Unexpected Surprises Quotes

Would you like to know your future? If your answer is yes, think again. Not knowing is the greatest life motivator. So enjoy, endure, survive each moment as it comes to you in its proper sequence -- a surprise.

The alley and the music all fell away, and there was nothing but her and the rain and Jace, his hands on her. . . He made a noise of surprise, low in his throat, and dug his fingers into the thin fabric of her tights. Not unexpectedly, they ripped, and his wet fingers were suddenly on the bare skin of her legs. Not to be outdone, Clary slid her hands under the hem of his soaked shirt, and let her fingers explore what was underneath: the tight, hot skin over his ribs, the ridges of his abdomen, the scars on his back. This was uncharted territory for her, but it seemed to be driving him crazy: he was moaning softly against her mouth, kissing her harder and harder, as if it would never be enough, not quite enough —

You will be fine,' the fortune teller says. 'There may be decisions to make and surprises in store. Life takes us to unexpected places sometimes. The future is never set in stone, remember that.

To my babies, Merry Christmas. I'm sorry if these letters have caught you both by surprise. There is just so much more I have to say. I know you thought I was done giving advice, but I couldn't leave without reiterating a few things in writing. You may not relate to these things now, but someday you will. I wasn't able to be around forever, but I hope that my words can be. -Don't stop making basagna. Basagna is good. Wait until a day when there is no bad news, and bake a damn basagna. -Find a balance between head and heart. Hopefully you've found that Lake, and you can help Kel sort it out when he gets to that point. -Push your boundaries, that's what they're there for. -I'm stealing this snippet from your favorite band, Lake. "Always remember there is nothing worth sharing, like the love that let us share our name." -Don't take life too seriously. Punch it in the face when it needs a good hit. Laugh at it. -And Laugh a lot. Never go a day without laughing at least once. -Never judge others. You both know good and well how unexpected events can change who a person is. Always keep that in mind. You never know what someone else is experiencing within their own life. -Question everything. Your love, your religion, your passions. If you don't have questions, you'll never find answers. -Be accepting. Of everything. People's differences, their similarities, their choices, their personalities. Sometimes it takes a variety to make a good collection. The same goes for people. -Choose your battles, but don't choose very many. -Keep an open mind; it's the only way new things can get in. -And last but not least, not the tiniest bit least. Never regret. Thank you both for giving me the best years of my life. Especially the last one. Love, Mom

Our brightest blazes of gladness are commonly kindled by unexpected sparks.

You are a fortunate person, indeed, if you can begin each day accepting the fact that during that day there will be ups and downs, good breaks and bad ones, disappointments, surprises, unexpected turns of events

If you do not expect the unexpected, you will not find it; for it is hard to be sought out and difficult.

The unexpected is an inevitable and essential part of life's fabric. It does not necessarily mean a disruption. It can be an opportunity. We can learn to be prepared for it. If we cultivate a mindset of resilience, we know how to respond to unforeseen circumstances. ("Life had taken them by Surprise “)

There is a distinct difference between "suspense" and "surprise," and yet many pictures continually confuse the two. I'll explain what I mean. We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, "Boom!" There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: "You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!" In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.

The pain, so unexpected and undeserved, had for some reason cleared away the cobwebs. I realized I didn’t hate the cabinet door, I hated my life… My house, my family, my backyard, my power mower. Nothing would ever change; nothing new could ever be expected. It had to end, and it did. Now in the dark world where I dwell, ugly things, and surprising things, and sometimes little wondrous things, spill out in me constantly, and I can count on nothing.

Life is so extraordinary. Wonderful surprises are just around the most unexpected corners.

That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity—that is to say, the unexpected, surprise and astonishment, are an essential part and characteristic of beauty.

People being incoherent might get on our nerves sometimes. We like coherence in actions and thoughts since we value clarity and structure in our lives. But at times, we are alarmed because we cannot help being incoherent when we want to challenge established norms and explore unconventional paths that lead to unexpected connections or new insights. Allowing ourselves some incoherence might open the door to new perspectives and surprising outcomes. ("Drunken sailor”)

I know your character. I know you're going to be a great guardian.” His confidence made that warm feeling return. "I'm glad someone does. Everyone else thinks I'm totally irresponsible.” "With the way you worry more about Lissa than yourself…" He shook his head. "No. You understand your responsibilities better than guardians twice your age. You'll do what you have to do to succeed.” I thought about that. "I don't know if I can do everything I have to do.” He did that cool one-eyebrow thing. "I don't want to cut my hair," I explained. He looked puzzled. "You don't have to cut your hair. It's not required.” "All the other guardian women do. They show off their tattoos.” Unexpectedly, he released my hands and leaned forward. Slowly, he reached out and held a lock of my hair, twisting it around one finger thoughtfully. I froze, and for a moment, there was nothing going on in the world except him touching my hair. He let my hair go, looking a little surprised—and embarrassed—at what he'd done. "Don't cut it," he said gruffly. Somehow, I remembered how to talk again. "But no one'll see my tattoos if I don't.” He moved toward the doorway, a small smile playing over his lips. "Wear it up.

I'm not really silly enough to think that chocolate solves anything. But it calms me. It's a soothing assurance, that this hectic life I have worked myself into is also full of wonderful surprises and unexpected sweetness. It reminds me that a hefty percentage of my "problems" don't really need to be solved at all, just outlasted.

Three Pines wasn’t on any tourist map, being too far off any main or even secondary road. Like Narnia, it was generally found unexpectedly and with a degree of surprise that such an elderly village should have been hiding in this valley all along. Anyone fortunate enough to find it once usually found their way back.

Relate comic things in pompous fashion. Irregularity, in other words the unexpected, the surprising, the astonishing, are essential to and characteristic of beauty. Two fundamental literary qualities: supernaturalism and irony. The blend of the grotesque and the tragic are attractive to the mind, as is discord to blasé ears. Imagine a canvas for a lyrical, magical farce, for a pantomime, and translate it into a serious novel. Drown the whole thing in an abnormal, dreamy atmosphere, in the atmosphere of great days … the region of pure poetry.

This explosive psychological 'sneaking' occurs when a woman suppresses large parts of self into the shadows of the psyche. In the view of analytical psychology, the repression of both negative and positive instincts, urges, and feelings into the unconscious causes them to inhabit a shadow realm. While the ego and superego attempt to continue to censor the shadow impulses, the very pressure that repression causes is rather like a bubble in the sidewall of a tire. Eventually, as the tire revolves and heats up, the pressure behind the bubble intensifies, causing it to explode outward, releasing all the inner content. The shadow acts similarlyY We find that by opening the door to the shadow realm a little, and letting out various elements a few at a time, relating to them, finding use for them, negotiating, we can reduce being surprised by shadow sneak attacks and unexpected explosions.

That which is not slightly distorted lacks sensible appeal: from which it follows that irregularity - that is to say, the unexpected, surprise and astonishment, are an essential part and characteristic of beauty.

But life is wakings-up, all unexpected, all surprising.

Spirituality is a mixed-up, topsy-turvy, helter-skelter godliness that turns our lives into an upside-down toboggan ride of unexpected turns, surprise bumps and bone shattering crashes ... a life ruined by a Jesus who loves us right into his arms.

A well-planned budget will save you from any kind of unexpected surprises.

Levin had been married three months. He was happy, but not at all in the way he had expected to be. At every step he found his former dreams disappointed, and new, unexpected surprises of happiness. He was happy; but on entering upon family life he saw at every step that it was utterly different from what he had imagined. At every step he experienced what a man would experience who, after admiring the smooth, happy course of a little boat on a lake, should get himself into that little boat. He saw that it was not all sitting still, floating smoothly; that one had to think too, not for an instant to forget where one was floating; and that there was water under one, and that one must row; and that his unaccustomed hands would be sore; and that it was only to look at it that was easy; but that doing it, though very delightful, was very difficult.

I remembered once, in Japan, having been to see the Gold Pavilion Temple in Kyoto and being mildly surprised at quite how well it had weathered the passage of time since it was first built in the fourteenth century. I was told it hadn’t weathered well at all, and had in fact been burnt to the ground twice in this century. “So it isn’t the original building?” I had asked my Japanese guide. “But yes, of course it is,” he insisted, rather surprised at my question. “But it’s burnt down?” “Yes.” “Twice.” “Many times.” “And rebuilt.” “Of course. It is an important and historic building.” “With completely new materials.” “But of course. It was burnt down.” “So how can it be the same building?” “It is always the same building.” I had to admit to myself that this was in fact a perfectly rational point of view, it merely started from an unexpected premise. The idea of the building, the intention of it, its design, are all immutable and are the essence of the building. The intention of the original builders is what survives. The wood of which the design is constructed decays and is replaced when necessary. To be overly concerned with the original materials, which are merely sentimental souvenirs of the past, is to fail to see the living building itself.

How come we never know what what we want until we find it?

Into all our lives, in many simple, familiar, homely ways, God infuses this element of joy from the surprises of life, which unexpectedly brighten our days and fill our eyes with light.

He reached out and pushed some hair behind her ears. The gesture was tender, but it hit her with an unexpected force, like when you're in the ocean and a wave hits you. It's so soft and coll that it surprised you that it has such strength.

Flavour your life in such a way that anyone who thinks he or she is biting or back-biting you, will rather take smiles away unexpectedly and with surprises.

Love surprises us in unexpected ways, in ways that are beyond our comprehension. It’s never the sweet words or the mushy gifts that matter. What matters more are little things like caring about someone and not being able to sleep till you’re sure that the one you love is safe and sound.

Gareth sucked in a breath. Hyacinth’s brother wasn’t going to make this easy on him. But that didn’t matter. He had vowed to do this right, and he would not be cowed. He looked up, meeting the viscount’s dark eyes with steady purpose. “I would like to marry Hyacinth,” he said. And then, because the viscount did not say anything, because he didn’t even move, Gareth added, “Er, if she’ll have me.” And then about eight things happened at once. Or perhaps there were merely two or three, and it just seemed like eight, because it was all so unexpected. First, the viscount exhaled, although that did seem to understate the case. It was more of a sigh, actually—a huge, tired, heartfelt sigh that made the man positively deflate in front of Gareth. Which was astonishing. Gareth had seen the viscount on many occasions and was quite familiar with his reputation. This was not a man who sagged or groaned. His lips seemed to move through the whole thing, too, and if Gareth were a more suspicious man, he would have thought that the viscount had said, “Thank you, Lord.” Combined with the heavenward tilt of the viscount’s eyes, it did seem the most likely translation. And then, just as Gareth was taking all of this in, Lord Bridgerton let the palms of his hands fall against the desk with surprising force, and he looked Gareth squarely in the eye as he said, “Oh, she’ll have you. She will definitely have you.” It wasn’t quite what Gareth had expected. “I beg your pardon,” he said, since truly, he could think of nothing else. “I need a drink,” the viscount said, rising to his feet. “A celebration is in order, don’t you think?” “Er…yes?” Lord Bridgerton crossed the room to a recessed bookcase and plucked a cut-glass decanter off one of the shelves. “No,” he said to himself, putting it haphazardly back into place, “the good stuff, I think.” He turned to Gareth, his eyes taking on a strange, almost giddy light. “The good stuff, wouldn’t you agree?” “Ehhhh…” Gareth wasn’t quite sure what to make of this. “The good stuff,” the viscount said firmly. He moved some books to the side and reached behind to pull out what looked to be a very old bottle of cognac. “Have to keep it hidden,” he explained, pouring it liberally into two glasses. “Servants?” Gareth asked. “Brothers.” He handed Gareth a glass. “Welcome to the family.

At every concert I leave a lot to the moment. I must have the unexpected, the unforeseen. I want to risk, to dare. I want to be surprised by what comes out. I want to enjoy it more than the audience. That way the music can bloom anew. It's like making love. The act is always the same, but each time it's different.

The beauty of Delicate Arch explains nothing, for each thing in it's way, when true to it's own character, is equally beautiful. If Delicate Arch has any significance it lies, I will venture, in the power of the odd and unexpected to startle the senses and surprise the mind out of their ruts of habit, to compel us into a reawakened awareness of the wonderful-that which is full of wonder.

One of the most terrible losses man endures in his lifetime is not even noticed by most people, much less mourned. Which is astonishing, because what we lose is in many ways one of the essential qualities that sets us apart from other creatures. I'm talking about the loss of the sense of wonder that is such an integral part of our world when we are children. However, as we grow older, that sense of wonder shrinks from cosmic to microscopic by the time we are adults. Kids say "Wow!" all the time. Opening their mouths fully, their eyes light up with genuine awe and glee. The word emanates not so much from a voice box as from an astonished soul that has once again been shown that the world is full of amazing unexpected things. When was the last time you let fly a loud, truly heartfelt "WOW?" NOt recently I bet. Because generally speaking wonder belongs to kids, with the rare exception of falling madly in love with another person, which invariably leads to a rebirth of wonder. As adults, we are not supposed to say or feel Wow, or wonder, or even true surprise because those things make us sound goofy, ingenuous, and childlike. How can you run the world if you are in constant awe of it?... The human heart has a long memory though and remembers what it was like to live through days where it was constantly surprised and delighted by the world around it.

Without realizing what she was doing and more on an impulse than anything else, she leaned forward and kissed him. It was a simple, yet firm kiss and she pulled back after only a moment. But it sent a thrill through her. He leaned down for another. But she put her finger on his lips to stop him. "That was my reward to you," she said as they danced. "Don't squander it." "Reward? he asked still seeming both surprised and delighted at this unexpected attention. "What for?" "Why for living, Vaelros. And for doing so much else to help me. I will have you rewarded in state as well. But that was just from me." She saw Vaelros flush and she gave him a brilliant smile. "You don't like my reward?" she asked. "I do!" he replied. "I want only to learn how to earn more." The music was fading. The song was ending. Luthiel stepped back and let her hands drop. "A mysterious thing, my heart," she said.

Sometimes life can be unexpected. Sometimes things surprise you and all you can do is roll with the punches or let them beat you to a bloody pulp. -Sage Hannigan, Contingency

What is essential is to suddenly make a move totally unexpected by the opponent, pick up on the advantage of fright, and seize the victory right then and there.

