Twisted Jokes Quotes

We've searched our database for all the quotes and captions related to Twisted Jokes. Here they are! All 100 of them:

David furrowed his brow. "I ... I don't understand half of what goes on around me. I don't get jokes or sunsets or poetry, but I know metal." His fingers flexed unconsciously as if he were physically grasping for words. "Beauty was your armor. Fragile stuff, all show. But what's inside you? That's steel. It's brave and unbreakable. And it doesn't need fixing." He drew in a deep breath then awkwardly stepped forward. He took her face in his hands and kissed her. Genya went regid. I thought she'd push him away. But then she threw her arms around him and kissed him back. Emphatically. Mal cleared his throat, and Tamar gave a low whistle. I had to bite my lip to stifle a nervous laugh. They broke apart. David was blushing furiously. Genya's grin was so dazzling it made my heart twist in my chest.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
I'll see you there little Red.' Fane’s voice faded out of her mind and she could feel his humor. Oh, wasn't he just too cute, picking up on her two best friends' idea of a sick joke - to turn her into the little girl who almost wound up as the wolf's dinner. "My, what big eyes you have, wolf-man," Jacque said out loud, unable to stop her sarcasm from boiling up. “The better to see you with love,” Jen chimed in. “What big ears you have!” Sally continued their comic relief. “The better to hear you with my love,” Jen followed. “What big teeth you have!” Sally mocked, her hands on either side of her face. “The better to eat you with my love,” Jen cackled, but she wasn’t finished. True to Jen form she added her own twisted sense of humour. “My, what a big-“ Sally slapped a hand over her mouth, quickly realising where Jen was going with that statement.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
Why…” I trailed off again when he fiddled with something on his phone and soft music filled the air. “We never got to dance at the wedding,” he said simply. “You don’t like it when I dance,” I half-joked, trying to hide the emotion welling in my chest. What happened in the library during Nikolai’s reception would forever be etched in my mind. “I love it when you dance. But only with me.” He placed his free hand on the small of my back. “You don’t dance.” “Only with you.” The burn intensified. “Careful, Mr. Larsen, or I’ll think you actually like me.” His mouth curled into a grin. “Baby, we’re way beyond like.
Ana Huang (Twisted Games (Twisted, #2))
The common denominator of all jokes is a path of expectation that is diverted by an unexpected twist necessitating a complete reinterpretation of all the previous facts — the punch-line…Reinterpretation alone is insufficient. The new model must be inconsequential. For example, a portly gentleman walking toward his car slips on a banana peel and falls. If he breaks his head and blood spills out, obviously you are not going to laugh. You are going to rush to the telephone and call an ambulance. But if he simply wipes off the goo from his face, looks around him, and then gets up, you start laughing. The reason is, I suggest, because now you know it’s inconsequential, no real harm has been done. I would argue that laughter is nature’s way of signaling that "it’s a false alarm." Why is this useful from an evolutionary standpoint? I suggest that the rhythmic staccato sound of laughter evolved to inform our kin who share our genes; don’t waste your precious resources on this situation; it’s a false alarm. Laughter is nature’s OK signal.
V.S. Ramachandran (A Brief Tour of Human Consciousness: From Impostor Poodles to Purple Numbers)
But if you knew that, why on earth did you marry her?" Rosemary asked. "Why?" Rhett's mouth twisted in a smile. "Because she was so full of fire and so recklessly, stubbornly brave.Because she was such a child beneath all her pretenses.Because she was unlike any woman I had ever known. She fascinated me,infuriated me, drove me mad. I loved her as consumingly as she loved him. From the day I first laid eyes on her. It was a kind of disease." There was a weight of sorrow in his voice. He bowed his head into his two hands and laughed shakily. His voice was muffled and blurred by his fingers. "What a grotesque practical joke life is. Now Ashley Wilkes is a free man and would marry Scarlett on a moment's notice, and I want to be rid of her. Naturally that makes her determined to have me. She wants only what she cannot have." Rhett raised his head. "I'm afraid," he said quietly, "afraid that it will all begin again. I know that she's heartless and completely selfish, that she's like a child who cries for a toy and then breaks it once she has it. But there are moments when she tilts her head at a certain angle, or she smiles that gleeful smile, or she suddenly looks lost-and I come close to forgetting what I know.
Alexandra Ripley (Scarlett)
The real joke that history played on American women is not the one that makes people snigger, with cheap Freudian sophistication, at the dead feminists. It is the joke that Freudian thought played on living women, twisting the memory of the feminists into the man-eating phantom of the feminine mystique, shriveling the very wish to be more than just a wife and mother.
Betty Friedan (The Feminine Mystique)
It's hard to see where we're going since it's now dark, and I wonder if in some ironic twist of fate, we'll soar over the cliff without even realizing it. Like the universe's final joke: you can't plan your death, even when you try.
Jasmine Warga (My Heart and Other Black Holes)
The TARDIS can look like whatever it wants.
Mora Early (Twisted Arrangement (Twisted, #1))
I love capturing memories. Emotion that’s usually fleeting being frozen forever in time. The wisdom in the gaze of a person who’s lived a full life. The look in someone’s eyes when they realize they’re in love. The joy in their face when they’re laughing at a joke. Photographs help us remember things we’d otherwise forget.
Emily McIntire (Twisted (Never After, #4))
Life, the dramatist of speed. Life, that couldn't stop with its foreshadows and ironies and symbols and clues, its wretched jokes and false endings and twists. Life with its hopeless addiction to plot.
Glen Duncan (Talulla Rising (The Last Werewolf, #2))
Ethnic jokes are the last refuge of a bankrupt intellect.
Tim Dorsey (Triggerfish Twist (Serge Storms, #4))
Don't bother looking for the meaning of it all. There isn't one. Maybe not, but life compulsively dangled the possibility. Life, the dramatist on speed. Life, that couldn't stop with its foreshadows and ironies and symbols and clues, its wretched jokes and false endings and twists. Life with its hopeless addiction to plot.
Glen Duncan (Talulla Rising (The Last Werewolf, #2))
I think my heart is defective," Jillian says. I have to force myself to smile Jan looks at me. I get the joke, but for some reason it just isn't funny right now. "I can fix that," Jeremy says, taking Jillian's headband from her. He pulls out the battery and looks at the wires that run from it. He twists one of them a little with his fingers and reinserts the battery. "You are so nerdy," Jillian says. I look over at her. It's not what she said, but how she said it. It almost sounded like a compliment. "Yay," Jillian says, when he flips the switch and both hearts stay lit. Jillian takes the headband from him and slips it on. She wobbles her head making them clack together. "Jeremy," she says, grinning at him. "You fixed my broken heart.
Heather Hepler (Love? Maybe.)
So, you care about me now,’ I said, meaning to make a joke of it, but it came out soft and low and full of something guttural that made me embarrassed. ‘Why?’ “Because I don’t know anybody like you. You’re like … a rare artefact. And it would be a shame if you got broken.’ Amusement spluttered from me in the most unattractive way. ‘Are you really comparing me to an antique right now? Oh my God, you nerd.” He started laughing, and the carefree melody of it swept me up until I was laughing too, and it was absurd because our families were being threatened and murdered and there we were squished together in a hundred-degree heat outside a maximum security prison, and we used to hate each other and now we were laughing so hard I had tears in my eyes. He composed himself first, but it took a while and I was left choking my laughter into silence. ‘What I meant was,’ his face twisted into a quiet smile that felt secret and deadly, ‘you’re a bright spark, Sophie. And I don’t want anyone to snuff you out.’ ‘Oh.’ Well I couldn’t make fun of that. Was I supposed to say something back? Wasn’t that how compliments worked? The silence was growing and suddenly his words felt heavy and important and he was so close to me and I was perspiring and panicking, and … and I said, ‘And you’re kind of like a snowflake.’ Oh, Jesus Christ. He masked his fleeting surprise with a quirked eyebrow. ‘Excuse me?’ ‘Nothing,’ I said quickly. ‘I didn’t say anything.’ ‘No, no,’ he said, rounding on me so his face was too close, his eyes too searing, his smile too irritating. ‘I’m a snowflake, am I?’ ‘Shut up. Seriously.’ I pulled wisps of loose hair around my cheeks. ‘Shut up.’ ‘I think you were trying to tell me I was special.’ ‘Icy,’ I said. ‘I meant you were icy.’ I could practically taste his glee. I was floundering, and he was relishing it. ‘And unique, in that you’re uniquely annoying,’ I added. ‘God, you’re annoying.
Catherine Doyle (Inferno (Blood for Blood, #2))
The young man was sincerely but placidly in love. He delighted in the radiant good looks of his betrothed, in her health, her horsemanship, her grace and quickness at games, and the shy interest in books and ideas that she was beginning to develop under his guidance. She was straightforward, loyal, and brave; she had a sense of humour (chiefly proved by her laughing at his jokes); and he suspected, in the depths of her innocently-gazing soul, a glow of feeling that it would be a joy to waken. But when he had gone the brief round of her he returned discouraged by the thought that all this frankness and innocence were only an artificial product. Untrained human nature was not frank and innocent; it was full of the twists and defences of an instinctive guile. And he felt himself oppressed by this creation of factitious purity, so cunningly manufactured by a conspiracy of mothers and aunts and grandmothers and long-dead ancestresses, because it was supposed to be what he wanted, what he had a right to, in order that he might exercise his lordly pleasure in smashing it like an image made of snow.
