social condition. If we squander all our attention on what is wrong, we will miss the prize: In the chaos engulfing the world, a hopeful future resides because the past is disintegrating before us. If that is difficult to believe, take a winter off and calculate what it requires to create a single springtime. It’s not too late for the world’s largest institutions and corporations to join in saving the planet, but cooperation must be on the planet’s terms. The “Help Wanted” signs are everywhere. All people and institutions including commerce, governments, schools, churches and cities, need to learn from life and reimagine the world from the bottom up, based on the first principles if justice and ecology. Ecological restoration is extraordinarily simple: You remove whatever prevents the system from healing itself. Social restoration is no different. We have the heart, knowledge, money and sense to optimize out social and ecological fabric. It is time for all that is harmful to leave. One million escorts are here to transform the nightmares of empire and the disgrace of war on people and place. We are the transgressors and we are the forgivers. “We” means all of us, everyone. There can be no green movement unless there is also a black, brown and copper movement. What is more harmful resides within is, the accumulated wounds of the past, the sorrow, shame, deceit, and ignominy shared by every culture, passed down to every person, as surely as DNA, as history of violence and greed. There is not question that the environmental movement is most critical to our survival. Our house is literally burning, and it is only logical that environmentalists expect the social justice movement to get on the environmental bus. But is actually the other way around; the only way we are going to put out this fire is to get on the social justice bus and heal our wounds, because in the end, there is only one bus. Armed with that growing realization, we can address all that is harmful externally. What will guide us is a living intelligence that creates miracles every second, carried forth by a movement with no name.

As you explore the Marvel story, it becomes another world you can call your own, one that's constantly expanding and full of unfinished wonders. You can no more exhaust its possibilities than the real world's. (I have tried.) And spending time in that world can make you better equipped to live in the real one: more curious about how its systems fit together; more willing to explore what you don't yet understand, and accept that you can't know everything; more open to hope in the face of catastrophe; more aware that no matter how overwhelming your own life may seem, it's only part of a much bigger picture.

But there is a more catholic understanding of the term apostolic: it means missional. The apostles were those called together to learn (as disciples) so they could be sent out on a mission (which is what both the Greek root for apostle and the Latin root for mission mean). From this vantage point, disciples are apostles-in-training; Christian discipleship (or spiritual formation ) is training for apostleship, training for mission. From this understanding we place less emphasis on whose lineage, rites, doctrines, structures, and terminology are right and more emphasis on whose actions, service, outreach, kindness, and effectiveness are good.

I suppose there are three kinds of people in this world. Some people live their lives around the holes―never finding them, never even worrying about them. Their lives are full and happy. Then there are others who keep falling through those hidden gaps, into nightmares they never knew existed. I wouldn't want to be one of them. And then there's a few...restless people who spend our lives plugging holes in the unfinished corners of creation and building walls to hold back all the things that must never be seen. Perhaps there's more holes than can be patched in a lifetime. But I've got to live on the hope that maybe, just maybe, we'll get them all...and the abyss will never look into us again.

Hands cling to hands and eyes linger on eyes: thus begins the record of our hearts. It is the moonlit night of March; the sweet smell of henna is in the air; my flute lies on the earth neglected and your garland of flowers in unfinished. This love between you and me is simple as a song. Your veil of the saffron colour makes my eyes drunk. The jasmine wreath that you wove me thrills to my heart like praise. It is a game of giving and withholding, revealing and screening again; some smiles and some little shyness, and some sweet useless struggles. This love between you and me is simple as a song. No mystery beyond the present; no striving for the impossible; no shadow behind the charm; no groping in the depth of the dark. This love between you and me is simple as a song. We do not stray out of all words into the ever silent; we do not raise our hands to the void for things beyond hope. It is enough what we give and we get. We have not crushed the joy to the utmost to wring from it the wine of pain. This love between you and me is simple as a song.

Loftus Hall was yet again empty and abandoned as many years before. But echoes of sadness, hopes, and memories lingered in the deafening silence. The woman closed her eyes and silently prayed for those who remained within its walls. She felt deeply for them; their unfinished stories and words unsaid. Unable to say goodbye and now in the realm of the dead, she could feel their heartbeats as strongly as her own.

The purpose of activism and art, or at least of mine, is to make a world in which people are producers of meaning, not consumers, and writing this book I now see how this is connected to the politics of hope and to those revolutionary days that are the days of creation of the world. Decentralization and direct democracy could, in one definition, be this politic in which people are producers, possessed of power and vision, in an unfinished world.

I later read a survey about Southerners' knowledge of the War; only half of those aged eighteen to twenty-four could name a single battle, and only one in eight knew if they had a Confederate ancestor. This was a long way from the experience of earlier generations, smothered from birth in the thick gravy of Confederate culture and schooled on textbooks that were little more than Old South propaganda. In this sense, ignorance might prove a blessing. Knowing less about the past, kids seemed less attached to it. Maybe the South would finally exorcise its demons by simply forgetting the history that created them. But Alabaman's seemed to have also let go of the more recent and hopeful history embodied in Martin Luther King's famous speech. "I have a dream," he said, of an Alabama where "black boys and black girls will be able to join hands with white boys and white girls as sisters and brothers.

To commit the act of felo-de-se is a form of delusion. You see, my love, to leave one's life unfinished implies the possibility of success. What is left unlived may contain the potential truth one always seeks. Those who kill themselves do so with the conviction that they would have reached that truth eventually had they lived to the proper end. They die in the illusion of hope which in a way keeps the rest of us alive. Reason, therefore, for not committing suicide.

