β
I say let the world go to hell, but I should always have my tea.
β
β
Fyodor Dostoevsky (Notes from Underground)
β
The underground of the city is like what's underground in people. Beneath the surface, it's boiling with monsters.
β
β
Guillermo del Toro
β
Man only likes to count his troubles; he doesn't calculate his happiness.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
Talking nonsense is the sole privilege mankind possesses over the other organisms. It's by talking nonsense that one gets to the truth! I talk nonsense, therefore I'm human
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
To love is to suffer and there can be no love otherwise.
β
β
Fyodor Dostoevsky (Notes from Underground)
β
What is it with you today?β says Christina on the way to breakfast. Her eyes are still
swollen from sleep and her tangled hair forms a fuzzy halo around her face.
βOh, you know,β I say. βSun shining. Birds chirping.β
She raises an eyebrow at me, as if reminding me that we are in an underground
tunnel.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
I'm glad you think this is funny."
"You're not happy to see me, then?" Jace asked. "I have to say, I'm surprised. I've always been told my presence brightened up any room. One might think that went doubly for dank underground cells.
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
Fear is a strange soil. It grows obedience like corn, which grow in straight lines to make weeding easier. But sometimes it grows the potatoes of defiance, which flourish underground.
β
β
Terry Pratchett (Small Gods (Discworld, #13))
β
We're all made of stories. When they finally put us underground, the stories are what will go on. Not forever, perhaps, but for a time. It's a kind of immortality, I suppose, bounded by limits, it's true, but then so's everything.
β
β
Charles de Lint
β
I am alone, I thought, and they are everybody.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
Even if I could, I wouldn't. Scars can come in handy. I have one myself above my left knee that is a perfect map of the London Underground.
β
β
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
β
How can a man of consciousness have the slightest respect for himself
β
β
Fyodor Dostoevsky (Notes from Underground)
β
I used to imagine adventures for myself, I invented a life, so that I could at least exist somehow.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
Yet, I didn't understand that she was intentionally disguising her feelings with sarcasm; that was usually the last resort of people who are timid and chaste of heart, whose souls have been coarsely and impudently invaded; and who, until the last moment, refuse to yield out of pride and are afraid to express their own feelings to you.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
Love is a temporary madness. It erupts like an earthquake and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion. That is just being "in love" which any of us can convince ourselves we are. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident. Your mother and I had it, we had roots that grew towards each other underground, and when all the pretty blossom had fallen from our branches we found that we were one tree and not two.
β
β
Louis de BerniΓ¨res (Corelliβs Mandolin)
β
Underground, the stars are legend.
β
β
Catherine Fisher (Incarceron (Incarceron, #1))
β
Nico drew his sword. His smile was even more unsettling than his scowl.
"Underground," he said. "My favorite place."
Underground was not Jason's favorite place.
β
β
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
β
You shouldn't judge someone until you've walk a mile through an underground tunnel in her uncomfortable shoes
β
β
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
β
Outside, the ocean was crashing, waves hitting sand, then pulling back to sea. I thought of everything being washed away, again and again. We make such messes in this life, both accidentally and on purpose. But wiping the surface clean doesn't really make anything neater. It just masks what is below. It's only when you really dig down deep, go underground, that you can see who you really are.
β
β
Sarah Dessen (What Happened to Goodbye)
β
Hope can be bruised and battered. It can be forced underground and even rendered unconscious, but hope cannot be killed.
β
β
Neal Shusterman (UnSouled (Unwind, #3))
β
To think too much is a disease.
β
β
Fyodor Dostoevsky (Notes from Underground & The Double)
β
Perhaps I really regard myself as an intelligent man only because throughout my entire life I've never been able to start or finish anything.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
We be light, we be life, we be fire! We sing electric flame, we rumble underground wind, we dance heaven! Come be we and be free!
β
β
Kate Griffin (A Madness of Angels (Matthew Swift, #1))
β
I could not become anything; neither good nor bad; neither a scoundrel nor an honest man; neither a hero nor an insect. And now I am eking out my days in my corner, taunting myself with the bitter and entirely useless consolation that an intelligent man cannot seriously become anything, that only a fool can become something.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
I swear, gentlemen, that to be too conscious is an illness - a real thorough-going illness.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
Genius or fool, you don't live in the world alone. You can hide underground or you can build a wall around yourself, but somebody's going to come along and screw up the works.
