Under The Dome Quotes

We've searched our database for all the quotes and captions related to Under The Dome. Here they are! All 100 of them:

She can't help it,' he said. 'She's got the soul of a poet and the emotional makeup of a junkyard dog.
Stephen King (Under the Dome)
If you don't control your temper, your temper will control you.
Stephen King (Under the Dome)
If you can't laugh when things go bad--laugh and put on a little carnival--then you're either dead or wishing you were.
Stephen King (Under the Dome)
Murder is like potato chips: you can't stop with just one.
Stephen King (Under the Dome)
An idea is like a cold germ: sooner or later someone always catches it.
Stephen King (Under the Dome)
God turned out to be a bunch of bad little kids playing interstellar Xbox. Isn't that funny?
Stephen King (Under the Dome)
Give a man or woman back his self-respect, and in most cases-not all, but most-you also give back that person's ability to think with at least some clarity.
Stephen King (Under the Dome)
Two can keep a secret if one of them is dead,
Stephen King (Under the Dome)
If you were seeing a lot of horseshit, there had to be a pony in the vicinity.
Stephen King (Under the Dome)
When the dawn was still long hours away, bad thoughts took on flesh and began to walk. In the middle of the night thoughts became zombies.
Stephen King (Under the Dome)
They walked back into the world together, wearing the gift that had been given them: just life. Pity was not love, Barbie reflected...but if you were a child, giving clothes to someone who was naked had to be a step in the right direction.
Stephen King (Under the Dome)
Close your eyes and click your heals three times...because there's no place like Dome.
Stephen King (Under the Dome)
He who hesitates is usually fucked!
Stephen King (Under the Dome)
WHEN THE POWER OF LOVE IS STRONGER THAN THE LOVE OF POWER, THE WORLD WILL KNOW PEACE—JIMI HENDRIX.
Stephen King (Under the Dome)
If you don’t control your temper, your temper will control you.
Stephen King (Under the Dome)
Sorrow for a wrong was better than nothing...but no amount of after-the-fact sorrow could ever atone for joy taken in destruction...
Stephen King (Under the Dome)
Women buy stuff at sales for the same reason men climb mountains—because they’re there.
Stephen King (Under the Dome)
She is a cat with a burning tail, an ant under a microscope, a fly about to lose its wings to the curious plucking fingers of a third-grader on a rainy day, a game for bored children with no bodies and the whole universe at their feet.
Stephen King (Under the Dome)
When dawn was still long hours away, bad thoughts took flesh and began to walk. In the middle of the night thoughts became zombies.
Stephen King (Under the Dome)
I guess a sock is also a geometric shape—technically—but I don't know what you'd call it. A socktagon?
Stephen King (Under the Dome)
Come on, Paisley. What's the worst that could happen?" Aria meant it as a joke,but her voice sounded too high so she tacked on a laugh. That came out sounding mildly hysterical. "What could happen in a damaged dome?" Paisley counted on her slender fingers. "Our skin could rot off. We could get locked out. An Aether storm could turn us into human bacon. Then the cannibals could eat us for breakfast.
Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
There's no room for anything but joy and fear, and joy ruled the house. Fear lived in the shack out back!
Stephen King (Under the Dome)
Wear it home, it'll look like a dress.
Stephen King (Under the Dome)
Shahrzad closed her eyes in defeat and slid her palms to his chest. Then she reached behind him in an embrace of sandalwood and sun. Khalid wrapped both his arms around Shahrzad, and they stood together under the dome of the Grand Portico, with the indecipherable art of love poems giving silent testament.
Renée Ahdieh (The Wrath & the Dawn (The Wrath and the Dawn, #1))
The dead do not see, unless they look from a brighter place than this darkling plain where ignorant armies clash by night.
Stephen King (Under the Dome)
Hello, Not-There,” Piper said. Not-There was her private name for God just lately. Earlier in the fall it had been The Great Maybe. During the summer, it had been The Omnipotent Could-Be.
Stephen King (Under the Dome)
Your bullshit quotient is higher than my husband
Stephen King (Under the Dome)
Horace, like all dogs, heard dead-voices quite often, and sometimes saw their owners.
Stephen King (Under the Dome)
It is not enough that you understand in what ignorance man and beast live; you must also have and acquire the will to ignorance. You need to grasp that without this kind of ignorance life itself would be impossible, that it is a condition under which alone the living thing can preserve itself and prosper: a great, firm dome of ignorance must encompass you.
Friedrich Nietzsche (The Will to Power)
Lines for Winter" Tell yourself as it gets cold and gray falls from the air that you will go on walking, hearing the same tune no matter where you find yourself— inside the dome of dark or under the cracking white of the moon's gaze in a valley of snow. Tonight as it gets cold tell yourself what you know which is nothing but the tune your bones play as you keep going. And you will be able for once to lie down under the small fire of winter stars. And if it happens that you cannot go on or turn back and you find yourself where you will be at the end, tell yourself in that final flowing of cold through your limbs that you love what you are.