Alas, alas! we poor mortals are often little better than wood-ashes — there is small sign of the sap, and the leafy freshness, and the bursting buds that were once there; but wherever we see wood-ashes, we know that all that early fullness of life must have been. I, at least, hardly ever look at a bent old man, or a wizened old woman, but I see also, with my mind’s eye, that Past of which they are the shrunken remnant, and the unfinished romance of rosy cheeks and bright eyes seems sometimes of feeble interest and significance, compared with that drama of hope and love which has long ago reached its catastrophe, and left the poor soul, like a dim and dusty stage, with all its sweet garden-scenes and fair perspectives overturned and thrust out of sight.

their footfalls? Finally some combination thereof, or these many things as permutations of each other—as alternative vocabularies? However it was, by January I was winnowed, and soon dispensed with pills and analysis (the pills I was weaned from gradually), and took up my unfinished novel again, Our Lady of the Forest, about a girl who sees the Virgin Mary, a man who wants a miracle, a priest who suffers spiritual anxiety, and a woman in thrall to cynicism. It seems to me now that the sum of those figures mirrors the shape of my psyche before depression, and that the territory of the novel forms a map of my psyche in the throes of gathering disarray. The work as code for the inner life, and as fodder for my own biographical speculations. Depression, in this conceit, might be grand mal writer’s block. Rather than permitting its disintegration at the hands of assorted unburied truths risen into light as narrative, the ego incites a tempest in the brain, leaving the novelist to wander in a whiteout with his half-finished manuscript awry in his arms, where the wind might blow it away. I don’t find this facile. It seems true—or true for me—that writing fiction is partly psychoanalysis, a self-induced and largely unconscious version. This may be why stories threaten readers with the prospect of everything from the merest dart wound to a serious breach in the superstructure. To put it another way, a good story addresses the psyche directly, while the gatekeeper ego, aware of this trespass—of a message sent so daringly past its gate, a compelling dream insinuating inward—can only quaver through a story’s reading and hope its ploys remains unilluminated. Against a story of penetrating virtuosity—The Metamorphosis, or Lear on the heath—this gatekeeper can only futilely despair, and comes away both revealed and provoked, and even, at times, shattered. In lesser fiction—fiction as entertainment, narcissism, product, moral tract, or fad—there is also some element of the unconscious finding utterance, chiefly because it has the opportunity, but in these cases its clarity and force are diluted by an ill-conceived motive, and so it must yield control of the story to the transparently self-serving ego, to that ostensible self with its own small agenda in art as well as in life. * * * Like

Then he thinks that there should be a place in every town where people could put rescued or found things. Not just objects, but snippets of forgotten languages, or misused time – an hour that can never be lived again. It would be a place where lost faiths could be collected, as well as keys, gloves and love letters never sent. Here you could find extinct animals and old wives’ tales vanished in history; a whole shelf of unfinished songs, discontinued books, deleted texts. It would be a safe for fleeting emotions – the first flush of love, or a particular scent on a sunny day that is never savoured again. Among the dog leads, phones and hats, there would be babies hoped for and lost. All this would be remembered: missed opportunities, mislaid friends, the smile of a wife. It would be a place for lost things.

Spiritually, too, he passed for a typical Dorimarite; though, indeed, it is never safe to classify the souls of one’s neighbors; one is apt, in the long run, to be proved a fool. You should regard each meeting with a friend as a sitting he is unwittingly giving you for a portrait — a portrait that, probably, when you or he die, will still be unfinished. And, though this is an absorbing pursuit, nevertheless, the painters are apt to end pessimists. For however handsome and merry may be the face, however rich may be the background, in the first rough sketch of each portrait, yet with every added stroke of the brush, with every tiny readjustment of the “values,” with every modification of the chiaroscuro, the eyes looking out at you grow more disquieting. And, finally, it is your own face that you are staring at in terror, as in a mirror by candlelight, when all the house is still.

Mr. President, Dr. Biden, Madam Vice President, Mr. Emhoff, Americans and the world, when day comes we ask ourselves where can we find light in this never-ending shade? The loss we carry asea we must wade. We’ve braved the belly of the beast. We’ve learned that quiet isn’t always peace. In the norms and notions of what just is isn’t always justice. And yet, the dawn is ours before we knew it. Somehow we do it. Somehow we’ve weathered and witnessed a nation that isn’t broken, but simply unfinished. We, the successors of a country and a time where a skinny black girl descended from slaves and raised by a single mother can dream of becoming president only to find herself reciting for one. And yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect. We are striving to forge our union with purpose. To compose a country committed to all cultures, colors, characters, and conditions of man. And so we lift our gazes not to what stands between us, but what stands before us. We close the divide because we know to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another. We seek harm to none and harmony for all. Let the globe, if nothing else, say this is true. That even as we grieved, we grew. That even as we hurt, we hoped. That even as we tired, we tried that will forever be tied together victorious. Not because we will never again know defeat, but because we will never again sow division. Scripture tells us to envision that everyone shall sit under their own vine and fig tree and no one shall make them afraid. If we’re to live up to her own time, then victory won’t lie in the blade, but in all the bridges we’ve made. That is the promise to glade, the hill we climb if only we dare. It’s because being American is more than a pride we inherit. It’s the past we step into and how we repair it. We’ve seen a forest that would shatter our nation rather than share it. Would destroy our country if it meant delaying democracy. This effort very nearly succeeded. But while democracy can be periodically delayed, it can never be permanently defeated. In this truth, in this faith we trust for while we have our eyes on the future, history has its eyes on us. This is the era of just redemption. We feared it at its inception. We did not feel prepared to be the heirs of such a terrifying hour, but within it, we found the power to author a new chapter, to offer hope and laughter to ourselves so while once we asked, how could we possibly prevail over catastrophe? Now we assert, how could catastrophe possibly prevail over us? We will not march back to what was, but move to what shall be a country that is bruised, but whole, benevolent, but bold, fierce, and free. We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation. Our blunders become their burdens. But one thing is certain, if we merge mercy with might and might with right, then love becomes our legacy and change our children’s birthright. So let us leave behind a country better than one we were left with. Every breath from my bronze-pounded chest we will raise this wounded world into a wondrous one. We will rise from the gold-limbed hills of the West. We will rise from the wind-swept Northeast where our forefathers first realized revolution. We will rise from the Lake Rim cities of the Midwestern states. We will rise from the sun-baked South. We will rebuild, reconcile and recover in every known nook of our nation, in every corner called our country our people diverse and beautiful will emerge battered and beautiful. When day comes, we step out of the shade aflame and unafraid. The new dawn blooms as we free it. For there is always light. If only we’re brave enough.

