Under The Sky Quotes

We've searched our database for all the quotes and captions related to Under The Sky. Here they are! All 100 of them:

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And he took her in his arms and kissed her under the sunlit sky, and he cared not that they stood high upon the walls in the sight of many.
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J.R.R. Tolkien
β€œ
Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men, doomed to die, One for the Dark Lord on his dark throne In the Land of Mordor where the Shadows lie. One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them. In the Land of Mordor where the Shadows lie.
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J.R.R. Tolkien
β€œ
Look at the sky: that is for you. Look at each person's face as you pass them on the street: those faces are for you. And the street itself, and the ground under the street, and the ball of fire underneath the ground: all these things are for you.
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Miranda July
β€œ
A breeze ruffled the neat hedges of Privet Drive, which lay silent and tidy under the inky sky, the very last place you would expect astonishing things to happen. Harry Potter rolled over inside his blankets without waking up. One small hand closed on the letter beside him and he slept on, not knowing he was special, not knowing he was famous, not knowing he would be woken in a few hours' time by Mrs. Dursley's scream as she opened the front door to put out the milk bottles, nor that he would spend the next few weeks being prodded and pinched by his cousin Dudley...He couldn't know that at this very moment, people meeting in secret all over the country were holding up their glasses and saying in hushed voices: "To Harry Potter - the boy who lived!
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J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
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She looked up. β€œA world of nevers under a never sky.” She fit in well then, he thought. A girl who never shut up.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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People can be cruelest to those they love.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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Rest is not idleness, and to lie sometimes on the grass under trees on a summer's day, listening to the murmur of the water, or watching the clouds float across the sky, is by no means a waste of time.
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John Lubbock (The Use Of Life)
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You are all that exists on the earth and under the sky that I do love.
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Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
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This is a place where grandmothers hold babies on their laps under the stars and whisper in their ears that the lights in the sky are holes in the floor of heaven.
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Rick Bragg
β€œ
She absorbed the terror and beauty of him and his world. Of every moment over the past days. All of it, filling her up like the first breath she'd ever taken. And never had she loved life more.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
β€œ
Love is a rebellious bird that nobody can tame.
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Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
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Difficult" and "impossible" are cousins often mistaken for one another, with very little in common.
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
I can write the saddest poem of all tonight. Write, for instance: "The night is full of stars, and the stars, blue, shiver in the distance." The night wind whirls in the sky and sings. I can write the saddest poem of all tonight. I loved her, and sometimes she loved me too. On nights like this, I held her in my arms. I kissed her so many times under the infinite sky. She loved me, sometimes I loved her. How could I not have loved her large, still eyes? I can write the saddest poem of all tonight. To think I don't have her. To feel that I've lost her. To hear the immense night, more immense without her. And the poem falls to the soul as dew to grass. What does it matter that my love couldn't keep her. The night is full of stars and she is not with me. That's all. Far away, someone sings. Far away. My soul is lost without her. As if to bring her near, my eyes search for her. My heart searches for her and she is not with me. The same night that whitens the same trees. We, we who were, we are the same no longer. I no longer love her, true, but how much I loved her. My voice searched the wind to touch her ear. Someone else's. She will be someone else's. As she once belonged to my kisses. Her voice, her light body. Her infinite eyes. I no longer love her, true, but perhaps I love her. Love is so short and oblivion so long. Because on nights like this I held her in my arms, my soul is lost without her. Although this may be the last pain she causes me, and this may be the last poem I write for her.
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Pablo Neruda
β€œ
Love was like the waves in the sea, gentle and good sometimes, rough and terrible at others, but that it was endless and stronger than the sky and earth and everything in between.
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Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
β€œ
Fall off your own roof.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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Sky, you can't ignore this!" He stood under the street lamp, sleet settling in his hair, hands fisted at his side. "You're mine - you have to be.
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Joss Stirling (Finding Sky (Benedicts, #1))
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Even as a child, she had preferred night to day, had enjoyed sitting out in the yard after sunset, under the star-speckled sky listening to frogs and crickets. Darkness soothed. It softened the sharp edges of the world, toned down the too-harsh colors. With the coming of twilight, the sky seemed to recede; the universe expanded. The night was bigger than the day, and in its realm, life seemed to have more possibilities.
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Dean Koontz (Midnight)
β€œ
Do you have doubts about life? Are you unsure if it's worth the trouble? Look at the sky: that is for you. Look at each person's face as you pass on the street: those faces are for you. And the street itself, and the ground under the street and the ball of fire underneath the ground: all these things are for you. They are as much for you as they are for other people. Remember this when you wake up in the morning and think you have nothing. Stand up and face the east. Now praise the sky and praise the light within each person under the sky. It's okay to be unsure. But praise, praise, praise.