Edith Wharton (The Age of Innocence)
Told you to get him a bell.
Mora Early (Twisted Arrangement (Twisted, #1))
There's something about courting the darkness that makes some people see the truth in raw, twisted ways, as though they were shining a black light on life to illuminate the absurdity of it all. Comics tell you a truth you can only see from the underside of the psyche. At its best, comedy is prophesy and societal dream interpretation. At its worst it's just dick jokes.
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
Most laughs—hell, most people—were fake. They woke up every morning and put on a mask according to what they wanted that day and who they wanted the world to see. They smiled at people they hated, laughed at jokes that weren’t funny, and kissed the asses of those they secretly hoped to dethrone.
Ana Huang (Twisted Love (Twisted, #1))
Which is an interactive sport for our family, since Gil likes to groan over the writing and point out the plot twists ahead of time, and Jeremy tears his hair out over the historical inaccuracies, and Dad makes corny jokes, till Mom reminds us, loudly, that some people are trying to watch the movie. Then we'll all quiet down for about five minutes, until Olivia remarks that the costume designer should have dressed the star in kitten heels instead, because it's a lot harder to run in stilettos.
Caitlen Rubino-Bradway (Ordinary Magic)
I arrived next to them right as she laughed at something he said. It rang through the air like silver bells, and the tic in my jaw pulsed harder. He didn’t deserve her laugh. “Something funny?” I asked, masking my ire with an expression of cool indifference. Surprise and wariness flared in Ava’s eyes at the sight of me. Good. She should be wary. She should be fucking home, safe and sound, instead of dancing with a manwhore like Colton and letting him put his hands all over her. “I was just telling her a joke.” Colton chuckled but shot me a warning look that said, Why are you cockblocking, man? He was lucky if all I did was cockblock. I was tempted to break every bone in his hand for touching her like that. “You mind? We’re in the middle of a dance.” “Actually, it’s my turn.” I maneuvered myself between them and pulled him off her with a little more force than necessary. Colton flinched. “You have to leave the gala early. Business calls.
Ana Huang (Twisted Love (Twisted, #1))
People aren’t really needed for anything else in the Griftopia, but since Americans require the illusion of self-government, we have elections. To make sure those elections are effectively meaningless as far as Wall Street is concerned, two things end up being true. One is that voters on both sides of the aisle are gradually weaned off that habit of having real expectations for their politicians, consuming the voting process entirely as culture-war entertainment. The other is that millions of tenuously middle-class voters are conned into pushing Wall Street’s own twisted greed ethos as though it were their own. The Tea Party, with its weirdly binary view of society as being split up cleanly into competing groups of producers and parasites—that’s just a cultural echo of the insane greed-is-good belief system on Wall Street that’s provided the foundation/excuse for a generation of brilliantly complex thievery. Those beliefs have trickled down to the ex-middle-class suckers struggling to stay on top of their mortgages and their credit card bills, and the real joke is that these voters listen to CNBC and Fox and they genuinely believe they’re the producers in this binary narrative. They don’t get that somewhere way up above, there’s a group of people who’ve been living the Atlas dream for real—and building a self-dealing financial bureaucracy in their own insane image.
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
She smiled, not as widely as before, but with a cheeky twist to her pursed lips. “So what you’re saying is, I’m your brand of heroin?” I almost laughed with surprise. She was doing what I was always trying to do—make a joke, lighten the mood, deescalate—only she was successful. “Yes, you are exactly my brand of heroin.
Stephenie Meyer (Midnight Sun (Twilight, #5))
She didn’t waver or change countenance at all; she continued her grave descent. But in an instant, as though green gelatins had been slid one by one in front of every light in the ballroom, she saw the scene differently. She saw a tawdry mockery of sacred things, a bourgeois riot of expense, with a special touch of vulgar Jewish sentimentality. The gate of roses behind her was comical; the flower-massed canopy ahead was grotesque; the loud whirring of the movie camera was a joke, the scrambling still photographer in the empty aisle, twisting his camera at his eye, a low clown. The huge diamond on her right hand capped the vulgarity; she could feel it there; she slid a finger to cover it. Her husband waiting for her under the canopy wasn’t a prosperous doctor, but he was a prosperous lawyer; he had the mustache Noel had predicted; with macabre luck Noel had even guessed the initials. And she—she was Shirley, going to a Shirley fate, in a Shirley blaze of silly costly glory. All this passed
Herman Wouk (Marjorie Morningstar)
Are you worried about him that much?” “O-…..of course, he’s my friend.” “You become angered at my female friends, and yet you’re saying that I should silently consent to your male friends?” Isn’t that a twisted comparison? “Now listen, Kelpie isn’t a male friend but a fairy friend. Even if you were to blindly love a canary, no one would be jealous.” “I don’t think so. If a peacock were to open up its feathers to court you, I would shoot it dead.” She wanted to think he was joking, but his ash mauve eyes were serious.
Mizue Tani (取り換えられたプリンセス (伯爵と妖精 #6))
Don't be ridiculous. Brussels sprouts are awful. Jail is just jail.
Mora Early (Twisted Arrangement (Twisted, #1))
Language is twisted
Deyth Banger (Jokes From A (BJ's Life #2))
Ahh ugh.. ., you are a smartass… Twisted fuck!
Deyth Banger (Jokes From A (BJ's Life #1))
I need to teach you a lesson about joking with me. Especially about other men.
Ana Huang (Twisted Games (Twisted, #2))
Making jokes about STDs. How original. I hope your oral arguments are more creative, or you’ll have a tough time in the legal world. Assuming you pass the bar, of course.
Ana Huang (Twisted Hate (Twisted, #3))
Jules Ambrose, speechless. I should’ve done this earlier,” Josh joked. “Would’ve saved me a lot of headaches in the past.
Ana Huang (Twisted Hate (Twisted, #3))
The theory is that humor results when our expectations are violated. A verbal joke uses twisted logic, where events don't occur as we believe they should.
Dean Burnett (Idiot Brain: What Your Head Is Really Up To)
And yet (this was the murky part, this was what bothered me) there had also been other, way more confusing and fucked-up nights, grappling around half-dressed, weak light sliding in from the bathroom and everything haloed and unstable without my glasses: hands on each other, rough and fast, kicked-over beers foaming on the carpet – fun and not that big of a deal when it was actually happening, more than worth it for the sharp gasp when my eyes rolled back and I forgot about everything; but when we woke the next morning stomach-down and groaning on opposite sides of the bed it receded into an incoherence of backlit flickers, choppy and poorly lit like some experimental film, the unfamiliar twist of Boris’s features fading from memory already and none of it with any more bearing on our actual lives than a dream. We never spoke of it; it wasn’t quite real; getting ready for school we threw shoes, splashed water at each other, chewed aspirin for our hangovers, laughed and joked around all the way to the bus stop. I knew people would think the wrong thing if they knew, I didn’t want anyone to find out and I knew Boris didn’t either, but all the same he seemed so completely untroubled by it that I was fairly sure it was just a laugh, nothing to take too seriously or get worked up about. And
Donna Tartt (The Goldfinch)
SOPHIE WASN’T SURE HOW LONG she sat there staring blankly at her empty doorway. Could’ve been minutes. Could’ve been hours. It didn’t matter. No amount of time was going to quiet the chaos in her head. All it did was raise a whole lot of terrifying questions. Because even if Ro was right about Keefe’s feelings—and Sophie decided she wanted to see what would happen—this was so much bigger than just the two of them. Like… What would Grady and Edaline think? Sophie still didn’t know if she was actually allowed to date—much less date That Boy. And even if she was, there would surely be all kinds of annoying new rules and restrictions to deal with. Plus, Edaline would probably follow them around with a sappy, embarrassing smile, and Grady would make them sit through a series of horrifying Dad Talks. And what would her friends say when they found out? There’d been a time when Sophie had wondered if Biana had a crush on Keefe—and even though it seemed like Biana had gotten over it… what if she hadn’t? Better question: How would Fitz react? Keefe was Fitz’s best friend—and Fitz’s temper could be… challenging. The possibilities for drama were endless. Sophie’s insides twisted into knots on top of knots as she imagined the awkward conversations. And the stares. And the gossip. There would be So. Much. Gossip. She wanted to hide just thinking about it—and Keefe would probably love the attention. Did that prove they weren’t compatible? Or was she just looking for an excuse because she was scared? And why was she so scared? Keefe would honestly be… … … …a really awesome boyfriend. He was thoughtful. And supportive. And he could be incredibly sweet—when he was actually being serious instead of joking around with everybody. Though… maybe some of his jokes with her hadn’t just been teasing. Had some of it also been… flirting? If Ro were still there, she probably would’ve been nodding and shouting about the Great Foster Oblivion. And maybe she was right. Maybe Sophie had been too insecure to let herself see what was right in front of her. Or too distracted by her crush on Fitz. The last thought made her inner knots twist so much tighter. She’d liked Fitz for so long that she’d never even thought about liking someone else—and she was still trying to get over all of that. But… Did she want to risk missing out on something that might be… really great? Keefe’s face filled her mind, flashing his trademark smirk.