I’m sure we can manage to tolerate each other’s company for one meal.” “I won’t say anything about farming. We can discuss other subjects. I have a vast and complex array of interests.” “Such as?” Mr. Ravenel considered that. “Never mind, I don’t have a vast array of interests. But I feel like the kind of man who does.” Amused despite herself, Phoebe smiled reluctantly. “Aside from my children, I have no interests.” “Thank God. I hate stimulating conversation. My mind isn’t deep enough to float a straw.” Phoebe did enjoy a man with a sense of humor. Perhaps this dinner wouldn’t be as dreadful as she’d thought. “You’ll be glad to hear, then, that I haven’t read a book in months.” “I haven’t gone to a classical music concert in years,” he said. “Too many moments of ‘clap here, not there.’ It makes me nervous.” “I’m afraid we can’t discuss art, either. I find symbolism exhausting.” “Then I assume you don’t like poetry.” “No . . . unless it rhymes.” “I happen to write poetry,” Ravenel said gravely. Heaven help me, Phoebe thought, the momentary fun vanishing. Years ago, when she’d first entered society, it had seemed as if every young man she met at a ball or dinner was an amateur poet. They had insisted on quoting their own poems, filled with bombast about starlight and dewdrops and lost love, in the hopes of impressing her with how sensitive they were. Apparently, the fad had not ended yet. “Do you?” she asked without enthusiasm, praying silently that he wouldn’t offer to recite any of it. “Yes. Shall I recite a line or two?” Repressing a sigh, Phoebe shaped her mouth into a polite curve. “By all means.” “It’s from an unfinished work.” Looking solemn, Mr. Ravenel began, “There once was a young man named Bruce . . . whose trousers were always too loose.” Phoebe willed herself not to encourage him by laughing. She heard a quiet cough of amusement behind her and deduced that one of the footmen had overheard. “Mr. Ravenel,” she asked, “have you forgotten this is a formal dinner?” His eyes glinted with mischief. “Help me with the next line.” “Absolutely not.” “I dare you.” Phoebe ignored him, meticulously spreading her napkin over her lap. “I double dare you,” he persisted. “Really, you are the most . . . oh, very well.” Phoebe took a sip of water while mulling over words. After setting down the glass, she said, “One day he bent over, while picking a clover.” Ravenel absently fingered the stem of an empty crystal goblet. After a moment, he said triumphantly, “. . . and a bee stung him on the caboose.” Phoebe almost choked on a laugh. “Could we at least pretend to be dignified?” she begged. “But it’s going to be such a long dinner.

So are you planning on dressing me in addition to everything else?” she asked once they’d cleared a challenging rise. “I planned to pack as much as I could this morning, so you could sleep later,” he lowered his voice, “or take care of what went unfinished last night.” He’d amazed himself by behaving so unselfishly as that. Her unfulfilled desire made it more likely that he’d get her into bed with him, and yet, he couldn’t stand to think of her suffering. “I was attempting to be considerate. Though I’ve little experience with it.” “I’m not talking to you about this. I’m just not.” “I can feel your need as strong as my own.” “Maybe I do have these needs—doesn’t mean you’re the one I’ll choose to help me work them out.” Her gaze drifted to Cade, who was greedily chugging water. His voice low and seething, Bowe said, “You regard him with an appraising eye one more time, Mariketa, and you’re going to get that demon killed. All he wants is to ‘attempt’ you. Do you ken what that means?” “In fact, I do ken what it means. In the throes, you know. One of my boyfriends was a demon.” “Boyfriends?” He frowned. “You mean lovers. How bloody many have you had?” He stopped. “Are you free with yourself, then? With other males? Because that’ll be ending—” “What’d you think?” she asked over her shoulder. “That I was a virgin?” “You’re only twenty-three,” he said, sounding very stodgy, even to himself. “And I try no’ to think of any male before me. But if you were no’ an innocent, then I’d hoped it would have been once, in the dark, with a ham-handed human who was so bad you had to stifle a yawn or fight against laughing.” She shrugged. “I’m sure the number of notches in my bedpost can’t compare to yours.” “Aye, but I’m twelve hundred years old! Even if I had one female a year, you’d understand how they could accumulate.” “Well, I am young.” Just as he felt a flicker of ease, she murmured in a sexy voice, “But, baby, I’ve been busy.” His fists clenched. “Jealous?” She probably wouldn’t think he’d admit to it, but in a low tone, he said, “Aye, I envy any man that’s had his hands on you.” She gave him an enigmatic, studying expression. “Now, if I guess the number you’ve taken into your bed, then you’ll tell me if I’m right.” She hastily faced forward once more. “Not playing. Get bent.” He narrowed his eyes. “One. You’ve had one.” Her shoulders stiffened barely perceptibly, and he wanted to sag with relief. “Because any male worthy of you would kill a rival who tried to steal you from him. I’m guessing the demon was your first and last. And how did you get him to let you go, then?” “What if I told you I was still seeing him?” Bowen shook his head. “No’ considering the way you were with me that first night. Besides, if he allowed you to enter the Hie without being there to guard you, he does no’ deserve you. When we return, I’ll kill him on principle.

