Undo Love Quotes

Sensitive people are the most genuine and honest people you will ever meet. There is nothing they won’t tell you about themselves if they trust your kindness. However, the moment you betray them, reject them or devalue them, they become the worse type of person. Unfortunately, they end up hurting themselves in the long run. They don’t want to hurt other people. It is against their very nature. They want to make amends and undo the wrong they did. Their life is a wave of highs and lows. They live with guilt and constant pain over unresolved situations and misunderstandings. They are tortured souls that are not able to live with hatred or being hated. This type of person needs the most love anyone can give them because their soul has been constantly bruised by others. However, despite the tragedy of what they have to go through in life, they remain the most compassionate people worth knowing, and the ones that often become activists for the broken hearted, forgotten and the misunderstood. They are angels with broken wings that only fly when loved.

No matter how long or how difficult, we will undo whatever that Moroi boy has done to you." I managed a wavering smile, tasting blood in my mouth. "You sure about that, Dad? Because he's done everything to me.

Love? Be it man. Be it woman. It must be a wave you want to glide in on, give your body to it, give your laugh to it, give, when the gravelly sand takes you, your tears to the land. To love another is something like prayer and can't be planned, you just fall into its arms because your belief undoes your disbelief.

There is only one thing I fear now - love. For I have seen it and I have felt it and I know that it is love, not death, that undoes us.

Love is such a wild and reckless creature. It cannot be planned or threaded. It cannot be controlled. Love can coexist with Fate, or it can undo it. Love is the only thing more powerful than Fate.

There is lust and then there is love. They are related, but still very different things. To indulge in one requires little but honeyed speech and a change of clothes; to obtain the other, by contrast, a man must give up his rib. In return, his woman will undo the sin of Eve, and bring him back into Paradise.

Love is for children, said the girl. Death is for fools, said the shadow. Darkness is my destiny, said the boy. Allegiance is my undoing, said the eagle. Suffering is our fate, said the beauty. And they were all horribly wrong.

There are only two questions that human beings have ever fought over, all through history. 'How much do you love me?' And, 'Who's in charge?' Everything else is somehow manageable. But these two questions of love and control undo us all, trip us up and cause war, grief, and suffering.

It was right and wrong both. Love does as it undoes. It goes after, with equal tenacity, joy and heartbreak.

We were keeping our eye on 1984. When the year came and the prophecy didn't, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held. Wherever else the terror had happened, we, at least, had not been visited by Orwellian nightmares. But we had forgotten that alongside Orwell's dark vision, there was another - slightly older, slightly less well known, equally chilling: Aldous Huxley's Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think. What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we fear will ruin us. Huxley feared that what we desire will ruin us. This book is about the possibility that Huxley, not Orwell, was right.

In another life I reckon I could have loved you,' I tell her. She gives me a little smile back. 'In another life I would have let you-' Never you mind that I already love her in this one.

Afraid to Love I turn away and close my heart— to the promise of love that is luring. For the past has taught to not be caught, in what is not worth pursuing— To never do the things I've done that once had led to my undoing.

We are not created equal in talent. But the place where we are least equal is the heart. You can work at a talent, take lessons, but love, love either works or it doesn't. You love someone or you don't. You can't change it. You can't undo it.

You will notice that what we are aiming at when we fall in love is a very strange paradox. The paradox consists of the fact that, when we fall in love, we are seeking to re-find all or some of the people to whom we were attached as children. On the other hand, we ask our beloved to correct all of the wrongs that these early parents or siblings inflicted upon us. So that love contains in it the contradiction: The attempt to return to the past and the attempt to undo the past.

each man must realize that it can all disappear very quickly: the cat, the woman, the job, the front tire, the bed, the walls, the room; all our necessities including love, rest on foundations of sand — and any given cause, no matter how unrelated: the death of a boy in Hong Kong or a blizzard in Omaha . . . can serve as your undoing. all your chinaware crashing to the kitchen floor, your girl will enter and you'll be standing, drunk, in the center of it and she'll ask: my god, what's the matter? and you'll answer: I don't know, I don't know . . . — PULL A STRING, A PUPPET MOVES . . .

When I stand and contemplate my fate and see the path along which you have led me, I reach my end, for artless I surrendered to one who is my undoing and my end.

I don't know when I stopped mattering to him, and I don't know how to undo it. I want it to be like it used to, when all he needed was me.

A Betrayal I cannot undo what I have done; I can't un-sing a song that's sung. And the saddest thing about my regret— I can't forgive me, and you can't forget.

I want it too much," Adam said. That sentence, Ronan thought, was enough to undo all bad feeling he might have had meeting Adam's Harvard friends, all bad feeling about looking like a loser, all bad feeling about feeling stuck, all bad feeling, ever. Adam Parrish wanted him, and he wanted Adam Parrish.

I think now that fate is half shaped by expectation, half by inattention. But somehow, when you lose something you love, faith takes over. You have to pay attention to what you lost. You have to undo the expectation.