Mark Strand (Selected Poems of Mark Strand)
Horace, like all dogs, heard dead-voices quite often, and sometimes saw their owners. The dead were all around, but living people saw them no more than they could smell most of the ten thousand aromas that surrounded them every minute of every day.
Stephen King (Under the Dome)
Sometimes Scarlett felt all of Trisda was under a dome, a large piece of glass that trapped everyone inside while her father looked down, moving—or removing—people if they weren’t in the right places.
Stephanie Garber (Caraval (Caraval, #1))
Big Jim - "Take a good look, pal - this is what incompetency, false hope, and too much informations gets you. They're just unhappy and disappointed now, but when they get over that, they'll be mad. We're gonna need more police.
Stephen King (Under the Dome)
He’s not my biggest fan right now. He’s probably even deleted me from his Facebook page.
Stephen King (Under the Dome)
And the Flatline aligned the nose of Kuang's sting with the center of the dark below. And dove. Case's sensory input warped with their velocity. His mouth filled with an aching taste of blue. His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sounds of trains, suddenly sprouting a humming forest of hair-fine spines. The spines split, bisected, split again, exponential growth under the dome of the Tessier-Ashpool ice.
William Gibson (Neuromancer (Sprawl, #1))
Hindoo wisdom long ago regarded the world as the dream of Brahma. Must we hold with Fichte that it is the individual dream of each individual ego? Every fool would then be a cosmogonic poet producing the firework of the universe under the dome of the infinite.
Henri-Frédéric Amiel (Amiel's Journal)
It's all now you see. Yesterday won't be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it's still not yet two o'clock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it's all in the balance, it hasn't happened yet, it hasn't even begun yet, it not only hasn't begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armistead and Wilcox look grave yet it's going to begin, we all know that, we have come too far with too much at stake and that moment doesn't need even a fourteen-year-old boy to think This time. Maybe this time with all this much to lose than all this much to gain: Pennsylvania, Maryland, the world, the golden dome of Washington itself to crown with desperate and unbelievable victory the desperate gamble, the cast made two years ago; or to anyone who ever sailed a skiff under a quilt sail, the moment in 1492 when somebody thought This is it: the absolute edge of no return, to turn back now and make home or sail irrevocably on and either find land or plunge over the world's roaring rim.
William Faulkner (Intruder in the Dust)
She looked, and saw the black, domed sky arching over her head. And her heart dilated; she felt the great black dome in her heart. She sat under the stars, worshipping them. Her heart opened and grew vast, until the whole sky with all its stars began to pour into her, a mysterious flood of star-strung darkness. She wanted to receive the night sky into her heart.
Anna Kavan (Let Me Alone)
they stood together under the dome of the Grand Portico, with the indecipherable art of love poems giving silent testament. •
Renée Ahdieh (The Wrath & the Dawn (The Wrath and the Dawn, #1))
The name Atlantis came from an old book Victoria had never read. A lifetime residency in the ASM paradise was rumored to cost anywhere from 15 to 20 million dollars. The rich and powerful lived under the dome because they considered themselves separate and superior. Few of them left the comfort and security of Atlantis. To them the outside world was weak. Second Sector citizens where miscreant dregs of a defunct society. In order to enter the Atlantian dome one first had to be cleared by a resident. Gate security personnel strictly enforced this rule, even when outsiders carried a badge and gun.
Benjamin R. Smith (Atlas)
Give a man or woman back his self-respect, and in most cases—not all, but most—you also give back that person’s ability to think with at least some clarity.
Stephen King (Under the Dome)
Un'idea è come un germe del raffreddore: prima o poi finisce che qualcuno lo prende.
Stephen King (Under the Dome)
All I have is intuition and a little hope.” “Don’t be such a pessimist. You’ve also got two tires, two garbage bags, and a hollow spindle.
Stephen King (Under the Dome)
I must accept those things over which I have no control. I must turn my adversities into advantages.
Stephen King (Under the Dome)
This is the way the world ends, not with a bang but a gasp.
Stephen King (Under the Dome)
He was in that mostly empty-headed state of grace which is sometimes such fertile soil ; it's the ground from which our brightest dreams and biggest ideas (both good and spectacularly bad) suddenly burst forth, often full-blown.
