Umbrella Love Quotes

We've searched our database for all the quotes and captions related to Umbrella Love. Here they are! All 100 of them:

You say you love rain, but you use an umbrella to walk under it. You say you love sun, but you seek shelter when it is shining. You say you love wind, but when it comes you close your windows. So that's why I'm scared when you say you love me.
Bob Marley
She craved a presence beside her, solid. Fingertips light at the nape of her neck and a voice meeting hers in the dark. Someone who would wait with an umbrella to walk her home in the rain, and smile like sunshine when he saw her coming. Who would dance with her on her balcony, keep his promises and know her secrets, and make a tiny world wherever he was, with just her and his arms and his whisper and her trust.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Love is only for creative minds. It is permanent imagination at work, unraveling the wear and tear of killing habits. ("Crystallization under an umbrella")
Erik Pevernagie
People say I love you all the time - when they say, ‘take an umbrella, it’s raining,’ or ‘hurry back,’ or even ‘watch out, you’ll break your neck.’ There are hundreds of ways of wording it - you just have to listen for it, my dear.
John Patrick (The Curious Savage)
I want you to say dreadfully mad, funny things and make up songs and be--' The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall hit you with my umbrella." *** "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. “There,” she said. “There is Will. Isn’t that better? Don’t you think so?” “I don’t know,” Will said, eyeing her. “I’m afraid to answer that. I’ve heard that when I speak, it makes American women wish to strike me with umbrellas.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
When the murmuring of love swells the river of our inner and overflows the boundaries of our emotions, the banks of oblivion start bursting, and its healing power overwhelms the numbness of our mindset. ("Crystallization under an umbrella")
Erik Pevernagie
When we settle down in the homeland of love, let us not forget to choose an uplifting horizon, where humor and joyfulness are along the way, and our heartbeat guides the rhythm of our day and composes the song of our passion. ("Crystallization under an umbrella" )
Erik Pevernagie
Let us join the flow of ethereal vibrations when love is at our fingertips and encounter the mystery and wonder of unsuspected instants. Let us dip into the marvel of the budding and the blooming spray of our dreams brightening up our path. ("Crystallization under an umbrella")
Erik Pevernagie
Love can crystallize things. When love is in the air, distressing rain can become a wonderful avalanche of shimmering diamonds. Raindrops are transformed into a flood of sparkling crystal pearls. The power of love can convert rain into a multitude of glittering prisms. The mental seduction of love and a boundless illusion, inflamed by a profound uprising emotion, can change any ordinary incident into a radiant, luminous voyage. ( "Crystallization under an umbrella" )
Erik Pevernagie
When it’s raining, instead of using an umbrella, try holding an empty drinking glass above your head. That’s exactly how I thirst for your love.
Jarod Kintz (This Book is Not for Sale)
On the late afternoon streets, everyone hurries along, going about their own business. Who is the person walking in front of you on the rain-drenched sidewalk? He is covered with an umbrella, and all you can see is a dark coat and the shoes striking the puddles. And yet this person is the hero of his own life story. He is the love of someone’s life. And what he can do may change the world. Imagine being him for a moment. And then continue on your own way.
Vera Nazarian (The Perpetual Calendar of Inspiration)
The Will I fell in love with, she almost said."And be Will," she finished instead. "Or I shall hit you with my umbrella.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
There is always a patch of blue sky to lovers, although the rest of the world may see nothing but their umbrellas.
Victor Hugo (Les Misérables)
Except for the sound of the rain, on the road, on the roofs, on the umbrella, there was absolute silence: only the dying moan of the sirens continued for a moment or two to vibrate within the ear. It seemed to Scobie later that this was the ultimate border he had reached in happiness: being in darkness, alone, with the rain falling, without love or pity.
Graham Greene (The Heart of the Matter)
Tessa exploded "I am not asking you to maul me in the Whispering Gallery! By the Angel, Will, would you stop being so polite?!" He looked at her in amazement. "But wouldn't you rather-" "I would not rather. I don't want you to be polite! I want you to be Will! I don't want you to indicate points of architectural interest to me as if you were a Baedecker guide! I want you to say dreadfully mad, funny things, and make up songs and be-" The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall strike you with my umbrella." "I am trying to court you," Will said in exasperation. "Court you properly. That's what all this has been about. You know that, don't you?" "Mr. Rochester never courted Jane Eyre," Tessa pointed out. "No, he dressed up as a woman and terrified the poor girl out of her wits. Is that what you want?" "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. "There," she said. "There is Will. Isn't that better? Don't you think so?" "I don't know," Will said, eyeing her. I'm afraid to answer that. I've heard that when I speak, it makes American women wish to strike me with umbrellas." Tessa laughed again, and then they were both laughing, their smothered giggles bouncing off the walls of the Whispering Gallery. After that, things were decidedly easier between them, and Will's smile when he helped her down from the carriage on their return home, was bright and real.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
He is broken in three ways, sometimes four. I count them. -He believes himself to be human, but is not actually. At least not anymore. This is similar to the way he believes himself to be alive. -He has a grim affinity for drugs. This comes with no caveat and no parentheses. This is just a fact of life. -He is doggedly unhappy and once decided to kill himself. Sadly, he has not really stopped. -On certain occasions when these first three things have ceased to be bad enough, he loves me. The other sins are commonplace, forgivable under a big enough umbrella. This fourth is irrevocable. Unconscionable. In a word, it is utterly damning.
Brenna Yovanoff
You say that you love rain, but you open your umbrella when it rains. You say that you love the sun, but you find a shadow spot when the sun shine. You say that you love the wind, but you close your windows when wind blows. This is why I am afraid,you say that you love me too.
Anonymous
Love me. Love my umbrella.
James Joyce (Giacomo Joyce)
Ah! Thou gifest me such hope and courage, and I haf nothing to gif back but a full heart and these empty hands," cried the Professor, quite overcome. Jo never, never would learn to be proper, for when he said that as they stood upon the steps, she just put both hands into his, whispering tenderly, "Not empty now," and, stooping down, kissed her Friedrich under the umbrella.
Louisa May Alcott (Little Women)
God is like an umbrella of illusion and belief, In rainy days we use him, in sunny days we forget him.
Debasish Mridha
(On the energy radiated by the Sun) It's four hundred million million million million watts. That is a million times the power consumption of the United States every year, radiated in one second, and we worked that out by using some water, a thermometer, a tin, and an umbrella. And that's why I love physics.