-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you

N O , it is never too late to apologize! Sometimes it takes great shocks to make us realize. Unexpected reactions taking us by ambushing surprise. Once the dust settles, we come to realize— All we experience is meant to make us wise

Will glanced over at Cordelia and smiled. “We could ask for no lovelier girl to be his wife.” Alastair looked as if he wished to edge away. Cordelia didn’t blame him. “Thank you, Mr. Herondale,” she said. “I hope to live up to your expectations.” Tessa looked surprised. “Why would you ever worry about that?” “Cordelia worries,” Alastair said unexpectedly, “because of the idiots who mutter about our father, and our family. She should not let them bother her.” Tessa laid a gentle hand on Cordelia’s shoulder. “The cruel will always spread rumors,” she said. “And others who take pleasure in that cruelty will believe them and spread them. But I believe that in the end, truth wins out. Besides,” she added with a smile, “the most interesting women are always the most whispered about.

Instead, an unexpected surprise was waiting for her when she walked in the door.  Daisy’s trusty West Highland Terrier Shamus was usually so well-behaved.  Unfortunately, Shamus picked that night to misbehave. 

...they knew each other as much as they knew themselves, and their intimacy, rather like too many suitcases, was a matter of perpetual concern; together they moved slowly, clumsily, effecting lugubrious compromises, attending to delicate shifts of mood, repairing breaches. As individuals they didn't easily take offense; but together they managed to offend each other in surprising, unexpected ways; then the offender - it had happened twice since their arrival - became irritated by the cloying susceptibilities of the other, and they would continue to explore the twisting alleyways and sudden squares in silence, and with each step the city would recede as they locked tighter into each other's presence.

I think she is going to find you too old... Yes that was it, the moment she said it I knew it was true, and the revelation caused me no surprise, it was like the echo of a dull, not unexpected shock. The age difference was the last taboo, the final limit, all the stronger for the fact that it remained the last and had replaced all the others. In the modern world you could be a swinger, bi, trans, zoo into S&M, but it was forbidden to be old.

The beauty of the unexpected lies within the surprise of the momentum, not only at its tipping point, but also within all the moments waiting.

Perhaps a person gains by accumulating obstacles. The more obstacles set up to prevent happiness from appearing, the greater the shock when it does appear, just as the rebound of a spring will be all the more powerful the greater the pressure that has been exerted to compress it. Care must be taken, however, to select large obstacles, for only those of sufficient scope and scale have the capacity to lift us out of context and force life to appear in an entirely new and unexpected light. For example, should you litter the floor and tabletops of your room with small objects, they constitute little more than a nuisance, an inconvenient clutter that frustrates you and leaves you irritable; the petty is mean. Cursing, you step around the objects, pick them up, knock them aside. Should you, on the other hand, encounter in your room a nine thousand pound granite boulder, the surprise it evokes, the extreme steps that must be taken to deal with it, compel you to see with new eyes. Difficulties illuminate existence, but they must be fresh and of high quality.

So what exactly does it mean to be a late bloomer? Simply put, a late bloomer is a person who fulfills their potential later than expected; they often have talents that aren't visible to others initially... And they fulfill their potential frequently in novel and unexpected ways, surprising even those closest to them. They are not attempting to satisfy, with gritted teeth, the expectations of their parents or society, a false path that leads to burnout and brittleness, or even to depression and illness... Late bloomers are those who find their supreme destiny on their own schedule, in their own way.

The boys were amazed that I could make such a poem as that out of my own head, and so was I, of course, it being as much a surprise to me as it could be to anybody, for I did not know that it was in me. If any had asked me a single day before if it was in me, I should have told them frankly no, it was not. That is the way with us; we may go on half of our life not knowing such a thing is in us, when in reality it was there all the time, and all we needed was something to turn up that would call for it.

The future teachers I try to recruit are those show have refused to let themselves be neutered in this way, either in their private lives or in the lives that they intend to lead in school. When they begin to teach, they come into their classrooms with a sense of affirmation of the goodness and the fullness of existence, with a sense of satisfaction in discovering the unexpected in their students, and with a longing to surprise the world, their kids, even themselves, with their capacity to leave each place they've been ... a better and more joyful place than it was when they entered it.

Don't you think it would be interesting if you could read the story of your life- written perfectly truthfully by an omniscient author? And suppose you could only read it on this condition: that you would never forget it, but would have to go through life knowing ahead of time exactly how everything you did would turn out, and forseeing to the exact hour the time you would die. How many people do you suppose you have the courage to read it then? Or how many could suppress their curiosity sufficiently to escape from reading it, even at the price of having to live without hope, without surprise? Life is monotonous enough at best; you have to eat and sleep about so often. But imagine how deadly monotonous it would be if nothing unexpected could happen between meals?

I think that’s how love works. Sometimes it means doing the washing up when it’s not your mess, and sometimes it’s driving to the airport three times in one week to pick up a loved one, and sometimes it’s all unexpected bears and possible surprise giraffes.

Unexpected and pleasant surprises occur every day...random kindnesses from a stranger; would-be tragic accidents narrowly avoided; sicknesses healed.... We will notice if we look. We will see good sprinkled liberally over every day if we are open.

That was the splendid thing about life: Though it was cruel, it was also mysterious, filled with wonder and surprise; sometimes the surprises were so amazing that they qualified as miraculous, and by witnessing those miracles, a despondent person could discover a reason to live, a cynic could obtain unexpected relief from ennui, and a profoundly wounded boy could find the will to heal himself and medicine for melancholy.

There may be decisions to make, and surprises in store. Life takes us to unexpected places sometimes. The future is never set in stone, remember that.

When the unexpected meets with the unprepared, over there we find the greatest astonishments!

Even feigning surprise, pretending it was unexpected and saying a ritual thanks, is surely wiser than just expecting everything so carelessly.

Always I find when I begin to write there is one character who obstinately will not come alive...He never does the unexpected thing, he never surprises me, he never takes charge. Every other character helps, he only hinders. And yet one cannot do without him. I can imagine a God feeling in just that way about some of us. The saints, one would suppose, in a sense create themselves. They come alive. They are capable of the surprising act or word. The stand outside the plot, unconditioned by it. But we have to be pushed around. We have the obstinancy of non-existence. We are inextricably bound to the plot, and wearily God forces us, here and there, according to his intention, characters without poetry, without free will, whose only importance is that somewhere, at some time, we help to furnish the scene in which a living character moves and speaks, perhaps the saints with the opportunities for their free will.

When we are young, we take a certain pleasure in our infirmities. They seem so new, so rich! With age, they no longer surprise us, we know them too well. Now, without anything unexpected in them, they do not deserve to be endured.

I do not beg.” Nikolas’s hand plunged into Vasili’s hair. His fingers knotted, twisting, his confidence to take Vasili in his hand such a wonderfully unexpected surprise. “You do for me.

Yes,' he said, 'a list. That way, I figure, we'll have a written record of what we've agreed upon as our goals for our relationship. So if problems arise, we'll be able to consult the lists, see which issue it corresponds to, and work out a solution from there.' I could still hear my sister talking, but her voice was fading as she led her group around the house. I said, 'But what if that doesn't work?' Jason blinked at me. Then he said, 'Why wouldn't it?' 'Because,' I said. He just looked at me. 'Because...' 'Because,' I repeated, as a breeze blew over us,' sometimes things just happen. That aren't expected. Or on the list.' 'Such as?' he asked. 'I don't know,' I said, frustrated. 'That's the point. It would be out of the blue, taking us by surprise. Something we might not be prepared for.' 'But we will be prepared,' he said, confused. 'We'll have the list.' I rolled my eyes. 'Jason,' I said. 'Macy, I'm sorry.' He stepped back, looking at me. 'I just don't understand what you're trying to say.' And then it hit me: he didn't. He had no idea. And this thought was so ludicrous, so completely unreal, that I knew it just had to be true. For Jason, there was no unexpected, no surprises. His whole life was outlined carefully, in lists and sublists, just like the ones I'd helped him go through all those weeks ago. 'It's just...' I said and stopped, shaking my head. 'It's just what?' He was waiting, genuinely wanting to know. 'Explain it to me.' But I couldn't. I'd had to learn it my own way, and so had my mother. Jason would eventually, as well. No one could tell you: you just had to go through it on your own. If you were lucky, you came out on the other side and understood. If you didn't, you kept getting thrust back, retracing those steps, until you finally got it right.

What constitutes a problem is not the thing, or the environment where we find the thing, but the conjunction of the two; something unexpected in a usual place (our favorite aunt in our favorite poker parlor) or something usual in an unexpected place (our favorite poker in our favorite aunt). I knew that my sampler was absolutely right in Elsie Norris's front room, but absolutely wrong in Mrs. Virtue's sewing class. Mrs. Virtue should either have had the imagination to commend me for my effort in context, or the farsightedness to realize there is a debate going on as to whether something has an absolute as well as a relative value; given that, she should have given me the benefit of the doubt. As it was, she got upset and blamed me for her headache.

'Yes. He was happy. He said, on that last visit, that some things were worth the wait. The world changes in unexpected ways, and all we can do is live in it and take joy in how it surprises us.'

Row, row, row your boat Gently down the stream. Merrily, merrily, merrily, merrily, Life is but a dream. I lie in bed beside my little sister, listening to the singing in the yard. Life is transformed, by these voices, by these presences, by their high spirits and grand esteem, for themselves and each other. My parents, all of us, are on holiday. The mixture of voices and words is so complicated and varied it seems that such confusion, such jolly rivalry, will go on forever, and then to my surprise—for I am surprised, even though I know the pattern of rounds—the song is thinning out, you can hear the two voices striving. Merrily, merrily, merrily, merrily, Life is but a dream. Then the one voice alone, one of them singing on, gamely, to the finish. One voice in which there is an unexpected note of entreaty, of warning, as it hangs the five separate words on the air. Life is. Wait. But a. Now, wait. Dream.

You probably have a client list a mile long. I shouldn’t expect royal treatment.” His mouth twitched. “Although I guess I do anyway.” Cinder’s heart tripped as his grin caught her by surprise, every bit as charming and unexpected as it had been at the market.

Uncertainty is fearful to the ego, which always wants to control reality, but from the viewpoint of detachment, a constantly shifting and changing universe must remain uncertain. If things were certain, there could be no creativity. Therefore spirit works through surprises and unexpected outcomes. We achieve peace of mind only when we accept the wisdom of uncertainty.

It is a place that 'grows upon you' every day. There seems to be always something to find out in it. There are the most extraordinary alleys and by-ways to walk about in. You can lose your way (what a comfort that is, when you are idle!) twenty times a day, if you like; and turn up again, under the most unexpected and surprising difficulties. It abounds in the strangest contrasts; things that are picturesque, ugly, mean, magnificent, delightful, and offensive, break upon the view at every turn.

…growing pale and sober with the thought that her fate was soon to be decided; for, like all young people, she was sure that her whole life could be settled by one human creature, quite forgetting how wonderfully Providence trains us by disappointment, surprises us with unexpected success, and turns our seeming trials into blessing.

A very long sentence, anchored in solid nouns, with countless subordinate clauses, scores of adjectives and adverbs, and bold conjunctions that launched the sentence in a new direction--besides unexpected interludes--has finally, with a surprisingly quiet full stop, come to an end.

that even within its ugliness, there lay a surprising beauty, breathtaking because it was so unexpected.

Expectation kills. Just go with the flow, you might be surprised when something better comes along in an unexpected way.

Turns out that life can throw you in any kind of a situation, and you never know what type of knowledge might ever come in handy. But when it does, you feel happier than ever.

CHORUS Many are the shapes of things divine. Many are the unexpected acts of gods. What we imagined did not come to pass -- God found a way to be surprising. That's how this went.

What’s your favorite word?” Startled, I looked up at him, unsure I’d heard him right. “My favorite word?” He nodded, slipping his glasses up his nose with a quick, practiced scrunch of his face that made him look angry and then surprised within a single second. “You have seven boxes of books up here. A wild guess tells me you like words.” I suppose I had never thought about having a favorite word, but now that he asked, I kind of liked the idea. I let my eyes lose focus as I thought. “Ranunculus,” I said after a moment. “What?” “Ranunculus. It’s a kind of flower. It’s such a weird word but the flowers are so pretty, I like how unexpected that is.” They were my Mom’s favorite, I didn’t say. “That’s a pretty girly answer.” “Well, I am a girl.” He kept his eyes on his feet but I knew I wasn’t imagining the gleam of interest I’d seen when I said ranunculus. I bet he had expected me to say unicorn or daisy or vampire. “What about you? What’s your favorite word? I bet it’s tungsten. Or, like, amphibian.” He quirked a smile, answering, “Regurgitate.” Scrunching my nose, I stared at him. “That is a gross word.” This made him smile even wider. “I like the hard consonant sounds in it. It kinda sounds like exactly what it means.” “An onomatopoeia?” I half expected trumpets to blast revelatory music from an invisible speaker in the wall from the way Elliot stared at me, lips parted and glasses slowly sliding down his nose. “Yeah,” he said. “I’m not a complete idiot, you know. You don’t have to look so surprised that I know some big words.” “I never thought you were an idiot,” he said quietly, looking toward the box and pulling out another book to hand to me. For a long time after we returned to our slow, inefficient method of unpacking the books, I could feel him looking up and watching me, tiny flashes of stolen glances. I pretended I didn’t notice.

His father gave him a funny look as the entire spectrum of emotion usually eclipsed by control displayed instantaneously in his dark eyes. Then 'Merapa started to laugh. Dirck literally leaned away, beyond shock as the person he trusted and admired more than anyone else in the entire universe totally lost it.

The grays are the parts of your life that mold you into the woman you are meant to be. The little, unexpected surprises that catch you completely off guard.Your experiences, your reactions, your feelings...they're all important because that shape you.

You will be fine,” the fortune-teller says. “There may be decisions to make, and surprises in store. Life takes us to unexpected places sometimes. The future is never set in stone, remember that.