Stephen King (Under the Dome)
My old friend, what are you looking for? After years abroad you’ve come back with images you’ve nourished under foreign skies far from you own country.’ ‘I’m looking for my old garden; the trees come to my waist and the hills resemble terraces yet as a child I used to play on the grass under great shadows and I would run for hours breathless over the slopes.’ ‘My old friend, rest, you’ll get used to it little by little; together we will climb the paths you once knew, we will sit together under the plane trees’ dome. They’ll come back to you little by little, your garden and your slopes.’ ‘I’m looking for my old house, the tall windows darkened by ivy; I’m looking for the ancient column known to sailors. How can I get into this coop? The roof comes to my shoulders and however far I look I see men on their knees as though saying their prayers.’ ‘My old friend, don’t you hear me? You’ll get used to it little by little. Your house is the one you see and soon friends and relatives will come knocking at the door to welcome you back tenderly.’ ‘Why is your voice so distant? Raise your head a little so that I understand you. As you speak you grow gradually smaller as though you’re sinking into the ground.’ ‘My old friend, stop a moment and think: you’ll get used to it little by little. Your nostalgia has created a non-existent country, with laws alien to earth and man.’ ‘Now I can’t hear a sound. My last friend has sunk. Strange how from time to time they level everything down. Here a thousand scythe-bearing chariots go past and mow everything down
George Seferis
This was my conversion to the baroque. Here under that high and insolent dome, under those tricky ceilings; here, as I passed through those arches and broken pediments to the pillared shade beyond and sat, hour by hour, before the fountain, probing its shadows, tracing its lingering echoes, rejoicing in all its clustered feats of daring and invention, I felt a whole new system of nerves alive within me, as though the water that spurted and bubbled among its stones was indeed a life-giving spring.
Evelyn Waugh (Brideshead Revisited)
Three heavy blows boxed him low in the back. He saw a splash of red hit the door and had time to think, 'We should have remembered the body armor.' Then he crumpled, still holding onto the knob with one hand as the world rushed away from him. Everything he was and everything he'd ever known diminished to a single burning-bright point of light. Then it went out. His hand slipped off the knob. He died on his knees, leaning against the door.
Stephen King (Under the Dome)
America’s two great specialties are demagogues and rock and roll, and we’ve all heard plenty of both in our time.
Stephen King (Under the Dome)
Los que pueden, lo hacen; los que no pueden, cuestionan las decisiones de los que pueden.
Stephen King (Under the Dome)
Some men are great, and some men have greatness thrust upon them. Isn't that so Jim?
Julia from Under the Dome
Pity was not love, Barbie reflected...but if you were a child, giving clothes to someone who was naked had to be a step in the right direction.
Stephen King (Under the Dome)
So let us go then, you and I, while the evening spreads out against the sky like a patient etherized upon a table.
Stephen King (Under the Dome)
It looked to her like an image out of a Steven Spielberg science fiction movie.
Stephen King (Under the Dome)
Who better to recruit than a librarian when you’re dealing with a fledgling dictatorship?
Stephen King (Under the Dome)
I'm ashamed of our human capacity to hurt and maim one another, to desecrate the body. Yet it allows me to see the cabalistic harmony of heart peeking out behind lung, of liver and spleen consulting each other under the dome of the diaphragm -- these things leave me speechless.
Abraham Verghese (Cutting for Stone)
Sorrow for a wrong was better than nothing, Barbie supposed, but no amount of after-the-fact sorrow could ever atone for joy taken in destruction, whether it was burning ants or shooting prisoners.
Stephen King (Under the Dome)
And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! Then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come, And plink! A silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes:” they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.
J.R.R. Tolkien (The Lord of the Rings)
In Venice, things not always as they first appear. I contemplate this observation from my post on the aft deck of one of Master Fumagalli’s gondolas, taking in the panorama of bridges, domes, bell towers, and quaysides of my native city. I row into the neck of the Grand Canal, and, one by one, the reflection of each colorful façade appears, only to dissipate into wavering, shimmering shards under my oar.
Laura Morelli (The Gondola Maker (Venetian Artisans #2))
So when his tractor came to a smash-halt, the potato-digger rising up behind and then crashing back down, Bob was flung forward over the engine block and directly into the Dome. His iPod exploded in the wide front pocket of his bib overalls, but he never felt it. He broke his neck and fractured his skull on the nothing he collided with and died in the dirt shortly thereafter, by one tall wheel of his tractor, which was still idling. Nothing, you know, runs like a Deere.
Stephen King (Under the Dome)
Barbie wasn’t sure there was that much difference between city mice and country mice when they were under stress, but he kept his mouth shut.
Stephen King (Under the Dome)
The dead also do not see, unless they look from a brighter place than this darkling plain where ignorant armies clash by night.
Stephen King (Under the Dome)
Esperemos lo mejor, pero preparémonos para lo peor.
Stephen King (Under the Dome)
No sabía que una persona pudiera albergar tales vacíos, y me da miedo caer en él. Por favor, Dios, solo una caricia, una palabra. Aunque sea en un sueño... Amén.
Stephen King (Under the Dome)
She can’t help it,” he said. “She’s got the soul of a poet and the emotional makeup of a junkyard dog.
Stephen King (Under the Dome)
A cowardly leader is the most dangerous of men.
Stephen King (Under the Dome)
Frankie and Carter Thibodeau would revert to what they’d been before: smalltown losers with little or no jingle in their pockets.
