Unexpected Falling In Love Quotes

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She wasnt exactly sure when it happened. Or even when it started. All she knew for sure was that right here and now, she was falling hard and she could only pray that he was feeling the same way.
Nicholas Sparks (Safe Haven)
It hurts when they're gone. And it doesn't matter if it's slow or fast, whether it's a long drawn-out disease or an unexpected accident. When they're gone the world turns upside down and you're left holding on, trying not to fall off.
Walter Mosley (Debbie Doesn't Do It Anymore)
He was the kind of man everyone would fall in love with, even if they didn't want to.
Nicholas Sparks
I longed to have my mama come to me and sing me a song that settled me down while she rubbed my back, quieting my restless mind and pouting heart and helping me fall asleep, knowing I was loved.
Steven Decker (Child of Another Kind)
Was this what falling in love was like? Not something big and amazing that you knew about straight away, like in a story, but a slow thing that crept over you in waves until you woke up one day and found that you were head-over-heels with someone quite unexpected
Philip Reeve (Mortal Engines (The Hungry City Chronicles, #1))
Unexpectedly falling in love is the best way to fall, isn't it?
xq (;)
Most people who fall obsessively in love claim that it happens precipitously, unexpectedly [...] But I believe there's almost always a prerequisite. Falling in love in this way will usually occur at a time of transition. We may not be conscious of it, but something has ended and something new must begin. Romantic obsession is like a cataclysm breaking up the empty landscape. Like a strange exotic plant, it grows in arid soil. (pp. 27-28)
Rosemary Sullivan (Labyrinth of Desire: Women, Passion, and Romantic Obsession)
I've found that in my life that love and attraction can take many forms. And if one is open to unexpected possibilities, there are no boundaries.
Morgan Rhodes (Immortal Reign (Falling Kingdoms, #6))
Do you think music has the power to change people? Like you listen to a piece and go through some major change inside?” Oshima nodded.“Sure, that can happen. We have an experience—like a chemical reaction—that transforms something inside us. When we examine ourselves later on, we discover that all the standards we’ve lived by have shot up another notch and the world’s opened up in unexpected ways. Yes, I’ve had that experience. Not often, but it has happened. It’s like falling in love.
Haruki Murakami (Kafka on the Shore)
Falling in love with him was completely unexpected. When you only see someone as a friend, you don’t expect anything else. There was definitely a moment when something quite magical happened and we both agree that it transformed our relationship.
Helena Bonham Carter
This is an ode to all of those that have never asked for one. A thank you in words to all of those that do not do what they do so well for the thanking. This is to the mothers. This is to the ones who match our first scream with their loudest scream; who harmonize in our shared pain and joy and terrified wonder when life begins. This is to the mothers. To the ones who stay up late and wake up early and always know the distance between their soft humming song and our tired ears. To the lips that find their way to our foreheads and know, somehow always know, if too much heat is living in our skin. To the hands that spread the jam on the bread and the mesmerizing patient removal of the crust we just cannot stomach. This is to the mothers. To the ones who shout the loudest and fight the hardest and sacrifice the most to keep the smiles glued to our faces and the magic spinning through our days. To the pride they have for us that cannot fit inside after all they have endured. To the leaking of it out their eyes and onto the backs of their hands, to the trails of makeup left behind as they smile through those tears and somehow always manage a laugh. This is to the patience and perseverance and unyielding promise that at any moment they would give up their lives to protect ours. This is to the mothers. To the single mom’s working four jobs to put the cheese in the mac and the apple back into the juice so their children, like birds in a nest, can find food in their mouths and pillows under their heads. To the dreams put on hold and the complete and total rearrangement of all priority. This is to the stay-at-home moms and those that find the energy to go to work every day; to the widows and the happily married. To the young mothers and those that deal with the unexpected announcement of a new arrival far later than they ever anticipated. This is to the mothers. This is to the sack lunches and sleepover parties, to the soccer games and oranges slices at halftime. This is to the hot chocolate after snowy walks and the arguing with the umpire at the little league game. To the frosting ofbirthday cakes and the candles that are always lit on time; to the Easter egg hunts, the slip-n-slides and the iced tea on summer days. This is to the ones that show us the way to finding our own way. To the cutting of the cord, quite literally the first time and even more painfully and metaphorically the second time around. To the mothers who become grandmothers and great-grandmothers and if time is gentle enough, live to see the children of their children have children of their own. To the love. My goodness to the love that never stops and comes from somewhere only mothers have seen and know the secret location of. To the love that grows stronger as their hands grow weaker and the spread of jam becomes slower and the Easter eggs get easier to find and sack lunches no longer need making. This is to the way the tears look falling from the smile lines around their eyes and the mascara that just might always be smeared with the remains of their pride for all they have created. This is to the mothers.
Tyler Knott Gregson
What I have learned from the year past is something about miracles--miracles of healing and answered prayer and unexpected happy endings. Each came quietly and simply, on tiptoe, so that I hardly knew it had occurred. All this makes me realize that miracles are everyday things. Not only the sudden, great good fortune, wafting in on a new wind from the sky. They are almost routine, yet miracles just the same. Every time something hard becomes easier; every time you adjust to a situation which, last week, you didn't know existed; every time a kindness falls as softly as the dew; or someone you love who was ill grows better; every time a blessing comes, not with trumpet and fanfare, but silently as night, you have witnessed a miracle.
Faith Baldwin (Many Windows, Seasons of the Heart)
One of the most terrible losses man endures in his lifetime is not even noticed by most people, much less mourned. Which is astonishing, because what we lose is in many ways one of the essential qualities that sets us apart from other creatures. I'm talking about the loss of the sense of wonder that is such an integral part of our world when we are children. However, as we grow older, that sense of wonder shrinks from cosmic to microscopic by the time we are adults. Kids say "Wow!" all the time. Opening their mouths fully, their eyes light up with genuine awe and glee. The word emanates not so much from a voice box as from an astonished soul that has once again been shown that the world is full of amazing unexpected things. When was the last time you let fly a loud, truly heartfelt "WOW?" NOt recently I bet. Because generally speaking wonder belongs to kids, with the rare exception of falling madly in love with another person, which invariably leads to a rebirth of wonder. As adults, we are not supposed to say or feel Wow, or wonder, or even true surprise because those things make us sound goofy, ingenuous, and childlike. How can you run the world if you are in constant awe of it?... The human heart has a long memory though and remembers what it was like to live through days where it was constantly surprised and delighted by the world around it.
Jonathan Carroll
-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you
Leonard Cohen (Flowers for Hitler)
You don't need weeks and months to fall in love; you just need the right two people and the perfect circumstance.
Elena Aitken (Unexpected Gifts (Castle Mountain Lodge, #1))
I want to know her, inside and out. I want to learn how to fall in love with her as my partner.
Heidi McLaughlin (My Unexpected Forever (Beaumont #2))
Falling in love is as simple as opening your eyes, when you see the one.
Mark Donnelly
What is it? The ordinary is EXTRAORDINARY. The ordinary is extraordinary. The ordinary is the thing we want back when someone we love dies. When someone dies or leaves or falls out of love with us. We call it "little things". We say, "it's the little things I miss most." The ordinary things. It's the little thing that brings them back to us unexpectedly. We say "reminds us" but it is more than reminding-it's a conflagration-it's an inundation-Both fire and flood is memory. It's spark and breach so ordinary we do not question it. The atom split. The little thing.