Falling for someone is like pulling a loose thread. It happens stitch by stitch. You feel whole most of the time even while the seams pop, the knots loosen, everything that holds you together coming undone. It feels incredible, this opening of yourself to the world. Not like the unraveling it is. Only afterward do you glance down at the tangle of string around your feet that used to be a person who was whole and self-contained and realize that love is not a thing that we create. It's an undoing.

Once you love, you cannot take it back, cannot undo it; what you felt may have changed, shifted slightly, yet still remains love. You still feel-though very small-the not-altogether unpleasant shock of soul recognition for that person.

That cloak of love you were wearing—he’s torn it to shreds, undoing the seams of trust that held it together. How can you ever wear those shreds?

Wanting to Die Since you ask, most days I cannot remember. I walk in my clothing, unmarked by that voyage. Then the almost unnameable lust returns. Even then I have nothing against life. I know well the grass blades you mention, the furniture you have placed under the sun. But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. Twice I have so simply declared myself, have possessed the enemy, eaten the enemy, have taken on his craft, his magic. In this way, heavy and thoughtful, warmer than oil or water, I have rested, drooling at the mouth-hole. I did not think of my body at needle point. Even the cornea and the leftover urine were gone. Suicides have already betrayed the body. Still-born, they don't always die, but dazzled, they can't forget a drug so sweet that even children would look on and smile. To thrust all that life under your tongue!— that, all by itself, becomes a passion. Death's a sad Bone; bruised, you'd say, and yet she waits for me, year after year, to so delicately undo an old wound, to empty my breath from its bad prison. Balanced there, suicides sometimes meet, raging at the fruit, a pumped-up moon, leaving the bread they mistook for a kiss, leaving the page of the book carelessly open, something unsaid, the phone off the hook and the love, whatever it was, an infection.

To love another is something like prayer and can't be planned, you just fall into its arms because your belief undoes your disbelief.

How much do you love me?' and "Who's in charge?" ....these two questions of LOVE and CONTROL undo us ALL, trip us up and cause war, grief, and suffering. People follow different paths, straight or crooked, according to their temperament, depending on which they consider best, or most appropriate -- and all reach You, just as rivers enter the ocean.

If this is what being loved by him on accident feels like, I can't imagine what it'd feel like to be loved on purpose.

Remorse is a terrible thing to bear, Pam, one of the worst of all punishments in this life. To wish undone something you have done, to wish you could look back on kindness to someone you love, instead of on unkindness - that is a very terrible thing.

It’s the Longing that ultimately undoes you. When it finds you, it gnaws at your bones and tugs at your chest. It fills you up inside like rot and makes you dream dreams and it drowns you. The Longing keeps you in bed, clutching at your sheets while the world goes on outside. It smells like old leaves and cigarette smoke, mixed with the scent of far-off places you will hear of, but never see. It’s the gloss on a lover’s lips the moment you realize you will never kiss those lips again. It is the bittersweet, unrequited love of creation and it will break your heart again and again and again. If you know the Longing the way I do, then these words are redundant. We understand each other perfectly, you and I.

She loved him. But he didn’t know how to love. He could talk about love. He could see love and feel love. But he couldn’t give love. He could make love. But he couldn’t make promises. She had desperately wanted his promises. She wanted his heart, knew she couldn’t have it so she took what she could get. Temporary bliss. Passionate highs and lows. Withdrawal and manipulation. He only stayed long enough to take what he needed and keep moving. If he stopped moving, he would self-destruct. If he stopped wandering, he would have to face himself. He chose to stay in the dark where he couldn’t see. If he exposed himself and the sun came out, he’d see his shadow. He was deathly afraid of his shadow. She saw his shadow, loved it, understood it. Saw potential in it. She thought her love would change him. He pushed and he pulled, tested boundaries, thinking she would never leave. He knew he was hurting her, but didn’t know how to share anything but pain. He was only comfortable in chaos. Claiming souls before they could claim him. Her love, her body, she had given to him and he’d taken with such feigned sincerity, absorbing every drop of her. His dark heart concealed. She’d let him enter her spirit and stroke her soul where everything is love and sensation and surrender. Wide open, exposed to deception. It had never occurred to her that this desire was not love. It was blinding the way she wanted him. She couldn’t see what was really happening, only what she wanted to happen. She suspected that he would always seek to minimize the risk of being split open, his secrets revealed. He valued his soul’s privacy far more than he valued the intimacy of sincere connection so he kept his distance at any and all costs. Intimacy would lead to his undoing—in his mind, an irrational and indulgent mistake. When she discovered his indiscretions, she threw love in his face and beat him with it. Somewhere deep down, in her labyrinth, her intricacy, the darkest part of her soul, she relished the mayhem. She felt a sense of privilege for having such passion in her life. He stirred her core. The place she dared not enter. The place she could not stir for herself. But something wasn’t right. His eyes were cold and dark. His energy, unaffected. He laughed at her and her antics, told her she was a mess. Frantic, she looked for love hiding in his eyes, in his face, in his stance, and she found nothing but disdain. And her heart stopped.