Stephen King (Under the Dome)
Lester Coggins was a lifelong bachelor who as an adolescent had suffered nightmares of masturbating and looking up to see Mary Magdalene standing in his bedroom doorway.
Stephen King (Under the Dome)
Because a man without a sense of purpose, even one whose bank accounts are stuffed with money, is always a small man.
Stephen King (Under the Dome)
Just as when we step into a mosque and its high open dome leads our minds up, up, to greater things, so a great carpet seeks to do the same under the feet. Such a carpet directs us to the magnificence of the infinite, veiled, yet never near, closer than the pulse of jugular, the sunburst that explodes at the center of a carpet signals this boundless radiance. Flowers and trees evoke the pleasures of paradise, and there is always a spot at the center of the carpet that brings calm to the heart. A single white lotus flower floats in a turquoise pool, and in this tiniest of details, there it is: a call to the best within, summoning us to the joy of union. In carpets, I now saw not just intricacies of nature and color, not just mastery of space, but a sign of the infinite design. In each pattern lay the work of a weaver of the world, complete and whole; and in each knot of daily existence lay mine.
Anita Amirrezvani (The Blood of Flowers)
I must accept those things over which I have no control. I must turn my adversities into advantages. The second rule meant carefully husbanding any resources and planning with those in mind.
Stephen King (Under the Dome)
It was time to let go. That day on the Shadow Fold, Mal had saved my life, and I had saved his. Maybe that was meant to be the end of us. The thought filled me with grief, grief for the dreams we’d shared, for the love I’d felt, for the hopeful girl I would never be again. That grief flooded through me, dissolving a knot that I hadn’t even known was there. I closed my eyes, feeling tears slide down my cheeks, and I reached out to the thing within me that I’d kept hidden for so long. I’m sorry, I whispered to it. I’m sorry I left you so long in the dark. I’m sorry, but I’m ready now. I called and the light answered. I felt it rushing toward me from every direction, skimming over the lake, skittering over the golden domes of the Little Palace, under the door and through the walls of Baghra’s cottage. I felt it everywhere. I opened my hands and the light bloomed right through me, filling the room, illuminating the stone walls, the old tile oven, and every angle of Baghra’s strange face. It surrounded me, blazing with heat, more powerful and more pure than ever before because it was all mine. I wanted to laugh, to sing, to shout. At last, there was something that belonged wholly and completely to me. “Good,” said Baghra, squinting in the sunlight. “Now we work.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
The adult was Eric "Rusty" Everett, thirty-seven, a physician's assistant working with Dr. Ron Haskell, whom Rusty often thought of as The Wonderful Wizard of Oz. Because, Rusty would have explained, he so often remains behind the curtain while I do the work.
Stephen King (Under the Dome)
A song remembers a home, another conjures fear that home will fall to those who would destroy it. A poet places wine glasses on a fountain’s rim under stars. An artist sets his lost wife on a dome . . . amid stars. A dancer lets the music be what she is, until it stops. Someone made the music, someone plays it while she dances.
Guy Gavriel Kay (A Brightness Long Ago)
His kid brother had been smart enough to make something of himself in the big world; Ollie himself might have been smart enough to stay ahead of the bank loans and the credit cards, but not much more.
Stephen King (Under the Dome)
He became more and more intrigued by the Arctic, by its lonely grandeur, by its mirages and strange tricks of light, its mock moons and blood-red halos, its thick, misty atmospheres, which altered and magnified sounds, leaving the impression that one was living under a dome.
Hampton Sides (In the Kingdom of Ice: The Grand and Terrible Polar Voyage of the USS Jeannette)
London was like a machine. We were all being shot backwards and forwards on this plain foundation to make some pattern. The British Museum was another department of the factory. The swing-doors swung open; and there one stood under the vast dome, as if one where a thought in the huge bald fore head which is so splendidly encircled by a band of famous names.
Virginia Woolf (A Room of One’s Own)
The four borders of the Taj Mahal are designed to be identical, as if there were a mirror situated on one side, though one can never tell on which one. Stone reflected in the water. God reflected in human beings. Love reflected in heartbreak. Truth reflected in stories. We live, toil and die under the same invisible dome. Rich and poor, Mohammedan and baptized, free and slave, man and woman, Sultan and mahout, master and apprentice … I have come to believe that if there is one shape that reaches out to all of us, it is the dome. That is where all the distinctions disappear and every single sound, whether of joy or sorrow, merges into one huge silence of all-encompassing love. When I think of this world in such a way, I feel dazed and disoriented, and cannot tell any longer where the future begins and the past ends; where the West falls and the East rises.