Brian Cox
Tell me again about the girl whose hands have no color. Whose hands are completely white. This time make them damned, or untouched, or have her open a red umbrella or point at some maple leaves and damned near cry. Those hands. As freakish goes, I wish I had a tail. Maybe then you’d know how much I like you. It shakes me through, damn through. It shakes me. When she carries a peacock feather. When she touches her neck or thighs. You’re a person. It’s not so bad. You have hands. You are a person with hands to hold things. Things you like. Tremendous things. Tell me what you will hold today. I know there is room for everything. There is no need to be ceremonious. Tell what gets let go.
Rebecca Wadlinger
I love that feeling when you first open your eyes in the morning and you don’t even know why everything seems different than usual. Then it hits you: Everything is quiet. No cars honking. No buses going down the street. Then you run over to the window, and outside everything is covered in white: the sidewalks, the trees, the cars on the street, your windowpanes. And when that happens on a school day and you find out your school is closed, well, I don’t care how old I get: I’m always going to think that that’s the best feeling in the world. And I’m never going to be one of those grown-ups that use an umbrella when it’s snowing—ever.
R.J. Palacio (Wonder)
Host: For those of you just tuning in, our guests tonight are the amazing Murder Magician, and his lovely minion, The Assistant... Assistant: Charmed, I'm sure Host: Who recently killed The Rumor. And you were awarded the Oppenheimer prize for villainy at last week's annual summit for dastardly deeds-- what are you going to do with all that money? Murder Magician: Well, I'm so glad you asked that-- because I spent all the money on this giant MURDERBOT, and I've been dying to show it off! Assistant: It's true... every penny. Host: Wow! That's impressive! So what does it do? Murder Magician: Well, Mr. Clark... it murders people. Laughter. Murder Magician: I'm serious. Assistant: He is.
Gerard Way (The Umbrella Academy, Vol. 1: Apocalypse Suite)
When the storm comes it is your soulmate who pulls out the umbrella and shelters you until the rainbow comes.
Matshona Dhliwayo
I want to hold an umbrella over Shizun for as long as I live.
肉包不吃肉 (二哈和他的白猫师尊)
When I no longer have the strength to hold up an umbrella for you, I'll stand with you in the rain.
Tablo (BLONOTE Book English Edition + Limited English Mini CD by TABLO From Epik High Kpop Hiphop 블로노트 타블로 영문판)
There is little joy in those first moments of recognition- for the reality is that most encounters of such depth, most first glances of love come to nothing. And while the sincerity of that rare moment when your heart is bursting should be the signal to fling yourself on the ground in the path of this stranger, it's the depth of such sincerity that paralyses you, holds you back from the silence of phrases like "hello" and "good morning." And as they pass, granting only single, torturous details like fingers upon the handle of an umbrella, or a hair pin bearing the weight of a twist, or a wool collar beaded with pearls of rain- there is only one thing you could ever say that would be true, that would make them stop walking and turn to face you. But such a thing is unsayable.
Simon Van Booy (The Secret Lives of People in Love)
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago. You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe. When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself. When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
New Yorkers love the bigness -- the skyscrapers, the freedom, the lights. But they also love it when they can carve out some smallness for themselves. When the guy at the corner store knows which newspaper you want. When the barista has your order ready before you open your mouth. When you start to recognize the people in your orbit, and you know that, say, if you're waiting for the subway at eight fifteen on the dot, odds are the redhead with the red umbrella is going to be there too.
David Levithan (Invisibility)
But it doesn't matter now. It's like an umbrella in the middle of a rainstorm after you're already wet. It's exactly what you need, what you want, but it's come too late.
Rebecca Serle (Famous in Love (Famous in Love, #1))
At times like these, size really does matter," I point out, at I extend my ginormous umbrella over her in a way that stops any rain droplets from falling on her. My Best Valentine's Day Ever, A Short Story by Zack Love
Zack Love (Stories and Scripts: an Anthology)
Grief is like rain. When you’re standing in the street, drenched and freezing cold, it’s hard to remember what it’s like to feel warm and dry. It’s hard to imagine feeling warm and dry ever again. But some people are umbrellas. And they keep away the worst of the storm.
Elle McNicoll (Show Us Who You Are)
The bees sit so slothfully on the flowers, and the sunshine lies so lazily on the ground. A horrible idleness prevails. -- Idleness is the root of all vice. -- What people won't do out of boredom! They study out of boredom, they pray out of boredom, they fall in love, marry, and multiply out of boredom and finally die out of boredom, and -- and that's the humor in it -- they do everything with the most serious faces, without realizing why and with God knows what intentions. All these heroes, these geniuses, these idiots, these saints, these sinners, these fathers of families are basically nothing but refined idlers. -- Why must I be the one to know this? Why can't I take myself seriously and dress this poor puppet in tails and put an umbrella in its hand so that it will become very proper and very useful and very moral? That man who just left me -- I envied him, I could have beaten him out of envy. Oh, to be someone else for once! Just for a minute. -- How that man runs! If only I knew of one thing under the sun that could still make me run.
Georg Büchner (Leonce und Lena)
Naphta loathed the bourgeois state and its love of security. He found occasion to express this loathing one autumn afternoon when, as they were walking along the main street, it suddenly began to rain and, as if on command, there was an umbrella over every head. That was a symbol of cowardice and vulgar effeminacy, the end product of civilization. An incident like the sinking of the Titanic was atavistic, true, but its effect was most refreshing, it was the handwriting on the wall. Afterward, of course, came the hue and cry for more security in shipping. How pitiful, but such weak-willed humanitarianism squared very nicely with the wolfish cruelty and villainy of slaughter on the economic battlefield known as the bourgeois state. War, war ! He was all for it – the universal lust for war seemed quite honorable in comparison.
Thomas Mann (The Magic Mountain)
A beautiful rain is a treasure box. Inside this magical box there is an artistic umbrella, there is a pretty rainbow, there is a sweet bird singing and there is a lovely smell of earth! Something wonderful has a great potential to create some other wonderful things!
Mehmet Murat ildan
This book was written under the umbrella of self-acceptance. The sooner we are okay with being different from one another, the sooner we can get on with being the best version of ourselves and love how we were created.
