Unaware Poem Quotes

He had, in odd ways, given it to every moment of his life, and had perhaps given it most fully when he was unaware of his giving. It was a passion neither of the mind nor of the flesh; rather, it was a force that comprehended them both, as if they were but the matter of love, its specific substance. To a woman or to a poem, it said simply: Look! I am alive.

Connubial Because with alarming accuracy she’d been identifying patterns I was unaware of—this tic, that tendency, like the way I've mastered the language of intimacy in order to conceal how I felt— I knew I was in danger of being terribly understood.

The moon seems unaware of night's dark hitting on the damp warm rain misguiding owl's spitting A thunder light of love raising hearts beating while weather learns more from rain lovers meeting

THE WILD ROSE” – BY WENDELL BERRY Sometimes, hidden from me in daily custom and in ritual I live by you unaware, as if by the beating of my heart. Suddenly you flare again in my sight A wild rose at the edge of the thicket where yesterday there was only shade And I am blessed and choose again, That which I chose before.

You might ask why I loved you. For the same reason a child loves balloons; unaware of how hollow they are, thinking they would last forever.

The body remains a house unaware of its rooms.

At once a voice arose among The bleak twigs overhead In a full-hearted evensong Of joy illimited; An aged thrush, frail, gaunt, and small, In blast-beruffled plume, Had chosen thus to fling his soul Upon the growing gloom. So little cause for carollings Of such ecstatic sound Was written on terrestrial things Afar or nigh around, That I could think there trembled through His happy good-night air Some blessed Hope, whereof he knew And I was unaware.

Sometimes hidden from me in daily custom and in trust, so that I live by you unaware as by the beating of my heart, Suddenly you flare in my sight, a wild rose blooming at the edge of thicket, grace and light where yesterday was only shade, and once again I am blessed, choosing again what I chose before.

You might asked why I loved you. For the same reason a child loves balloons; unaware of how hollow they are, thinking they would last forever.

Love shines forth like a sun unaware of what she lands on

I think people are often quite unaware of their inner selves, their other selves, their imaginative selves, the selves that aren’t on show in the world. It’s something you grow out of from childhood onwards, losing possession of yourself, really. I think literature is one of the best ways back into that. You are hypnotized as soon as you get into a book that particularly works for you, whether it’s fiction or a poem. You find that your defenses drop, and as soon as that happens, an imaginative reality can take over because you are no longer censoring your own perceptions, your own awareness of the world.

I didn’t go to the moon, I went much further — for time is the longest distance between two places. Not long after that I was fired for writing a poem on the lid of a shoe-box. I left Saint Louis. I descended the steps of this fire escape for a last time and followed, from then on, in my father’s footsteps, attempting to find in motion what was lost in space. I traveled around a great deal. The cities swept about me like dead leaves, leaves that were brightly colored but torn away from the branches. I would have stopped, but I was pursued by something. It always came upon me unawares, taking me altogether by surprise. Perhaps it was a familiar bit of music. Perhaps it was only a piece of transparent glass. Perhaps I am walking along a street at night, in some strange city, before I have found companions. I pass the lighted window of a shop where perfume is sold. The window is filled with pieces of colored glass, tiny transparent bottles in delicate colors, like bits of a shattered rainbow. Then all at once my sister touches my shoulder. I turn around and look into her eyes. Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be! I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger — anything that can blow your candles out! For nowadays the world is lit by lightning! Blow out your candles, Laura — and so goodbye. . .

perhaps the problem is we are all living a beautiful story but are completely unaware.

My heart That is unaware of dreams Whispers your name From all the corners

The dashed road lines glare like harsh torch light, forcing direction upon me. I have followed the lines before, unaware of their destination, now caught in these crossroads. [Road Block]

Done Amid fear and suspicion, with startled minds and frightened eyes, we pine and scheme over what steps to take to avoid the certain danger that threatens us so horribly. Yet we are wrong. This was not the danger in store; the portents were false (or we never heard them, or failed to construe them properly). It’s some other disaster, precipitous, violent, one we hadn’t imagined, that suddenly takes us unawares, and – there’s no time now – overcomes us.

He had, in odd ways, given it to every moment of his life, and had perhaps given it most fully when he was unaware of his giving. It was a passion neither of the mind nor of the flesh; rather, it was a force that comprehended them both, as if they were but the matter of love, its specific substance. To a woman or to a poem, it said simply: Look! I am alive.