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Miranda July (No One Belongs Here More Than You)
β€œ
Do you ever miss anything?' Perry smiled. 'You, all the time.
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Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
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How fragile we are under the sheltering sky. Behind the sheltering sky is a vast dark universe, and we're just so small.
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Paul Bowles (The Sheltering Sky)
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And lastly from that period I remember riding in a taxi one afternoon between very tall buildings under a mauve and rosy sky; I began to bawl because I had everything I wanted and knew I would never be so happy again.
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F. Scott Fitzgerald (The Crack-Up)
β€œ
And I love you," Kieran said. "You are all that exists on the earth and under the sky that I do love.
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Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
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Let's get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up.
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Stephen King (On Writing: A Memoir of the Craft)
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If there was no fear, how could there be comfort? Or courage?
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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Any man can fart in a closed room and say that he commands the wind
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
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Thus each of us had to be content to live only for the day, alone under the vast indifference of the sky.
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Albert Camus (The Plague)
β€œ
One of the strange things about living in the world is that it is only now and then one is quite sure one is going to live forever and ever and ever. One knows it sometimes when one gets up at the tender solemn dawn-time and goes out and stands out and throws one's head far back and looks up and up and watches the pale sky slowly changing and flushing and marvelous unknown things happening until the East almost makes one cry out and one's heart stands still at the strange unchanging majesty of the rising of the sun--which has been happening every morning for thousands and thousands and thousands of years. One knows it then for a moment or so. And one knows it sometimes when one stands by oneself in a wood at sunset and the mysterious deep gold stillness slanting through and under the branches seems to be saying slowly again and again something one cannot quite hear, however much one tries. Then sometimes the immense quiet of the dark blue at night with the millions of stars waiting and watching makes one sure; and sometimes a sound of far-off music makes it true; and sometimes a look in someone's eyes.
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Frances Hodgson Burnett (Secret Garden (Dover Children's Evergreen Classics))
β€œ
I miss you. I miss you. I miss you, I miss you. Be ready, because when I see you, I'll never let you go again.
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Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
β€œ
She'd survived the outside. She'd survived the Aether and cannibals and wolves. She knew how to love now, and how to let go. Whatever came next, she would survive it, too
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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In the afternoon, they stopped to eat on a rocky outcrop. Perry brushed a kiss on her cheek while she was chewing, and she learned that it was the loveliest thing to be kissed for no reason, even while chewing food. It brightened the woods, and the never sky, and everything.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
β€œ
So I am not a broken heart. I am not the weight I lost or miles or ran and I am not the way I slept on my doorstep under the bare sky in smell of tears and whiskey because my apartment was empty and if I were to be this empty I wanted something solid to sleep on. Like concrete. I am not this year and I am not your fault. I am muscles building cells, a little every day, because they broke that day, but bones are stronger once they heal and I am smiling to the bus driver and replacing my groceries once a week and I am not sitting for hours in the shower anymore. I am the way a life unfolds and bloom and seasons come and go and I am the way the spring always finds a way to turn even the coldest winter into a field of green and flowers and new life. I am not your fault.
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Charlotte Eriksson (You're Doing Just Fine)
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There are other things I'd rather do when I'm alone with you." Time to step off the edge. "Then do them.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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What I wanted was to die among strangers, untroubled, beneath a cloudless sky. And yet my desire differed from the sentiments of that ancient Greek who wanted to die under the brilliant sun. What I wanted was some natural, spontaneous suicide. I wanted a death like that of a fox, not yet well versed in cunning, that walks carelessly along a mountain path and is shot by a hunter because of its own stupidity…
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Yukio Mishima (Confessions of a Mask)
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She’d fallen into a deep silence once, when the sun appeared, and it was then he’d wondered most what she was thinking.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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When you can't cheat the game, you'd best find a means to cheat the players.
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
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Unrequited love is so boring. Weeping under a blue-black sky is for suckers or maniacs.
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Alice Hoffman (Practical Magic (Practical Magic, #1))
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They loved each other, not driven by necessity, by the "blaze of passion" often falsely ascribed to love. They loved each other because everything around them willed it, the trees and the clouds and the sky over their heads and the earth under their feet.
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Boris Pasternak (Doctor Zhivago)
β€œ
We all have the potential to do terrible things. But we also have the potential to overcome our mistakes.
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Veronica Rossi (Into the Still Blue (Under the Never Sky, #3))
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It was curious to think that the sky was the same for everybody, in Eurasia or Eastasia as well as here. And the people under the sky were also very much the same--everywhere, all over the world, hundreds or thousands of millions of people just like this, people ignorant of one another's existence, held apart by walls of hatred and lies, and yet almost exactly the same--people who had never learned to think but were storing up in their hearts and bellies and muscles the power that would one day overturn the world.