β
β
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
β
I always thought youβd live underground somewhere, near the earthβs core,
β
β
Sally Thorne (The Hating Game)
β
This story ["The Depressed Person"] was the most painful thing I ever wrote. It's about narcissism, which is a part of depression. The character has traits of myself. I really lost friends while writing on that story, I became ugly and unhappy and just yelled at people. The cruel thing with depression is that it's such a self-centered illness - Dostoevsky shows that pretty good in his "Notes from Underground". The depression is painful, you're sapped/consumed by yourself; the worse the depression, the more you just think about yourself and the stranger and repellent you appear to others.
β
β
David Foster Wallace
β
I know in the spy movies it always looks really cool when the operative goes from a maid's uniform to a slinky, sexy, ballgown in the amount of time it takes an elevator to climb three floors. Well, I don't know how it is for TV spies, but I can tell you that even with Velcro, the art of the quick change is one that must take a lot of practice (not to mention better lighting than one is likely to find in a tunnel that was once part of the underground railroad).
β
β
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
β
an intelligent man cannot become anything seriously, and it is only the fool who becomes anything.
β
β
Fyodor Dostoevsky (Notes from the Underground)
β
To care only for well-being seems to me positively ill-bred. Whether itβs good or bad, it is sometimes very pleasant, too, to smash things.
β
β
Fyodor Dostoevsky (Notes from Underground)
β
Abuse manipulates and twists a childβs natural sense of trust and love. Her innocent feelings are belittled or mocked and she learns to ignore her feelings. She canβt afford to feel the full range of feelings in her body while sheβs being abusedβpain, outrage, hate, vengeance, confusion, arousal. So she short-circuits them and goes numb. For many children, any expression of feelings, even a single tear, is cause for more severe abuse. Again, the only recourse is to shut down. Feelings go underground.
β
β
Laura Davis (Allies in Healing: When the Person You Love Was Sexually Abused as a Child)
β
The pleasure of despair. But then, it is in despair that we find the most acute pleasure, especially when we are aware of the hopelessness of the situation...
...everything is a mess in which it is impossible to tell what's what, but that despite this impossibility and deception it still hurts you, and the less you can understand, the more it hurts.
β
β
Fyodor Dostoevsky (Notes from Underground)
β
You're alive!" Percy said to the others. "The giants said you were captured. What happened?"
Leo shrugged. "Oh, just another brilliant plan by Leo Valdez. You'd be amazed what you can do with an Archimedes sphere, a girl who can sense stuff underground, and a weasel."
"I was the weasel," Frank said glumly.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
Underground. Which I hate. Like mines and tunnels and 13. Underground, where I dread dying, which is stupid because even if I die aboveground, the next thing they'll do is bury me underground anyway.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
You gave me a dead frog for my birthday!
To remind you we all die and end up rotting underground eaten by maggots so we should enjoy our birthdays while we have them. I found it thoughtful.
β
β
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
β
I could be blindfolded and dropped into the deepest ocean and I would know where to find you. I could be buried a hundred miles underground and I would know where you are.
β
β
Neil Gaiman (American Gods (American Gods, #1))
β
The whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano key.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
I tell you solemnly, that I have many times tried to become an insect. But I was not equal even to that. I swear, gentlemen, that to be too conscious is an illness- a real thorough-going illness.
β
β
Fyodor Dostoevsky (Notes from Underground)
β
But man is a fickle and disreputable creature and perhaps, like a chess-player, is interested in the process of attaining his goal rather than the goal itself.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
I've always been told my presence brightened up any room. One might think that went doubly for dank underground cell." (Jace)
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
Nature doesn't ask your permission; it doesn't care about your wishes, or whether you like its laws or not. You're obliged to accept it as it is, and consequently all its results as well.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
I believe the best definition of man is the ungrateful biped.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
It felt like I'd been living underground, and for a moment, I'd been given this glimpse of the sky. Once you've seen that, how can you go back where you came from?