Life below the surface is neither simple nor monotonous. The subterranean, contrary to what most people think, is bustling with activity. As you tunnel deep down, you might be surprised to see the soil take on unexpected shades. Rusty red, soft peach, warm mustard, lime green, rich turquoise … Humans teach their children to paint the earth in one colour alone. They imagine the sky in blue, the grass in green, the sun in yellow and the earth entirely in brown.

I’m not trying to impress you,” he replied, glancing up at the front of the room. “Gads,” he said, blinking in surprise. “What is that ?” Hyacinth followed his gaze. Several of the Pleinsworth progeny, one of whom appeared to be costumed as a shepherdess, were milling about. “Now that’s an interesting coincidence,” Gareth murmured. “It might be time to start bleating,” she agreed. “I thought this was meant to be a poetry recitation.” Hyacinth grimaced and shook her head. “An unexpected change to the program, I’m afraid.” “From iambic pentameter to Little Bo Peep?” he asked doubtfully. “It does seem a stretch.” Hyacinth gave him a rueful look. “I think there will still be iambic pentameter.” His mouth fell open. “From Peep?” She nodded, holding up the program that had been resting in her lap. “It’s an original composition,” she said, as if that would explain everything. “By Harriet Pleinsworth.The Shepherdess, the Unicorn, and Henry VIII .” “All of them? At once?” “I’m not jesting,” she said, shaking her head. “Of course not. Even you couldn’t have made this up.” Hyacinth decided to take that as a compliment. “Why didn’t I receive one of these?” he asked, taking the program from her. “I believe it was decided not to hand them out to the gentlemen,” Hyacinth said, glancing about the room. “One has to admire Lady Pleinsworth’s foresight, actually. You’d surely flee if you knew what was in store for you.

It is amazing, is it not, Darcy, how a violent storm can rise up out of calm, idle waters so unexpectedly? I am always surprised, but never caught off guard. We can be travelling through what we think are tranquil waters, believing everything is going exactly as planned, heading in the exact direction we want, when in the blink of an eye, everything around us is jostled, tossed around, and completely shaken up. When it has passed, we are not at all where we thought we would be when we first set out.

Had they nothing else to say to each other? Yet their eyes were full of more serious statements; and while they sought for commonplace sentences, they each felt the same languor. It was like a murmur of the soul, profound and continuous, dominating that of the voices. Surprised at this unexpected sweetness, it did not occur to them to discuss the sensation or discover the cause. Future happiness, like tropical shores, projects over the vastness that precedes it, its innate indolence, and wafts a scented breeze that intoxicates and dispels any anxiety about the unseen horizon.

We have often heard that beauty is in the eye of the beholder. This is usually taken to mean that the sense of beauty is utterly subjective; there is no accounting for taste because each person's taste is different. The statement has another, more subtle meaning: if our style of looking become beautiful, then beauty will become visible and shine forth for us. We will be surprised to discover beauty in unexpected places where the ungraceful eye would never linger. The graced eye can glimpse beauty anywhere, for beauty does not reserve itself for special elite moments or instances; it does not wait for perfection but is present already secretly in everything. When we beautify our gaze, the grace of hidden beauty becomes our joy and our sanctuary.

Because emotionally mature people have a integrated sense of self, they usually won’t surprise you with unexpected inconsistencies. You can count on them to be basically the same across different situations. They have a strong self, and their inner consistency makes them reliable custodians of your trust.

When we integrate, it should surprise us. It should be an unexpected reward for doing what is nourishing for our soul—and that wonderful shock of observing the gifts of our integration is the validation of the astonishing grace it is.

Then, he angled his large body toward me, eating a big chunk of the distance that had been separating us. The motion had been unexpected, and my breath hitched with surprise. Hyperaware of how close he had come, I stuttered. Suddenly not knowing what to say or if I was expected to say anything at all. Aaron’s arm reached out, the backs of his fingers gracing my temple. My lips parted, tingles spreading down my skin. It was him who lowered his voice then. “Always fighting me.” I looked up at his handsome and stern face, his assessing blue eyes surveying my reaction. “Resisting me.” My heart tripped, making my chest feel like I had just sprinted a mile or two. Aaron’s head dipped, his mouth coming close to where his fingers had been a few seconds ago. Almost as close as it had been when we danced. “It’s like you want me to beg. Is that something you’d enjoy? Me begging?” His voice sounded so … intimate. Hushed. But it was his next words that scattered my thoughts all over the place. “Is that what this is? You like bringing me to my knees?” Whoa.

If you start reading some book, even a very easy one, or listen to the clearest lecture in the world, with excessive attention, and an exaggerated concentration of mind, not only does the easy become difficult for you, not are you amazed and surprised and grieved at an unexpected difficulty, not do you strive harder to understand than you would have with less attention, not only do you understand less, but, if your attention and the fear of not understanding or of not letting something escape is really extreme, you will understand absolutely nothing, as if you hadn't read, and hadn't listened, and as if your were completely intent on another matter. For from to much comes nothing, and to much attention to a thing is the equivalent, in effect, of not paying attention, and of having another, completely different occupation, that is, attention itself. Nor will you be to gain your purpose unless you relax, and slow down your mind, placing it in a natural state, and soothe and put aside your concern to understand, which only in that case will be useful.

Had they nothing else to say to each other? Yet their eyes were full of more serious statements; and while they sought for commonplace sentences, they each felt the same languor. It was like a murmur of the soul, profound and continuous, dominating that of the voices. Surprised at this unexpected sweetness, it did not occur to them to discuss the sensation or discover the cause. Future happiness, like tropical shores, projects over the vastness that precedes it, its innate indolence, and wafts a scented breeze that intoxicates and dispels any anxiety about the unseen horizon.

When you're near books, amazing things happen. They can call to you just by being in the same space as you. It can be a feeling, the color or texture of a cover, or the way it somehow sets itself apart from its neighbors and asks you to open it. Then comes the crack of the spine, the random, or not-so-random-at-all page you open to, and finally the completely surprising and unexpected words you read. In that moment, you are the only person in the world holding that book and touching its pages. You can stand there for an hour and keep reading--or put it back and start again. That can't happen of a screen. Other wonderful things can, but not that. And moments like those--of time stopping, eyes searching and minds dreaming--are rare and important in our fast-paced lives. We must protect the possibility of them. Good luck to us!

What is a whore?" Unsurprisingly, that hadn't been one of the words we had shared over the last span of days. For half a moment I considered lying, but there was no way I could manage it. "He says your mother is a person men pay money to have sex with." Tempi turned back to the mercenary and nodded graciously. "You are very kind. I thank you.

14- Just as he didn't understand why a wave of something, something like the tail end of a sad dream, always swept through him whenever he heard the jingling, surprising him each time like an unexpected gust of wind. But then it passes, as all things do, it passed

curious person, however, enjoys being surprised and hungers for the unexpected.

the science suggests that interleaving is, essentially, about preparing the brain for the unexpected.

Being prepared prevents us from getting tripped up by unexpected glitches and surprises.

I wait for what comes and experience the joy and delight of the unexpected.

But it hit her with an unexpected force, like when you're in the ocean and a wave hits you. It's so soft and cool that it surprises you that it has such strength.

The first part, the setup, sets the stage. The second half, the punch line, provides an unexpected ending. It’s the surprising conclusion that causes laughter.

Providence trains us by disappointment, surprises us with unexpected success, and turns our seeming trials into blessings.

Certain actions take place outside the normal course of things so unexpectedly that they seem to paralyse ordinary capacity for feeling surprise;

It is childish to be surprised by something that you knew exists or is possible.

Sometimes your garden surprises you. You don't remember planting strawberries or mint, but there it is, rising up in the middle of the carrot patch. Maybe the seeds blew in from the neighbor's garden. Or maybe they were buried in the dirt and you unearthed them when you tilled the soil. Or maybe you're reaping what you've sown. However it happened, you now have unexpected bounty. Accept it with gratitude.

In life there is nothing more unexpected and surprising than the arrivals and departures of pleasure. If we find it in one place today, it is vain to seek it there tomorrow. You can not lay a trap for it.

I finally understood why laughter is a mark of wanderers, from the holy fools of Old Russia to the roadies of rock music. It’s the surprise, the unexpected, the out of control. It turns out that laughter is the only free emotion—the only one that can’t be compelled. We can be made to fear. We can even be made to believe we’re in love because, if we’re kept dependent and isolated for long enough, we bond in order to survive. But laughter explodes like an aha! It comes when the punch line changes everything that has gone before, when two opposites collide and make a third, when we suddenly see a new reality.

It is a conundrum, this reality of which we speak. And if you do not find joy in the puzzle itself, you will only have isolated moments of stamped-and-approved joy ("I graduated!" "I got the job!" "I'm getting married!" "I won the prize!" "See, I have the picture!" "It's posted online!" "It got so many likes!") and those scrumptious, unexpected ones that take you by surprise-- a sunset, a leaf dancing in the wind, a baby's glee with a wayward bubble, fireworks. As I often say, I am ultimately drawn to-- and stay closest to-- the people who can be satisfied with a state of dissatisfaction, who can find joy in the puzzle itself, who want to play with the puzzle--gnaw on the conundrum--more than they want to finish it.

When he had first started at the center, he had liked to think that he was unexpectedly cool-looking for such a job. Now he knew that he surprised no one, that no one expected scientists to look like scientists anymore.

You can trace an entire childhood in sexism through the entries sent in to the Everyday Sexism Project. The flashes of realization and first, painful moments of learning a woman’s place. Often the memories are so vivid women carry and are shaped by them for the rest of their lives. I’ve been asked in countless interviews what has shocked me the most since starting the project. I think journalists expect me to tell them that it’s the stories of rape, or the most appalling accounts of violence. Those stories have certainly angered and devastated me, of course, but nothing has shocked me more than the thousands and thousands of entries from young girls under the age of eighteen. When I started the project, I thought adult women would share their stories. The torrent of harassment, abuse, violence and assault being faced by children was a horribly unexpected surprise. People

Without higher-quality material to work with, God resorts to working through us for others and upon us through others. Those are some weirdly restorative, disconcerting shenanigans to be caught up in: God forcing God’s people to see themselves as God sees them, to do stuff they know they are incapable of doing, so that God might make use of them, and make them to be both humble recipients and generous givers of grace, so that they may be part of  God’s big project on earth, so that they themselves might find unexpected joy through surprising situations.

This is, perhaps, the utility of poets and artists. But let us now consider the pleasure they procure. Well then, this pleasure usually stems from the fact that they know how to hide, to dissimulate their usefulness, that they do not turn into professors or moralists. That they limit themselves to transmitting to you their own emotion, their surprise, their wonder, their sense of the unexpected, the fatal, even of the tragic in daily reality. That they do not propose for you to change it but only to see it - and this, in the same conditions of quiet, security, tranquility, comfort, equilibrium - evidently factitious - which you are enjoying then, at the same time.

Sometimes life puts us in places that we had never could have envisioned even in our most inventive moments. And when we arrive in those unexpected places, we have to squint through the windows of our souls and wipe clean the eyes of our hearts, for in our blinding routines and mediocre plots we had not anticipated the need of doing so.

If I were asked to enumerate the pleasures of travel, this would be one of the greatest among them - that so often and so unexpectedly you meet the best in human nature, and seeing it so by surprise and often with a most improbable background, you come, with a sense of pleasant thankfulness, to realize how widely scattered in the world are goodness and courtesy and the love of immaterial things, fair blossoms found in every climate, on every soil.

Cole, do you feel anything for me?" I don't know what made me ask this, except that Jack had asked him the night of the Tunnels. It obviously surprised him. He backed up. "What?" I inched forward, not quite sure I was going with this. "Do you feel...something for me?" He was quiet, still as a statue, so I moved even closer. "Don't, Nik." His gaze dropped to the ground. "If you feel anything, please leave me alone. I don't know why I survived. I don't have your answer. Shadowing me will get you nothing." Then he did something unexpected. He backed down, and as he turned around to his motorcycle, he shook his head and mumbled, "What have you done to me?" "I don't know," I said. "But you have ninety-nine years to figure it out." He kicked it on and revved the engine, and at the sound, he found his cocky smirk again. "That's a long time, Nik. Jack is gone, and I'm here. Let's see who gives up first.

Art is an institution to which we turn when we want to feel a shock of surprise. We feel this want because we sense that it is good for us once in a while to receive a healthy jolt. Otherwise we would so easily get stuck in a rut and could no longer adapt to the new demands that life is apt to make on us. The biological function of art, in other words, is that of a rehearsal, a training in mental gymnastics which increases our tolerance of the unexpected.

The intellectualist philosopher who wants to hold words to their precise meaning, and uses them as the countless little tools of clear thinking, is bound to be surprised by the poet's daring. And yet a syncretism of sensitivity keeps words from crystallizing into perfect solids. Unexpected adjectives collect about the focal meaning of the noun. A new environment allows the word to enter not only into one's thoughts, but also into one's daydreams. Language dreams.

Cultivation, old civilization, beauty, history! Surprising turnings of streets, shapes of venerable cottages, lovely aged eaves, unexpected and gossamer turrets, steeples, the gloss, the antiquity! Gardens. Whoever speaks of Paris has never seen Warsaw. [...] Whoever yearns for an aristocratic sensibility, let him switch on the great light of Warsaw.

His laughter sounds almost surprised, and I wonder if having fun during sex is unusual for him. Rolling around in the sheets and laughing together had always been one of my favourite things back in the days when I'd tried relationships.

Take joy in your digressions. Because that is where the unexpected arises. That is the experimental aspect. If you know where you will end up when you begin, nothing has happened in the meantime. You have to be willing to surprise yourself writing things you didn't think you thought. Letting examples burgeon requires using inattention as a writing tool. You have to let yourself get so caught up in the flow of your writing that it ceases at moments to be recognizable to you as your own. This means you have to be prepared for failure. For with inattention comes risk: of silliness or even outbreaks of stupidity. But perhaps in order to write experimentally, you have to be willing to 'affirm' even your own stupidity. Embracing one's own stupidity is not the prevailing academic posture (at least not in the way I mean it here).