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
He was beautiful when he sat alone, he was like me, he had wide lapels, he was holding the mug in the hardest possible way so that his fingers were all twisted but still long and beautiful, he didn’t like to sit alone all the time, but this time, I swear, he didn’t care on way or the other. I’ll tell you why I like to sit alone, because I’m a sadist, that’s why we like to sit alone, because we’re the sadists who like to sit alone. He sat alone because he was beautifully dressed for the occasion and because he was not a civilian. We are the sadists you don’t have to worry about, you think, and we have no opinion on the matter of whether you have to worry about us, and we don’t even like to think about the matter because it baffles us. Maybe he doesn’t mean a thing to me any more but I think he was like me. You didn’t expect to fall in love, I said to myself and at the same time I answered gently, Do you think so? I heard you humming beautifully, your hum said that I can’t ignore you, that I’d finally come around for a number of delicious reasons that only you knew about, and here I am, Miss Blood. And you won’t come back, you won’t come back to where you left me, and that’s why you keep my number, so you don’t dial it by mistake when you’re fooling with the dial not even dialing numbers. You begin to bore us with your pain and we have decided to change your pain. You said you were happiest when you danced, you said you were happiest when you danced with me, now which do you mean? And so we changed his pain, we threw the idea of a body at him and we told him a joke, and then he thought a great deal about laughing and about the code. And he thought that she thought that he thought that she thought the worst thing a woman could do was to take a man away from his work because that made her what, ugly or beautiful? And now you’ve entered the mathematical section of your soul which you claimed you never had. I suppose that this, plus the broken heart, makes you believe that now you have a perfect right to go out and tame the sadists. He had the last line of each verse of the song but he didn’t have any of the other lines, the last line was always the same, Don’t call yourself a secret unless you mean to keep it. He thought he knew, or he actually did know too much about singing to be a singer; and if there is actually such a condition, is anybody in it, and are sadists born there? It is not a question mark, it is not an exclamation point, it is a full stop by the man who wrote Parasites of Heaven. Even if we stated our case very clearly and all those who held as we do came to our side, all of them, we would still be very few.
Leonard Cohen (Parasites of Heaven)
There was no sudden twists or ups and downs, just stories of that person's everyday life. The theme was "growing old". There were no beautiful woman... For a current day work this is clearly taking literature in a bad direction.
Takashi Kajii (My Little Sister Can Read Kanji: Volume 1)
The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.” “Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.” “Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.” “If you mean the other tasks we have to do, I’m already aware of that.” “I’m not talking about that. I’m talking about us.” “What about us?” I put my hands under the table and wiped my clammy palms on my napkin. “I think there are a few things we’ve left unsaid, and I think it’s time we said them.” “I’m not withholding anything from you, if that’s what you mean.” “You are.” “No. I’m not.” “Are you refusing to acknowledge what has happened between us?” “I’m not refusing anything. Don’t try to put words in my mouth.” “I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.” “If I did have feelings for you, you’d be the first one to know.” “Are you saying that you don’t feel anything for me?” “That’s not what I’m saying.” “Then what are you saying?” “I’m saying…nothing!” I spluttered. Ren smiled and narrowed his eyes at me. If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar. He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.” Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me. When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again. He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier. When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?” “Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.” I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.” He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?” He must be joking! But he looked completely serious. Great! There go the nervous butterflies again. “Stop looking at me like that.” “Like what?” “Like you’re hunting me. I’m not an antelope.” He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.” “Stop it.” “Am I making you nervous?” “You could say that.” I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over. “I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
What struck me more than anything was the malice that ran through the review, the sense that she had enjoyed thinking up her little bons mots and spitting them in my direction. That joke about the stool, for example. Did she really have to do that?
Anthony Horowitz (The Twist of a Knife (Hawthorne & Horowitz #4))
Do you ever smile?” I asked, peeking inside the box to make sure they hadn’t messed up the order. Nope. One Death by Chocolate, coming right up. “It might help with your condition.” “What condition?” Alex sounded bored. “Stickuptheassitis.” I’d already called the man an asshole, so what was one more insult? I might’ve imagined it, but I thought I saw his mouth twitch before he responded with a bland, “No. The condition is chronic.” My hands froze while my jaw unhinged. “D-did you make a joke?
Ana Huang (Twisted Love (Twisted, #1))
Don’t be stupid,” Emily said, her tone superior. “Kings and princesses live in palaces. Our country doesn’t have loyalty.” “Royalty,” Rutledge corrected her, locking the car. “If you’re going to call someone stupid, make sure you don’t make mistakes yourself.
Alessandra Hazard (Just a Bit Twisted (Straight Guys, #1))
We were making jokes. We were making jokes while, in the back of my mind, a man fell down with a makeshift spear through his chest, blood on white skin. We were making jokes while unspeakable things chased us in the dark. Maybe that’s why we were making jokes.
T. Kingfisher (The Twisted Ones)
Despite all their surface diversity, most jokes and funny incidents have the following logical structure: Typically you lead the listener along a garden path of expectation, slowly building up tension. At the very end, you introduce an unexpected twist that entails a complete reinterpretation of all the preceding data, and moreover, it's critical that the new interpretation, though wholly unexpected, makes as much "sense" of the entire set of facts as did the originally "expected" interpretation. In this regard, jokes have much in common with scientific creativity, with what Thomas Kuhn calls a "paradigm shift" in response to a single "anomaly." (It's probably not coincidence that many of the most creative scientists have a great sense of humor.) Of course, the anomaly in the joke is the traditional punch line and the joke is "funny" only if the listener gets the punch line by seeing in a flash of insight how a completely new interpretation of the same set of facts can incorporate the anomalous ending. The longer and more tortuous the garden path of expectation, the "funnier" the punch line when finally delivered.
V.S. Ramachandran
If you wish to know who is really the lover, look then not at the boy who sits by her side, looks boldly into her eyes and twists the flowers in her necklace around his fingers and steals the hibiscus flower from her hair that he may wear it behind his ear. Do not think it is he who whispers softly in her ear, or says to her 'Sweetheart, wait for me to-night. After the moon has set, I will come to you,' or who teases her by saying she has many lovers. Look instead at the boy who sits far-off, who sits with bent head and takes no part in the joking. And you will see that in his eyes are always turned softly on the girl. Always he watches her and never does he miss a movement of her lips. Perhaps she will wink at him, perhaps she will raise her eyebrows, perhaps she will make a sign with her hand, he must always be wakeful and watchful or else he will miss it.
Margaret Mead
My theory is that it's like a person who speaks French who comes to America. At first they're making all kinds of mistakes, and you can hardly understand them. Then they keep on practicing until they speak rather well, and you find there's a delightful twist to their way of speaking -- their accent is rather nice, and you love to listen to it. So I must have had some sort of accent playing the frigideira, because I couldn't compete with those guys who had been playing it all their lives; it must have been some kind of dumb accent. But whatever it was, I became a rather successful frigideira player.
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
He needs to respect me and treat me as an equal. He has to support my desire to run my own business and not expect me to take on traditional roles." Sam twisted his lips to the side as if deep in thought. "So, no missionary." "Were you born like this or did you take courses on how to be a dick?" A tiny grin hitched his mouth. "Missionary is the traditional position." "If you're not going to take this seriously..." His gaze fell to her mouth. "I'm taking it as seriously as you are licking that donut. I don't think there is even a speck of icing left. We should let Dilip know you are wicked talented with your tongue.
Sara Desai (The Marriage Game (Marriage Game, #1))
There was a beat of silence before Sin said blandly, "I have occasional nightmares about us having a threesome with that meat-head. I'm far from being easily shocked." "What?" Boyd looked completely taken aback, his eyebrows shooting up. "That's the last thing I thought I'd ever hear from you." "It isn't exactly a voluntary thing. It's quite horrifying. I usually wake up before he can put his dick in me though." Sin made a revolted expression, his lips twisting in a scowl of disgust. "So I shouldn't expect to be propositioned for this threesome too in the near future?" Boyd asked jokingly. Sin stared at Boyd and didn't bother to reply.
Santino Hassell (The Interludes (In the Company of Shadows, #3))
What was it?” Serafina wandered off to look at yogurt-covered pretzels, probably annoyed at him for talking on the phone. Her long fingers lifted the packets of white twists, as though plucking flowers. Her nose twitched and she smiled, as if the pretzels had told her a joke. I will not let you get away, he said to Serafina in his mind.
Charlie Jane Anders (All the Birds in the Sky)
There was a great joke that was forever doing the rounds in the jail and it was probably funny not because it had a humorous punchline but because it was so very true at a deep psychological level. Put anyone in that jail and soon enough they'd actually become a cruel, twisted, sadistic and heartless thug. And some of the prisoners were just as bad.
H.M. Forester (The Dissidents)
Exchanging Hats Unfunny uncles who insist in trying on a lady's hat, --oh, even if the joke falls flat, we share your slight transvestite twist in spite of our embarrassment. Costume and custom are complex. The headgear of the other sex inspires us to experiment. Anandrous aunts, who, at the beach with paper plates upon your laps, keep putting on the yachtsmen's caps with exhibitionistic screech, the visors hanging o'er the ear so that the golden anchors drag, --the tides of fashion never lag. Such caps may not be worn next year. Or you who don the paper plate itself, and put some grapes upon it, or sport the Indian's feather bonnet, --perversities may aggravate the natural madness of the hatter. And if the opera hats collapse and crowns grow draughty, then, perhaps, he thinks what might a miter matter? Unfunny uncle, you who wore a hat too big, or one too many, tell us, can't you, are there any stars inside your black fedora? Aunt exemplary and slim, with avernal eyes, we wonder what slow changes they see under their vast, shady, turned-down brim.