β
β
Jodi Picoult (Handle with Care)
β
When truth is buried underground it grows, it chokes, it gathers such an explosive force that on the day it bursts out, it blows up everything with it.
β
β
Γmile Zola
β
Of course my jokes are in poor taste, inappropriate, and confused; they reveal my lack of security. But that is because I have no respect for myself.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
The best definition of man is: a being that goes on two legs and is ungrateful.
β
β
Fyodor Dostoevsky (Notes from Underground)
β
Slavery is a sin when whites were put to the yoke, but not the African. All men are created equal, unless we decide you are not a man.
β
β
Colson Whitehead (The Underground Railroad)
β
It is clear to me now that, owing to my unbounded vanity and to the high standard I set for myself, I often looked at myself with furious discontent, which verged on loathing, and so I inwardly attributed the same feeling to everyone.
β
β
Fyodor Dostoevsky (Notes from Underground)
β
Rabbit underground, rabbit safe and sound.
β
β
Richard Adams (Watership Down (Watership Down, #1))
β
How far do our feelings take their colour from the dive underground? I mean, what is the reality of any feeling?
β
β
Virginia Woolf
β
the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key!
β
β
Fyodor Dostoevsky (Notes from the Underground)
β
We make such messes in this life, both accidently and on purpose. But wiping the surface clean doesn't really make anything any neater. It just masks what is below. It's only when you really dig down deep, go underground, that you can see who you really are.
β
β
Sarah Dessen
β
There's not much to do underground besides train."
"I can think of a few more interesting ways to spend one's time."
"Is that supposed to be innuendo?"
"What a filthy mind you have. I was referring to puzzles and the perusal of edifying texts.
β
β
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
β
And America, too, is a delusion, the grandest one of all. The white race believes--believes with all its heart--that it is their right to take the land. To kill Indians. Make war. Enslave their brothers. This nation shouldn't exist, if there is any justice in the world, for its foundations are murder, theft, and cruelty. Yet here we are.
β
β
Colson Whitehead (The Underground Railroad)
β
Because children grow up, we think a child's purpose is to grow up. But a child's purpose is to be a child. Nature doesn't disdain what lives only for a day. It pours the whole of itself into the each moment. We don't value the lily less for not being made of flint and built to last. Life's bounty is in its flow, later is too late. Where is the song when it's been sung? The dance when it's been danced? It's only we humans who want to own the future, too. We persuade ourselves that the universe is modestly employed in unfolding our destination. We note the haphazard chaos of history by the day, by the hour, but there is something wrong with the picture. Where is the unity, the meaning, of nature's highest creation? Surely those millions of little streams of accident and wilfulness have their correction in the vast underground river which, without a doubt, is carrying us to the place where we're expected! But there is no such place, that's why it's called utopia. The death of a child has no more meaning than the death of armies, of nations. Was the child happy while he lived? That is a proper question, the only question. If we can't arrange our own happiness, it's a conceit beyond vulgarity to arrange the happiness of those who come after us.
β
β
Tom Stoppard (The Coast of Utopia (Box Set))
β
The world may be mean, but people don't have to be, not if they refuse.
β
β
Colson Whitehead (The Underground Railroad)
β
For a woman, all resurrection, all salvation, from whatever perdition, lies in love; in fact, it is her only way to it.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
I admit that twice two makes four is an excellent thing, but if we are to give everything its due, twice two makes five is sometimes a very charming thing too.
β
β
Fyodor Dostoevsky (Notes from the Underground)
β
I agree that two times two makes four is an excellent thing; but if we are dispensing praise, then two times two makes five is sometimes a most charming little thing as well.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
The more conscious I was of goodness and of all that was 'sublime and beautiful,'the more deeply I sank into my mire and the more ready I was to sink in it altogether.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
Can a man of perception respect himself at all?
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
What makes a hero? Courage, strength, morality, withstanding adversity? Are these the traits that truly show and create a hero? Is the light truly the source of darkness or vice versa? Is the soul a source of hope or despair? Who are these so called heroes and where do they come from? Are their origins in obscurity or in plain sight?
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
Stolen bodies working stolen land. It was an engine that did not stop, its hungry boiler fed with blood.