But he was not beyond it, he knew, and would never be. Beneath the numbness, the indifference, the removal, it was there, intense and steady; it had always been there. In his youth he had given it freely, without thought; he had given it to the knowledge that had been revealed to him--how many years ago?--by Archer Sloane; he had given it to Edith, in those first blind foolish days of his courtship and marriage; and he had given it to Katherine, as if it had never been given before. He had, in odd ways, given it to every moment of his life, and had perhaps given it most fully when he was unaware of his giving. It was a passion neither of the mind nor of the flesh; rather, it was a force that comprehended them both, as if they were but the matter of love, its specific substance. To a woman or to a poem, it said simply: Look! I am alive.

ONE of the evil results of the political subjection of one people by another is that it tends to make the subject nation unnecessarily and excessively conscious of its past. Its achievements in the old great days of freedom are remembered, counted over and exaggerated by a generation of slaves, anxious to convince the world and themselves that they are as good as their masters. Slaves cannot talk of their present greatness, because it does not exist; and prophetic visions of the future are necessarily vague and unsatisfying. There remains the past. Out of the scattered and isolated facts of history it is possible to build up Utopias and Cloud Cuckoo Lands as variously fantastic as the New Jerusalems of prophecy. It is to the past — the gorgeous imaginary past of those whose present is inglorious, sordid, and humiliating — it is to the delightful founded-on-fact romances of history that subject peoples invariably turn. Thus, the savage and hairy chieftains of Ireland became in due course “the Great Kings of Leinster,” “the mighty Emperors of Meath.” Through centuries of slavery the Serbs remembered and idealised the heroes of Kossovo. And for the oppressed Poles, the mediaeval Polish empire was much more powerful, splendid, and polite than the Roman. The English have never been an oppressed nationality; they are in consequence most healthily unaware of their history. They live wholly in the much more interesting worlds of the present — in the worlds of politics and science, of business and industry. So fully, indeed, do they live in the present, that they have compelled the Indians, like the Irish at the other end of the world, to turn to the past. In the course of the last thirty or forty years a huge pseudo-historical literature has sprung up in India, the melancholy product of a subject people’s inferiority complex. Industrious and intelligent men have wasted their time and their abilities in trying to prove that the ancient Hindus were superior to every other people in every activity of life. Thus, each time the West has announced a new scientific discovery, misguided scholars have ransacked Sanskrit literature to find a phrase that might be interpreted as a Hindu anticipation of it. A sentence of a dozen words, obscure even to the most accomplished Sanskrit scholars, is triumphantly quoted to prove that the ancient Hindus were familiar with the chemical constitution of water. Another, no less brief, is held up as the proof that they anticipated Pasteur in the discovery of the microbic origin of disease. A passage from the mythological poem of the Mahabharata proves that they had invented the Zeppelin. Remarkable people, these old Hindus. They knew everything that we know or, indeed, are likely to discover, at any rate until India is a free country; but they were unfortunately too modest to state the fact baldly and in so many words. A little more clarity on their part, a little less reticence, and India would now be centuries ahead of her Western rivals. But they preferred to be oracular and telegraphically brief. It is only after the upstart West has repeated their discoveries that the modern Indian commentator upon their works can interpret their dark sayings as anticipations. On contemporary Indian scholars the pastime of discovering and creating these anticipations never seems to pall. Such are the melancholy and futile occupations of intelligent men who have the misfortune to belong to a subject race. Free men would never dream of wasting their time and wit upon such vanities. From those who have not shall be taken away even that which they have.

Endangered Species Even this brief thought is endless. A man speaks as if unaware of the erotic life of the ampersand. In the isolate field he comes to count one by one the rare butterflies as they die. He says witness is to say what you mean as if you mean it. So many of them are the color of the leaves they feed on, he calls sympathy a fact, a word by which he means to make a claim about grace. I have in my life said many things I did not exactly mean. Walk graceless through the field. Graceless so the insects leap up into the blank page where the margins fill with numbers that speak diminishment. Absence as it nears also offers astonishment. Absence riddles even this briefest thought, here is your introduction to desire, time's underneath where the roots root down into nothing like loose threads hanging from the weaving's underside. No one seeing the roots can guess at the field above. Green equation that ends in yellow occasions. Theory is insubstantial. The eye latches on to the butterflies as they fly and the quick heart follows, not a root in nothing but a thread across abstraction. They fly away. What in us follows we do not name. What the butterflies pull out us as in battle horses pull chariot, we do not name. But there is none, no battle, no surge, no retreat, a field full not of danger, but the endangered, where dust-wings pull from us what we thought we lost, what theory denies, where in us ideas go to die, and thought with the quaking grass quakes. Some call it breath but I'm still breathing. So empty I know I'm not any emptier. On slim threads they pull it out me, disperse-no one takes notes-disappear, &