Lynda Barry (What It Is)
Nature loves efficiency, which is very odd for something supposedly working at random. When you drop a ball, it falls straight down without taking any unexpected detours. When two molecules with the potential for bonding meet, they always bond- there is no room for indecision. This expenditure of least energy, also called the law of least effort, covers human beings, too. Certainly our bodies cannot escape the efficiency of the chemical processes goings on in each cell, so it is probable that our whole being is wrapped up in the same principle. This argument also applies to personal growth- the idea that everyone is doing the best he or she can from his or her own level of consciousness
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
Soon she is lost in another dimension where images prevail and silence rules.  A large, black eye flutters open, staring at Kate from deep within the oceanic darkness of its mysterious pupil.  Falling into the center of this cyclopean abyss, she comes face to face with something completely unexpected.  A tiny infant, seemingly asleep, is suspended in a cocoon of rotating beads of white light above a luminous white stone altar.
Kathy Martone (Victorian Songlight: The Birthings of Magic & Mystery)
Pippa was different. She was an electric charge, a flash of light. Falling in love with Pippa and watching her walk away would be like watching someone extinguish the sun.
Christina Lauren (Beautiful (Beautiful Bastard, #5))
I crossed my arms and leaned on the table, trying to override the prickle of jealousy that had unexpectedly surfaced when John had said Grace’s name with such a feeling of connection. Strange what love taught you about your faults.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
He chose to love us. He chose to lay down His life for us. The danger of believing that you “fall in love” is that it also means you can “fall out of love” just as unexpectedly. Aren’t you glad that God’s love for us isn’t as unpredictable?
Joshua Harris (I Kissed Dating Goodbye: A New Attitude Toward Relationships and Romance)
Unexpectedly falling in love  is the best way  to fall, isn't it?
xq (Semicolon)
You've no choice with whom you fall in love with.Love finds us at the most unexpected times in our lives.One dare & I fell hopelessly in love with the one man who has the potential to help me move forward from my past.
Rebecca Shea (Dare Me)
That was it. The bracket of her bent leg against the stones. The way her mouth angled around the cigar in a grimace that was almost a smile. The sight of a woman in a well-tailored jacket and trousers. Unexpected, unimagined. A prickling sensation. A stomach-dropping, blood-fizzing, breath-stopping, knotted lurch-and-swoop that I recognized, by then, as the first faltering step towards falling in love.
Nell Stevens (Briefly, A Delicious Life)
Sometimes your garden surprises you. You don't remember planting strawberries or mint, but there it is, rising up in the middle of the carrot patch. Maybe the seeds blew in from the neighbor's garden. Or maybe they were buried in the dirt and you unearthed them when you tilled the soil. Or maybe you're reaping what you've sown. However it happened, you now have unexpected bounty. Accept it with gratitude.
Lisa Brown Roberts (How (Not) to Fall in Love)
I was unexpectedly, reluctantly, wholly in love, not just any love but a consuming love, an unwanted love, an inconvenient love, the kind of love that a man wants to be cured of, that makes a man feel ashamed of himself, only the more he denies it the more entangled he becomes, like one of those nautical knots that tightens with every pull. It felt like an infection, a sudden illness, in which everything is at once the same as it was before and yet transformed. Being in love is a kind of hypnosis and, as any hypnotist will tell you, to be hypnotized one must secretly want to be hypnotized, so secretly that one doesn’t even know it. Falling in love is an act of involuntary will.
Alex Landragin (Crossings)
Love?” I question, wanting to know his answer. “Yeah, love. I can see myself falling in love with you and as much as I’m trying not to, it’s not working.” He says quietly. He sits down next to me and leans back into the couch. “I don’t know what else to say. I shouldn’t have to sell myself to you. You either like me or you don’t. Thing is, you can’t lie. I know you feel something, you just have to let yourself believe I’m good enough to be a part of your life.
Heidi McLaughlin (My Unexpected Forever (Beaumont #2))
When I visit the past now, it is for wisdom and experience, not for regret or shame. I don’t attempt to erase it, only to accept it. Whatever my physical circumstances are today, I will deal with them and remain present. If I fall, I will rise up. As for the future, I haven’t been there yet. I only know that I have one. Until I don’t. The last thing we run out of is the future. Really, it comes down to gratitude. I am grateful for all of it—every bad break, every wrong turn, and the unexpected losses—because they’re real. It puts into sharp relief the joy, the accomplishments, the overwhelming love of my family. I can be both a realist and an optimist. Lemonade, anyone?
Michael J. Fox (No Time Like the Future: An Optimist Considers Mortality)
I had that teetering-on-the-edge-of-a-cliff feeling—it would be so easy to close my eyes and let myself fall down into the unknown. But it was terrifying, that feeling. I preferred to be standing firmly on stable ground. So I did my best to pull back from the cliff’s edge.
Dallas Woodburn (The Best Week that Never Happened)
to allow our hearts to break, to soften them, to sink deeply into the knowing that everything will fall, everything will pass, everything will crumble, can be the great portal to awakening. We simply stop taking everything for granted. We stop living in “tomorrow” and turn toward the living day. We stop seeking our happiness in the future, clinging to the promises of others, and begin to break open into a bigger happiness that is rooted in presence, and truth, that allows for the coming but also the going of things, that accepts the little deaths as they happen each day, the disappointments, the losses, the shattered expectations, the good-byes. The Unexpected becomes our friend, a constant companion. We break open into bitter-sweetness, into fragility and utter vulnerability, into the gift of every moment, of every encounter with a friend, a lover, a stranger.
Jeff Foster (The Way of Rest: Finding The Courage to Hold Everything in Love)
People say “Move on” “Think about your happiness”. But that isn’t easy. Is it? Life is much powerful than we can imagine. It doesn’t go according to our wish. We can’t choose whom we fall for. Nope that’s not up to us. Because the term ‘blinded in love’ occurred for some reason. Lol. How can someone think about their happiness when they are in love? Isn’t love supposed to be selfless? Thinking about thyself is the “selfishest” thing ever of this planet. You might say he doesn’t love me back so why I am hurting myself sticking to it and expecting the unexpected to happen? Let me tell you this. Have you ever been in love? I don’t think so. Because if you did, you’d know loving someone immensely is the most beautiful thing in the world. Even if it’s one sided or has no future, but the peace you get thinking about them, the satisfaction of giving your purest love to them is enough for you to live happily ever after.
Shehrin Odri
When the Path Is Blocked When the path is blocked, back up and see more of the way. We are each a mountain for the other to climb, and often our path to love is interrupted by a mishap or a problem or something unexpected that needs attending. We tend to call these unexpected things in life “obstacles.” Often the thing in the way comes from another person: a stubbornness falls like a tree blocking where we want to go, or a sadness comes like a flash flood to muddy the road between us, or just as we go to rest in the clearing we have prepared, we are bitten by something hiding in the undergrowth. Thus, in daily ways, we have this constant choice: to see each other as the stubborn, muddy, biting thing that blocks our way, or to back up and take in the whole person as we would a mountain in its entirety, dizzy when looking up into its majesty. When we are blocked in our closeness with another, we have this constant opportunity: to raise our eyes and behold each other completely, then to kneel and lift the fallen tree, or cross the flooded path, or pluck and toss the biting thing. We have the chance to keep climbing, so we might cup the water that runs from each other, so we might quench our thirst as from a mountain stream, knowing that love like water comes softly through the hardest places.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
It’s not about a fancy camera. Just the way you see things. And I’d love to see the way you see things.
Hayden Stone (An Unexpected Kind of Love (When Snow Falls #1))
To troubled times that only make us stronger. To unexpected love that only makes us fall harder.
J.L. Drake (Mended (Broken Trilogy, #3))
Some of the most beautiful encounters, Are the unexpected ones.