Elif Shafak (The Architect's Apprentice)
And they are dancing, the board floor slamming under the jackboots and the fiddlers grinning hideously over their canted pieces. Towering over them all is the judge and he is naked dancing, his small feet lively and quick and now in doubletime and bowing to the ladies, huge and pale and hairless, like an enormous infant. He never sleeps, he says. He says he’ll never die. He bows to the fiddlers and sashays backwards and throws back his head and laughs deep in his throat and he is a great favorite, the judge. He wafts his hat and the lunar dome of his skull passes palely under the lamps and he swings about and takes possession of one of the fiddles and he pirouettes and makes a pass, two passes, dancing and fiddling at once. His feet are light and nimble. He never sleeps. He says that he will never die. He dances in light and in shadow and he is a great favorite. He never sleeps, the judge. He is dancing, dancing. He says that he will never die.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The Reverend Piper Libby, who ministered to her flock from the pulpit of the First Congregational Church, no longer believed in God, although this was a fact she had not shared with her congregants. Lester Coggins, on the other hand, believed to the point of martyrdom or madness (both words for the same thing, perhaps).
Stephen King (Under the Dome)
The object Rusty found on Black Ridge looked so much like his Apple TV addon that he at first thought it actually was one . . . only modified, of course, so it could hold an entire town prisoner as well as broadcast The Little Mermaid to your television via Wi-Fi and in HD.
Stephen King (Under the Dome)
The top drawer was locked, but I forced it open. You know what else was in there, Sanders? Some of the skankiest jerk-off material I have ever seen." "Kids?" Andy asked. He wouldn't be surprised. When the devil got a preacher, he was apt to fall low, indeed. Low enough to put on a tophat and crawl under a rattlesnake. "Worse, Sanders." He lowered his voice. "Orientals.
Stephen King (Under the Dome)
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
The Creator sat upon the throne, thinking. Behind him stretched the illimitable continent of heaven, steeped in a glory of light and color; before him rose the black night of Space, like a wall. His mighty bulk towered rugged and mountain-like into the zenith, and His divine head blazed there like a distant sun. At His feet stood three colossal figures, diminished to extinction, almost, by contrast -- archangels -- their heads level with His ankle-bone. When the Creator had finished thinking, He said, "I have thought. Behold!" He lifted His hand, and from it burst a fountain-spray of fire, a million stupendous suns, which clove the blackness and soared, away and away and away, diminishing in magnitude and intensity as they pierced the far frontiers of Space, until at last they were but as diamond nail heads sparkling under the domed vast roof of the universe.
Mark Twain (Letters from the Earth)
was going to pay the price. He was going to die. Then his fingers finally found the valve. At first it wouldn’t turn, and he realized he was trying to spin it the wrong way. He reversed his fingers and a rush of cool, blessed air gusted into the mask. Ollie lay under the potatoes, gasping. He jumped a little when the fire blew in the door at the top of the stairs; for a moment he could
Stephen King (Under the Dome)
There fared a mother driven forth Out of an inn to roam; In the place where she was homeless All men are at home. The crazy stable close at hand, With shaking timber and shifting sand, Grew a stronger thing to abide and stand Than the square stones of Rome. For men are homesick in their homes, And strangers under the sun, And they lay on their heads in a foreign land Whenever the day is done. Here we have battle and blazing eyes, And chance and honour and high surprise, But our homes are under miraculous skies Where the yule tale was begun. A Child in a foul stable, Where the beasts feed and foam; Only where He was homeless Are you and I at home; We have hands that fashion and heads that know, But our hearts we lost - how long ago! In a place no chart nor ship can show Under the sky's dome. This world is wild as an old wives' tale, And strange the plain things are, The earth is enough and the air is enough For our wonder and our war; But our rest is as far as the fire-drake swings And our peace is put in impossible things Where clashed and thundered unthinkable wings Round an incredible star. To an open house in the evening Home shall men come, To an older place than Eden And a taller town than Rome. To the end of the way of the wandering star, To the things that cannot be and that are, To the place where God was homeless And all men are at home.
G.K. Chesterton
It was the best omelet Adrienne had ever eaten. Perfectly cooked so that the eggs were soft and buttery. Filled with sautéed onions and mushrooms and melted Camembert cheese. There were three roasted cherry tomatoes on the plate, skins splitting, oozing juice. Nutty wheat toast. Thatch had brought butter and jam to the table. The butter was served like a tiny cheesecake on a small pedestal under a glass dome. The jam was apricot, homemade, served from a Ball jar.
Elin Hilderbrand (The Blue Bistro)
A solemn sadness reigns. A great peace is around us. In its light our cares of the working day grow small and trivial, and bread and cheese—ay, and even kisses—do not seem the only things worth striving for. Thoughts we cannot speak but only listen to flood in upon us, and standing in the stillness under earth's darkening dome, we feel that we are greater than our petty lives. Hung round with those dusky curtains, the world is no longer a mere dingy workshop, but a stately temple wherein man may worship, and where at times in the dimness his groping hands touch God's.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
I wonder where he lies. Wedged under a rock, with a thousand small mouths already sucking on his spongy flesh. Or floating still, on and down, on and down, to wider, calmer reaches of the river. I see them gathering: the drowned, the shot. Their hands float out to touch each other, fingertip to fingertip. In a day, two days, they will glide on, a funeral flotilla, past the unfinished white dome rising out of its scaffolds on a muddy hill in Washington. Will the citizens recognize them, the brave fallen, and uncover in a gesture of respect? Or will they turn away, disgusted by the bloated mass of human rot?
