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The stakes of pitting disinhibition and freedom against inhibition and beauty extend far beyond the world of art. As I write, the alt-ring is waging what Wendy Brown has described as “a brilliant… campaign” to associate “anti-egalitarian, anti-immigrant, and anti-responsibility, sentiments with freedom and fun,” while casting “left and liberal commitments as repressive, regulatory, grim, and policing.” This campaign seduces its would-be converts with the promise of release from responsibilities of all kinds, be it “for the self, for others, for the world, for a social compact with others, for a social compact with the future, in the name of a certain kind of political and social disinhibition”. Brown’s warning – which has deepened in urgency over the time I've spent writing this book – is that the fusion of this libidinal “freedom and fun” with a “new authoritarian statism” has formidable velocity and power, with their particular capacity to appeal to “the young, the immature, the reckless and the wounded.” This fusion, Brown says, lands us in “deeper trouble than we knew,” and requires that we “think really hard about what strategies would most successfully counter” it.
(quote from a March 2017b talk titled “Populism, Authoritarianism, and Making Fascism Fun Again”, Brown gave at the UCSD International Institute.
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