All the cool stuff happens when you do things that are not the automatic next step.” The well-worn path is there for everyone to trample. But the interesting things often occur when you are open to taking an unexpected turn, to trying something different, and when you are willing to question the rules others have made for you. All agreed that it is easy to stay on the prescribed path, but it is often much more interesting to discover the world of surprises lurking just around the corner. Knowing

It is the struggle of adversarial forces that generates the logic of strategy, which is always and everywhere paradoxical, and as such is diametrically opposed to the commonsense, linear logic of everyday life. Thus, we have, for example, the Roman si vis pacem, para bellum, if you want peace, prepare for war, or tactically, the bad road is the good road in war, because its use is unexpected—granting surprise and thus at least a brief exemption from the entire predicament of a two-sided human struggle.

If one advances confidently in the direction of his dreams, he will meet with success unexpected in common hours. He will pass an invisible boundary. Don't forget this. Don't forget that thinking can get in the way. Forget the forgetting. We seek to forget ourselves, to be surprised and to do something without knowing how or why. The way of life is wonderful. It is by abandonment.

When surprise occurs, such as when the economy enters an unexpected recession or a conflict begins seemingly out the blue, the natural reaction is to immediately ask who made the “obvious” mistake. It is much easier to believe that our leaders are incompetent than to accept the less pleasant reality that ours is a world where uncertainty and surprise are the norm, not the exception.

You were an unexpected surprise. The defining moment. The collision of stars that slammed into me hard and sent my neat little world plummeting into the ocean. I never expected it to be you, you know? But it is you. It’s all you. And now there’s no looking back.

And now, indeed, everything began to look new, unexpected, full of surprises. I had a book in my hands to while away the time, and it occurred to me that in a way a landscape is not unlike a book--a compilation of pages that overlap without any two ever being the same. People open the book according to their taste and training, their memories and desires: for a geologist the compilation opens at one page, for a boatman at another, and still another for a ship's pilot, a painter and so on. On occasion these pages are ruled with lines that are invisible to some people, while being for others as real, as charged and as volatile as high-voltage cables.

James," she said. "You don't love me." He rose to his feet. He was no longer kneeling, and she was glad for it, but he was still close to her-- so close to her she could have reached out and set her palm against his chest. "No," he said. "I don't." She knew that. Hearing him say it still felt like a blow, unexpected and shocking, like the moment when you were stabbed. The surprise was how much it hurt.

Frederick consistently used his central position to concentrate against one fraction of the enemy, and he always employed tactics of indirect approach. Thereby he gained many victories. But his tactical indirect approach was geometrical rather than psychological-unprepared by the subtler forms of surprise favoured by Scipio-and for all their executive skill, these manoeuvres were narrow. The opponent might be unable to meet the following blow, owing to the inflexibility of his mind or his formations, but the blow itself did not fall unexpectedly.

She looked now at the drawing-room step. She saw, through William’s eyes, the shape of a woman, peaceful and silent, with downcast eyes. She sat musing, pondering (she was in grey that day, Lily thought). Her eyes were bent. She would never lift them. . . . [N]o, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? Express that emptiness there? (She was looking at the drawing-room steps; they looked extraordinarily empty.) It was one’s body feeling, not one’s mind. The physical sensations that went with the bare look of the steps had become suddenly extremely unpleasant. To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have – to want and want – how that wrung the heart, and wrung again and again! Oh, Mrs. Ramsay! she called out silently, to that essence which sat by the boat, that abstract one made of her, that woman in grey, as if to abuse her for having gone, and then having gone, come back again. It had seemed so safe, thinking of her. Ghost, air, nothingness, a thing you could play with easily and safely at any time of day or night, she had been that, and then suddenly she put her hand out and wrung the heart thus. Suddenly, the empty drawing-room steps, the frill of the chair inside, the puppy tumbling on the terrace, the whole wave and whisper of the garden became like curves and arabesques flourishing round a centre of complete emptiness. . . . A curious notion came to her that he did after all hear the things she could not say. . . . She looked at her picture. That would have been his answer, presumably – how “you” and “I” and “she” pass and vanish; nothing stays; all changes; but not words, not paint. Yet it would be hung in the attics, she thought; it would be rolled up and flung under a sofa; yet even so, even of a picture like that, it was true. One might say, even of this scrawl, not of that actual picture, perhaps, but of what it attempted, that it “remained for ever,” she was going to say, or, for the words spoken sounded even to herself, too boastful, to hint, wordlessly; when, looking at the picture, she was surprised to find that she could not see it. Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself – Oh, yes! – in every other way. Was she crying then for Mrs. Ramsay, without being aware of any unhappiness? She addressed old Mr. Carmichael again. What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? – startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why was it so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.

The song reminds me of my life lately and the way things that happen devastate you so badly but then turn around and totally surprise you by growing into something unexpected and astounding. Of course, i could be wrong. I mean, who knows what the song is really about except whoever wrote it? But that's one of the many things about music that's so great. You can interpret a song and relate it to your life any way you want.

It was surprise that had her fighting not to jolt at that sudden and unexpected punch of power. It was will that kept her from blinking or shifting her gaze. For one humming minute they stared at each other. Then there was movement, and mourners came between them as they left the church.

Baba Ayub didn’t understand. Just as he didn’t understand why a wave of something, something like the tail end of a sad dream, always swept through him whenever he heard the jingling, surprising him each time like an unexpected gust of wind. But then it passed, as all things do. It passed.

Damen felt the shock of surprise, and looked at Laurent only to find Laurent gazing back at him without rancour. The moment stretched out. It wasn’t . . . it wasn’t what he had expected Laurent to say. As he gazed at Laurent, the words moved through him in unexpected ways, and he felt them touch something jagged-edged within him, felt them shift it a first, tiny fraction, something lodged hard and deep, that he had thought immovable.

If I were asked to enumerate the pleasures of travel, this would be one of the greatest among them--that so often and so unexpectedly you meet the best in human nature, and seeing it so by surprise and often with a most improbable background, you come, with a sense of pleasant thankfulness, to realize how widely scattered in the world are goodness and courtesy and the love of immaterial things, fair blossoms found in every climate, on every soil.

Her lips parted on a shocked gasp, and he took full advantage, sweeping into her mouth. She tasted of surprise and cinnamon and an unexpected innocence, which took the edge off his anger, but did nothing to dull the keenness of his intent. He grasped her face, tilting it for better access to her mouth, and proceeded to kiss her with deliberate, frank eroticism. No gentle request, no teasing enticement, no sweet cling of lips. Just pure, driving sexual demand.

Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.

As I came up from the galley, the sun was going down into the ocean in a blaze that paved the western sea with gold like the streets of Heaven. I stopped for a moment, just a moment, transfixed by the sight. It had happened many times before, but it always took me by surprise. Always in the midst of great stress, wading waist-deep in trouble and sorrow, as doctors do, I would glance out a window, open a door, look into a face, and there it would be, unexpected and unmistakable. A moment of peace. The

Archibald MacLeish affirmed that ‘A poem should be equal to / not true’. As a defiant statement of poetry’s gift for telling truth but telling it slant, this is both cogent and corrective. Yet there are times when a deeper need enters, when we want the poem to be not only pleasurably right but compellingly wise, not only a surprising variation played upon the world, but a retuning of the world itself. We want the surprise to be transitive, like the impatient thump which unexpectedly restores the picture to the television set, or the electric shock which sets the fibrillating heart back to its proper rhythm. We want what the woman wanted in the prison queue in Leningrad, standing there blue with cold and whispering for fear, enduring the terror of Stalin’s regime and asking the poet Anna Akhmatova if she could describe it all, if her art could be equal to it.

...everyone knows that road, the one leading out of town into a deep green expanse of pastures and old farmhouses, which at first makes it seem like you're entering a fairy tale, something sweet and old fashioned and lost in time. But, like all fairy tales, the beginning is always beautiful, a ruse to draw you into something you aren't anticipating.

You learn from your enemy; your enemy learns from you. Surprise them with the unexpected by teaching them to expect the same thing.

Pain comes strangely, but is never a stranger.

What's a fun surprise? Unexpected gifts, visits, food, experiences. Secrets bring despair. Surprises bring delight.

If I have the chance to make Hope smile every day for as long as I live, I will be the happiest man alive.

God loves to surprise us. His gifts often come from the most unexpected sources and in the most unanticipated ways. If we can just be patient and keep trusting, He will not fail us.

She was a great and insatiable reader, surprisingly well acquainted with the classics of literature, and unexpectedly lavish in the purchase of books. Her neighbours never forgot to mention, in describing her, the awe-inspiring fact that she 'took in the English Times and the Saturday Review, and read every word of them,' but it was hinted that the bookshelves that her own capable hands had put up in her bedroom held a large proportion of works of fiction of a startlingly advanced kind, 'and,' it was generally added in tones of mystery, 'many of them French.

Master Fellows surprised Ellysetta with an unexpected compliment. "You have a natural regal grace, my lady, and it has been the greatest of pleasures to teach you. Just remember, while some part of you may always be Ellie, the woodcarver's daughter, you are also Lady Ellysetta, the Tairen Soul's queen." He bowed and kissed her hand. "At the palace tonight, let Ellysetta reign.

Seeing the light go on would always be unexpected. But once the monkeys figured out that the light meant they were about to get food, the “surprise” they felt came exclusively from the appearance of the light, not from the food. From that, a new hypothesis arose: dopamine activity is not a marker of pleasure. It is a reaction to the unexpected—to possibility and anticipation. As

It seems that the very wise have neglected to take notice of one rather important goddess... Pipina, the lady with the apple of Discord. She knows that the universe, while it requires rules and stability, also needs just a tincture of chaos, the unexpected, the surprising. Otherwiseit would just be a mechanism -- a wonderful mechanism, ticking away the centuries, but with nothing different happening.

It's a fact of life that we dream while we're asleep. Try as you may, such a thing cannot be avoided. It's when we wake up, however, that we see two types of people emerge. On the one hand are doers, and on the other are dreamers. When doers wake up, that's it, their dreams are over, and in general, they're content with this. They wash their faces, brush their teeth, and go about their business hoping nothing strange or our of the ordinary will happen along the way. Doers don't do much original thinking and they don't do surprises and they won't ever do anything unexpected or anything someone hasn't already done before. But they are called doers, after all, so they must do something and they do. In fact, doers do the same something over and over and over again. This is called routine, and doers are very good at routine. Dreamers are different. When dreamers wake up, their dreams have only just begun. They wash their faces and brush their teeth and open the front door hoping everything strange and out of the ordinary is waiting for them. Dreamers like asking questions that have never been asked before and doing things that have never been done before in ways that no one has ever though of before.

But her grandmother had surprised her. She had spoken about saving yourself, not for marriage- although that would be great and really what Jesus preferred- but for someone who respected your body as much as you did. Her grandmother had said it was better to love your body as much as possible before letting someone else have access to it. That they could permanently damage in unexpected ways how you saw yourself.

The poet speaks to you about the day, and about this very day that is flying. Is there, then, any doubt that for hapless mortals, that is, for men who are engrossed, the fairest day is ever the first to flee? Old age surprises them while their minds are still childish, and they come to it unprepared and unarmed, for they have made no provision for it; they have stumbled upon it suddenly and unexpectedly, they did not notice that it was drawing nearer day by day. Even as conversation or reading or deep meditation on some subject beguiles the traveller, and he finds that he has reached the end of his journey before he was aware that he was approaching it, just so with this unceasing and most swift journey of life, which we make at the same pace whether waking or sleeping; those who are engrossed become aware of it only at the end.

My eye was caught by movement from behind the automaton. Just a flicker, but my heart clenched with surprise and fear, and I tapped Dean on the arm, pointing. “Something’s over there.” He followed my finger, and we both saw the flicker of red on the unbroken gray brick of the foundry walls. “Son of a bitch,” Dean growled, jamming his hand in his pocket and pulling out his switchblade. “Hey!” he bellowed at the moving shadow. “Hey, you!” “Dean …,” I started, thinking that perhaps shouting at the figure wasn’t the best idea. “I see you!” Dean shouted. “No point in hiding.” “Dean, we don’t know what it is,” I whispered, worried that if he made a move, whoever or whatever lurked beyond the automaton would take it badly. Dean shook his head. “Relax, princess. It’s a kid.” He advanced on the shadow. “Aren’t you?” “Up yours, mister!” the shadow shouted back. I pressed a hand over my mouth, both to stifle a laugh and from relief. To find another person in this wasteland was ten times more unexpected than finding a creature like the nightjars and ghouls that populated Lovecraft’s underground. “Say,” Dean drawled, brows drawing together. “I know you, kid.” “I know your mother!” the kid retorted. “And she has some disappointing things to say about you.

The lesson? To respond to the unexpected and hurtful behavior of others with something more than a wipe of the glasses, to see it as a chance to expand our understanding, even if, as Proust warns is, 'when we discover the true lives of other people, the real world beneath the world of appearance, we get as many surprises as on visiting a house of plain exterior which is full of hidden treasures, torture-chambers or skeletons.

Now it is very striking, and well worth investigating, that such trifling, nay, apparently childish, means as metre and rhyme produce so powerful an effect. I explain it to myself in the following manner: That which is given directly to the sense of hearing, thus the mere sound of the words, receives from rhythm and rhyme a certain completeness and significance in itself for it thereby becomes a kind of music; therefore it seems now to exist for its own sake, and no longer as a mere means, mere signs of something signified, the sense of the words. To please the ear with its sound seems to be its whole end, and therefore with this everything seems to be attained and all claims satisfied. But that it further contains a meaning, expresses a thought, presents itself now as an unexpected addition, like words to music - as an unexpected present which agreeably surprises us - and therefore, since we made no demands of this kind, very easily satisfies us; and if indeed this thought is such that, in itself, thus said in prose, it would be significant, then we are enchanted.

Sometimes fate is more curious and surprising than an unexpected and equally disgusting crime. It may be called destiny, fate, God, whoever's up there or down here rolling dice, he is certainly having a great laugh indeed.