Becky Murphy (I'd Rather Be Short: 100 Reasons Why It's Great to Be Small)
It rains on everyone. It may be storming but there is a covering. Life may be challenging, but there is a covering. It may seem impossible, hopeless, doubtful, fear-ridden, and pain-laden, but there is a covering. There are other umbrellas, but only one is red with the blood of Jesus. We need to love Jesus more than the noise.
Eric Samuel Timm (Static Jedi: The Art of Hearing God Through the Noise)
-A cloud is never a mirror -Words about clouds are clouds themselves -If snow falls inside a cloud, only the cloud knows -A cloud dreams only of triangles -Clouds are in love with horizons -The cloud that was gone would never come back -Every lake desires a cloud -A cloud is a cathedral without belief -Clouds cannot see what we do under the umbrella -Clouds are thoughts without words
Mark Strand (89 Clouds)
Rain with an umbrella while holding hands with your lover is damned sure nice.
Carew Papritz (The Legacy Letters: his Wife, his Children, his Final Gift)
I will wake you up early even though I know you like to stay through the credits. I will leave pennies in your pockets, postage stamps of superheroes in between the pages of your books, sugar packets on your kitchen counter. I will Hansel and Gretel you home. I talk through movies. Even ones I have never seen before. I will love you with too many commas, but never any asterisks. There will be more sweat than you are used to. More skin. More words than are necessary. My hair in the shower drain, my smell on your sweaters, bobby pins all over the window sills. I make the best sandwiches you've ever tasted. You'll be in charge of napkins. I can't do a pull-up. But I'm great at excuses. I count broken umbrellas after every thunderstorm, and I fall asleep repeating the words thank you. I will wake you up early with my heavy heartbeat. You will say, Can't we just sleep in, and I will say, No, trust me. You don't want to miss a thing.
Sarah Kay (No Matter the Wreckage: Poems)
To live is to prepare for goodbye For loneliness is a friend who will not betray. Shiver not in the pouring love, instead buy an umbrella Believe not in happiness, even in the passions of love… Confess not your love, even if you would die for it. For love is like a season It comes and goes to decorate life’s boredom The moment you call it Love, it melts away, an ice sculpture… Goodbye, Someday. Happiness lasts not forever As Despair lasts not forever. Some days, there is Goodbye some days, there is Hello. At death, some look back on being loved While some look back on having loved… I’ll definitely look back on having loved…
Hitonari Tsuji (サヨナライツカ)
Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler
Daniel Handler
Crystal said, “Okay, sweetie. I’m on my way. Give me five minutes to put on a garter belt under my raincoat. I’ll be there in forty minutes.” She also asked Brett to wait downstairs for her in the rain with an umbrella, so she wouldn’t get drenched walking to the front of his apartment complex. He waited and waited and waited. Three hours later, it occurred to him like a stunning revelation: No booty cometh.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl-A Woman's Guide to Holding Her Own in a Relationship)
He also tried to block the doorway when she left him. My mother ducked under his arm, ran to her car, and drove away. I remember thinking that this was somehow romantic, as it pinpointed the actual memory of my mother's departure, something you don't see a lot of in television. Real people don't slam doors without opening them five minutes later because it's raining and they forgot their umbrella. They don't stop dead in their tracks because they realize they're in love with their best friend.They don't say, "I'm leaving you, Jack," and fade to a paper towel commercial.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
Love is like a cloudless blue sky. That’s why I always carry an open umbrella.
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
Rain soup is best served cold, an upside-down umbrella makes a good bowl, and I wash dishes by hand—the same way I make love to myself.
Jarod Kintz (Write like no one is reading 3)
When people need a reason to go, they turn the blame on you. When the rain of love turns into arrows of blame, throw away the umbrella and take up the shield.
Shunya
My dear friend, you know, there are not ten different ways or a hundred ways to love the rain, there is only one way: When it rains, be with it, without an umbrella!
Mehmet Murat ildan
Place your truth on my hips. Don’t tell me who you are. Show me with your sincerity, let me see the helplessness in your eyes, wrap your irreverence around me. I’ve been afraid. My freedom has been mistaken for frivolousness, my sexuality for carelessness. Double standards imposed with hypocritical fingers and incurious hearts. I’ve relinquished myself to the wrong ideologies. I’m tired of having to cover my vulnerability to protect others from feeling theirs. Expose me, penetrate me with broad philosophies, let us collide recklessly with freedom. Steal my wild heart, but do not ask me to live under an umbrella when I like being soaked by the rain.
Jacqueline Simon Gunn
It's funny, isn't it, what will make you break? Your lover moves to London and falls in love with a news reader for the BBC and you feel fine and then one day you raise your umbrella slightly to cross Fifty-seventh Street and stare into the Burberry shop and begin to sob. Or your baby dies at birth and five years later, in an antique store, a small battered silver rattle with teeth marks in one end engraved with the name Emily lies on a square of velvet, and the sobs escape from the genie's bottle somewhere deep in your gut where they've lain low until then. Or the garbage bag breaks.
Anna Quindlen (One True Thing)
I stood under the umbrella for hours before I folded it up and started walking. Umbrellas can block the sun, shield the rain, and if you flip an open one over, it can also be used as a large coffee cup.
Jarod Kintz (I love Blue Ribbon Coffee)
Again, the endless northern rain between us like a veil. Tonight, I know exactly where you are, which row, which seat. I stand at my back door. The light pollution blindfolds every star. I hold my hand out to the rain, simply to feel it, wet and literal. It spills and tumbles in my palm, a broken rosary. Devotion to you lets me see the concert hall, lit up, the other side of town, then see you leave there, one of hundreds in the dark, your black umbrella raised. If rain were words, could talk, somehow, against your skin, I’d say look up, let it utter on your face. Now hear my love for you. Now walk. - Bridgewater Hall
Carol Ann Duffy (Rapture)
It was drizzling. As people rushed along, they began opening umbrellas over their heads, and all at once the streets were crowded too. Arched umbrella roofs collided with one another. The men were courteous, and when passing Tereza they held their umbrellas high over their heads and gave her room to go by. But the women would not yield; each looked straight ahead, waiting for the other women to acknowledge her inferiority and step aside. The meeting of the umbrellas was a test of strength. At first Tereza gave way, but when she realized her courtesy was not being reciprocated, she started clutching her umbrella like the other women and ramming it forcefully against the oncoming umbrellas. No one ever said "Sorry." For the most part no one said anything, though once or twice she did hear a "Fat cow!" or "Fuck you!" The women thus armed with umbrellas were both young and old, but the younger among them proved the more steeled warriors... [editors note: I love this paragraph, it reminds me of walking down the crowded streets of Philly when I'm late for the train... so frustrating.]