His looks are my weakness, his mind my undoing.

The beauty of life is, while we cannot undo what is done, we can see it, understand it, learn from it and change so that every new moment is spent not in regret, guilt, fear or anger but in wisdom, understanding and love.

For I have seen it and I have felt it and it is love, not death, that undoes us.

You can't undo loss. You can't unmake a mistake. (What The Hell Have You Done, Sophie Roth?)

How I wish I could undo it all … take it all back… All those years I spent unhappy with him …. when I should have been looking for you.

Because I realized I'd be stuck doing all the hard stuff," she reasoned. "All the diapers and doctors' appointments and discipline, and you'd just breeze in and be Fun Daddy. I'd do all the work to make them good people, and you'd undo it anyway, and they'd love you and hate me.

SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.

Let me be clear now then, Daisy—” Gives me a tall look. “I am fucked up in love with you.

A thousand regrets I’ve had in love, A thousand times I’ve longed to change the past. I know, my love, there is no going back. No undoing of our thousand burdens. We must go on despite our heavy hearts. A thousand regrets I’ve had in love, but I shall never regret you.

All I have is a voice to undo the folded lie, the romantic lie in the brain of the sensual man-in-the-street and the lie of Authority whose buildings grope the sky: There is no such thing as the State and no one exists alone; Hunger allows no choice to the citizen or the police; We must love one another or die.

You were such a sweet child, when I first met you by this very tree,” remarked the Bear. “What happened?” His voice was mocking, but she could feel the tension in him when she began to undo the golden clasps. “What happened? Love, betrayal, and time,” said Vasya. “What happens to anyone who grows to understand you, Medved? Living happens.

This is what we are like. Collectively as a species, this is our emotional landscape. I met an old lady once, almost 100 years old, and she told me, "There are only two questions that human beings have ever fought over, all through history. How much do you love me? And Who's in charge? Everything else is somehow manageable. But these two questions of love and control undo us all, trip us up and cause war, grief, and suffering.

My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also. You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly. Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.

who did I think we were. who did I think I could make you. this is the oldest mistake, to confuse wanting with magic. silence is the undoing of every spell, and we are experts in the unsaid. even now, I forget to put us in past tense. as if the air in this city were the same. as if love is anything like its speaking.

Loving him will be my magnum opus.

I will be my undoing, If I become my obsession. I will forget the ones I love, If I do not serve them. I will war with others, If I refuse to see them. Therefore, I choose to turn away From my reflection, To rely not on myself But on my brothers and sisters, To project always outward Until I disappear [And only God remains.]

My beautiful swan. My savior and my undoing.

To never do the things I've done that once had led to my undoing.

My strongest temptation and undoing. The only woman capable of satiating me. My nemesis and equal, my torment and love. Unraveling with her has never felt so fucking good.

You can't undo loss. You can't unmake a mistake.

This will be the rest of my life. Forced to love her from a distance. Mourn the loss of her each day. But I will. I will smother every emotion but the one that belongs to her. I will love her until I am incapable of the feeling. She is the torture I may not survive. Eagerly, she is my undoing. She was supposed to be my forever. Now I'll watch her become someone else's. Because the beast doesn't get the beauty.

When you open yourself to somebody, when you feel these thing that you feel, well, what do you do? You can try to ignore it, maybe you can try to forget about it, but you can't undo it and you can't give it back.

The past has taught to not be caught in what is not worth pursuing- To never do the things I've done that once had led to my undoing

In another life I reckon I could have loved you,” I tell her. She gives me a little smile back. “In another life I would have let you—

The mother of an adult child sees her work completed and undone at the same time.' If this holds true, I may have to withstand not only rage, but also my undoing. Can one prepare for one's undoing? How has my mother withstood mine? Why do I continue to undo her, when what I want to express above all else is that I lover her very much?

There was no way to undo it. No amount of coin or power could turn time back to that night in Tempest Snare, or the day Isolde showed up, asking for a place on Saint’s crew. It was one long series of tragically beautiful knots that bound us together.

Daisy for me was a complete trip—I accidentally fell in love with her, and I accidentally lost her. I wasn’t ready for it. I wasn’t ready to love someone how it turns out I love her.

You must give me leave to flatter myself, my dear cousin, that your refusal of my addresses is merely words of course. My reasons for believing it are briefly these: -- It does not appear to me that my hand is unworthy your acceptance, or that the establishment I can offer would be any other than highly desirable. My situation in life, my connections with the family of De Bourgh, and my relationship to your own, are circumstances highly in its favor; and you should take it into farther consideration that in spite of your manifold attractions, it is by no means certain that another offer of marriage may ever be made you. Your portion is unhappily so small that it will in all likelihood undo the effects of your loveliness and amiable qualifications. As I must therefore conclude that you are not serious in your rejection of me, I shall chuse to attribute it to your wish of increasing my love by suspense, according to the usual practice of elegant females. (Mr. Collins, after proposing to Elizabeth Bennet and being refused, in Pride and Prejudice.)