Elizabeth Bishop
He wonders if it’s some sort of twisted joke the adults are having, shoving hormonal teens into tight quarters but making it impossible to do anything but breathe. “I wouldn’t mind suffocating if it was with you,” the girl says, which is flattering, but makes him even less interested in her. “There’ll be a better time,” he tells her, knowing that such a time will never come—at least not for her—but hope is a powerful motivator. Eventually they settle into a sort of symbiotic breathing rhythm. He breathes in when she breathes out, so their chests don’t fight for space. After a while, there’s a jarring motion. With his arm now around the girl, he holds her a little more tightly, knowing that easing her fear somehow eases his own.
Neal Shusterman (UnWholly (Unwind, #2))
JG: I had no idea we would ever see the musical in the book when the thought of it first occurred to me; but then as we moved forward, it seemed a good fit for the story we were telling. As to the genesis of “The Nose Tackle (Likes Tight Ends),” it’s an old homophobic locker-room joke that I wanted to twist into a proud and celebratory observation. By the way, shouldn’t there be an IRL musical?
John Green (Will Grayson, Will Grayson)
Suddenly, I missed Jenna so much that it was almost a physical ache. I wanted to hold her hand, and hear her say something that would make this whole situation funny instead of incredibly screwed up. Archer would’ve been nice, too. He probably would’ve raised an eyebrow in that annoying/hot way he had, and made a dirty joke about Elodie possessing me. Or Cal. He wouldn’t say anything, but just his presence would make me feel better. And Dad- “Sophie,” Mom said, shaking me out of my reverie. “I don’t…I don’t even know how to start explaining all of this to you.” She looked at me, her eyes red. “I meant to, so many times, but everything was always so…complicated. Do you hate me?” I took a deep breath. “Of course not. I mean, I’m not thrilled. And I totally reserve the right to angst over all this later. But honestly, Mom? Right now, I’m so happy to see you that I wouldn’t care if you’re secretly a ninja sent from the future to destroy kittens and rainbows.” She chuckled, a choked and watery sound. “I missed you so much, Soph.” We hugged, my face against her collarbone. “I want the whole story, though,” I said, my words muffled. “All of it on the table.” She nodded. “Absolutely. After we talk to Aislinn.” Pulling back, I grimaced. “So how exactly are you related to her? Are you guys like, cousins?” “We’re sisters.” I stared at her. “Wait. So you’re like, a Brannick Brannick? But you don’t even have red hair.” Mom got off the bed, twisting her ponytail into a bun. “It’s called dye, Soph. Now, come on. Aislinn is already in a mood.” “Yeah, picked up on that,” I muttered, shoving the covers off and standing up
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Thus Christianity becomes a story of accumulated human experience of God that reveals a certain kind of wisdom in the world: To love God and love one’s neighbor constitutes the good life. Love is, as the apostle Paul wrote, the greatest of all things. Without love we are, as the good apostle said flatly, “nothing” (1 Cor. 13). Without love, Christianity is either a pretty bad joke or a twisted political agenda.
Diana Butler Bass (A People's History of Christianity: The Other Side of the Story)
Humor comes out of the unexpected: If there’s no surprise, there’s no laugh. In a triple, as discussed in chapter seven, the first two lines are often straight lines; this is the realistic element. The third line is the surprise twist—logically related to the first two lines, but unexpected and exaggerated. Realism is the setup, while exaggeration is the joke. “Get your facts first,” wrote Mark Twain, “and then you can distort them as much as you please.
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
Dancer Hauk and Darling Cruel—and yes, those were their real names, which showed that even loving parents could be sick and twisted—were joking with each other when he entered. “Hey, Cruel,” Hauk said snidely. “Check it … the man is without his guise. You think he wants to be found out or is he looking for a reason to kill the woman? What odds are you taking?” Darling snorted. “I’m not betting shit, troll. I already owe you two weeks’ pay. Anymore and I’ll be working only to pay you.
Sherrilyn Kenyon (Born of Night (The League, #1))
You couldn’t see it, Eliza, all the ways he was hurting you.” He sighs. “Shira and I were beside ourselves, but you couldn’t see it. He was isolating you from people, shifting who you were allowed to be around. He was always making those little digs about your job, the ones that were supposed to come off as jokes but never did. Like the ones he made all the time about what you were eating, and you got so thin. And all that mess about the wedding . . . you were so unhappy, ahuva, but he had you so twisted around about everything, you hardly knew which way was up.
Dot Hutchison (The Vanishing Season (The Collector, #4))
We are the culture that took the phrase “pull yourself up by the bootstraps” and twisted it to mean the opposite of its original intent. Originally, that saying was meant as a joke, as an example of something as ludicrously impossible as pulling yourself over a fence by your own bootstraps. Now, we forget the origin of the old saying and use it to suggest that we can succeed all on our own, an impossibility that we have decided to enshrine as a cultural value, ignoring the implicit absurdity of both the metaphorical act and the idea that we do anything alone as members of a society or an ecosystem.
Jarod K. Anderson (Something in the Woods Loves You)
For me, these are the love-drunk, sometimes actually drunk, near-exhausted thoughts I have to send out before I fall asleep. They could be the name of some cultural reference we couldn’t remember, a belated compliment (“your skin looked so great tonight”), or another twist in the same joke we’d been making all evening. It all feels important to say right then, and I think that’s because of both how happy I feel after I’ve seen my friends and the fear—rational or not—that these times we have together may disappear at any moment. So we say: Text me when you get home. Tell me you’re safe. I’m always here for you. Let’s keep talking. CHAPTER
Kayleen Schaefer (Text Me When You Get Home: The Evolution and Triumph of Modern Female Friendship)
Mom?” Then again, louder. “Mom?” She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared. “I don’t feel good. Can I stay home today?” No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?” “I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again. “I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?” Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her. Funny things, though. Not scary things. “Can you tell me your name?” she repeated. “Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?” She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?” Something tightened in my chest to the point of snapping. “Mom, Mommy, why—” “Stop it,” she hissed, “stop calling me that!” “What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it. “We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—” “I live here!” I told her. “I live here! I’m Ruby!” When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby. “Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!” She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.” The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage. She hadn’t even turned on the light for me. I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
But here through the dusk comes one who is not glad to be at rest. He is a workman on the ranch, an old man, an immigrant Italian. He takes his hat off to me in all servility, because, forsooth, I am to him a lord of life. I am food to him, and shelter, and existence. He has toiled like a beast all his days, and lived less comfortably than my horses in their deep-strawed stalls. He is labour-crippled. He shambles as he walks. One shoulder is twisted higher than the other. His hands are gnarled claws, repulsive, horrible. As an apparition he is a pretty miserable specimen. His brain is as stupid as his body is ugly. "His brain is so stupid that he does not know he is an apparition," the White Logic chuckles to me. "He is sense-drunk. He is the slave of the dream of life. His brain is filled with superrational sanctions and obsessions. He believes in a transcendent over-world. He has listened to the vagaries of the prophets, who have given to him the sumptuous bubble of Paradise. He feels inarticulate self-affinities, with self-conjured non-realities. He sees penumbral visions of himself titubating fantastically through days and nights of space and stars. Beyond the shadow of any doubt he is convinced that the universe was made for him, and that it is his destiny to live for ever in the immaterial and supersensuous realms he and his kind have builded of the stuff of semblance and deception. "But you, who have opened the books and who share my awful confidence—you know him for what he is, brother to you and the dust, a cosmic joke, a sport of chemistry, a garmented beast that arose out of the ruck of screaming beastliness by virtue and accident of two opposable great toes. He is brother as well to the gorilla and the chimpanzee. He thumps his chest in anger, and roars and quivers with cataleptic ferocity. He knows monstrous, atavistic promptings, and he is composed of all manner of shreds of abysmal and forgotten instincts." "Yet he dreams he is immortal," I argue feebly. "It is vastly wonderful for so stupid a clod to bestride the shoulders of time and ride the eternities." "Pah!" is the retort. "Would you then shut the books and exchange places with this thing that is only an appetite and a desire, a marionette of the belly and the loins?" "To be stupid is to be happy," I contend. "Then your ideal of happiness is a jelly-like organism floating in a tideless, tepid twilight sea, eh?
Jack London (John Barleycorn)
I start to speak, but he pushes me. “I lost a brother, but I also gained one the day I met you. So I’m begging you not to go after Loki, because if you die I’ll be destroyed again and I don’t think I can take that.” Fucking hell. Jace has always been important to me—Cole, too—and I considered them my family, but I never knew he felt like I was his. The sound of someone sniffing has us both turning to Cole. Jace’s expression twists in horror. “Motherfucker, are you crying?” “Nah, man,” Cole says, rolling his shoulders back. “They got some onions up in this bitch or something.” Jace and I start howling with laughter. “Sawyer must keep his balls in a jar on the nightstand,” Jace jokes. “Right next to her Bible.” “Dammit. I’m telling you, it’s the onions,” Cole argues. “It’s okay, man,” I tell him. “I love you, too.