Milan Kundera (The Unbearable Lightness of Being)
She laughed a bit at the simple beauty of it all - the white paper, the elegant arc, the soft green grass; and, beside her, the purple backpack, Grandad's golden straw hat, the sky a pale-blue umbrella embracing the whole town
Peter Carnavas (The Elephant)
One, for instance, boasted a lovingly detailed watercolour of a dead robin, while on another a row of comical frogs paraded beneath umbrellas and, on another still, insects danced in a circle, wielding musical instruments and seemingly drunk.
James Lovegrove (Sherlock Holmes and the Christmas Demon)
With apologies to Judy Garland and Cole Porter, all the world does NOT love a clown. John Wayne Gacy might have been the final nail in the coffin in terms of anyone associating clowns with funny (if a bunch of clowns die, do they all fit into one coffin?)
Christopher Lombardo (Death by Umbrella! The 100 Weirdest Horror Movie Weapons)
She had a sense of longing and loss that she had never had before. It was as if her family history had been erased and they'd been left unmemorable.She imagined that Rachel's family must have similar feelings, but she did not try to share these thoughts with Rachel.
Denny Taylor (Rosie's Umbrella)
She couldn't put into words how desparately she wanted to know what had happened to Sarah. But she'd suddenly realized that Sarah was not the only one who had lost her memory of what happened when she was a little girl. Hundreds of thousands of people had lost their memories of what had happened to them ...
Denny Taylor (Rosie's Umbrella)
I love rain. I love the sound of it falling on an umbrella, each drop that hits the cloth a soothing sound. Everything is so fresh and clean. It always feels as if each drop is helping to wash away the hurt, the pain, the dirt that life leaves behind. As if the mere act of it falling can give life a rebirth, a second chance.
B.M. Polier (After Image (Viola Chronicles, #1))
Ah, and then her beautiful face…actually, the level and angle that she was holding the umbrella, the whole time as she passed within Suresh’s view, only allowed him to see the bottom of her chin at most. Still, with a body as beautiful as hers, Suresh was quite certain that her face would be nothing less than positively stunning!
Andrew James Pritchard (Monsoon Love and Other Nepali Stories)
Meg! I love you! I want to marry you!” “That’s weird,” she said without stopping. “Only six weeks ago, you were telling me all about how Lucy broke your heart.” “I was wrong. Lucy broke my brain.” That finally stopped her. “Your brain?” She looked back at him. “That’s right,” he said more quietly. “When Lucy ran out on me, she broke my brain. But when you left . . .” To his dismay, his voice cracked. “When you left, you broke my heart.” He finally had her full attention, not that she looked at all dreamy-eyed or even close to being ready to throw herself into his arms, but at least she was listening. He collapsed the umbrella, took a step forward, then stopped himself. “Lucy and I fit together so perfectly in my head. We had everything in common, and what she did made no sense. I had the whole town lining up feeling sorry for me, and I was damned if I was going to let anybody know how miserable I was. I—I couldn’t get my bearings. And there you were in the middle of it, this beautiful thorn in my side, making me “feel like myself again. Except . . .” He hunched his shoulders, and a trickle of rainwater ran down his collar. “Sometimes logic can be an enemy. If I was so wrong about Lucy, how could I trust the way I felt about you?” She stood there, not saying a word, just listening. “I wish I could say I realized how much I loved you as soon as you left town, but I was too busy being mad at you for bailing on me. I don’t have a lot of practice being mad, so it took me a while to understand that the person I was really mad at was myself. I was so pigheaded and stupid. And afraid. Everything has always come so easy for me, but nothing about you was easy. The things you made me feel. The way you forced me to look at myself.” He could barely breathe. “I love you, Meg. I want to marry you. I want to sleep with you every night, make love with you, have kids. I want to fight together and work together and—just be together. Now are you going to keep standing there, staring at me, or could you put “me out of my misery and say you still love me, at least a little?
Susan Elizabeth Phillips (Call Me Irresistible (Wynette, Texas, #6))
You can talk about love all day, but until you feel it, you might as well be an albino under an umbrella.
Jarod Kintz (This Book is Not for Sale)
Love is like an umbrella. It protects us from the storms of life.
Joanie Bruce
I love ebooks. I love the idea of storing books in “The Cloud”, because honestly, reading and rainy days go together like peanut butter and umbrellas.
Jarod Kintz (This Book is Not for Sale)
A car is a couch with wheels. My windshield wipers don’t work, so I’ve decided to stop watering my living room carpet. Honk if you want coffee, and I’ll pour you an umbrellaful.
Jarod Kintz (I love Blue Ribbon Coffee)
I got your love out of the umbrella cabinet. I hope you weren’t saving it for a rainy day.
Jarod Kintz (This Book is Not for Sale)
Grace is already pouring down on you. In buckets. But so many of us are holding umbrellas over our heads, trying to protect ourselves
Christi Paul (Love Isn't Supposed to Hurt)
This was how Christians had fallen under the umbrella of being judgmental and narrow-minded. The idea that one sin could be singled out as the worst, the area God disliked most.
Karen Kingsbury (The Bailey Flanigan Collection: Leaving / Learning / Longing / Loving (Bailey Flanigan, #1-4))
I am a plant, she said, I need fire, earth, water. Otherwise I will be stunted. And: Is marriage not such a stunting? The fire goes out. The wind grows weak. The earth dries out. The water dwindles. I would die. You too. She tossed her hair over her shoulders. Purple lavender. And what if it wasn't like that, I argued. What if the daily routine, our daily routine, is my promise to you? Your toothbrush next to mine. You get annoyed because I've forgotten to turn the light off in the bathroom. We choose wallpaper we think is horrible a year later. You tell me I'm getting a belly. Your forgetfulness. You've left your umbrella somewhere again. I snore, you can't sleep. In my dream I whisper your name...You tie my tie. Wave goodbye to me as I go to work. I think: you are like a fluttering flag. I think it with a stabbing pain in my heart. For Heaven's sake, is that not enough? Is that not enough to be happy? She turned away: Give me time. I'll think about it.