Fischhoff calls this phenomenon "creeping determinism" -- the sense that grows on us, in retrospect, that what has happened was actually inevitable -- and the chief effect of creeping determinism, he points out, is that it turns unexpected events into expected events. As he writes, "The occurrence of an event increases its reconstructed probability and makes it less surprising than it would have been had the original probability been remembered.

Why should there be conscious experience at all? It is central to a subjective viewpoint, but from an objective viewpoint it is utterly unexpected. Taking the objective view, we can tell a story about how fields, waves, and particles in the spatiotemporal manifold interact in subtle ways, leading to the development of complex systems such as brains. In principle, there is no deep philosophical mystery in the fact that these systems can process information in complex ways, react to stimuli with sophisticated behavior, and even exhibit such complex capacities as learning, memory, and language. All this is impressive, but it is not metaphysically baffling. In contrast, the existence of conscious experience seems to be a new feature from this viewpoint. It is not something that one would have predicted from the other features alone. That is, consciousness is surprising. If all we knew about were the facts of physics, and even the facts about dynamics and information processing in complex systems, there would be no compelling reason to postulate the existence of conscious experience. If it were not for our direct evidence in the first-person case, the hypothesis would seem unwarranted; almost mystical, perhaps. Yet we know, directly, that there is conscious experience. The question is, how do we reconcile it with everything else we know?

The promise of happiness through consumption can make us chase after experiences or objects that deplete us even though they are pleasurable, closing of our capacity to be affected otherwise. in a different way, social media trains its subjects into perpetual performance of an online identity, and the anxious management of our profiles closes us of from other forms of connection. rigid radicalism induces a hypervigilant search for mistakes and flaws, stifling the capacity for experimentation. none of these modes of subjection dictate how exactly subjects will behave; instead they generate tendencies or attractor points which pull subjects into predictable, stultifying orbits. resisting or transforming these systems is never straightforward, because it means resisting and transforming one’s own habits and desires. it means surprising both the structure and oneself with something unexpected, new, and enabling.

I believe that any man's life will be filled with constant, unexpected encouragements of this kind (surprises) if he makes up his mind to do his level best each day of his life -- that is, tries to make each day reach as nearly as possible the high-water mark of pure, unselfish, useful living. I pity the man, black or white, who has never experienced the joy and satisfaction that come to one by reason of an effort to assist in making someone else more useful and more happy.

It was chivalrous because she was too remote for real companionship, so that there was always a kind of chance in one's offering; perhaps she would not perceive it; perhaps she would kindle rapture by a sudden recognition; her distance made such close moments exquisitely sweet. But alas, no humble friendship however romantic, could give her the sense that we completely shared her thoughts; the nature of them made it hard for anyone to understand; and her sorrow was very lonely. Perhaps one would come into a room unexpectedly and surprise her in tears, and, to one's miserable confusion, she would hide them instantly, and speak ordinary words, as though she did not imagine that one could understand her suffering.

Grief—both Charlie and Brody knew this well—doesn’t come in the immediacy of the moment. Nor does it send a calling card for later. It arrives unannounced, springing from some unexpected incident, grabbing the heart in moments of total surprise.

Her hands warming on tea looked like chunks of knitting a child had felted in grubby palms. Enough decades, and a body slowly twists into one great cramp, but there was a time once, where she had been sexy, and if not sexy, at least odd-looking enough to compel. Through this clear window she could see how good it all had been. She had no regrets. That's not true, Mathilde. The whisper in the ear. Oh, Christ, yes, there was one. Solitary, gleaming, a regret. It was that all her life she had said no. From the beginning she had let so few people in. That first night, his young face glowing up a hers in the black light, bodies beating the air around them, and inside there was that unexpected sharp recognition, oh, this. A sudden peace arriving for her. She who hadn't been at peace since she was so little. Out of nowhere, out of this surprising night with its shatters of lightning and the stormy black campus outside, with the heat and song and sex and animal fear inside. He had seen her and made the leap and swung through the crowd and taken her hand, this bright boy who was giving her a place to rest. He offered not only his whole laughing self, the past that build him and the warm beating body that moved her with its beauty and the future she felt compressed and waiting, but also the torch he carried before him in the dark, his understanding, dazzling, instant, that there was goodness at her core. With the gift came the bitter seed of regret, the unbridgeable gap between the Mathilde she was and the Mathilde he had seen her to be. A question, in the end, of vision. She wished she'd been the kind Mathilde, the good one, his idea of her. She would have looked smiling down at him, she would've heard beyond marry me to the world that spun behind the words. There would have been no pause, no hesitation. She would've laughed, touched his face for the first time, felt his warmth in the palm of her hand. 'Yes,' she would've said. 'Sure.

What entertainment value is there in executions if not for the occasional surprise? Why does the public attend? For the unexpected! A condemned man who flails about, or launches into a final fiery tirade. But times are changing, indeed they are...

God was neither surprised nor afraid. You see, there is no mystery with God. He is never caught off guard. He never wonders how he is going to deal with the unexpected thing. I love the words of Daniel 2:22: “He knows what is in the darkness, and light dwells with him.” God is with you in your moments of darkness because he will never leave you. But your darkness isn’t dark to him. Your mysteries aren’t mysterious to him. Your surprises don’t surprise him. He understands all the things that confuse you

I believe that any man's life will be filled with constant, unexpected encouragements of this kind (surprises) if he makes up his mind to do his level best each day of his life -- that is, tries to make each day reach as nearly as possible the high-water mark of pure, unselfish, useful living. I pity the man, black or white, who has never experienced the joy and satisfaction that come to one by reason of an effort to assist in making someone else more useful and more happy." -- Booker T. Washington, 1901.

As she sat thus, the lamplight full on her clear brow, he said to himself with a secret dismay that he would always know the thoughts behind it, that never, in all the years to come, would she surprise him by an unexpected mood, by a new idea, a weakness, a cruelty or an emotion. She had spent her poetry and romance on their short courting: the function was exhausted because the need was past. Now she was simply ripening into a copy of her mother, and mysteriously, by the very process, trying to turn him into a Mr. Welland.

Anger flashed through me, hot and wild. I gasped in surprise at the unexpected reaction. I’d heard of the emotional instability of these human bodies, but this was beyond my ability to anticipate. In eight full lives, I’d never had an emotion touch me with such force.

There had been a time, once, when he had not lived like this, a .32 under his pillow, a lunatic in the back yard firing off a pistol for God knew what purpose, some other nut or perhaps the same one imposing a brain-print of his own shorted-out upstairs on an incredibly expensive and valued cephscope that everyone in the house, plus all their friends, loved and enjoyed. In former days Bob Arctor had run his affairs differently: there had been a wife much like other wives, two small daughters, a stable household that got swept and cleaned and emptied out daily, the dead newspapers not even opened carried from the front walk to the garbage pail, or even, sometimes, read. But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It flashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it. He wanted a divorce; he wanted to split. And so he had, very soon. And entered, by degrees, a new and somber life, lacking all of that. Probably he should have regretted his decision. He had not. That life had been one without excitement, with no adventure. It had been too safe. All the elements that made it up were right there before his eyes, and nothing new could ever be expected. It was like, he had once thought, a little plastic boat that would sail on forever, without incident, until it finally sank, which would be a secret relief to all. But in this dark world where he now dwelt, ugly things and surprising things and once in a long while a tiny wondrous thing spilled out at him constantly; he could count on nothing.

Yes, but you’ll slowly discover that you’re not as different as you initially assumed, and then he’ll surprise you with how thoughtful he is, and then you’ll come to his rescue in an unexpected moment of need, and you’ll fall madly in love with each other and live happily ever after.

And then he has nothing to do. After three weeks-or is it a lifetime?-of ceaseless activity, he has nothing to do. A very long sentence, anchored in solid nouns, with countless subordinate clauses, scores of adjectives and adverbs, and bold conjunctions that launched the sentence in a new direction-besides unexpected interludes-has finally, with a surprisingly quiet full stop, come to an end. For an hour or so, sitting outside on the landing at the top of the stairs, nursing a coffee, tired, a little relieved, a little worried, he contemplates that full stop. What will the next sentence bring?

The army leadership, taking these wishes of Hitler on board and also bearing in mind the outcome of the war games, had already adjusted its strategic thinking when, on 18 February, Hitler spoke of the favourable impression he had gained of Manstein’s plan the day before.42 The die was now cast. By chance, the basic thoughts of the amateur had coincided with the brilliantly unorthodox planning of the professional strategist. Further refined by the OKH, the Manstein plan gave Hitler what he wanted: a surprise assault in the most unexpected area which, though not without risk, had the boldness of genius. The

The goal that you hope you will one day arrive at after a long and roundabout journey you are able to possess right now, if only you do not deny it to yourself. That is, if you can let go of the past, entrust the future to Providence and redirect the present according to justice and the sacred. To the sacred, so that you welcome what has been given to you, for Nature has brought this to you, and you to it; and to justice, in order that you may speak the truth freely and without distortion, and that you may act in accordance with what is lawful and right. Do not allow yourself to be hindered by the harmful actions, judgments, or the words of another, or by the sensations of the flesh which has formed itself around you. Let the body take care of those. But if, when you have come to the end, having let go of all other things, you honor only your guiding part and the divinity that is within you, and you do not fear ceasing to live so much as you fear never having begun to live in accordance with Nature--then you will be a man who is worth of the Cosmos that created you; and you will cease to live like a stranger in your own land, that is, surprised at unexpected everyday occurrences and wholly distracted by this and that.

If we’re willing to look in a deep way underneath the appearances, what we expect to discover—or perhaps hope to discover—is some great, shining image. Most people, deep in their unconscious, want to find an idea of themselves, an image of themselves, that’s really good, quite wonderful, quite worthy of admiration and approval. Yet, when we start to peer underneath our image, we find something quite surprising—maybe even a bit disturbing at first. We begin to find no image. If you look right at this moment, underneath your idea of yourself, and you don’t insert another idea or another image, but if you just look under however you define yourself and you see it’s just an image, it’s just an idea, and you peer underneath it, what you find is no image, no idea of yourself. Not a better image, not a worse image, but no image. Because this is so unexpected, most people will move away from it almost instinctively. They’ll move right back into a more positive image. But if we really want to know who we are, if we want to get to the bottom of this particular way in which we suffer, arising from believing ourselves to be something we’re not, then we have to be willing to look underneath the image, underneath the idea that we have of each other, and most specifically of ourselves.

If you are in difficulties with a book,” suggested H. G. Wells, “try the element of surprise: attack it at an hour when it isn’t expecting it.” This was one way Gail Godwin learned to outfox her “watcher” (the inner critic who kept an eye on her as she worked): looking for times to write when she was off guard. Other tactics Godwin found helpful included writing too fast and in unexpected places and times; working when tired; writing in purple ink on the back of charge card statements; and jotting down whatever came to mind while a tea kettle boiled, using its whistle as a deadline. “Deadlines are a great way to outdistance the watcher,” advised Godwin.

If a boy fires off a gun, whether at a fox, a landlord or a reigning sovereign, he will be rebuked according to the relative value of these objects. But if he fires off a gun for the first time it is very likely that he will not expect the recoil, or know what a heavy knock it can give him. He may go blazing away through life at these and similar objects in the landscape; but he will be less and less surprised by the recoil; that is, by the reaction. He may even dissuade his little sister of six from firing off one of the heavy rifles designed for the destruction of elephants; and will thus have the appearance of being himself a reactionary. Very much the same principle applies to firing off the big guns of revolution. It is not a man's ideals that change; it is not his Utopia that is altered; the cynic who says, "You will forget all that moonshine of idealism when you are older," says the exact opposite of the truth. The doubts that come with age are not about the ideal, but about the real. And one of the things that are undoubtedly real is reaction: that is, the practical probability of some reversal of direction, and of our partially succeeding in doing the opposite of what we mean to do. What experience does teach us is this: that there is something in the make-up and mechanism of mankind, whereby the result of action upon it is often unexpected, and almost always more complicated than we expect.

I've been thinking," he said huskily. A tremulous smile curved her lips. "About what?" "Trust. When I told you I couldn't count on someone loving me..." "Yes, I remember." "I realized that before I can have trust... actually feel it... I'll have to start doing it. Trusting blindly. I'll have to learn how. It's... difficult." Her beautiful eyes shimmered. "I know, darling," she whispered. "But if I'm ever going to try it with anyone, it has to be you." Phoebe inched closer to him. Her eyes were so bright, they were like bottled lightning. "I've been thinking, too." "About?" "About surprises. You see, there was no way of knowing how much time Henry and I would have together before his decline started. As it turned out, it was even less time than we'd expected. But it was worth it. I would do it again. I wasn't afraid of his illness, and I'm not afraid of your past, or whatever might leap out at us. That's the chance everyone takes, isn't it? The only ironclad guarantee is that we'll love each other." Her voice thickened with emotion. "And I do, West. I love you so very much.

9. Your Photo Album Many people have a photo album. In it they keep memories of the happiest of times. There may be a photo of them playing by the beach when they were very young. There may be the picture with their proud parents at their graduation ceremony. There will be many shots of their wedding that captures their love at one of its highest points. And there will be holiday snapshots too. But you will never find in your album any photographs of miserable moments of your life. Absent is the photo of you outside the principal’s office at school. Missing is any photo of you studying hard late into the night for your exams. No one that I know has a picture of their divorce in their album, nor one of them in a hospital bed terribly sick, nor stuck in busy traffic on the way to work on a Monday morning! Such depressing shots never find their way into anyone’s photo album. Yet there is another photo album that we keep in our heads called our memory. In that album, we include so many negative photographs. There you find so many snapshots of insulting arguments, many pictures of the times when you were so badly let down, and several montages of the occasions where you were treated cruelly. There are surprisingly few photos in that album of happy moments. This is crazy! So let’s do a purge of the photo album in our head. Delete the uninspiring memories. Trash them. They do not belong in this album. In their place, put the same sort of memories that you have in a real photo album. Paste in the happiness of when you made up with your partner, when there was that unexpected moment of real kindness, or whenever the clouds parted and the sun shone with extraordinary beauty. Keep those photos in your memory. Then when you have a few spare moments, you will find yourself turning its pages with a smile, or even with laughter.

