Under The Same Moon Quotes

As long as we’re both under the same moon, we’ll always find a way to each other.

Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots.  The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again.  In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered.  The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion.  So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate.  The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so.  Occasionally Fate can pull itself together again.  And Time is always waiting.

Aunty, whatever the matter, just remember that it is the same moon that wanes today that will be full tomorrow. And even the sun, however long it disappears, it always shines again.

You told me mornings were the best time to break your own heart. So here I am, smoking your brand of cigarettes for the scent. I wonder if you still sing Beatles songs as you make coffee. You said your mother used to sing them to you when you couldn’t sleep, nineteen years before we met, twenty before you moved your clothes out of our closet while I was at work. By the way, I hate you for leaving all the photographs on the fridge. Taking them down felt like peeling off new scabs, like slapping a sunburn. I spent so many nights carving your body into pillows, I can promise you nothing feels like sleeping with your arm around me and your breath in my ear. Still, it’s comforting to know we sleep under the same moon, even if she’s so much older when she gets to me. I like to imagine she’s seen you sleeping and wants me to know you’re doing well.

What was this yearning, tearing at her insides like hunger and thirst? It couldn't be love. Love was warm and soft, like a bed of leaves. But this was dark, like the shade under a poisonous shrub, and it was hungry. So hungry. It must have some other name, just as there couldn't be the same word for life and death, or for moon and sun

Who had they been, all these mothers and sisters and wives? What were they now? Moons, blank and faceless, gleaming with borrowed light, each spinning loyally around a bigger sphere. ‘Invisible,’ said Faith under her breath. Women and girls were so often unseen, forgotten, afterthoughts. Faith herself had used it to good effect, hiding in plain sight and living a double life. But she had been blinded by exactly the same invisibility-of-the-mind, and was only just realizing it.

ROSE of all Roses, Rose of all the World! The tall thought-woven sails, that flap unfurled Above the tide of hours, trouble the air, And God’s bell buoyed to be the water’s care; While hushed from fear, or loud with hope, a band With blown, spray-dabbled hair gather at hand. Turn if you may from battles never done, I call, as they go by me one by one, Danger no refuge holds, and war no peace, For him who hears love sing and never cease, Beside her clean-swept hearth, her quiet shade: But gather all for whom no love hath made A woven silence, or but came to cast A song into the air, and singing past To smile on the pale dawn; and gather you Who have sought more than is in rain or dew Or in the sun and moon, or on the earth, Or sighs amid the wandering starry mirth, Or comes in laughter from the sea’s sad lips; And wage God’s battles in the long grey ships. The sad, the lonely, the insatiable, To these Old Night shall all her mystery tell; God’s bell has claimed them by the little cry Of their sad hearts, that may not live nor die. Rose of all Roses, Rose of all the World! You, too, have come where the dim tides are hurled Upon the wharves of sorrow, and heard ring The bell that calls us on; the sweet far thing. Beauty grown sad with its eternity Made you of us, and of the dim grey sea. Our long ships loose thought-woven sails and wait, For God has bid them share an equal fate; And when at last defeated in His wars, They have gone down under the same white stars, We shall no longer hear the little cry Of our sad hearts, that may not live nor die. The Sweet Far Thing

Lines for Winter" Tell yourself as it gets cold and gray falls from the air that you will go on walking, hearing the same tune no matter where you find yourself— inside the dome of dark or under the cracking white of the moon's gaze in a valley of snow. Tonight as it gets cold tell yourself what you know which is nothing but the tune your bones play as you keep going. And you will be able for once to lie down under the small fire of winter stars. And if it happens that you cannot go on or turn back and you find yourself where you will be at the end, tell yourself in that final flowing of cold through your limbs that you love what you are.

What shall I give? and which are my miracles? 2. Realism is mine--my miracles--Take freely, Take without end--I offer them to you wherever your feet can carry you or your eyes reach. 3. Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at the table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sundown--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best--mechanics, boatmen, farmers, Or among the savans--or to the _soiree_--or to the opera. Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct and in its place. 4. To me, every hour of the light and dark is a miracle, Every inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every cubic foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?

The moon knows," is what he says, breath colored in liquor and a smile. […] "The moon knows that we're in love." […] "I'm filling the sky with my love for you," […] "So whenever you look up, it echoes back." "No matter where I am?" […] "No matter where you are," Louis affirms. "There's only one sky." "We all share the same sky," […] "But I should Always like to hear you say it," […] "Not an echo. I want you beside me under every sky. Always.

He’d been ready to push her away, and then she’d grabbed him at her mother’s call. Wasn’t his fault he gave in to instinct to save their ruse. Until her hot, wet mouth opened under his. Until her sweet taste swamped his senses, and the maddening scents of vanilla and spice made him want to howl at the moon. He finally knew she approached sex the same way she approached anger—no holds barred—no prisoners taken. Demanding. Punishing. Passionate.

EDMUND *Then with alcoholic talkativeness You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason! *He grins wryly. It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death! TYRONE *Stares at him -- impressed. Yes, there's the makings of a poet in you all right. *Then protesting uneasily. But that's morbid craziness about not being wanted and loving death. EDMUND *Sardonically The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.

The idea of love walked along the water and her gaze was full of absence and her eyes spat lighting. The impressionable evening received by turns the imprints of grasses, clouds, bodies, and wore crazy astronomical designs. The idea of love walked straight ahead without seeing anything; she was wearing tiny isosceles mirrors whose perfect assemblage was amazing. They were so many images of fish tails, when, by their angelic nature, they answer the promise one might make of always finding each other again. Finding each other again even in the depths of a forest, where the thread of a star is an articulation more silent than life, the dawn a liquor stronger than blood. Who is lost, who truly wanders off when a cup of coffee is steaming in the fog and waiters dressed in snow circulate patiently on the surface of floors whose desired height can be indicated with one's hands? Who? A solitary man whom the idea of love has just left and who tucks in his spirit like an imaginary bed. The man falls all the same and in the next room, under the moon-white verandah, a woman rises whom the idea of love has abandoned. The gravel weeps outside, a rain of glass is falling in which we recognize small chains, tears in which we have time to see ourselves, mirror tears, shards of windows, singular crystals like the ones we witness in our hand on awakening, leaves and the faded petals of those roses that once embelished certain distillery bottles. It's just that the idea of love, it seems angry with love. This is how it began.

Sitting in front of my fireplace, basking in it's warm glow gives me time to reflect upon the sacrifices that it has taken for me to enjoy the security of a good home, in a safe environment. I can hear the soft whisper of the snow as it caresses my window and covers the ground outside in a scintillating display of sparkling lights under the full moon. How many times have our service men and women watched this same scene from a foxhole, or camped in some remote part of the world. Thankful for the silence of that moment, knowing it won’t last long. Yes Virginia, there is a Santa Claus. He/she dresses in fatigues and patrols the world restlessly, ensuring that we can have this peaceful night. Every day they give us the gift of this lifestyle that we enjoy, and every night they watch over us. They are warriors, angels, guardians, friends, brothers, fathers, mothers, sisters and brothers, forming a family that stretches back to the beginning of the country. So tonight when you go to bed say a prayer that God watch over those who watch over us, and thank them for their sacrifices, on and off the battlefield. Pray that they have a peaceful night, and will be home soon with their families who also share their burden. Without them we would not have this moment.

Always remember we are under the same sky, looking at the same moon.

It suddenly occurred to both Driggs and Lex, in that very same instant, that neither of them wanted anything more in the world than to tear off every single piece of each other's clothes and make wild, passionate, messy adolescent love under the radiant glow of the full moon. Their chests rose and fell. A few seconds passed. "I'm going to sleep," Driggs panted, clambering off the roof. "Me too," Lex huffed, right behind him. And without another word they fled to their rooms, slammed the doors, and threw themselves into bed, where they both spent the next five hours dazedly contemplating their respective ceilings.

Every year, Kansas watches the world die. Civilizations of wheat grow tall and green; they grow old and golden, and then men shaped from the same earth as the crop cut those lives down. And when the grain is threshed, and the dances and festivals have come and gone, then the fields are given over to fire, and the wheat stubble ascends into the Kansas sky, and the moon swells to bursting above a blackened earth. The fields around Henry, Kansas, had given up their gold and were charred. Some had already been tilled under, waiting for the promised life of new seed. Waiting for winter, and for spring, and another black death. The harvest had been good. Men, women, boys and girls had found work, and Henry Days had been all hot dogs and laughter, even without Frank Willis's old brown truck in the parade. The truck was over on the edge of town, by a lonely barn decorated with new No Trespassing signs and a hole in the ground where the Willis house had been in the spring and the early summer. Late summer had now faded into fall, and the pale blue farm house was gone. Kansas would never forget it.

Once upon a time, the Witch received a poem from the Beast of the Bog. Perhaps it was the poem that made the world. Perhaps it was the poem that will end it. Perhaps it is something else entirely. All I know is that the Witch keeps it safe in a locket under her cloak. She belongs to us, but one day her magic will fade and she will wander back into the Bog and we won’t have a witch anymore. Only stories. Perhaps she will find the Beast. Or become the Beast. Or become the Bog. Or become a Poem. Or become the world. They are all the same thing, you know.

We have the same dirt under our shoes as they do.

I found comfort in knowing we walked under the same moon, making wishes out of stars that were making dreams out of us too.

I found comfort in knowing we were under the same moon, wishing on stars that were making dreams out of us too.

NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!

One time Marian showed me some sand. When she gave it to me, she said, "These are very interesting stones." It just looked like sand, but she asked me to took through a magnifying glass. Then those small stones were as interesting as the stones I have in my office. The stones in my office are bigger, but under the glass the sand was quite similar. If you say, "This is a rock from the moon", you will be very much interested in it. Actually I don't think there is a great difference between rocks we have on the earth and those on the moon. Even if you go to Mars, I think you will find the same rocks. I am quite sure about it. So if you want to find something interesting, instead of hopping around the universe like this, enjoy your life in every moment, observe what you have now, and truly live in your surroundings.

He had violent passions, and on occasion desire seized his body so that he was driven to an orgy of lust, but he hated the instincts that robbed him of his self-possession. I think, even, he hated the inevitable partner in his debauchery. When he had regained command over himself, he shuddered at the sight of the woman he had enjoyed. His thoughts floated then serenely in the empyrean, and he felt towards her the horror that perhaps the painted butterfly, hovering about the flowers, feels to the filthy chrysalis from which it has triumphantly emerged. I suppose that art is a manifestation of the sexual instinct. It is the same emotion which is excited in the human heart by the sight of a lovely woman, the Bay of Naples under the yellow moon, and the Entombment of Titian. It is possible that Strickland hated the normal release of sex because it seemed to him brutal by comparison with the satisfaction of artistic creation.

When I heard at the close of the day how my name had been receiv’d with plaudits in the capitol, still it was not a happy night for me that follow’d, And else when I carous’d, or when my plans were accomplish’d, still I was not happy, But the day when I rose at dawn from the bed of perfect health, refresh’d, singing, inhaling the ripe breath of autumn, When I saw the full moon in the west grow pale and disappear in the morning light, When I wander’d alone over the beach, and undressing bathed, laughing with the cool waters, and saw the sun rise, And when I thought how my dear friend my lover was on his way coming, O then I was happy, O then each breath tasted sweeter, and all that day my food nourish’d me more, and the beautiful day pass’d well, And the next came with equal joy, and with the next at evening came my friend, And that night while all was still I heard the waters roll slowly continually up the shores, I heard the hissing rustle of the liquid and sands as directed to me whispering to congratulate me, For the one I love most lay sleeping by me under the same cover in the cool night, In the stillness in the autumn moonbeams his face was inclined toward me, And his arm lay lightly around my breast – and that night I was happy.

Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.

Fanatics.” Mircea sounded disgusted. “She called them utopians.” “Same thing under a different name.” “She said they could be dangerous—” “They always are. Anyone who can only see their point of view is. Once a group decides that their way is the only way, it is an easy progression to vilifying anyone who doesn’t agree with them. And once someone has been demonized, has been characterized as opposing the good, killing him becomes a virtue.