Milena Michiko Flašar (I Called Him Necktie)
Modern love is complicated, 複雜, a term that is even more complicated in Chinese, used as it is for anything too difficult to explain, tackle or resolve, much like the state of our city in these times. Umbrellas foster revolutions and filibustering passes for a political process. To be 複雜 is almost to deny resolution. Perhaps we are afraid of the possible outcome, and to deny ... what is it we deny? Accountability? Fault? Responsibility?
Xu Xi (Dear Hong Kong: An Elegy to a City (Penguin Specials: The Hong Kong Series))
Love is.... it's bringing an umbrella when rain is forecasted, but, like not for you. It's serenading someone off-key in the kitchen while they chop red peppers lenghtwise because they know you like them better that way. It's pulling the car in backward at night because your parner gets edgy when they have to back into morning traffic. It's buying moisturizer in bulk because one time they mentioned they liked the scent. It's noticing things.Seeing parts of them even they might not know exist because you've been studying them since the moment you first laid eyes on them. It's memorizing their phone number even if you have it programmed because God forbid you ever lost your contacts. It's reading their mood by the song blaring through their headphones. It's experiencing something so extraordinary you can't tell if it was just that mind-blowing or if it's only because they were there with you that you were so affected by it.
Erin Hahn (More Than Maybe)
Am I on your page?" Jesse asked. Rosie knew Jesse liked her, loved her, maybe, but this was not about that. "Yes," Rosie said, making eye contact with Jesse. "How could you not be on my page? ... (But) even though we are on the same page, we see the page differently," Rosie had continued, enjoying the moment, "my page -- which I admit you are on -- is not the page that you think you are on. You will never see the page the same as me. You cannot look through my eyes and see what I see.
Denny Taylor (Rosie's Umbrella)
But this is something quite new!" said Mrs. Munt, who collected new ideas as a squirrel collects nuts, and was especially attracted by those that are portable. "New for me; sensible people have acknowledged it for years. You and I and the Wilcoxes stand upon money as upon islands. It is so firm beneath our feet that we forget its very existence. It's only when we see someone near us tottering that we realize all that an independent income means. Last night, when we were talking up here round the fire, I began to think that the very soul of the world is economic, and that the lowest abyss is not the absence of love, but the absence of coin." "I call that rather cynical." "So do I. But Helen and I, we ought to remember, when we are tempted to criticize others, that we are standing on these islands, and that most of the others are down below the surface of the sea. The poor cannot always reach those whom they want to love, and they can hardly ever escape from those whom they love no longer. We rich can. Imagine the tragedy last June if Helen and Paul Wilcox had been poor people and could not invoke railways and motor-cars to part them." "That's more like Socialism," said Mrs. Munt suspiciously. "Call it what you like. I call it going through life with one's hand spread open on the table. I'm tired of these rich people who pretend to be poor, and think it shows a nice mind to ignore the piles of money that keep their feet above the waves. I stand each year upon six hundred pounds, and Helen upon the same, and Tibby will stand upon eight, and as fast as our pounds crumble away into the sea they are renewed—from the sea, yes, from the sea. And all our thoughts are the thoughts of six-hundred-pounders, and all our speeches; and because we don't want to steal umbrellas ourselves, we forget that below the sea people do want to steal them, and do steal them sometimes, and that what's a joke up here is down there reality—
E.M. Forster (Howards End)
I always felt that someone, a long time ago, organized the affairs of the world into areas that made sense-catagories of stuff that is perfectible, things that fit neatly in perfect bundles. The world of business, for example, is this way-line items, spreadsheets, things that add up, that can be perfected. The legal system-not always perfect, but nonetheless a mind-numbing effort to actually write down all kinds of laws and instructions that cover all aspects of being human, a kind of umbrella code of conduct we should all follow. Perfection is crucial in building an aircraft, a bridge, or a high-speed train. The code and mathematics residing just below the surface of the Internet is also this way. Things are either perfectly right or they will not work. So much of the world we work and live in is based upon being correct, being perfect. But after this someone got through organizing everything just perfectly, he (or probably a she) was left with a bunch of stuff that didn't fit anywhere-things in a shoe box that had to go somewhere. So in desperation this person threw up her arms and said, 'OK! Fine. All the rest of this stuff that isn't perfectible, that doesn't seem to fit anywhere else, will just have to be piled into this last, rather large, tattered box that we can sort of push behind the couch. Maybe later we can come back and figure where it all is supposed to fit in. Let's label the box ART.' The problem was thankfully never fixed, and in time the box overflowed as more and more art piled up. I think the dilemma exists because art, among all the other tidy categories, most closely resembles what it is like to be human. To be alive. It is our nature to be imperfect. The have uncategorized feelings and emotions. To make or do things that don't sometimes necessarily make sense. Art is all just perfectly imperfect. Once the word ART enters the description of what you're up to , it is almost getting a hall pass from perfection. It thankfully releases us from any expectation of perfection. In relation to my own work not being perfect, I just always point to the tattered box behind the couch and mention the word ART, and people seem to understand and let you off the hook about being perfect a go back to their business.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
And yet, in Raissa, at every moment there is a child in a window who laughs seeing a dog that has jumped on a shed to bite into a piece of polenta dropped by a stonemason who has shouted from the top of the scaffolding, "Darling, let me dip into it," to a young servant-maid who holds up a dish of ragout under the pergola, happy to serve it to the umbrella-maker who is celebrating a successful transaction, a white lace parasol bought to display at the races by a great lady in love with an officer who has smiled at her taking the last jump, happy man, and still happier his horse, flying over the obstacles, seeing a francolin flying in the sky, happy bird freed from its cage by a painter happy at having painted it feather by feather, speckled with red and yellow in the illumination of that page in the volume where the philosopher says: "Also in Raissa, city of sadness, there runs an invisible thread that binds one living being to another for a moment, then unravels, then is stretched again between moving points as it draws new and rapid patterns so that at every second the unhappy city contains a happy city unaware of its own existence.
Italo Calvino (Invisible Cities)
I love you, I need you you mean so much to me I will always be there for you. I will give you everything take care of you forever. I want to be with you always. I can't live without you. The Next Day: I'm sorry about last night. You know how I get when I drink too much, right? Really sorry.