β
β
Colson Whitehead (The Underground Railroad)
β
Suddenly he can spend an afternoon in Vienna looking at Vermeerβs The Art of Painting, and itβs hot outside, and if he wants he can buy himself a cheap cold glass of beer afterwards. Itβs like something he assumed was just a painted backdrop all his life has revealed itself to be real: foreign cities are real, and famous artworks, and underground railway systems, and remnants of the Berlin Wall. Thatβs money, the substance that makes the world real. Thereβs something so corrupt and sexy about it.
β
β
Sally Rooney (Normal People)
β
Now answer me, sincerely, honestly, who lives past forty? I'll tell you who does: fools and scoundrels.
β
β
Fyodor Dostoevsky (Notes from the Underground)
β
I swear to you that to think too much is a disease, a real, actual disease.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
I am a sick man... I am a spiteful man. I am an unpleasant man. I think my liver is diseased. However, I don't know beans about my disease, and I am not sure what is bothering me. I don't treat it and never have, though I respect medicine and doctors. Besides, I am extremely superstitious, let's say sufficiently so to respect medicine. (I am educated enough not to be superstitious, but I am.) No, I refuse to treat it out of spite. You probably will not understand that. Well, but I understand it. Of course I can't explain to you just whom I am annoying in this case by my spite. I am perfectly well aware that I cannot "get even" with the doctors by not consulting them. I know better than anyone that I thereby injure only myself and no one else. But still, if I don't treat it, its is out of spite. My liver is bad, well then-- let it get even worse!
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
But what can a decent man speak of with most pleasure? Answer: Of himself. Well, so I will talk about myself.
β
β
Fyodor Dostoevsky (Notes from the Underground)
β
I'll go this minute!' Of course, I remained.
β
β
Fyodor Dostoevsky (Notes from Underground)
β
Love is a temporary madness, it erupts like volcanoes and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have so entwined together that it is inconceivable that you should ever part. Because this is what love is.
Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion. That is just being in love, which any fool can do. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident.
Those that truly love have roots that grow towards each other underground, and, when all the pretty blossoms have fallen from their branches, they find that they are one tree and not two.
β
β
Louis de BerniΓ¨res (Corelliβs Mandolin)
β
What are you?β he demanded. βA slayer?" I rolled my eyes. βThe name's Val, not Buffy. Do I look like a blond cheerleader with questionable taste in men?
β
β
Parker Blue (Bite Me (Demon Underground, #1))
β
They won't let me ... I can't be ... good!
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
Roarke: "I'll drop you."
Eve: "No, better I catch a cab or take the underground. This guy sees me show up in a hot car with a fancy piece behind the wheel, he's not going to like me."
Roarke: "You know how I love being referred. to as your fancy piece."
Eve: "Sometimes you're my love muffin.
He managed a strangled laugh.She could, at the oddest times, surprise him.
β
β
J.D. Robb (Imitation in Death (In Death, #17))
β
Cora didn't know what optimistic meant. She asked the other girls that night if they were familiar with the word. None of them had heard it before. She decided that it meant trying.
β
β
Colson Whitehead (The Underground Railroad)
β
.. Ψ«Ω
Ψ₯Ω Ψ§ΩΨΨ¨ ΩΨ³Ψ±ΩΩ Ψ±Ψ¨Ψ§ΩΩΨ ΩΩΨ¨ΨΊΩ Ψ£Ω ΩΨΈΩ ΩΩ Ω
Ψ£Ω
Ω Ω
Ω ΩΨ§ΩΨ© Ψ§ΩΨΉΩΩΩ Ψ§ΩΨΊΨ±ΩΨ¨Ψ©Ψ Ω
ΩΩ
Ψ§ ΩΨΨ―Ψ« ΩΩ. Ψ°ΩΩ Ψ£Ψ―ΨΉΩ ΩΩΨͺΩΨ―ΩΨ³Ψ ΩΩΩ Ψ£ΩΨΆΩ ΩΨ£Ψ¬Ω
Ω.
β
β
ΩΩΩΨ―ΩΨ± Ψ―ΩΨ³ΨͺΩΩΩΨ³ΩΩ (Notes from Underground)
β
One circumstance tormented me then: Namely, that no one else was like me, and I was like no one else. I am only one, and they are all.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
Sometimes a useful delusion is better than a useless truth.