Geraldine Brooks (March)
After several stops, and a dark journey through the tunnel under the bay, B stood up and said, “This is it.” They stepped off the train and took an escalator up a level, into a domed area, and then exited the train station. As always when Marla emerged from an underground space into the light, she felt a sense of new possibilities, as if she’d returned from the underworld and brought back secrets. There was power even in symbolic journeys.
Tim Pratt (Blood Engines (Marla Mason, #1))
Under the rules of colonialism, everything goes to and comes from the mother country. In 1870, the colony of Turks and Caicos was asked to send a crest to England so that a flag for the colony could be designed. A Turks and Caicos designer drew a crest that included Salt Cay saltworks with salt rakers in the foreground and piles of salt. Back in England, it was the era of Arctic exploration, and, not knowing where the Turks and Caicos was, the English designer assumed the little white domes were igloos. And so he drew doors on each one. And this scene of salt piles with doors remained the official crest of the colony for almost 100 years, until replaced in 1968 by a crest featuring a flamingo.
Mark Kurlansky (Salt: A World History)
His face was a strong—a very strong—aquiline, with high bridge of the thin nose and peculiarly arched nostrils; with lofty domed forehead, and hair growing scantily round the temples but profusely elsewhere. His eyebrows were very massive, almost meeting over the nose, and with bushy hair that seemed to curl in its own profusion. The mouth, so far as I could see it under the heavy moustache, was fixed and rather cruel-looking, with peculiarly sharp white teeth; these protruded over the lips, whose remarkable ruddiness showed astonishing vitality in a man of his years. For the rest, his ears were pale, and at the tops extremely pointed; the chin was broad and strong, and the cheeks firm though thin. The general effect was one of extraordinary pallor.
Bram Stoker (Dracula)
It’s all now you see. Yesterday wont be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it’s still not yet two oclock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it’s all in the balance, it hasn’t happened yet, it hasn’t even begun yet, it not only hasn’t begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armstead and Wilcox look grave yet it’s going to begin, we all know that, we have come too far with too much at stake and that moment doesn’t need even a fourteen-year-old boy to think This time. Maybe this time with all this much to lose and all this much to gain: Pennsylvania, Maryland, the world, the golden dome of Washington itself to crown with desperate and unbelievable victory the desperate gamble, the cast made two years ago; or to anyone who ever sailed even a skiff under a quilt sail, the moment in 1492 when somebody thought This is it: the absolute edge of no return, to turn back now and make home or sail irrevocably on and either find land or plunge over the world’s roaring rim.
William Faulkner (Intruder in the Dust)
Thus to him, to this school-boy under the bending dome of day, is suggested, that he and it proceed from one root; one is leaf and one is flower; relation, sympathy, stirring in every vein. And what is that Root? Is not that the soul of his soul?―A thought too bold,―a dream too wild. Yet when this spiritual light shall have revealed the law of more earthly natures,―when he has learned to worship the soul, and to see that the natural philosophy that now is, is only the first gropings of its gigantic hand, he shall look forward to an ever expanding knowledge as to a becoming creator. He shall see, that nature is the opposite of the soul, answering to it part for part. One is seal, and one is print. Its beauty is the beauty of his own mind. Its laws are the laws of his own mind. Nature then becomes to him the measure of his attainments. So much of nature as he is ignorant of, so much of his own mind does he not yet possess. And, in fine, the ancient precept, "Know thyself," and the modern precept, "Study nature," become at last one maxim.