Mimi Novic (Brilliance of Dawn)
I was making dinner and I got a message. Go look outside, she said, go look at the sunset. My apartment is small, with four rooms and two windows that don’t see much light so I had no idea. I pulled my coat on and hurried out. I was running to this sunset, suddenly the only thing that mattered. I hurried past the taller buildings to the park and the sky was leaking shades of pink and purple. It was beautiful and fleeting, there one minute and gone the next. I would’ve missed it; I almost kissed it. And so I started thinking, how great it would be to get a nudge, a tap on your shoulder, a moment or two before your life changes. Stop what you’re doing and look around, you’ll want to remember this later. In a minute, you’re going to fall in love.
Kelsey Danielle
Cassio is a ladies’ man, that is to say, a man who feels most at home in feminine company where his looks and good manners make him popular, but is ill at ease in the company of his own sex because he is unsure of his own masculinity. […] Cassio is a ladies’ man, not a seducer. With women of his own class, what he enjoys is socialized eroticism; he would be frightened of a serious personal passion. For physical sex he goes to prostitutes and when, unexpectedly, Bianca falls in love with him, like many of his kind, he behaves like a cad and brags of his conquest to others.
W.H. Auden (The Dyer's Hand and Other Essays)
I could imagine Toko's life story - she would fall perfectly in love with a guy, marry him, have children, then they would have her grandchildren and eventually she would die peacefully, surrounded by those children and grandchildren. My life story would probably play out quite a bit differently. The man I loved and children too might very well appear at some point, but their arrival would perhaps be strange and unexpected, and then again, they might never materialize at all.
Hiromi Kawakami (The Ten Loves of Mr. Nishino)
Do you think music has the power to change people? Like you listen to a piece and go through some major change inside?" Oshima nodded. "Sure, that can happen. We have an experience--like a chemical reaction--that transforms something inside us. When we examine ourselves later on, we discover that all the standards we've lived by have shot up another notch and the world's opened up in unexpected ways. Yes, I've had that experience. Not often, but it has happened. It's like falling in love.
Haruki Murakami (Kafka on the Shore)
Remarkable ploy of the Barrayarans," Mehta expounded thoughtfully. "Concealing an espionage ring under the cover of a love affair. I might even have bought it, if the principals had been more likely." "Yes," Cordelia agreed cordially, writhing within. "One doesn't expect a thirty-four-year-old to fall in love like an adolescent. Quite an unexpected - gift, at my age. Even more unexpected at forty-four, I gather." "Exactly," said Mehta, pleased by Cordelia's ready understanding. "A middle-aged career officer is hardly the stuff of romance.
Lois McMaster Bujold (Shards of Honour (Vorkosigan Saga, #1))
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane. On the other side, Parker lifts his hand and mouths: “Hi.” I mouth “Hi” back. He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page. . . . and strange . . . I lift an eyebrow. . . . but please hear read me out. He flips to the next page. I know I told you I never lied . . . . . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar. I lied. I lied to myself . . . . . . and to you. Parker watches as I read. Our eyes meet, and he flips the page. But only because I had to. I wasn’t supposed to fall in love with you, Jaden . . . . . . but it happened anyway. I clear my throat, and swallow hard, but it’s squeezed shut again, tight. And it gets worse. Not only am I a liar . . . I’m selfish. Selfish enough to want it all. And I know if I don’t have you . . . I hold my breath, waiting. . . . I don’t have anything. He turns another page, and I read: I’m not Parker . . . . . . and I’m not going to give up . . . . . . until I can prove to you . . . . . . that you are the only thing that matters. He flips to the next page. So keep sending me away . . . . . . but I’ll just keep coming back to you. Again . . . He flips to the next page. . . . and again . . . And the next: . . . and again. Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly. And if you can ever find it in your (heart) to forgive me . . . There’s a big, black “heart” symbol where the word should be. I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart. I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close. “You know you’re beautiful? Even when you cry?” He smiles, holding my face in his hands, smearing the tears away with his thumbs. I breathe in, lungs shuddering. “I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.” “Doesn’t make it right.” “Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
Katie Klein (Cross My Heart (Cross My Heart, #1))
Yes, but you’ll slowly discover that you’re not as different as you initially assumed, and then he’ll surprise you with how thoughtful he is, and then you’ll come to his rescue in an unexpected moment of need, and you’ll fall madly in love with each other and live happily ever after.
Alexis Hall (Boyfriend Material (London Calling, #1))
The world is making poor choices, and there’s plenty enough people with business degrees,” says Blake firmly, glancing at me. “We need more readers and artists and creatives. They’re the real visionaries. The rest is just capitalism. And if you really want, you can still take business classes.
Hayden Stone (An Unexpected Kind of Love (When Snow Falls #1))
And there was no longer a single race who bred blindly and without question. Time and its agonizing nostalgia would touch the heart each season, and be seen in the fall of a leaf, or, most terrible of all, a loved face would grow old. Cronos and the Fates had entered man's thinking, and try to escape as he might, he would endure an interior Ice Age. He would make, and then unmake fables. Then at last, and unwillingly, comprehend an intangible abstraction called space-time, and shiver inwardly at the endless abysses of space as he had once shivered, unclothed and unlighted before the Earthly frost.
Loren Eiseley (The Unexpected Universe)
In the absence of white, he could see colour. Your brown has more of a pink base than mine, he had observed the first time they held hands, still looking for answers to her origin in her skin. It’s true. And your brown has a yellowy tone to it, she said. I look jaundiced? She laughed and shoved him gently. No, no. You are golden. I am also darker than you … Your skin is perfect. Why would anyone want to be another colour? She kissed his cheek. Marvelling at her perfectly round chestnut cheeks, he couldn’t help but agree. Falling in love with her brown had unexpectedly given his own skin new value, a new sheen.
Vivek Shraya (She of the Mountains)
He sat back in his seat, looking a little surprised that he’d confessed so much. I crossed my arms and leaned on the table, trying to override the prickle of jealousy that had unexpectedly surfaced when John had said Grace’s name with such a feeling of connection. Strange what love taught you about your faults.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
On Turgenev: He knew from Lavrov that I was an enthusiastic admirer of his writings; and one day, as we were returning in a carriage from a visit to Antokolsky's studio, he asked me what I thought of Bazarov. I frankly replied, 'Bazaraov is an admirable painting of the nihilist, but one feels that you did not love him as mush as you did your other heroes.' 'On the contrary, I loved him, intensely loved him,' Turgenev replied, with an unexpected vigor. 'When we get home I will show you my diary, in which I have noted how I wept when I had ended the novel with Bazarov's death.' Turgenev certainly loved the intellectual aspect of Bazarov. He so identified himself with the nihilist philosophy of his hero that he even kept a diary in his name, appreciating the current events from Bazarov's point of view. But I think that he admired him more than he loved him. In a brilliant lecture on Hamlet and Don Quixote, he divided the history makers of mankind into two classes, represented by one or the other of these characters. 'Analysis first of all, and then egotism, and therefore no faith,--an egotist cannot even believe in himself:' so he characterized Hamlet. 'Therefore he is a skeptic, and never will achieve anything; while Don Quixote, who fights against windmills, and takes a barber's plate for the magic helmet of Mambrino (who of us has never made the same mistake?), is a leader of the masses, because the masses always follow those who, taking no heed of the sarcasms of the majority, or even of persecutions, march straight forward, keeping their eyes fixed upon a goal which is seen, perhaps, by no one but themselves. They search, they fall, but they rise again and find it,--and by right, too. Yet, although Hamlet is a skeptic, and disbelieves in Good, he does not disbelieve in Evil. He hates it; Evil and Deceit are his enemies; and his skepticism is not indifferentism, but only negation and doubt, which finally consume his will.' These thought of Turgenev give, I think, the true key for understanding his relations to his heroes. He himself and several of his best friends belonged more or less to the Hamlets. He loved Hamlet, and admired Don Quixote. So he admired also Bazarov. He represented his superiority admirably well, he understood the tragic character of his isolated position, but he could not surround him with that tender, poetical love which he bestowed as on a sick friend, when his heroes approached the Hamlet type. It would have been out of place.