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George Orwell (1984)
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Know something? I'd lay even odds that between the people following us and the people hunting us, we've become this city's principle means of employment. Tal Verrar's entire economy is now based on fucking with us.
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
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Aria... everyone feels lost and low. It's how a person acts that makes them different
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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A good dream was something you clung to until the last moment before waking.
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Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
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Stood in firelight, sweltering. Bloodstain on chest like map of violent new continent. Felt cleansed. Felt dark planet turn under my feet and knew what cats know that makes them scream like babies in night. Looked at sky through smoke heavy with human fat and God was not there. The cold, suffocating dark goes on forever and we are alone. Live our lives, lacking anything better to do. Devise reason later. Born from oblivion; bear children, hell-bound as ourselves, go into oblivion. There is nothing else. Existence is random. Has no pattern save what we imagine after staring at it for too long. No meaning save what we choose to impose. This rudderless world is not shaped by vague metaphysical forces. It is not God who kills the children. Not fate that butchers them or destiny that feeds them to the dogs. It’s us. Only us. Streets stank of fire. The void breathed hard on my heart, turning its illusions to ice, shattering them. Was reborn then, free to scrawl own design on this morally blank world. Was Rorschach. Does that answer your Questions, Doctor?
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Alan Moore (Watchmen)
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It was a marvelous night, the sort of night one only experiences when one is young. The sky was so bright, and there were so many stars that, gazing upward, one couldn't help wondering how so many whimsical, wicked people could live under such a sky.
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Fyodor Dostoevsky (White Nights and Other Stories)
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I lingered round them, under that benign sky; watched the moths fluttering among the heath and hare-bells; listened to the soft wind breathing through the grass; and wondered how anyone could ever imagine unquiet slumbers for the sleepers in that quiet earth.
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Emily BrontΓ« (Wuthering Heights)
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It's hard to follow a person's logic if you don't know how they feel.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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Because people are more than emotions. People have thoughts and reasons for doing things.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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What I was trying to say,” he whispered, β€œis that I see you in everything. There isn’t a word for you that means enough, because you’re everything to me.
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Veronica Rossi (Into the Still Blue (Under the Never Sky, #3))
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The more I try to catch up, the farther I fall behind.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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When the sky’s falling, I take shelter under bullshit.
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Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
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How do you restart something that had never been turned off?
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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Before we invented civilization our ancestors lived mainly in the open out under the sky. Before we devised artificial lights and atmospheric pollution and modern forms of nocturnal entertainment we watched the stars. There were practical calendar reasons of course but there was more to it than that. Even today the most jaded city dweller can be unexpectedly moved upon encountering a clear night sky studded with thousands of twinkling stars. When it happens to me after all these years it still takes my breath away.
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Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
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There was nothing more painful than hurting someone you loved.
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Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
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I want to hug you. And I want to tear your gods-damned head off. Both at once." "Ah," said Locke. "Near as I can tell, that’s the definition of 'family' right there.
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
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And now she was back in the world, not one she could make, but the one that had made her, and she felt herself shrinking under the early evening sky. She was weary of being outdoors, but she was not ready to go in. Was that really all there was in life, indoors or out? Wasn't there somewhere else for people to go?
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Ian McEwan (Atonement)
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It's time, Perry". He let her go. She took a step back, taking in his face one last time. His green eyes. The bend in his nose and the scars on his cheek. All the tiny inperfections that made him beautiful. Without a word, she turned and made her way downhill.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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REQUIEM Under the wide and starry sky Dig the grave and let me lie: Glad did I live and gladly die, And I laid me down with a will. This be the verse you grave for me: Here he lies where he long'd to be; Home is the sailor, home from the sea, And the hunter home from the hill.
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Robert Louis Stevenson (Selected Poems (Penguin Classics))
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And a beautiful world we live in, when it is possible, and when many other such things are possible, and not only possible, but done-- done, see you!-- under that sky there, every day.
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Charles Dickens (A Tale of Two Cities)
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I don't have a diary, I don't write things into a diary. I imprint myself into the sky and when the sunlight shines brightly, I can stand under the sun's rays and everything I have imprinted of myself into the sky, I will begin to see again, feel again, remember. And when the wind begins to blow, it blows the details over my face, and I remember everything I left in the sky and see new things being born. I am unwritten.
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C. JoyBell C.
β€œ
Oh, this was champ. She’d found herself a Savage prince. Don’t laugh, she told herself. Don’t laugh, Aria.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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Nights like this were meant to be shared, remembered, and talked about for years. Skies like this were meant to be kissed under.