Nothing felt like mine anymore, not after you. All those little things that defined me; small sentimental trinkets, car keys, pin codes, and passwords. They all felt like you. And more than anything else, my number - the one you boldly asked for that night, amidst a sea of people, under a sky of talking satellites and glowing stars. You said no matter how many times you erased me from your phone, you would still recognize that number when it flashed on your screen. The series of sixes and nines, like the dip of my waist to the curves of my hips, your hands pressed into the small of my back. Nines and sixes that were reminiscent of two contented cats, curled together like a pair of speech marks. You said if you could never hold me or kiss me again, you could live with that. But you couldn't bear the thought of us not speaking and asked, at the very least, could I allow you that one thing? I wonder what went through your mind the day you dialed my number to find it had been disconnected. If your imagination had raced with thoughts of what new city I run to and who was sharing my bed. Isn't it strange how much of our lives are interchangeable, how little is truly ours. Someone else's ring tone, someone else's broken heart. These are the things we inherit by choice or by chance. And it wasn't my choice to love you but it was mine to leave. I don't think the moon ever meant to be a satellite, kept in loving orbit, locked in hopeless inertia, destined to repeat the same pattern over and over - to meet in eclipse with the sun - only when the numbers allowed.

(I know, it's a poem but oh well). Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sun-down--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best-- mechanics, boatmen, farmers, Or among the savans--or to the soiree--or to the opera, Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct, and in its place. To me, every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?

I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

Today, she is standing at the top of a mountain and appreciating the majestic panoramic view of mesmerizing Himalaya. As a kid, she used to look up in the sky and wish for wings to fly up to the mountains. And now after a long wait of many years, she is standing here and living her dream. It’s the moment when she can’t believe her eyes because what she always dreamed of has come alive. She looks with amazement as if she’s witnessing a miracle. It is the moment of her life. She just wants to feel it. There are beautiful clouds below her and there are snow clad mountain peaks emerging from those clouds. The white peaks shining in blue sky among white clouds look like glittering diamonds to her. The view of the large lush green meadow surrounded by mountains under blue sky with a rainbow circling the horizon has put her in a state of tranquility. As the sun starts drowning in the horizon, the sky begins to boast his mystical colours. The beautiful mix of pink, orange and red looks like creating a twilight saga. She opens her both arm and takes a deep breath to entwine with the nature. The glimmering rays of the moon are paying tribute to her by kissing her warm cheeks and her eyes twinkle in bright moon light. She raises her face towards the moon and senses the flood of memories which she wants to unleash. The cool breeze lifts her ruffled hair and blows her skirt up. She closes her eyes and breathes deep as if she wants to let her know that she is finally here and then she opens her eyes and finds herself on the same wheelchair inside a room with an empty wall in front of her eye. Tears rolls down from her eye but these are the tears of Joy because she is living her dreams today. The feelings comes to her mind while waiting for her daughter who is coming back home today after her first expedition of a high range mountain ~ AB

And what truly lies before you is vampire nature, which is killing. For I guarantee you that if you walk the streets tonight and strike down a woman as rich and beautiful as Babette and suck her blood until she drops at your feet you will have no hunger left for Babette's profile in the candlelight or for listening by the window for the sound of her voice. You will be filled, Louis, as you were meant to be, with all the life that you can hold; and you will have hunger when that's gone for the same, and the same, and the same. The red in this glass will be just as red; the roses on the wallpaper just as delicately drawn. And you'll see the moon the same way, and the same the flicker of a candle. And with that same sensibility that you cherish you will see death in all its beauty, life as it is only known on the very point of death. Don't you understand that, Louis? You alone of all creatures can see death that way with impunity. You...alone...under the rising moon...can strike like the hand of God!

That mental strength under pressure is absolutely critical for the long, deep dives that Rick and John tackle. When you are hundreds of yards into a sump, you are so isolated from the basic needs of survival that you may as well be on the surface of the moon. It’s no wonder, then, that sump divers seem to possess the same qualities as astronauts: the ability to prepare thoroughly, solve problems quickly, and keep cool in an emergency.

She told me to keep writing. After my journal filled up, I bought another one. As I wrote and read my entries to Joan, I felt myself metamorphosing. My growth was like the tide, coming in waves, retracting out of reach, coming back. Sometimes undercurrents came, pulling at my feet, sucking the sand out from under them. I dug my toes in hard and closed my eyes and managed to stay mostly upright, but those riptides came anyway, guided by the same moon that looked so benevolent, so white and happy against the indigo sky, so serene and fat and innocent, so far away. (141)

Morbidity and Mortality Rounds Forgive me, body before me, for this. Forgive me for my bumbling hands, unschooled in how to touch: I meant to understand what fever was, not love. Forgive me for my stare, but when I look at you, I see myself laid bare. Forgive me, body, for what seems like calculation when I take a breath before I cut you with my knife, because the cancer has to be removed. Forgive me for not telling you, but I’m no poet. Please forgive me, please. Forgive my gloves, my callous greeting, my unease— you must not realize I just met death again. Forgive me if I say he looked impatient. Please, forgive me my despair, which once seemed more like recompense. Forgive my greed, forgive me for not having more to give you than this bitter pill. Forgive: for this apology, too late, for those like me whose crimes might seem innocuous and yet whose cruelty was obvious. Forgive us for these sins. Forgive me, please, for my confusing heart that sounds so much like yours. Forgive me for the night, when I sleep too, beside you under the same moon. Forgive me for my dreams, for my rough knees, for giving up too soon. Forgive me, please, for losing you, unable to forgive.

The ghostly hands of a fitful wind played with her hair. The perfume of June lilies stole in from the bed under the open window---a haunting odour, sweeter than music, like all the lost perfumes of old, unutterably dear years. Far off, two beautiful, slender, black firs, of exactly the same height, came out against the silver dawn-lit sky like the twin spires of some Gothic cathedral rising out of a bank of silver mist. Just between them hung a dim old moon, as beautiful as the evening crescent. Their beauty was a comfort and stimulant to Emily under the stress of the strange vigil. Whatever passed---whatever came---beauty like this was eternal.

I talked to my nephew today, he's afraid of the dark. Or was. I said, "Why are you afraid of the dark? In the darkness we find many beautiful things!" He said, "Like what?" And I said, "Like the Moon and the stars! We would never see them without the darkness! And have you ever been to a movie house before? Do you think it would be as fun if it wasn't dark inside? And all the creatures under the sea— they're always there, swimming beautifully in the darkness of the waters!" And he said, "Bad things like ghosts are just fairy tales, right?" Then I told him, "Even if there were ghosts all around, they would not change in the darkness; they would be just the same as they are in the light. Look, we live in a world where there are bad things but there's no difference between these things whether they are in the darkness or in the light! Everything good and bad is always there; what changes is what and when we can see them. And the darkness brings us many beautiful experiences that we wouldn't be able to see in the light." And then I gave him a piece of my son's meteorite stone, I told him that whenever he feels afraid in the dark, he can hold onto it and it should remind him that many beautiful things, like that meteorite, come from the darkness so there's really nothing to ever be afraid of.

This garden was peaceful and calm. Pink cherry blossoms and violet plum blossoms graced the sweeping trees. The petals fell like snowflakes, dancing and swirling until they touched the soft, verdant grass. There was something familiar about this place. Her eyes traveled down the flat stone steps. She knew this path, knew those stones. The third one from the bottom had a crack in the middle- from when she was five and the neighbor's boy convinced her there were worms on the other side of the stones. She'd hammered the stone in half, eager to catch a few worms to play with. There weren't any, of course, but her mother had helped her find some dragonflies by the pond instead, and they'd spent an afternoon counting them in the garden. Mulan smiled wistfully at the memory. This can't be the same garden. I'm in Diyu. Yet no painter could have re-created what she saw more convincingly. Every detail was as she remembered. At the bottom of the stone-cobbled path was a pond with rose-flushed lilies, and a marble bench under the cherry tree. She used to play by the pond when she was a little girl, catching frogs and fireflies in wine jugs and feeding the fish leftover rice husks and sesame seeds until her mother scolded her. And beyond the moon gate was- Mulan's hand jumped to her mouth. Home. That smell of home- of Baba's incense from the family temple, sharp with amber and cedar; of noodles in Grandmother Fa's special pork broth; of jasmine flowers that Mama used to scent her skin.

In his book 'God and the Universe of Faiths,' British theologian John Hick makes a compelling argument. Before Copernicus, he says, earthlings believed they occupied the center of the universe - and why not? Earth was the place from which they saw everything else. It was the ground under their feet, and as far as they could tell everything revolved around them. Then Copernicus proposed a new map of the universe with the sun at the center and all the planets orbiting around it. His proposal raised religious questions as well as scientific ones, but he was right. The sun, not the earth, holds the planets in our solar system together. Hick argues that it is past time for a Copernican revolution in theology, in which God assumes the prime place at the center and Christianity joins the orbit of the great religions circling around. Like the scientific revolution, this one requires the surrender of primary place and privileged view. Absolute truth moves to the center of the system, leaving people of good faith with meaningful perceptions of that truth from their own orbits. This new map does not require anyone to give up the claim to uniqueness. It only requires the acceptance of unique neighbors, who concur that the brightness they see at the center of everything exceeds their ability to possess it. The Franciscan father Richard Rohr had his eye on a different planetary body when he said, 'We are all of us pointing toward the same moon, and yet we persist in arguing about who has the best finger.

Hekate, the third of this group, was always closest to us—although her name perhaps means “the Distant One”. It is not only her name that links her with Apollon and Artemis, who are also named Hekatos and Hekate, but also her family origin—if Hesiod is right in his account of it. She is elsewhere supposed to have been one of the Daughters of Night.{58} Hesiod, however, gives us the following genealogy:{59} the Titan couple Phoebe and Koios had two daughters: Leto, the mother of Apollon and Artemis, and Asteria, a star-goddess who bore Hekate to Persaios or Perses, the son of Eurybia. Hekate is therefore the cousin of Apollon and Artemis, and at the same time a reappearance of the great goddess Phoibe, whose name poets often give to the moon. Indeed, Hekate used to appear to us carrying her torch as the Moon-Goddess, whereas Artemis, although she, too, sometimes carries a torch, never did so. Hesiod seeks further to distinguish Hekate from Artemis by repeatedly emphasising that the former is monogenes, “an only child”. In this respect, too, Hekate resembled Persephone, the goddess of the Underworld. For the rest, she was an almighty, threefold goddess. Zeus revered her above all others,{60} and let her have her share of the earth, the sea and the starry sky; or rather, he did not deprive her of this threefold honour, which she had previously enjoyed under the earlier gods, the Titans, but let her retain what had been awarded to her at the first distribution of honours and dignities. She was therefore a true Titaness of the Titans, even though this is never expressly stated.

BLUE pencils, blue noses, blue movies, laws, blue legs and stockings, the language of birds, bees, and flowers as sung by longshoremen, that lead-like look the skin has when affected by cold, contusion, sickness, fear; the rotten rum or gin they call blue ruin and the blue devils of its delirium; Russian cats and oysters, a withheld or imprisoned breath, the blue they say that diamonds have, deep holes in the ocean and the blazers which English athletes earn that gentlemen may wear; afflictions of the spirit—dumps, mopes, Mondays—all that’s dismal—low-down gloomy music, Nova Scotians, cyanosis, hair rinse, bluing, bleach; the rare blue dahlia like that blue moon shrewd things happen only once in, or the call for trumps in whist (but who remembers whist or what the death of unplayed games is like?), and correspondingly the flag, Blue Peter, which is our signal for getting under way; a swift pitch, Confederate money, the shaded slopes of clouds and mountains, and so the constantly increasing absentness of Heaven (ins Blaue hinein, the Germans say), consequently the color of everything that’s empty: blue bottles, bank accounts, and compliments, for instance, or, when the sky’s turned turtle, the blue-green bleat of ocean (both the same), and, when in Hell, its neatly landscaped rows of concrete huts and gas-blue flames; social registers, examination booklets, blue bloods, balls, and bonnets, beards, coats, collars, chips, and cheese . . . the pedantic, indecent and censorious . . . watered twilight, sour sea: through a scrambling of accidents, blue has become their color, just as it’s stood for fidelity.

One time Marian showed me some sand. When she gave it to me, she said, "These are very interesting stones." It just looked like sand, but she asked me to took through a magnifying glass. Then those small stones were as interesting as the stones I have in my office. The stones in my office are bigger, but under the glass the sand was quite similar. If you say, "This is a rock from the moon", you will be very much interested in it. Actually I don't think there is a great difference between rocks we have on the earth and those on the moon. Even if you go to Mars, I think you will find the same rocks. I am quite sure about it. So if you want to find something interesting, instead of hopping around the universe like this, enjoy your life in every moment, observe what you have now, and truly live in your surroundings.