The sight of that dear form was unexpected, it had appeared unhoped-for, without giving him time to compose his features. Joy, surprise, and admiration might have painted themselves quite openly upon his face - and just at this second it happened that Tadzio smiled. Smiled at Aschenbach, unabashed and friendly, a speaking, winning, captivating smile, with slowly parting lips. With such a smile it might be that Narcissus bent over the mirroring pool, a smile profound, infatuated, lingering, as he put out his arms to the reflection of his own beauty; the lips just slightly pursed, perhaps half-realizing his own folly in trying to kiss the cold lips of his shadow—with a mingling of coquetry and curiosity and a faint unease, enthralling and enthralled.

Dain Waris, the distinguished youth, was the first to believe in him; theirs was one of those strange, profound, rare friendships between brown and white, in which the very difference of race seems to draw two human beings closer by some mystic element of sympathy. Of Dain Waris, his own people said with pride that he knew how to fight like a white man. This was true; he had that sort of courage—the courage in the open, I may say—but he had also a European mind. You meet them sometimes like that, and are surprised to discover unexpectedly a familiar turn of thought, an unobscured vision, a tenacity of purpose, a touch of altruism. Of small stature, but admirably well proportioned, Dain Waris had a proud carriage, a polished, easy bearing, a temperament like a clear flame.

Every exam, every tournament, every match, every recital—there’s always some wrinkle, some misplaced calculator or sudden headache, a glaring sun or an unexpected essay question. At bottom, interleaving is a way of building into our daily practice not only a dose of review but also an element of surprise. “The brain is exquisitely tuned to pick up incongruities, all of our work tells us that,” said Michael Inzlicht, a neuroscientist at the University of Toronto. “Seeing something that’s out of order or out of place wakes the brain up, in effect, and prompts the subconscious to process the information more deeply: ‘Why is this here?’ ” Mixed-up practice doesn’t just build overall dexterity and prompt active discrimination. It helps prepare us for life’s curveballs, literal and figurative.

The whole secret lies in confusing the enemy, so that he cannot fathom our real intent.’” To put it perhaps a little more clearly: any attack or other operation is CHENG, on which the enemy has had his attention fixed; whereas that is CH’I,” which takes him by surprise or comes from an unexpected quarter. If the enemy perceives a movement which is meant to be CH’I,” it immediately becomes CHENG.”] 4.    That the impact of your army may be like a grindstone dashed against an egg— this is effected by the science of weak points and strong. 5.    In all fighting, the direct method may be used for joining battle, but indirect methods will be needed in order to secure victory. [Chang Yu says: “Steadily develop indirect tactics, either by pounding the enemy’s flanks or falling on his rear.” A brilliant example of “indirect tactics” which decided the fortunes of a campaign was Lord Roberts’ night march round the Peiwar Kotal in the second Afghan war.76 6.    Indirect tactics, efficiently applied, are inexhausible as Heaven and Earth, unending as the flow of rivers and streams; like the sun and moon, they end but to begin anew; like the four seasons, they pass away to return once more. [Tu Yu and Chang Yu understand this of the permutations of CH’I and CHENG.” But at present Sun Tzu is not speaking of CHENG at all, unless, indeed, we suppose with Cheng Yu-hsien that a clause relating to it has fallen out of the text. Of course, as has already been pointed out, the two are so inextricably interwoven in all military operations, that they cannot really be considered apart. Here we simply have an expression, in figurative language, of the almost infinite resource of a great leader.] 7.    There are not more than five musical notes, yet the combinations of these five give rise to more melodies than can ever be heard. 8.    There are not more than five primary colors (blue, yellow, red, white, and black), yet in combination they produce more hues than can ever been seen. 9.    There are

Sometimes the less we know about what will happen in a work of fiction, the better off we are. Because the more we know about what happens next, the more we close off the possibilities of the unexpected, the less chance we have of allowing our subconscious minds to speculate and probe down to the awkward truths that we need to express instead of glib things we initially thought we wanted to say. If we already know what we intend to say, we are going to learn nothing by saying it. Only when we allow our imagination the space to catch us by surprise, when we sit back and stare in bafflement at words that suddenly start appearing on our screens, do we find ourselves to be truly writing. Only then can we honestly say that we are being brought – often by the seat of our pants – on imaginative journeys into the unknown.

We live, therefore, between Easter and the consummation, following Jesus Christ in the power of the Spirit and commissioned to be for the world what he was for Israel, bringing God's redemptive reshaping to our world. Christians have always found it difficult to understand and articulate this, and have regularly distorted the picture in one direction or the other. [ ... ] When God does what God intends to do, this will be an act of fresh grace, of radical newness. At one level it will be quite unexpected, like a surprise party with guests we never thought we would meet and delicious food we never thought we would taste. But at the same time there will be a rightness about it, a rich continuity with what has gone before so that in the midst of our surprise and delight we will say, 'Of course! This is how it had to be, even though we'd never imagined it.

Hayden’s soft steps resume beside me, muffled and hollow sounding. “Did your dad…Is he gone?” “Died a few years ago,” I confirm. “My parents were pretty old when they had us, so it wasn’t totally unexpected, but it still sucked. Sucks.” “I’m sorry,” he says. I force a slight smile in his direction. “Thanks.” “I always feel stupid saying that,” he murmurs. “I know,” I agree, “but there’s nothing else to say. And honestly, I would say seventy percent of my friends have pretty horrible relationships with their dads, so even if I didn’t get mine as long as I wish I could have, I still feel lucky.” “You’re not obligated to,” he says quietly. “You can feel cheated, Alice.” I feel a surprising prickle at the back of my nose and a tender ache in my heart. Not just because I’m thinking about my dad, but because what Cillian said wings through my mind again: An unpleasant sort. I could never blame Cillian for having that impression, but it bothers me to think of people out there meeting Hayden Anderson and coming away with this partial view of him. He can be unpleasant. He can also be kind, and even funny. He can be clueless that you are standing right next to him, but he also might notice you being harassed from the other side of the parking lot and intercede on your behalf. “I know I can,” I finally admit. “But I’d rather think of it like this. Like it only hurts this much because he was so great.” And so much reminds me of him that in a way it’s like he’s still here. Especially here, in the Georgian summer, interviewing a woman we’d both always been fascinated by. Hayden nods to himself, but neither of us says anything for a while. We just hike along the path in companionable silence, our arms grazing every several steps, our skin slightly sticky.

Being unexpected adds to the weight of a disaster, and being a surprise has never failed to increase a person’s pain. For that reason, nothing should ever be unexpected by us. Our minds should be sent out in advance to all things and we shouldn’t just consider the normal course of things, but what could actually happen. For is there anything in life that Fortune won’t knock off its high horse if it pleases her?” —SENECA, MORAL LETTERS, 91.3a–4

The Chinese ideograph for forbearance is a heart with a sword dangling over it, another instance of language's brilliant way of showing us something surprising and important fossilized inside the meaning of a word. Vulnerability is built into our hearts, which can be sliced open at any moment by some sudden shift in the arrangements, some pain, some horror, some hurt. We all know and instinctively fear this, so we protect our hearts by covering them against exposure. But this doesn't work. Covering the heart binds and suffocates it until, like a wound that has been kept dressed for too long, the heart starts to fester and becomes fetid. Eventually, without air, the heart is all but killed off, and there's no feeling, no experiencing at all. To practice forbearance is to appreciate and celebrate the heart's vulnerability, and to see that the slicing or piercing of the heart does not require defense; that the heart's vulnerability is a good thing, because wounds can make us more peaceful and more real—if, that is, we are willing to hang on to the leopard of our fear, the serpent of our grief, the boar of our shame without running away or being hurled off. Forbearance is simply holding on steadfastly with whatever it is that unexpectedly arises: not doing anything; not fixing anything (because doing and fixing can be a way to cover up the heart, to leap over the hurt and pain by occupying ourselves with schemes and plans to get rid of it.) Just holding on for hear life. Holding on with what comes is what makes life dear. ...Simply holding on this way may sound passive. Forbearance has a bad reputation in our culture, whose conventional wisdom tells us that we ought to solve problems, fix what's broken, grab what we want, speak out, shake things up, make things happen. And should none of this work out, then we are told we ought to move on, take a new tack, start something else. But this line of thinking only makes sense when we are attempting to gain external satisfaction. It doesn't take into account internal well-being; nor does it engage the deeper questions of who you really are and what makes you truly happy, questions that no one can ignore for long... Insofar as forbearance helps us to embrace transformative energy and allow its magic to work on us... forbearance isn't passive at all. It's a powerfully active spiritual force, (67-70).

Okay," she murmured. "I love you." "I love you too." She looked up at Holgar and realized that he didn't understand. She could feel her heartbeat speeding up, and she shook her head. His smile began to fade. "Not as a friend, or as a partner. Holgar, I—I love you, and I want to be with you." His smile faded, and his eyes took on a strange look. She could feel herself beginning to panic. He doesn't feel the same way. That's okay. At least I told him. "Like a mate?" he asked. She almost started laughing. A mate was British slang for a best friend. But that's not what Holgar was likely referencing. He was a werewolf, and they called their spouses mates. "Like a mate," she said, managing not to giggle at the unexpected language barrier. He still looked confused and a little lost. "For helvede," she said, using his favourite curse word. And then she leaned forward and kissed him. She tasted surprise on his lips for just a moment, and then he wrapped his arms around her and crushed her to him. she would have to do a healing spell on her bruised ribs later, but at the moment she didn't care. All she cared about was the passion, the yearning, she felt from him. When at last they broke apart, she whispered again, "I love you." "I love you too," he said. And looking into his eyes this time, she knew that they were talking about the same thing. "So, do we want to give us a shot?" she asked, breathless. He looked at her, confusion again returning to his eyes. "You love me, ja?" "Yes, ja," she said. He grinned at her. His eyes danced. "Then marry me.

ultimately, most of us would choose a rich and meaningful life over an empty, happy one, if such a thing is even possible. “Misery serves a purpose,” says psychologist David Myers. He’s right. Misery alerts us to dangers. It’s what spurs our imagination. As Iceland proves, misery has its own tasty appeal. A headline on the BBC’s website caught my eye the other day. It read: “Dirt Exposure Boosts Happiness.” Researchers at Bristol University in Britain treated lung-cancer patients with “friendly” bacteria found in soil, otherwise known as dirt. The patients reported feeling happier and had an improved quality of life. The research, while far from conclusive, points to an essential truth: We thrive on messiness. “The good life . . . cannot be mere indulgence. It must contain a measure of grit and truth,” observed geographer Yi-Fu Tuan. Tuan is the great unheralded geographer of our time and a man whose writing has accompanied me throughout my journeys. He called one chapter of his autobiography “Salvation by Geography.” The title is tongue-in-cheek, but only slightly, for geography can be our salvation. We are shaped by our environment and, if you take this Taoist belief one step further, you might say we are our environment. Out there. In here. No difference. Viewed that way, life seems a lot less lonely. The word “utopia” has two meanings. It means both “good place” and “nowhere.” That’s the way it should be. The happiest places, I think, are the ones that reside just this side of paradise. The perfect person would be insufferable to live with; likewise, we wouldn’t want to live in the perfect place, either. “A lifetime of happiness! No man could bear it: It would be hell on Earth,” wrote George Bernard Shaw, in his play Man and Superman. Ruut Veenhoven, keeper of the database, got it right when he said: “Happiness requires livable conditions, but not paradise.” We humans are imminently adaptable. We survived an Ice Age. We can survive anything. We find happiness in a variety of places and, as the residents of frumpy Slough demonstrated, places can change. Any atlas of bliss must be etched in pencil. My passport is tucked into my desk drawer again. I am relearning the pleasures of home. The simple joys of waking up in the same bed each morning. The pleasant realization that familiarity breeds contentment and not only contempt. Every now and then, though, my travels resurface and in unexpected ways. My iPod crashed the other day. I lost my entire music collection, nearly two thousand songs. In the past, I would have gone through the roof with rage. This time, though, my anger dissipated like a summer thunderstorm and, to my surprise, I found the Thai words mai pen lai on my lips. Never mind. Let it go. I am more aware of the corrosive nature of envy and try my best to squelch it before it grows. I don’t take my failures quite so hard anymore. I see beauty in a dark winter sky. I can recognize a genuine smile from twenty yards. I have a newfound appreciation for fresh fruits and vegetables. Of all the places I visited, of all the people I met, one keeps coming back to me again and again: Karma Ura,

You were burning in the middle of the worst solar storm our records can remember. (...) Everyone else fled. All your companions and crew left you alone to wrestle with the storm. “You did not blame them. In a moment of crystal insight, you realized that they were cowards beyond mere cowardice: their dependence on their immortality circuits had made it so that they could not even imagine risking their lives. They were all alike in this respect. They did not know they were not brave; they could not even think of dying as possible; how could they think of facing it, unflinching? “You did not flinch. You knew you were going to die; you knew it when the Sophotechs, who are immune to pain and fear, all screamed and failed and vanished. “And you knew, in that moment of approaching death, with all your life laid out like a single image for you to examine in a frozen moment of time, that no one was immortal, not ultimately, not really. The day may be far away, it may be further away than the dying of the sun, or the extinction of the stars, but the day will come when all our noumenal systems fail, our brilliant machines all pass away, and our records of ourselves and memories shall be lost. “If all life is finite, only the grace and virtue with which it is lived matters, not the length. So you decided to stay another moment, and erect magnetic shields, one by one; to discharge interruption masses into the current, to break up the reinforcement patterns in the storm. Not life but honor mattered to you, Helion: so you stayed a moment after that moment, and then another. (...) “You saw the plasma erupting through shield after shield (...) Chaos was attempting to destroy your life’s work, and major sections of the Solar Array were evaporated. Chaos was attempting to destroy your son’s lifework, and since he was aboard that ship, outside the range of any noumenal circuit, it would have destroyed your son as well. “The Array was safe, but you stayed another moment, to try to deflect the stream of particles and shield your son; circuit after circuit failed, and still you stayed, playing the emergency like a raging orchestra. “When the peak of the storm was passed, it was too late for you: you had stayed too long; the flames were coming. But the radio-static cleared long enough for you to have last words with your son, whom you discovered, to your surprise, you loved better than life itself. In your mind, he was the living image of the best thing in you, the ideal you always wanted to achieve. “ ‘Chaos has killed me, son,’ you said. ‘But the victory of unpredictability is hollow. Men imagine, in their pride, that they can predict life’s each event, and govern nature and govern each other with rules of unyielding iron. Not so. There will always be men like you, my son, who will do the things no one else predicts or can control. I tried to tame the sun and failed; no one knows what is at its fiery heart; but you will tame a thousand suns, and spread mankind so wide in space that no one single chance, no flux of chaos, no unexpected misfortune, will ever have power enough to harm us all. For men to be civilized, they must be unlike each other, so that when chaos comes to claim them, no two will use what strategy the other does, and thus, even in the middle of blind chaos, some men, by sheer blind chance, if nothing else, will conquer. “ ‘The way to conquer the chaos which underlies all the illusionary stable things in life, is to be so free, and tolerant, and so much in love with liberty, that chaos itself becomes our ally; we shall become what no one can foresee; and courage and inventiveness will be the names we call our fearless unpredictability…’ “And you vowed to support Phaethon’s effort, and you died in order that his dream might live.