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Erin A. Craig (House of Salt and Sorrows (Sisters of the Salt, #1))
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I’ve never been angry to have been born a woman. There have been times I’ve been angry at how the world treats us, but I see being a woman as a challenge I must fight. Like being born under a stormy sky. Some people are lucky enough to be born on a bright summer’s day. Maybe we were born under clouds. No wind. No rain. Just a mountain of clouds we must climb each morning so that we may see the sun.
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RenΓ©e Ahdieh (Flame in the Mist (Flame in the Mist, #1))
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I have so much love for you, I could fill rooms with it. Buildings. You’re surrounded by it wherever you go, you walk through it, breathe it...it’s in your lungs, and under your tongue, and between your fingers and toes...” His mouth moved passionately over hers, urging her lips apart. It was a kiss to level mountains and shake stars from the sky. It was a kiss to make angels faint and demons weep...a passionate, demanding, soul-searing kiss that nearly knocked the earth off its axis. Or at least that was how Poppy felt about it.
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Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
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Worst of all, the inner vault is guarded by a live dragon, attended by fifty naked women armed with poisoned spears, each of them sworn to die in Requin's service. All redheads. -You're just making that up, Jean.
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
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Your voice sounds like a midnight fire. All warm and worn in and golden. I could listen to you talk forever." "I could never do that". She laughed at him. He brought his lips to her ear. "Your scent is like violets early in spring," he whispered. Then he laughed at himself because though it was true, he sounded like the worst kind of fool.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
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He hoped wherever he was going that there'd still be the sun and the moon and the stars. He'd spent a majority of his life with his head turned down. It seemed only fair that eternity would allow him to raise his face toward the sky.
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T.J. Klune (Under the Whispering Door)
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They're still looking at him," she said to Magnus under her breath. "At Will, I mean." "Of course they are," said Magnus. His eyes reflected light like a cat's as they surveyed the room. "Look at him. The face of a bad angel and eyes like the night sky in Hell. He's very pretty, and vampires like that. I can't say I mind either." Magnus grinned. "Black hair and blue eyes are my favorite combination." Tessa reached up to pat Camille's pale blond curls. Magnus shrugged. "Nobody's perfect.
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Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
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Sometimes, I used to sit under the sky, on a clear night, and gaze at the stars, saying, in my croaky voice: β€œLord, if you’re up there somewhere, and you aren’t too busy, come and say a few words to me, because I’m very lonely and it would make me so happy.” Nothing happened. So I reckon that humanityβ€” which I wonder whether I belong to β€”really had a very vivid imagination.
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Jacqueline Harpman (I Who Have Never Known Men)
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In the sounds of the night Aria heard footsteps, far off and faint, but she recognized them instantly. She shot into the darkness, letting her ears guide her. She followed the crunch of his feet on stones and small twigs, coming faster, louder, as his walk became a jog, then a run. She chased the sounds until all she heard was his heartbeat and then his breath and his voice, right by her ear, telling her, in tones as warm as fire, exactly the words she wanted to hear.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
β€œ
If I had to tell you how humans made their way to Earth, it would go like this: In the beginning, there was nothing at all but the moon and the sun. And the moon wanted to come out during the day, but there was something so much brighter that seemed to fill up all those hours. The moon grew hungry, thinner and thinner, until she was just a slice of herself, and her tips were as sharp as a knife. By accident, because that is the way most things happen, she poked a hole in the night and out spilled a million stars, like a fountain of tears. Horrified, the moon tried to swallow them up. And sometimes this worked, because she got fatter and rounder.. But mostly it didn't, because there were just so many. The stars kept coming, until they made the sky so bright that the sun got jealous. He invited the stars to his side of the world, where it was always bright. What he didn't tell them, though, was that in the daytime, they'd never be seen. So the stupid ones leaped from the sky to the ground, and they froze under the weight of their own foolishness. The moon did her best. She carved each of these blocks of sorrow into a man or a woman. She spent the rest of her time watching out so that her other stars wouldn't fall. She spent the rest of her time holding onto whatever scraps she had left.
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Jodi Picoult
β€œ
You are beyond mad," said Locke after several moments of silent, furious thought. "Full-on barking madness is a state of rational bliss to which you may not aspire. Men living in gutters and drinking their own piss would shun your company. You are a prancing lunatic.
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
Roar leaned across the table and smiled at her seductively, his dark hair falling into his eyes. 'When you say everything happens in the Realms, do you mean everything?' Aria laughed nervously.'Yes. Especially that.There are no risks in the Realms.' Roar's smile widened. 'You simply think it and it happens? And it actually feels real?' 'Why are we talking about this?' 'I need a Smarteye,' he said.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
β€œ
Mew," the kitten retorted, locking gazes with him. It had the expression common to all kittens, that of a tyrant in the becoming. 'I was comfortable, and you dared to move,' those jade eyes said. 'For that you must die.' When it became apparent to the cat that its two or three pounds of mass were insufficient to break Locke's neck with one mighty snap, it put its paws on his shoulders and began sharing its drool-covered nose with his lips. He recoiled.
