Underwater Sea Walk Quotes

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I step on the stage and find the lights blazing against me and yet in the same distance pulling me forward. I am like something left over after a storm. Slight, a waif. It is like I am underwater in a pool of brightness. Slowly slowly I walk down towards the men. (...) I guess they don't know what they are seeing. I guess it is true they are seeing a lovely woman. Soft-breasted woman (...) I might be one of the footlights, with a burning wick for a heart. I don't utter a blessed word. (...) John Cole all spit and polish approaches from the far side of the stage and we hear the men draw in their breath like a sea tide drawing back on the shingle of a beach. He approaches and approaches. They know I'm a man because they have read it on the bill. But I'm suspecting that every one of them would like to touch me and now John Cole is their ambassador of kisses. Slowly slowly he edges nearer. He reaches out a hand, so openly and plainly that I believe I am going to expire. The held-in breath of the audience is not let out again. Half a minute passes. It is unlikely any of them could of holded their breath like this underwater. They have found new lungs. Down down we go under them waters of desire. Every last man, young and old, wants John Cole to touch my face, hold my narrow shoulders, put his mouth against my lips. Handsome John Cole, my beau. Our love in plain sight. Then the lungs of the audience giving out, and a rasping rush of sound. We have reached the very borderland of our act, the strange frontier. (…) We part like dancers, we briefly go down to our patrons, we briefly bow, and then we have turned and are gone. As if for ever. They have seen something they don’t understand and partly do, in the same breath. We have done something we don’t understand neither and partly do.
Sebastian Barry (Days Without End (Days Without End, #1))
The street seen backwards was like an invasion by the sea on the night of a flood. What I saw resembled an inside-out glove, the negative of a street. I was walking over the ocean bed, creeping along the walls, the corroded gateways, the mossy leprosy of cars, octopus-infested gardens, pines encrusted with vampire shells (sap drained, suppliant branches forming reefs); to navigate anywhere beyond this housing estate you'd have needed to be familiar with the shadows of the labyrinth, hearing the helm scraping the rooftops, the keel grating against the gutter rails. But my step was light, steady and brisk.
Marie Darrieussecq (My Phantom Husband)
One aspect of Ellony’s behavior was a certain feyness that manifested itself at Sisterhood gatherings. Sometimes, she would go into a trance and say strange things. She told of underwater realms of disturbing beauty, where creatures she could not describe writhed like eels among fallen marble columns. She spoke of the dragons, and then she would become agitated and flecks of foam would gather at the corners of her mouth. Pharinet thought that for Ellony the sea dragons had become a personal horror: a haunting she both welcomed and feared. No wonder she walked at night.
Storm Constantine (Sea Dragon Heir (The Chronicles of Magravandias, #1))