Underground River Quotes

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Because children grow up, we think a child's purpose is to grow up. But a child's purpose is to be a child. Nature doesn't disdain what lives only for a day. It pours the whole of itself into the each moment. We don't value the lily less for not being made of flint and built to last. Life's bounty is in its flow, later is too late. Where is the song when it's been sung? The dance when it's been danced? It's only we humans who want to own the future, too. We persuade ourselves that the universe is modestly employed in unfolding our destination. We note the haphazard chaos of history by the day, by the hour, but there is something wrong with the picture. Where is the unity, the meaning, of nature's highest creation? Surely those millions of little streams of accident and wilfulness have their correction in the vast underground river which, without a doubt, is carrying us to the place where we're expected! But there is no such place, that's why it's called utopia. The death of a child has no more meaning than the death of armies, of nations. Was the child happy while he lived? That is a proper question, the only question. If we can't arrange our own happiness, it's a conceit beyond vulgarity to arrange the happiness of those who come after us.
Tom Stoppard (The Coast of Utopia (Box Set))
Four thousand years ago, we, the people of the Indus River basin, had cities that were laid out on grids and boasted underground sewers, while the ancestors of those who would invade and colonize America were illiterate barbarians.
Mohsin Hamid (The Reluctant Fundamentalist)
The leaves were long, the grass was green, The hemlock-umbels tall and fair, And in the glade a light was seen Of stars in shadow shimmering. Tinuviel was dancing there To music of a pipe unseen, And light of stars was in her hair, And in her raiment glimmering. There Beren came from mountains cold, And lost he wandered under leaves, And where the Elven-river rolled. He walked along and sorrowing. He peered between the hemlock-leaves And saw in wonder flowers of gold Upon her mantle and her sleeves, And her hair like shadow following. Enchantment healed his weary feet That over hills were doomed to roam; And forth he hastened, strong and fleet, And grasped at moonbeams glistening. Through woven woods in Elvenhome She lightly fled on dancing feet, And left him lonely still to roam In the silent forest listening. He heard there oft the flying sound Of feet as light as linden-leaves, Or music welling underground, In hidden hollows quavering. Now withered lay the hemlock-sheaves, And one by one with sighing sound Whispering fell the beechen leaves In the wintry woodland wavering. He sought her ever, wandering far Where leaves of years were thickly strewn, By light of moon and ray of star In frosty heavens shivering. Her mantle glinted in the moon, As on a hill-top high and far She danced, and at her feet was strewn A mist of silver quivering. When winter passed, she came again, And her song released the sudden spring, Like rising lark, and falling rain, And melting water bubbling. He saw the elven-flowers spring About her feet, and healed again He longed by her to dance and sing Upon the grass untroubling. Again she fled, but swift he came. Tinuviel! Tinuviel! He called her by her elvish name; And there she halted listening. One moment stood she, and a spell His voice laid on her: Beren came, And doom fell on Tinuviel That in his arms lay glistening. As Beren looked into her eyes Within the shadows of her hair, The trembling starlight of the skies He saw there mirrored shimmering. Tinuviel the elven-fair, Immortal maiden elven-wise, About him cast her shadowy hair And arms like silver glimmering. Long was the way that fate them bore, O'er stony mountains cold and grey, Through halls of iron and darkling door, And woods of nightshade morrowless. The Sundering Seas between them lay, And yet at last they met once more, And long ago they passed away In the forest singing sorrowless.
J.R.R. Tolkien (The Lord of the Rings)
Just take a look around you: Blood is flowing in rivers and in such a jolly way you’d think it was champagne.
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
A freezing cold underground river. A dark cave lit by ghosts. A man too stupid to realize you loved him. This is what you want?" "All of it. Especially the very stupid man.
Molly Ringle (Underworld's Daughter (The Chrysomelia Stories, #2))
Our ancestors move along with us, in underground rivers and springs too deep for chaos to reach.
Wally Lamb (The Hour I First Believed)
since if he lived up to his promise, it would mean setting the underground river on fire.
Holly Black (The Iron Trial (Magisterium, #1))
The other day, when I was deciding where to place a mountain range, how to make a river's flow detour around underground stalactite caves, and what precise color to give the sky at sunset, I realized I was God... or an artist and a writer.
Vera Nazarian
Death was the river that ran underground, always. It was just that we had piled up so much junk to keep from hearing it.
Ann Patchett (These Precious Days: Essays)
The possible, as it was presented in her Health textbook (a mathematical progression of dating, "career," marriage, and motherhood), did not interest Harriet. Of all the heroes on her list, the greatest of them all was Sherlock Holmes, and he wasn’t even a real person. Then there was Harry Houdini. He was the master of the impossible; more importantly, for Harriet, he was a master of escape. No prison in the world could hold him: he escaped from straitjackets, from locked trunks dropped in fast rivers and from coffins buried six feet underground. And how had he done it? He wasn’t afraid. Saint Joan had galloped out with the angels on her side but Houdini had mastered fear on his own. No divine aid for him; he’d taught himself the hard way how to beat back panic, the horror of suffocation and drowning and dark. Handcuffed in a locked trunk in the bottom of a river, he squandered not a heartbeat on being afraid, never buckled to the terror of the chains and the dark and the icy water; if he became lightheaded, for even a moment, if he fumbled at the breathless labor before him– somersaulting along a river-bed, head over heels– he would never come up from the water alive. A training program. This was Houdini’s secret.
Donna Tartt (The Little Friend)
Small talk is like the air that shatters the stalactites into dust again. I do not participate. I wait. I laugh. I am aware that shallowness disintegrates the deeper undercurrents everyone seeks. The underground rivers of dreams, of deeper and deeper selves running underneath. I prefer my submarine region.
Anaïs Nin
Were they my brothers, my uncles, those creatures shuffling brimstone-eyed from room to room, or sitting separate, isolated, muttering forever like underground rivers, each in his private, inviolable gloom?
John Gardner (Grendel)
For a moment I was dizzied by the impulse to leave her there: shove the techs' hands away, shout at hovering morgue men to get the hell out. We had taken enough toll on her. All she had left was her death and I wanted to leave her that, that at least. I wanted to wrap her up in soft blankets, stroke back her clotted hair, pull up a duvet of falling leaves and little animals' rustles. Leave her to sleep, sliding away forever down her secret underground river, while breathing seasons spun dandelion seeds and moon phases and snowflakes above her head. She had tried so hard to live.
Tana French (In the Woods (Dublin Murder Squad, #1))
The voice came from the night all around him, in his head and out of it. "What do you want?' it repeated. He wondered if he dared to turn and look, realised he did not. 'Well? You come here every night, in a place where the living are not welcome. I have seen you. Why?' 'I wanted to meet you,' he said, without looking around. 'I want to live for ever.' His voice cracked as he said it. He had stepped over the precipice. There was no going back. In his imagination, he could already feel the prick of needle-sharp fangs in his neck, a sharp prelude to eternal life. The sound began. It was low and sad, like the rushing of an underground river. It took him several long seconds to recognise it as laughter. 'This is not life,' said the voice. It said nothing more, and after a while the young man knew he was alone in the graveyard.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
Anthony was calm as an underground river. Father Oke was a volcano ready to erupt.
Nnedi Okorafor (Lagoon)
Leave her to sleep, sliding away forever down her secret underground river, while breathing seasons spun dandelion seeds and moon phases and snowflakes above her head.
Tana French (In the Woods (Dublin Murder Squad, #1))
We all have this same intense ability to love running through us. It wasn't only Jun. But for some reason, so many of us don't use it like he did. We keep it hidden. We bury it until it becomes an underground river. Until we barely remember it's there. Until it's too far down to tap. But maybe it's time to dig it up. To let the sun hit the water. To let it flood.
Randy Ribay (Patron Saints of Nothing)
It’s ahead of us. All I can tell you is, not even courage will help.” “Are you reading Alma Mahler again?” “No.” Her voice was even and knowing. The underground river. The ceiling lowers, grows wet, the water rushes into darkness. The air becomes damp and icy, the passage narrows. Light is lost here, sound; the current begins to flow beneath great, impassable slabs.