She retrieved the beads she had dropped from under the sewing tables, and strung them again. She made and painted more beads, added the slimerod cores she had dried, the seed pods of this plant, tufts of long hair from cows’ tails caught in brush… she wasn’t sure what she was making, only that she liked the patterns of chunky things and thin ones, color and texture and line. When she put the construction on her body, she realized it needed a bit more here — another length of beads — and something else there to balance the weight and keep it from slipping off her shoulders. She looked in the mirror. Odd how seldom she’d done that, not since before the other landing. She had not wanted to see her expression; she had been afraid that she might frighten herself. But now the figure in the mirror hardly looked human. She stared. She felt the same — mostly the same — and in the mirror her own face scowled at her, the familiar scowl with which she had always greeted her mirror-self. Her eyebrows were thinner and whiter; her white hair a tousled bush of silver. But the inner self that had been so intent on stringing beads and feathers and wool and cows’ hair and seedpods, that had been so sure where to lace this string to that, and how to hang the tassels — that self had not imagined how she would look in anything but the old drab workshirts and skirts and bonnets of earlier years. Indecent, the old voice said. Amazing, the new voice said, with approval. Her body was old, wrinkled, sagging, splotched with the wear-marks of nearly eighty years… but hanging on it in weblike patterns were the brilliant colors and textures of her creation.

a cute girl. And her body… I take the hand suffering from exposure and it’s still very cold. I touch her cheek with the back of my other hand and it’s warm. She leans into that like she’s starving for a gentle gesture. It makes me close my eyes for a minute. She’s so needy. It would be easy to just take care of that need. Instead, I kick off my boots and take my shirt off, then place her hand under my armpit. She tries to pull away but I hold her still and smile. “It’s a nice warm place, Syd. You have to heat up this hand. I’m pretty sure it’s gonna blister no matter what, but it needs to be warmed up.” “It’s gross,” she says. “I can do it—” “No,” I tell her back, sitting down on the bed and pulling on her at the same time, so she can’t remove it. “I’ll do it.” I scoot all the way back on the half-moon-shaped bed, which takes up roughly one half of the circular room, making her crawl along with me. Her tits are nice and firm, and hang down and bounce a little in a very alluring way. I keep pulling her until she’s sitting next to me, her frozen hand slipping out of place. So I put my arm around her and place her hand under my opposite arm, making her hug me a little. She stiffens when I do this and that makes me laugh a little. “You afraid of intimacy, Sydney? Tough girl like you?” “You’re tricking me somehow, I can feel it.” But even as she says this, she rests her head on my chest. “Probably. If there’s one thing you should know about me, it’s that I don’t give anything away for free. So now that I’m taking care of your mistake out there, let’s talk about that deal. I went above and beyond. I didn’t let you freeze, I came out of my nice warm house to save your ass. So the way I see it, you owe me. Start

Once the purging has taken place, the woman often dreams of a black goddess who becomes her bridge between spirit and body. As one aspect of Sophia, such an image can open her to the mystery of life being enacted in her own body. Her "mysterious and exotic darkness" inspires a particular depth of wonderment and love. For a woman without a positive mother, this "dark" side of the Virgin can bring freedom, the security of freedom, because she is a natural home for the rejected child. The child born from the rejected side of the mother can bring her own rebel to rest in the outcast state of Mary. In loving the abandoned child within herself, a woman becomes pregnant with herself. The child her mother did not nourish, she will now nourish, not as the pure white biblical Virgin who knew no Joseph, but as the dark Montserrat Virgin who presides over "marriage and sex, pregnancy and childbirth." The Black Madonna is nature impregnated by spirit, accepting the human body as the chalice of the spirit. She is the redemption of matter, the intersection of sexuality and spirituality. Connecting to this archetypal image may result in dreams of a huge serpent, mysterious, cold­blooded, inaccessible to human feeling. Seen as an appendage of the negative mother, it is the phallus stolen from the father and used to guard inviolate purity. Yet this same snake, when seen in relation to the moon, symbolizes the dark, impersonal side of femininity and at the same time its capacity to renew itself. The daughter who can come out from under the skin of the negative mother will not perpetuate her but redeem her. The Black Madonna is the patron saint of abandoned daughters who rejoice in their outcast state and can use it to renew the world.

Neither do I express well nor do I know how to write perfectly charming like writers do yet here I sit every night under the stars hoping one to break away so I could wish for the missing peace of my puzzle of life .. * Selfish isn't it wishing something to break so we can join ourselves  maybe thats the law of nature. One always has to give up for something to live. Tree dies  leaving the seed for a new bud behind.  Crazy! The sacrifice for one becomes the breath for the other one without even  him realizing what suffering something went through for its precious life * It gets cold fast once you decide to swim deep into your thoughts . Every thing from a star to even the buzzing of bees tell you a story about what your existence might be for but the city's lights and sound never let you realize how small yet how fascinating your existence is . We tend to forget the meaning of life even after preaching the same for others ourselves. . It feels good and at peace with nobody to bother you anymore . You can think and imagine stuff that might never be but this wonderful brain imagines  it . If not forever Atleast for sometime   you can feel the feeling you forever lust for.  Sure the usual disturbances try to lure my mind away from things but I'm used to it now . The gloominess  inside doesn't let them affect inside anymore. * The sky gets dark it really does . Maybe like the night sky's supposed to be so are my thoughts with a beating heart to support them and keep the flame of fight lit like the moon lights up the sky even if that means reflecting the harsh rays of sun. * The time flies and so do the body shivers for warmth but I feel like staying. Sure the exposed sky gives peace but it comes at a cost so I try to bargain with  it every night. She's a good at negotiating though only gives me some hours before she signal that time's over. * Hesitantly I move my numb body using the last remaining gas in  the dying  shell known as body. How much i try it won't let me stay so here I leave heartbroken once again like every other night.

It isn’t the height that scares me—the height makes me feel alive with energy, every organ and vessel and muscle in my body singing at the same pitch. Then I realize what it is. It’s him. Something about him makes me feel like I am about to fall. Or turn to liquid. Or burst into flames. My hand almost misses the next rung. “Now tell me…,” he says through a bursting breath, “what do you think learning strategy has to do with…bravery?” The question reminds me that he is my instructor, and I am supposed to learn something from this. A cloud passes over the moon, and the light shifts across my hands. “It…it prepares you to act,” I say finally. “You learn strategy so you can use it.” I hear him breathing behind me, loud and fast. “Are you all right, Four?” “Are you human, Tris? Being up this high…” He gulps for air. “It doesn’t scare you at all?” I look over my shoulder at the ground. If I fall now, I will die. But I don’t think I will fall. A gust of air presses against my left side, throwing my body weight to the right. I gasp and cling to the rungs, my balance shifting. Four’s cold hand clamps around one of my hips, one of his fingers finding a strip of bare skin just under the hem of my T-shirt. He squeezes, steadying me and pushing me gently to the left, restoring my balance. Now I can’t breathe. I pause, staring at my hands, my mouth dry. I feel the ghost of where his hand was, his fingers long and narrow. “You okay?” he asks quietly. “Yes,” I say, my voice strained. I keep climbing, silently, until I reach the platform. Judging by the blunted ends of metal rods, it used to have railings, but it doesn’t anymore. I sit down and scoot to the end of it so Four has somewhere to sit. Without thinking, I put my legs over the side. Four, however, crouches and presses his back to the metal support, breathing heavily. “You’re afraid of heights,” I say. “How do you survive in the Dauntless compound?” “I ignore my fear,” he says. “When I make decisions, I pretend it doesn’t exist.” I stare at him for a second. I can’t help it. To me there’s a

He was forever wallowing in the mire, dirtying his nose, scrabbling his face, treading down the backs of his shoes, gaping at flies and chasing the butterflies (over whom his father held sway); he would pee in his shoes, shit over his shirt-tails, [wipe his nose on his sleeves,] dribble snot into his soup and go galumphing about. [He would drink out of his slippers, regularly scratch his belly on wicker-work baskets, cut his teeth on his clogs, get his broth all over his hands, drag his cup through his hair, hide under a wet sack, drink with his mouth full, eat girdle-cake but not bread, bite for a laugh and laugh while he bit, spew in his bowl, let off fat farts, piddle against the sun, leap into the river to avoid the rain, strike while the iron was cold, dream day-dreams, act the goody-goody, skin the renard, clack his teeth like a monkey saying its prayers, get back to his muttons, turn the sows into the meadow, beat the dog to teach the lion, put the cart before the horse, scratch himself where he ne’er did itch, worm secrets out from under your nose, let things slip, gobble the best bits first, shoe grasshoppers, tickle himself to make himself laugh, be a glutton in the kitchen, offer sheaves of straw to the gods, sing Magnificat at Mattins and think it right, eat cabbage and squitter puree, recognize flies in milk, pluck legs off flies, scrape paper clean but scruff up parchment, take to this heels, swig straight from the leathern bottle, reckon up his bill without Mine Host, beat about the bush but snare no birds, believe clouds to be saucepans and pigs’ bladders lanterns, get two grists from the same sack, act the goat to get fed some mash, mistake his fist for a mallet, catch cranes at the first go, link by link his armour make, always look a gift horse in the mouth, tell cock-and-bull stories, store a ripe apple between two green ones, shovel the spoil back into the ditch, save the moon from baying wolves, hope to pick up larks if the heavens fell in, make virtue out of necessity, cut his sops according to his loaf, make no difference twixt shaven and shorn, and skin the renard every day.]

What is it, in fact, that we are supposed to abstract from, in order to get, for example, from the moon to the number 1? By abstraction we do indeed get certain concepts, viz. satellite of the Earth, satellite of a planet, non-self-luminous heavenly body, heavenly body, body, object. But in this series 1 is not to be met with; for it is no concept that the moon could fall under. In the case of 0, we have simply no object at all from which to start our process of abstracting. It is no good objecting that 0 and 1 are not numbers in the same sense as 2 and 3. What answers the question How many? is number, and if we ask, for example, "How many moons has this planet?", we are quite as much prepared for the answer 0 or 1 as for 2 or 3, and that without having to understand the question differently. No doubt there is something unique about 0, and about 1000; but the same is true in principle of every whole number, only the bigger the number the less obvious it is. To make out of this a difference in kind is utterly arbitrary. What will not work with 0 and 1 cannot be essential to the concept of number.

The beauty of Mars exists in the human mind. without the human presence it is just a concatenation of atoms, no different than any other random speck of matter in the universe. It's we who understand it, and we who give it meaning. All our centuries of looking up at the night sky and watching it wander through the stars. All those nights of watching it through the telescopes, looking at a tiny disk trying to see canals in the albedo changes. All those dumb sci-fi novels with their monsters and maidens and dying civilizations. And all the scientists who studied the data, or got us here. That's what makes Mars Beautiful. Not the basalt and the oxides. Now that we are here, it isn't enough to just hide under ten meters of soil and study the rock. That's science, yes, and needed science too. But science is more than that. Science is part of a larger human enterprise, and that enterprise includes going to the stars, adapting to other planets, adapting them to us. Science is creation. The lack of life here, and the lack of any finding in fifty years of the SETI program, indicates that life is rare, and intelligent life even rarer. And yet the whole meaning of the universe, its beauty, is contained in the consciousness of intelligent life. We are the consciousness of the universe, and our job is to spread that around, to go look at things, to live everywhere we can. It's too dangerous to keep the consciousness of the universe on only one planet, it could be wiped out. And so now we're on two, three if you count the moon. And we can change this one to make it safer to live on. Changing it won't destroy it. Reading its past might get harder, but the beauty of it won't go away. If there are lakes, or forests, or glaciers, how does that diminish Mars beauty? I don't think it does. I think it only enhances it. It adds life, the most beautiful system of all. But nothing life can do will bring Tharsis down, or fill Marineris. Mars will always remain Mars, different from Earth, colder and wilder. But it can be Mars and ours at the same time. And it will be. There is this about the human mind; if it can be done, it will be done. We can transform Mars and build it like you would build a cathedral, as a monument to humanity and the universe both. We can do it, so we will do it. So, we might as well start.

Why, who makes much of a miracle? As to me I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love, or sleep in the bed at night with any one I love, Or sit at table at dinner with the rest, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive of a summer forenoon, Or animals feeding in the fields, Or birds, or the wonderfulness of insects in the air, Or the wonderfulness of the sundown, or of stars shining so quiet and bright, Or the exquisite delicate thin curve of the new moon in spring; These with the rest, one and all, are to me miracles, The whole referring, yet each distinct and in its place. To me every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same. To me the sea is a continual miracle, The fishes that swim–the rocks–the motion of the waves–the ships with men in them, What stranger miracles are there?