Well, no,” I told him. “But all the referendums freak me out. I used to try to understand them, then one year I voted for one and found out after that I voted the wrong way because they made the language purposefully confusing so you thought you were voting for one thing and you weren’t. I went back and read and reread it and there was no way I knew what I was voting for. That’s dirty business, so I decided that I should vote only on things I totally understood instead of making another mistake like that because, well, you know, these things affect people’s lives and you shouldn’t screw up something that important. As none of the referendums make a lick of sense to me, I concentrate on the candidates and hope they’ll take care of the referendums.

We must remember that each day is completely different from the next. Obstacles of the past, whether self-imposed or formed by others, may cling to us, yet inside of us resides the solution for change. Our life has a meaning. Tomorrow will not be the same as today. Even if we think it will be the same, there is always something to make it different, because each day is filled with the magic of hope and possibilities. We can discover a new aspect of ourselves and others that we never knew existed.

Reconstruction revisionism arose in tandem with and provided a usable past for the civil rights movement. More than most historical subjects, Reconstruction history matters. Whatever the ebb and flow of historical interpretations, I hope we never lose sight of the fact that something very important for the future of our society was taking place during Reconstruction.

But now he knew the truth—there were no adults. There were just tall children stumbling around the world, walking pools of unfinished hopes, unmet needs, and seething desires. The unsuccessful ones ended up in asylums. The ones who learned to masquerade those needs became politicians.

Nothing has the same meaning any more once it has been confronted not with its unfinished form, but with its accomplished or even excessive form. We are no longer fighting the spectre of alienation, but that of ultra-reality. We are no longer fighting our shadows, but transparency. And every step in technological progress, every advance in information and communications, brings us closer to that inescapable transparency. All the signs have been reversed as a result of this precession of the end, this irruption of the final term at the very heart of things and their unfolding. The same acts, the same thoughts and the same hopes which brought us nearer to that finality we so longed for now take us away from it, since it is behind us. Similarly, everything changes meaning once the movement of History crosses this fatal demarcation line: the same events have different meanings depending on whether they take place in a history that is being made or in a history being unmade. It's the same with the curve of History as it is with the trajectory of reality. It is the upward movement which gives them force of reality. On the downward curve -- or because the movement is simply continuing as a result of its own inertia -- everything is caught in a different refraction space, as in a gravity alternator. In that new space, as in Alice's looking-glass space, words and effects are stood on their head, and every movement impedes every other. The balance which, by the force of the negative, governed our world has been upset. Events, discourses, subjects or objects exist only within the magnetic field of value, which only exists as a result of the tension between two poles: good or evil, true or false, masculine or feminine. It is these values, now depolarized, which are beginning to spin in the undifferentiated field of reality. And objects, too, are beginning to spin in the undifferentiated field of value. All there is now is a circular form of switching or substitution between disconnected and erratic values. Everything which stood in a fixed relation of opposition is losing its meaning by becoming indistinguishable from its opposite as a result of the upsurge of a reality which is absorbing all differences and conflating opposing terms by promoting them all unreservedly.

In an interview, Steinsaltz explained what he meant by his remark. ‘If I want to test a new car, the way that I test it is not on the smoothest of roads, under the best conditions. To have a real road test … I would have to put it under the worst conditions in which there is still hope. I cannot test it by driving it off a cliff, but I can test it on the roughest terrain where I must come to the edge of the cliff and have to stop’. It may seem a homely analogy, but Steinsaltz’s view of creation isn’t far from his ideas about testing cars. Creation, he says, is ‘an experiment in existence’, an ‘experiment in “conquering the utmost case”’. Like testing cars, creation, he believes, ‘would have been pointless unless it was precisely under these difficult circumstances’. Our world, Steinsaltz believes, ‘is on the brink … If it were to be slightly, just slightly, worse than it actually is, then its basic structure would become entirely hopeless’. But Steinsaltz does not believe this is a pessimistic view. ‘If a person sees the world as all pink and glowing, he is not an optimist, he’s just a plain fool. An optimist, on the other hand, is one who in spite of seeing the terrible facts as they are, believes that there can be an improvement’.2 In the Kabbalistic view, this effort of improvement is the work of tikkun.