James Salter (Light Years (Vintage International))
There are no longer any gods whom we can invoke to help us. The great religions of the world suffer from increasing anemia, because the helpful numina have fled from the woods, rivers, and mountains, and from animals, and the god-men have disappeared underground into the unconscious. There we fool ourselves that they lead an ignominious existence among the relics of our past.
C.G. Jung (Man and His Symbols)
And then it struck him what lay buried far down under the earth on which his feet were so firmly planted: the ominous rumbling of the deepest darkness, secret rivers that transported desire, slimy creatures writhing, the lair of earthquakes ready to transform whole cities into mounds of rubble. These, too, were helping to create the rhythm of the earth. He stopped dancing and, catching his breath, stared at the ground beneath his feet as though peering into a bottomless hole.
Haruki Murakami (After the Quake)
The days were quiet. They did not feel particularly quiet or happy but through them ran the sense, like an underground river, that there would come a time when these days would be looked back on as happiness, all that life could give of contentment and peace.
John McGahern (That They May Face the Rising Sun)
Her training had all been toward the end of making her proficient in what she had undertaken to do. Her personal life, her own realization of herself, was almost a subconscious existence; like an underground river that came to the surface only here and there, at intervals months apart, and then sank again to flow on under her own fields. Nevertheless, the underground stream was there, and it was because she had so much personality to put into her enterprises and succeeded in putting it into them so completely, that her affairs prospered better than those of her neighbors.
Willa Cather (O Pioneers!)
I think of the pastness of the past: how the moment I am alive in, prisoned in, moves like a slowly tumbling form through darkness, the underground river. Not only ancient history - the mythical age of the brothers' feud - but my own history one second ago, has vanished utterly, dropped out of existence.
John Gardner
The Philippines is also home to world-renowned natural wonders like an underground river and rice terraces, incredible diving spots rich in biodiversity, colorful public transportation, unique cuisine, vibrant festivals that showcase its colorful culture, and friendly locals regarded as some of the happiest in the world.
CherylFacts
You must remember also that He would never make any mistake in creating you. No matter what harsh and hateful words have been said to you, no matter the wrong actions against you, those opinions are not valid. The only valid opinion in which we can place true merit is that of God, and ultimately, your own.--Olivia Worthington of River Oaks Plantation
Lisa M. Prysock (Protecting Miss Jenna (Dream Wildly Unafraid; The Lydia Collection, #2))
The Mississippi River Valley aquifer was one of the largest in North America. It was located within a huge underground layer of water-bearing permeable rock.
Bobby Akart (New Madrid Earthquake)
There are rivers, hundreds of them, running underground all the time, and because of this a man can say he is walking on water.
Ann Patchett (The Patron Saint of Liars)
His art springs out of bubbling underground necessity, as if he's somehow dipping himself into the river that gave him life; he's making dream material visible.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
Ah, I think that nothing in the world vanishes utterly—nothing—not only what is said, but what is thought. All our deeds and words and thoughts are little streams, trickling springs underground.
Aleksandr Kuprin (The River of Life, and Other Stories: Exploring Human Emotions and Complexities in Early 20th-Century Russia)
People tell me things they shouldn’t. Things they ought to be powdering over, shoveling underground, facts they ought to be stuffing into a carpetbag before dropping into the river and quietly drowning.
Lyndsay Faye (The Gods of Gotham (Timothy Wilde, #1))
And there is more: what we see on a map is only the half of it. A river no more begins at its source than a story begins with the first page. Take Trewsbury Mead, for instance. That photograph, do you remember? The one they were so quick to dismiss, because it wasn’t picturesque? An ordinary ash in an ordinary field, they said, and so it appears, but look more closely. See this indentation in the ground, at the foot of the tree? See how it is the beginning of a furrow, shallow, narrow, and unremarkable, that runs away from the tree and out of the picture altogether? See here, in the dip, where something catches the light and shows as a few ragged patches of silver in the grey shades of muddy soil? Those bright marks are water, seeing sunlight for the first time in what might be a very long time. It comes from underground, where, in all the
Diane Setterfield (Once Upon a River)
I heard the Candor made ice cream,” says Marlene, twisting her head around to see the lunch line. “You know, as a kind of ‘it sucks we got attacked, but at least there are desserts’ thing.” “I feel better already,” says Lynn dryly. “It probably won’t be as good as Dauntless cake,” says Marlene mournfully. She sighs, and a strand of mousy brown hair falls in her eyes. “We had good cake,” I tell Caleb. “We had fizzy drinks,” he says. “Ah, but did you have a ledge overlooking an underground river?” says Marlene, waggling her eyebrows. “Or a room where you faced all your nightmares at once?” “No,” says Caleb, “and to be honest, I’m kind of okay with that.” “Si-ssy,” sings Marlene. “All your nightmares?” says Caleb, his eyes lighting up. “How does that work? I mean, are the nightmares produced by the computer or by your brain?” “Oh God.” Lynn drops her head into her hands. “Here we go.
Veronica Roth (Insurgent (Divergent, #2))
Often, during my stay in your country, such comparisons troubled me. In fact, they did more than trouble me: they made me resentful. Four thousand years ago, we, the people of the Indus River basin, had cities that were laid out on grids and boasted underground sewers, while the ancestors of those who would invade and colonize America were illiterate barbarians. Now our cities were largely unplanned, unsanitary affairs, and America had universities with individual endowments greater than our national budget for education. To be reminded of this vast disparity was, for me, to be ashamed.
Mohsin Hamid (The Reluctant Fundamentalist)
The jungle is a scary place for those who wander in It holds its secrets tightly furled, locking out the wind Each leaf has a map, each river points the way But the jungle is too good a host. You really must stay. So lay your body on the dirt, And make not a sound. Only when you rest you’ll find, The key is underground
Skye Warren (Love the Way You Lie (Stripped, #1))
Beyond the river and ten miles east of the city the Sangre Mountains began to reveal themselves in more detail as the sun rose higher, the rampart of blue shadow dissolving in the light, exposing the fissured red cliffs, the canyons and gorges a thousand feet deep, the towers leaning out from the main wall, the foothills dry and barren as old bones, and above and behind these tumbled ruins the final barrier of granite, the great horizontal crest tilted up a mile high into the frosty blue sky, sparkling with a new fall of snow. The mountains loomed over the valley like a psychical presence, a source and mirror of nervous influences, emotions, subtle and unlabeled aspirations; no man could ignore that presence; in an underground poker game, in the vaults of the First National Bank, in the realtor's office during the composition of and intricate swindle, in the heart of a sexual embrace, the emanations of mountain and sky imprinted some analogue of their nature on the evolution and shape of every soul.
Edward Abbey
The Salinas was only a part-time river. The summer sun drove it underground. It was not a fine river at all, but it was the only one we had and so we boasted about it—how dangerous it was in a wet winter and how dry it was in a dry summer. You can boast about anything if it’s all you have. Maybe the less you have, the more you are required to boast.
John Steinbeck (East of Eden & Grapes Of Wrath)
The other thing to remember, of course, is that most people get no help at all. I sure didn't, oh, no: it was just me and Castle, charging, desperate, through the country darkness, and that's how it is for most people who dare to run - no help from no Airlines, no help from no one. They just go, man, after years of planning or in the heat of a sudden moment they go, hurl their skinny bodies over a cyclone fence or purge themselves into a moat, break free of a chain line or a guard's hard grip and run, brother, run, sister, run along back roads and through forests. No planes and no cars or trucks, either. Just brave souls darting across open fields and wading in and out of rivers and stumbling along deer paths through dark woods. Find the star and follow it, as runners have done all the way back to the days of Old Slavery.
Ben H. Winters (Underground Airlines)
Rivers,” Publilius Syrus reminds us with an epigram, “are easiest to cross at their source.” That’s what Seneca means too. The raging waters and deadly currents of bad habits, ill discipline, chaos, and dysfunction—somewhere they began as no more than just a slight trickle. Somewhere they are a placid lake or pond, even a bubbling underground spring. Which would you rather do—nearly drown in a dangerous crossing in a few weeks or cross now while it’s still easy?
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
The river is rising. All over the planet the floods come often and the structures we build to contain them prove more ineffectual. It does not matter what kind of dikes we build. We can throw up massive security forces and still the drugs move at will. We can build big steel walls and still the people cross and move and mock the walls. We can create quarantines and still the plagues migrate to new ground and flesh. The world we think we believe in is ending before our eyes and no amount of meetings or discussions will come up with enough sandbags to stop the flow. Our fathers and mothers placed their faith in the new high dams. We sense the rivers cannot really be tamed.
