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I guess if I had to pick a spiritual figurehead to possess the deed to the entirety of Earth, I'd go with Buddha, but only because he wouldn't want it.
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Sarah Vowell (Unfamiliar Fishes)
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...the air has that bracing autumnal bite so that all you want to do is bob for apples or hang a witch or something.
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Sarah Vowell (Unfamiliar Fishes)
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In America, on the ordinate plane of faith versus reason, the x-axis of faith intersects with the y-axis of reason at the zero point of "I don't give a damn what you think".
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Sarah Vowell (Unfamiliar Fishes)
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quoting Kipling, "I never got over the wonder of a people who, having extirpated the aboriginals of their continent more completely than any modern race had ever done, honestly believed they were a godly little New England community, setting examples to mankind.
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Sarah Vowell (Unfamiliar Fishes)
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Acts 16:9 is the meddler's motto, simultaneously selfless and self-serving, generous but stuck-up. Into every generation of Americans is born a new crop of buttinskys sniffing out the latest Macedonia that may or may not want their help.
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Sarah Vowell (Unfamiliar Fishes)
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For Americans, Acts 16:9 is the high-fructose corn syrup of Bible verses--an all-purpose ingredient we'll stir into everything from the ink on the Marshall Plan to canisters of Agent Orange. Our greatest goodness and our worst impulses come out of this missionary zeal, contributing to our overbearing (yet not entirely unwarranted) sense of our country as an inherently helpful force in the world. And, as with the apostle Paul, the notion that strangers want our help is sometimes a delusion.
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Sarah Vowell (Unfamiliar Fishes)
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The groundswell of outrage over the invasion of Iraq often cited the preemptive war as a betrayal of American ideals. The subtext of the dissent was: 'This is not who we are.' But not if you were standing where I was. It was hard to see the look in that palace tour guide's eyes when she talked about the American flag flying over the palace and not realize that ever since 1898, from time to time, this is exactly who we are.
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Sarah Vowell (Unfamiliar Fishes)
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After Hiram Bingham built the first church on Oahu the student recalls, "When it was completed some of the natives said among themselves, 'That house of worship built by the haoles is a place in which they will pray us all to death. It is meant to kill us.
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Sarah Vowell (Unfamiliar Fishes)
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Not that there wasn't still plenty of subduing to do here in North America. "Even within our own limits, the savage still lights his death fires, to appease the wrath of an idol," he points out. What's worse, to the "north, there is an immense region of palpable darkness." (Hi, Canada!)
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Sarah Vowell (Unfamiliar Fishes)
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...it requires all my philosophy, and all my piety' to make peace...
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Sarah Vowell (Unfamiliar Fishes)
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After Hymns and tears, they boarded the brig Thaddeus, a vessel so crappy, it made the Mayflower look like the QE2.
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Sarah Vowell (Unfamiliar Fishes)
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Early reading is serendipitous, and rightly so. Gloriously so. Libraries favor serendipity, invite it; the roaming along a shelf, eyeing an unfamiliar name, taking this down, then that--oh, who's this? Never heard of her--give her a go? That is where, and how, you learn affinity and rejection. You find out what you like by exploring what you do not.
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Penelope Lively (Ammonites And Leaping Fish: A Life In Time)
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My own psychic burden was that I could command a six-figure salary, yet I did not know how to do anything. Whatever I learned to do in my late twenties, I learned from online tutorials: how to remove mold from a windowsill; slow-cook fish; straighten a cowlick; self-administer a breast exam. Whenever I wrenched a piece of self-assembly furniture into place, or reinforced a loose button, I experienced an unfamiliar and antiquated type of satisfaction. I went so far as to buy a sewing machine, like I was looking for ways to shame myself.a
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Anna Wiener (Uncanny Valley)
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By journey's end the brides were much better acquainted with their grooms and more or less pleased with the matches. Sybil Bingham wrote in her diary, thanking God for answering her prayer for filling "the void" with a husband like Hiram, a "treasure rich and undeserved." Having read his insufferable memoir, "A Residence of Twenty-one Years in the Sandwich Islands", all I can say is: I'm happy for her?
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Sarah Vowell (Unfamiliar Fishes)
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The last line of Hawaii's Story by Hawaii's Queen is addressed to the American people and their congressmen. "As they deal with me and my people, kindly, generously, and justly, so may the Great Ruler of all nations deal with the grand and glorious nation of the United States of America." It's clever to imply that if the U.S. swallows up her little country, God will smite it. As I reread the last sentance of a book written by a Hawaiian queen wh was taught to read and write by American missionaries, her final thought seems emblematic of how hierarchical Hawaiians adapted to Christianity. Jehovah, "the Great Ruler of all nations," is the highest high chief in the universe.
