Ukiyo E Quotes

Los pintores japoneses de ukiyo-e que más influyeron en los impresionistas fueron Hiroshige y otro igual de importante y famoso llamado Hokusai, cuyo rastro podía seguirse en todos los impresionistas y postimpresionistas, especialmente en Vincent Van Gogh, que directamente los copiaba.

Having the right brush does not mean you will make the right painting.

I sat down on the bench in front of the print and made some notes. “Katsushika Hokusai. 1760–1849. Japanese printmaker. Leading Japanese expert on Chinese painting. Master of the Ukiyo-e form. Nichiren Buddhist.” Later, at home, I Googled Hokusai. He died at eighty-nine, and sure enough, on his deathbed—still looking to penetrate deeper into his art—he had exclaimed, “If only heaven will give me just another ten years!… Just another five more years, then I could become a real painter.” Hokusai was a man who saw his work as a means to “penetrate to the essential nature” of things. And he appears to have succeeded. His work, a hundred and fifty years after his death, could reach right off a gallery wall and grab me in the gut. More than anything, I was intrigued by the quality of Hokusai’s passion for his work. He helped me see that a life devoted to dharma can be a deeply ardent life.

The ability to perceive and feel, along with the intricacies of family relations unites us as a species. Poets collect succulent physical sense impressions and heartfelt feelings with equal enthusiasm. Poets have the alacrity to see and feel what most of us fail to perceive or otherwise ignore, take for granted, or attempt to forget. Similar to the art of Ukiyo-e (a genre of Japanese woodblock prints and paintings depicting traditional Japanese scenes), poets make the nothingness of our lives come alive. Poets design their sun-filled salvations out of the minutia of nature and the seemingly ordinary happenings of life. Although essayist can also explore the liminal spaces of daily life by probing the avenues of common experiences, essayists are more interested in testing ideas and principles than in invoking memories, sharing feelings, or eliciting emotions.

Ukiyo-e is a type of art created by woodblocks. The term essentially translates to the “pictures of the floating world,

Master sailor Tokuzō has set sail on New Year's Eve even though it is forbidden to do so, whereupon a violent storm breaks out, and the close-cropped head of a massive monster rises out of the waves like a mountain. Unafraid, Tokuzō calls out "Nothing is as scary as making one's living!" and the monster vanishes away.

during this peaceful Sakoku period that unique arts and culture evolved, mostly in Edo and other large cities. These included ukiyo-e woodblock prints, pottery, haiku poetry, kabuki plays and the creation of about 250 varieties of cherry blossom in the Edo gardens of the daimyō lords.

one thing I know for certain is that there’s a big difference between good versus evil, and beauty versus ugliness. For example, you people tend to despise tattoos, as if they were an affront to your puritanical eyes. You seem to see anyone who happens to have a tattoo as a thief or a murderer or some sort of lowlife scum, and that simply isn’t the case at all. In the so-called civilized countries of the West, even among royalty, aristocracy, and members of the upper classes, getting tattooed was a widespread fashion at the turn of the century. And all those people agreed that the Japanese tattoo was the absolute zenith of the art form, on a par with our famous ukiyo-e woodblock prints. If you people in the police department could just learn to look at tattoos with a slightly more artistic eye, I think you might be surprised to discover the strange beauty there. I don’t mean to climb on my soapbox, but I really think Japan should use our defeat in that stupid war as a time for national rebirth. We need to repeal the senseless ban on tattoos, once and for all.

His 1831 wood-block series, “Thirty-Six Views of Mount Fuji,” is the world’s most famous work of ukiyo-e, and one of these prints in particular, The Great Wave of Kanagawa, is one of the most famous works of Japanese art.