The world is getting too small for both an Us and a Them. Us and Them have become codependent, intertwined, fixed to one another. We have no separate fates, but are bound together in one. And our fear of one another is the only thing capable of our undoing.

Mum used to say to me—when you pick who you want to be with, you have to imagine every part of life, every scenario. Good, bad, happy, sad, painful, beautiful—not just the person you want to do road trips with, but the person you want to be stuck in gridlock traffic with. Not just the person you want to have babies with, but the person you want to grieve with, the person you want next to you on the worst day of your life, at the funeral of someone you love, who's next to you? You don't need a fair-weather lover, you need the person that's going to stand next to you in their wellies, staring down the barrel of the storm.

My death granted immortality. With one look, I knew he’d be my undoing…” Forgotten, book #1 of the Fate Trilogy

I just never saw her coming, I couldn't have picked loving her out of a lineup

Joyful accomplishments exist next to painful memories. I found a lot of my healing when I realized that my suffering didn’t undo my joy.

Today, Jackson and Holly are in love. Tomorrow, she will lie dying in his arms. Yesterday, he must undo it all....

But this thing that almost never was still beckons, I wanted to tell him. They can never undo it, never unwrite it, never unlive it, or relive it—it's just stuck there like a vision of fireflies on a summer field toward evening that keeps saying, You could have had this instead. But going back is false. Moving ahead is false. Looking the other way is false. Trying to redress all that is false turns out to be just as false. Their life is like a garbled echo buried for all time in a sealed Mithraic chamber.

Your home needs to be a place where your kids can fail—and learn from their failure. Surround them with love, show them how important they are to you, but don’t try to undo their failures. It’s not our job as parents to get our kids off the hook.

This is the strange undoing of a collection, of a house and of a family. It is the moment of fissure when grand things are taken and when family objects, known and handled and loved, become stuff.

It's nice when grown people whisper to each other under the covers. Their ecstasy is more a leaf-sigh than bray and the body is the vehicle, not the point. They reach, grown people, for something beyond, way beyond and way, way down underneath tissue. They are remembering while they whisper the carnival dolls they won and the Baltimore boats they never sailed on. The pears they let hang on the limb because if they plucked them, they would be gone from there and who else would see that ripeness if they took it away for themselves? How could anybody passing by see them and imagine for themselves what the flavour would be like? Breathing and murmuring under covers both of them have washed and hung out on the line, in a bed they chose together and kept together nevermind one leg was propped on a 1916 dictionary, and the mattress, curved like a preacher's palm asking for witnesses in His name's sake, enclosed them each and every night and muffled their whispering, old-time love. They are under the covers because they don't have to look at themselves anymore; there is no stud's eye, no chippie glance to undo them. They are inward toward the other, bound and joined by carnival dolls and the steamers that sailed from ports they never saw. That is what is beneath their undercover whispers.

We spend a lifetime undoing the damage caused by cruelty, neglect, and all manner of lovelessness experienced in our families of origin and in relationships where we simply where we simply did not know what to do.

I love you, too,” she said. He took her face in his hands and kissed her, once, deeply, on the mouth. “I mean,” he said, “I really love you.” She quirked a brow. “Is this a contest?” “It is anything you want,” he promised. She grinned, that enchanting, perfect smile that was so quintessentially hers. “I feel I must warn you, then,” she said, cocking her head to the side. “When it comes to contests and games, I always win.” “Always?” Her eyes grew sly. “Whenever it matters.” He felt himself smile, felt his soul lighten and his worries slip away. “And what, precisely, does that mean?” “It means,” she said, reaching up and undoing the buttons of her coat, “that I really really love you.

The greatest book in the world, the Mahabharata, tells us we all have to live and die by our karmic cycle. Thus works the perfect reward-and-punishment, cause-and-effect, code of the universe. We live out in our present life what we wrote out in our last. But the great moral thriller also orders us to rage against karma and its despotic dictates. It teaches us to subvert it. To change it. It tells us we also write out our next lives as we live out our present. The Mahabharata is not a work of religious instruction. It is much greater. It is a work of art. It understands men will always fall in the shifting chasm between the tug of the moral and the lure of the immoral. It is in this shifting space of uncertitude that men become men. Not animals, not gods. It understands truth is relative. That it is defined by context and motive. It encourages the noblest of men - Yudhishtra, Arjuna, Lord Krishna himself - to lie, so that a greater truth may be served. It understands the world is powered by desire. And that desire is an unknowable thing. Desire conjures death, destruction, distress. But also creates love, beauty, art. It is our greatest undoing. And the only reason for all doing. And doing is life. Doing is karma. Thus it forgives even those who desire intemperately. It forgives Duryodhana. The man who desires without pause. The man who precipitates the war to end all wars. It grants him paradise and the admiration of the gods. In the desiring and the doing this most reviled of men fulfils the mandate of man. You must know the world before you are done with it. You must act on desire before you renounce it. There can be no merit in forgoing the not known. The greatest book in the world rescues volition from religion and gives it back to man. Religion is the disciplinarian fantasy of a schoolmaster. The Mahabharata is the joyous song of life of a maestro. In its tales within tales it takes religion for a spin and skins it inside out. Leaves it puzzling over its own poisoned follicles. It gives men the chance to be splendid. Doubt-ridden architects of some small part of their lives. Duryodhanas who can win even as they lose.