You sit and lean against the wall, and look at the beautiful, riddlesome totality. The Summa52 lies before you like a book, and an unspeakable greed seizes you to devour it. Consequently you lean back and stiffen and sit for a long time. You are completely incapable of grasping it. Here and there a light flickers, here and there a fruit falls from high trees which you can grasp, here and there your foot strikes gold. But what is it, ifyou compare it with the totality, which lies spread out tangibly close to you? You stretch out your hand, but it remains hanging in invisible webs. You want to see it exactly as it is but something cloudy and opaque pushes itself exactly in between. You would like to tear a piece out of it; it is smooth and impenetrable like polished steel. So you sink back against the wall, and when you have crawled through all the glow- ing hot crucibles of the Hell of doubt, you sit once more and lean back, and look at the wonder of the Summa that lies spread out before you. Here and there a light flickers, here and there a fruit falls. For you it is all too little. But you begin to be satisfied with yourself, and you pay no attention to the years passing away. What are years? What is hurrying time to him that sits under a tree? Your time passes like a breath of air and you wait for the next light, the next fruit. The writing lies before you and always says the same, if you believe in words. But if you believe in things in whose places only words stand, you never come to the end. And yet you must go an endless road, since life flows not only down a finite path but also an infinite one. But the unbounded makes you53 anxious since the unbounded is fearful and your humanity rebels against it. Consequently you seek limits and restraints so that you do not lose yoursel£ tumbling into infinity Restraint becomes imperative for you. You cry out for the word which has one meaning and no other, so that you escape boundless ambiguity. The word becomes your God, since it protects you from the countless possibilities of interpretation. The word is protective magic against the daimons of the unending, which tear at your soul and want to scatter you to the winds. You are saved if you can say at last: that is that and only that. You spealc the magic word, and the limitless is finally banished. Because of that men seek and make words.54 He who breaks the wall ofwords overthrows Gods and defiles temples. The solitary is a murderer. He murders the people, because he thus thinks and thereby breaks down ancient sacred walls. He calls up the daimons of the boundless. And he sits, leans back, and does not hear the groans of mankind, whom the fearful fiery smoke has seized. And yet you cannot find the new words if you do not shatter the old words. But no one should shatter the old words, unless he finds the new word that is a firm rampart against the limitless and grasps more life in it than in the old word. A new word is a new God for old men. Man remains the same, even if you create a new model of God for him. He remains an imitator. What was word, shall become man. The word created the world and came before the world. It lit up like a light in the darkness, and the darkness did not comprehend it.55 And thus the word should become what the darkness can comprehend, since what use is the light if the darkness does not comprehend it? But your darkness should grasp the light. The God of words is cold and dead and shines from afar like the moon, mysteriously and inaccessibly: Let the word return to its / creator, to man, and thus the word will be heightened in man. Man should be light, limits, measure. May he be your fruit, for which you longingly reach. The darkness does not compre- hend the word, but rather man; indeed, it seizes him, since he himself is a piece of the darkness. Not from the word down to man, but from the word up to man: that is what the darkness comprehends. The darkness is your mother; she is dangerous.

Johannes Kepler, who was one of the first to apply mathematics to the motion of the planets, was an imperial adviser to Emperor Rudolf Il and perhaps escaped persecution by piously including religious elements in his scientific work. The former monk Giordano Bruno was not so lucky. In 1600, he was tried and sentenced to death for heresy. He was gagged, paraded naked in the streets of Rome, and finally burned at the stake. His chief crime? Declaring that life may exist on planets circling other stars. The great Galileo, the father of experimental science, almost met the same fate. But unlike Bruno, Galileo recanted his theories on pain of death. Nonetheless, he left a lasting legacy with his telescope, perhaps the most revolutionary and seditious invention in all of science. With a telescope, you could see with your own eyes that the moon was pockmarked with craters; that Venus had phases consistent with its orbiting the sun; that Jupiter had moons, all of which were heretical ideas. Sadly, he was placed under house arrest, isolated from visitors, and eventually went blind. (It was said because he once looked directly at the sun with his telescope.) Galileo died a broken man. But the very year that he died, a baby was born in England who would grow up to complete Galileo's and Kepler's unfinished theories, giving us a unified theory of the heavens.

Let’s return to the question of the ocean tides. The cause of the twice-daily rising and falling of the seas is exactly the same as the cause of the 2,000-Mile Man’s discomfort: the non-uniformity of gravity. But in this case, it’s the Moon’s gravity, not the Earth’s. The Moon’s pull on the oceans is strongest on the side of the Earth facing the Moon and weakest on the far side. You might expect the Moon to create a single oceanic bulge on the closer side, but that’s wrong. For the same reason that the tall man’s head is pulled away from his feet, the water on both sides of the Earth—near and far—bulges away from it. One way to think about this is that on the near side, the Moon pulls the water away from the Earth, but on the far side, it pulls the Earth away from the water. The result is two bulges on opposite sides of the Earth, one facing toward the Moon and the other facing away. As the Earth turns one revolution under the bulges, each point experiences two high tides. The distorting forces caused by variations in the strength and direction of gravity are called tidal forces, whether they are due to the Moon, Earth, Sun, or any other astronomical mass. Can humans of normal size feel tidal forces—for example, when jumping from a diving board? No, we cannot, but only because we are so small that the Earth’s gravitational field hardly varies across the length of our bodies. Descent

This could get a little hairy,” I tell them in interruption. Seriously, I don’t want to know this secret. I’ve got too much other shit going on. I grimace at the very questionable intestines that belong to some fabled creature that surely can’t exist under the radar if all that fit inside it. “If you’re a respawner instead of an unkillable being, get out of the kitchen and at least a mile from the house.” Mom assured me there’s a five mile seclusion radius. Damien starts speaking to me, almost as though he’s too tired to deal with my tinkering right now. “Violet, that potion has to be fresh. There’s no need-" ... There’s a loud, bubbling, sizzling noise that cracks through the air, and I drop to the floor, as a pulse shoots from the pot. Damien yelps, as he and Emit are thrown into one wall, and Mom curses seconds before she and Arion are launched almost into each other, hitting opposing walls instead, when they manage to twist in the air to avoid touching. Everyone crashes to the ground at almost the same time. Groans and grunts and coughs of pain all ring out in annoyed unison. “I warned you,” I call out, even as most of them narrow their eyes in my direction. Damien shoots me a look of exasperation, and I shrug a shoulder. “She did warn us,” Mom grumbles as she remains lying on the floor, while everyone else pushes to their feet. “No one fucks up a potion better than I do. If I fuck it up enough, less power will be needed to raise them,” I go on, smiling over at Emit…who is just staring at me like he’s confused. “But it’s the exact right ingredients,” he says warily, as he stands. “She’s apples and oranges. You can’t compare her to anyone else using those ingredients for that reason,” Mom says dismissively, as I gesture to Vance. “Take him with you; I’m going to be a while. That was just the first volatile ingredient. I don’t think you want to be here for the yacktite—” “Ylacklatite,” they all correct in unison. “You don’t want to be here for those gross, possibly toxic, hard-to-say, fabled-creature intestines. It’s going to probably get crazy up in here,” I say as I twirl my finger around, staying on the floor for a minute longer. Sometimes there’s an echo. “Raise your heartbeat. You’re not taking this seriously enough,” Mom scolds. “What are you doing letting your heartbeat drop so much?” “You really should go. It gets unpredictable when—” The echo pulse I worried would come knocks Arion, Emit, and Damien to the ceiling this time, and I cringe when I hear things crack. When they drop, Arion and Emit land in a crouch, and Damien lands hard on his back, cursing the pot on the stove like it’s singled him out and has it in for sexual deviants. Arion’s lips twitch as he stares over at me, likely thinking what sort of punch a pencil could pack with this concoction. But I’ll be damned if Shera steals any of this juice for his freaky pencils. “Do you rip up those dolls to use them as a timer?” the vampire asks, as he stays on the floor, causing Mom to sneer in his direction. Another pulse cracks some glass, but everyone is under the reach of it now. Damien just shakes his head. “You have drawers full of toxic pencils I don’t even want to know the purpose of,” I tell him dryly. “You don’t get to judge.” His grin grows like he’s pleased with something. I think Mom is seconds away from a brain aneurism

I push my eye farther into the crack, smushing my cheek. The door rattles. Her arm freezes. The needle stops. Instantly, her shadow fills the room, a mountain on the wall. “Leidah?” I hold my breath. No hiding in the wood-box this time. Before I even have time to pull my eye away, the door opens. My mother's face, like the moon in the dark hallway. She squints and takes a step toward me. “Lei-lee?” I want to tell her I’ve had a nightmare about the Sisters, that I can’t sleep with all this whispering and worrying from her—and what are you sewing in the dark, Mamma? I try to move my lips, but I have no mouth. My tongue is gone; my nose is gone. I don’t have a face anymore. It has happened again. I am lying on my back, flatter than bread. My mother’s bare feet slap against my skin, across my belly, my chest. She digs her heel in, at my throat that isn’t there. I can see her head turning toward her bedroom. Snores crawl under the closed door. The door to my room is open, but she can’t see my bed from where she stands, can’t see that my bed is empty. She nods to herself: everything as it should be. Her foot grinds into my chin. The door to the sewing room closes behind her. I struggle to sit up. I wiggle my hips and jiggle my legs. It is no use. I am stuck, pressed flat into the grain of wood under me. But it’s not under me. It is me. I have become the floor. I know it’s true, even as I tell myself I am dreaming, that I am still in bed under the covers. My blood whirls inside the wood knots, spinning and rushing, sucking me down and down. The nicks of boot prints stomp and kick at my bones, like a bruise. I feel the clunk of one board to the next, like bumps of a wheel over stone. And then I am all of it, every knot, grain, and sliver, running down the hall, whooshing like a river, ever so fast, over the edge and down a waterfall, rushing from room to room. I pour myself under and over and through, feeling objects brush against me as I pass by. Bookshelves, bedposts, Pappa’s slippers, a fallen dressing gown, the stubby ends of an old chair. A mouse hiding inside a hole in the wall. Mor’s needle bobbing up and down. How is this possible? I am so wide, I can see both Mor and Far at the same time, even though they are in different rooms, one wide awake, the other fast asleep. I feel my father’s breath easily, sinking through the bed into me, while Mor’s breath fights against me, against the floor. In and out, each breath swimming away, away, at the speed of her needle, up up up in out in out outoutout—let me out, get me out, I want out. That’s what Mamma is thinking, and I hear it, loud and clear. I strain my ears against the wood to get back into my own body. Nothing happens. I try again, but this time push hard with my arms that aren’t there. Nothing at all. I stop and sink, letting go, giving myself into the floor. Seven, soon to be eight… it’s time, time’s up, time to go. The needle is singing, as sure as stitches on a seam. I am inside the thread, inside her head. Mamma is ticking—onetwothreefourfivesix— Seven. Seven what? And why is it time to go? Don’t leave me, Mamma. I beg her feet, her knees, her hips, her chest, her heart, my begging spreading like a big squid into the very skin of her. It’s then that I feel it. Something is happening to Mamma. Something neither Pappa nor I have noticed. She is becoming dust. She is drier than the wood I have become. - Becoming Leidah Quoted by copying text from the epub version using BlueFire e-reader.

This was my first rebirth into a body of the same species. I found the transfer much more difficult than changing planets because I had so many expectations about being human already in place. Also, I’d inherited a lot of things from Petals Open to the Moon, and not all of them were pleasant. I’d inherited a great deal of grief for Cloud Spinner. I missed the mother I’d never known and mourned for her suffering now. Perhaps there could be no joy on this planet without an equal weight of pain to balance it out on some unknown scale. I’d inherited unexpected limitations. I was used to a body that was strong and fast and tall—a body that could run for miles, go without food and water, lift heavy weights, and reach high shelves. This body was weak—and not just physically. This body seized up with crippling shyness every time I was unsure of myself, which seemed to be often these days. I’d inherited a different role in the human community. People carried things for me now and let me pass first into a room. They gave me the easiest chores and then, half the time, took the work right out of my hands anyway. Worse than that, I needed the help. My muscles were soft and not used to labor. I tired easily, and my attempts to hide that fooled no one. I probably couldn’t have run a mile without stopping. There was more to this easy treatment than just my physical weakness, though. I was used to a pretty face, but one that people were able to look at with fear, mistrust, even hatred. My new face defied such emotions. People touched my cheeks often, or put their fingers under my chin, holding my face up to see it better. I was frequently patted on my head (which was in easy reach, since I was shorter than everyone but the children), and my hair was stroked so regularly that I stopped noticing when it happened. Those who had never accepted me before did this as often as my friends.