Ashley Jade (Broken Kingdom (Royal Hearts Academy, #4))
slowly, slowly pulling up. Or grabbing hold of Debby’s arm, vise-like, for an Indian rub and what starts as a joke gets more and more frantic, him rubbing until he draws speckles of blood, his teeth grinding. She could see him getting that same look Runner got when he was around the kids: jacked up and tense. “Dad needs to leave.” “Geez, Patty, not even a hi before you toss me out? Come on, let’s talk, I got a business proposition for you.” “I’m in no position to make a business deal, Runner,” she said. “I’m broke.” “You’re never as broke as you say,” he said with a leer, and twisted his baseball cap backward on stringy hair. He’d meant it to sound jokey, but it came out menacing, as if she’d better not be broke if she knew what was good for her. He dumped the girls off him and walked over to her, standing too close as always, beer sweat sticking his longjohn shirt to his chest. “Didn’t you just sell the tiller, Patty? Vern Evelee told
Gillian Flynn (Dark Places)
You couldn’t see it, Eliza, all the ways he was hurting you.” He sighs. “Shira and I were beside ourselves, but you couldn’t see it. He was isolating you from people, shifting who you were allowed to be around. He was always making those little digs about your job, the ones that were supposed to come off as jokes but never did. Like the ones he made all the time about what you were eating, and you got so thin. And all that mess about the wedding . . . you were so unhappy, ahuva, but he had you so twisted around about everything, you hardly knew which way was up.” “I should have seen it,” I whisper. “How could you? It doesn’t matter if you’re trained to see it in others; it’s different when it’s you. He was very good at it. It’s not like he slammed into it all at once either. He worked up to it too slowly for you to see. And you were never going to see it, Eliza. Not when he wasn’t the only one doing it.” “What do you mean?” “Your mother’s been doing it your whole life.
Dot Hutchison (The Vanishing Season (The Collector, #4))
Despite her grave concern over her uncle, Elizabeth chuckled inwardly as she introduced Duncan. Everyone exhibited the same stunned reaction she had when she’d discovered Ian Thornton’s uncle was a cleric. Her uncle gaped, Alex stared, and the dowager duchess glowered at Ian in disbelief as Duncan politely bent over her hand. “Am I to understand, Kensington,” she demanded of Ian, “that you are related to a man of the cloth?” Ian’s reply was a mocking bow and a sardonic lift of his brows, but Duncan, who was desperate to put a light face on things, tried ineffectually to joke about it. “The news always has a peculiar effect on people,” he told her. “One needn’t think too hard to discover why,” she replied gruffly. Ian opened his mouth to give the outrageous harridan a richly deserved setdown, but Julius Cameron’s presence was worrying him; a moment later it was infuriating him as the man strode to the center of the room and said in a bluff voice, “Now that we’re all together, there’s no reason to dissemble. Bentner, being champagne. Elizabeth, congratulations. I trust you’ll conduct yourself properly as a wife and not spend the man out of what money he has left.” In the deafening silence no one moved, except it seemed to Elizabeth that the entire room was beginning to move. “What?” she breathed finally. “You’re betrothed.” Anger rose up like flames licking inside her, spreading up her limbs. “Really?” she said in a voice of deadly calm, thinking of Sir Francis and John Marchman. “To whom?” To her disbelief, Uncle Julius turned expectantly to Ian, who was looking at him with murder in his eyes. “To me,” he clipped, his icy gaze still on her uncle. “It’s final,” Julius warned her, and then, because he assumed she’d be as pleased as he to discover she had monetary value, he added, “He paid a fortune for the privilege. I didn’t have to give him a shilling.” Elizabeth, who had no idea the two men had ever met before, looked at Ian in wild confusion and mounting anger. “What does he mean?” she demanded in a strangled whisper. “He means,” Ian began tautly, unable to believe all his romantic plans were being demolished, “we are betrothed. The papers have been signed.” “Why, you-you arrogant, overbearing”-She choked back the tears that were cutting off her voice-“you couldn’t even be bothered to ask me?” Dragging his gaze from his prey with an effort, Ian turned to Elizabeth, and his heart wrenched at the way she was looking at him. “Why don’t we go somewhere private where we can discuss this?” he said gently, walking forward and taking her elbow. She twisted free, scorched by his touch. “Oh, no!” she exploded, her body shaking with wrath. “Why guard my sensibilities now? You’ve made a laughingstock of me since the day I set eyes on you. Why stop now?
Judith McNaught (Almost Heaven (Sequels, #3))
Sophie tried to get off the bed and nearly fell over when she felt the stabbing pain in her ankle. “Ouch!” “Are you all right?” Sylvan looked at her anxiously. “Fine, it’s just my ankle.” It was true that her twisted ankle was still throbbing, but she could stand to put some weight on it now. And she was going to have to if she didn’t want him carrying her everywhere. Her eyes had adjusted to the dim light coming through the windows and she could see a small room to one side. “That must be the bathroom. Think I’ll go check out the hot water situation.” He reached for her. “I’ll carry you.” “No, no! It’s better already—see?” Sophie put her foot flat down on the floor and tried to smile despite the pain. Sylvan frowned. “If you’re certain you’re all right. I must have misjudged the severity of your injury.” “I’m perfectly fine,” Sophie said, trying to make her voice cheerful and light. “I mean, aside from being chased by evil cyborg dogs from hell who want to drag me back to the Scourge overlord, I couldn’t be better.” Sylvan’s eyes were suddenly dark. “Don’t even joke about that.” “Sorry.” She shrugged. “I was just trying to lighten the mood. I’ll just…” She motioned at the bathroom and he nodded. Because he was still watching her, Sophie forced herself to walk without limping, even though her ankle was still so tender and it felt like someone was sticking a knife into it with every step. Finally she got to the bathroom and breathed a sigh of relief as she closed the door. *
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
Silas refuses to help us cage Screwtape, who hisses loudly, having long suspected something is up. I go to pick him up, trying to act like everything is normal, but Screwtape darts away. It’d probably be easier to crate a Fenris than it is to crate Screwtape. The dance repeats until Scarlett and I are red in the face and Silas is laughing at us. We finally run the cat down, and Scarlett manages to toss the laundry basket over him when he’s too busy anticipating his next dash. “We could still leave him,” Silas jokes—I think he’s joking, anyway—as we load the howling backseat of his car. Scarlett looks as though she might feel the same way as she nurses a batch of claw marks on top of the thicker Fenris scars. She climbs into the backseat of the car as Silas and I slide into the front. Silas hot-wires the ignition of the hatchback and pounds on the radio for a few minutes before it buzzes to life. “We can’t change the station, by the way,” he says. “Because you really like pop music?” I ask, wrinkling my nose as a bubbly song blares at us. “Not hardly,” Silas says. “I hate it. But last time I changed it, the car stopped. Oh, and lean away from your door—sometimes it opens randomly. “Um . . . great,” I say, leaning as far away from the door as possible. But this feels even more dangerous, because I’m leaning incredibly close to Silas, so close that I’m hyperaware of the fact that my sister is right behind me. My stomach twists as it fights my body’s urge to fall against him. I shudder and try to shake the desire off.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
Next morning, when Semyon woke up, the children were still asleep and his wife had gone over to the neighbour's to borrow some bread. Only the stranger was sitting on the bench, wearing the old trousers and shirt and looking up. His face was brighter than the evening before. Semyon said, 'Well, my friend. The belly needs food and the body clothes. We all have to earn a living, so what sort of work can you do?' 'I can't do anything.' Semyon was amazed and replied, 'If a man has the will he can learn anything.' 'Yes, men work for their living, so I'll work too.' 'What's your name?' 'Mikhail.' 'Well, Mikhail, if you don't want to tell us about yourself that's your affair. But we have to earn our living. If you do as I tell you I'll see you have enough to eat.' 'God bless you! I'll learn how to work, just tell me what to do.' Semyon took a piece of yarn, wound it round his fingers and twisted it. 'It's not hard, just watch...' Mikhail watched and right away he caught the knack, winding the yarn and twisting it just like Semyon. Then Semyon showed him how to wax it and Mikhail understood at once. Then he showed him how to draw it through and how to stitch. Again Mikhail immediately understood. Whatever Semyon showed him he mastered right away and within three days was working as if he had been making shoes all his life. He would work without any let-up and ate very little. Only when one job was finished would he stop for a moment and silently look up. He never went out, only spoke when he really had to, and he never joked or laughed.
Leo Tolstoy (How Much Land Does a Man Need?)