Venus to Tig: "I'm afraid, Alexander, that I may have fallen in love with you." Tig doesn't know what to say, so Venus says it for him: "I'm a man. I am a man who knows she's a woman. And that's exactly where I'm supposed to be. It's the criss-cross that I've come to love. I don't want the surgery. I don't want to undo what God has given me. I know how beautiful I am.

I love her more than I’ve ever loved anything and I thought I might have been able to angle it, find a way for us to work. A life between where I can be who I am and love her how I do and it not be the death of her, but it’s not on the cards. I’d be the death of her, and I won’t be.

As I listen to Darcy breathing in the dark beside me, I wonder how we got to this. How we could be in love with the same person. How I coudl be sabotaging my best friend's engagement. In the final seconds before sleep, I wish I could go back and undo everything, give those little girls another chance.

Sorry I wish you could apologize to something you broke and it brings it back to what it was without losing its core I wish your ‘sorry’ could undo the damage that was scattered in the distance you left between us I wish your ‘sorry’ could make me love you while forgetting the pain you’ve stricken me with

You taught me it takes more bravery to love completely that it does to walk unarmed into battle,” he said. “To love you and be loved by you is an honor, Clary.” She grinned at him. “And what do I get in return for the honor?” “My sparkling wit,” he said, starting to undo her zipper. “My charming company. My good looks. And…” He looked up at her, suddenly serious. “My heart, for all the days of my life.” She bent to brush her lips across his. “And you have mine

The doctrine of the Trinity means that relationship, that fellowship, that togetherness and sharing, that self-giving and other-centeredness are not afterthoughts with God, but the deepest truth about the being of God. The Father is not consumed with Himself; He loves the Son and the Spirit. And the Son is not riddled with narcissism; he loves his Father and the Spirit. And the Spirit is not preoccupied with himself and his own glory; the Spirit loves the Father and the Son. Giving, not taking; other-centeredness, not self-centeredness; sharing, not hoarding are what fire the rockets of God and lie at the very center of God’s existence as Father, Son and Spirit.

Say what you said before again. The Irish thing. I want to say it back to you." He smiled. Took her hand. "You'll never pronounce it." "Yes, I will." Still smiling, he said it slowly, waited for her to fumble through. But her eyes stayed steady and serious as she brought his hand to her heart, laid hers on his, and repeated the words. She saw emotion move over his face. His heart leaped hard against her hand. "You undo me, Eve." He sat up, dropped his brow against hers. "Thank God for you," he murmured in a voice gone raw. "Thank God for you.

Surrounded by stone, this body of mine is seen in the dim light for what it is, fragile and brief. The water closes, seamless, around me. My foot with it's blue-green veins is vulnerable beside this rock-hard world that wants to someday take me in. Can we love what will swallow us when we are gone? I do. I love what will consume us all, the place where the tunneling worms and roots of plants dwell, where the slow deep centuries of earth are undoing and remaking themselves.

It isn’t Easter,” he said, “but this week has caused me to think a lot about the Easter story. Not the glorious resurrection that we celebrate on Easter Sunday but the darkness that came before. I know of no darker moment in the Bible than the moment Jesus in his agony on the cross cries out, ‘Father, why have you forsaken me?’ Darker even than his death not long after because in death Jesus at last gave himself over fully to the divine will of God. But in that moment of his bitter railing he must have felt betrayed and completely abandoned by his father, a father he’d always believed loved him deeply and absolutely. How terrible that must have been and how alone he must have felt. In dying all was revealed to him, but alive Jesus like us saw with mortal eyes, felt the pain of mortal flesh, and knew the confusion of imperfect mortal understanding. “I see with mortal eyes. My mortal heart this morning is breaking. And I do not understand. “I confess that I have cried out to God, ‘Why have you forsaken me?’ ” Here my father paused and I thought he could not continue. But after a long moment he seemed to gather himself and went on. “When we feel abandoned, alone, and lost, what’s left to us? What do I have, what do you have, what do any of us have left except the overpowering temptation to rail against God and to blame him for the dark night into which he’s led us, to blame him for our misery, to blame him and cry out against him for not caring? What’s left to us when that which we love most has been taken? “I will tell you what’s left, three profound blessings. In his first letter to the Corinthians, Saint Paul tells us exactly what they are: faith, hope, and love. These gifts, which are the foundation of eternity, God has given to us and he’s given us complete control over them. Even in the darkest night it’s still within our power to hold to faith. We can still embrace hope. And although we may ourselves feel unloved we can still stand steadfast in our love for others and for God. All this is in our control. God gave us these gifts and he does not take them back. It is we who choose to discard them. “In your dark night, I urge you to hold to your faith, to embrace hope, and to bear your love before you like a burning candle, for I promise that it will light your way. “And whether you believe in miracles or not, I can guarantee that you will experience one. It may not be the miracle you’ve prayed for. God probably won’t undo what’s been done. The miracle is this: that you will rise in the morning and be able to see again the startling beauty of the day. “Jesus suffered the dark night and death and on the third day he rose again through the grace of his loving father. For each of us, the sun sets and the sun also rises and through the grace of our Lord we can endure our own dark night and rise to the dawning of a new day and rejoice. “I invite you, my brothers and sisters, to rejoice with me in the divine grace of the Lord and in the beauty of this morning, which he has given us.