I’ll tell you what’s true,’ said Weston presently. ‘What?’ ‘A little child that creeps upstairs when nobody’s looking and very slowly turns the handle to take one peep into the room where its grandmother’s dead body is laid out–and then runs away and has bad dreams. An enormous grandmother, you understand.’ ‘What do you mean by saying that’s truer?’ ‘I mean that child knows something about the universe which all science and all religion is trying to hide.’ Ransom said nothing. ‘Lots of things,’ said Weston presently. ‘Children are afraid to go through a churchyard at night, and the grown-ups tell them not to be silly: but the children know better than the grown-ups. People in Central Africa doing beastly things with masks on in the middle of the night–and missionaries and civil servants say it’s all superstition. Well, the blacks know more about the universe than the white people. Dirty priests in back streets in Dublin frightening half-witted children to death with stories about it. You’d say they are unenlightened. They’re not: except that they think there is a way of escape. There isn’t. That is the real universe, always has been, always will be. That’s what it all means.’ ‘I’m not quite clear–’ began Ransom, when Weston interrupted him. ‘That’s why it’s so important to live as long as you can. All the good things are now–a thin little rind of what we call life, put on for show, and then–the real universe for ever and ever. To thicken the rind by one centimetre–to live one week, one day, one half hour longer–that’s the only thing that matters. Of course you don’t know it: but every man who is waiting to be hanged knows it. You say “What difference does a short reprieve make?” What difference!!’ ‘But nobody need go there,’ said Ransom. ‘I know that’s what you believe,’ said Weston. ‘But you’re wrong. It’s only a small parcel of civilised people who think that. Humanity as a whole knows better. It knows–Homer knew–that all the dead have sunk down into the inner darkness: under the rind. All witless, all twittering, gibbering, decaying. Bogeymen. Every savage knows that all ghosts hate the living who are still enjoying the rind: just as old women hate girls who still have their good looks. It’s quite right to be afraid of the ghosts. You’re going to be one all the same.’ ‘You don’t believe in God,’ said Ransom. ‘Well, now, that’s another point,’ said Weston. ‘I’ve been to church as well as you when I was a boy. There’s more sense in parts of the Bible than you religious people know. Doesn’t it say He’s the God of the living, not of the dead? That’s just it. Perhaps your God does exist–but it makes no difference whether He does or not. No, of course you wouldn’t see it; but one day you will. I don’t think you’ve got the idea of the rind–the thin outer skin which we call life–really clear. Picture the universe as an infinite glove with this very thin crust on the outside. But remember its thickness is a thickness of time. It’s about seventy years thick in the best places. We are born on the surface of it and all our lives we are sinking through it. When we’ve got all the way through then we are what’s called Dead: we’ve got into the dark part inside, the real globe. If your God exists, He’s not in the globe–He’s outside, like a moon. As we pass into the interior we pass out of His ken. He doesn’t follow us in. You would express it by saying He’s not in time–which you think comforting! In other words He stays put: out in the light and air, outside. But we are in time. We “move with the times”. That is, from His point of view, we move away, into what He regards as nonentity, where He never follows. That is all there is to us, all there ever was. He may be there in what you call “Life”, or He may not. What difference does it make? We’re not going to be there for long!

He embraced her. And touched her. And found her. Yennefer, in some astonishing way hard and soft at the same time, sighed loudly. The words they had uttered broke off, perished among the sighs and quickened breaths, ceased to have any meaning and were dissipated. So they remained silent, and focused on the search for one another, on the search for the truth. They searched for a long time, lovingly and very thoroughly, fearful of needless haste, recklessness and nonchalance. They searched vigorously, intensively and passionately, fearful of needless self-doubt and indecision. They searched cautiously, fearful of needless tactlessness. They found one another, conquered their fear and, a moment later, found the truth, which exploded under their eyelids with a terrible, blinding clarity, tore apart the lips pursed in determination with a moan. Then time shuddered spasmodically and froze, everything vanished, and touch became the only functioning sense. An eternity passed, reality returned and time shuddered once more and set off again, slowly, ponderously, like a great, fully laden cart. Geralt looked through the window. The moon was still hanging in the sky, although what had just happened ought in principle to have struck it down from the sky. ‘Oh heavens, oh heavens,’ said Yennefer much later, slowly wiping a tear from her cheek. They lay still among the dishevelled sheets, among thrills, among steaming warmth and waning happiness and among silence, and all around whirled vague darkness, permeated by the scent of the night and the voices of cicadas. Geralt knew that, in moments like this, the enchantress’s telepathic abilities were sharpened and very powerful, so he thought about beautiful matters and beautiful things. About things which would give her joy. About the exploding brightness of the sunrise. About fog suspended over a mountain lake at dawn. About crystal waterfalls, with salmon leaping up them, gleaming as though made of solid silver. About warm drops of rain hitting burdock leaves, heavy with dew. He thought for her and Yennefer smiled, listening to his thoughts. The smile quivered on her cheek along with the crescent shadows of her eyelashes.

The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes. On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles. Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world. Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim. It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.

All the many successes and extraordinary accomplishments of the Gemini still left NASA’s leadership in a quandary. The question voiced in various expressions cut to the heart of the problem: “How can we send men to the moon, no matter how well they fly their ships, if they’re pretty helpless when they get there? We’ve racked up rendezvous, docking, double-teaming the spacecraft, starting, stopping, and restarting engines; we’ve done all that. But these guys simply cannot work outside their ships without exhausting themselves and risking both their lives and their mission. We’ve got to come up with a solution, and quick!” One manned Gemini mission remained on the flight schedule. Veteran Jim Lovell would command the Gemini 12, and his space-walking pilot would be Buzz Aldrin, who built on the experience of the others to address all problems with incredible depth and finesse. He took along with him on his mission special devices like a wrist tether and a tether constructed in the same fashion as one that window washers use to keep from falling off ledges. The ruby slippers of Dorothy of Oz couldn’t compare with the “golden slippers” Aldrin wore in space—foot restraints, resembling wooden Dutch shoes, that he could bolt to a work station in the Gemini equipment bay. One of his neatest tricks was to bring along portable handholds he could slap onto either the Gemini or the Agena to keep his body under control. A variety of space tools went into his pressure suit to go along with him once he exited the cabin. On November 11, 1966, the Gemini 12, the last of its breed, left earth and captured its Agena quarry. Then Buzz Aldrin, once and for all, banished the gremlins of spacewalking. He proved so much a master at it that he seemed more to be taking a leisurely stroll through space than attacking the problems that had frustrated, endangered, and maddened three previous astronauts and brought grave doubts to NASA leadership about the possible success of the manned lunar program. Aldrin moved down the nose of the Gemini to the Agena like a weightless swimmer, working his way almost effortlessly along a six-foot rail he had locked into place once he was outside. Next came looping the end of a hundred-foot line from the Agena to the Gemini for a later experiment, the job that had left Dick Gordon in a sweatbox of exhaustion. Aldrin didn’t show even a hint of heavy breathing, perspiration, or an increased heartbeat. When he spoke, his voice was crisp, sharp, clear. What he did seemed incredibly easy, but it was the direct result of his incisive study of the problems and the equipment he’d brought from earth. He also made sure to move in carefully timed periods, resting between major tasks, and keeping his physical exertion to a minimum. When he reached the workstation in the rear of the Gemini, he mounted his feet and secured his body to the ship with the waist tether. He hooked different equipment to the ship, dismounted other equipment, shifted them about, and reattached them. He used a unique “space wrench” to loosen and tighten bolts with effortless skill. He snipped wires, reconnected wires, and connected a series of tubes. Mission Control hung on every word exchanged between the two astronauts high above earth. “Buzz, how do those slippers work?” Aldrin’s enthusiastic voice came back like music. “They’re great. Great! I don’t have any trouble positioning my body at all.” And so it went, a monumental achievement right at the end of the Gemini program. Project planners had reached all the way to the last inch with one crucial problem still unsolved, and the man named Aldrin had whipped it in spectacular fashion on the final flight. Project Gemini was

My boy is painting outer space, and steadies his brush-tip to trace the comets, planets, moon and sun and all the circuitry they run in one great heavenly design. But when he tries to close the line he draws around his upturned cup, his hand shakes, and he screws it up. The shake’s as old as he is, all (thank god) his body can recall of the hour when, one inch from home, we couldn’t get the air to him; and though today he’s all the earth and sky for breathing-space and breath the whole damn troposphere can’t cure the flutter in his signature. But Jamie, nothing’s what we meant. The dream is taxed. We all resent the quarter bled off by the dark between the bowstring and the mark and trust to Krishna or to fate to keep our arrows halfway straight. But the target also draws our aim - our will and nature’s are the same; we are its living word, and not a book it wrote and then forgot, its fourteen-billion-year-old song inscribed in both our right and wrong - so even when you rage and moan and bring your fist down like a stone on your spoiled work and useless kit, you just can’t help but broadcast it: look at the little avatar of your muddy water-jar filling with the perfect ring singing under everything.

Remember, we bathe under the same sun, and sleep under the same moon. We are much closer than you think.

The first intimation of a new romance for a woman of the court was the arrival at her door of a messenger bearing a five-line poem in an unfamiliar hand. If the woman found the poem sufficiently intriguing, the paper it was written on suitable for its contents and mood, and the calligraphy acceptably graceful, her encouraging reply—itself in the form of a poem—would set in motion a clandestine, late-night visit from her suitor. The first night together was, according to established etiquette, sleepless; lovemaking and talk were expected to continue without pause until the man, protesting the night’s brevity, departed in the first light of the predawn. Even then he was not free to turn his thoughts to the day’s official duties: a morning-after poem had to be written and sent off by means of an ever-present messenger page, who would return with the woman’s reply. Only after this exchange had been completed could the night’s success be fully judged by whether the poems were equally ardent and accomplished, referring in image and nuance to the themes of the night just passed. Subsequent visits were made on the same clandestine basis and under the same circumstances, until the relationship was either made official by a private ceremony of marriage or ended. Once she had given her heart, a woman was left to await her lover’s letters and appearances at her door at nightfall. Should he fail to arrive, there might be many explanations—the darkness of the night, inclement weather, inauspicious omens preventing travel, or other interests. Many sleepless nights were spent in hope and speculation, and, as evidenced by the poems in this book, in poetic activity. Throughout the course of a relationship, the exchange of poems served to reassure, remind, rekindle or cool interest, and, in general, to keep the other person aware of a lover’s state of mind. At the same time, poetry was a means of expressing solely for oneself the uncertainties, hopes, and doubts which inevitably accompanied such a system of courtship, as well as a way of exploring other personal concerns.

How many times I have floated with you, transfixed in the middle of the night, hearing some voice above your horror-stricken church; a cry of grouse, a rustle of the heath were stalking in you and two apples shone on the table or open scissors glittered- and we were alike: apples, scissors, darkness, and I under the same immobile Assyrian, Egyptian, and Roman moon.

I followed them out. The street at the end of the walk was jammed with media people and broadcast vans and uniformed cops trying to clear a path. Hernandez and Flutey flanked Jonathan and we crossed under the tape, and the media people surged around us, pushing their cameras and microphones at Jonathan and shouting their questions. There were so many broadcast vans that it looked as if we were in a forest of transmitters, each spindly stack pointing at the same invisible satellite 22,500 miles above in geosynchronous orbit, like so many coyotes crying at the moon. I said, “This is nuts.

Let the tosi tivo find the lots of land, plenty for all, and plant dead trees there. This is Comanche land, and it cannot be given or bought.” “And we say it can. As you’re so fond of saying, it is not wise to fight when you cannot win. We are the stronger. We have better weaponry. When you’re outnumbered and outflanked, you must surrender your ways and accept the new.” He looked over at her. “Strong is right?” “Well, yes, I suppose you could say that.” “You say a woman cannot be bought. I say she can. I am strong. I am right.” Just when she started to relax around him, he jerked the rug from under her. “That’s different.” “I say it is not.” Mischief twinkled in his eyes as he slowly ran his gaze from her ankle to her waist. The way his attention lingered on her hips brought a flush to her cheeks. “You believe a different way. But I am strong; you are not. I shall take what I have paid for. You will surrender, no? To my ways?” “Never.” She tugged down the hem of her shirt, once again painfully aware that her lower extremities were covered only with drawers. “It isn’t the same thing at all.” “Ah, but it is. Your heart cries no. Our hearts cry no. Strong is not always good, Blue Eyes. To surrender and die inside, that is not good. Do not ask this Comanche to do what you cannot. It is wisdom.