My eyes widened at that offer. I’d missed riding since coming to the Academy and I hadn’t really thought I’d be able to get out again any time soon. But I wasn’t sure I wanted him to know quite how much this meant to me. Every other piece of information the Heirs had gotten on me up until now had been twisted against me in some way and I didn’t want them trying to take this from me too. “I’m not really dressed for it,” I said slowly though in all honesty I had no issue with tying my dress in a knot around my waist if that was what it took to get me out on the road. “I’m sure I could lend you my shirt if you want to take it off,” he replied. “That would require both of us taking off rather a lot of our clothes.” There was a dare hanging in the air between us and I was afraid that I wouldn’t be able to resist it much longer. I eyed the line up of bikes, my heart beating a little faster as I tried to decide which one I’d choose. In all honesty I was too drunk to ride, although the sandwich was mopping up some of the excess alcohol and I was feeling a little less dizzy... It still wouldn’t have been the best idea though. “Why do you have the same bikes that that they have in the mortal world?” I asked as I began to wander between the immaculate machines. Some of the badges were different, I read names like Yamaharpy, Sphinxzuki, Hondusa, Harley Dragonson and I couldn’t keep the smirk from my lips but the actual bikes were definitely mortal models. “There are several permanent rifts between our world and the mortal world where we import all sorts of goods like these. The importers like to change the names as a kind of in-joke but a hell of a lot of our products come straight out of Taiwan or China, direct to Solaria,” Darius explained. “Why?” I asked. “Can’t Fae invent their own bikes and cars?” “I guess we could... but why bother? We’ve got better things to do with our time and it makes sense to use the mortals like our own personal goods suppliers. The Fae they deal with even manage to Coerce the best prices for everything we import. No Fae vendor would create any of the things we desire so cheaply.” Darius folded his arms and leaned back to perch on the saddle of a stunning green bike as he watched my exploration. “So you basically abuse the mortals with your power?” I asked. “We use our power to take what we want from them,” he agreed. “Just the same as we do with other Fae.” He had a point there; Fae were equally asshole-like to their own kind. (Tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
He held the dipper out to Jake. When Jake reached for it, Tick-Tock pulled it back. "First, cully, tell me what you know about dipolar computers and transitive circuits," he said coldly. "What..." Jake looked toward the ventilator grille, but the golden eyes were still gone. He was beginning to think he had imagined them after all. He shifted his gaze back to the Tick-Tock Man, understanding one thing clearly: he wasn't going to get any water. He had been stupid to even dream he might. "What are dipolar computers?" The Tick-Tock Man's face contorted with rage; he threw the remainder of the watter into Jake's bruised, puffy face. "DON'T YOU PLAY IT LIGHT WITH ME!" he shrieked. He stripped off the Seiko watch and shook it in front of Jake. "WHEN I ASKED YOU IF THIS RAN ON A DIPOLAR CIRCUIT, YOU SAID IT DIDN'T! SO DON'T TELL ME YOU DON'T KNOW WHAT I'M TLAKING ABOUT WHEN YOU ALREADY MADE IT CLEAR THAT YOU DO!" "But...but..." Jake couldn't go on. His head was whirling with fear and confusion. He was aware, in some far-off fashion, that he was licking as much water as he could off his lips. "THERE'S A THOUSAND OF THOSE EVER-FUCKING DIPOLAR COMPUTERS RIGHT UNDER THE EVER-FUCKING CITY, MAYBE A HUNDRED THOUSAND, AND THE ONLY ONE THAT STILL WORKS DON'T DO A THING EXCEPT PLAY WATCH ME AND RUN THOSE DRUMS! I WANT THOSE COMPUTERS! I WANT THEM WORKING FOR ME!" The Tick-Tock Man bolted forward on his throne, seized Jake, shook him back and forth, and then threw him to the floor. Jake struck one of the lamps, knocking it over, and the bulb blew with a hollow coughing sound. Tilly gave a little shriek and stepped backward, her eyes wide and frightened. Copperhead and Brandon looked at each other uneasily. Tick-Tock leaned forward, elbows on his thighs, and screamed into Jake's face: "I WANT THEM AND I MEAN TO HAVE THEM!" Silence fell in the room, broken only by the soft whoosh of warm air pouring from the ventilators. Then the twisted rage on the Tick-Tock Man's face disappeared so suddenly it might never have existed at all. It was replaced by another charming smile. He leaned further forward and helped Jake to his feet. "Sorry. I get thinking about the potential of this place and sometimes I get carried away. Please accept my apology, cully." He picked up the overturned dipper and threw it at Tilly. "Fill this up, you useless bitch! What's the matter with you?" He turned his attention back to Jake, still smiling his TV game-show host smile. "All right; you've had your little joke and I've had mine. Now tell me everything you know about dipolar computers and transitive circuits. Then you can have a drink.
Stephen King (The Waste Lands (The Dark Tower, #3))
Holy gallnipper, how long till we hit the magic trail? It’s gloomier than my own funeral I here.” Camille adjusted the bag’s rope and looked at Ira. “Don’t even joke about that.” Since the moment they’d entered the forest, she’d felt like something was listening. Like they’d woken some sleeping creature, and now it followed them with silent cunning. The deafening chants had not returned to pierce her eardrums, but danger still felt close. A few paces ahead of her, Oscar peeled away another cobweb, the octagonal spinning so massive Camille didn’t even want to imagine the size of the spider that had created it. “Mate, you got a stomach made of iron,” Ira said. A flash of orange and black swept in front of Camille’s eyes and she felt an odd tug on her dress. She looked down and froze. A spider with a body the size of her first flexed its hairy legs on her skirt. It started to scuttle up. Her scream echoed through the forest as she swiped the spider off. It hit the marshy ground and scampered under a log. Oscar grabbed her arm and pulled her toward him. “Did it bite you?” She shook her head, arms and legs stiff with fear. “I’ve never seen one so bloody big,” Ira said, running past the log as though the spider would leap out at him. Oscar started walking again, his hand on the small of her back. She exhaled with more than one kind of relief. He was at least still concerned for her. As they started to pick up their pace, another black critter swung down from a nearby tree. Camille say it flying toward them, but her warning shout was too slow. The spider landed on Oscar’s shoulder, fat and furry and swift as its legs darted up his neck. Oscar shouted an obscenity as he whacked the giant from his skin. Camille heard it thud against the leafy forest floor. Unfazed, the spider quickly sprang to its finger-length legs and darted toward her boot. Her shrieks echoed again as it leaped onto her hem. With his foot, Ira knocked the spider back to the ground, and before it could bounce back up, Oscar smashed it with a stick. The squashed giant oozed yellow-and-green blood onto the marshy ground. Camille gagged and tasted her breakfast oats in the back of her mouth. “What in all wrath are those monsters?” Ira panted as he twisted around, looking for more. Camille looked up to the trees to try and spot any others that might be descending from glossy webbing. Terror paralyzed her as her eyes landed on a colony of glistening webs in the treetops. An endless number of black dots massed above their heads, dangling from tree limbs. Oscar and Ira followed her horrified stare. “Run,” Oscar whispered. Camille sprinted forward, her skin and scalp tingling with imaginary spider legs. The bag of provisions slammed against her back, tugging at her neck, but she didn’t care. They didn’t slow down until the gigantic spiderwebs grew sparse and the squawk of birds took over.
Angie Frazier (Everlasting (Everlasting, #1))
The funny thing: I’d worried, if anything, that Boris was the one who was a little too affectionate, if affectionate is the right word. The first time he’d turned in bed and draped an arm over my waist, I lay there half-asleep for a moment, not knowing what to do: staring at my old socks on the floor, empty beer bottles, my paperbacked copy of The Red Badge of Courage. At last—embarrassed—I faked a yawn and tried to roll away, but instead he sighed and pulled me closer, with a sleepy, snuggling motion. Ssh, Potter, he whispered, into the back of my neck. Is only me. It was weird. Was it weird? It was; and it wasn’t. I’d fallen back to sleep shortly after, lulled by his bitter, beery unwashed smell and his breath easy in my ear. I was aware I couldn’t explain it without making it sound like more than it was. On nights when I woke strangled with fear there he was, catching me when I started up terrified from the bed, pulling me back down in the covers beside him, muttering in nonsense Polish, his voice throaty and strange with sleep. We’d drowse off in each other’s arms, listening to music from my iPod (Thelonious Monk, the Velvet Underground, music my mother had liked) and sometimes wake clutching each other like castaways or much younger children. And yet (this was the murky part, this was what bothered me) there had also been other, way more confusing and fucked-up nights, grappling around half-dressed, weak light sliding in from the bathroom and everything haloed and unstable without my glasses: hands on each other, rough and fast, kicked-over beers foaming on the carpet—fun and not that big of a deal when it was actually happening, more than worth it for the sharp gasp when my eyes rolled back and I forgot about everything; but when we woke the next morning stomach-down and groaning on opposite sides of the bed it receded into an incoherence of backlit flickers, choppy and poorly lit like some experimental film, the unfamiliar twist of Boris’s features fading from memory already and none of it with any more bearing on our actual lives than a dream. We never spoke of it; it wasn’t quite real; getting ready for school we threw shoes, splashed water at each other, chewed aspirin for our hangovers, laughed and joked around all the way to the bus stop. I knew people would think the wrong thing if they knew, I didn’t want anyone to find out and I knew Boris didn’t either, but all the same he seemed so completely untroubled by it that I was fairly sure it was just a laugh, nothing to take too seriously or get worked up about. And yet, more than once, I had wondered if I should step up my nerve and say something: draw some kind of line, make things clear, just to make absolutely sure he didn’t have the wrong idea. But the moment had never come. Now there was no point in speaking up and being awkward about the whole thing, though I scarcely took comfort in the fact.
Donna Tartt (The Goldfinch)
How many mystery writers does it take to change a light bulb?" "Two. One to screw the bulb almost all the way in, and one to give a surprising twist at the end.