Suzuki seemed oblivious to Japan's responsibility for the war. In a footnote to Zen and Japanese Culture, he placed all the responsibility on Western intellectualism: "The intellect presses the button, the whole city is destroyed. . . . All is done mechanically, logically, systematically, and the intellect is perfectly satisfied. Is it not time for us all to think of ourselves from another point of view than that of mere intellectuality" (Suzuki 1970, 338). According to Suzuki, all this would not have happened if the Westerners had, like the Japanese, had more respect for nature. In another footnote, he wrote: "I sometimes wonder if any of the Great Western soldiers ever turned into a poet. Can we imagine, for instance, in recent times, that General MacArthur or General Eisenhower would compose a poem upon visiting one of those bomb-torn cities?" Apparently, Suzuki was unaware that perhaps the chief cause of war and its fuel were found in the same warrior mystique that he exalted in several previous chapters of the same book.

Only with her - PART II For when it comes to love and life, prestige loses its significance, All that matters is the moment where you can love her with every heartbeat and the mind’s complete faithfulness, I had fallen in love long ago, but my mind took a while to love what I realised as the most loving feeling, While my heart instantly began beating for her and it immediately recognised her as its most endearing feeling, Now I live in this world created by my mind that is unaware it is obeying my heart’s fancies, Her thoughts, her imaginations, creating for me a world where she fills all my emotional vacancies, I do not mind my current existence in this world, where my mind thinks for my heart and my heart beats neither for me nor for my mind, But only for her, and when in both of them, I my own identity try to find, I realise she occupies every part of this world, where my mind and my heart patronise her alone, And I too begin to favour their sentimental inclinations with a feeling that is too prone, To fall in love again and again, with my own heart that loves her unfailingly, And then my mind doesn't mind loving her willingly, For it partly still lives for me, because without me what can it be, Just a mind that thinks endlessly, leading to feelings that it can neither feel nor see, So, it lets me be the master who depends on the feelings of his revolting heart, Finally we all are ring fenced by her feelings, from which now none of us can depart, And my heart beats one beat at a time, the mind thinks one thought at a time, while I live my life in single moments, I have to deal with my heart and my mind’s ever shifting sentimental arrangements, Where the heart always wants her feelings to be the dominant sentiment, But the mind knows then it will dissolve my existence and this becomes its predicament, Because without me it will be reduced to just a whim, that arises whenever the heart feels something, And in the kingdom of my heart she comprises everything, So, the mind fears its own identity crisis, because it is only her thoughts that continuously flow from my heart, But now all three of us realise that from beautiful thoughts none of us can part, Because to each one of us, she offers reasons to: beat, to think and to keep falling in love, And maybe this is what the wise refer to as a true and fulfilling feeling of love. So, I have left the mind alone, I let the heart beat for whatever sensation it pleases to, Because only then I admit to them both that I love her and I want to! And the heart happily beats for her, the mind only thinks about her, As they leave me alone, just to be with her!

Only with her - PART II For when it comes to love and life, prestige loses its significance, All that matters is the moment where you can love her with every heartbeat and the mind’s complete faithfulness, I had fallen in love long ago, but my mind took a while to love what I realised as the most loving feeling, While my heart instantly began beating for her and it immediately recognised her as its most endearing feeling, Now I live in this world created by my mind that is unaware it is obeying my heart’s fancies, Her thoughts, her imaginations, creating for me a world where she fills all my emotional vacancies, I do not mind my current existence in this world, where my mind thinks for my heart and my heart beats neither for me nor for my mind, But only for her, and when in both of them, I my own identity try to find, I realise she occupies every part of this world, where my mind and my heart patronise her alone, And I too begin to favour their sentimental inclinations with a feeling that is too prone, To fall in love again and again, with my own heart that loves her unfailingly, And then my mind doesn't mind loving her willingly, For it partly still lives for me, because without me what can it be, Just a mind that thinks endlessly, leading to feelings that it can neither feel nor see, So, it lets me be the master who depends on the feelings of his revolting heart, Finally we all are ring fenced by her feelings, from which now none of us can depart, And my heart beats one beat at a time, the mind thinks one thought at a time, while I live my life in single moments, I have to deal with my heart and my mind’s ever shifting sentimental arrangements, Where the heart always wants her feelings to be the dominant sentiment, But the mind knows then it will dissolve my existence and this becomes its predicament, Because without me it will be reduced to just a whim, that arises whenever the heart feels something, And in the kingdom of my heart she comprises everything, So, the mind fears its own identity crisis, because it is only her thoughts that continuously flow from my heart, But now all three of us realise that from beautiful thoughts none of us can part, Because to each one of us, she offers reasons to: beat, to think and to keep falling in love, And maybe this is what the wise refer to as a true and fulfilling feeling of love. So, I have left the mind alone, I let the heart beat for whatever sensation it pleases to, Because only then I admit to them both that I love her and I want to! And the heart happily beats for her, the mind only thinks about her, As they leave me alone, just to be with her!