Blue Eyes, you will see into me, eh?” Because he was still holding the two pieces of meat, he didn’t have a free hand and nudged her shoulder with his forearm. “Nabone, look.” For the first time, she detected a note of entreaty in his voice, scarcely recognizable under his martial arrogance, but there. When she looked up, his eyes caught and held hers. After a long moment he said, “You are to-ho-ba-ka, the enemy. That is so, eh? Tosi mah-ocu-ah, a white woman? And I am the enemy to your people, a Te-j-as, a Comanche.” He held his arm out in front of him, his forearm waist high and horizontal, and made a writhing motion around to his side. “Snakes Who Come Back, eh?” His mouth tipped into a grin that transformed his face. For a moment he not only looked human, but handsome. “You like that, eh? Comanche and snakes, all the same?” The grin set her off balance, and again she averted her face.

You will eat”--unmistakable laughter played upon his face--“so you will stay strong. We cannot fight the big fight if you tremble from hunger.” Loretta lowered her gaze. A rush of conflicting emotions assailed her. She detested this man. She shouldn’t care if he didn’t get enough to eat or feel in the least guilty for having wasted his stupid meat. Yet she did. And for the life of her, she couldn’t accept part of his meager portion only to toss it away. She hated herself for that and hated him for eliciting such traitorous feelings within her. When she didn’t take the meat, he hunkered next to her. Why wouldn’t he leave her be? She was so tired, so awfully, horribly tired. Tired of being afraid. Tired of fighting him. Tired of fighting herself. “Hein ein mah-su-ite, what do you want?” he asked in a low voice. “The little rabbit is good. The tosi tivo, white men, eat rabbit, do they not?” Loretta kept her face averted. He sighed. “Blue Eyes, you will see into me, eh?” Because he was still holding the two pieces of meat, he didn’t have a free hand and nudged her shoulder with his forearm. “Nabone, look.” For the first time, she detected a note of entreaty in his voice, scarcely recognizable under his martial arrogance, but there. When she looked up, his eyes caught and held hers. After a long moment he said, “You are to-ho-ba-ka, the enemy. That is so, eh? Tosi mah-ocu-ah, a white woman? And I am the enemy to your people, a Te-j-as, a Comanche.” He held his arm out in front of him, his forearm waist high and horizontal, and made a writhing motion around to his side. “Snakes Who Come Back, eh?” His mouth tipped into a grin that transformed his face. For a moment he not only looked human, but handsome. “You like that, eh? Comanche and snakes, all the same?” The grin set her off balance, and again she averted her face. He shoved a piece of the meat under her nose. “The rabbit, he is not to-ho-ba-ka, the enemy. He is tao-yo-cha, a child of Mother Earth, eh? You can eat him. It is not surrender when we eat the gifts of Mother Earth.

It suddenly occurred to both Driggs and Lex, in that very same instant, that neither of them wanted anything more in the world than to tear off every single piece of each other’s clothes and make wild, passionate, messy adolescent love under the radiant glow of the full moon.

It didn’t matter what it was—you needed to understand it all. You liked knowing about things. What they did. How they worked. What would happen next. You thought if you knew enough, nothing would ever catch you off guard. You liked things mapped out, predictable, safe. But that’s not the nature of who we are. Life, particularly for women like us, doesn’t come with a road map. Nor do the people in our lives. Even as a child, this seemed to confound you. You needed to be able to put people in neat little boxes, to label them as friend or foe, safe or unsafe. Because then you’d know what to expect, and how to protect yourself. But with Rhanna that didn’t work. She was your mother, and she wasn’t, living under the same roof, but absent in all the ways that matter to a little girl.

The homeland of a writer, he said, is his language. It sounds a little demagogic but I completely agree with him, and I know that sometimes we have no choice but to be demagogic, just as sometimes we have no choice but to dance a bolero under a streetlight or a red moon. Though it's also true that a writer's homeland isn't his language or isn't only his language but the people he loves. And sometimes a writer's homeland isn't the people he loves but his memory. And other times a writer's only homeland is his steadfastness and courage. In fact, a writer can have many homelands, and sometimes the identity of that homeland depends greatly on what he's writing at the moment. It's possible to have many homelands, it occurs to me now, but only one passport, and that passport is obviously the quality of one's writing. Which doesn't mean writing well, because anyone can do that, but writing incredibly well, and not even that, because anyone can write incredibly well. So what is top-notch writing? The same thing it's always been: the ability to peer into the darkness, to leap into the void, to know that literature is basically a dangerous undertaking.

Her limber body swayed as though in time to an orchestra and in a way that showed she ate well, and ate all kinds of things no one could tell, like veal or fresh figs in the sunshine. She had the kind of face that made one cry. She drew salt water out like sheer chemistry. The chemical reaction was usually the same sentiment—the world saw the little shelf bone under her eyes, a sharp nose, precious jaw, two moons for cheekbones, and so was deeply confused and upset that there was no metal armor attached to her body to protect her. People had cried fearing all kinds of possibilities—that a piece of hail might cut across her cheek, a drunkard might break her nose, or a car from nowhere would crash into hers and shatter her skull entirely. But no case of that happened. She remained unblemished. Watchful cars slowed down for her as she walked, drunkards sobered at her eyes, and even hail made way for this little human.

Their corner She withdrew her hand from his soft but firm grip, And that was all about their romantic trip, She went her way and he went his way, And they got busy chasing the mammons of the day, The hands that held on to each other had slipped away, To feed the obsequious vanities of every new day, But at that discreet corner where she freed her hand, There she does often for a moments few stand, To hold the same sensation and to grab the same feeling, Under which her heart had discovered a new healing, And as her bus arrives, she occupies her seat, And keeps looking at the fading away corner in that narrow street, Where at dusk two shadows often meet, Holding each others hands as they wish and greet, The memory of the hands that held on to each other, Under the sun, under the moon, under the rain, in every weather, The man stands there moments after the woman has left, And his mind turns contemplative in ways simple yet deft, He too catches the bus and goes away, Leaving behind the shadows that you will find there every night and every day, Today the woman did not visit the corner, Today the man too did not surrender, His wishes and his desires, To this corner where he often her memories admires, And where she experiences his sensations crawling all over her, This corner where she felt him and he felt her, Where could they be wondered the street? And the corner, sadly in its obscurity clad dimension did retreat, The following day, they walked together holding their hands again, The street overflowed with joy and the corner had nothing left to disdain, They caught the bus together and looked at the corner and the narrow street, Where they now often meet, And the corner resonates with their whispering smiles, Because now in their minds they cover journeys of endless miles!

Not at all perturbed by the surprise arrival and very official-looking demeanor, and yet respectful of it all the same--he’d have done as much or more if some bloke was sniffing after his sister--he doffed his hat and stuck out his hand. “You must be Logan. Or should I call you Chief McCrae?” Logan McCrae hesitated a short moment, then took Cooper’s hand in a quick, firm shake. Cooper was also glad to see McCrae didn’t feel the need to resort to some kind of macho game of whose handshake is the firmest to prove who would control their little meeting. But then, he did have a gun strapped to his hip, Cooper noted, so possibly that was simply unnecessary. “Cooper Jax,” McCrae said, sidestepping his name query for now anyway. “I thought maybe we could take a quick walk if you have a few moments?” “Off a short pier?” Cooper replied, smile unwavering as he gestured for McCrae to lead the way through the courtyard. The bigger man’s dark gaze remained zeroed in, but the tight line of his square jaw relaxed, as did his shoulders. “That depends. We do have one or two.” Cooper knew a lot more about the oldest McCrae sib than he assumed McCrae knew about him, but from all that Kerry had said about her only brother, Cooper was predisposed to like the bloke. The hint of humor underlying McCrae’s words told him to trust that instinct. “I’ll do my best to keep both feet on the ground then.” “Good start,” McCrae replied, then headed through the courtyard.

What about after? Getting back through the lobby, I mean. Assuming you’ll need to leave at some point. For the bachelorette party, if nothing else.” “That’s not until the weekend.” He grinned. “Your point being?” “You know,” she said, tipping up on her toes and kissing his cheek, “I like it when you do the thinking.” “Well, I was going to mention that, but--” She pinched his butt, making him laugh. “Careful or I’ll swing you up and carry you up to my room over my shoulder.” Kerry spluttered a laugh, then said, “You know, it’s almost worth doing, just to blow everyone’s minds.” He pulled her closer. “Don’t tempt me.” She batted her lashes again. “But I thought you liked it when I tempted you.” Now he slid his hand behind her and gave her a little pinch, making her skip a little step but laugh at the same time. “I guess I had that coming.” “There’s a lot I’d like to do that has coming in the description.” “Okay, okay, so assuming I will have to leave your pirate’s lair at some point, then yes, how to do that without being the front-page story of the gossip gazette.” She looked up at him, her expression serious. “I could always come down the ramp carrying a box of tiddledywinks. Then no one would suspect for sure.” “A real funny one, you are,” he said dryly. “I was revisiting the whole black spandex cat burglar idea. Maybe you could sneak out under cover of darkness, shimmy down a rope from my window.” “Okay, you’ve given that particular scenario way too much thought.” They were still laughing when they reached the end of the pier.

We’ve got things under control here.” “‘We’?” Kerry repeated. “Shouldn’t you be out sampling cake or agonizing over invitation fonts? Assuming you don’t have clients to design interiors for.” “I have clients,” Fiona replied easily, honest joy beaming from her every pore. “Very happy ones. Trust me, after running McCrae Interiors, I can juggle Fiona’s Finds and planning a wedding at the same time with my eyes closed.” Kerry gave her sister a hard time--it was what they did--but she was truly happy for Fiona, with both her new business success and her lovely and loving relationship with their longtime family friend, Ben Campbell. Fiona had sold a successful business in Manhattan to return home and start over. She’d just opened a small design studio in a converted cottage near the harbor, focusing on recycling and repurposing antique and vintage items into something fresh and new. Her designs were both eco-friendly and wallet friendly, and the Cove had embraced her return home and her new business with equal enthusiasm. “Remember you said that,” Kerry commented. “When it’s go time on the big aisle walk and you’re still running around like a crazy person trying to pull everything together at the last second, I don’t want to hear about it.” Fiona batted her eyelashes again as she took an extralong sip on the straw in her glass of lemon water. “I’m the epitome of a happy, relaxed bride. McCrae girls don’t do bridezilla. Well, Hannah didn’t, Alex was lovely, and I’m charming of course.” She looked at Kerry over the tip of her straw, smiling sweetly. “We’ll reserve final judgment until it’s your turn.” “Har, har,” Kerry said, but Fiona was high on wedding crack again so she let her run with it. “Besides, after handling weddings for Logan, Hannah, and the Grace-Delia double do out on that island, this will be a cakewalk. Ha!” Fiona went on, then laughed. “Cakewalk.” “You’re a designer? And you do weddings?” Maddy turned on her stool and spun Fiona on hers until they were facing each other. She gripped Fiona’s forearms and grinned. “Hello, my new best and dearest friend.” “Oh, brother.” Kerry surrendered, tossing her towel on the bar.