Pyotr Kropotkin (Memoirs of a Revolutionist)
From a man getting ready to die, he had turned into a man falling in love at a most unexpected time. Suddenly all the pieces that he thought he'd long ago put into place had to be moved. Spirituality, life, family, mortality, faith, and love- he found himself rethinking their meanings again and not wanting to die.
Elif Shafak (The Forty Rules of Love)
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
A fool falls in love. One who dwells in indifference dwells at a distance from love, from its unexpected currents and the lonesome tumbling that causes a person to fall on her knees, if she falls. And there is never any reason to fall, to become so attached to another that one is driven to say, “I once fell in love,’ followed by an ellipsis, ‘…’, a trail leading down a path into—what? Some fatal dream? One grows weak from conflating the future and past, and the ellipsis, ‘…’, always leads into an exposed empty vat, the interior of an urn whose lid has been removed, whose ashes have been spread into water where, in time, everything dissolves, giving way to the past.
Claire Donato (Burial)
It is harder to dehumanize a single person standing in front of you, wiping away tears at the loss of a loved one, just as you would, or wincing in pain from a fall as you would, laughing at an unexpected double entendre as you might. It is harder to dehumanize a single individual that you have gotten the chance to know. Which is why people and groups who seek power and division do not bother with dehumanizing an individual. Better to attach a stigma, a taint of pollution to an entire group.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
to know that the Universe is conspiring in our favor, even though we may not understand how. I ask myself: are defeats necessary? Well, necessary or not, they happen. When we first begin fighting for our dream, we have no experience and make many mistakes. The secret of life, though, is to fall seven times and to get up eight times. So, why is it so important to live our personal calling if we are only going to suffer more than other people? Because, once we have overcome the defeats—and we always do—we are filled by a greater sense of euphoria and confidence. In the silence of our hearts, we know that we are proving ourselves worthy of the miracle of life. Each day, each hour, is part of the good fight. We start to live with enthusiasm and pleasure. Intense, unexpected suffering passes more quickly than suffering that is apparently bearable; the latter goes on for years and, without our noticing, eats away at our soul, until, one day, we are no longer able to free ourselves from the bitterness and it stays with us for the rest of our lives. Having disinterred our dream, having used the power of love to nurture it and spent many years living with the scars, we suddenly notice that what we always wanted is there, waiting for us, perhaps the very next day. Then comes the fourth obstacle: the fear of realizing the dream for which we fought all our lives. Oscar Wilde said: “Each man kills the thing he loves.” And it’s true. The mere possibility of getting what we want fills the soul
Paulo Coelho (The Alchemist)
To fall half in love with someone, move on. Go confidently forward in the direction of whatever life you’d had planned, long before they ever came along. But every now and then, let your mind wander back. Every now and then, remain transfixed on the memory of their skin against yours, of their hands in your hair, of the quiet, patient moments where laughter unexpectedly escaped your lips lying beside them. Let your mind wander back until you realize that it’s not them you’re missing at all – it’s the unfulfilled possibility they embodied. Because the truth is, you never really did fall in love with them. You fell in love with their potential. You fell in love with the maybes and the could-have-beens. You fell in love with all the trips you didn’t take, the plans you didn’t make, the hazy, unintelligible future that stretched out before you without any opportunity to build upon. You fell in love with the potential of what could have happened had you been the kind of person who’d stayed. Had you been the person who could fall in love fully, without pause. You realize that you didn’t fall in love with them at all, but that you could have. That you might have. That there may always be a small part of yourself that is going to wonder ‘what if’ and that maybe you like it that way. That maybe you prefer only falling half in love because it allows you to write your own ending to the story. And theirs is a story that you want to still have and hold onto, years down the line, when you need something to write on and on and on.
Heidi Priebe (This Is Me Letting You Go)
A dark man with a burning torch ran down the street on a dull night in late fall. The little girl saw him from the window of her house, having awoken from a dull dream. Then she heard a sharp rifle shot and a pitiful despondent scream — they must have killed the man running with the torch. Soon she was hearing other shots, many and distant, and the clamor of people in a nearby prison… The girl fell asleep and forgot everything that she would see later, on subsequent days: she was too young, and the memory and reason of early childhood were overgrown forever by her future life. But well into her old age the nameless man rose up sadly and unexpectedly and ran within her — in the dim light of her memory — and died once more in the darkness of the past, in the heart of the grown up child. Amidst hunger and sleep, in a moment of love or of some youthful joy — suddenly in the distance, in the depth of her body there rose again the despondent scream of the dead man, and the young woman instantly altered her life — stopped her dance, if she was dancing, grew more focused, more reliable in her work, if she was laboring, hid her face in her hands, if she was alone. That stormy night of late fall saw the start of the October revolution — in that town where Moskva Ivanovna Chestnova had lived at that time.
Andrei Platonov (Happy Moscow)
This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented
Geraldine Brooks (The Best American Short Stories 2011)
…He rocked against her, his body shuddering against hers again and again, until he collapsed on top of her and buried his face in her hair. Brooke felt his heart beating against her chest as they lay there, boneless. For two people who preferred to speak in quips and sarcasm, that had been unexpectedly…intense. She wasn’t quite sure how to feel about that. Then Cade spoke. “I think this is the first time I’ve ever used this table,” he said, against her neck. Brooke began to laugh. My God, he was still inside her and she was already giggling. “I take it you don’t do a lot of formal entertaining.” He pulled back, his dark hair falling across his forehead. “Were you not entertained, Ms. Parker?
Julie James (Love Irresistibly (FBI/US Attorney, #4))
Do you think music has the power to change people? Like you listen to a piece and go through some major change inside?" Oshima nodded. "Sure, that can happen. We have an experience_like a chemical reaction that transforms something inside us. When we examine ourselves later on, we discover that all the standards we've lived by have shot up another notch and the world's opened up in unexpected ways. Yes, I've had that experience. Not often, but it has happened. It's like falling in love." Hoshino had never fallen head over heels in love himself, but he went ahead and nodded anyway. "That's gotta be a very important thing, right?" he said. "For our lives?" "It is," Oshima answered. "Without those peak experiences our lives would be pretty dull and flat.
Haruki Murakami (Kafka on the Shore)
I revise my suicide plan to slow death by morphling. I will become a yellow-skinned bag of bones, with enormous eyes. I’m a couple of days into the plan, making good progress, when something unexpected happens. I begin to sing. At the window, in the shower, in my sleep. Hour after hour of ballads, love songs, mountain airs. All the songs my father taught me before he died, for certainly there has been very little music in my life since. What’s amazing is how clearly I remember them. The tunes, the lyrics. My voice, at first rough and breaking on the high notes, warms up into something splendid. A voice that would make the mockingjays fall silent and then tumble over themselves to join in. Days pass, weeks. I watch the snows fall on the ledge outside my window. And in all that time, mine is the only voice I hear. What
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Alliance (Sonata)" Of dusty gazes fallen down to the soil or leaves without sound and entombing. Of metals without light, with the void, with the absence of the dead day of coup. At the top of the hands the dazzle of butterflies, the start of butterflies whose light has no end. You were keeping the trail of light, of broken beings that the sun abandoned, getting dark, throws to the churches. Stained with glances, with the aim of bees, your material of unexpected flame fleeing coming before and after the day and to your family of gold. The days stalked they cross the secrecy but fall inside of your voice of light. Oh proprietress of love, on your rest I founded my dream, my silent attitude. With your body of shy number, extended suddenly until quantities that define the earth, behind the fight of the white days of space and chills of slow deaths and withered stimuli, I feel burn your lap and move your kisses making fresh swallows in my dream. Sometimes the fate of your tears amounts as the age up to my forehead, there they are striking the waves, being destroyed of death: its’ movement is damp, depressed, final.