Heather Beck (Awad) (The Girl With the Blue Umbrella)
In life, most people say they want to fall in love. By that they mean a few things, none of which is actually part of the emotion. What people mean (ticking off on fingers): 1) They want to find someone who solves—or makes otherwise irrelevant through the delirious happiness they inspire—the umbrella problem of life: What is the meaning of it?; 2) They want to find someone who makes them want no one else, someone they feel totally confident that they are in love with, with no doubts; 3) They want to find someone who they feel totally confident is in love with them, so that instead of going through the painful process of looking deep inside themselves for worth they can outsource the task of identifying it; 4) Later, when such things become worrisome, pangs in the night, at the grocery store, while cooking, countless sad dinners for one, they want someone who will take care of them when they die. This vision of love is totally unrealistic, it just doesn’t happen, but there’s always the sense that it could, and that imagined possibility drives the whole system of despair and broken dreams that has everyone settling for that guy from high school, or whatever, he concluded.
Lauren Oyler (Fake Accounts)
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)
The North Korean capital, Pyongyang, is a city consecrated to the worship of a father-son dynasty. (I came to think of them, with their nuclear-family implications, as 'Fat Man and Little Boy.') And a river runs through it. And on this river, the Taedong River, is moored the only American naval vessel in captivity. It was in January 1968 that the U.S.S. Pueblo strayed into North Korean waters, and was boarded and captured. One sailor was killed; the rest were held for nearly a year before being released. I looked over the spy ship, its radio antennae and surveillance equipment still intact, and found photographs of the captain and crew with their hands on their heads in gestures of abject surrender. Copies of their groveling 'confessions,' written in tremulous script, were also on show. So was a humiliating document from the United States government, admitting wrongdoing in the penetration of North Korean waters and petitioning the 'D.P.R.K.' (Democratic People's Republic of Korea) for 'lenience.' Kim Il Sung ('Fat Man') was eventually lenient about the men, but not about the ship. Madeleine Albright didn't ask to see the vessel on her visit last October, during which she described the gruesome, depopulated vistas of Pyongyang as 'beautiful.' As I got back onto the wharf, I noticed a refreshment cart, staffed by two women under a frayed umbrella. It didn't look like much—one of its three wheels was missing and a piece of brick was propping it up—but it was the only such cart I'd see. What toothsome local snacks might the ladies be offering? The choices turned out to be slices of dry bread and cups of warm water. Nor did Madeleine Albright visit the absurdly misnamed 'Demilitarized Zone,' one of the most heavily militarized strips of land on earth. Across the waist of the Korean peninsula lies a wasteland, roughly following the 38th parallel, and packed with a titanic concentration of potential violence. It is four kilometers wide (I have now looked apprehensively at it from both sides) and very near to the capital cities of both North and South. On the day I spent on the northern side, I met a group of aging Chinese veterans, all from Szechuan, touring the old battlefields and reliving a war they helped North Korea nearly win (China sacrificed perhaps a million soldiers in that campaign, including Mao Anying, son of Mao himself). Across the frontier are 37,000 United States soldiers. Their arsenal, which has included undeclared nuclear weapons, is the reason given by Washington for its refusal to sign the land-mines treaty. In August 1976, U.S. officers entered the neutral zone to trim a tree that was obscuring the view of an observation post. A posse of North Koreans came after them, and one, seizing the ax with which the trimming was to be done, hacked two U.S. servicemen to death with it. I visited the ax also; it's proudly displayed in a glass case on the North Korean side.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
I don’t know how I know about things. I just do, I just happen to know stuff about stuff. A cross for me to bear for sure, in particular when it comes to my mind-blowing talent for spotting evil. As talents go, looks like I drew a short straw yet again, because what’s the point in clocking a shitstorm charging at you at fifty million miles per hour, I mean it’s not like you come equipped with an umbrella that’s capable of withstanding such force. No such thing exists, unless the Japanese have invented it whilst I was busy looking the other way, namely towards this epic shitstorm that by the way keeps following me no matter where I go. Nothing I can do about that, except sit there, waiting to be hit.
Olga Bogdan, Igor: Wrong Place Wrong Time
He knew he loved her in February: steam leaving the mug of coffee in her hands in thick curls; her hair a snarled mess around her shoulders; the morning on the other side of the window bitter and windswept; her face lovely, pale, and lonely in a way he didn’t understand. She sat in the chair in his bedroom, in his shirt and a pair of socks that went up to her knees, gooseflesh on her slender legs. A copy of Oliver Twist had been open across the arm of the chair. “I think it might snow today,” she’d said, and he’d been completely in love with her. He thought she might have loved him back in March: in from the rain; his clothes stuck to his skin; the umbrella showering the hardwood of her entry hall; the dinner she’d planned forgotten when he’d helped her out of her jacket and she’d been shivering with cold. That day, when she’d pushed his wet shirt back off his shoulders and stretched up on her toes to kiss him, he was sure there was something new shining deep down in her coffee-colored eyes. “You’re so cute,” she’d said, and he’d known: she loved him.
Lauren Gilley (Better Than You (Walker Family, #0.5))
Monsoon Love is a love story with a few comic twists. The idea for this story came to me when I went into the local town of Pokhara with a friend to buy his son a birthday present. We had just arrived at the shops when a heavy down pour began, and as we had arrived on his motorbike and didn’t have raincoats or umbrellas so we had to wait for the rain to stop. We were standing under a awning watching the street while we waited, and I noticed this very beautiful young woman walk past me dressed in a t-shirt and jeans with the cuffs rolled half up her legs, but the way she held her umbrella made it impossible to see her face, though with the nice body she had her face must have been just as lovely. Then I though, imagine some guy stuck working in an office, and seeing a view like that every day of the same woman, and falling in love with her despite not seeing her face.
Andrew James Pritchard
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Consider just a few of the expressions that fall under the umbrella ARGUMENT IS WAR, collected by the linguist George Lakoff and the philosopher Mark Johnson. Your claims are indefensible. He attacked every weak point in my argument. His criticisms were right on target. I demolished his argument. I've never won an argument with her. You don't agree? Okay, shoot! If you use that strategy, he'll wipe you out. She shot down all of my arguments. Or the many variations of LOVE IS A JOURNEY: Our relationship has hit a dead-end street. It's stalled; we can't keep going the way we've been going. Look how far we've come. It's been a long, bumpy road. We can't turn back now. We're at a crossroads. We may have to go our separate ways. The relationship isn't going anywhere. We're spinning our wheels. Our relationship is off the track. Our marriage is on the rocks. I'm thinking of bailing out.
