Undercover Blues Quotes

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I was often more at risk from my supposed brothers in blue than from my adopted brothers in the gang. Just as there were some decent qualities—loyalty, love, respect—among the outlaw bikers, there were some law-enforcement officers who were little more than outlaws with badges.
William Queen (Under and Alone: The True Story of the Undercover Agent Who Infiltrated America's Most Violent Outlaw Motorcycle Gang)
During voir dire, the interviews for jury selection, each person is asked under oath about their experience with the criminal justice system, as defendant or victim, but usually not even the most elementary effort is made to corroborate those claims. One ADA [Associate District Attorney] told me about inheriting a murder case, after the first jury deadlocked. He checked the raps for the jurors and found that four had criminal records. None of those jurors were prosecuted. Nor was it policy to prosecute defense witnesses who were demonstrably lying--by providing false alibis, for example--because, as another ADA told me, if they win the case, they don't bother, and if they lose, "it looks like sour grapes." A cop told me about a brawl at court one day, when he saw court officers tackle a man who tried to escape from the Grand Jury. An undercover was testifying about a buy when the juror recognized him as someone he had sold to. Another cop told me about locking up a woman for buying crack, who begged for a Desk Appearance Ticket, because she had to get back to court, for jury duty--she was the forewoman on a Narcotics case, of course. The worst part about these stories is that when I told them to various ADAs, none were at all surprised; most of those I'd worked with I respected, but the institutionalized expectations were abysmal. They were too used to losing and it showed in how they played the game.
Edward Conlon (Blue Blood by Conlon, Edward (2004) Paperback)
It’s nice when grown people whisper to each other under the covers. Their ecstasy is more leaf-sigh than bray and the body is the vehicle, not the point. They reach, grown people, for something beyond, way beyond and way, way down underneath tissue. They are remembering while they whisper the carnival dolls they won and the Baltimore boats they never sailed on. The pears they let hang on the limb because if they plucked them, they would be gone from there and who else would see that ripeness if they took it away for themselves? How could anybody passing by see them and imagine for themselves what the flavor would be like? Breathing and murmuring under covers both of them have washed and hung out on the line, in a bed they chose together and kept together nevermind one leg was propped on a 1916 dictionary, and the mattress, curved like a preacher’s palm asking for witnesses in His name’s sake, enclosed them each and every night and muffled their whispering, old-time love. They are under the covers because they don’t have to look at themselves anymore; there is no stud’s eye, no chippie glance to undo them. They are inward toward the other, bound and joined by carnival dolls and the steamers that sailed from ports they never saw. That is what is beneath their undercover whispers. But there is another part, not so secret. The part that touches fingers when one passes the cup and saucer to the other. The part that closes her neckline snap while waiting for the trolley; and brushes lint from his blue serge suit when they come out of the movie house into the sunlight. I envy them their public love. I myself have only known it in secret, shared it in secret and longed, aw longed to show it—to be able to say out loud what they have no need to say at all: That I have loved only you, surrendered my whole self reckless to you and nobody else. That I want you to love me back and show it to me. That I love the way you hold me, how close you let me be to you. I like your fingers on and on, lifting, turning. I have watched your face for a long time now, and missed your eyes when you went away from me. Talking to you and hearing you answer —that’s the kick. But I can’t say that aloud; I can’t tell anyone that I have been waiting for this all my life and that being chosen to wait is the reason I can. If I were able I’d say it. Say make me, remake me. You are free to do it and I am free to let you because look, look. Look where your hands are. Now.
Toni Morrison (Jazz (Beloved Trilogy, #2))
March is the perfect month for a wedding. Just make sure it’s after the NCAA tournament. I think we’ll go far this year. Go Big Blue!
Kathleen Brooks (Bluegrass Undercover (Bluegrass Brothers, #1))
She took it and he tenderly wrapped the coat and blanket around her. His arms lingered on her shoulders and she was surprised by how comforting it felt to be close to him after their awkwardness earlier. “We’re sorry. We should have remembered what today is for you. That was a significant oversight on my . . . I’m sorry.” Lottie sniffed. “I’m fine.” A soft rumble of laughter escaped Jamie’s throat. “You always say that.” There was a hint of regret in his voice that forced Lottie to look into his eyes. The tree cast a huge blue shadow over them, as if they were in their own hazy world. His expression had a sweet ache to it, and she knew she was witnessing something rare. “I really miss her. But I don’t want her to worry about me,” Lottie said. Somehow it didn’t feel strange to be sharing this with Jamie. Jamie
Connie Glynn (The Rosewood Chronicles #1: Undercover Princess)
Roses are red skies are blue, out of my five fingers the middle one is for you.
Ann Jensen (Undercover in the Dark (Dark Sons MC, #4))