Pablo Neruda (Residence on Earth)
Whatever pain you think you are in right now cannot begin to compare to the peace that will one day come over you. It cannot begin to compare to the joy that you will one day know. You will fall in love with life again, and it will be better than it was before, because you will become a different person. You will become someone who is more capable of appreciating what matters, who will not be as reckless with their choices, who can no longer be so easily swayed or mindlessly trusting. You will require a new level of integrity within your life, which will transpire into better boundaries and a more stable foundation. You will strengthen in the most unexpected ways, and from that, your happiness will be even more sincere, even more apparent. This will not happen overnight, though it will seem like it did in retrospect. Like the changing of a season, everything shifts slowly until all of a sudden, you are standing firmly in the after, in all you feared would never come. You’re through it, but you’re different, because something also moved through you and cleared out what you didn’t even realize was standing in the way.
Brianna Wiest (The Pivot Year)
Alliance (Sonata) " Of dusty glances fallen to the ground or of soundless leaves burying themselves. Of metals without light, with the emptiness, with the absence of the suddenly dead day. At the tip of the hands the dazzlement of butterflies, the upflight of butterflies whose light has no end. You kept the trail of light, of broken beings that the abandoned sun, sinking, casts at the churches. Stained with glances, dealing with bees, your substance fleeing from unexpected flame precedes and follows the day and its family of gold. The spying days cross in secret but they fall within your voice of light. Oh mistress of love, in your rest I established my dream, my silent attitude. With your body of timid number, suddenly extended to the quantities that define the earth, behind the struggle of the days white with space and cold with slow deaths and withered stimuli, I feel your lap burn and your kisses travel shaping fresh swallows in my sleep. At times the destiny of your tears ascends like age to my forehead, there the waves are crashing, smashing themselves to death: their movement is moist, drifting, ultimate.
Pablo Neruda (The Poetry of Pablo Neruda)
The same song was playing the second I met my ex–best friend and the moment I realized I’d lost her. I met my best friend at a neighborhood cookout the year we would both turn twelve. It was one of those hot Brooklyn afternoons that always made me feel like I'd stepped out of my life and onto a movie set because the hydrants were open, splashing water all over the hot asphalt. There wasn't a cloud in the flawless blue sky. And pretty black and brown people were everywhere. I was crying. ‘What a Wonderful World’ was playing through a speaker someone had brought with them to the park, and it reminded me too much of my Granny Georgina. I was cupping the last snow globe she’d ever given me in my small, sweaty hands and despite the heat, I couldn’t help imagining myself inside the tiny, perfect, snow-filled world. I was telling myself a story about what it might be like to live in London, a place that was unimaginably far and sitting in the palm of my hands all at once. But it wasn't working. When Gigi had told me stories, they'd felt like miracles. But she was gone and I didn't know if I'd ever be okay again. I heard a small voice behind me, asking if I was okay. I had noticed a girl watching me, but it took her a long time to come over, and even longer to say anything. She asked the question quietly. I had never met anyone who…spoke the way that she did, and I thought that her speech might have been why she waited so long to speak to me. While I expected her to say ‘What’s wrong?’—a question I didn’t want to have to answer—she asked ‘What are you doing?’ instead, and I was glad. “I was kind of a weird kid, so when I answered, I said ‘Spinning stories,’ calling it what Gigi had always called it when I got lost in my own head, but my voice cracked on the phrase and another tear slipped down my cheek. To this day I don’t know why I picked that moment to be so honest. Usually when kids I didn't know came up to me, I clamped my mouth shut like the heavy cover of an old book falling closed. Because time and taught me that kids weren't kind to girls like me: Girls who were dreamy and moony-eyed and a little too nice. Girls who wore rose-tonted glasses. And actual, really thick glasses. Girls who thought the world was beautiful, and who read too many books, and who never saw cruelty coming. But something about this girl felt safe. Something about the way she was smiling as she stuttered out the question helped me know I needn't bother with being shy, because she was being so brave. I thought that maybe kids weren't nice to girls like her either. The cookout was crowded, and none of the other kids were talking to me because, like I said, I was the neighborhood weirdo. I carried around snow globesbecause I was in love with every place I’d never been. I often recited Shakespeare from memory because of my dad, who is a librarian. I lost myself in books because they were friends who never letme down, and I didn’t hide enough of myself the way everyone else did, so people didn’t ‘get’ me. I was lonely a lot. Unless I was with my Gigi. The girl, she asked me if it was making me feel better, spinning the stories. And I shook my head. Before I could say what I was thinking—a line from Hamlet about sorrow coming in battalions that would have surely killed any potential I had of making friends with her. The girl tossed her wavy black hair over her shoulder and grinned. She closed her eyes and said 'Music helps me. And I love this song.' When she started singing, her voice was so unexpected—so bright and clear—that I stopped crying and stared at her. She told me her name and hooked her arm through mine like we’d known each other forever, and when the next song started, she pulled me up and we spun in a slow circle together until we were both dizzy and giggling.
Ashley Woodfolk (When You Were Everything)
he is a sence of unrest the new birth maybe is not that good....bitterness...except for his grandson ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 8 | posición 123-125 | Añadido el miércoles, 6 de mayo de 2015 23:07:16 Ethan was still as good-looking as he’d been before, a fact that annoyed her as much as anything else. It seemed like a life of crime should cast its mark on your appearance. But he still had the same strong features, vivid green eyes, and lean, fit body. His hair had been blazing red when he was a kid, but it had darkened now to an auburn. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 127-128 | Añadido el miércoles, 6 de mayo de 2015 23:07:49 Ethan’s plans, the way he always had. He’d always trusted Ethan. So had she. The thought upset ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 132-134 | Añadido el miércoles, 6 de mayo de 2015 23:09:09 He’d seemed to transform while he was away from the skinny boy she’d known before. He’d broadened across the shoulders and chest, and he’d suddenly become really good-looking. Very good-looking. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 134-135 | Añadido el miércoles, 6 de mayo de 2015 23:09:22 The lingering crush on him Ashley had had all her life had morphed into full-blown love. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 28 | posición 427-427 | Añadido el jueves, 7 de mayo de 2015 7:39:32 hot-wire a car. Why ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 38 | posición 574-574 | Añadido el jueves, 7 de mayo de 2015 18:22:07 He screeched to a halt. As soon as he slammed it into ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 42 | posición 641-642 | Añadido el jueves, 7 de mayo de 2015 19:30:10 He was the antithesis of the nice, clean, stable life she wanted to build for herself. He was bossy, and arrogant, and infuriating, and condescending, and presumptuous, and smug, and without compassion, and bossy… ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 42 | posición 643-644 | Añadido el jueves, 7 de mayo de 2015 19:30:23 And he had looked so funny in that cowboy hat. And he had the most delicious laugh she had ever heard. And sometimes, like when he’d fake-kissed her earlier, there was a warmth in his eyes that was so unexpected, so breathtaking… ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 62 | posición 945-945 | Añadido el jueves, 7 de mayo de 2015 20:55:59 As long as you don’t hog the covers.” ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 82 | posición 1253-1254 | Añadido el jueves, 7 de mayo de 2015 23:37:15 he wasn’t a bad guy at heart. He’d never been truly a bad guy. For the first time in the last eighteen months, she knew it for sure. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 94 | posición 1438-1439 | Añadido el viernes, 8 de mayo de 2015 7:45:17 she felt like it was only humane to let him know she was okay. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 179 | posición 2744-2745 | Añadido el viernes, 8 de mayo de 2015 21:04:11 was uncomfortably hot and smushed. Attempting to rouse herself ========== Mis recortes - Tu subrayado en la posición 1-6 | Añadido el sábado, 9 de mayo de 2015 13:59:08 When I Break (Ryan, Kendall) - Tu subrayado en la posición 518-519 | Añadido el viernes, 13 de marzo de 2015 20:31:52 Her voice was light, clear, and appealing. ========== When We Fall (Kendall Ryan) - Tu subrayado en la página 105 | posición 1601-1601 | Añadido el lunes, 16 de marzo de 2015 11:42:37 Two long and hard days had passed since Knox told me. ========== Unravel Me (Ryan, Kendall) - Tu nota en la página 20 | posición 304 | Añadido el martes, 17 de marzo de 2015 1:24:23 interesante ====
Anonymous
You Fall In love with the most unexpected person, at the most unexpected time…
A'zayler (My Love Ain't Meant For A Thug : The Beginning Of Us)
First I’m taking your sexy ass to the shower. After that, I’m taking you to bed and making love to you until you’re so exhausted that you can’t help but fall asleep. I know how your mind works Miss Cooper, and I know that if I don’t wear you out you’ll be up all night thinking about what could have happened. You got very little sleep last night, we made love for hours this afternoon and then we threw some unexpected travel and a hell of a lot of emotion onto the menu. You need to be loved hard so that you can get some real sleep.