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
You can't kick me down, I'm already on the ground. No, you can't, but you couldn't catch me anyhow.Blue skies, but the sun isn't comming out, no. Today, it is like I'm under a heavy cloud." Avril Lavigne (Runaway)
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Avril Lavigne
β€œ
It didn't matter if Aria was hundreds of miles away, or whether she'd hurt him, or said goodbye, or anything else. Nothing would change the way he felt. The moment Aria had taken his hand on the roof at Marron's, she'd changed everything. No matter what happened, she'd always be the one.
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Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
β€œ
He kissed her slowly. Everything went slowly so he could follow her temper, and search into her eyes. When they joined, her scent was brave and strong and certain. Perry took it into himself, breathing her breath, feeling what she felt. He'd never known anything as right.
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Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
β€œ
That's a sweet piece," said Jean, briefly forgetting to be aggravated. "You didn't snatch that off a street." "No," said Locke, before taking another deep draught of the warm water in the decanter. "I got it from the neck of the governor's mistress." "You can't be serious." "In the governor's manor." "Of all the -" "In the governor's bed." "Damned lunatic!" "With the governor sleeping next to her." The night quiet was broken by the high, distant trill of a whistle, the traditional swarming noise of city watches everywhere. Several other whistles joined in a few moments later. "It is possible," said Locke with a sheepish grin, "that I have been slightly too bold.
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
The poet dreams of the mountain Sometimes I grow weary of the days, with all their fits and starts. I want to climb some old gray mountains, slowly, taking The rest of my lifetime to do it, resting often, sleeping Under the pines or, above them, on the unclothed rocks. I want to see how many stars are still in the sky That we have smothered for years now, a century at least. I want to look back at everything, forgiving it all, And peaceful, knowing the last thing there is to know. All that urgency! Not what the earth is about! How silent the trees, their poetry being of themselves only. I want to take slow steps, and think appropriate thoughts. In ten thousand years, maybe, a piece of the mountain will fall.
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Mary Oliver (Swan: Poems and Prose Poems)
β€œ
Dying was nothing and he had no picture of it nor fear of it in his mind. But living was a field of grain blowing in the wind on the side of a hill. Living was a hawk in the sky. Living was an earthen jar of water in the dust of the threshing with the grain flailed out and the chaff blowing. Living was a horse between your legs and a carbine under one leg and a hill and a valley and a stream with trees along it and the far side of the valley and the hills beyond.
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Ernest Hemingway (For Whom the Bell Tolls)
β€œ
Come thaw my frozen heart, my little arctic kitten.” Unable to resist, Aria jumped in and picked up the next line. β€œNo chance, my yeti man, I’d rather be frostbitten.” β€œLet me be your snowman. Come live in my igloo.” β€œI’d rather freeze to death than hibernate with you.
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Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
β€œ
In rode the Lord of the NazgΓ»l. A great black shape against the fires beyond he loomed up, grown to a vast menace of despair. In rode the Lord of the NazgΓ»l, under the archway that no enemy ever yet had passed, and all fled before his face. All save one. There waiting, silent and still in the space before the Gate, sat Gandalf upon Shadowfax: Shadowfax who alone among the free horses of the earth endured the terror, unmoving, steadfast as a graven image in Rath DΓ­nen. "You cannot enter here," said Gandalf, and the huge shadow halted. "Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!" The Black Rider flung back his hood, and behold! he had a kingly crown; and yet upon no head visible was it set. The red fires shone between it and the mantled shoulders vast and dark. From a mouth unseen there came a deadly laughter. "Old fool!" he said. "Old fool! This is my hour. Do you not know Death when you see it? Die now and curse in vain!" And with that he lifted high his sword and flames ran down the blade. Gandalf did not move. And in that very moment, away behind in some courtyard of the city, a cock crowed. Shrill and clear he crowed, recking nothing of war nor of wizardry, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn. And as if in answer there came from far away another note. Horns, horns, horns, in dark Mindolluin's sides they dimly echoed. Great horns of the north wildly blowing. Rohan had come at last.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β€œ
The knowledge that the atoms that comprise life on earth - the atoms that make up the human body, are traceable to the crucibles that cooked light elements into heavy elements in their core under extreme temperatures and pressures. These stars- the high mass ones among them- went unstable in their later years- they collapsed and then exploded- scattering their enriched guts across the galaxy- guts made of carbon, nitrogen, oxygen, and all the fundamental ingredients of life itself. These ingredients become part of gas clouds that condense, collapse, form the next generation of solar systems- stars with orbiting planets. And those planets now have the ingredients for life itself. So that when I look up at the night sky, and I know that yes we are part of this universe, we are in this universe, but perhaps more important than both of those facts is that the universe is in us. When I reflect on that fact, I look up- many people feel small, cause their small and the universe is big. But I feel big because my atoms came from those stars.