Steven Pinker (The Stuff of Thought: Language as a Window into Human Nature)
Like a Small Cafi, That's Love" Like a small cafe on the street of strange.— that's love... its doors open to all. Like a cafe that expands and commas with the w.then if it pours with rain its customers increase, if the weather's fm, they are few and weary... I am here, stranger, sitting in the comer. (What color .e your eyes? What is your name? How shall I call to you as you pass hy, as I sit waiting for you?) A small caa, that's love. I order two glass. of wine and drink to my health and yours. I am carrying two caps and umbrella. It is raining now. It is raining more than ever, and you do not come hA I say to myself at last: Perhaps she who I was waiting for was waiting for me, or was waiting for some other ma, or was waiting for us, and did not find him/me. She would sap Here I am waiting for you. (What color are your eyes? What is your name? What kind of wine do you prefer? How shall I call to you when you pass hyl) A small that's love...
Mahmoud Darwish (كزهر اللوز أو أبعد)
I waited for years for my infatuation to blow over, managing it like a chronic illness. But suppression only sustains and intensifies passion instead of letting it peter out into domesticity, the way the narrow glass canyons of Manhattan Venturi the winds to a pitch that rips umbrellas inside out. Kati Jo used to say she wished Lauren and I could just fuck so I'd get it out of my system, but I never wanted anything as feasible as an affair. I never imagined that Lauren might leave her husband, or entertained shameful little daydreams about his death. The only scenario I could plausibly picture that would bring us together was not Lars's death but my own. I would contract some painless terminal illness that would entitle me to ask Lauren to sit at my bedside in my last months and read to me or bring me little sandwiches. I couldn't envision any realistic way of changing this world; what I wanted was to live in a different one. I was never really a reformer, but a utopian.
Tim Kreider (I Wrote This Book Because I Love You: Essays)
The poor cannot always reach those whom they want to love, and they can hardly ever escape from those whom they love no longer. We rich can. Imagine the tragedy last June, if Helen and Paul Wilcox had been poor people, and couldn't invoke railways and motor-cars to part them." "That's more like Socialism," said Mrs. Munt suspiciously. "Call it what you like. I call it going through life with one's hand spread open on the table. I'm tired of these rich people who pretend to be poor, and think it shows a nice mind to ignore the piles of money that keep their feet above the waves. I stand each year upon six hundred pounds, and Helen upon the same, and Tibby will stand upon eight, and as fast as our pounds crumble away into the sea they are renewed--from the sea, yes, from the sea. And all our thoughts are the thoughts of six-hundred-pounders, and all our speeches; and because we don't want to steal umbrellas ourselves, we forget that below the sea people do want to steal them and do steal them sometimes, and that what's a joke up here is down there reality.
E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
But I learned at my expense that Father believed there was another animal even more dangerous than us, and one that was extremely common, too, found on every continent, in every habitat: the redoubtable species Animalus anthropomorphicus, the animal as seen through human eyes. We've all met one, perhaps even owned one. It is an animal that is "cute", "friendly", "loving", "devoted", "merry", "understanding". These animals lie in ambush in every toy store and children's zoo. Countless stories are told of them. They are the pendants of those "vicious", "bloodthirsty", "depraved" animals that inflame the ire of the maniacs I have just mentioned, who vent their spite on them with walking sticks and umbrellas. In both cases we look at an animal and see a mirror. The obsession with putting ourselves at the centre of everything is the bane not only of theologians but also of zoologists. I learned the lesson that an animal is an animal, essentially and practically removed from us, twice: once with Father and once with Richard Parker. Martel, Yann. Life of Pi (p. 39). Houghton Mifflin Harcourt.
Yann Martel (Life of Pi)
Mr. Bhaer saw the drops on her cheeks, ... The sight seemed to touch him very much, for suddenly stooping down, he asked in a tone that meant a great deal, "Heart's dearest, why do you cry?" Now, if Jo had not been new to this sort of thing she would have said she wasn't crying, had a cold in her head, or told any other feminine fib proper to the occasion. Instead of which, that undignified creature answered, with an irrepressible sob, "Because you are going away." "Ach, mein Gott, that is so good!" cried Mr. Bhaer, managing to clasp his hands in spite of the umbrella and the bundles, "Jo, I haf nothing but much love to gif you. I came to see if you could care for it, and I waited to be sure that I was something more than a friend. Am I? Can you make a little place in your heart for old Fritz?" he added, all in one breath. "Oh, yes!" said Jo, and he was quite satisfied, for she folded both hands over his arm, and looked up at him with an expression that plainly showed how happy she would be to walk through life beside him, even though she had no better shelter than the old umbrella, if he carried it.
Louisa May Alcott
Harvard psychologist Daniel Gilbert talks about this phenomenon in his 2006 book, Stumbling on Happiness. “The greatest achievement of the human brain is its ability to imagine objects and episodes that do not exist in the realm of the real,” he writes. “The frontal lobe—the last part of the human brain to evolve, the slowest to mature, and the first to deteriorate in old age—is a time machine that allows each of us to vacate the present and experience the future before it happens.” This time travel into the future—otherwise known as anticipation—accounts for a big chunk of the happiness gleaned from any event. As you look forward to something good that is about to happen, you experience some of the same joy you would in the moment. The major difference is that the joy can last much longer. Consider that ritual of opening presents on Christmas morning. The reality of it seldom takes more than an hour, but the anticipation of seeing the presents under the tree can stretch out the joy for weeks. One study by several Dutch researchers, published in the journal Applied Research in Quality of Life in 2010, found that vacationers were happier than people who didn’t take holiday trips. That finding is hardly surprising. What is surprising is the timing of the happiness boost. It didn’t come after the vacations, with tourists bathing in their post-trip glow. It didn’t even come through that strongly during the trips, as the joy of travel mingled with the stress of travel: jet lag, stomach woes, and train conductors giving garbled instructions over the loudspeaker. The happiness boost came before the trips, stretching out for as much as two months beforehand as the holiday goers imagined their excursions. A vision of little umbrella-sporting drinks can create the happiness rush of a mini vacation even in the midst of a rainy commute. On some level, people instinctively know this. In one study that Gilbert writes about, people were told they’d won a free dinner at a fancy French restaurant. When asked when they’d like to schedule the dinner, most people didn’t want to head over right then. They wanted to wait, on average, over a week—to savor the anticipation of their fine fare and to optimize their pleasure. The experiencing self seldom encounters pure bliss, but the anticipating self never has to go to the bathroom in the middle of a favorite band’s concert and is never cold from too much air conditioning in that theater showing the sequel to a favorite flick. Planning a few anchor events for a weekend guarantees you pleasure because—even if all goes wrong in the moment—you still will have derived some pleasure from the anticipation. I love spontaneity and embrace it when it happens, but I cannot bank my pleasure solely on it. If you wait until Saturday morning to make your plans for the weekend, you will spend a chunk of your Saturday working on such plans, rather than anticipating your fun. Hitting the weekend without a plan means you may not get to do what you want. You’ll use up energy in negotiations with other family members. You’ll start late and the museum will close when you’ve only been there an hour. Your favorite restaurant will be booked up—and even if, miraculously, you score a table, think of how much more you would have enjoyed the last few days knowing that you’d be eating those seared scallops on Saturday night!