Gavin, I never thought you’d be the irrational one in this relationship, but I’m happy to report that you’ve just thoroughly shocked me.” He rolled to his side to lean on his arm, keeping my hand resting on his chest, buried underneath his shirt. “I know. My timing is impeccable.” He smirked, letting his hungry gaze drift over my body. “But I’m sorry, love. I cannot take seeing you all tucked up in this sexy corset anymore. The ties are so tight, they’re just begging me to undo them.” His fingers trailed over the top of my chest and down over the corset’s binding, tugging at the edges of the lace as he went. “Forcefully,” he winked.

You’re being deliberately cruel, now.” “No – I think deliberately cruel would be if I told you something rude, like: I’d love to see you stroking your stiff dick until you came all over yourself.” I pause again, but this time it’s not to eat his expression. This time I’m employing a bit of dramatic license, I think. “Or until you came all over me – because you know, you could do that if you wanted to. I could undo my nightie, and then you could just … spurt all over my tits.” He makes the following sound: “Hoh.

Last night I thought I kissed the loneliness from out your belly button. I thought I did, but later you sat up, all bones and restless hands, and told me there is a knot in your body that I cannot undo. I never know what to say to these things. “It’s okay.” “Come back to bed.” “Please don’t go away again.” Sometimes you are gone for days at a time and it is all I can do not to call the police, file a missing person’s report, even though you are right there, still sleeping next to me in bed. But your eyes are like an empty house in winter: lights left on to scare away intruders. Except in this case I am the intruder and you are already locked up so tight that no one could possibly jimmy their way in. Last night I thought I gave you a reason not to be so sad when I held your body like a high note and we both trembled from the effort. Some people, though, are sad against all reason, all sensibility, all love. I know better now. I know what to say to the things you admit to me in the dark, all bones and restless hands. “It’s okay.” “You can stay in bed.” “Please come back to me again.

I try Dr. Pat's breathing exercises but they're not working because my entire mind is focused on keeping myself glued to the couch. I don't want to move any closer to the bathroom just in case. But I hate myself for the thought. I know it's not right or normal. I know I'm not simply some cute quirky girl like Beck says, and every moment I can't get off the couch is a moment that makes me one level crazier. That heavy, pre-crying feeling floods my sinuses and I drop my head from the weight of it. Cover my face with my hands long enough to get out a cry or two. Because there is nothing, nothing worse than not being able to undo the crazy thoughts. I ask them to leave, but they won't. I try to ignore them, but the only thing that works is giving in to them. Torture: knowing something makes no sense, doing it anyway.

we’ll speak about two young men who found much happiness for a few weeks and lived the remainder of their lives dipping cotton swabs into that bowl of happiness, fearing they’d use it up, without daring to drink more than a thimbleful on ritual anniversaries.” But this thing that almost never was still beckons, I wanted to tell him. They can never undo it, never unwrite it, never unlive it, or relive it—it’s just stuck there like a vision of fireflies on a summer field toward evening that keeps saying, You could have had this instead. But going back is false. Moving ahead is false. Looking the other way is false. Trying to redress all that is false turns out to be just as false.

You think I don’t know, that I don’t understand what that cost you. But you’re wrong.” She couldn’t keep her voice steady, gave up trying. “You’re wrong, Roarke. I do know. There’s no one else in the world who would want, who would need to kill for me. No one else in the world who would step back from it because I asked it. Because I needed it.” She turned, and the first tear spilled over. “No one but you.” “Don’t. You’ll do me in if you cry.” “I never in my life expected anyone would love me, all of me. How would I deserve that? What would I do with it? But you do. Everything we’ve managed to have together, to be to each other, this is more. I’ll never be able to find the words to tell you what you just gave me.” “You undo me, Eve. Who else would make me feel like a hero for doing nothing.” “You did everything. Everything. Are everything.

A particularly strategic maneuver is to decide that if we don’t understand something it must be wrong. After all, wrong is simpler than not knowing. Wrong means I am not stupid or failing. See all that sneaky, slimy projection happening there? Projection shields us from personal responsibility. It obscures our shame and confusion and places the onus for reconciling it on the body of someone else. We don’t have to work to understand something when it is someone else’s “fault.” We don’t have to undo the shame-based beliefs we were brought up with. We don’t have to question our parents, friends, churches, synagogues, mosques, government, media. We don’t have to challenge or be challenged.