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Sarah Vowell (Unfamiliar Fishes)
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I found the sea air invigorating, and the unfamiliar smells and sounds I encountered every day fascinated me. There was, first of all, the pervading sea-salt odor, and the smell of the wind, bringing with it the faintest tang of the land it had blown over. There was the rich smell of the fresh-caught fish—so different from those sold in markets—and the musty dampness of the soaked ropes. The tar and resin found everywhere on board gave off a warm, raisinlike aroma that grew stronger as the sun rose.
As for the sounds, I loved the slap-slap-slap of the water against the hull of the ship; it lulled me to sleep. The creaking of the rigging and the whoosh of the sail as it filled and deflated was like nothing else. How ordinary the sounds of street and market were by comparison.
Water had lost its terror for me, for which I was deeply grateful. First I had ventured the harbor, then the Nile, now the open sea—I was cured of my fear, thanks be to all the gods!
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Margaret George (The Memoirs of Cleopatra)
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My skin grew freckled, my nails bleached, and I began to feel a rare happiness at the simple pleasures of existing here – of walking on a beach, eating unfamiliar foods, swimming in warm, clear water where black fish gazed shyly from under volcanic rocks, or watching the sun sink fiery red into the horizon.
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Jojo Moyes (Me Before You (Me Before You, #1))
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My phone buzzes and I fish it from my pocket, expecting Tacey or maybe my parents checking in to make sure I’m okay. But it’s an unfamiliar number.
Do you blame yourself?
I read the words once. Twice. I see Stella’s locker door swinging open and I hear a train whistle, but neither are happening. It’s all in my head. I force myself to take a breath and head outside. This text is a wrong number. It’s not for me, and it’s definitely not about Stella.
And then another message.
Do you wish you’d done something? What if you still could?
I text back quickly.
I think you have the wrong number.
I don’t have the wrong number, Piper.
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Natalie D. Richards (Gone Too Far)
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Yale was founded by finicky Protestants who worried that the Puritans at Harvard weren’t puritanical enough. But the Revolutionary War brought the Age of Reason to New Haven, and Dwight inherited a student body full of deist beatniks on the Enlightenment highway to hell, which is to say, France. This generation did not just read Voltaire; they literally addressed each other as “Voltaire” the way kids today call one another dude. Like, “Voltaire, I’m so high right now.
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Sarah Vowell (Unfamiliar Fishes)
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What to eat? You've crossed a dozen time zones to get here and you want to make every meal count. Do you start at an izakaya, a Japanese pub, and eat raw fish and grilled chicken parts and fried tofu, all washed down with a river of cold sake? Do you seek out the familiar nourishment of noodles- ramen, udon, soba- and let the warmth and beauty of this cuisine slip gloriously past your lips? Or maybe you wade into the vast unknown, throw yourself entirely into the world of unfamiliar flavors: a bowl of salt-roasted eel, a mound of sticky fermented soybeans, a nine-course kaiseki feast.
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Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
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The soul of Sardinia lies in the hills of the interior and the villages peppered among them. There, in areas such as Nuoro and Ozieri, women bake bread by the flame of the communal oven, winemakers produce their potions from small caches of grapes adapted to the stubborn soil and acrid climate, and shepherds lead their flocks through the peaks and valleys in search of the fickle flora that fuels Sardinia's extraordinary cheese culture. There are more sheep than humans roaming this island- and sheep can't graze on sand.
On the table, the food stands out as something only loosely connected to the cuisine of Italy's mainland. Here, every piece of the broader puzzle has its own identity: pane carasau, the island's main staple, eats more like a cracker than a loaf of bread, built to last for shepherds who spent weeks away from home. Cheese means sheep's milk manipulated in a hundred different ways, from the salt-and-spice punch of Fiore Sardo to the infamous maggot-infested casu marzu. Fish and seafood may be abundant, but they take a backseat to four-legged animals: sheep, lamb, and suckling pig. Historically, pasta came after bread in the island's hierarchy of carbs, often made by the poorest from the dregs of the wheat harvest, but you'll still find hundreds of shapes and sizes unfamiliar to a mainland Italian. All of it washed down with wine made from grapes that most people have never heard of- Cannonau, Vermentino, Torbato- that have little market beyond the island.