The story of Kelly is easily told. He was a murderous thug who deserved to be hanged and was. He came from a family of rough Irish settlers, who made their living by stealing livestock and waylaying innocent passers-by. Like most bushrangers he was at pains to present himself as a champion of the oppressed, though in fact there wasn’t a shred of nobility in his character or his deeds. He killed several people, often in cold blood, sometimes for no very good reason. In 1880, after years on the run, Kelly was reported to be holed up with his modest gang (a brother and two friends) in Glenrowan, a hamlet in the foothills of the Warby Range in north-eastern Victoria. Learning of this, the police assembled a large posse and set off to get him. As surprise attacks go, it wasn’t terribly impressive. When the police arrived (on an afternoon train) they found that word of their coming had preceded them and that a thousand people were lined up along the streets and sitting on every rooftop eagerly awaiting the spectacle of gunfire. The police took up positions and at once began peppering the Kelly hideout with bullets. The Kellys returned the fire and so it went throughout the night. The next dawn during a lull Kelly stepped from the dwelling, dressed unexpectedly, not to say bizarrely, in a suit of home-made armour – a heavy cylindrical helmet that brought to mind an inverted bucket, and a breastplate that covered his torso and crotch. He wore no armour on his lower body, so one of the policemen shot him in the leg. Aggrieved, Kelly staggered off into some nearby woods, fell over and was captured. He was taken to Melbourne, tried and swiftly executed. His last words were: ‘Such is life.

Dear patient (first name, last name)! You are presently located in our experimental state hospital. The measures taken to save your life were drastic, extremely drastic (circle one). Our finest surgeons, availing themselves of the very latest achievements of modern medicine, performed one, two, three, four, five, six, seven, eight, nine, ten operations (circle one) on you. They were forced, acting wholly in your interest to replace certain parts of your organism with parts obtained from other persons, in strict accordance with Federal Law (Rev. Stat. Comm. 1-989/0-001/89/1). The notice you are now reading was thoughtfully prepared in order to help you make the best possible adjustment to these new if somewhat unexpected circumstances in your life, which, we hasten to remind you, we have saved. Although it was found necessary to remove your arms, legs, spine, skill, lungs, stomach, kidneys, liver, other (circle one or more), rest assured that these mortal remains were disposed of in a manner fully in keeping with the dictates of your religion; they were, with the proper ritual, interred, embalmed, mummified, buried at sea, cremated with the ashes scattered in the wind—preserved in an urn—thrown in the garbage (circle one). The new form in which you will henceforth lead a happy and healthy existence may possibly occasion you some surprise, but we promise that in time you will become, as indeed all our dear patients do, quite accustomed to it We have supplemented your organism with the very best, the best, perfectly functional, adequate, the only available (circle one) organs at our disposal, and they are fully guaranteed to last a year, six months, three months, three weeks, six days (circle one).

Then what, please, did Harry like? “I see. Do you have other investments?” She took a deep breath and suddenly looked worried. “I can trust you, right, Mr. Latch?” “Of course. I’m your lawyer, duty bound to keep everything confidential.” Simon noticed a slight flutter in his intestines, as if some truly wonderful and unexpected facts might be in the works. He’d had a few surprises in the past eighteen years as a pseudo estate lawyer, but nothing significant. “Well, you see Mr. Latch—” “Please call me Simon.” “Simon, what a nice name. You see, Simon, Harry worked for almost forty years as a district sales rep for Coca-Cola. I think that’s what killed him. He got his blood sugar up, had a stroke at sixty-nine, never recovered. We always had plenty of Coke, the real thing, not diet, in the fridge and he drank too many, at least in my opinion. Anyway, he qualified for stock options, a few at a time, and he bought every share of Coke he could get his hands on. Never sold a share, just enjoyed watching it pile up. And boy did it. Then about thirty years ago, he began selling Coke products to Wal-Mart and became fascinated with the company. It

The usual notion of prayer is so absurd. How can those who know nothing about it, who pray little or not at all, dare speak so frivolously of prayer? A Carthusian, a Trappist will work for years to make of himself a man of prayer, and then any fool who comes along sets himself up as judge of this lifelong effort. If it were really what they suppose, a kind of chatter, the dialogue of a madman with his shadow, or even less—a vain and superstitious sort of petition to be given the good things of this world, how could innumerable people find until their dying day, I won't even say such great 'comfort'—since they put no faith in the solace of the senses—but sheer, robust, vigorous, abundant joy in prayer? Oh, of course—suggestion, say the scientists. Certainly they can never have known old monks, wise, shrewd, unerring in judgement, and yet aglow with passionate insight, so very tender in their humanity. What miracle enables these semi-lunatics, these prisoners of their own dreams, these sleepwalkers, apparently to enter more deeply each day into the pain of others? An odd sort of dream, an unusual opiate which, far from turning him back into himself and isolating him from his fellows, unites the individual with mankind in the spirit of universal charity! This seems a very daring comparison. I apologise for having advanced it, yet perhaps it might satisfy many people who find it hard to think for themselves, unless the thought has first been jolted by some unexpected, surprising image. Could a sane man set himself up as a judge of music because he has sometimes touched a keyboard with the tips of his fingers? And surely if a Bach fugue, a Beethoven symphony leave him cold, if he has to content himself with watching on the face of another listener the reflected pleasure of supreme, inaccessible delight, such a man has only himself to blame. But alas! We take the psychiatrists' word for it. The unanimous testimony of saints is held as of little or no account. They may all affirm that this kind of deepening of the spirit is unlike any other experience, that instead of showing us more and more of our own complexity it ends in sudden total illumination, opening out upon azure light—they can be dismissed with a few shrugs. Yet when has any man of prayer told us that prayer had failed him?

Always I find when I begin to write there is one character who obstinately will not come alive. There is nothing psychologically false about him, but he sticks, he has to be pushed around, words have to be found for him, all the technical skill I have acquired through laborious years has to be employed in making him appear alive to my readers { } He never does the unexpected thing, he never surprises me, he never takes charge. Every other character helps. He only hinders [ ]. And yet I cannot do without him. I can imagine a God feeling in just the same way about us. The saints, one would suppose, in a sense create themselves. They come alive. They are capable of the surprising act or word, they stand outside the plot, unconditioned by it. But we have to be pushed around. We have the obstinancy of nonexistence. We are inextricable bound to the plot, and wearily God forces us, here and there, according to his intention, characters without poetry, without free will, whose only importance is that somewhere, at some time, we help to furnish the scene in which a living character moves and speaks, providing perhapsthe saints with the opportunities for their free will.

O Lord, how many are Your works! In wisdom You have made them all.… —Psalm 104:24 (NAS) In her intriguing book What’s Your God Language? Dr. Myra Perrine explains how, in our relationship with Jesus, we know Him through our various “spiritual temperaments,” such as intellectual, activist, caregiver, traditionalist, and contemplative. I am drawn to naturalist, described as “loving God through experiencing Him outdoors.” Yesterday, on my bicycle, I passed a tom turkey and his hen in a sprouting cornfield. Suddenly, he fanned his feathers in a beautiful courting display. I thought how Jesus had given me His own show of love in surprising me with that wondrous sight. I walked by this same field one wintry day before dawn and heard an unexpected huff. I had startled a deer. It was glorious to hear that small, secret sound, almost as if we held a shared pleasure in the untouched morning. Visiting my daughter once when she lived well north of the Arctic Circle in Alaska, I can still see the dark silhouettes of the caribou and hear the midnight crunch of their hooves in the snow. I’d watched brilliant green northern lights flash across the sky and was reminded of the emerald rainbow around Christ’s heavenly throne (Revelation 4:3). On another Alaskan visit, a full moon setting appeared to slide into the volcanic slope of Mount Iliamna, crowning the snow-covered peak with a halo of pink in the emerging light. I erupted in praise to the triune God for the grandeur of creation. Traipsing down a dirt road in Minnesota, a bloom of tiny goldfinches lifted off yellow flowers growing there, looking like the petals had taken flight. I stopped, mesmerized, filled with the joy of Jesus. Jesus, today on Earth Day, I rejoice in the language of You. —Carol Knapp Digging Deeper: Pss 24:1, 145:5; Hb 2:14

Footsteps from the stairwell startle him out of the past. He turns around as Emma's mother takes the last step into the dining area, Emma right behind her. Mrs. McIntosh glides over and puts her arm around him. The smile on her face is genuine, but Emma's smile is more like a straight line. And she's blushing. "Galen, it's very nice to meet you," she says, ushering him into the kitchen. "Emma tells me you're taking her to the beach behind your house today. To swim?" "Yes, ma'am." Her transformation makes him wary. She smiles. "Well, good luck with getting her in the water. Since I'm a little pressed for time, I can't follow you over there, so I just need to see your driver's license while Emma runs outside to get your plate number." Emma rolls her eyes as she shuffles through a drawer and pulls out a pen and paper. She slams the door behind her when she leaves, which shakes the dishes on the wall. Galen nods, pulls out his wallet, and hands over the fake license. Mrs. McIntosh studies it and rummages through her purse until she produces a pen-which she uses to write on her hand. “Just need your license number in case we ever have any problems. But we’re not going to have any problems, are we, Galen? Because you’ll always have my daughter-my only daughter-home on time, isn’t that right?” He nods, then swallows. She holds out his license. When he accepts it, she grabs his wrist, pulling him close. She glances at the garage door and back to him. “Tell me right now, Galen Forza. Are you or are you not dating my daughter?” Great. She still doesn’t believe Emma. If she won’t believe them anyway, why keep trying to convince her? If she thinks they’re dating, the time he intends to spend with Emma will seem normal. But if they spend time together and tell her they’re not dating, she’ll be nothing but suspicious. Possibly even spy on them-which is less than ideal. So, dating Emma is the only way to make sure she mates with Grom. Things just get better and better. “Yes,” he says. “We’re definitely dating.” She narrows her eyes. “Why would she tell me you’re not?” He shrugs. “Maybe she’s ashamed of me.” To his surprise, she chuckles. “I seriously doubt that, Galen Forza.” Her humor is short lived. She grabs a fistful of his T-shirt. “Are you sleeping with her?” Sleeping…Didn’t Rachel say sleeping and mating are the same thing? Dating and mating are similar. But sleeping and mating are the same exact same. He shakes his head. “No, ma’am.” She raises a no-nonsense brow. “Why not? What’s wrong with my daughter?” That is unexpected. He suspects this woman can sense a lie like Toraf can track Rayna. All she’s looking for is honesty, but the real truth would just get him arrested. I’m crazy about your daughter-I’m just saving her for my brother. So he seasons his answer with the frankness she seems to crave. “There’s nothing wrong with your daughter, Mrs. McIntosh. I said we’re not sleeping together. I didn’t say I didn’t want to.” She inhales sharply and releases him. Clearing her throat, she smoothes out his wrinkled shirt with her hand, then pats his chest. “Good answer, Galen. Good answer.” Emma flings open the garage door and stops short. “Mom, what are you doing?” Mrs. McIntosh steps away and stalks to the counter. “Galen and I were just chitchatting. What took you so long?” Galen guesses her ability to sense a lie probably has something to do with her ability to tell one. Emma shoots him a quizzical look, but he returns a casual shrug. Her mother grabs a set of keys from a hook by the refrigerator and nudges her daughter out of the way, but not before snatching the paper out of her hand.

Anger flashed through me, hot and wild. I gasped in surprise at the unexpected reaction. I’d heard of the emotional instability of these human bodies, but this was beyond my ability to anticipate. In eight full lives, I’d never had an emotion touch me with such force. I felt the blood pulse through my neck, pounding behind my ears. My hands tightened into fists. The machines beside me reported the acceleration of my heartbeats. There was a reaction in the room: the sharp tap of the Seeker’s shoes approached me, mingled with a quieter shuffle that must have been the Healer. “Welcome to Earth, Wanderer,” the female voice said.

Sometimes it was exhilaratingly easy to be happy again. Other times they found that they did have to “try,” and the trying seemed stupid and pointless and Alice would wake up in the middle of the night thinking of all the times Nick had hurt her and wondering why she hadn’t stayed with Dominick. But then there were the other times, unexpected quiet moments, where they’d catch each other’s eyes, and all the years of hurt and joy, bad times and good times, seemed to fuse into a feeling that she knew was so much stronger, more complex and real, than any of those fledgling feelings for Dominick, or even the love she’d first felt for Nick in those early years. She had always thought that exquisitely happy time at the beginning of her relationship with Nick was the ultimate, the feeling they’d always be trying to replicate, to get back, but now she realized that was wrong. That was like comparing sparkling mineral water to French champagne. Early love is exciting and exhilarating. It’s light and bubbly. Anyone can love like that. But love after three children, after a separation and a near-divorce, after you’ve hurt each other and forgiven each other, bored each other and surprised each other, after you’ve seen the worst and the best—well, that sort of a love is ineffable. It deserves its own word.