”
”
Neil deGrasse Tyson
β€œ
Never shall I forget that night, the first night in camp, that turned my life into one long night seven times sealed. Never shall I forget that smoke. Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky. Never shall I forget those flames that consumed my faith forever. Never shall I forget the nocturnal silence that deprived me for all eternity of the desire to live. Never shall I forget those moments that murdered my God and my soul and turned my dreams to ashes. Never shall I forget those things, even were I condemned to live as long as God Himself. Never.
”
”
Elie Wiesel (Night)
β€œ
As I walked out one evening, Walking down Bristol Street, The crowds upon the pavement Were fields of harvest wheat. And down by the brimming river I heard a lover sing Under an arch of the railway: 'Love has no ending. 'I'll love you, dear, I'll love you Till China and Africa meet, And the river jumps over the mountain And the salmon sing in the street, 'I'll love you till the ocean Is folded and hung up to dry And the seven stars go squawking Like geese about the sky.
”
”
W.H. Auden (As I Walked Out One Evening: Songs, Ballads, Lullabies, Limericks & Other Light Verse)
β€œ
Franz Kafka is Dead He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. They put their arms around each other, and touched their children's hair. They took off their hats and raised them to the small, sickly man with the ears of a strange animal, sitting in his black velvet suit in the dark tree. Then they turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees , Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. It all caught in the delicate pointed shells of his ears and rolled like pinballs through the great hall of his mind. That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice. One child, the smallest, shrieked out in delight and her cry tore through the silence and exploded the ice of a giant oak tree. The world shone. They found him frozen on the ground like a bird. It's said that when they put their ears to the shell of his ears, they could hear themselves.
”
”
Nicole Krauss (The History of Love)
β€œ
SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
”
”
W.H. Auden (Another Time)
β€œ
β€—In life, at sometime or another we come to a point where all relationships ceaseβ€”where there is only us and Allah. There are no parents, brother or sister, or any friend. Then we realise that there is no earth under us nor is there sky above, but only Allah who is supporting us in this emptiness. Then we realise our worth – it is not more than a grain of sand or the leaf of a plant. Then we realise our existence is only confined to our being. Our demise makes not a whit of difference to the world around us, nor to the scheme of things.
”
”
Umera Ahmed (Peer-e-Kamil/پیر Ϊ©Ψ§Ω…Ω„)
β€œ
Last Night the Rain Spoke to Me" Last night the rain spoke to me slowly, saying, what joy to come falling out of the brisk cloud, to be happy again in a new way on the earth! That’s what it said as it dropped, smelling of iron, and vanished like a dream of the ocean into the branches and the grass below. Then it was over. The sky cleared. I was standing under a tree. The tree was a tree with happy leaves, and I was myself, and there were stars in the sky that were also themselves at the moment, at which moment my right hand was holding my left hand which was holding the tree which was filled with stars and the soft rainβ€” imagine! imagine! the wild and wondrous journeys still to be ours.
”
”
Mary Oliver (What Do We Know)
β€œ
London The Institute Year of Our Lord 1878 β€œMother, Father, my chwaer fach, It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other? I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important. I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that. I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters. I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship. And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes. And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own. Your Son, Will
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β€œ
He watched as she pressed the berry to her lower lip. He kept looking at her mouth after she'd done it. He knew he should look away, but he couldn't. "Right. Good. If there's no stinging, you'd put it to your tongue." Perry shot to his feet before he finished the words, nearly tripping over himself. He ran a hand over his head, feeling skitty, like he needed to laugh or run or do something. He picked up a stone and tossed it into the creek, trying to get the image of her tasting the berry out of his mind.
”
”
Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
β€œ
Tonight I can write the saddest lines. Write, for example,'The night is shattered and the blue stars shiver in the distance.' The night wind revolves in the sky and sings. Tonight I can write the saddest lines. I loved her, and sometimes she loved me too. Through nights like this one I held her in my arms I kissed her again and again under the endless sky. She loved me sometimes, and I loved her too. How could one not have loved her great still eyes. Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her. And the verse falls to the soul like dew to the pasture. What does it matter that my love could not keep her. The night is shattered and she is not with me. This is all. In the distance someone is singing. In the distance. My soul is not satisfied that it has lost her. My sight searches for her as though to go to her. My heart looks for her, and she is not with me. The same night whitening the same trees. We, of that time, are no longer the same. I no longer love her, that's certain, but how I loved her. My voice tried to find the wind to touch her hearing. Another's. She will be another's. Like my kisses before. Her voide. Her bright body. Her inifinite eyes. I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long. Because through nights like this one I held her in my arms my sould is not satisfied that it has lost her. Though this be the last pain that she makes me suffer and these the last verses that I write for her.