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Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
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Sure enough, at the bottom of the box lay a note, crisply folded and sealed with blue wax. The insignia, though, was not Lord John’s customary smiling half-moon-and-stars, but an unfamiliar crest, showing a fish with a ring in its mouth. Jamie glanced at this, frowning, then broke the seal and opened the note.
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Diana Gabaldon (The Fiery Cross (Outlander, #5))
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My own psychic burden was that I could command a six-figure salary, yet I did not know how to do anything. Whatever I learned to do in my late twenties, I learned from online tutorials: how to remove mold from a windowsill; slow-cook fish; straighten a cowlick; self-administer a breast exam. Whenever I wrenched a piece of self-assembly furniture into place, or reinforced a loose button, I experienced an unfamiliar and antiquated type of satisfaction. I went so far as to buy a sewing machine, like I was looking for ways to shame myself. I wasn’t alone. Half the programmers I knew between the ages of twenty-two and forty, mostly men, were discovering that their fingers were multipurpose. “It feels so good to do something with my hands,” they said, before launching into monologues about woodworking or home-brewing or baking sourdough.
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Anna Wiener (Uncanny Valley)
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He took Mephi. And I know where he’ll take him to.” He took his hands in mine. His fingers were cold, though mine weren’t much warmer.
“Then you have to go.” There wasn’t anything else he could do. The thought of someone taking Thrana, of not knowing where she was, of knowing she was in unfamiliar hands—I couldn’t bear it. “You have to find him.”
He ran his fingers over my knuckles, his gaze on our entwined hands. “I shouldn’t leave you. I’m your Captain of the Imperial Guard. You’ll need me now, more than ever.”
Now that the Alanna were returning. Now that we knew that their motives were as varied as the fish in the sea. “We both know Mephi needs you more. Take whatever you need from the ship. Money. Supplies. Witstone. It’s all yours.” I could feel the pull to be out on the open sea, away from the mess of politics, trying to untangle the knots my father had wrought. “I wish I could go with you.”
He sighed. “But you can’t.”
I tugged him in closer, reaching up to press my lips to his. He tasted earthy, like mud and rainwater. His clothes were heavy with moisture, as were mine. But I could feel the heat of him beneath, and it warmed me more than a roaring fire.
“Lin,” he said, breathless, again my mouth.
To the depths of the Endless Sea with propriety. I seized his collar with mud-caked hands, pressing against him, knowing this could be the last time. The last kiss, the last embrace, the last time I ever saw him. It felt like drowning, but with no urge to come up for air. He caught me, one arm around my waist, the other lifting to cup my cheek, to dig fingers into the tangle of my hair.
I wished I could live in this moment. I wished it never had to end.
But for ever was a term for fools and poets. I was neither. I pulled away. “I don’t care where you came from. I don’t care about your heritage. Come back to me.”
I didn’t ask, but he offered it anyway. “I promise.” He took my hand and held it over his heart. It beat, strong and steady, beneath my palm. “And I’ll never break a promise to you again.”
Before I could respond he was gone.
”
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Andrea Stewart (The Bone Shard Emperor (The Drowning Empire, #2))
“
He took Mephi. And I know where he’ll take him to.” He took his hands in mine. His fingers were cold, though mine weren’t much warmer.
“Then you have to go.” There wasn’t anything else he could do. The thought of someone taking Thrana, of not knowing where she was, of knowing she was in unfamiliar hands—I couldn’t bear it. “You have to find him.”
He ran his fingers over my knuckles, his gaze on our entwined hands. “I shouldn’t leave you. I’m your Captain of the Imperial Guard. You’ll need me now, more than ever.”
Now that the Alanga were returning. Now that we knew that their motives were as varied as the fish in the sea. “We both know Mephi needs you more. Take whatever you need from the ship. Money. Supplies. Witstone. It’s all yours.” I could feel the pull to be out on the open sea, away from the mess of politics, trying to untangle the knots my father had wrought. “I wish I could go with you.”
He sighed. “But you can’t.”
I tugged him in closer, reaching up to press my lips to his. He tasted earthy, like mud and rainwater. His clothes were heavy with moisture, as were mine. But I could feel the heat of him beneath, and it warmed me more than a roaring fire.
“Lin,” he said, breathless, again my mouth.
To the depths of the Endless Sea with propriety. I seized his collar with mud-caked hands, pressing against him, knowing this could be the last time. The last kiss, the last embrace, the last time I ever saw him. It felt like drowning, but with no urge to come up for air. He caught me, one arm around my waist, the other lifting to cup my cheek, to dig fingers into the tangle of my hair.