Ralph Waldo Emerson (Nature and Selected Essays (Penguin Classics))
Brought up with an idea of God, a Christian, my whole life filled with the spiritual blessings Christianity has given me, full of them, and living on those blessings, like the children I did not understand them, and destroy, that is try to destroy, what I live by. And as soon as an important moment of life comes, like the children when they are cold and hungry, I turn to Him, and even less than the children when their mother scolds them for their childish mischief, do I feel that my childish efforts at wanton madness are reckoned against me. "Yes, what I know, I know not by reason, but it has been given to me, revealed to me, and I know it with my heart, by faith in the chief thing taught by the church. "The church! the church!" Levin repeated to himself. He turned over on the other side, and leaning on his elbow, fell to gazing into the distance at a herd of cattle crossing over to the river. "But can I believe in all the church teaches?" he thought, trying himself, and thinking of everything that could destroy his present peace of mind. Itentionally he recalled all those doctrines of the church which had always seemed most strange and had always been a stumbling block to him. "The Creation? But how did I explain existence? By existence? By nothing? The devil and sin. But how do I explain evil?... The atonement?... "But I know nothing, nothing, and I can know nothing but what has been told to me and all men." And it seemed to him that there was not a single article of faith of the church which could destroy the chief thing--faith in God, in goodness, as the one goal of man's destiny. Under every article of faith of the church could be put the faith in the service of truth instead of one's desires. And each doctrine did not simply leave that faith unshaken, each doctrine seemed essential to complete that great miracle, continually manifest upon earth, that made it possible for each man and millions of different sorts of men, wise men and imbeciles, old men and children--all men, peasants, Lvov, Kitty, beggars and kings to understand perfectly the same one thing, and to build up thereby that life of the soul which alone is worth living, and which alone is precious to us. Lying on his back, he gazed up now into the high, cloudless sky. "Do I not know that that is infinite space, and that it is not a round arch? But, however I screw up my eyes and strain my sight, I cannot see it not round and not bounded, and in spite of my knowing about infinite space, I am incontestably right when I see a solid blue dome, and more right than when I strain my eyes to see beyond it." Levin ceased thinking, and only, as it were, listened to mysterious voices that seemed talking joyfully and earnestly within him. "Can this be faith?" he thought, afraid to believe in his happiness. "My God, I thank Thee!" he said, gulping down his sobs, and with both hands brushing away the tears that filled his eyes.
Leo Tolstoy (Anna Karenina)
....It was to complete his marriage with Maimuna, the daughter of Al Hareth, the Helalite. He had become betrothed to her on his arrival at Mecca, but had post-poned the nuptials until after he had concluded the rites of pilgrimage. This was doubtless another marriage of policy, for Maimuna was fifty-one years of age, and a widow, but the connection gained him two powerful proselytes. One was Khaled Ibn al Waled, a nephew of the widow, an intrepid warrior who had come near destroy- ing Mahomet at the battle of Ohod. He now became one of the most victorious champions of Islamism, and by his prowess obtained the appellation of " The Sword of God." The other proselyte was Khaled's friend, Amru Ibn al Aass ; the same who assailed Mahomet with poetry and satire at the commencement of his prophetic career ; who had been an ambassador from the Koreishites to the king of Abyssinia, to obtain the surrender of the fugitive Moslems, and who was henceforth destined with his sword to carry victoriously into foreign lands the faith he had once so strenuously opposed. Note.— Maimuna was the last spouse of the prophet, and, old as she was at her marriage, survived all his other wives. She died many years after him, in a pavilion at Serif, under the same tree in the shade of which her nuptial tent had been pitched, and was there interred. The pious historian, Al Jannabi, who styles himself "a poor servant of Allah, hoping for the pardon of his sins through the mercy of God," visited her tomb on returning from a pilgrimage to Mecca, in the year of the Hegira 963, a.d. 1555. "I saw there," said he, "a dome of black marble erected in memory of Maimuna, on the very spot on which the apostle of God had reposed with her. God knows the truth ! and also the reason of the black color of the stone. There is a place of ablution, and an oratory ; but the building has fallen to decay.
Washington Irving (Life of Mohammed)
And I came to a hill that I never saw before. I was in a dismal thicket full of black twisted boughs that tore me as I went through them, and I cried out because I was smarting all over, and then I found that I was climbing, and I went up and up a long way, till at last the thicket stopped and I came out crying just under the top of a big bare place, where there were ugly grey stones lying all about on the grass, and here and there a little, twisted stunted tree came out from under a stone, like a snake. And I went up, right to the top, a long way. I never saw such big ugly stones before; they came out of the earth some of them, and some looked as if they had been rolled to where they were, and they went on and on as far as I could see, a long, long way. I looked out from them and saw the country, but it was strange. It was winter time, and there were black terrible woods hanging from the hills all round; it was like seeing a large room hung with black curtains, and the shape of the trees seemed quite different from any I had ever seen before. I was afraid. Then beyond the woods there were other hills round in a great ring, but I had never seen any of them; it all looked black, and everything had a voor over it. It was all so still and silent, and the sky was heavy and grey and sad, like a wicked voorish dome in Deep Dendo. I went on into the dreadful rocks. There were hundreds and hundreds of them. Some were like horrid-grinning men; I could see their faces as if they would jump at me out of the stone, and catch hold of me, and drag me with them back into the rock, so that I should always be there. And there were other rocks that were like animals, creeping horrible animals, putting out their tongues, and others were like words I could not say, and others were like dead people lying on the grass. I went on among them, though they frightened me, and my heart was full of wicked songs that they put into it; and I wanted to make faces and twist myself about in the way they did, and I went on and on a long way till at last I liked the rocks, and they didn't frighten me any more. I sang the songs I thought of; songs full of words that must not be spoken or written down. Then I made faces like the faces on the rocks, and I twisted myself about like the twisted ones, and I lay down flat on the ground like the dead ones, and I went up to one that was grinning, and put my arms round him and hugged him.