Finn is God: I reach between us and release the buckles that are holding us together. This is when I really panic. The ride up in the plane didn't scare me. Or the height or the jump or the noise. None of that scared me. Right now, only one thing does. Julie Seagle: Tell me. Finn is God: I'm terrified that when I undo that buckle and release you, that you'll get up and walk away from me. I can't think of anything more excruciating.

I belong to a nation which for the past four years has begun to relive the course of her entire history and which is calmly and surely preparing out of the ruins to make another history…Your nation, on the other hand, has received from its sons only the love it deserved, which was blind. A nation is not justified by such love. That will be your undoing. And you who were already conquered in your greatest victories, what will you be in the approaching defeat?

The constitution of our country says that all men are created equal, but it's a lie. I'll never be able to make a jump shot like Magic Johnson, or drive a car like Mario Andretti, or paint like Picasso. We are not created equal in talent. But the place where we are least equal is the heart. You can work at a talent, take lessons, but love, love either works or it doesn't. You love someone or you don't. You can't change it. You can't undo it." - A Lick of Frost

One ends a romantic relationship while remaining a compassionate friend by being kind above all else. By explaining one’s decision to leave the relationship with love and respect and emotional transparency. By being honest without being brutal. By expressing gratitude for what was given. By taking responsibility for mistakes and attempting to make amends. By acknowledging that one’s decision has caused another human being to suffer. By suffering because of that. By having the guts to stand by one’s partner even while one is leaving. By talking it all the way through and by listening. By honoring what once was. By bearing witness to the undoing and salvaging what one can. By being a friend, even if an actual friendship is impossible. By having good manners. By considering how one might feel if the tables were turned. By going out of one’s way to minimize hurt and humiliation. By trusting that the most compassionate thing of all is to release those we don’t love hard enough or true enough or big enough or right. By believing we are all worthy of hard, true, big, right love. By remembering while letting go.

Q: Yet, I cannot see how can anything come to be without a cause. M: When I say a thing is without a cause, I mean it can be with-out a particular cause. Your own mother was needed to give you birth; But you could not have been born without the sun and the earth. Even these could not have caused your birth without your own desire to be born. It is desire that gives birth, that gives name and form. The desirable is imagined and wanted and manifests itself as something tangible or con-ceivable. Thus is created the world in which we live, our personal world. The real world is beyond the mind's ken; we see it through the net of our desires, divided into pleasure and pain, right and wrong, inner and outer. To see the universe as it is, you must step beyond the net. It is not hard to do so, for the net is full of holes. Q: What do you mean by holes? And how to find them? M: Look at the net and its many contradictions. You do and undo at every step. You want peace, love, happiness and work hard to create pain, hatred and war. You want longevity and overeat, you want friendship and exploit. See your net as made of such contradictions and remove them -- *your very seeing them will make them go*

She blinked and kissed me abruptly, somewhere between mouth and cheek. It was an inaccuracy I didn't try to correct either way. I turned away before I could see if there were going to be any tears and started for the doors at the far end of the hall. I looked back once, as I was mounting the steps. Ortega was still standing there, arms wrapped around herself, watching me leave. In the stormlight, it was too far away to see her face clearly. For a moment something ached in me, something so deep-rooted that I knew to tear it out would be to undo the essence of what held me together. The feeling rose and splashed like the rain behind my eyes, swelling as the drumming on the roof panels grew and the glass ran with water.

Around me the beautiful windows, connecting me to other lives and other times, to things done and also deliberately left undone, stood dark. Rose, I was sure, had acted out of love, yet for Iris her mother's absence had remained an unresolved sadness at the center of her life. I thought of what Rose had written about anger, about its power to corrupt, to make a space for evil. Maybe she was right. Maybe evil, that old-fashioned word, could be called other things, disharmony or dysfunction. Maybe Rose was right and evil wasn't attached top an individual as much as if was a force in the world, a seeing force, one that worked like a self-replicating virus, seeking to entangle, to ensnare, to undo beauty. [p.353]

When we feel abandoned, alone, and lost, what’s left to us? What do I have, what do you have, what do any of us have left except the overpowering temptation to rail against God and to blame him for the dark night into which he’s led us, to blame him for our misery, to blame him and cry out against him for not caring? What’s left to us when that which we love most has been taken? “I will tell you what’s left, three profound blessings. In his first letter to the Corinthians, Saint Paul tells us exactly what they are: faith, hope, and love. These gifts, which are the foundation of eternity, God has given to us and he’s given us complete control over them. Even in the darkest night it’s still within our power to hold to faith. We can still embrace hope. And although we may ourselves feel unloved we can still stand steadfast in our love for others and for God. All this is in our control. God gave us these gifts and he does not take them back. It is we who choose to discard them. “In your dark night, I urge you to hold to your faith, to embrace hope, and to bear your love before you like a burning candle, for I promise that it will light your way. “And whether you believe in miracles or not, I can guarantee that you will experience one. It may not be the miracle you’ve prayed for. God probably won’t undo what’s been done. The miracle is this: that you will rise in the morning and be able to see again the startling beauty of the day. “Jesus suffered the dark night