Suddenly whatever was certain is uncertain, and the uncertain is certain to be uncertain. Fear is sometimes genuine, sometimes forced, sometimes borrowed & sometimes owned. Loneliness is a boon or bane. Suddenly the most polished side of the globe is looking gloomy. But out of nothing, emerges a will to survive, a hope to cherish, a human bond free of religion, caste & creed. This is the time to analyze that time never discriminate, it allocates similar time to everyone, the problem is not using it wisely. This is the time to stop fearing the uncertain time & use it wisely; Discover a creative skill. Finish that unfinished book. Attend that unattended hobby. Sing that hummed song aloud. Accomplish the undone deed. Try to understand that misunderstanding. Call that out of touch friend, Say that unsaid word. Fulfill that unfulfilled promise and live that unlived life. Be strong and be safe, you are stronger than your worst fear

He accepted then declared, “I drive. You ride. Not a rule, that’s a law. Get me?” “What if you’ve had a freak accident and you’ve broken your arm and ankle?” I asked for specifics. “If that shit happens, I hope to God you’re smart enough to pick up a phone and call an ambulance rather than draggin’ my ass to my car, which would be agony, shoving it in, which would be more agony, and taking me to the hospital

The British government in 1807 had issued the “Orders in Council,” which enforced a naval blockade against France, and with a shortage of seamen to man the Royal Navy, Britain also felt justified in stopping and sometimes firing  on ships flying the American flag in the name of apprehending escaped British sailors. The other main cause of war was distress on the Northwestern frontier, where the British in Canada were supporting Indian resistance to American settlement.  So-called “War Hawks” from that region in Congress pushed for a declaration of war.  Some hoped that a war would not only stop Indian depredations but evict the British from Canada and lead to completion of some unfinished business from the American Revolution, namely Canada

Rather than seeking to be safe and in control, we become capable of living life on life’s terms. Instead of striving for perfection, we find rest in the reality that we will be, for the rest of our days, a constant work in progress, perennially unfinished, perpetually imperfect—always becoming in the experience of daily living. When we begin to accept that clumsy is the best we get—like giraffes on ice—we can begin to offer what our children really need from us: heartfelt relationship. This encompasses empathy, sensitivity, grief and celebration, perseverance, authenticity, understanding, boundaries, and reduced demands while still having high expectations, gratitude for others, gratitude for gifts they have, acceptance of others and self, understandable anger and frustration about life, and hope as what holds it all together. This sounds like a lot—and it is. These noble things cannot be achieved through knowing more but only through gaining and surrendering to the heart experience of living. The good-enough, clumsy parent is a wise-hearted person—someone who lives from a place rooted deeply in their authentic emotional and spiritual core and who has struggled truthfully to accept this clear edict: it takes a lifetime to learn how to live. Living the way we are made to live means acknowledging our feelings and asking for help and confessing that we are human. Living fully requires the ability to struggle daily with this truth: if we are going to experience the joy of life, we cannot escape the pain of love. If we don’t stay sensitive to life, then we revert to perfectionism—insisting that life and our children and other people behave according to our preset agendas.

it is never safe to classify the souls of one’s neighbors; one is apt, in the long run, to be proved a fool. You should regard each meeting with a friend as a sitting he is unwittingly giving you for a portrait — a portrait that, probably, when you or he die, will still be unfinished.

Somewhere along the line, desert life had regrown on Julia. And more than that, it made her happy. She'd come to peace with the things she'd run from as a young adult---when she'd hoped life in a big city would somehow legitimize her dreams and her career---and now could appreciate the beauty of this place from a more grounded perspective. Yet still looming was her unfinished business with work and her future. Her old life. Never in a million years would she have guessed that those two subjects would ever be pushed into the background. For so long, they'd been the only things she poured her energy into. Gratefully. But everything had shifted. And now Julia feared what had once meant so much to her had altered. She felt like the mysterious cactus flowers she'd seen that suddenly opened up in the desert night, blossoming into something more than their previously closed-off shape had allowed. She felt herself transforming into something new under circumstances. And the realization was both heartbreaking and invigorating at the same time.

Hey.” A lopsided smirk offers chagrin as he turns my way. “Sorry about that,” he says, and I’m struck by how much I’ve missed his voice. He opens the door and unfolds himself from the tiny car, and then I realize how much I’ve missed him. “You made it.” It’s tough to keep my emotions in check, but I know I need to. “You look tired.” “I took the long way home.” And just like that, he reaches out and pulls me into a hug. Not a shoulder hug, but the real thing, the kind you give to someone you thought of while you were away. I’m surprised at first. I wasn’t expecting…well…that. I was prepared for more of the uncertain off-and-on awkward dance we usually do. Friends…or two people who want something more? We’re never quite sure. But this feels different. I slip my arms under his and hang on. “Tough few days?” I whisper, and he rests his chin on my head. I listen to his heartbeat, feel the sultry warmth of skin against skin. My gaze lingers on the tangle of wisteria vines and crape myrtle branches hiding the ancient structures of Goswood Grove’s once spectacular gardens, concealing whatever secrets they know. “Tough few days all around, it sounds like,” Nathan says finally. “We should go in.” But he hangs on a minute longer. We part slowly, and the next step suddenly seems uncharted. I don’t know how to catalog it. One moment, we’re as natural as breathing. The next, we’re at arm’s length—or retreating to our separate safety zones. He stops halfway across the porch, turns, widens his stance a little like he’s about to pick up something heavy. Crossing his arms, he tilts his head and looks at me, one eye squeezing almost shut. “What are we to each other?” I stand there a moment with my mouth agape before words dribble out in a halting string. “In…in…what way?” I’m terrified, that’s why I don’t give a straight answer. Relationships require truth telling, and that requires risk. An old, insecure part of me says, You’re damaged goods, Benny Silva. Someone like Nathan would never understand. He’ll never see you in the same way again. “Just like it sounds,” he says. “I missed you, Benny, and I promised myself I’d just put it out there this time. Because…well…you’re hard to read.” “I’m hard to read?” Nathan has been largely a mystery I’ve pieced together in fragments. “Me?” He doesn’t fall for the turnabout, or he ignores it. “So, Benny Silva, are we…friends or are we…” The sentence shifts in the wind, unfinished—a fill-in-the-blank question. Those are harder than multiple-choice. “Friends…” I search for the right answer, one not too presumptuous, but accurate. “Going somewhere…at our own pace? I hope.” I feel naked standing there. Scared. Vulnerable. And potentially unworthy of his investment in me. I can’t make the same mistake I’ve made before. There are things he needs to know. It’s only fair, but this isn’t the right moment for it, or the right place. He braces his hands on his hips, lets his head rock forward, exhales a breath he seems to have been holding. “Okay,” he says with a note of approval. His cheek twitches, one corner of his mouth rising. I think he might be blushing a little. “I’ll take that.” “Me, too,” I agree.