Arthur Machen (The Great God Pan and Other Horror Stories)
On this way, they reached the roof. Christine tripped over it as lightly as a swallow. Their eyes swept the empty space between the three domes and the triangular pediment. She breathed freely over Paris, the whole valley of which was seen at work below. She called Raoul to come quite close to her and they walked side by side along the zinc streets, in the leaden avenues; they looked at their twin shapes in the huge tanks, full of stagnant water, where, in the hot weather, the little boys of the ballet, a score or so, learn to swim and dive. The shadow had followed behind them clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky. It was a gorgeous spring evening. Clouds, which had just received their gossamer robe of gold and purple from the setting sun, drifted slowly by; and Christine said to Raoul: “Soon we shall go farther and faster than the clouds, to the end of the world, and then you will leave me, Raoul. But, if, when the moment comes for you to take me away, I refuse to go with you—well you must carry me off by force!” “Are you afraid that you will change your mind, Christine?” “I don’t know,” she said, shaking her head in an odd fashion. “He is a demon!” And she shivered and nestled in his arms with a moan. “I am afraid now of going back to live with him … in the ground!” “What compels you to go back, Christine?” “If I do not go back to him, terrible misfortunes may happen! … But I can’t do it, I can’t do it! … I know one ought to be sorry for people who live underground … But he is too horrible! And yet the time is at hand; I have only a day left; and, if I do not go, he will come and fetch me with his voice. And he will drag me with him, underground, and go on his knees before me, with his death’s head. And he will tell me that he loves me! And he will cry! Oh, those tears, Raoul, those tears in the two black eye-sockets of the death’s head! I can not see those tears flow again!” She wrung her hands in anguish, while Raoul pressed her to his heart. “No, no, you shall never again hear him tell you that he loves you! You shall not see his tears! Let us fly, Christine, let us fly at once!” And he tried to drag her away, then and there. But she stopped him. “No, no,” she said, shaking her head sadly. “Not now! … It would be too cruel … let him hear me sing to-morrow evening … and then we will go away. You must come and fetch me in my dressing-room at midnight exactly. He will then be waiting for me in the dining-room by the lake … we shall be free and you shall take me away … You must promise me that, Raoul, even if I refuse; for I feel that, if I go back this time, I shall perhaps never return.” And she gave a sigh to which it seemed to her that another sigh, behind her, replied. “Didn’t you hear?” Her teeth chattered. “No,” said Raoul, “I heard nothing.” - Chapter 12: Apollo’s Lyre
Gaston Leroux (The Phantom of the Opera)
Oscar’s breath warmed the back of her head, his lips brushing against her hair, loosened from a braid. He drew a lock away from her neck and kissed the skin just beneath her earlobe, against the throb of her quickening pulse. Like the blackness outside the dome of lamplight, there seemed to be nothing more in the world than his lips, his touch, and the flood of heat consuming her. With a gentle nudge, Oscar turned her toward him. He looked at her the way he had in the Grampains meadow-as if she was the most fascinating woman he’d ever seen. Under his gaze she felt fascinating, too. Capivating…wanted. He traced her jaw with his lips, kissing the angle of her neck ever so tenderly, as though he weren’t certain she wanted him, too. Camille closed the inch of space left between them, her body pressing against his. The muscles in his chest and arms tightened. He was wanted, and she needed to show him how much. No one was there to watch, no one to judge, or tell her the lips caressing her were unworthy of tasting her skin. With those very thoughts, Oscar’s grip loosened. His lips retreated. “This isn’t right,” he whispered, catching his breath. Camille stared at him, her hurt and disappointment plain on her face. “You’re engaged, Camille.” He looked around the room. His eyes rested on the bed. “I shouldn’t be here.” All of a sudden, Camille completely and fully detested Randall. Good, sweet, well-meaning Randall infuriated her with his mere existence, with his big sapphire ring and his marriage proposal and his bright, wealthy future as the savior of Rowen & Company. She didn’t want any of it if it meant she couldn’t have Oscar’s kisses, the return of his hands, and his body pressed close to her own. “I want you here,” she said, the words unable to express the desires stampeding her mind. Oscar licked his lips but stepped toward the doorway. “I can’t. If you’re going to marry Randall-“ Camille hushed him. “No, don’t. Please, don’t.” She didn’t want to hear Randall’s name coming from Oscar’s lips, not when she so desperately wanted to kiss them. “He’s not here. And you are, and…what if you stayed?” she asked, unable to believe the words had come from her mouth. He lost the tense hold of his shoulders and stared at her with disbelief. “Nothing improper, of course,” she added quickly. “What if you just stayed until…until I fell asleep?” Citrus and cloves charged through her sense with their dizzying effect as Oscar stepped back inside the room. He tilted his head and looked sideways at her. “Just until you fall asleep?” She nodded, her throat too tight with nerves to speak.
Angie Frazier (Everlasting (Everlasting, #1))