Ella Fox (Twist of Fate (Renegade Saints, #2))
He wanted her to smile, but Julia couldn’t. He was falling in love with her if he wasn’t already, and that made her feel even worse for having a hesitant heart.
Melissa Jagears (A Bride for Keeps (Unexpected Brides #1))
But 8 years ago, he found himself unexpectedly falling in love when he was in his 77th year, with Bill Hayes, a younger American writer. He opened himself up to love and he now has someone to share his life with. His life is a lesson that it is never too late to fall in love.
Oliver Jack (Oliver Sacks: 25 Life Changing Lessons that Will Inspire You: (Oliver Sacks, Oliver Sacks Tips, Oliver Sacks Lessons))
Primer of Love [Lesson 82] The beginning is the most important part of the work. ~ Plato Lesson 82) Use an aardvark to return your love to the beginning An aardvark is that first 'thing' which made you fall in love. That unexpected turn of a phrase, the effusive laughter that sent wine through your nose, their hands, whatever. When your lover pisses you off and your love goes out of kilter, meditate on your aardvark, breathe deeply, let it out and give your lover a big sloppy kiss. Then hit the fucker over the head with an aardvark.
Beryl Dov
Her pain was so unexpected, so raw, and deep, a penetrating, all-encompassing pain. It was no longer her pain, but ours. Whatever her thoughts were, brought tears to her eyes, lips trembled, and her fists clenched as though she were ready to crumble into ash. It was impossible to stop my own tears from coming. What I wouldn’t give to take this ache from her.
Ashlan Thomas (To Love (The To Fall Trilogy #3))
Unfortunately, this unexpected, internal condition has often been called “falling in love.” This reaction to attraction, which we could also describe as a “chemically induced crush,” is actually infatuation. Who among us has not walked into a room, made eye contact with a complete stranger, and felt an instant, unexpected rush of emotion and attraction? Who hasn’t had that sudden impulse to look again? Why these moments happen and what exactly triggers them— who knows? But the feelings are definitely a temporary condition. The attraction is neither irresistible nor dependable. You can easily experience infatuation with people who would turn out to be relational nightmares. That’s why it is so dangerous
Chip Ingram (Love, Sex, and Lasting Relationships)
Primer of Love [Lesson 42] Our love is like the misty rain that falls softly -- but floods the river. ~ African Proverb Lesson 42) Your love comes like a person losing his mind; it comes gradually at first and then, suddenly! Love sneaks upon you subtlely but all of a sudden you're flooded with this unexpected emotion. When love finally comes it is a tsunami. When love leaves it's more like a tornado as she takes your house away in the divorce settlement.
Beryl Dov
Grief is a cruel companion. You would think that he would come and remain at your side when a loved one dies, and for the first few weeks this is indeed the case. You grow used to him. You wake with him and go about your day in his company. You climb into bed and he is there. Then, time passes, and he seems to step away. You believe yourself safe. You have whole moments where you do not recall your loss and start to laugh and smile again. Life goes on… It is then that grief becomes the most unwelcome of surprise guests. He is a malicious visitor, arriving unannounced and unexpected. It can be the slightest of things which calls him to you; the scent of a particular dish, the sight of the setting sun, a familiar object which brings forth memories. Everyday things. Things to which we normally pay no heed. This is where grief hides, waiting to spring his trap. He leaps; bringing back your loss fresh, raw and new. Your heart falls again. Your sorrows crash upon your shoulders. Grief is a cruel fool; an evil jester who takes delight in stealing happiness. He is never satisfied. He always wants more.
G. Lawrence (Strands of My Winding Cloth (The Elizabeth of England Chronicles, #4))
Sometimes their children would do everything exactly as they’d taught them, and sometimes they would do all the things they’d told them not to do, and seeing them suffer the tiniest disappointments would be more painful than their own most significant losses, but then other times they would do something so extraordinary, so unexpected and beautiful, so entirely of their own choice and their own making, it was like a splash of icy water on a hot day. Those were the glorious moments. That’s how she finally made herself fall back to sleep: by remembering all the glorious moments, one after the other after the other, her children’s ecstatic faces looking for their parents in the stands, looking for their approval, looking for their love, knowing it was there, knowing—she hoped they knew this—that it would always be there, even long after she and Stan were gone, because love like that was infinite.
Liane Moriarty (Apples Never Fall)
At this very instant I’m asking the God to help me. I’m needing. Needing more than human strength. I am strong but also destructive. The God must come to me since I haven’t gone to Him. Let the God come: please. Though I don’t deserve it. Come. Or perhaps those who least deserve Him need Him most. I’m restless and harsh and hopeless. Though I have love inside myself. It’s just that I don’t know how to use love. Sometimes it scratches like barbs. If I received so much love inside me and nonetheless am restless it’s because I need the God to come. Come before it’s too late. I’m in danger like every person who lives. And the only thing I can expect is precisely the unexpected. But I know that I shall have peace before death and that one day I shall taste the delicateness of life. I shall notice—as we eat and live the taste of food. My voice falls into the abyss of your silence. You read me in silence. But in this unlimited silent field I unfurl my wings, free to live. So I accept the worst and enter the core of death and that is why I’m alive. The feeling core. And that it makes me quiver.
Clarice Lispector (Água Viva)
Suddenly, there was no anger, no tears, or ultimatums. All that remained was the realization that the dream had withered and died. I guess that’s what happens to love when the expectations are too high, there are a plethora of insurmountable obstacles, and too much at stake. Even fairy tales have unexpected endings; not everyone lives happily ever after. For years, I had been swimming in a sea of other people’s expectations. Perhaps this breakup was the only way I could genuinely rediscover myself.
Stephen H. Donnelly (A Saint and a Sinner: The Rise and Fall of a Beloved Catholic Priest)
The resilience I learned from surviving life in the desert carried me through the unexpected death of my young mother, being chased from my country by civil war, and defying my clan's expectations after I dared to fall in love with a man from the 'wrong' country.
Shugri Said Salh (The Last Nomad: Coming of Age in the Somali Desert)
To falling in love in unexpected places. Or with an unexpected person.