Kerry shifted her attention from Hardy to the rest of the still-milling crowd and tried to ignore the murmurs that included Cooper’s nickname for her and speculations on there being yet another McCrae family wedding. She needed to put an end to that before it even started. She clapped her hands, drawing everyone’s attention to her, then strode to the bar and hoisted herself right up on it, straight to her feet. She was no weakling herself. “Okay, listen up, everyone.” The noise abruptly wound down again, though not to the complete silence of before. “I’d like you to meet Cooper Jax, from Cameroo Downs cattle station, Northern Territory, Australia.” Heads swiveled and Cooper smiled, nodded several times, shifting his gaze around the room as he did, easily meeting everyone’s avidly curious gazes. But when that gaze went back to Kerry, despite the smile creasing his handsome face, the look in his eyes was anything but casual. Kerry ignored that. Or tried to. She shifted her attention back to the crowd. “I worked the Jax family’s station for close to a year, just before coming home for Logan’s wedding.” Blueberry Cove was small enough that everyone knew who Logan McCrae was. Not only due to his police chief status but, as it happened, the McCraes were also a founding family of the Cove. There wasn’t much the general populace didn’t know about the entire history of her family, past and present. “Long time for you,” came a voice from somewhere in the crowd. Kerry recognized the scratchy voice; Stokey Parker. A Rusty Puffin regular and one of Fergus’s cronies. “Heard tell you don’t stick in one place too long. Guess we know now what the draw was Down Under.” A chuckle went up in the crowd, and Kerry knew this wasn’t going as she’d planned. Not that she’d had much of a plan. “Thanks, Stokey. Australia is a beautiful country. I loved it there.” That much was sincere. All the same, she carefully kept from looking anywhere near Cooper’s direction. “But I’m home in the Cove now.” She expanded her gaze to encompass the full crowd again. “I appreciate that you’re all entertained by this…little surprise.” She swallowed hard and looked at Cooper as she added, “But there’s not going to be another McCrae wedding.

Well, all I’m saying is, if you were to, you know, take off again on your next adventure, we’d make sure he had this place covered. You know that, don’t you?” Fiona lifted her hand, palm facing front. “And I’m not saying it has to be Australia, but, you know, you have been parked here for a pretty long time now. I’m surprised you’re not twitchy with the need to get back out there. I know just listening to that accent of Mr. Hot From Down Under would make me a little twitchy. Seriously, Kerry, how did you work next to him for a year and not jump him?” “Wow, I didn’t know you were in such a big hurry to see me out of here,” Kerry replied, ignoring the part about jumping Cooper. It wasn’t like she hadn’t asked herself the same question a dozen times. Or a hundred dozen. “I didn’t say that; I’m just making sure you know we’d support your decision to run off with him, if, you know, that’s what you decide to do.” “Since when is this decision up to me? Seems like you all have it all figured out already.” Then Kerry’s eyes narrowed. “Or do you just want the inside scoop so you can win the pool on when I’ll head out again?” “Pool?” Fiona said overly brightly. “My, my, whatever do you--” “Oh, don’t even bother pretending. I know Barbara’s had one running since I came back for Logan’s wedding.

안전토토사이트추천 ↓↓↓zvz78쩜컴↓↓↓ 야구경기분석 ヅ 토토배당분석 akim~~ 안전토토사이트추천 ↓↓↓zvz78쩜컴↓↓↓ 야구경기분석 ヅ 토토배당분석 “Always forgive your enemies; nothing annoys them so much.” 안전토토사이트추천 ↓↓↓zvz78쩜컴↓↓↓ 야구경기분석 ヅ 토토배당분석 Even you're miles away, always remember that we are under the same sky, looking at the same sun, moon, and stars. 안전토토사이트추천 ↓↓↓zvz78쩜컴↓↓↓ 야구경기분석 ヅ 토토배당분석 All I need is your time and attention. 안전토토사이트추천 ↓↓↓zvz78쩜컴↓↓↓ 야구경기분석 ヅ 토토배당분석 If someone is strong enough to bring you down, show them you're strong enough to get back up. 안전토토사이트추천 ↓↓↓zvz78쩜컴↓↓↓ 야구경기분석 ヅ 토토배당분석

First, without exception, biblical authors presupposed a premodern view of the world. To illustrate, as with all people in the ancient Near East, the Hebrews believed that the sky was “hard as a molten mirror” (Job 37:18). It had to be hard, in their view, for it was a “dome” that “separated the waters that were under the dome from the waters that were above the dome” (Gen. 1:7). This dome rested on “pillars,” as did the earth as it sat upon the “waters” that encircled it (Ps. 75:3; 104:2–3, 5–6; cf. Job 9:6; 26:11). “Windows” in the solid dome were opened when Yahweh wanted it to rain, allowing the waters “above the dome” to fall to the ground (Gen. 7:11). The sun, moon, and stars were all “lights in the dome” that were placed there to function as “signs and for seasons and for days and years” (Gen. 1:14). The Lord, along with other heavenly beings, sat in a chamber above the dome. From this location God threw lightning bolts (Ps. 18:12–14), shook the pillars (earthquakes? Job 9:6), and caused the wind to blow (Ps. 107:25). We modern people routinely assume this language is merely poetic, but at the time it was the way people really understood the world. It is completely understandable that God would leave the primitive worldview of ancient authors intact as he used ancient authors to communicate his Word. How else could he effectively communicate to the people of the time? Had God attempted to communicate a scientifically accurate view of the world, the theological truth he wanted to convey would not have been communicated. At the same time, we must frankly admit that given what we know about the world today, the view of the cosmos presupposed in the Bible is inaccurate. The earth does not rest on pillars, and the sky is not hard! The Bible’s theological message is unfailing though its view of the cosmos is scientifically incorrect. A

Although she is far apart from me, but still we are living in the same air and under the same moon, when she breath i take her breath through the air to the core of my heart,i feel her,i smells her every moment…!

It is good I came, my father. You have the gift. Already my heart is lighter.” Many Horses ran his tongue over his own jagged teeth, nodding thoughtfully. “I am proud of all my children,” he said huskily. “Of you, most of all. It is a strange thing, my son, but when a man takes a babe into his arms and claims him as son, it becomes a truth within his heart. The blood in his veins is as nothing. The color of his eyes is as nothing. When you took your first step, it was toward my outstretched hand. That was everything. White Eyes or Comanche, you were my son. I would have killed any man who said you weren’t.” Tears burned behind Hunter’s eyes. “What are you saying, my father?” “I am saying that you must walk the path of your own heart. You came here angry because your yellow-hair is angry, yes? If you love her, it will be the same when she is sad, when she is happy. Have you ever stood where a stream spills into a river? The two become one. They laugh over the stones together, twist through the sharp canyons together, plunge down the waterfalls together. It is the same when a man and woman love one another. It is not always a pleasant thing, but when it happens, a man has little to say about it. Women, like streams, can be smooth one minute and make a man feel like he’s swimming through white water the next.” Hunter leaned forward over his knees, brandishing the poker under his father’s blackened nose. “I don’t understand her. I treat her kindly, yet she still shakes with fear at the thought of being one with me. I try to make her happy and make her angry instead.” Many Horses lifted an eyebrow. “Fear is not like a layer of dust on a tree leaf that washes away in a gentle rain. Give her time. Be her good friend, first--then become her lover. As for making a woman happy, you succeed sometimes, you fail sometimes. That is the way of it.

Once, in grade school, our class was taken on an overnight excursion to a campground. The air was warm: we had a campfire and ate hot dogs; and as darkness fell, we were herded down to the lake. There were perhaps thirty children, so I suppose there were at least four or five adults. We trooped through the woods with flashlights. There must have been yelling and singing, the grown-ups chattering. A noisy expedition. At the shore of the lake we were presented, as if on a stage, with a doubled moon -- one floating in the clear dark sky, one in the clear dark calm of the water. Were there exclamations, shouts of amazement, loud giggle praise for this sight? There might have been, but for me there was only silence. An unprecedented silence, tranquil and immense. Silence, and the moon on the lake -- a sight so pure I nearly staggered under its impact. I knew, without the words to say it, that the lack in my life of what this moon and lake represented was the other side of the coin of happiness. Not unhappiness, but shame, which was possibly the same thing, and which then rose up in me in nauseating waves.

So we go to fight, do we?” “I go.” “Then we go with you.” Hog fastened his gaze on the huddled shape under the mesquite bush for a moment. “You’d do the same.” Hunter mounted up. “You’re certain you want to go? I’ll understand if you stay.” “I am with you. Do you plan to leave any of them alive?” “This Comanche will show them the same mercy they showed her.” Hunter’s lips thinned. “None at all.” Amy was still sleeping when Hunter returned three hours later with Santos’s bloody scalp dangling from his stallion’s bridle. Her honor had been reclaimed…with a vengeance.

I want to know I can pick up and go if I feel the need. If I’m feeling all done with what I’m doing, I want to be able to go do something else, somewhere else, soak in new scents, new scenery, new people, new challenges.” She smiled. She realized something else. “I miss the restlessness. The pull to head somewhere new, find something I’ve never seen, learn something I didn’t know.” “It’s comfortable, I would imagine,” he said. “And comforting. It’s what you know, what you understand. Makes you feel like you.” She nodded. “That’s exactly it.” It was a little overwhelming at times, how well he seemed to understand her, to get what she meant. But in the best possible way. “There’s one more part,” she said, finding the courage, knowing she needed to tell him the rest of it. “Of the all I want to have.” “Which is?” She lifted her head then, propped her chin on his chest, and looked into his beautiful blue eyes. “You.” The light that leaped into those eyes was almost startling in its fierceness. His hand stilled in her hair, his body seemed to vibrate a little, as if injected with a sudden shot of life. But he otherwise said nothing, didn’t move, didn’t roll her to her back and kiss her senseless. He just held her gaze and let her see everything her declaration made him feel. That emboldened her to go on, to give voice to the rest of it. “I want to go back to Cameroo, see everyone again, see if it feels the same, if it still calls to me like it did before.” She clung to his gaze. “Feel what it would be like to be there and be with you. Really with you.” She expected him to say something like he’d book her the next flight back, but instead he regarded her for a long moment, and she realized she was trembling by the time he spoke. “That’s a lot of all,” he said. She nodded, unable to say anything more. Then he surprised a gasp out of her by reaching for her and pulling her up on top of him, slowing rolling to his other side and tucking her under the shelter of his body. He slid his leg between hers, leveraged his weight on one forearm, and cupped her cheek in his free hand. He stared down so intently, so deeply into her eyes, she thought she might drown in all that deep, dark, bottomless blue. “Cooper,” she whispered, for once not having any idea what he was thinking. “Maybe there is a way to have it all,” he said, lowering his head to hers. “If you want me, Starfish, we’ll find that way.” “I do,” she said, the sudden prickle of tears surprising her, but it was such a huge rush finally to admit it, to tell him. To tell herself. “But--” “No buts,” he said, kissing the damp from the corner of one eye, then the other. “We’ll sort it out,” he said. “It’s what we do for the people we love.

I wrote you a note,” she began, and if he thought he’d felt tension before, he wasn’t too sure he wasn’t about to lose his breakfast after that little announcement. “I didn’t know if your phone worked here, and even if it does, I don’t have the number. Same goes for e-mail. I could have left a message at the inn, but then I might as well have posted it on the bulletin board outside the town hall for the whole world to read.” She lifted a shoulder. “So I thought I’d take a page from your book--a very charming one, I might add,” she said, glancing up at him from the corner of her eye. “But the doors to your car were locked, and I didn’t put it under your windshield wiper for the same reason I didn’t leave a message with Grace.” She let out a little breath. “But I did write you a note. I just wanted to go on record. Because I know what I did with Sadie, and you’re probably thinking--” “I’m thinking that unless you’re about to tell me to bugger off back to Australia and never darken your door again, I’m about to be all those things I promised not to be and kiss you senseless right here on the dock, in front of God, the seagulls, and anyone else who happens to be watching, and damn the consequences.

He also has Sadie,” Kerry added. “Unless Big Jack is so old-school that he can’t picture a woman running the family empire.” Cooper shot her a quick smile. “I think we both know that Sadie’s not meant to live her whole life on Cameroo Downs. I can’t even--don’t want to--think about the time when she’ll be wanting to head off, but I’m fair to certain she will.” “What makes you say that?” He glanced at Kerry again. “I’ve seen the way she looks at you, Starfish. She’s got a bit of the wanderlust herself. You’re her hero.” Kerry ducked her chin, but she was smiling. When he looked at her again, she was staring through the front windshield, a mix of wistfulness and guilt on her face. “I didn’t say that to make you feel bad.” “I know,” she said. “But I do, all the same.” She shifted in her seat so she was angled more toward him. “Whatever happens between us, I’d like it if--do you think she’d still want to hear from me?” He nodded immediately. “She’s got a huge heart, as you know, and she misses you greatly. She’d be over the moon.” “She’s counting on you to bring me home, isn’t she.” She didn’t make it a question. “They all are,” he said quite honestly. “But they won’t hold it against you if your heart says otherwise. They--we--wouldn’t want you there if it’s not where you want to be.” He looked back to the road. “You’ve two families who support your life choices now, you know, regardless of their own wants or desires.” He didn’t look at her then, well aware that he’d added to the guilt and fear she already was feeling. He supposed, if he were being brutally honest, she’d earned a bit of the guilt where it concerned not staying in touch with Sadie as she’d promised, but the rest…well, it was all water under the bridge now. “I appreciate that,” she said in a quiet but steady voice. “More than you know. More than I knew.