Amy Goodman (Blues for Cannibals: The Notes from Underground)
Such apparently illogical actions are almost never inspired by a single motive. They spring from an unknown number of threads, perhaps thousands of them, some forgotten, some unconscious, some conspicuously suppressed or not admitted, which when collected and spun together have formed a conclusion, however considered or unconsidered it may ultimately seem. It is like the myriad tiny wells and springs, underground streams and significant little rivulets of water emerging from far and wide, seeping out from swamps or caverns of rock crystal, surging forth from dark underground or oozing through rotting vegetation until, bursting from a cleft in the rocks, they all unite and merge imperceptibly together then, tumbling down to the valley, they achieved their ultimate purpose and are transformed into a mighty river.
Miklós Bánffy (The Phoenix Land: The Memoirs of Count Miklos Banffy)
When Hurricane Katrina slammed into the Gulf Coast, almost everything lost its footing. Houses were detached from their foundations, trees and shrubbery were uprooted, sign posts and vehicles floated down the rivers that became of the streets. But amidst the whipping winds and surging water, the oak tree held its ground. How? Instead of digging its roots deep and solitary into the earth, the oak tree grows its roots wide and interlocks with other oak trees in the surrounding area. And you can’t bring down a hundred oak trees bound beneath the soil! How do we survive the unnatural disasters of climate change, environmental injustice, over-policing, mass-imprisonment, militarization, economic inequality, corporate globalization, and displacement? We must connect in the underground, my people! In this way, we shall survive.
Adrienne Maree Brown (Emergent Strategy: Shaping Change, Changing Worlds (Emergent Strategy, #0))
Back at the start of World War Two the authorities forbade the use of the Underground as an air raid shelter. Instead Londoners were supposed to rely on hastily built neighborhood shelters or on the famous Anderson shelters, which were basically rabbit hutches made from corrugated iron with some earth shoveled on top. Londoners being Londoners, the prohibition on using the Underground lasted right up until the first air raid warning, at which point the poorly educated but far from stupid populace of the capital did a quick back-of-the-envelope comparison between the stopping power of ten meters of earth and concrete and a few centimeters of compost, and moved underground en masse. The authorities were appalled. They tried exhortation, persuasion, and the outright use of force, but the Londoners wouldn’t budge. In fact, they started to organize their own bedding and refreshment services.
Ben Aaronovitch (Whispers Under Ground (Rivers of London #3))
As a world that has no well, Darting bright in forest dell; As a world without the gleam Of the downward-going stream; As a world without the glance Of the ocean's fair expanse; As a world where never rain Glittered on the sunny plain; - Such, my hear, thy world would be, If no love did flow in thee. As a world without the sound Of the rivulets underground; Or the bubbling of the spring Out of darkness wandering; Or the mighty rush and flowing Of the river's downward going; Or the music-showers that drop On the outspread beech's top; Or the ocean's mighty voice, When his lifted waves rejoice;- Such, my soul, thy world would be, If no love did sing in thee. Lady, keep they world's delight; Keep the waters in thy sight. Love hath made me strong to go, For thy sake, to realms below, Where the water's shine and hum Through the darkness never come: Let, I pray, one thought of me Spring, a little well, in thee; Lest thy loveless soul be found Like a dry and thirsty ground.
George MacDonald (The Light Princess)
The headlights of parked cars shone through the rain, and the sidewalks extended, empty, into the darkness. Underground, the sewers surged like rivers, and a few blocks away, sirens blared. He was no longer aware of his heart or thoughts, only the image of a sunken face staring up from a well, the paleness rising through the water like polished bone. A ringed hand reached toward it, but as the fingers approached, the face would sink away, its eyes opening, closing, and the droplets of red falling like leaves. He was a child running through an autumn cemetery, leaping over cast iron fences, the rain bleeding into the tombstones and the roofs of the mausoleums, his legs following the wings of a crow, flapping to the north. A hedge of withered roses stood between him and his childhood house. He tripped and grazed his cheek on a manhole, his red blooming in the water. The sun set behind the hill; the house turned black—abandoned and derelict—and Chris knew he had to keep running, ahead, into the unknown.
Kit Ingram (Paradise)
When Dennis McKenna drank ayahuasca , he had a vision in which he became “a sentient water molecule, percolating randomly through the soil, lost amid the tangle of the enormous root fibers of the Banisteriopsis World Tree.” I could feel the coolness, the dank dampness of the soil surrounding me. I felt suspended in an enormous underground cistern, a single drop among billions of drops … as if squeezed by the implacable force of irresistible osmotic pressures, I was rapidly translocated into the roots of the Banisteriopsis tree …” He was “carried through the articulating veins toward some unknown destination”. McKenna found himself within the extraordinary cellular mechanisms that turn light into “the molecular stuff of life”. Pulled on a kind of conveyor belt to the place where photosynthesis occurs. His consciousness exploded as he was “smited by the bolt of energy emitted by the phytic acid transducers and my poor water-molecule soul was split asunder”. As this vision ended, he found himself “embedded in the matrix” of the plant’s biochemical makeup. Suddenly he was suspended above the Amazon rainforest, looking over its vast expanse: “The vista stretching to the curved horizon was blue and green and bluish green, the vegetation below, threaded with shining rivers, looked like green mold covering an overgrown petri plate.” McKenna felt: “anger and rage toward my own rapacious, destructive species, scarcely aware of its own devastating power, a species that cares little about the swath of destruction it leaves in its wake as it thoughtlessly decimates ecosystems and burns thousands of acres of rainforest.” He wept. Suddenly a voice spoke to him: “You monkeys only think you’re running things. You don’t think we would really allow this to happen, do you?
Daniel Pinchbeck (When Plants Dream: Ayahuasca, Amazonian Shamanism and the Global Psychedelic Renaissance)
HISTORICAL NOTE There are no nuclear power stations in Belarus. Of the functioning stations in the territory of the former USSR, the ones closest to Belarus are of the old Soviet-designed RBMK type. To the north, the Ignalinsk station, to the east, the Smolensk station, and to the south, Chernobyl. On April 26, 1986, at 1:23:58, a series of explosions destroyed the reactor in the building that housed Energy Block #4 of the Chernobyl Nuclear Power Station. The catastrophe at Chernobyl became the largest technological disaster of the twentieth century. For tiny Belarus (population: 10 million), it was a national disaster. During the Second World War, the Nazis destroyed 619 Belarussian villages along with their inhabitants. As a result of Chernobyl, the country lost 485 villages and settlements. Of these, 70 have been forever buried underground. During the war, one out of every four Belarussians was killed; today, one out of every five Belarussians lives on contaminated land. This amounts to 2.1 million people, of whom 700,000 are children. Among the demographic factors responsible for the depopulation of Belarus, radiation is number one. In the Gomel and Mogilev regions, which suffered the most from Chernobyl, mortality rates exceed birth rates by 20%. As a result of the accident, 50 million Ci of radionuclides were released into the atmosphere. Seventy percent of these descended on Belarus; fully 23% of its territory is contaminated by cesium-137 radionuclides with a density of over 1 Ci/km2. Ukraine on the other hand has 4.8% of its territory contaminated, and Russia, 0.5%. The area of arable land with a density of more than 1 Ci/km2 is over 18 million hectares; 2.4 thousand hectares have been taken out of the agricultural economy. Belarus is a land of forests. But 26% of all forests and a large part of all marshes near the rivers Pripyat, Dniepr, and Sozh are considered part of the radioactive zone. As a result of the perpetual presence of small doses of radiation, the number of people with cancer, mental retardation, neurological disorders, and genetic mutations increases with each year. —“Chernobyl.” Belaruskaya entsiklopedia On April 29, 1986, instruments recorded high levels of radiation in Poland, Germany, Austria, and Romania. On April 30, in Switzerland and northern Italy. On May 1 and 2, in France, Belgium, the Netherlands, Great Britain, and northern Greece. On May 3, in Israel, Kuwait, and Turkey. . . . Gaseous airborne particles traveled around the globe: on May 2 they were registered in Japan, on May 5 in India, on May 5 and 6 in the U.S. and Canada. It took less than a week for Chernobyl to become a problem for the entire world. —“The Consequences of the Chernobyl Accident in Belarus.” Minsk, Sakharov International College on Radioecology The fourth reactor, now known as the Cover, still holds about twenty tons of nuclear fuel in its lead-and-metal core. No one knows what is happening with it. The sarcophagus was well made, uniquely constructed, and the design engineers from St. Petersburg should probably be proud. But it was constructed in absentia, the plates were put together with the aid of robots and helicopters, and as a result there are fissures. According to some figures, there are now over 200 square meters of spaces and cracks, and radioactive particles continue to escape through them . . . Might the sarcophagus collapse? No one can answer that question, since it’s still impossible to reach many of the connections and constructions in order to see if they’re sturdy. But everyone knows that if the Cover were to collapse, the consequences would be even more dire than they were in 1986. —Ogonyok magazine, No. 17, April 1996
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Solotol is a city of arches and bridges, where steps and pavements wind past tall buildings and lance out over steep rivers and gullies on slender suspension bridges and fragile stone arches. Roadways flow along the banks of water courses, looping and twisting over and under them; railways splay out in a tangle of lines and levels, swirling through a network of tunnels and caverns where underground reservoirs and roads converge, and from a speeding train passengers can look out to see galaxies of lights reflecting on stretches of dark water crossed by the slants of underground funiculars and the piers and ways of subterranean roads.