Laura Vanderkam (What the Most Successful People Do on the Weekend: A Short Guide to Making the Most of Your Days Off (A Penguin Special from Portfo lio))
There was a short railway official travelling up to the terminus, three fairly short market-gardeners picked up two stations afterwards, one very short widow lady going up from a small Essex town, and a very short Roman Catholic priest going up from a small Essex village. When it came to the last case, Valentin gave it up and almost laughed. The little priest was so much the essence of those Eastern flats; he had a face as round and dull as a Norfolk dumpling; he had eyes as empty as the North Sea; he had several brown-paper parcels, which he was quite incapable of collecting. The Eucharistic Congress had doubtless sucked out of their local stagnation many such creatures, blind and helpless, like moles disinterred. Valentin was a skeptic in the severe style of France, and could have no love for priests. But he could have pity for them, and this one might have provoked pity in anybody. He had a large, shabby umbrella, which constantly fell on the floor. He did not seem to know which was the right end of his return ticket. He explained with a moon-calf simplicity to everybody in the carriage that he had to be careful, because he had something made of real silver "with blue stones" in one of his brown-paper parcels. His quaint blending of Essex flatness with saintly simplicity continuously amused the Frenchman till the priest arrived (somehow) at Tottenham with all his parcels, and came back for his umbrella.
G.K. Chesterton (The Innocence of Father Brown (Father Brown, #1))
Yes, I know I can, for we love one another, and that makes all the rest easy to bear. I have my duty, also, and my work. I couldn't enjoy myself if I neglected them even for you, so there's no need of hurry or impatience. You can do your part out West, I can do mine here, and both be happy hoping for the best, and leaving the future to be as God wills." "Ah! Thou gifest me such hope and courage, and I haf nothing to gif back but a full heart and these empty hands," cried the Professor, quite overcome. Jo never, never would learn to be proper, for when he said that as they stood upon the steps, she just put both hands into his, whispering tenderly, "Not empty now," and stooping down, kissed her Friedrich under the umbrella
Louisa May Alcott (Little Women (Illustrated))
There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?
Louisa May Alcott (Little Women (Little Women #1))
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
Mariam Petrosyan (Дом, в котором...)
somewhere there is a women in China holding a black umbrella so she won’t taste the salt of the rain when the sky begins to weep, there is a 17 year old girl who smells like pomegranates and has summer air tight on her naked skin, wrapping around her scars like veins in a bloody garden, who won’t make it past tomorrow, there is a young man, who buys yellow flowers for the woman in apartment 84B, who learned braille when he realized she couldn’t read his poetry about her white neck and mint eyes there are people watching films, making love for the first time, opening mail with the heading of ‘i miss you’, cooking noodles with organic spices and red sauces, buying lemon detergent, ignoring ‘do not smoke’ signs, painting murals of his lips in abandoned warehouses, chewing the words ‘i love you’ over and over again, swallowing phone numbers and forgotten birthdays, eating strawberry pies, drinking white wine off of each others open mouths, ignoring the telephone, reading this poem somewhere someone is thinking i’m alone somewhere someone finally understands they never really were
Anonymous
Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck. There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual. Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming. Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines. Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress. Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.
Patricia MacLachlan (The Facts and Fictions of Minna Pratt)
Rejecting failure and avoiding mistakes seem like high-minded goals, but they are fundamentally misguided. Take something like the Golden Fleece Awards, which were established in 1975 to call attention to government-funded projects that were particularly egregious wastes of money. (Among the winners were things like an $84,000 study on love commissioned by the National Science Foundation, and a $3,000 Department of Defense study that examined whether people in the military should carry umbrellas.) While such scrutiny may have seemed like a good idea at the time, it had a chilling effect on research. No one wanted to “win” a Golden Fleece Award because, under the guise of avoiding waste, its organizers had inadvertently made it dangerous and embarrassing for everyone to make mistakes. The truth is, if you fund thousands of research projects every year, some will have obvious, measurable, positive impacts, and others will go nowhere. We aren’t very good at predicting the future—that’s a given—and yet the Golden Fleece Awards tacitly implied that researchers should know before they do their research whether or not the results of that research would have value. Failure was being used as a weapon, rather than as an agent of learning. And that had fallout: The fact that failing could earn you a very public flogging distorted the way researchers chose projects. The politics of failure, then, impeded our progress. There’s a quick way to determine if your company has embraced the negative definition of failure. Ask yourself what happens when an error is discovered. Do people shut down and turn inward, instead of coming together to untangle the causes of problems that might be avoided going forward? Is the question being asked: Whose fault was this? If so, your culture is one that vilifies failure. Failure is difficult enough without it being compounded by the search for a scapegoat. In a fear-based, failure-averse culture, people will consciously or unconsciously avoid risk. They will seek instead to repeat something safe that’s been good enough in the past. Their work will be derivative, not innovative. But if you can foster a positive understanding of failure, the opposite will happen. How, then, do you make failure into something people can face without fear? Part of the answer is simple: If we as leaders can talk about our mistakes and our part in them, then we make it safe for others. You don’t run from it or pretend it doesn’t exist. That is why I make a point of being open about our meltdowns inside Pixar, because I believe they teach us something important: Being open about problems is the first step toward learning from them. My goal is not to drive fear out completely, because fear is inevitable in high-stakes situations. What I want to do is loosen its grip on us. While we don’t want too many failures, we must think of the cost of failure as an investment in the future.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them. Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them. Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity. In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them. Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
Kristopher Jansma (Why We Came to the City)