When I tell aspiring writers that they should think of themselves as part entertainer, they don’t like to hear it—the word smacks of carnivals and jugglers and clowns. But to succeed you must make your piece jump out of a newspaper or a magazine by being more diverting than everyone else’s piece. You must find some way to elevate your act of writing into an entertainment. Usually this means giving the reader an enjoyable surprise. Any number of devices will do the job: humor, anecdote, paradox, an unexpected quotation, a powerful fact, an outlandish detail, a circuitous approach, an elegant arrangement of words. These seeming amusements in fact become your “style.

To the surprise of many sceptics, the results revealed the following associations: Full-fetal: People adopting this position tend to be anxious, emotional, indecisive, and overly sensitive to criticism. Dunkell interpreted the ‘closed’ nature of this position as indicative of a person who does not want to open themselves up to life. Semi-fetal: This position is associated with people who are well adjusted, conciliatory in nature, amenable to compromises, and unlikely to take extreme stances. Royal: This sleeping position is associated with being self-confident, open, expansive, and sensation-seeking. Prone: Those sleeping face down tend to show a tendency for rigidity and perfectionism. Dunkell thought that these sleepers disliked the unexpected, demand strong evidence for any assertion, and always arrive on time for meetings. The research also showed that those who have no preferred sleeping position have a strong need for being active, enjoy challenging work, and find it difficult to relax. However, please don’t be too upset or worried if your sleeping position suggests that you have a less-than-perfect personality. The associations between people’s sleeping positions and their personalities are fairly weak and many scientists would take them with a pinch of salt. I suspect that this is especially true of those researchers who tend to sleep in a prone position.

The only sound to break the silence was that of Hagrid hiccupping from behind his handkerchief. Harry glanced at Hagrid, who had just risked his own life to save Harry’s—Hagrid, whom he loved, whom he trusted, who had once been tricked into giving Voldemort crucial information in exchange for a dragon’s egg. . . . “No,” Harry said aloud, and they all looked at him, surprised: The firewhisky seemed to have amplified his voice. “I mean . . . if somebody made a mistake,” Harry went on, “and let something slip, I know they didn’t mean to do it. It’s not their fault,” he repeated, again a little louder than he would usually have spoken. “We’ve got to trust each other. I trust all of you, I don’t think anyone in this room would ever sell me to Voldemort.” More silence followed his words. They were all looking at him; Harry felt a little hot again, and drank some more firewhisky for something to do. As he drank, he thought of Mad-Eye. Mad-Eye had always been scathing about Dumbledore’s willingness to trust people. “Well said, Harry,” said Fred unexpectedly. “Yeah, ’ear, ’ear,” said George, with half a glance at Fred, the corner of whose mouth twitched. Lupin was wearing an odd expression as he looked at Harry. It was close to pitying. “You think I’m a fool?” demanded Harry. “No, I think you’re like James,” said Lupin, “who would have regarded it as the height of dishonor to mistrust his friends.

Trusting in God's Direction When I served as a denominational leader in Vancouver, one of our churches believed God was leading it to begin three new mission churches for different language groups. At that time, the church had only seventeen members. Human reason would have immediately ruled out such a large assignment for a small church. They were hoping to receive financial support from our denomination's Home Mission Board to pay the mission pastors' salaries. One pastor was already in the process of relocating to Vancouver when we unexpectedly received word that the mission board would be unable to fund any new work in our area for the next three years. The church didn't have the funds to do what God had called it to do. When they sought my counsel, I suggested that they first go back to the Lord and clarify what God had said to them. If this was merely something they wanted to do for God, God would not be obligated to provide for them. After they sought the Lord, they returned and said, “We still believe God is calling us to start all three new churches.” At this point, they had to walk by faith and trust God to provide for what He was clearly leading them to do. A few months later, the church received some surprising news. Six years earlier, I had led a series of meetings in a church in California. An elderly woman had approached me and said she wanted to will part of her estate for use in mission work in our city. The associational office had just received a letter from an attorney in California informing them that they would be receiving a substantial check from that dear woman's estate. The association could now provide the funds needed by the sponsoring church. The amount was sufficient to firmly establish all three churches this faithful congregation had launched. Did God know what He was doing when He told a seventeen-member church to begin three new congregations? Yes. He already knew the funds would not be available from the missions agency, and He was also aware of the generosity of an elderly saint in California. None of these details caught God by surprise. That small church in Vancouver had known in their minds that God could provide. But through this experience they developed a deeper trust in their all knowing God. Whenever God directs you, you will never have to question His will. He knows what He is going to do.

I threw the carving of my goddess as high and far as I could, into the sky above the waves, and watched its arcing path through the air. As it fell, I saw a golden shape come diving toward the plummeting image, a huge eagle that seized the monster’s tooth in his talons. The feathers on his breast skimmed the sea before he soared back into the sky and flew away. “Did you see that, La--Glaucus?” Milo’s voice sounded in my ear. He’d woken from his nap and come up behind me unexpectedly. I almost jumped overboard with surprise. “It’s a good sign, isn’t it? Or is it predicting that something’s waiting to snatch us away? If that’s so, I swear I won’t let it touch you. But is it a good sign after all? Ah, what does it mean?” “You worry too much, Milo,” I said as if I had no such worries of my own. “If every hero stopped to think about all the what-ifs in his path, none of us would ever take one step beyond our own doorways.” “But you saw what it did,” Milo protested. “The eagle is Lord Zeus’s bird. We can’t just ignore it. Ah, what does it mean?” “What it means,” I said, smiling, “is that you and I have just seen either the world’s most unmistakable omen or the world’s most nearsighted eagle.” May the gods stand by us, I thought as I laughed and Milo stared at me in dismay. May they favor and guide us, but may they never hold us hostage through our fears. “Don’t look at me like that,” I told him, wiping sea spray from my eyes. “I haven’t said anything wrong. I love the gods and honor them, but I’m not their slave. Neither are you. From now on we’re going to make our own omens.” I took his hand, and when he pulled it away, I took it again. This time he let me. We were free.

Lavender,' he commented, looking at the ribbons in her sleeve. 'The prince was tired, he said, of looking at so much black.' 'So am I,' he breathed. ... Sorrow caught her, as it did sometimes unexpectedly: a thumbprint of fire in the hollow of her throat. She swallowed it, said only, 'Because you have been working so hard, my lord.' 'I'm not used to it yet.' He measured a trailing end of the ribbon at her wrist between his fingers, oblivious of the guards and hovering officials who had followed him. ... He added impulsively, 'Perhaps I'll come with you this afternoon.' The thought made her smile. 'To my father's tavern? It's hardly for the likes of you.' 'I've been to --' 'I know, my lord: every tavern in Ombria but the Rose and Thorn. I wonder how you missed it.' Then, out of nowhere, a chill of fear blew through her; she heard herself say, 'We can't both leave the prince. Not both of us at once.' He gave her a strange look, not of surprise, but a reflection of her fear, which she found odder still. He loosed the ribbon, nodded, his eyes returning briefly to the prince's door. 'Perhaps you're right. He knows where you're going?' 'He knows, my lord. But I'll be back before he remembers that I'm gone.' 'Be careful,' he said. 'Tell your father that I will come and draw in his tavern some day.' But that was idle wishing, she knew. Already he was a legend in certain parts of the city, and legends, having made themselves so, rarely returned to repeat their feats. He seemed to read her mind. His eyes, clear, faintly smiling, held hers a moment. 'Not,' he said, 'an idle wish.' A promise, his eyes told her. She blinked, then dismissed the half-glimpsed idea that had rolled like a sea creature on the surface of her mind, then dove back down, so deeply that she had forgotten it before she returned to her chamber.

Let’s start with an elementary example: Imagine hearing a series of identical notes, A A A A A. Each note elicits a response in the auditory areas of your brain—but as the notes repeat, those responses progressively decrease. This is called “adaptation,” a deceptively simple phenomenon that shows that your brain is learning to predict the next event. Suddenly, the note changes: A A A A A#. Your primary auditory cortex immediately shows a strong surprise reaction: not only does the adaptation fade away, but additional neurons begin to vigorously fire in response to the unexpected sound. And it is not just repetition that leads to adaptation: what matters is whether the notes are predictable. For instance, if you hear an alternating set of notes, such as A B A B A, your brain gets used to this alternation, and the activity in your auditory areas again decreases. This time, however, it is an unexpected repetition, such as A B A B B, that triggers a surprise response.

Home. After a lifetime of wandering, of seeking and failing, I finally understood the meaning of the word. Home isn’t a place, a structure you create from wood or bricks or mortar, building the walls high and strong, to keep out the storms of life. Home is in the things you carry with you, the treasures of the heart, like Gil’s Bible, or the memories of a family baseball game on a sunny summer day, or the feeling of singing “I’ll Fly Away” in an abandoned church as the storm passes over. It is a dwelling place you share with the people who matter most, a refuge in which you’re never alone. The Builder is always nearby, tearing down old walls and adding new rooms, repairing the damage of wind and weather, filling empty spaces with new gifts. Gifts beautiful and mysterious and unexpected. Like all beautiful gifts, a surprise to everyone but the Giver, who seeks us in our hidden places and beckons us home from our wanderings. Who knows that nothing adrift is meant to stay adrift forever.

Fate has a funny way of presenting love, sometimes delivering it in the most unexpected and seemingly contradictory of packages. When we spend years searching for our soulmate, hoping and praying for that perfect match, fate often surprises us by placing our destined love right in front of us, disguised as an adversary. The love of our life may not always arrive in the form we envision, wrapped in a neat, predictable package. Sometimes, our soulmate is the very person we're running from, the one we've labeled as our enemy. It's in these unexpected encounters that fate reveals its true humor, reminding us that love can blossom in the most unlikely of circumstances. If we allow ourselves to listen to the whispers of our heart, if we pay attention to the subtle signs that fate sends our way, we might just discover that the love we've been searching for has been there all along, hiding in plain sight. Social media and the abundance of love advice can often misguide us, creating unrealistic expectations and narrowing our perspectives. But true love doesn't conform to a formula; it's a unique and individual journey that unfolds in its own time and in its own way. Don't let the noise of the world drown out the voice of your heart. Embrace the unexpected, for it is often in the most surprising encounters that we discover the love of our lives.

This is from Elizabeth,” it said. “She has sold Havenhurst.” A pang of guilt and shock sent Ian to his feet as he read the rest of the note: “I am to tell you that this is payment in full, plus appropriate interest, for the emeralds she sold, which, she feels, rightfully belonged to you.” Swallowing audibly, Ian picked up the bank draft and the small scrap of paper with it. On it Elizabeth herself had shown her calculation of the interest due him for the exact number of days since she’d sold the gems, until the date of her bank draft a week ago. His eyes ached with unshed tears while his shoulders began to rock with silent laughter-Elizabeth had paid him half a percent less than the usual interest rate. Thirty minutes later Ian presented himself to Jordan’s butler and asked to see Alexandra. She walked into the room with accusation and ire shooting from her blue eyes as she said scornfully, “I wondered if that note would bring you here. Do you have any notion how much Havenhurst means-meant-to her?” “I’ll get it back for her,” he promised with a somber smile. “Where is she?” Alexandra’s mouth fell open at the tenderness in his eyes and voice. “Where is she?” he repeated with calm determination. “I cannot tell you,” Alex said with a twinge of regret. “You know I cannot. I gave my word.” “Would it have the slightest effect,” Ian countered smoothly, “if I were to ask Jordan to exert his husbandly influence to persuade you to tell me anyway?” “I’m afraid not,” Alexandra assured him. She expected him to challenge that; instead a reluctant smile drifted across his handsome face. When he spoke, his voice was gentle. “You’re very like Elizabeth. You remind me of her.” Still slightly mistrustful of his apparent change of heart, Alex said primly, “I deem that a great compliment, my lord.” To her utter disbelief, Ian Thornton reached out and chucked her under the chin. “I meant it as one,” he informed her with a grin. Turning, Ian started for the door, then stopped at the sight of Jordan, who was lounging in the doorway, an amused, knowing smile on his face. “If you’d keep track of your own wife, Ian, you would not have to search for similarities in mine.” When their unexpected guest had left, Jordan asked Alex, “Are you going to send Elizabeth a message to let her know he’s coming for her?” Alex started to nod, then she hesitated. “I-I don’t think so. I’ll tell her that he asked where she is, which is all he really did.” “He’ll go to her as soon as he figures it out.” “Perhaps.” “You still don’t trust him, do you?” Jordan said with a surprised smile. “I do after this last visit-to a certain extent-but not with Elizabeth’s heart. He’s hurt her terribly, and I won’t give her false hopes and, in doing so, help him hurt her again.” Reaching out, Jordan chucked her under the chin as his cousin had done, then he pulled her into his arms. “She’s hurt him, too, you know.” “Perhaps,” Alex admitted reluctantly. Jordan smiled against her hair. “You were more forgiving when I trampled your heart, my love,” he teased. “That’s because I loved you,” she replied as she laid her cheek against his chest, her arms stealing around his waist. “And will you love my cousin just a little if he makes amends to Elizabeth?” “I might find it in my heart,” she admitted, “if he gets Havenhurst back for her.” “It’ll cost him a fortune if he tries,” Jordan chuckled. “Do you know who bought it?” “No, do you?” He nodded. “Philip Demarcus.” She giggled against his chest. “Isn’t he that dreadful man who told the prince he’d have to pay to ride in his new yacht up the Thames?” “The very same.” “Do you suppose Mr. Demarcus cheated Elizabeth?” “Not our Elizabeth,” Jordan laughed. “But I wouldn’t like to be in Ian’s place if Demarcus realizes the place has sentimental value to Ian. The price will soar.