β
β
Colson Whitehead (The Underground Railroad)
β
in despair there are the most intense enjoyments, especially when one is very acutely conscious of the hopelessness of one's position.
β
β
Fyodor Dostoevsky (Notes from the Underground)
β
The whites came to this land for a fresh start and to escape the tyranny of their masters, just as the freemen had fled theirs. But the ideals they held up for themselves, they denied others.
β
β
Colson Whitehead (The Underground Railroad)
β
Oh, the torment bred in the race,
the grinding scream of death
and the stroke that hits the vein,
the hemorrhage none can staunch, the grief,
the curse no man can bear.
But there is a cure in the house, and not outside it, no,
not from others but from them,
their bloody strife. We sing to you,
dark gods beneath the earth.
Now hear, you blissful powers underground --
answer the call, send help.
Bless the children, give them triumph now.
β
β
Aeschylus (The Oresteia Trilogy: Agamemnon, the Libation-Bearers and the Furies)
β
Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men -- men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
You see, gentlemen, reason is an excellent thing, thereβs no disputing that, but reason is nothing but reason and satisfies only the rational side of manβs nature, while will is a manifestation of the whole life, that is, of the whole human life including reason and all the impulses. And although our life, in this manifestation of it, is often worthless, yet it is life and not simply extracting square roots.
β
β
Fyodor Dostoevsky (Notes from Underground)
β
And why are you so firmly, so triumphantly, convinced that only the normal and the positive--in other words, only what is conducive to welfare--is for the advantage of man? Is not reason in error as regards advantage? Does not man, perhaps, love something besides well-being? Perhaps he is just as fond of suffering? Perhaps suffering is just as great a benefit to him as well-being? Man is sometimes extraordinarily, passionately, in love with suffering, and that is a fact.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
You want to know about voting. I'm here to tell you about voting. Imagine you're locked in a huge underground night-club filled with sinners, whores, freaks and unnameable things that rape pitbulls for fun. And you ain't allowed out until you all vote on what you're going to do tonight. You like to put your feet up and watch "Republican Party Reservation". They like to have sex with normal people using knives, guns, and brand new sexual organs you did not even know existed. So you vote for television, and everyone else, as far as your eye can see, votes to fuck you with switchblades. That's voting. You're welcome.
β
β
Warren Ellis (Transmetropolitan, Vol. 3: Year of the Bastard)
β
For, like almost everyone else in our country, I started out with my share of optimism. I believed in hard work and progress and action, but now, after first being 'for' society and then 'against' it, I assign myself no rank or any limit, and such an attitude is very much against the trend of the times. But my world has become one of infinite possibilities. What a phrase - still it's a good phrase and a good view of life, and a man shouldn't accept any other; that much I've learned underground. Until some gang succeeds in putting the world in a strait jacket, its definition is possibility.
β
β
Ralph Ellison (Invisible Man)
β
We found that trees could communicate, over the air and through their roots. Common sense hooted us down. We found that trees take care of each other. Collective science dismissed the idea. Outsiders discovered how seeds remember the seasons of their childhood and set buds accordingly. Outsiders discovered that trees sense the presence of other nearby life. That a tree learns to save water. That trees feed their young and synchronize their masts and bank resources and warn kin and send out signals to wasps to come and save them from attacks. βHereβs a little outsider information, and you can wait for it to be confirmed. A forest knows things. They wire themselves up underground. There are brains down there, ones our own brains arenβt shaped to see. Root plasticity, solving problems and making decisions. Fungal synapses. What else do you want to call it? Link enough trees together, and a forest grows aware.
β
β
Richard Powers (The Overstory)
β
You know that to love is both to swim and to drown. You know to love is to be a whole, partial, a joint, a fracture, a heart, a bone. It is to bleed and heal. It is to be in the world, honest. It is to place someone next to your beating heart, in the absolute darkness of your inner, and trust they will hold you close. To love is to trust, to trust is to have faith. How else are you meant to love? You knew what you were getting into, but taking the Underground, returning home with no certainty of when you will see her next, it is terrifying.