If I choose to send thee, Tuor son of Huor, then believe not that thy one sword is not worth the sending. For the valour of the Edain the Elves shall ever remember as the ages lengthen, marvelling that they gave life so freely of which they had on earth so little. But it is not for thy valour only that I send thee, but to bring into the world a hope beyond thy sight, and a light that shall pierce the darkness.

"Not everyone can find this book." Old Johan tapped the cover. "Only people who have a connection to this place. Her story isn't done yet." Hopefulness surged. His life had been all but perfect. Surrounded by his loved ones, never wanting for anything--- why would he have needed to hope? But he could only describe the soaring feeling in his chest as hope. Hope that he wasn't wrong about their connection. Hope that she would someday return here unattached. Hope that their story wasn't done.

We have to stop spending our life waiting to be set free from this “prison” called singleness so we can finally join the ranks of celebrated coupledom. If society won’t throw the party for us, let’s throw it ourselves! Our unfinished, unwritten, imperfect lives deserve to be honored. Our life choices deserve to be recognized. And our singleness should be celebrated. We’re doing this life thing just fine alone, and if that isn’t brave and admirable and confetti-worthy, then I don’t know what is. I urge you to find a way to celebrate yourself and your singleness on a regular basis. Decide that you are going to be happy no matter what. Decide that you are going to make your dreams come true no matter what. And if those dreams include things like adopting a child and buying a house and doing things that people usually wait to do ’til they’re married . . . I want you to do them anyway. I want you to stop waiting and start living. Stop waiting for love, stop waiting for marriage, stop waiting for Prince Charming to come along and rescue you, and start designing a life you don’t wish to be rescued from. Life is short, and it’s high time to decide that, alone or accompanied, you are going to build the most beautiful life you can, and then you are going to revel in it. Because, guess what? You are the one you’ve been waiting for. You are the one who can make your dreams come true. You are the one, the only one, you will 100 percent definitely spend the rest of your life with . . . and it’s time to start making you happy. Not as a New Year’s resolution or at some lofty date in the future but right now. Because you are worthy of a beautiful life, and that beautiful life starts and ends with you. Don’t just accept your singleness—honor it! Appreciate it. Revel in it. Throw a shower for yourself and register at Target and Starbucks if you want to. But don’t keep wishing it away because you’re hoping and praying and longing for marriage. Stop letting the swipe rule your life. And don’t for one second allow society to cause you to believe that you don’t lead a life that’s worthy of celebrating. Whether your singleness is for a season or for a lifetime, there is great beauty, adventure, magic, love, laughter, and happiness right here in the middle of this moment. And I don’t know about you, but I’d say that’s worth a celebration or two.

You and I have a contract with the Spirit. We have a working relationship. Our purpose in creation is not just to sit and look pretty, but to stand and go to work. Life is unfinished. Hope is not yet realized.

On the part of Cirion the love was that of a wise father, old in the cares of the world, for a son in the strength and hope of his youth; while in Cirion Eorl saw the highest and noblest man of the world that he knew, and the wisest, on whom sat the majesty of the Kings of Men of long ago.

Don’t take it away,” Scarlett whispered, her throat aching with all the words she wouldn’t let herself say. “What?” “My hope.

You should regard each meeting with a friend as a sitting he is unwillingly giving you for a portrait - a portrait that, probably, when you or he die, will still be unfinished. And, though this is an absorbing pursuit, nevertheless, the painters are apt to end pessimists.

Teilhard says we must be ready to “try everything.” This hope requires a more adventurous moral life than what we find in classical religious patterns of piety, but Teilhard was looking for a morality rooted in hope—not only for humanity but for the whole universe. His attention to the cosmos and its future can cause confusion to theologians of “the eternal present” who have not yet fully awakened to the fact of an unfinished universe.

She very nearly died just before Christmas,” yelled Mrs. Taylor, looking skywards again in some impatience. “She got pneumonia. Mary came over every day, and so did I. There was hard frost. We were both dead tired and mingled our tears. We knew that little Greatbatch couldn’t really do anything for her, and what was worse, she knew it too. She told him when I was there one evening that she had so much hoped to see the Victory procession from the stand at her son’s club, and that it would be a great disappointment to her if she had to leave this war unfinished.

There were unfinished paintings against the wall that look promising because they were unfinished, and some finished ones that looked beyond hope.

