Underneath The Christmas Tree Quotes

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Colored lights blink on and off, racing across the green boughs. Their reflections dance across exquisite glass globes and splinter into shards against tinsel thread and garlands of metallic filaments that disappear underneath the other ornaments and finery. Shadows follow, joyful, laughing sprites. The tree is rich with potential wonder. All it needs is a glance from you to come alive.
Vera Nazarian (The Perpetual Calendar of Inspiration)
Education is like Christmas. We’re all just opening our gifts, one at a time. And it is a fact that each and every child has a bright shiny present with her name on it, waiting there underneath the tree. God wrapped it up, and he’ll let us know when it’s time to unwrap it. In the meantime, we must believe that our children are okay. Every last one of them. The straight-A ones and the ones with autism and the naughty ones and the chunky ones and the shy ones and the loud ones and the so-far-behind ones.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Education is like Christmas. We’re all just opening our gifts, one at a time. And it is a fact that each and every child has a bright shiny present with her name on it, waiting there underneath the tree. God wrapped it up, and he’ll let us know when it’s time to unwrap it.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Education is like Christmas. We’re all just opening our gifts, one at a time. And it is a fact that each and every child has a bright shiny present with her name on it, waiting there underneath the tree.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
Matthew Dickman
ROSEMARY Beauty and Beauty’s son and rosemary— Venus and Love, her son, to speak plainly— born of the sea supposedly, at Christmas each, in company, braids a garland of festivity. Not always rosemary— since the flight to Egypt, blooming differently. With lancelike leaf, green but silver underneath, its flowers—white originally— turned blue. The herb of memory, imitating the blue robe of Mary, is not too legendary to flower both as symbol and as pungency. Springing from stones beside the sea, the height of Christ when thirty-three— it feeds on dew and to the bee “hath a dumb language”; is in reality a kind of Christmas-tree.
Marianne Moore (Complete Poems)
Christmas has a deeper significance to followers of Jesus. It’s not all about the gifts underneath Christmas trees or the elaborate meals served in extravagantly decorated homes. Christmas is the season of Immanuel. We celebrate the good news that He is near, that He cares for us, and that He transforms lives. His presence was the greatest present God gave mankind. May we be present carriers of that presence!
Katherine J. Walden (Dare to Call Him Friend)
I sputter a laugh as I unfurl a sweater with the words “Get Lit!” splashed across the front. There’s a huge Christmas tree, complete with actual flashing lights, underneath. Maddie grins wickedly. “In commemoration of our very lit wedding.
Katie Bailey (Season's Schemings (Cyclones Christmas, #1))