Iain M. Banks (Use of Weapons (Culture, #3))
This would never have happened in Abnegation! None of it! Never. This place warped him and ruined him, and I don’t care if saying that makes me a Stiff, I don’t care, I don’t care!” My paranoia is so deeply ingrained, I look automatically at the camera buried in the wall above the drinking fountain, disguised by the blue lamp fixed there. The people in the control room can see us, and if we’re unlucky, they could choose this moment to hear us, too. I can see it now, Eric calling Tris a faction traitor, Tris’s body on the pavement near the railroad tracks… “Careful, Tris,” I say. “Is that all you can say?” She frowns at me. “That I should be careful? That’s it?” I understand that my response wasn’t exactly what she was expecting, but for someone who just railed against Dauntless recklessness, she’s definitely acting like one of them. “You’re as bad as the Candor, you know that?” I say. The Candor are always running their mouths, never thinking about the consequences. I pull her away from the drinking fountain, and then I’m close to her face and I can see her dead eyes floating in the water of the underground river and I can’t stand it, not when she was just attacked and who knows what would have happened if I hadn’t heard her scream. “I’m not going to say this again, so listen carefully.” I put my hands on her shoulders. “They are watching you. You, in particular.” I remember Eric’s eyes on her after the knife throwing. His questions about her deleted simulation data. I claimed water damage. He thought it was interesting that the water damage occurred not five minutes after Tris’s simulation ended. Interesting. “Let go of me,” she says. I do, immediately. I don’t like hearing her voice that way. “Are they watching you, too?” Always have been, always will be.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
Sometimes a river runs on the surface, and sometimes it runs underground, but always it is present. Even if you do not see it, you can feel it.
Elizabeth Chadwick (The Autumn Throne (Eleanor of Aquitaine, #3))
Was every good change made in the world the result of successful bullying? I wondered.
Martha Conway (The Underground River)
I was beginning to taste it. Something bitter, but warm. A flavor that woke me up and let me see things clearly. A flavor that made me feel safe, so I could let those things go. A flavor that held my hand and walked me across to the other side of loss, and assured me that one day, I would be just fine. A flavor for a change of heart- part grief, part hope. Suddenly, I knew what that flavor would be. I padded down to the kitchen and cut a slice of sour cream coffee cake with a spicy underground river coursing through its center, left over from an order that had not been picked up today. One bite and I was sure. A familiar flavor that now seemed utterly fresh and custom-made for me. Cinnamon. The comfort of sweet cinnamon. It always worked. I felt better. Lighter. Not quite "everything is going to be all right," but getting there. One step at a time.
Judith M. Fertig (The Cake Therapist)
But the part of these trees that really mattered to me right now was the roots. Those are the parts of the tree that search through the soil for nutrients and water, and slowly discover what is buried deep underground. I was what was underground here. The majority of who I really am is buried underneath the surface, and no one sees it. I am always connected to the deep river of knowledge, my taproot sliding right into the river’s main spring. And these trees were trying to determine who I was from the little bit of me that they could see sticking up above the soil. It hardly seemed fair that they could judge all that I am from the little bit that they could see interacting with other people, because that’s the smallest part of who I am. I was still thinking of myself as a hidden root system, deep underground, when my mother stood up and then Uncle Mike stood up next to her. My mother reached out to my shoulder and tapped my skin firmly.
Ned Hayes (The Eagle Tree)
Old Street roundabout is a diamond-shaped circulatory system designed in the late 1960s to thin out the number of cyclists heading in and out of the City. In line with the then-current planning conventions they added a series of mugger-friendly underpasses, an insufficiently wide entrance to Old Street Underground station, and a small shopping arcade lined with urine-attracting beige tile. The
Ben Aaronovitch (False Value (Rivers of London #8))
They were all unconscious worshippers of the State. Whether the State they worshipped was the Fascist State or the incarnation of quite another dream, they thought of it as something that transcended both its citizens and their lives. Whether it was tyrannical or paternalistic, dictatorial or democratic, it remained to them monolithic, centralized, and remote. This was why the political leaders and my peasants could never understand one another. The politicians oversimplified things, even while they clothed them in philosophical expressions. Their solutions were abstract and far removed from reality; they were schematic halfway measures, which were already out of date. Fifteen years of Fascism had erased the problem of the South from their minds and if now they thought of it again they saw it only as a part of some other difficulty, through the fictitious generalities of party and class and even race...All of them agreed that the State should be something about it, something concretely useful, and beneficent, and miraculous, and they were shocked when I told them that the State, as they conceived it, was the greatest obstacle to the accomplishment of anything...We can bridge the abyss only when we succeed in creating a government in which the peasants feel they have some share...Plans laid by a central government, however much good they may do, still leave two hostile Italys on either side of the abyss. The difficulties we were discussing, I explained to them, were far more complex than they realized...First of all, we are faced with two very different civilizations, neither of which can absorb the other...The second aspect of the trouble is economic, the dilemma of poverty. The land has been gradually impoverished: the forests have been cut down, the rivers have been reduced to mountain streams that often run dry, and livestock has become scarce. Instead of cultivating trees and pasture lands there has been an unfortunate attempt to raise wheat in soil that does not favor it. There is no capital, no industry, no savings, no schools; emigration is no longer possible, taxes are unduly heavy, and malaria is everywhere. All this is in large part due to the ill-advised intentions and efforts of the State, a State in which the peasants cannot feel they have a share, and which has brought them only poverty and deserts...We must make ourselves capable of inventing a new form of government, neither Fascist, nor Communist, nor even Liberal, for all three of these are forms of the religion of the State. We must rebuild the foundations of our concept of the State with the concept of the individual, which is its basis...The individual is not a separate unit, but a link, a meeting place of relationships of every kind...The name of this way out is autonomy. The State can only be a group of autonomies, an organic federation, The unit or cell through which the peasants can take part in the complex life of the nation must be the autonomous or self-governing rural community. This is the only form of government which can solve in our time the three interdependent aspects of the problem of the South; which can allow the co-existence of two different civilizations, without one lording it over the other or weighing the other down; which can furnish a good chance for escape from poverty...But the autonomy or self-government of the community cannot exist without the autonomy of the factory, the school, and the city, of every form of social life. This is what I learned from a year of life underground.