C.W. Farnsworth (Famous Last Words (Holt Hockey, #1))
Nona lay down on the mattress. She felt very tired and sad all of a sudden, seeing Camilla tired and sad. On some impulse she opened her arms, and Camilla unexpectedly lay down next to her and crawled inside them—not quite letting Nona hold her, but letting Nona put an arm around her, putting an arm around Nona in return. It was hot, but Nona didn’t mind. “Cam,” Nona whispered. “What’s up?” “I could go to the park for you,” whispered Nona, desperately trying to sort through the words, say the correct thing, communicate the right desire. “I could help…really. You know what happens when I get hurt. That’s got to be worth something.” Camilla said, “Is that your plan? Getting hurt?” “Well, it might freak them out,” said Nona. “And I’m not scared of dying. Really truly, Cam, I’m not…” “Why not?” said Camilla. Nona thought about it. “Because I like letting go on the pull-up bars and falling off,” she said. “I don’t like the part just before you let go and I don’t like the part where you hit the floor, but I like the letting go.” “I don’t let go,” said Camilla. “It’s my one thing.” Nona was amazed at that—the idea that Camilla, who could do so much and do it so fluently, could sum herself up as having one thing. Amazed too, a little, that anyone might not love the weightlessness when your fingers slipped off the metal and you hung, unsuspended, in midair, as though to find some kind of leash or safety rope, as though Nona might really fall.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
You are holding up a ceiling with both arms. It is very heavy, but you must hold it up, or else it will fall down on you. Your arms are tired, terribly tired, and, as the day goes on, it feels as if either your arms or the ceiling will soon collapse. But then, unexpectedly, something wonderful happens: Someone, a man or a woman, walks into the room and holds their arms up to the ceiling beside you. So you finally get to take down your arms. You feel the relief of respite, the blood flowing back to your fingers and arms. And when your partner’s arms tire, you hold up your own to relieve him again. And it can go on like this for many years without the house falling.
Michael Blumenthal
Love did not hurt, oppress, or destroy. Love was beautiful, transformative, and restorative in every fucking way that mattered.
Rilzy Adams (Before We Fall (Unexpected Lovers #2))
Love wasn’t cruel. It wasn’t possessive. It wasn’t selfish. Love didn’t hurt. It didn’t break down. It didn’t suffocate.
Rilzy Adams (Before We Fall (Unexpected Lovers #2))
We lose our way. This process unfolds simply and predictably over time: •   Change appears in the form of something unforeseen. •   We feel uncertain, anxious, frustrated, worried, and fearful at this unexpected turn of events. •   We resist Change by creating stories of how we think things should’ve turned out. •   Our stories cause us to suffer because they are incongruent with reality. •   Suffering is disorienting and makes us give up our power of free will. •   When we feel powerless to choose, we abandon ourselves and feel lost. There’s no telling what we’ll do when we feel lost. We spiral. We waste precious time. We fall out of alignment with ourselves. We block our blessings. We make unclear choices. We subvert our best interests. We act out in fear. We numb. We refuse to feel our feelings. We bury our love with resentment. We reach for any coping mechanism possible. We fall from grace. These are all attempts to protect us from pain. They are also the birth of suffering. And that is something far worse because we choose it for ourselves. Even when it’s the last thing we want. THE FIRST ARROW It was the most intense physical pain I’ve ever felt.
Chris Rackliffe (It's Good to See Me Again: How to Find Your Way When You Feel Lost)
Love and feelings But then, Mahreen does something very unexpected. She holds Hope’s hand and slowly brings her closer to the rose. As both sit on the floor looking at the red rose, she asks Saabir to hold her finger and make her feel the velvety surface of the rose petals and kiss her. Then Mahreen leaves them alone in the moment, in the presence of the most fragrant, very still and the most beautiful red rose.   Saabir kisses her. Hope takes a deep breath, and now she can smell Saabir with traces of rose scent. This uplifts her mood and enlivens her senses. She holds Saabir’s neck with her right hand and begins to smell it. As she kisses him again, and again, and again; she cries and finally tears emerge from her eyes; and she falls unconscious in Saabir’s arms- Tonight Hope experienced the virgin feelings of a quintessential human being capable of experiencing and expressing emotions. Tonight Hope may have fallen unconscious, but she shall wake up as a conscious, sensitive, and an emotionally enriched woman. A true Hope!
Javid Ahmad Tak (They Loved in 2075!)
Falling in love can be surprising, unexpected, even scary. It’s like standing in line for a roller coaster and then stepping on. Once you’ve buckled in, there’s no turning back from the thrill and rush of it all.
Savannah Scott (A Not So Fictional Fall (Sweater Weather, #6))
To those who think it’s not a good thing to have the men give up their dogs and be heartbroken, Jacobs-Meadows says: “Life carries with it unexpected happenings that involve tragedy and loss. And the lesson here is that if you keep doing the next right thing and making the next right decision, the next great joy is right around the corner.” In the case of Canine CellMates, that joy is getting another dog and falling in love all over again.
Rebecca Ascher-Walsh (Loyal: 38 Inspiring Tales of Bravery, Heroism, and the Devotion of Dogs)
For all the monsters who are still waiting to be loved. Of course, my faith was tested. Isn't that always the way? The trouble with people is that unlike gods or bodhisattvas, we are only mortals, and so destined to disappoint and even harm one another. It wasn't just my world that was falling apart. It was everyone's. So I wrote. I wrote as though I might be casting a spell or chanting a religious litany. I wrote as though poetry and prayer might mean the same thing, as if words might reconnect me with what I once considered my unshakable relationship with the human divine. I wrote to summon the language that might help me fall back in love with being human. I wrote my way through the question: What happens when we imagine loving the people-and the parts of ourselves-that we do not believe are worthy of love? What emerged was a series of love letters to unexpected people and places, to the parts of the world and my own self that I thought were beyond saving. Yes, dear reader. This is a book of love letters- to dead people, to exes, to prostitutes and johns. Love letters to weirdos and monsters, to transphobes and racists, to everyone and everything I have ever had trouble holding in my heart. I needed to know that I could love them, because that meant I could still love myself- as hopeless and lost as I had become. From the depths of my rage and despair, I needed to find my way back to love. This book is my act of prayer in a collapsing world. My devotion to the belief that we are all intrinsically sacred. My bridge back to hope.
Kai Cheng Thom (Falling Back in Love with Being Human: Letters to Lost Souls)
Glory, isn’t it”—she caught her breath, waved her hand in front of her face, decoratively—“exciting!” Alexa asked what. “The bombing.” “Bombing?” “Oh, you haven’t heard. They’re bombing New York. They showed it on teevee, where it landed. These steps!” She collapsed beside Alexa with a great huff. The smell that had seemed so appetizing outside Big San Juan’s had lost its savor. “But they couldn’t show”—she waved her hand and it was still, Alexa had to admit, a lovely and a graceful hand—“the actual airplane itself. Because of the fog, you know.” “Who’s bombing New York?” “The radicals, I suppose. It’s some kind of protest. Against something.” Lottie Hanson watched her breasts lift and fall. The importance of the news she bore made her feel pleased with herself. She waited for the next question all aglow. But Alexa had begun calculating with no more input than she had already. The notion had seemed, from Lottie’s first words, inevitable. The city cried out to be bombed. The amazing thing was that no one had ever thought to do it before. When she did at last ask Lottie a question, it came from an unexpected direction. “Are you afraid?” “No, not a bit. It’s funny, because usually, you know, I’m just a bundle of nerves. Are you afraid?” “No. Just the opposite. I feel…” She had to stop and think what it was that she did feel.
Thomas M. Disch (334)
Five kids?” The question falls out of my mouth before I realize this is surely something I would know about Chloe if we were really dating. Everyone’s eyes shift toward me. “Five kids! It’s still a shock even after all this time,” I reply while internally chastising myself for making this mistake.