”
”
Pablo Neruda
β€œ
People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzlingβ€”that bright red line, like a highway route on a map that you want to follow to see where it leads. Andβ€”Godβ€”the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights. When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.
”
”
Jodi Picoult (Handle with Care)
β€œ
He sighed. "You want to live in your church, going about your life as if you're like everyone else." "So?" "You aren't. And because of that, someday you're probably going to find yourself in a position where your choices will have an impact far beyond what you see right now. And when that happens, I want you to remember what it's like to ride through the woods on horseback under a night sky with no moon and nothing stronger than you are. I want you to know so you will fight for it. So that my children will know of it. You have to keep the demons where they are, Rachel. No one else can do it. You won't fight for us unless you know. Let me show you what you're fighting for.
”
”
Kim Harrison (Black Magic Sanction (The Hollows, #8))
β€œ
And as for romance? Well, I want that too. I want to fall asleep next to you, 100 times a night, so I can know you 100 times better before we hit the day light. And despite all of this, I also want amnesia so I can relive each kiss with a perfect newness that leaves me smashed in the arms of rapture. I want the sky to fracture under the impossible weight of an apology because I'm sorry. I'm sorry that I want so much. I'm sorry that I'm using "I'm sorry" as a crutch to lean on for so long but if you sing me that song of sweet logic again then I promise to make the effort to stand on my own. There is a reason that our hearts are more like a muscle and less like a bone. I've known so many people who've have grown up flexing in front of mirrors and falling for their own reflection as if that's adequate but that's bullshit. Because we only get now until the time we go and if they've only got time to love themselves then nobody is going to be around to hear the sound of their heartbeat echo. So lady, don't expect an apology when I tell you I'm only held together by a heart that pumps blue, it's the strongest muscle in my body and I'm flexing it for you
”
”
Shane L. Koyczan
β€œ
The leaves were long, the grass was green, The hemlock-umbels tall and fair, And in the glade a light was seen Of stars in shadow shimmering. Tinuviel was dancing there To music of a pipe unseen, And light of stars was in her hair, And in her raiment glimmering. There Beren came from mountains cold, And lost he wandered under leaves, And where the Elven-river rolled. He walked along and sorrowing. He peered between the hemlock-leaves And saw in wonder flowers of gold Upon her mantle and her sleeves, And her hair like shadow following. Enchantment healed his weary feet That over hills were doomed to roam; And forth he hastened, strong and fleet, And grasped at moonbeams glistening. Through woven woods in Elvenhome She lightly fled on dancing feet, And left him lonely still to roam In the silent forest listening. He heard there oft the flying sound Of feet as light as linden-leaves, Or music welling underground, In hidden hollows quavering. Now withered lay the hemlock-sheaves, And one by one with sighing sound Whispering fell the beechen leaves In the wintry woodland wavering. He sought her ever, wandering far Where leaves of years were thickly strewn, By light of moon and ray of star In frosty heavens shivering. Her mantle glinted in the moon, As on a hill-top high and far She danced, and at her feet was strewn A mist of silver quivering. When winter passed, she came again, And her song released the sudden spring, Like rising lark, and falling rain, And melting water bubbling. He saw the elven-flowers spring About her feet, and healed again He longed by her to dance and sing Upon the grass untroubling. Again she fled, but swift he came. Tinuviel! Tinuviel! He called her by her elvish name; And there she halted listening. One moment stood she, and a spell His voice laid on her: Beren came, And doom fell on Tinuviel That in his arms lay glistening. As Beren looked into her eyes Within the shadows of her hair, The trembling starlight of the skies He saw there mirrored shimmering. Tinuviel the elven-fair, Immortal maiden elven-wise, About him cast her shadowy hair And arms like silver glimmering. Long was the way that fate them bore, O'er stony mountains cold and grey, Through halls of iron and darkling door, And woods of nightshade morrowless. The Sundering Seas between them lay, And yet at last they met once more, And long ago they passed away In the forest singing sorrowless.