Carlo Levi (Christ Stopped at Eboli: The Story of a Year)
forbidding, the cold metal glimmering with a strange, murderous aura. The bugle call that issued from it was indescribably sorrowful, the mournful note reverberating on and on until it resonated throughout the entirety of Yanhui Town. It was as though the souls of those who had died in battle over millennia had all awoken from their slumber and joined their voices in song. The giant kite followed the underground river steadily into town, the water splashing loudly against its sides. The voice of the messenger rang out once again. “EXTINGUISH THE LIGHTS.” The giant kite responded
Priest (Stars of Chaos: Sha Po Lang (Novel) Vol. 1)
also going to get their rights. Meanwhile, large numbers of Black women were manifesting their commitment to freedom and equality in ways that were less closely connected with the newly organized women’s movement. The Underground Railroad claimed the energies of numerous Northern Black women. Jane Lewis, for example, a resident of New Lebanon, Ohio, regularly rowed her boat across the Ohio River, rescuing many a fugitive slave.56 Frances E. W. Harper, a dedicated feminist and the most popular Black poet at midcentury, was one of the most active lecturers associated with the anti-slavery movement. Charlotte Forten, who became a leading Black educator during the post-Civil War period, was likewise an active abolitionist. Sarah Remond, who lectured against slavery in England, Ireland and Scotland, exercised a vast influence on public opinion, and according to one historian, “kept the Tories from intervening on the side of the Confederacy.”57
Angela Y. Davis (Women, Race, & Class)
... [A]nd though I crossed continent after continent I never came to a shore, because oceans and lakes and rivers were still lying underground somewhere or other.
Italo Calvino (The Complete Cosmicomics)
Judging by what I have learned about men and women, I am convinced that far more idealistic aspiration exists than is ever evident. Just as the rivers we see are much less numerous than the underground streams, so the idealism that is visible is minor compared to what men and women carry in their hearts, unreleased or scarcely released. Mankind is waiting and longing for those who can accomplish the task of untying what is knotted and bringing the underground waters to the surface.
Albert Schweitzer (Out of My Life and Thought (Schweitzer Library))
In the tin-covered porch Mr Chawla had constructed at the rear of the house she had set up her outdoor kitchen, spilling over into a grassy patch of ground. Here rows of pickle jars matured in the sun like an army balanced upon the stone wall; roots lay, tortured and contorted, upon a cot as they dried; and tiny wild fruit, scorned by all but the birds, lay cut open, displaying purple-stained hearts. Ginger was buried underground so as to keep it fresh; lemon and pumpkin dried on the roof; all manner of things fermented in tightly sealed tins; chilli peppers and curry leaves hung from the branches of a tree, and so did buffalo curd, dripping from a cloth on its way to becoming paneer. Newly strong with muscles, wiry and tough despite her slenderness, Kulfi sliced and pounded, ground and smashed, cut and chopped in a chaos of ingredients and dishes. ‘Cumin, quail, mustard seeds, pomelo rind,’ she muttered as she cooked. ‘Fennel, coriander, sour mango. Pandanus flour, lichen and perfumed kewra. Colocassia leaves, custard apple, winter melon, bitter gourd. Khas root, sandalwood, ash gourd, fenugreek greens. Snake-gourd, banana flowers, spider leaf, lotus root …’ She was producing meals so intricate, they were cooked sometimes with a hundred ingredients, balanced precariously within a complicated and delicate mesh of spices – marvellous triumphs of the complex and delicate art of seasoning. A single grain of one thing, a bud of another, a moist fingertip dipped lightly into a small vial and then into the bubbling pot; a thimble full, a matchbox full, a coconut shell full of dark crimson and deep violet, of dusty yellow spice, the entire concoction simmered sometimes for a day or two on coals that emitted only a glimmer of faint heat or that roared like a furnace as she fanned them with a palm leaf. The meats were beaten to silk, so spiced and fragrant they clouded the senses; the sauces were full of strange hints and dark undercurrents, leaving you on firm ground one moment, dragging you under the next. There were dishes with an aftertaste that exploded upon you and left you gasping a whole half-hour after you’d eaten them. Some that were delicate, with a haunting flavour that teased like the memory of something you’d once known but could no longer put your finger on. Pickled limes stuffed with cardamom and cumin, crepuscular creatures simmered upon the wood of a scented tree, small river fish baked in green coconuts, rice steamed with nasturtium flowers in the pale hollow of a bamboo stem, mushrooms red – and yellow-gilled, polka-dotted and striped. Desire filled Sampath as he waited for his meals. Spice-laden clouds billowed forth and the clashing cymbals of pots and pans declared the glory of the meal to come, scaring the birds from the trees about him.
Kiran Desai (Hullabaloo in the Guava Orchard)
But just across the U.S. border, up in the tar sands of Alberta, there is another equally horrific image. A gaping pit, an abyss on its way to becoming the size of Florida, exists where Imperial Oil -- the largest company in the world -- is using the wild Athabasca River to pressure-wash underground sand formations that they gouge up like honeycombs, using huge amounts of energy and clean fresh water to steam the oil from those sands. Native people in the area are dying from drastically abnormal incidences of rare cancers, and Imperial Oil is seeking to transport more giant mining equipment -- on trucks over two hundred feet long and three stories high-- up the Snake River to Lewiston, Idaho, along the same route where the Nez Perce tribe rescued Lewis and Clark and directed them to the Pacific, shortly before the U.S. betrayed the Nez Perce and chased them toward Canada before killing them. (Rick Bass)
Melvin McLeod (editor)
The blood is sleeping. But the desire of feeling my own senses has grown deep, filled with an unstoppable tremendous drive to eliminate the lifeless stuff, which has gotten chained to me and lulled me to sleep. The rivers of my veins start to flow more and more powerful in every unit of time like lava underground!
Anna Asche
The Unbidden An unbidden grace seizes me, compelling me to be what I know I ought to be. To let it in I know I must let go. This is the grace of aspiration, The gravitas of one hundred New Year’s resolutions, with peaks of love, death and transience jagged as the Teton’s crown. With a nervous laughter I imagine it as the frazzled smile on a cartoon character. There is altitude in grace; I’m anointed sherpa of my landscape. Fumeroles of memory erupt through my soul, pointing to a underground river of propinquity. Time and space fuse, the desperation of the disparate is vanquished. In the mindscape of grace, everything flows in two directions. Memories ripple forward and are joined by new events cascading backwards. My sherpa calls this swirling cauldron life, the manufacturer of all meaning. Without the epiphany of the unbidden, we are without compass and forever lost.
Beryl Dov
The Lips I Kissed Butterflies rise from the mouth of the dead like planes over Dulles or O’Hare, masking her unspeakable void in a procession of iridescent blips across the control tower monitor. Can these abandoned doors be the lips I kissed -- lips I once explored like an underground river, a maze reaching to the core of her secret fire? Her heart, Gilgamesh rain upon the Tigris plains, beats no more but sits in buttoned devotion, parent proud to her bountiful yield. The sapped earth, now embalmed, rests until the next sowing of the dead.
Beryl Dov
Father Pernin explained, “Things went well enough with me during the first three or four hours of this prolonged bath, owing in part, I suppose, to my being continually in motion, either throwing water on my own head or on that of my neighbors.  It was not so, however, with some of those who were standing near me, for their teeth were chattering and their limbs convulsively trembling. Reaction was setting in and the cold penetrating through their frames. Dreading that so long a sojourn in the water might be followed by severe cramps, perhaps death, I endeavored to ascend the bank a short distance, so as to ascertain the temperature, but my shoulders were scarcely out of the river, when a voice called to me: ‘Father, beware, you are on fire!’” The few who sought the warmth of the water closer to shore, where the fire heated the shallow depths, paid a high price, for the air there was filled with hot, poisonous gases that burned their lungs and their eyes.  By 11:00 p.m., the entire village was on fire, and no one was able to make any effort to stop the conflagration. In fact, the heat was so high that the water in bottoms of deep wells boiled until they were dry, sometimes killing the people who had sought refuge in their once cool depths, while others who had hidden in root cellars and basements found themselves in red-hot ovens instead.  Bodies in such places would not be found, replaced instead by skeletal remains curled in their final throes of agony.  Some people were last seen diving into a damp, underground culver to escape the flames, but those looking for them later would find only a pile of ashes.
Charles River Editors (The Deadly Night of October 8, 1871: The Great Chicago Fire and the Peshtigo Fire)
Jack’s right—you shouldn’t be getting yourself into this mess. We can still get away, me and Christopher. I can get to that address in Washington, get things in order. Get into that underground that gives women and children new identities...” “Don’t be afraid,” he said again. “It’s going to be okay. I talked to Judge Forrest and he’s optimistic about working this out.” “There are alternatives to taking this kind of chance, is all I’m saying....” “Paige, if it comes to that, I’ll take you away myself. Stay with you until you get into some safe place.” “You don’t have to—” “I made a promise, Paige.” “I’m not going to hold you to that.” “I made a promise to myself.” When Preacher proved intractable, Paige just said good-night and went up the back stairs.