β
β
Caleb Azumah Nelson (Open Water)
β
Oh, gentlemen, perhaps I really regard myself as an intelligent man only because throughout my entire life I've never been able to start or finish anything. Granted, granted I'm a babbler, a harmless, irksome babbler, as we all are. But what's to be done if the sole and express purpose of every intelligent man is babble--that is, a deliberate pouring from empty into void.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
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Gentlemen, let us suppose that man is not stupid. (Indeed one cannot refuse to suppose that, if only from the one consideration, that, if man is stupid, then who is wise?) But if he is not stupid, he is monstrously ungrateful! Phenomenally ungrateful. In fact, I believe that the best definition of man is the ungrateful biped.
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Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
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The leaves were long, the grass was green,
The hemlock-umbels tall and fair,
And in the glade a light was seen
Of stars in shadow shimmering.
Tinuviel was dancing there
To music of a pipe unseen,
And light of stars was in her hair,
And in her raiment glimmering.
There Beren came from mountains cold,
And lost he wandered under leaves,
And where the Elven-river rolled.
He walked along and sorrowing.
He peered between the hemlock-leaves
And saw in wonder flowers of gold
Upon her mantle and her sleeves,
And her hair like shadow following.
Enchantment healed his weary feet
That over hills were doomed to roam;
And forth he hastened, strong and fleet,
And grasped at moonbeams glistening.
Through woven woods in Elvenhome
She lightly fled on dancing feet,
And left him lonely still to roam
In the silent forest listening.
He heard there oft the flying sound
Of feet as light as linden-leaves,
Or music welling underground,
In hidden hollows quavering.
Now withered lay the hemlock-sheaves,
And one by one with sighing sound
Whispering fell the beechen leaves
In the wintry woodland wavering.
He sought her ever, wandering far
Where leaves of years were thickly strewn,
By light of moon and ray of star
In frosty heavens shivering.
Her mantle glinted in the moon,
As on a hill-top high and far
She danced, and at her feet was strewn
A mist of silver quivering.
When winter passed, she came again,
And her song released the sudden spring,
Like rising lark, and falling rain,
And melting water bubbling.
He saw the elven-flowers spring
About her feet, and healed again
He longed by her to dance and sing
Upon the grass untroubling.
Again she fled, but swift he came.
Tinuviel! Tinuviel!
He called her by her elvish name;
And there she halted listening.
One moment stood she, and a spell
His voice laid on her: Beren came,
And doom fell on Tinuviel
That in his arms lay glistening.
As Beren looked into her eyes
Within the shadows of her hair,
The trembling starlight of the skies
He saw there mirrored shimmering.
Tinuviel the elven-fair,
Immortal maiden elven-wise,
About him cast her shadowy hair
And arms like silver glimmering.
Long was the way that fate them bore,
O'er stony mountains cold and grey,
Through halls of iron and darkling door,
And woods of nightshade morrowless.
The Sundering Seas between them lay,
And yet at last they met once more,
And long ago they passed away
In the forest singing sorrowless.
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J.R.R. Tolkien (The Lord of the Rings)
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Oh, gentlemen, do you know, perhaps I consider myself an intelligent man, only because all my life I have been able neither to begin nor to finish anything. Granted I am a babbler, a harmless vexatious babbler, like all of us. But what is to be done if the direct and sole vocation of every intelligent man is babble, that is, the intentional pouring of water through a sieve?
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Fyodor Dostoevsky (Notes from the Underground)
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It was from feeling oneself that one had reached the last barrier, that it was horrible, but that it could not be otherwise; that there was no escape for you; that you never could become a different man; that even if time and faith were still left you to change into something different you would most likely not wish to change; or if you did wish to, even then you would do nothing; because perhaps in reality there was nothing for you to change into.
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Fyodor Dostoevsky (Notes from Underground)
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He fills me with horror and I do not hate him. How can I hate him, Raoul? Think of Erik at my feet, in the house on the lake, underground. He accuses himself, he curses himself, he implores my forgiveness!...He confesses his cheat. He loves me! He lays at my feet an immense and tragic love. ... He has carried me off for love!...He has imprisoned me with him, underground, for love!...But he respects me: he crawls, he moans, he weeps!...And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty...he offered it...he offered to show me the mysterious road...Only...only he rose too...and I was made to remember that, though he was not an angel, nor a ghost, nor a genius, he remained the voice...for he sang. And I listened ... and stayed!...That night, we did not exchange another word. He sang me to sleep.