Erin Hawkins (Reluctantly Yours (Unexpectedly in Love, #1))
Even in this short time. Sometimes, I think, life brings us people we’re supposed to meet. Like there’s something we’re supposed to learn. And I guess, having been through what I’ve been through, the only thing I’ve learned is that it’s better to take a chance than not. Even if it hurts after. Because not knowing would hurt worst of all, I think.
Hayden Stone (An Unexpected Kind of Love (When Snow Falls #1))
There is a close parallel of response between the patterns of physical and psychic trauma or shock. A person suddenly deprived of loved ones and a person who drops a few feet unexpectedly will both register shock. Both the loss of family and a physical fall are extreme instances of amputations of the self. Shock induces a generalized numbness or an increased threshold to all types of perception. The victim seems immune to pain or sense.
Marshall McLuhan (Understanding Media: The Extensions of Man)
It [patience] is both an invincible weapon and a sort of impregnable tower, easily beating off all annoyances. As a spark falling into the deep does it no injury, but is itself easily quenched, so upon a patient soul whatever unexpected thing falls, this speedily vanishes and does not disturb the soul; for of a truth there is nothing so impenetrable as patience. He who has patience [long-suffering] enjoys a profound calm. Though you surround him with loss, bring insults upon him, bruise him with stripes, you have not wounded him. He has a long-suffering and great soul. This excellence is born of love; for, Love suffers long and is kind (I Cor. 13:4).—John Chrysostom
Dee Pennock (God's Path to Sanity)
Unexpected, unimagined. A prickling sensation. A stomach-dropping, blood-fizzing, breath-stopping, knotted lurch-and-swoop that I recognized, by then, as the first faltering step towards falling in love.
Nell Stevens (Briefly, A Delicious Life)
You had hoped in love. You had believed in its existence. Its goodness. The richness of a life bathed in it. You went in search of it. Hoping. Longing. Risking. Trusting. And at some point you found love, or what you thought was love. And you gladly immersed yourself in it. Freely. Joyfully. With the whole of your being. And then at some point, it turned. Violently. Wickedly. It did what loves doesn’t do, or least what it’s not supposed to do. It used you. Betrayed you. Wounded you. And then it cast you off to some cold isolated place to somehow bear your pain in the worst kind of loneliness imaginable. And in those places we are left with the bitter feeling that love was a grand hoax. A childish hope. An antiquated myth set on wounding those who fall prey to its seductive promises. But I would tell you to never let those who abuse love define it through their abuse of it. To the contrary, there is something pristine and untouchable about love. Something transformational. Life-altering. Life-giving. Yes, people abuse it. But when a single human being sets the whole of themselves aside in order to freely love another, magic is set in motion. And it is my prayer that the hope of the love that you have always longed for will never be crushed by those who have crushed you. Rather, may you believe, may you wait, may you hold hope close, and may you be blessed when the love that you thought not to exist unexpectedly seizes your heart, rubs your soul warm, and ignites your life. This is what I wish for you.
Craig D. Lounsbrough
She doesn’t realize the profound truth of her words. The concept of fate and destiny, some high power guiding our paths, is often dismissed as a mere belief or superstition. It comes with unexpected and sometimes unwelcome outcomes, like falling in love with your father’s second wife. But that’s the beauty of the universe—it has a way of surprising us and completely transforming our lives.
Cora Kent (Sweet Revenge (Blackmore University #3))
Abby,” he signed. “Hmm?” “I have a confession to make.” “Okay,” she said quietly. “I love watching you dance,” he said. Well… that wasn’t what she was expecting. At all. “Really?” He nodded. “I’m actually a little in awe of the way you dance and move and …” He stopped. Abby sat up a little and looked at him. “What? What were you going to say?” “Never mind,” he said shyly and tried to pull her in for another kiss. But her curiosity got the better of her. “Uh-uh. Come on. What were going to say?” Dean signed. Loudly. Rolling onto his back, he flung an arm over his eyes as if he were embarrassed to look at her. “I kind of…dammit.” Another sigh. “I kind of fantasized about watching you dance. Just for me.” Wow. That was totally unexpected too. “Like… a striptease?” she asked, slightly confused. He shook his head. “No. More like just doing what you do in class. But… just for me. And maybe… just wearing something sexy.
Samantha Chase (Christmas On Pointe (Silver Bell Falls, #2))
List of Elizabeth Lennox Books   The Texas Tycoon’s Temptation   The Royal Cordova Trilogy Escaping a Royal Wedding The Man’s Outrageous Demands Mistress to the Prince   The Attracelli Family Series Never Dare a Tycoon Falling For the Boss Risky Negotiations Proposal to Love Love's Not Terrifying Romantic Acquisition   The Billionaire's Terms: Prison Or Passion The Sheik's Love Child The Sheik's Unfinished Business The Greek Tycoon's Lover The Sheik's Sensuous Trap The Greek's Baby Bargain The Italian's Bedroom Deal The Billionaire's Gamble The Tycoon's Seduction Plan The Sheik's Rebellious Mistress The Sheik's Missing Bride Blackmailed by the Billionaire The Billionaire's Runaway Bride The Billionaire's Elusive Lover The Intimate, Intricate Rescue   The Sisterhood Trilogy The Sheik's Virgin Lover The Billionaire's Impulsive Lover The Russian's Tender Lover The Billionaire's Gentle Rescue   The Tycoon's Toddler Surprise The Tycoon's Tender Triumph   The Friends Forever Series The Sheik's Mysterious Mistress The Duke's Willful Wife The Tycoon's Marriage Exchange   The Sheik's Secret Twins The Russian's Furious Fiancée The Tycoon's Misunderstood Bride   Love By Accident Series The Sheik's Pregnant Lover The Sheik's Furious Bride The Duke's Runaway Princess   The Russian's Pregnant Mistress   The Lovers Exchange Series The Earl's Outrageous Lover The Tycoon's Resistant Lover   The Sheik's Reluctant Lover The Spanish Tycoon's Temptress   The Berutelli Escape Resisting The Tycoon's Seduction The Billionaire’s Secretive Enchantress   The Big Apple Brotherhood The Billionaire’s Pregnant Lover The Sheik’s Rediscovered Lover The Tycoon’s Defiant Southern Belle   The Sheik’s Dangerous Lover (Novella)   The Thorpe Brothers His Captive Lover His Unexpected Lover His Secretive Lover His Challenging Lover   The Sheik’s Defiant Fiancée (Novella) The Prince’s Resistant Lover (Novella) The Tycoon’s Make-Believe Fiancée (Novella)   The Friendship Series The Billionaire’s Masquerade The Russian’s Dangerous Game The Sheik’s Beautiful Intruder   The Love and Danger Series – Romantic Mysteries Intimate Desires Intimate Caresses Intimate Secrets Intimate Whispers   The Alfieri Saga The Italian’s Passionate Return (Novella) Her Gentle Capture His Reluctant Lover Her Unexpected Admirer Her Tender Tyrant Releasing the Billionaire’s Passion (Novella) His Expectant Lover   The Sheik’s Intimate Proposition (Novella)   The Hart Sisters Trilogy The Billionaire’s Secret Marriage The Italian’s Twin Surprise The Forbidden Russian Lover   The War, Love, and Harmony Series Fighting with the Infuriating Prince (Novella) Dancing with the Dangerous Prince (Novella)
Elizabeth Lennox (The Sheik's Baby Surprise (The Boarding School Series Book 4))
The best love story is when you fall in love with the most unexpected person at the most unexpected time.
Anonymous
You don’t need weeks and months to fall in love; you just need the right two people and the perfect circumstance.
Elena Aitken (Unexpected Gifts (Castle Mountain Lodge, #1))