Here is a poem about being twenty-something: Like a filly breaking free from its stables. Ripping away from its harness and cables. Unaware of the fence it's been boxed into. Unaware of the danger that lies beyond everything it knew. Do not look back filly. Do not look back. Race on into that morning dawn. That blistering sun. That autumn fawn because when reality strikes all will be gone.

it occurred to him that he was nearly sixty years old and that he ought to be beyond the force of such passion, of such love. But he was not beyond it, he knew, and would never be. Beneath the numbness, the indifference, the removal, it was there, intense and steady; it had always been there. In his youth he had given it freely, without thought; he had given it to the knowledge that had been revealed to him--how many years ago?--by Archer Sloane; he had given it to Edith, in those first blind foolish days of his courtship and marriage; and he had given it to Katherine, as if it had never been given before. He had, in odd ways, given it to every moment of his life, and had perhaps given it most fully when he was unaware of his giving. It was a passion neither of the mind nor of the flesh; rather, it was a force that comprehended them both, as if they were but the matter of love, its specific substance. To a woman or to a poem, it said simply: Look! I am alive.

Enveloped in a cloudy protective haze, she arrived transformed on stage, taking flight – a butterfly, beautifully unaware of her time on earth.

Rae’s thoughts and hope He preached, he prayed, in a place, in a congregation, He possessed an extraordinary imagination, A charm that mesmerised all, made him a believable preacher, But after prayers, the preacher never returned and so did not the holy teacher, Because what he appeared in these holy sessions was a false projection of him, Behind his conscience and veil of charm was hidden an abominable world grim, Like in all of us, he too was a host to a resident beast, Who regularly on his fancies and endless wishes did feast, He had resolved to taming the congregation than the beast he was regularly feeding, Within him evil was constantly breeding, As the congregation left and he eased his hands held in prayer, He frantically shook them to get rid of the evil layer, That he recognised but never wanted to let go, Maybe that is why the priest that stood here was forsaken by his priestly conscience long ago, So after every prayer, the preacher never returned, just a man with the beast did, And then behind the morbidity of thoughts and endless fantasies this man hid, To feed the beast in million ways, In those vacant hours of nights and endless days, Because after the prayers the preacher never returned, only his beast affiliated part faced everyone, As he fed himself on diabolic thoughts and vile imaginations of always someone, a new one, And this is how the preacher lived until his last day, He was still the same and he had decided not to change anyway, And when Lucifer claimed his soul, he was confused too, Because the beast in him was there so was the preacher too, It was difficult to tell them apart, And neither of them alone wanted to depart, They had fused into one and Lucifer gave them a puzzled look, Then he looked inside himself and he was completely shaken, and the ground under his feet shook, The beast had already claimed his soul unaware that he is the God of Hell, the creator of all abomination, So he cast the beast back into the preacher and now they live in this immortal curse of incarceration, Where the preacher feels imprisoned by the beast and beast feels imprisoned by the preacher, Because after knowing the soul of Lucifer the beast had become lot meaner, Thus began the preacher’s never ending curse, He does not die, although he longs for it and keeps staring at the hearse, Because Lucifer did not want a greater God in his own kingdom, Now preacher is victim of his own knowledge of evil and his wretched wisdom, The congregation is free, because they have learned to establish direct communion with the God, And now they never deal with a preacher who always after prayers acted diabolically and in ways odd.