Robyn Carr (Shelter Mountain (Virgin River, #2))
Underground, in the dark wet hole that was home to the spiders and the rats, something moved. It had no right to be down there but it belonged nowhere else. Half drowned half alive it pushed the water ahead of it into the culverts and drains as it passed. Right under the city and out into the suburbs and fields these tunnels fed into the river and the network of canals that had fed the industrial revolution. A thousand eyes, some blinded, that had never seen the sun strained in the soiled darkness. It struggled on and it listened with a thousand ears not its own and it cried.
Karl P.T. Walsh (The Rat King)
So did John Parker of Ripley, a former slave who had walked shackled with four hundred other slaves from Richmond to Alabama. Once free, he became famous for risky ventures, such as returning to snatch the baby of a slave couple from the arms of the baby girl’s sleeping master after already rescuing the baby’s parents. He reportedly helped free more than one thousand slaves. The Ripley home of the Reverend John Rankin also became the doorway to freedom for at least four thousand fugitives who crossed the Ohio River. Fugitives who arrived in Cleveland from Ripley often showed up with written messages for a free black man named Bynum Hunt, who found short-term jobs for them around the docks and then put them on a Detroit-bound steamboat.
Betty DeRamus (Forbidden Fruit: Love Stories from the Underground Railroad)
Reading Group Guide  1.   The river town of Hobnob, Mississippi, is in danger of flooding. To offset the risk, the townspeople were offered the chance to relocate in exchange for money. Some people jumped at the opportunity (the Flooders); others (the Stickers) refused to leave, so the deal fell through. If you lived in Hobnob, which choice would you make and why? If you’d lived in New Orleans at the time of Hurricane Katrina, would you have fled the storm or stayed to protect your house? Did the two floods remind you of each other in terms of official government response or media coverage?  2.   How are the circumstances during the Prohibition era (laws against consuming or selling alcohol, underground businesses that make and sell booze on the black market, corruption in the government and in law enforcement) similar to what’s happening today (the fight to legalize and tax marijuana, the fallout of the drug war in countries like Mexico and Colombia, jails filled with drug abusers)? How are the circumstances different? Do you identify with the bootleggers or the prohibitionists in the novel? What is your stance on the issue today?  3.   The novel is written in third person from two different perspectives—Ingersoll’s and Dixie Clay’s—in alternating chapters. How do you think this approach adds to or detracts from the story? Are you a fan of books written from multiple perspectives, or do you prefer one character to tell his/her side of the story?  4.   The Tilted World is written by two authors. Do you think it reads differently than a book written by only one? Do you think you could coauthor a novel with a loved one? Did you try to guess which author wrote different passages?  5.   Language and dialect play an important role in the book. Do you think the southern dialect is rendered successfully? How about the authors’ use of similes (“wet towels hanging out of the upstairs windows like tongues”; “Her nylon stockings sagged around her ankles like shedding snakeskin.”). Do they provide necessary context or flavor?  6.   At the end of Chapter 5, when Jesse, Ham, and Ingersoll first meet, Ingersoll realizes that Jesse has been drinking water the entire time they’ve been at dinner. Of course, Ham and Ingersoll are both drunk from all the moonshine. How does this discovery set the stage for what happens in the latter half of the book?  7.   Ingersoll grew up an orphan. In what ways do you think that independence informed his character? His choices throughout the novel? Dixie Clay also became independent, after marrying Jesse and becoming ostracized from friends and family. Later, after Ingersoll rescues her, she reflects, “For so long she’d relied only on herself. She’d needed to. . . . But now she’d let someone in. It should have felt like weakness, but it didn’t.” Are love and independence mutually exclusive? How did the arrival of Willy prepare these characters for the changes they’d have to undergo to be ready for each other?  8.   Dixie Clay becomes a bootlegger not because she loves booze or money but because she needs something to occupy her time. It’s true, however, that she’s not only breaking the law but participating in a system that perpetrates violence. Do you think there were better choices she could have made? Consider the scene at the beginning of the novel, when there’s a showdown between Jesse and two revenuers interested in making an arrest. Dixie Clay intercepts the arrest, pretending to be a posse of gunslingers protecting Jesse and the still. Given what you find out about Jesse—his dishonesty, his drunkenness, his womanizing—do you think she made the right choice? If you were in Dixie Clay’s shoes, what would you have done?  9.   When Ham learns that Ingersoll abandoned his post at the levee to help Dixie Clay, he feels not only that Ingersoll acted
Tom Franklin (The Tilted World)
Planet of women The 2-headed lady said I couldn't land my ship I said it would only take a minute "Well," she said, "what's in it?" Oh, I don't know. Just some weird sh*t. ("Okay.") La la la la la When I got to the surface, there were women everywhere. ("Hey, how you doing?") And all the men were slaves They had us all dressed up in chains ("ooh, look at that one?) And there was a queen She had her own di*k all dressed up in black (?come back here, Sonny?) Her name was? I like it like that? Queen? I like it like that. And I fell in love with a leader from the underground. He said he'd set me free (?we can all be free, dude?) But when I fell asleep he stole the key and split the scene, I guess. I never learned. No, I never learned f*gs in drag, no matter where I lay I get burned, so burned La la la la la It?s hard living on the planet of women Gonna find me a river and drown myself in it (?bye-bye?) La la la la la
Sonny and the Sunset
We had good cake,” I tell Caleb. “We had fizzy drinks,” he says. “Ah, but did you have a ledge overlooking an underground river?” says Marlene, waggling her eyebrows. “Or a room where you faced all your nightmares at once?” “No,” says Caleb, “and to be honest, I’m kind of okay with that.
Veronica Roth (Insurgent (Divergent, #2))
The Luftwaffe effectively “rented” slave labor from the SS both to build facilities and to operate manufacturing lines making V-2 rockets and other high-tech weaponry. The SS actually charged a per-day fee for each slave worker, set well below the average wage of a regular German citizen, and provided all services, such as guards, food, and so on. Perhaps not surprisingly, the workers used for the programs underwent shockingly brutal treatment, regardless of whether they built V-2 rockets in underground manufacturing facilities or constructed wind tunnels in frigid, windswept alpine valleys in Austria. The SS preferred to spend the least amount possible on their slaves to maximize their profits, feeding the men very little, dressing them in thin rags, and providing no medical treatment. The guards motivated the victims to work with shouting, threats, and constant blows and beatings.
Charles River Editors (Operation Paperclip: The History of the Secret Program to Bring Nazi Scientists to America During and After World War II)
Like a river that seems frozen solid, but flows freely below its thin crust of surface ice, the old eugenics has gone underground but continues to kill those caught in its current.
Peter Aleff
Water, whether running or stagnant, reputedly sheltered many creatures, the majority of whom were dangerous. Mahwot from the Meuse River had the appearance of a lizard. Similar ones include the Vogeotte of the Doubs, the Carne Aquoire of the Blois region, the Drac of Auvergne, the Alsatian Hôgemann (the “Man with the Fang”), the “Havette Beast” of the region near the Hague, the Serpent of the Trou Baligan (Lower Normandy), the Gourgoule of the Underground Wells (Limousin), the Uillaout of Savoy, and the Morvandious Queular.
Claude Lecouteux (Demons and Spirits of the Land: Ancestral Lore and Practices)
The swamp goblins were difficult to find, she told Glenna, for they moved their kingdom once every thirteen moons by riding the currents of underground rivers ‘til they found a blooming hawthorn tree. There they lived deep beneath its roots, sapping the tree’s life force until it withered. When spring came, the kingdom dislodged in search of another hawthorn. Upon finding a new tree, the earth cracked open to reveal their foul waters for one day, the perfect time to snatch the goblet.
T. Rae Mitchell (Fate's Fables Collection (Fate's Fables #1-8))
The Salinas was only a part-time river. The summer sun drove it underground. It was not a fine river at all, but it was the only one we had and so we boasted about it—how dangerous it was in a wet winter and how dry it was in a dry summer.