To err is human; but machines also make mistakes. These same systems have been responsible for several near-catastrophic false alarms. Once, in the 1950s, early-warning radars interpreted a flock of swans as a fleet of Russian MiG fighter jets en route to the U.S. by way of the North Pole. In October 1960, computers at the ground radar site in Thule, Greenland, misread the moon rising up over Norway as being the radar returns from 1,000 attacking ICBMs. In 1979, a simulation test tape mistakenly inserted into a NORAD computer deceived analysts into thinking the U.S. was under attack by Russian nuclear-armed ICBMs and nuclear ballistic submarines.

them entertained and supplied with a surfeit of horseflesh. But none to really worry about. Their source of food and sustenance, the buffalo, roamed the plains in record numbers and still ranged into every corner of Comancheria. The tribe’s low birth rates virtually guaranteed that their nomadic life following buffalo herds was infinitely sustainable. Their world was thus suspended in what seemed to be a perfect equilibrium, a balance of earth and wind and sun and sky that would endure forever. An empire under the bright summer moon. For those who witnessed the change at a very intimate and personal level, including Cynthia Ann and her husband, the speed with which that ideal world was dismantled must have seemed scarcely believable. She herself, the daughter of pioneers who were hammering violently at the age-old Comanche barrier that had defeated all other comers, now adopted into a culture that was beginning to die, was the emblem of the change. Somehow she and her husband, Peta Nocona, survived the cataclysm. As nomads, they moved constantly. One imagines her on one of these migrations, on horseback, moving slowly across the open grassy plain with hundreds of others, warriors in the vanguard, toward a wide, hazy horizon that would have looked to white men like unalloyed emptiness. There were the long trains of heavily packed mules and horses and the ubiquitous Comanche dogs. There were horses dragging travois that carried the huge tent poles and piled buffalo hides and scored the earth as they went along—perfectly parallel lines drawn on the prairie, merging and vanishing into the pale-blue Texas sky. All trailed by the enormous horse remuda, the source of their wealth. It must have been something to behold. Cynthia Ann lived a hard life. Women did all of the brutally hard work, including most of the work that went into moving camp. They did it from dawn till dark, led brief difficult lives, and did not complain about it; they did everything except hunt and fight. Her camp locations show just how far she roamed. Pah-hah-yuco’s camps were found in 1843 north of the Red River and south of modern-day Lawton, Oklahoma, on Cache Creek (the encampment was on a creek bank on the open prairie and stretched for half a mile).25 In 1844 he was camped on the Salt Plains of present-day north-central Oklahoma, on the Salt Fork of the Arkansas River,26 well north of the Washita, where Williams found him in 1846. In 1847 his band was spotted a hundred miles north of Austin, in rolling, lightly timbered prairie, camped in a village of one hundred fifty lodges,27 and again that same year in a village in the limestone hills and mesas west of Austin. She was identified as being with the Tennawish band in 1847, who often camped with the Penateka (with whom Pah-hah-yuco was often

Now that we are here,” he went on, “it isn’t enough to just hide under ten meters of soil and study the rock. That’s science, yes, and needed science too. But science is more than that. Science is part of a larger human enterprise, and that enterprise includes going to the stars, adapting to other planets, adapting them to us. Science is creation. The lack of life here, and the lack of any finding in fifty years of the SETI program, indicates that life is rare, and intelligent life even rarer. And yet the whole meaning of the universe, its beauty, is contained in the consciousness of intelligent life. We are the consciousness of the universe, and our job is to spread that around, to go look at things, to live everywhere we can. It’s too dangerous to keep the consciousness of the universe on only one planet, it could be wiped out. And so now we’re on two, three if you count the moon. And we can change this one to make it safer to live on. Changing it won’t destroy it. Reading its past might get harder, but the beauty of it won’t go away. If there are lakes, or forests, or glaciers, how does that diminish Mars’s beauty? I don’t think it does. I think it only enhances it. It adds life, the most beautiful system of all. But nothing life can do will bring Tharsis down, or fill Marineris. Mars will always remain Mars, different from Earth, colder and wilder. But it can be Mars and ours at the same time. And it will be. There is this about the human mind: if it can be done, it will be done. We can transform Mars and build it like you would build a cathedral, as a monument to humanity and the universe both. We can do it, so we will do it.

There should also be another mobile evidence board in the storage room. If one of you could be a sweetheart and bring that in, I’d appreciate it.” CJ chuckled softly. Yep, same old Sam. Charming while bossing her way to what she wants. Neither of the men seemed to mind; they were eager to make Sam happy.

I stood there for a long time, watching the girl who looked as if she had the moon tucked under her heart and the galaxy woven into her soul. Her white hair spilled over her pillow, pale skin against the white sheets. We didn’t make sense. We were so different, but still all the same. Nightmares and dreamscapes—the epitome of us.

The heavens, revolving under His government, are subject to Him in peace. Day and night run the course appointed by Him, in no wise hindering each other. The sun and moon, with the companies of the stars, roll on in harmony according to His command, within their prescribed limits, and without any deviation. The fruitful earth, according to His will, brings forth food in abundance, at the proper seasons, for man and beast and all the living beings upon it, never hesitating, nor changing any of the ordinances which He has fixed. The unsearchable places of abysses, and the indescribable arrangements of the lower world, are restrained by the same laws. The vast unmeasurable sea, gathered together by His working into various basins, [87] never passes beyond the bounds placed around it, but does as He has commanded. For He said, "Thus far shalt thou come, and thy waves shall be broken within thee." [88] The ocean, impassable to man, and the worlds beyond it, are regulated by the same enactments of the Lord. The seasons of spring, summer, autumn, and winter, peacefully give place to one another. The winds in their several quarters [89] fulfill, at the proper time, their service without hindrance. The ever-flowing fountains, formed both for enjoyment and health, furnish without fail their breasts for the life of men. The very smallest of living beings meet together in peace and concord. All these the great Creator and Lord of all has appointed to exist in peace and harmony; while He does good to all, but most abundantly to us who have fled for refuge to His compassions through Jesus Christ our Lord, to whom be glory and majesty for ever and ever. Amen. [87] Or, "collections." [88] Job xxxviii. 11. [89] Or, "stations." Chapter XXI.--Let us obey God, and not the authors of sedition.

"Penelope." The Atrox called her by her old name, his voice brutal and at the same time alluring. "I've come to take back my gift." "I surrender it easily," she said. "Your immortality was always a curse." He touched her and a burst of silver sparks burst into the air. His fingers stole the warmth from her body, draining the power of the elixir. At once she began to wrinkle, lines crinkling over her hands, veins becoming ropy under paper-thin skin. She could feel death's cold breath on her shoulder, but it didn't frighten her.

What do the Soviet pilots think as they press the fire control button? is there the same absense of emotion which I seek as i press the button of my camera? Do we both, for an instant, lose our humanity in machines?

So Vesna and Morana are the same goddess?” Ana pulled her knees up to her chin and tucked the hem of her nightgown under her toes. Her shins and feet were still cut up and swollen, but Breda’s magic had taken most of the pain away. “They were. But the gods become, to some extent, what we believe them to be. For many years people believed Vesna and Morana were separate goddesses and they became so: Vesna bright and beautiful, a young woman with flowers in her hair, and Morana, the old hag who carried all of our fears of death and the darkness.” Breda stopped and looked at the witch light that still hung in the air.

In Your Thoughts Irma! I was lost in your thoughts Irma, your hopes and in your imagination, When the breeze whispered “follow me and feel the new celebration!” And I replied, “no matter where I may tarry I am never away from her sensation, That has dissolved in my every emotion!” I seek you in every corner of light, In the morning hope, in the flowers., in the stars and in the moonlight, Then I look into the mirror and investigate my own sight, To find you in my own eyes and what a delight! I often remember our moments of togetherness from the past, The kiss that is still fresh and warm, but was the last, Always together even in the shadows that we cast, Everything feels like yesterday, but in every today, yesterday is always the past! My heart loves being a prisoner of your thoughts and your imaginings, And my mind seems to have got used to my heart’s longings, Leaving me marooned in love’s beautiful trappings, Where your smiling face is a part of all my mental surroundings! You are like the moon of my night, Where you shine on the shore of my life with love’s light, And I let you be my fate, my destiny and my joy’s every scalable height, So it is you and only you I dream of every night. Sometimes you are a palpable dream passing through my closed eyes, Often you are a beautiful embrace the warmth of which never dies, Until I wake up and seek you with my open eyes, It shall be the same every day and night until we meet again under these open skies! For now let me seek you within me and outside my own existence, I miss you deeply because I love you without any pretence, And I wish sometimes if I could bear wings like Gabriel to overcome every distance, But I am sure, I will either find you or bear wings to be kissed by your magnificence. Someday we both shall be reduced to nothing, just an impalpable feeling, But even then my soul shall find your thoughts healing, And when all shall before the God be kneeling, I shall be the only one still seeking myself in your omnipresent feeling!

Shh,” I murmur, taking care to keep my voice low. “It is only a dream. You’re safe. I’ve got you.” [...] "A dream,” she repeats, pupils dilated as she stares up at me. She licks her lips, and I follow the movement with my eyes, a heat pulsing low at the base of my spine. “It was just a dream.” I nod, trying to angle my hips away from her in a futile attempt to hide my thickening cock. But her body is pressed close to mine, tucked beside me under my and Jadi’s wool traveling blankets. I see the moment she realizes, my preternatural vision able to take in the details of her shock. I see the way her pale eyes go wide, cheeks flushing pink. Hear her breath hitch in surprise. I feel my own cheeks heat in response, a flush of shame tightening in my chest. Shame at how much I want her. At how I’ve treated her. Shame at how jealously I guarded Jadi’s affections. At the way I cruelly tried to drive him away from her. “Asterion?” My name is barely a whisper on her lips, but she doesn’t pull away from me. Instead, her thigh presses against my hardening length. Almost like she’s seeking me out. But of course, that can’t be right. No woman would seek me out. Not after the way I’ve treated her. “Yes?” My voice catches in my throat, but I don’t dare look away. “Do you – are you…” her voice trails off, but she keeps her eyes locked on mine. Guilt tightens its hold behind my ribs, but I nod. There’s no point in denying it. No point in lying to her. Not when she can feel the proof of my attraction to her pressing against her. “I’m sorry,” I grit out, pulling my hand away from her face. “I don’t mean to… Please, just ignore it.” I roll away until I’m lying on my back, my erection almost painful as it pushes against the weight of the blankets. “Because of Jadi?” she asks, her voice thready and uncertain. I furrow my brow, glaring with irritation into the darkness. “Jadi? What does Jadi have to do with it?” “I mean – just that you and Jadi are together. Lovers? I not know word,” she babbles. “And I know that. Respect that. I not want come between you and Jadi. At party, he asked if he could court me,” she confesses. “I sorry if I…” I cut her off with a frustrated hiss, hating myself even more for this proof of how I’ve hurt Jadi. How successfully I have pushed her away from him. “You have nothing to apologize for,” I grind out. “Jadi has every right to court you. Every right. The only one who could deny him that is you.” “But you and Jadi…” “Are lovers? Intertwined as closely as two threads woven into the same cloth? Yes.” I bark out a bitter, mirthless laugh. “Which makes my treatment of him – of you – even worse.” The words are spilling out now, like water into the hull of a ship once the wood has cracked. Now that I’ve started, there is no stopping it. “I’ve known for moon cycles that he cares for you, and I hurt him for it. I was cruel to him and tried to chase you away. Because I was afraid you would steal him away from me, and he’s all I have. He’s everything to me. He’s my heart. My heart.” I clutch my fist against my chest in emphasis, still staring at the ceiling, not daring to turn and meet her eyes with my own. “I was jealous, and it was wrong, and now the gods are probably laughing at me. Because I want you. I want you. After trying to drive Jadi away from you, now I want you for myself. But I don’t deserve you. Not after the way I’ve treated you. And even then, even if I hadn’t…” [...] “I want you too.” Her words are no more than a whisper, and I tense, my first instinct to dismiss them the moment I register what she’s said. “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?” I roll to my side to stare at her in disbelief.