”
”
J.R.R. Tolkien (The Lord of the Rings)
β€œ
An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
”
”
Emily St. John Mandel (Station Eleven)
β€œ
Though there had been moments of beauty in it Mariam knew that life for most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it. She wished she could see Laila again, wished to hear the clangor of her laugh, to sit with her once more for a pot of chai and leftover halwa under a starlit sky. She mourned that she would never see Aziza grow up, would not see the beautiful young woman that she would one day become, would not get to paint her hands with henna and toss noqul candy at her wedding. She would never play with Aziza's children. She would have liked that very much , to be old and play with Aziza's children. Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad , Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
β€œ
In a nervous and slender-leaved mimosa grove at the back of their villa we found a perch on the ruins of a low stone wall. She trembled and twitched as I kissed the corner of her parted lips and the hot lobe of her ear. A cluster of stars palely glowed above us between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own. Her legs, her lovely live legs, were not too close together, and when my hand located what it sought, a dreamy and eerie expression, half-pleasure, half-pain, came over those childish features. She sat a little higher than I, and whenever in her solitary ecstasy she was led to kiss me, her head would bend with a sleepy, soft, drooping movement that was almost woeful, and her bare knees caught and compressed my wrist, and slackened again; and her quivering mouth, distorted by the acridity of some mysterious potion, with a sibilant intake of breath came near to my face. She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward fist the scepter of my passion.
”
”
Vladimir Nabokov (Lolita)
β€œ
and I looked and looked at her, and knew as clearly as I know I am to die, that I loved her more than anything I had ever seen or imagined on earth, or hoped for anywhere else. She was only the faint violet whiff and dead leaf echo of the nymphet I had rolled myself upon with such cries in the past; an echo on the brink of a russet ravine, with a far wood under a white sky, and brown leaves choking the brook, and one last cricket in the crisp weeds... but thank God it was not that echo alone that I worshipped. What I used to pamper among the tangled vines of my heart, mon grand pch radieux, had dwindled to its essence: sterile and selfish vice, all that I cancelled and cursed. You may jeer at me, and threaten to clear the court, but until I am gagged and halfthrottled, I will shout my poor truth. I insist the world know how much I loved my Lolita, this Lolita, pale and polluted, and big with another’s child, but still gray-eyed, still sooty-lashed, still auburn and almond, still Carmencita, still mine; Changeons de vie, ma Carmen, allons vivre quelque, part o nous ne serons jamais spars; Ohio? The wilds of Massachusetts? No matter, even if those eyes of hers would fade to myopic fish, and her nipples swell and crack, and her lovely young velvety delicate delta be tainted and torneven then I would go mad with tenderness at the mere sight of your dear wan face, at the mere sound of your raucous young voice, my Lolita.
”
”
Vladimir Nabokov (Lolita)
β€œ
We should go back inside," she said, in a half whisper. She did not want to go back inside. She wanted to stay here, with Will achingly close, almost leaning into her. She could feel the heat that radiated from his body. His dark hair fell around the mask, into his eyes, tangling with his long eyelashes. "We have only a little time-" She took a step forward-and stumbled into Will, who caught her. She froze-and then her arms crept around him, her fingers lacing themselves behind his neck. Her face was pressed against his throat, his soft hair under her fingers. She closed her eyes, shutting out the dizzying world, the light beyond the French windows, the glow of the sky. She wanted to be here with Will, cocooned in this moment, inhaling the clean sharp scent of him., feeling the beat of his heart against hers, as steady and strong as the pulse of the ocean. She felt him inhale. "Tess," he said. "Tess, look at me." She raised her eyes to his, slow and unwilling, braced for anger or coldness-but his gaze was fixed on hers, his dark blue eyes somber beneath their thick black lashes, and they were stripped of all their usual cool, aloof distance. They were as clear as glass and full of desire. And more than desire-a tenderness she had never seen in them before, had never even associated with Will Herondale. That, more than anything else, stopped her protest as he raised his hands and methodically began to take the pins from her hair, one by one. This is madness, she thought, as the first pin rattled to the ground. They should be running, fleeing this place. Instead she stood, wordless, as Will cast Jessamine's pearl clasps aside as if they were so much paste jewelry. Her own long, curling dark hair fell down around her shoulders, and Will slid his hands into it. She heard him exhale as he did so, as if he had been holding his breath for months and had only just let it out. She stood as if mesmerized as he gathered her hair in his hands, draping it over one of her shoulders, winding her curls between his fingers. "My Tessa," he said, and this time she did not tell him that she was not his. "Will," she whispered as he reached up and unlocked her hands from around his neck. He drew her gloves off, and they joined her mask and Jessie's pins on the stone floor of the balcony. He pulled off his own mask next and cast it aside, running his hands through his damp black hair, pushing it back from his forehead. The lower edge of the mask had left marks across his high cheekbones, like light scars, but when she reached to touch them, he gently caught at her hands and pressed them down. "No," he said. "Let me touch you first. I have wanted...
”
”
Cassandra Clare