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Gaston Leroux (The Phantom of the Opera)
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Shower upon him every earthly blessing, drown him in bliss so that nothing but bubbles would dance on the surface of his bliss, as on a sea...and even then every man, out of sheer ingratitude, sheer libel, would play you some loathsome trick. He would even risk his cakes and would deliberately desire the most fatal rubbish, the most uneconomical absurdity, simply to introduce into all this positive rationality his fatal fantastic element...simply in order to prove to himself that men still are men and not piano keys.
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Fyodor Dostoevsky (Notes from Underground & The Grand Inquisitor)
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Aren't you sure of what you're saying? Are you going to change yet again, shift your position according to the questions that are put to you, and say that the objections are not really directed at the place from which you are speaking? Are you going to declare yet again that you have never been what you have been reproached with being? Are you already preparing the way out that will enable you in your next book to spring up somewhere else and declare as you're now doing: no, no, I'm not where you are lying in wait for me, but over here, laughing at you?'
'What, do you imagine that I would take so much trouble and so much pleasure in writing, do you think that I would keep so persistently to my task, if I were not preparing β with a rather shaky hand β a labyrinth into which I can venture, into which I can move my discourse, opening up underground passages, forcing it to go far from itself, finding overhangs that reduce and deform its itinerary, in which I can lose myself and appear at last to eyes that I will never have to meet again. I am no doubt not the only one who writes in order to have no face. Do not ask who I am and do not ask me to remain the same: leave it to our bureaucrats and our police to see that our papers are in order. At least spare us their morality when we write.
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Michel Foucault (The Archaeology of Knowledge and The Discourse on Language)
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I want to be able to listen to recording of piano sonatas and know who's playing. I want to go to classical concerts and know when you're meant to clap. I want to be able to 'get' modern jazz without it all sounding like this terrible mistake, and I want to know who the Velvet Underground are exactly. I want to be fully engaged in the World of Ideas, I want to understand complex economics, and what people see in Bob Dylan. I want to possess radical but humane and well-informed political ideals, and I want to hold passionate but reasoned debates round wooden kitchen tables, saying things like 'define your terms!' and 'your premise is patently specious!' and then suddenly to discover that the sun's come up and we've been talking all night. I want to use words like 'eponymous' and 'solipsistic' and 'utilitarian' with confidence. I want to learn to appreciate fine wines, and exotic liquers, and fine single malts, and learn how to drink them without turning into a complete div, and to eat strange and exotic foods, plovers' eggs and lobster thermidor, things that sound barely edible, or that I can't pronounce...Most of all I want to read books; books thick as brick, leather-bound books with incredibly thin paper and those purple ribbons to mark where you left off; cheap, dusty, second-hand books of collected verse, incredibly expensive, imported books of incomprehensible essays from foregin universities.
At some point I'd like to have an original idea...And all of these are the things that a university education's going to give me.
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David Nicholls (Starter for Ten)
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The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way--a vision gleaned from the way we had heard the word 'beat' spoken on streetcorners on Times Square and in the Village, in other cities in the downtown city night of postwar America--beat, meaning down and out but full of intense conviction--We'd even heard old 1910 Daddy Hipsters of the streets speak the word that way, with a melancholy sneer--It never meant juvenile delinquents, it meant characters of a special spirituality who didn't gang up but were solitary Bartlebies staring out the dead wall window of our civilization--the subterraneans heroes who'd finally turned from the 'freedom' machine of the West and were taking drugs, digging bop, having flashes of insight, experiencing the 'derangement of the senses,' talking strange, being poor and glad, prophesying a new style for American culture, a new style (we thought), a new incantation--The same thing was almost going on in the postwar France of Sartre and Genet and what's more we knew about it--But as to the actual existence of a Beat Generation, chances are it was really just an idea in our minds--We'd stay up 24 hours drinking cup after cup of black coffee, playing record after record of Wardell Gray, Lester Young, Dexter Gordon, Willie Jackson, Lennie Tristano and all the rest, talking madly about that holy new feeling out there in the streets- -We'd write stories about some strange beatific Negro hepcat saint with goatee hitchhiking across Iowa with taped up horn bringing the secret message of blowing to other coasts, other cities, like a veritable Walter the Penniless leading an invisible First Crusade- -We had our mystic heroes and wrote, nay sung novels about them, erected long poems celebrating the new 'angels' of the American underground--In actuality there was only a handful of real hip swinging cats and what there was vanished mightily swiftly during the Korean War when (and after) a sinister new kind of efficiency appeared in America, maybe it was the result of the universalization of Television and nothing else (the Polite Total Police Control of Dragnet's 'peace' officers) but the beat characters after 1950 vanished into jails and madhouses, or were shamed into silent conformity, the generation itself was shortlived and small in number.