She started out, then pressed a hand on the door to brace herself. “You think I don’t know, that I don’t understand what that cost you. But you’re wrong.” She couldn’t keep her voice steady, gave up trying. “You’re wrong, Roarke. I do know. There’s no one else in the world who would want, who would need to kill for me. No one else in the world who would step back from it because I asked it. Because I needed it.” She turned, and the first tear spilled over. “No one but you.” “Don’t. You’ll do me in if you cry.” “I never in my life expected anyone would love me, all of me. How would I deserve that? What would I do with it? But you do. Everything we’ve managed to have together, to be to each other, this is more. I’ll never be able to find the words to tell you what you just gave me.” “You undo me, Eve. Who else would make me feel like a hero for doing nothing.” “You did everything. Everything. Are everything.” Mira was right, again. Love, that strange and terrifying entity, was the answer after all. “Whatever there is, whatever happened to me, or how it comes back on me, you have to know, you need to know that what you did here gave me more peace than I ever thought I’d find. You have to know that I can face anything knowing you love me.” “Eve.” He stepped away from the slot, away from what was gone. And toward her, toward what mattered. “I can’t do anything but love you.

It's not that your mother didn't love you,' the boy named Crow says from behind me. 'She loved you very deeply. The first thing you have to do is believe that. That's your starting point.' 'But she abandoned me. She disappeared, leaving me alone where I shouldn't be. I'm finally beginning to understand how much that hurt. How could she do it if she really loved me?' 'That's the reality of it. It did happen,'the boy named Crow says. 'You were hurt badly, and those scars will be with you forever. I feel sorry for you, I really do. But think of it like this: It's not too late to recover. You're young, you're tough. You're adaptable. You can patch up your wounds, lift your head, and move on. But for her that's not an option. The only thing she'll ever be is lost. It doesn't matter whether somebody judges this as good or bad- that's not the point. You're the one who has the advantage. You ought to consider that.' I don't respond. 'It all really happened, you can't undo it,' Crow tells me. 'She shouldn't have abandoned you then, and you shouldn't have been abandoned. But things in the past are like a plate that's shattered to pieces. You can never put it back together like it was, right?' I nod. You can never put it back together like it was. He's hit the nail on the head. The boy named Crow continues. 'Your mother felt a gut-wrenching kind of fear and anger inside her, okay? Just like you do now. Which is why she had to abandon you.' 'Even though she loved me?' 'Even though she loved you, she had to abandon you. You need to understand how she felt then, and learn to accept it. Understand the overpowering fear and anger she experienced, and feel it as your own- so you won't inherit it and repeat it. The main thing is this: You have to forgive her. That's not going to be easy, I know, but you have to do it. That's the only way you can be saved. There's no other way!' - pg 398-99

He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.

Lithium regulates the proteins that control the body’s inner clock. This clock runs, oddly, on DNA, inside special neurons deep in the brain. Special proteins attach to people’s DNA each morning, and after a fixed time they degrade and fall off. Sunlight resets the proteins over and over, so they hold on much longer. In fact, the proteins fall off only after darkness falls—at which point the brain should “notice” the bare DNA and stop producing stimulants. This process goes awry in manic-depressives because the proteins, despite the lack of sunlight, remain bound fast to their DNA. Their brains don’t realize they should stop revving. Lithium helps cleave the proteins from DNA so people can wind down. Notice that sunlight still trumps lithium during the day and resets the proteins; it’s only when the sunlight goes away at night that lithium helps DNA shake free. Far from being sunshine in a pill, then, lithium acts as “anti-sunlight.” Neurologically, it undoes sunlight and thereby compresses the circadian clock back to twenty-four hours—preventing both the mania bubble from forming and the Black Tuesday crash into depression.

We carry old secrets too painful to utter,                                 too shameful to acknowledge,                                 too burdensome to bear,     of failures we cannot undo,     of alienations we regret but cannot fix,     of grandiose exhibits we cannot curb. And you know them.     You know them all.     And so we take a deep sigh in your presence,        no longer needing to pretend and                       cover up and                       deny.   We mostly do not have big sins to confess,     only modest shames that do not         fit our hoped-for selves.   And then we find that your knowing is more     powerful than our secrets. You know and do not turn away,     and our secrets that seemed too powerful         are emptied of strength,     secrets that seemed too burdensome                  are now less severe.   We marvel that when you find us out         you stay with us,      taking us seriously,      taking our secrets soberly,          but not ultimately,     overpowering our little failure     with your massive love                and abiding patience.   We long to be fully, honestly         exposed to your gaze of gentleness.     In the moment of your knowing                we are eased and lightened,     and we feel the surge of joy move in our bodies,          because we are not ours in cringing                  but yours in communion.   We are yours and find the truth before you     makes us free for         wonder, love, and praise—and new life.