President Pitzer, Mr. Vice President, Governor, Congressman Thomas, Senator Wiley, and Congressman Miller, Mr. Webb. Mr. Bell, scientists, distinguished guests, and ladies and gentlemen: I appreciate your president having made me an honorary visiting professor, and I will assure you that my first lecture will be very brief. I am delighted to be here and I'm particularly delighted to be here on this occasion. We meet at a college noted for knowledge, in a city noted for progress, in a State noted for strength, and we stand in need of all three, for we meet in an hour of change and challenge, in a decade of hope and fear, in an age of both knowledge and ignorance. The greater our knowledge increases, the greater our ignorance unfolds. Despite the striking fact that most of the scientists that the world has ever known are alive and working today, despite the fact that this Nation's own scientific manpower is doubling every 12 years in a rate of growth more than three times that of our population as a whole, despite that, the vast stretches of the unknown and the unanswered and the unfinished still far out-strip our collective comprehension. No man can fully grasp how far and how fast we have come, but condense, if you will, the 50,000 years of man's recorded history in a time span of but a half century. Stated in these terms, we know very little about the first 40 years, except at the end of them advanced man had learned to use the skins of animals to cover them. Then about 10 years ago, under this standard, man emerged from his caves to construct other kinds of shelter. Only 5 years ago man learned to write and use a cart with wheels. Christianity began less than 2 years ago. The printing press came this year, and then less than 2 months ago, during this whole 50-year span of human history, the steam engine provided a new source of power. Newton explored the meaning of gravity. Last month electric lights and telephones and automobiles and airplanes became available. Only last week did we develop penicillin and television and nuclear power, and now if America's new spacecraft succeeds in reaching Venus, we will have literally reached the stars before midnight tonight. This is a breathtaking pace, and such a pace cannot help but create new ills as it dispels old, new ignorance, new problems, new dangers. Surely the opening vistas of space promise high costs and hardships, as well as high reward. So it is not surprising that some would have us stay where we are a little longer to rest, to wait. But this city of Houston, this State of Texas, this country of the United States was not built by those who waited and rested and wished to look behind them. This country was conquered by those who moved forward-and so will space. William Bradford, speaking in 1630 of the founding of the Plymouth Bay Colony, said that all great and honorable actions are accompanied with great difficulties, and both must be enterprised and overcome with answerable courage. If this capsule history of our progress teaches us anything, it is that man, in his quest for knowledge and progress, is determined and cannot be deterred. The exploration of space will go ahead, whether we join in it or not, and it is one of the great adventures of all time, and no nation which expects to be the leader of other nations can expect to stay behind in this race for space. Those who came before us made certain that this country rode the first waves of the industrial revolutions, the first waves of modern invention, and the first wave of nuclear power, and this generation does not intend to founder in the backwash of the coming age of space. We mean to be a part of it - we mean to lead it. For the eyes of the world now look into space, to the moon and to the planets beyond, and we have vowed that we shall not see it governed by a hostile flag of conquest, but by a banner of freedom and peace...

Chapter 3 The next morning, I wake up early, but I hang out in bed longer than usual. Since the surprise party yesterday, I’ve been bombarded with images of my past. And those memories have a bitter taste that yesterday’s cake can’t mask. I somehow manage to extricate myself from my pod, even though it feels like my head’s a bit foggy—my stomach, too, for that matter. I walk quietly toward the Cafeteria. By this time, there shouldn’t be many people left. Hopefully my delay will go unnoticed. I didn’t account for Doc, of course. When I get to the Cafeteria, she’s sitting at one of the tables with a tray of unfinished food in front of her. When she sees me coming, she taps the plastic nervously with her fingers. “Oh, so now you’re hungry?” she asks. Doc has always had a problem with people not following the rules, and she doesn’t understand why people break them. For her, duty is an essential trait. I think her attitude is a bit extreme, but it’s clear that she’s turned out to be a better person than me, so maybe I should try following the rules. “Sorry. Problem with my alarm clock,” I say, improvising.

We can sit together on the couch while my daughter and my wife perform their ritual dance of intimacy and repulsion, each trying to impress and insult the other with subtle expressions and well-chosen remarks that strike to the core of who they are. They are as deft as geishas in their nuanced performance and just as irritating to watch. In fact, I must admit that I prefer the company of my son-in-law to my own daughter. He is not my responsibility, and his shortcomings are not my fault. My daughter, on the other hand, is the product of all my efforts, my hopes and my dreams. She is the embodiment of the love I shared with my wife. Perhaps that is why she is a failure. When I see Alice, I see frustration, broken promises, missed opportunities. I see myself, unfinished and unfulfilled.

Courage as you define it is to write the story of your heart, the story that formed while your life came as a mixture of agony and amazement. Courage as you define it is to feel your unfelt self and let the feelings be penned down so it maybe someone's else's survival guide when they have lost their own. Courage as you define it is to keep believing for there are still some unfinished poems in this world. Courage as you define it is to keep walking for there are still some unwritten stories you need to pen before you surrender to the end.....

Of this Order the number is unknown; but of those that came to the North of Middle-earth, where there was most hope (because of the remnant of the Dúnedain and of the Eldar that abode there), the chiefs were five.

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Nick,” I whispered, pressing my hands into his chest, not to get away but in a gesture I hoped was soothing. He stilled and the tumult of his eyes calmed. God, just that, his name and a simple touch from me and he calmed. Was he that attuned to me? “Who burned you?” he whispered back. Oh no. I closed my eyes. “Livvie.” My throat clogged. No one called me Livvie. No one. Livvie didn’t exist. Not for anyone. But me. “Baby, who burned you?” Nick pushed gently. I opened my eyes. “Who burned you?” he pressed. I stared into blue. “Who burned you, baby?” “I can’t be with you,” I told him. “Who burned you, Livvie?” “I can’t be with you, Nick.” “Who burned you?” “I can’t be with you because my father is a piece of shit and I care about you too much to have his stink settle on you.” Nick went silent. But the room went wired. He heard me and he got me. Every word. He got me. He knew who burned me. He knew, my father burning me, there was no me. There was just Vincent Shade’s daughter, and me not even having me, I couldn’t give myself to someone else.

issue, as if that should stop us from living together. A marriage has to have some flaws, some unresolved issues, some conflicts that can be worked through. Hopefully long-term marriages move beyond chemistry to compatibility anyway.