Jokes About Writers - Writers Jokes
Are you trying to make me jealous, my pretty bird?” Theseus asked, teasing. He took one of the filled wine goblets from the cupbearer attending him and tried to give it to me. I turned my shoulder to him deliberately. “You can’t seem to take your eyes off Telys. What will it take to make you spare just one of those sweet glances for me? Shall I step onto the training ground myself?” “Only if you’ll let me be the one to fight you, sword against sword,” I replied. “I’m willing to stake my freedom on the match.” His lips twisted into a mocking smile. “And risk damaging that face? In four days’ time, we’ll be married. I intend to have a queen whose beauty makes me the envy of all.” He tried to stroke my cheek. I jerked my head back. “Don’t worry, Theseus,” I said. “If we fight, I won’t be the one who’ll take away a scar. But if you’re afraid, name one of your men to match swords with me.” I swept the training ground with my eyes and in a loud, carrying voice added: “Or are all the men of Athens scared to fight a Spartan girl?” A grumbling ran through the ranks of the assembled guardsmen. My barb hit the target and sunk in deep. Theseus didn’t like the way things were going. He tried to pull the fangs from my challenge by turning it into a joke. “Ha! I know what you’re after, Helen. You’re hoping I’ll say yes to this mad proposal of yours, then you’ll find some sly, womanly way to fix it so that you fight Telys. There’s an easy win for anyone!” I looked into his leering face and decided I’d seen enough of the cold malice everyone in the palace inflicted on Telys. The soldiers, the servants, and even the slaves were all a yapping pack of hounds following the lead of Theseus, the nastiest cur of them all. I leaped to my feet and shouted, “You worm! If you’re too scared to fight me yourself, then say so!
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
You know, when I very first transformed into the creature that I am, I found out that I could smell fear. Ironwheel, you seem to have a great deal of it lingering from you.” I said calmly. “This is kind of like a student being punished by the principal. However it is not principal with the “pal” it should be the one spelled p-r-i-n-c-p-l-e. So, it is where the “student” is being punished by the principle of justice.
Miranda Leek (Twisted!)
Will Christendom ever reap the whirlwind it has sown? That it should try to pass, without the vulnerability of interval, from a tyranny to a joke, is certainly understandable, but that its enemies should do nothing to obstruct its evasion of nemesis is more puzzling. How can there be such indifference to the decline of our inquisitors? Is it that they succeed so exorbitantly in their project of domestication that we have been robbed of every impulse to bite back? Having at last escaped from the torture-palace of authoritarian love we shuffle about, numb and confused, flinching from the twisted septic wound of our past (now clumsily bandaged with the rags of secular culture). It is painfully evident that post-christian humanity is a pack of broken dogs.
Nick Land (Fanged Noumena: Collected Writings, 1987–2007)
want to buy me food, go ahead. Just know I’ll inspect every inch before it goes into my mouth.” I realized my mistake before the sentence fully left my mouth. Shit. That came out dirtier than I’d intended. Josh’s face split into a devilish grin. “Don’t.” I held up one hand, my cheeks warming. “Save yourself from whatever juvenile joke you were about to spew.
Ana Huang (Twisted Hate (Twisted, #3))
I don’t suppose you’ll marry me, will you?” My mouth twisted into a smirk before I laughed—a hearty laugh so he saw my humor, my joking personality (I was ninety percent joking). “Probably.” He shrugged one shoulder. Dead.
Jewel E. Ann (The Life That Mattered (Roe & Evie, #1; Life, #1))
If Julie and Alex end up being the two who make out in my van that would be the twist of the decade,” Bobby joked. “Shut up, Bobby!” Alex and Luke yelled in unison.
ICanSpellConfusionWithAK (We Found Wonderland)
How’s your residency going? Is it anything like Grey’s Anatomy? You used to joke about keeping a journal listing all the show’s inaccuracies once you were a resident. If you actually have one, I’d love to see it...
Ana Huang (Twisted Hate (Twisted, #3))
love capturing memories. Emotion that’s usually fleeting being frozen forever in time. The wisdom in the gaze of a person who’s lived a full life. The look in someone’s eyes when they realize they’re in love. The joy in their face when they’re laughing at a joke. Photographs help us remember things we’d otherwise forget.
Emily McIntire (Twisted (Never After, #4))
This week has had a strange effect on me,” Llandrindon ruminated aloud. “I feel… different.” “Are you ill?” Daisy asked in concern, closing the sketchbook. “I’m sorry, I’ve made you sit out in the sun too long.” “No, not that kind of different. What I meant to say is that I feel… wonderful.” Llandrindon was staring at her in that odd way again. “Better than I ever have before.” “It’s the country air, I expect.” Daisy stood and brushed her skirts off, and went to him. “It’s quite invigorating.” “It’s not the country air I find invigorating,” Llandrindon said in a low voice. “It’s you, Miss Bowman.” Daisy’s mouth fell open. “Me?” “You.” He stood and took her shoulders in his hands. Daisy could only stutter in surprise. “I— I— my lord—” “These past few days in your company have given me cause for deep reflection.” Daisy twisted to glance at their surroundings, taking in the neatly trimmed hedges covered with bursts of pink climbing roses. “Is Mr. Swift nearby?” she whispered. “Is that why you’re talking this way?” “No, I’m speaking for myself.” Ardently Llandrindon pulled her closer, until the sketchbook was nearly crushed between them. “You’ve opened my eyes, Miss Bowman. You’ve made me see everything a different way. I want to find shapes in clouds, and do something worth writing a poem about. I want to read novels. I want to make life an adventure—” “How nice,” Daisy said, wriggling in his tightening grasp. “— with you.” Oh no. “You’re joking,” she said weakly. “I’m besotted,” he declared. “I’m unavailable.” “I’m determined.” “I’m… surprised.” “You dear little thing,” he exclaimed. “You’re everything he said you were. Magic. Thunderstorms wrapped up with rainbows. Clever and lovely and desirable—” “Wait.” Daisy stared at him in astonishment. “Matth— that is, Mr. Swift said that?” “Yes, yes, yes…” And before she could move, speak or breathe, Llandrindon lowered his head and kissed her.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
I’d rather have the sex sling.” “Then figure out how to mount it.” There were so many “mount it” jokes I could have made in that moment that I just sat there hyperventilating until my brain exploded
J.A. Rock (Manties in a Twist (The Subs Club, #3))
It’s not fair, Mort. This love we lavish on our children. The protection. The guidance. It’s a perverse joke to think we can mold or shape the behaviors and thoughts of those we love.” Larry took a long pull from his own beer. “The twisted reality is we are powerless to make anyone do anything. To think anything. To love or respect anything. And yet we keep on trying, don’t we?
T.E. Woods (Fixed in Blood (Mort Grant #4))
Andy’s Message Around the time I received Arius’ email, Andy’s message arrived. He wrote: Young, I do remember Rick Samuels. I was at the seminar in the Bahriji when he came to lecture. Like you I was at once mesmerized by his style and beauty, which of course was a false image manufactured by the advertising agencies and sales promoters. I was surprised to hear your backroom story of him being gangbanged in the dungeon. We are not ones to judge since both of us had been down that negative road of self-loathing. This seems to be a common thread with people whom others considered good-looking or beautiful. In my opinion, it’s a fake image that handsome people know they cannot live up to. Instead of exterior beauty being an asset, it often becomes a psychological burden. During the years when I was with Toby, I delved in some fashion modeling work in New Zealand. I ventured into this business because it was my subconscious way of reminding me of the days we posed for Mario and Aziz. It was also my twisted way of hoping to meet another person like me, with the hope of building a loving long-term relationship. It was also a desperate attempt to break loose from Toby’s psychosomatic grip on my person. Ian was his name and he was a very attractive 24 year old architecture student. He modeled to earn some extra spending money. We became fast friends, but he had this foreboding nature which often came on unexpectedly. A sentence or a word could trigger his depression, sending the otherwise cheerful man into bouts of non-verbal communication. It was like a brightly lit light bulb suddenly being switched off in mid-sentence. We did have an affair while I was trying to patch things up with Toby. As delightful as our sexual liaisons were there was a hidden missing element, YOU! Much like my liaisons with Oscar, without your presence, our sexual communications took on a different dynamic which only you as the missing link could resolve. There were times during or after sex when Ian would abuse himself with negative thoughts and self-denigration. I tried to console him, yet I was deeply sorrowed about my own unresolved issues with Toby. It was like the blind leading the blind. I was gravely saddened when Ian took his own life. Heavily drugged on prescriptive anti-depressant and a stomach full of extensive alcohol consumption, he fell off his ten story apartment building. He died instantly. This was the straw that threw me into a nervous breakdown. Thank God I climbed out of my despondencies with the help of Ari and Aria. My dearest Young, I have a confession to make; you are the only person I have truly loved and will continue to love. All these years I’ve tried to forget you but I cannot. That said I am not trying to pry you away from Walter and have you return to me. We are just getting to know each other yet I feel your spirit has never left. Please make sure that Walter understands that I’m not jeopardizing your wonderful relationship. I am happy for the both of you. You had asked jokingly if I was interested in a triplet relationship. Maybe when the time and opportunity arises it may happen, but now I’m enjoying my own company after Albert’s passing. In a way it is nice to have my freedom after 8 years of building a life with Albert. I love you my darling boy and always will. As always, I await your cheerful emails. Andy. Xoxoxo
Young (Unbridled (A Harem Boy's Saga, #2))
A joke is a curve ball—a pitch that bends at the last instant and fools the batter. “You throw a perfectly straight line at the audience and then, right at the end, you curve it. Good jokes do that,” Burrows said. To achieve the unexpected twist, it’s sometimes necessary to sacrifice grammar and even logic.