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Jack Kerouac
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I hated my face, for example, found it odious, and even suspected that there was some mean expression in it, and therefore every time I came to work I made a painful effort to carry myself as independently as possible, and to express as much nobility as possible with my face. "let it not be a beautiful face," I thought, "but, to make up for that, let it be a noble, an expressive, and, above all, an extremely intelligent one." Yet I knew, with certainty and suffering, that i would never be able to express all those perfections with the face I had. The most terrible thing was that I found it positively stupid. And I would have been quite satisfied with intelligence. Let's even say I would even have agreed to a mean expression, provided only that at the same time my face be found terribly intelligent.
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Fyodor Dostoevsky (Notes from Underground)
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What is to be done with the millions of facts that bear witness that men, consciously, that is fully understanding their real interests, have left them in the background and have rushed headlong on another path, to meet peril and danger, compelled to this course by nobody and by nothing, but, as it were, simply disliking the beaten track, and have obstinately, wilfully, struck out another difficult, absurd way, seeking it almost in the darkness. So, I suppose, this obstinacy and perversity were pleasanter to them than any advantage...
The fact is, gentlemen, it seems there must really exist something that is dearer to almost every man than his greatest advantages, or (not to be illogical) there is a most advantageous advantage (the very one omitted of which we spoke just now) which is more important and more advantageous than all other advantages, for the sake of which a man if necessary is ready to act in opposition to all laws; that is, in opposition to reason, honour, peace, prosperity -- in fact, in opposition to all those excellent and useful things if only he can attain that fundamental, most advantageous advantage which is dearer to him than all. "Yes, but it's advantage all the same," you will retort. But excuse me, I'll make the point clear, and it is not a case of playing upon words. What matters is, that this advantage is remarkable from the very fact that it breaks down all our classifications, and continually shatters every system constructed by lovers of mankind for the benefit of mankind. In fact, it upsets everything...
One's own free unfettered choice, one's own caprice, however wild it may be, one's own fancy worked up at times to frenzy -- is that very "most advantageous advantage" which we have overlooked, which comes under no classification and against which all systems and theories are continually being shattered to atoms. And how do these wiseacres know that man wants a normal, a virtuous choice? What has made them conceive that man must want a rationally advantageous choice? What man wants is simply independent choice, whatever that independence may cost and wherever it may lead. And choice, of course, the devil only knows what choice.
Of course, this very stupid thing, this caprice of ours, may be in reality, gentlemen, more advantageous for us than anything else on earth, especially in certain cases⦠for in any circumstances it preserves for us what is most precious and most important -- that is, our personality, our individuality. Some, you see, maintain that this really is the most precious thing for mankind; choice can, of course, if it chooses, be in agreement with reason⦠It is profitable and sometimes even praiseworthy. But very often, and even most often, choice is utterly and stubbornly opposed to reason ... and ... and ... do you know that that, too, is profitable, sometimes even praiseworthy?
I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! β¦And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don't know?
You will scream at me (that is, if you condescend to do so) that no one is touching my free will, that all they are concerned with is that my will should of itself, of its own free will, coincide with my own normal interests, with the laws of nature and arithmetic. Good heavens, gentlemen, what sort of free will is left when we come to tabulation and arithmetic, when it will all be a case of twice two make four? Twice two makes four without my will. As if free will meant that!
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Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)