They’re pushing the envelope in terms of authenticity,” the Camp Chase Gazette editor, Bill Holschuh, told me when I phoned for his opinion. “About the only thing left is live ammunition and Civil War diseases. I hope it doesn’t come to that.

their decisions and hoped they would be home next year. I knew that after they were married we’d have to share their time, but knowing it and experiencing it are different things. We haven’t enjoyed this holiday as a family for three years. The rituals just seemed to stop, like all the other natural endings—such as the last time one of the boys crawled into bed with us, or I carried them on my hip, or saw them naked, even. Such moments evaporate so quietly that you don’t realize it’s the last time until long afterward. I envy

Hey, baby girl. Daddy needs your chocolate ass to get better. Me and you got some unfinished business, young lady. Plus, daddy needs some more of those scrubs. They are working for my hair and my face, Nae. I never told anybody this before, but I need you, baby.” Wait a minute… I think I know that voice, or do I? Damn it, my brain is starting to hurt. “She smilin’ a lil’ bit, bro. Keep talkin’.” “Baby, you need to get better so we can figure out what hoe ass nigga did this to you. I promise they are gon’ die. You mine, shorty. I don’t care about that wack ass nigga you got. You can believe that shit, T-Rose.” Is this the guy from California my dad was talking about? He knows me. He sounds good as hell and he likes my scrubs. I hope he looks as good as he sounds. T-Rose? Someone called me that before. Damn it! No one can hear me. Why can’t nobody hear me? “We have to go now, Trenae. Get better.” Finally,

Mayeroff lists a number of elements necessary to be a good caregiver, attributes that are just as necessary to be a good employee or manager. His roster includes knowledge, patience, adaptability to different rhythms, honesty, courage, trust, humility, and hope.

I’ve become a student of my own pain, my own grief and suffering. In this way, he has been my teacher? Everything we learn, we learn from someone who is imperfect. We all come into the world less than done, unfinished, our skulls still stitching themselves together. All wax and feathers, a mess of hope.

I have big dreams and big goals. But also big limitations, which means I'II never reach the big goals unless I have the wisdom to recognize the chains that bind me. Only then will I be able to figure out a way to work within them instead of ignoring them or naively wishing they'll cease to exist. I'm on a perennial quest to find balance. Writing helps me do that. To quote Neruda: Tengo que acordarme de todos, recoger las briznas, los hilos del acontecer harapiento (I have to remember everything, collect the wisps, the threads of untidy happenings). That line is ME. But my memory is slipping and that's one of the scariest aspects about all this. How can I tell my story, how can I create a narrative around my life, if I cant even remember the details? But I do want to tell my story, and so I write. I write because I want my parents to understand me. I write to leave something behind for them, for my brother Micah, for my boyfriend Jack, and for my extended family and friends, so I won't just end up as ashes scattered in the ocean and nothing else. Curiously, the things I write in my journal are almost all bad: the letdowns. the uncertainties. the anxieties. the loneliness. The good stuff I keep in my head and heart, but that proves an unreliable way of holding on because time eventually steals all memories-and if it doesn't completely steal them, it distorts them, sometimes beyond recognition, or the emotional quality accompanying the moment just dissipates. Many of the feelings I write about are too difficult to share while I'm alive, so I am keeping everything in my journal password-protected until the end. When I die I want my mom to edit these pages to ensure they are acceptable for publication-culling through years of writing, pulling together what will resonate, cutting references that might be hurtful. My hope is that my writing will offer insight for people living with, or loving someone with, chronic illness.

But then he’d be fully ashore and realize that it was not over. He’d realize that all the anxieties of enduring that he’d hoped would be gone were still there: the problems with his body, yes, but more difficult for him the problems with his mind—the confusion, the worries about his unfinished work, about Mom, about how he’d be remembered. He was at peace in sleep, not in wakefulness. And what he wanted for the final lines of his story, now that nature was pressing its limits, was peacefulness.

I have big dreams and big goals. But also big limitations, which means III never reach the big goals unless I have the wisdom to recognize the chains that bind me. Only then will I be able to figure out a way to work within them instead of ignoring them or naively wishing they'll cease to exist. I'm on a perennial quest to find balance. Writing helps me do that. To quote Neruda: Tengo que acordarme de todos, recoger las briznas, los hilos del acontecer harapiento (I have to remember everything, collect the wisps, the threads of untidy happenings). That line is ME. But my memory is slipping and that's one of the scariest aspects about all this. How can I tell my story, how can I create a narrative around my life, if I cant even remember the details? But I do want to tell my story, and so I write. I write because I want my parents to understand me. I write to leave something behind for them, for my brother Micah, for my boyfriend Jack, and for my extended family and friends, so I won't just end up as ashes scattered in the ocean and nothing else. Curiously, the things I write in my journal are almost all bad: the letdowns. the uncertainties. the anxieties. the loneliness. The good stuff I keep in my head and heart, but that proves an unreliable way of holding on because time eventually steals all memories-and if it doesn't completely steal them, it distorts them, sometimes beyond recognition, or the emotional quality accompanying the moment just dissipates. Many of the feelings I write about are too difficult to share while I'm alive, so I am keeping everything in my journal password-protected until the end. When I die I want my mom to edit these pages to ensure they are acceptable for publication-culling through years of writing, pulling together what will resonate, cutting references that might be hurtful. My hope is that my writing will offer insight for people living with, or loving someone with, chronic illness.