Rae’s thoughts and hope He preached, he prayed, in a place, in a congregation, He possessed an extraordinary imagination, A charm that mesmerised all, made him a believable preacher, But after prayers, the preacher never returned and so did not the holy teacher, Because what he appeared in these holy sessions was a false projection of him, Behind his conscience and veil of charm was hidden an abominable world grim, Like in all of us, he too was a host to a resident beast, Who regularly on his fancies and endless wishes did feast, He had resolved to taming the congregation and not the beast he was constantly feeding, Within him, with a renewed virility, new forms of evil were breeding, As the congregation left and he eased his hands held in prayer, He frantically shook them to get rid of the evil layer, That he recognised but never wanted to let go, Maybe that is why the priest that stood here was forsaken by his priestly conscience long ago, So after every prayer, the preacher never returned, just a man with the beast did, And then behind the morbidity of thoughts and endless fantasies this man hid, To feed the beast in million ways, In those vacant hours of nights and endless days, Because after the prayers the preacher never returned, only his beast affiliated part faced everyone, As he fed himself on diabolic thoughts and vile imaginations of always someone, a new one, And this is how the preacher lived until his last day, He was still the same and he had decided not to change anyway, And when Lucifer claimed his soul, he was confused too, Because the beast in him was there so was the preacher too, It was difficult to tell them apart, And neither of them alone wanted to depart, They had fused into one and Lucifer gave them a puzzled look, Then he looked inside himself and he was completely shaken, and the ground under his feet shook, The beast had already claimed his soul unaware that he is the God of Hell, the creator of all abomination, So he cast the beast back into the preacher and now they live in this immortal curse of incarceration, Where the preacher feels imprisoned by the beast and beast feels imprisoned by the preacher, Because after knowing the soul of Lucifer the beast had become lot meaner, Thus began the preacher’s never ending curse, He does not die, although he longs for it and keeps staring at the hearse, Because Lucifer did not want a greater God in his own kingdom, Now preacher is the victim of his own knowledge of evil and his wretched wisdom, The congregation is free, because they have learned to establish direct communion with the God, And now they don’t have to deal with the preacher who always after prayers acted diabolically and in ways odd.

Here at this desk, this night, one of life’s important moments had occurred. Humbly, almost unaware, certainly innocent, he had sat there and been the instrument by which a poem was transmitted to paper. He was awed and truly humble, for all that he must look in the mirror to see if the experience registered in his face. Often tears came genuinely to his eyes. How had it come about—why should it have been he? he asked himself in humility and gratitude. He read the poem in fear and read it again. Now it was fine; would it be so tomorrow?

he told me i was like a poem, all kinds of feelings bundled into one but i am a song without melody, a screeching noise you don't want to hear i am like an ointment but for the wrong wound; i can't heal you but i would burn i am like that paragraph you delete before sending an okay the last drop of coffee still stuck on your discarded cup i am the rubber band on your wrist, i am lost as soon as you set me down and like the moon on a moonless night i am there but not in your world, not in your eyes, not in your heart. i could have been your comfort shoe, but i broke your feet and you discarded me so now I'm just an occupied space on your shelf you don't use anymore I'm like the stain on the mirror when you're taking pictures; an irritation that stays like the push and shove on the subway station that doesn't make you stop and stare but the one that keeps you moving, completely unaware i'm the stranger on the street that you see yet you don't your eyes pass through me, not in focus, not in the zone i'm not the art kind of beautiful, i'm the beauty that lies there, ignored my existence is poetry, unnoticed, unaware, invisible to your eyes and you just keep moving and i stay, i stay, i stay right there

When Johnnie went to France. Such a tame ending To a great romance-- Two lonely women With nothing much to do But get to know each other; She did and I did, too. Mornings at the Rectory, Learning how to roll Bandages, and always Saving light and coal. Oh, that house was bitter As winter closed in, In spite of heavy stockings And woolen next the skin. I was cold and wretched, And never unaware Of John more cold and wretched In a trench out there.

Thirty-Three If the martyr is made when the breaking heart breaks open, and one holds in the crib of her palm the ghost of something as singular as last night's argument, then what was mystery is worse—the advent of the end. They sleep in the sea of a bed, blue as breath, the tangle of needle-net holding them close. And if they dance, it is like lanterns on a lake, as nothing lasts for very long, so frail, those passive vessels. Imagine the elemental glow and a city of stars still forming, the work in progress of heaven like the swirl of color in a vanity rose: where one shade ends the other may begin, or not, its own red. She scowls her lover's scowl. When Christ comes down from the mountain, he marches to Jerusalem unaware. This is how the dead get by, and the dying make due: like anyone, they are preserved with such affection as to disenchant their grief.