John Steinbeck (East of Eden)
we don’t write songs, we write rivers,
Michael Azerrad (Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991)
colours sounds sensations emerge from hypnotic precincts of the brain dimensional analogues shift in time and space - forming eyes, lips smiles and tears the deeper I penetrate the skull the more surreptitious are my pictures… - The Underground River, Alice Evermore
Alice Evermore
In the days of slavery and the underground railroads, there lived on the banks of the Ohio River near Gallipolis, a noted Democrat named Judge French, who said to some anti-slavery friends that he should like them to bring to his office the first runaway negro that crossed the river, bound northward by the underground. He couldn't understand why they wished to run away. This was done, and the following conversation took place: Judge: "So you have run away from Kentucky. Bad master, I suppose?" Slave: "Oh, no, Judge; very good, kind massa." Judge: "He worked you too hard?" Slave: "No, sah, never overworked myself all my life." Judge, hesitatingly: "He did not give you enough to eat?" Slave: "Not enough to eat down in Kaintuck? Oh, Lor', plenty to eat." Judge: "He did not clothe you well?" Slave: "Good enough clothes for me, Judge." Judge: "You hadn't a comfortable home?" Slave: "Oh, Lor', makes me cry to think of my pretty little cabin down dar in old Kaintuck." Judge, after a pause: "You had a good, kind master, you were not overworked, plenty to eat, good clothes, fine home. I don't see why the devil you wished to run away." Slave: "Well, Judge, I lef de situation down dar open. You kin go rite down and git it." The Judge had seen a great light.
Andrew Carnegie
Quit growling, you beast. Living underground has made you a goddamn animal,
Greer Rivers (Phantom (Tattered Curtain, #1))
The legislators cited an 1806 law that required freed slaves to leave Virginia within one year or face re-enslavement. And so the legislators voted to allow the manumission only if the freed slaves moved out of Virginia. Three hundred of the slaves left their homes in Virginia's counties of Hanover, Amherst, Goslin, and Henrico and, under the guidance of Gist's agents, resettled in Brown County, Ohio, in two communities. The remaining fifty came separately, stopping several places on the way and arriving more than a year later.
Ann Hagedorn (Beyond the River: The Untold Story of the Heroes of the Underground)
Your friend is fine, for the most part,” the inu doctor said. “He seems to have suffered innumerable physical injuries, but those were healed by, if I had to guess, a River Kitsune of considerable talent.” Kevin had to contain his grin at the compliment that the inu had paid to Kotohime. “In either event, he is fine now. He’s currently sleeping, which is what he needs the most, especially since he was hiding a USB device in his rectum.” … Silence. A crow began cawing in the distance, which was odd because they were underground—and in a hospital. “I’m sorry,” Kevin started, his face blank. “What did you say?” “I said that your friend was hiding a USB drive inside of his rectum. His butt hole. His sphincter. His—” “I heard you the first time!
Brandon Varnell (A Fox's War (American Kitsune, #12))
When they tried to cross the Choptank River near Denton, just 17 miles into their long journey, the bloodhounds from the Murphy farm caught up with them. Did I mention that Moses was a planner? He had fully prepared himself for this turn of events. For months back on the farm, he had secretly befriended those dogs with scraps of food and other bits of love and kindness. Now, at this moment of great danger, those dogs turned tail and headed back home when he ordered them to do so.
Jim Duffy (Tubman Travels: 32 Underground Railroad Journeys on Delmarva)
Beaver Pledge: One river, underground, irreplaceable, with habitat and wetlands for all.
Ben Goldfarb
The counterculture. The underground. It’s always been there—like the buried rivers that run under London. And when the time comes that you cannot stand your surface level anymore, and you feel there is nowhere left to walk laterally, you can stop right where you stand, take a hammer from your pocket, smash between your feet, and go down. Go deeper.
Caitlin Moran (How to Build a Girl)
Hamilton Pool, which is located near Austin, is one of the most remarkable sights of nature to be observed in Texas. It’s a natural spring that’s situated in limestone bedrock. Its water comes from an underground river. There’s a deep overhang in one of the walls of the cavern that’s of much interest to visitors. Over 100 years ago, the Hamilton Pool was completely covered by a dome that later collapsed. The Hamilton Pool is one of Texas’s many tourist attractions.
Bill O'Neill (The Great Book of Texas: The Crazy History of Texas with Amazing Random Facts & Trivia (A Trivia Nerds Guide to the History of the United States 1))
Are happiness and virtue synonymous with living as truthfully and honorably as possible or do these concepts allow for certain mental deceptions? Is a gullible person or a shrewd person more likely to be happy? Is a foolish or wise person more likely to live guiltlessly? What is more essential to living a contented life, accumulation of knowledge or the ability to feel and effusively express compassion for other people? Can we maintain happiness by acting as harsh judges of ourselves while acting as kindhearted judges of other people? Does happiness entail releasing an underground river of long suppressed passion or does it require living an aboveboard life of disciple-like moderation? Should I strive to modulate my desires by laboring diligently to maintain a disciplined mental and spiritual homeostasis? Alternatively, should I take calculated risks and passionately immerse myself in all facets of a tumultuous life?
Kilroy J. Oldster (Dead Toad Scrolls)
Now I’m no art critic, but in a time seen as a bridge between the late middle ages and the early renaissance, where the church played such a substantial part in the day to day running of people's lives, Bosch’s Garden of Earthly Delights, which is painted on oak with a square middle panel flanked by two doors that close over the centre like shutters, is rather racy. When the outer shutters are folded over they show a grisaille painting of the earth during creation. But it’s the three scenes of the inner triptych that fascinate me. If you’re unfamiliar with the painting, I’ll do my best to describe it for you. Apologies in advance if I miss anything out. It’s regular sort of stuff, you know, naked women being fondled by demons, a bloke being kissed by a pig dressed as a nun, another bloke being eaten by some kind of story book character while loads of blackbirds fly out of his arse, a couple locked in a glass sphere and – let’s not beat about the Bosch here – locked in each other’s embrace as well. There are loads of people feeding each other fruit, doing handstands, hatching out of eggs, climbing up ladders to get inside the bodies of other people and looking at demon’s arses. There’s a couple getting caught shagging by giant birds, and a white bloke and a black Rastafarian with ‘locks (400 years before the Rastafari movement was founded) about to have a snog. You’ve got God giving Eve to a very puny-looking, limp-dicked Adam, and there’s a bunch of people sitting around a table inside the body of another bloke while an old woman fills up on wine from a decent-sized barrel while a kind of giant metal face pukes out loads of naked blokes who go running into a trumpet and another bloke being fed a cherry by a giant bird while a white bloke shows a black lady something in the sky. It’s all going on! There's loads of those ‘living dead’ mateys walking about, and a bloke carrying giant grapes past a topless girl with, it has to be said, pretty decent tits. She’s balancing a giant dice on her head while doing something strange to another bloke’s arse while a rabbit in clothes walks past. You can’t see what she’s doing because there’s a table in the way but beside them is a serpent-type creature with just one massive boob and a pretty pert nipple. One huge tit the size of his chest! Of all things, he’s holding a backgammon board up in the air. I’d say Bosch was a tit man, wouldn’t you? But there’s more. There’s a crowd of naked girls – black & white - in a water pool, all balancing cherries on their heads; read into that what you will. There are just LOADS of naked women in this water pool, including one of the black girls who’s balancing a peacock on her head. There are dozens of nudists riding horses around them in a circle. Some are sharing the same horse, so I must admit that in places it appears to be a little intimate. And now what have we got! There’s a couple cavorting inside a giant shell which is being carried on the back of another bloke. Why doesn’t he just put it down and climb in and have a threes-up? There are people with wings, creatures reading books and just more and more nudists. There’s a naked woman lying back, and this other bloke with his face extremely close to her nether regions! What on earth does the blighter think he’s playing at? There’s loads of grey half men-half fish, some balancing red balls on their heads like seals, and another fellow doing a handstand underwater while holding onto his nuts. You’ve got a ball in a river with people climbing all over it, while a bloke inside the ball is touching a lady in what appears to be a very inappropriate manner! There’s a kind of platypus-type fish reading a book underground and Theresa May triggering Article 50 of Brexit (just kidding about the Theresa May bit).