I wished I could live in this moment. I wished it never had to end.
But for ever was a term for fools and poets. I was neither. I pulled away. “I don’t care where you came from. I don’t care about your heritage. Come back to me.”
I didn’t ask, but he offered it anyway. “I promise.” He took my hand and held it over his heart. It beat, strong and steady, beneath my palm. “And I’ll never break a promise to you again.”
Before I could respond he was gone.
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Andrea Stewart (The Bone Shard Emperor (The Drowning Empire, #2))
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My teacher explained that maize was unfamiliar to the Pilgrims and that Tisquantum had demonstrated the proper maize-planting technique—sticking the seed in little heaps of dirt, accompanied by beans and squash that would later twine themselves up the tall stalks. And he told the Pilgrims to fertilize the soil by burying fish alongside the maize seeds, a traditional native technique for producing a bountiful harvest. Following this advice, my teacher said, the colonists grew so much maize that it became the centerpiece of the first Thanksgiving. In our slipshod fashion, we students took notes.
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Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
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Now I’m no art critic, but in a time seen as a bridge between the late middle ages and the early renaissance, where the church played such a substantial part in the day to day running of people's lives, Bosch’s Garden of Earthly Delights, which is painted on oak with a square middle panel flanked by two doors that close over the centre like shutters, is rather racy.
When the outer shutters are folded over they show a grisaille painting of the earth during creation. But it’s the three scenes of the inner triptych that fascinate me.
If you’re unfamiliar with the painting, I’ll do my best to describe it for you. Apologies in advance if I miss anything out.
It’s regular sort of stuff, you know, naked women being fondled by demons, a bloke being kissed by a pig dressed as a nun, another bloke being eaten by some kind of story book character while loads of blackbirds fly out of his arse, a couple locked in a glass sphere and – let’s not beat about the Bosch here – locked in each other’s embrace as well. There are loads of people feeding each other fruit, doing handstands, hatching out of eggs, climbing up ladders to get inside the bodies of other people and looking at demon’s arses.
There’s a couple getting caught shagging by giant birds, and a white bloke and a black Rastafarian with ‘locks (400 years before the Rastafari movement was founded) about to have a snog. You’ve got God giving Eve to a very puny-looking, limp-dicked Adam, and there’s a bunch of people sitting around a table inside the body of another bloke while an old woman fills up on wine from a decent-sized barrel while a kind of giant metal face pukes out loads of naked blokes who go running into a trumpet and another bloke being fed a cherry by a giant bird while a white bloke shows a black lady something in the sky.
It’s all going on!
There's loads of those ‘living dead’ mateys walking about, and a bloke carrying giant grapes past a topless girl with, it has to be said, pretty decent tits. She’s balancing a giant dice on her head while doing something strange to another bloke’s arse while a rabbit in clothes walks past. You can’t see what she’s doing because there’s a table in the way but beside them is a serpent-type creature with just one massive boob and a pretty pert nipple. One huge tit the size of his chest! Of all things, he’s holding a backgammon board up in the air.
I’d say Bosch was a tit man, wouldn’t you?
But there’s more. There’s a crowd of naked girls – black & white - in a water pool, all balancing cherries on their heads; read into that what you will. There are just LOADS of naked women in this water pool, including one of the black girls who’s balancing a peacock on her head. There are dozens of nudists riding horses around them in a circle. Some are sharing the same horse, so I must admit that in places it appears to be a little intimate.
And now what have we got! There’s a couple cavorting inside a giant shell which is being carried on the back of another bloke. Why doesn’t he just put it down and climb in and have a threes-up? There are people with wings, creatures reading books and just more and more nudists. There’s a naked woman lying back, and this other bloke with his face extremely close to her nether regions! What on earth does the blighter think he’s playing at?
There’s loads of grey half men-half fish, some balancing red balls on their heads like seals, and another fellow doing a handstand underwater while holding onto his nuts. You’ve got a ball in a river with people climbing all over it, while a bloke inside the ball is touching a lady in what appears to be a very inappropriate manner! There’s a kind of platypus-type fish reading a book underground and Theresa May triggering Article 50 of Brexit (just kidding about the Theresa May bit).
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Karl Wiggins (Wrong Planet - Searching for your Tribe)
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I have a friend whose father, a native of Liverpool, refused to eat pineapples his entire life because he held a grudge against Hawaiians for killing Britain’s greatest explorer.
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Sarah Vowell (Unfamiliar Fishes)