Karl Wiggins (Wrong Planet - Searching for your Tribe)
When I was a stray dog in New York City in 1957, trying to eat on a buck a day while walking thousands of blocks in that human forest I thought was enchanted, not wanting to miss anything but missing everything because at nineteen dreams daily burst the brain, dismay the senses, the interior weeping drowning your steps, your mind an underground river running counter to your tentative life. “Our body is a molded river,” said wise Novalis. Bloody brain and heart, also mind and soul finally becoming a single river, flowing in a great circle, flowing from darkness to blessed darkness, still wondering above all else what kind of beast am I?
Jim Harrison (The Shape of the Journey: New & Collected Poems)
From Alan Thein Duening: Picture North America from space. Look at the upper left and start an imaginary line on the rugged coast of southern Alaska. Climb the ridges that encircle Prince William Sound. Cross the snowy teeth of the Chugach Mountains and descend through kettle-pond country to the feet of the towering Alaska Range. Rise again to the bitter heights and turning southeast along the crest, clip the corner of the Yukon Territory. Enter British Columbia and veer east through its folding north. Turn your line south when you reach the Continental Divide in the Rocky Mountains. Follow the divide down the thousand-mile spine of British Columbia, across Montana, along the buttressed ridges of the Idaho border and into Wyoming as far as Jackson Hole. There, leave the divide and turn westward toward the coast. Following the swells and benches that limit the Columbia Basin, dip southward into Utah and Nevada, then northward again around the high desert of central Oregon. When you approach the Cascade Mountains, veer southwest through the tangled topography of northern California to the crest of the Coast Range. Just north of San Francisco Bay, descend to the shores of the Pacific. The line you have drawn is an unfamiliar one. You won’t find it on maps. But it shows a geographical unit more real, in ecological sense, than any of the lines governments draw. You have drawn a biological region, a bioregion. Specifically, you have outlines the watersheds of rivers flowing into the Pacific Ocean through North America’s temperate rain forest zone with a fifteen-hundred-mile belt of rain forests along the coast. The unity of this diverse bioregion is the movement of its water; every ounce of moisture that the ocean throws into the sky and the sky hurls down on the land inside this region’s borders tumbles toward the rain forest coast. If it does not evaporate or get trapped in underground aquifers along the way, water will reach that dripping shoreline through one of several hundred swift, cold rivers. Most likely, it will travel through the Columbia or the Fraser rivers, home to the Earth’s greatest population of migrating salmon. This place, defined by water running to woodlands, has no perfect name. You can call it Rain Forest Province, the North Pacific Slope, or Cascadia… Natural units of place such as this have always mattered more to people than has humanity in general or the planet in its entirety. Indeed, history is unequivocal; people will sacrifice for villages, homelands, or nations, even giving their lives. But humans seem unwilling to sacrifice for their planet, despite the fact that it is now suffering proportionately greater losses from social decay and environmental destruction than most countries at war.
David Landis Barnhill (At Home on the Earth: Becoming Native to Our Place: A Multicultural Anthology)
The current of impact investing is washing along the shores of a bifurcated world still organized to separate profit making from social and environmental problem solving. For now, this bifurcated world channels the energy of impact investors into the hidden pools and underground rivers on the margins of mainstream investment and philanthropic activity. But water has a powerful ability to reshape the world it flows through. The gathering weight of impact investment activity is wearing away the bedrock of seemingly immovable institutions and investment practices.
Antony Bugg-Levine (Impact Investing: Transforming How We Make Money While Making a Difference)
GANGA IS RIVER OF KNOWLEDGE, YAMUNA IS RIVER OF DEVOTION, SARASWATHI IS RIVER OF ENLIGHTENMENT WHICH COMES UNSEEN UNDERGROUND. WHERE KNOWLEDGE AND DEVOTION UNITE, IT COMES AND JOINS THERE AND EXPRESSES ITSELF AS ENLIGHTENMENT. KNOWLEDGE IS HEAD, DEVOTION IS HEART. WHEN THESE TWO MEET IN THE THROAT; VAAK - DEVI SARASWATHI, SHE EXPRESSES HERSELF AS ENLIGHTENMENT.
BHAGAVAN NITHYANANDA PARAMASHIVAM.
New York is surprisingly at risk. First, it’s on an estuary. The Hudson River, which runs along the west side of the city, needs an exit. So unlike with a harbor city like, say, Tokyo, or a city on a lagoon like Venice, you can’t just wall New York off from the rising ocean. Second, there are a lot of low areas, including the Brooklyn and Queens waterfronts and Lower Manhattan, which have been enlarged by landfill over the years (if you compare the map of damage from Sandy in 2012 with a map of Manhattan in 1650, you’ll see that they match pretty well—almost all the flooding occurred in landfill areas). The amount of real estate at risk in New York is mind-boggling: 72,000 buildings worth over $129 billion stand in flood zones today, with thousands more buildings at risk with each foot of sea-level rise. In addition, New York has a lot of industrial waterfront, where toxic materials and poor communities live in close proximity, as well as a huge amount of underground infrastructure—subways, tunnels, electrical systems. Finally, New York is a sea-level-rise hotspot. Because of changes in ocean dynamics, as well as the fact that the ground beneath the city is sinking as the continent recovers from the last ice age, seas are now rising about 50 percent faster in the New York area than the global average.
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
Father Latour lay with his ear to this crack for a long while, despite the cold that arose from it. He told himself he was listening to one of the oldest voices of the earth. What he heard was the sound of a great underground river, flowing through a resounding cavern. The water was far, far below, perhaps as deep as the foot of the mountain, a flood moving in utter blackness under ribs of antediluvian rock. It was not a rushing noise, but the sound of a great flood moving with majesty and power. “It is terrible,” he said at last, as he rose.
Willa Cather (Death Comes for the Archbishop)
alpha, beta, gamma, delta
Martha Conway (The Underground River)
And just as rhythm is not an artificial embellishment of language but a form of expression which predates language, so visual images and symbols are not fanciful embroideries of concepts, but precursors of conceptual thought. The artist does not climb a ladder to stick ornaments on a facade of ideas-he is more like a pot-holer in search of underground rivers. To quote Kretschmer for the last time: 'Such creative products of the artistic imagination tend to emerge from a psychic twilight, a state of lessened consciousness and diminished attentivity to external stimuli. Further, the condition is one of "absent-mindedness" with hypnoidal over-concentration on a single focus, providing an entirely passive experience, frequently of a visual character, divorced from the categories of space and time, and reason and will. These dreamlike phases of artistic creation evoke primitive phylogenetic tendencies towards rhythm and stylization with elemental violence; and the emergent images thus acquire in the very act of birth regular form and symmetry.
Arthur Koestler (The Act of Creation)
Women and girls experience anxiety, depression, self-harm, eating disorders, a desire for body modification, and sexual dysfunction at substantially higher rates than boys and men do. Three themes run like underground rivers through all of these phenomena: self-surveillance, self-silencing, and suppressed anger.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
they were young dragonets. Clay liked the idea that someone out there was looking for him … that someone missed him and wanted him back. Tsunami flipped onto her back, gazing up at the stone roof with her translucent green eyes. “Well, the Talons of Peace knew what they were doing,” she said bitterly. “No one would ever find us down here.” They listened to the river gurgle and the torches crackle for a moment. “We won’t be underground forever,” Clay said, trying to make her feel better. “I mean, if the Talons of Peace want us to stop this war, they have to let us out sometime.” He scratched behind his ear thoughtfully. “Starflight says it’s only two more years.” He only had to hold on that long. “And then
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
The day we cease to take nourishment from the underground rivers of the psyche, we feel life is empty. We only become aware of alienation when neurosis sets in as the symptom of its existence.
Anaïs Nin (The Novel of the Future)
beyond the optic chiasma just above the precipice of the spinal cord there flows a stream - a stream awash with neurotransmitters noradrenalines and histamines a hidden cascade of blood singing with signals a stream of consciousness… - The Underground River (excerpt)
Alice Evermore
Nobody knows why some systems—rivers, forests, possibly the London Underground but we’re not sure—acquire a genius loci. Not even the genii locorum themselves know the why and the how of it—they only know it happens.
Ben Aaronovitch (False Value (Rivers of London #8))