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
I also showed the engineers a framework for play devised by Scott Eberle, an intellectual historian of play and vice president for interpretation at the Strong National Museum of Play in Rochester, New York. Eberle feels that most people go through a six-step process as they play. While neither he nor I believe that every player goes through exactly these steps in this order, I think it’s useful to think of play in this way. Eberle says that play involves: Anticipation, waiting with expectation, wondering what will happen, curiosity, a little anxiety, perhaps because there is a slight uncertainty or risk involved (can we hit the baseball and get safely on base?), although the risk cannot be so great that it overwhelms the fun. This leads to . . . Surprise, the unexpected, a discovery, a new sensation or idea, or shifting perspective. This produces . . . Pleasure, a good feeling, like the pleasure we feel at the unexpected twist in the punch line of a good joke. Next we have . . . Understanding, the acquisition of new knowledge, a synthesizing of distinct and separate concepts, an incorporation of ideas that were previously foreign, leading to . . . Strength, the mastery that comes from constructive experience and understanding, the empowerment of coming through a scary experience unscathed, of knowing more about how the world works. Ultimately, this results in . . . Poise, grace, contentment, composure, and a sense of balance in life. Eberle diagrams this as a wheel. Once we reach poise, we are ready to go to a new source of anticipation, starting the ride all over again.
Stuart M. Brown Jr. (Play: How it Shapes the Brain, Opens the Imagination, and Invigorates the Soul)
Judge ground himself against Michaels’ ass again, content with taking a little for himself too. “Does it feel like a joke?” His dick was hard and aching behind his own zipper. It was torturous and dangerous. Honestly that shit was getting exciting. He was pissed at first about the fight, but things were getting interesting. The fiery detective had many layers to him that Judge was going to enjoy unveiling little by little. Judge slowed his stroke. Relished the length and girth Michaels was blessed with. No wonder that punk bastard was begging in that email. Goddamn. It’d been a long damn time since he’d enjoyed a thick cock up… No. Fuck no! Michaels bucked in his arms, jolting Judge out of his thoughts. Squeezing tighter, Judge worked him from base to tip, twisting the cap before going back down and repeating over and over. Michaels shuddered and cursed in his arms, letting his head fall back on Judge’s shoulder. If he turned his head, he could kiss that coarse cheek; run his mouth and nose all the way down that alluring smell of testosterone, sweat, and bitterness that clung to Michaels, and bite him hard on that stubborn jaw he liked to jut out in defiance. He could feel how close Michaels was. Liked how he’d accepted defeat in this round. His hands were still braced against the wall, those swollen, bruised knuckles a testament that he’d put up a good fight, but he was no longer pushing. His taut body had gone lax and his jaw slack, panting in rhythm with Judge’s stroking. Oh god, the expression on his face… frowning in deep concentration to take what he needed. He’s fuckin’ beautiful. Jesus. “Judge. Make me come,” Michaels whispered, so painfully that Judge needed to witness the bliss he was getting ready to give the bruised man in his arms. He increased the speed of his fist, the slicking sound obscene in the small, dark room. Michaels was leaking for him, aching, pleading for him. For him to do what he promised. Judge buried his nose at the base of Michaels’ throat and squeezed his eyes shut, damn he couldn’t watch. He ground his hips forward at the same time he pulled Michaels back into him. “Fuuuuck.” Did that come from him?
A.E. Via (Don't Judge (Nothing Special, #4))
The thing that gets me is, when I switched to doing an MBA at night while working at Bexley, he was unimpressed. Like he'd had any kind of opinion. Like I wasn't even noticed or acknowledged enough to disappoint. But I have, Over and over, my entire life. My career is a joke to him." I'm surprised by how angry I'm getting. I think of Anthony, his face permanently twisted into a sarcastic expression, "He's lost something special in you, Why is he like this?" "I don't know. If I knew, maybe I could change it. He's just been that way with me, and most people.
Sally Thorne (The Hating Game)
I’m going to guess that in our seventeen years together, Joe and I have eaten an average of at least one meal out a week—plus at least one or two weeks a year when we are on vacation and we get to enjoy twenty-one restaurant meals. Using this rough calculation, I have heard my husband utter that exact line approximately one thousand four hundred times. If I didn’t madly love the man, or I had years of bitter resentment born of unmet needs and unheard desires festering in me, I can see where this might make me want to stick something sharp into his eye socket and twist it around a few dozen times for good measure. But I do and I don’t, respectively, so his attempted joke is actually endearing. It’s one of his things that I’d miss tragically if it went away. It would be that “Yeah, I hated it” line—not his dashing good looks or prowess with power tools or skills on the basketball court or anything else the rest of the world can plainly see—that I’d get most choked up on if I were delivering his eulogy today. There was a breakthrough, pivotal scene in the epically good movie Good Will Hunting, where Robin Williams plays a therapist reminiscing about his dead wife with his patient (Matt Damon). “She used to fart in her sleep,” Williams tells the clueless Damon character during an otherwise unproductive therapy session. “One night it was so loud it woke the dog up . . . She’s been dead two years, and that’s the shit I remember . . . little things like that, those are the things I miss the most. Those little idiosyncrasies that only I knew about; that’s what made her my wife. People call these things imperfections, but they’re not. No, that’s the good stuff.” That.
Jenna McCarthy (I've Still Got It...I Just Can't Remember Where I Put It: Awkwardly True Tales from the Far Side of Forty)
History is like a long, twisted joke. You never know when the punch line will come.
Laksmi Pamuntjak (The Question of Red)
He blinked and then smiled at my attempt as a joke. My stomach twisted. Good grief. It was the first time he had smiled properly. I was lucky I was sitting down. The experience transformed his face and revealed a row of perfect white teeth. Those golden brown eyes glowed and a series of laughter lines creased his face. They were the sort of lines that did funny things to a woman's stomach, not to mention other places.
Belinda Williams (Wish List (City Love #4))
Aunt Lucy, sitting beside her on the settee, glanced at Amelia. “Is something wrong, my dear? You just heaved a very mournful sigh and you’re looking quite flushed and bothered.” Amelia flashed her godmother an apologetic smile. “No, Aunt Lucy, I’m fine. Just a trifle, um, hot.” Her gaze drifted back to Nigel. He was crouched down, his green robe flared out in a dramatic sweep, as he spoke with little Ned Haythrop. Ned’s ancient spaniel had died only last week and, according to his grandmother, Lady Peterson, he’d been inconsolable. But Nigel got him smiling and soon drew a giggle from the boy with a joke about swallowing the bean in the Twelfth Night cake. Even Amelia’s sister, Penelope, who at fourteen considered herself too old for such things as holiday pantomimes, had clearly fallen victim to Nigel’s quiet charm. As had Amelia. She’d only been too stupid to realize it until it bashed her over the head. Aunt Lucy looked at her skeptically but didn’t probe. Like Amelia, she turned to watch Nigel laughing with Ned and Lady Peterson. “He does make a splendid Father Christmas, doesn’t he?” her godmother said with approval. “Much better than Philbert. That man carried on as if he were about to submersed in a vat of flaming wassail. Just between us, I suspect his twisted ankle might be more imaginary than real. Philbert can be so dramatic.” Amelia blinked. One could characterize Philbert as rather mysterious, but dramatic? “Er, I’m sure you’re right, Aunt Lucy, and I agree about Mr. Dash. He’s a perfectly splendid, considerate man. He didn’t blink an eyelash when Lord Broadmore so rudely made fun of his costume.” She scowled at the memory of his lordship’s jeers when Nigel came into the drawing room dressed as Father Christmas, leading Thomas the footman who carried the large tray of treats. Amelia thought Nigel looked wonderful in the dark velvet robe. The ermine trim brought out the cobalt depths in his eyes and the mistletoe wreath looked positively kingly atop his thick brown hair. Amelia had helped him with the wreath, and when he’d bent down a bit so she could adjust the fit, she’d been tempted to stroke her fingers through his silky locks. She’d blushed madly when he straightened up and thanked her with a teasing smile. Aunt
Anna Campbell (A Grosvenor Square Christmas)
Now it's time to reveal the secret ingredient to be included in our second type of bread. This can be made of any type of dough, but must prominently feature whatever is in this basket." The crowd hushes and he opens the lid, removes two containers, and holds them in the air so all can see. "Chèvre," he declares. "Goat cheese." Jude looks at me. "What a joke. I thought you would get something good, like sour gummy worms or turkey feet or something." Jonathan speaks to the camera as he works a new lump of dough, explaining how he's using the same base formula as his baguettes, but adding the sweet twist of maple syrup and apples.
Christa Parrish (Stones For Bread)
Given he'd been punished for his pride, it was sort of a sick, twisted joke. You wanna be God? Go rule Hell, kid. His Father certainly had a sense of humor. Demons
J.M. Darhower (Extinguish (Extinguish #1))
Finally, for the first time in a month, I saw it. I made a stupid, flirty joke, and her whole face lit up. It nearly knocked me on my ass. I couldn’t think or speak. I did that to her—me.
Eva Simmons (Word to the Wise (Twisted Roses #4))
The girl wasn’t joking when she said her dad raised her to be badass. I guess that’s one of the benefits of growing up around bikers.
Eva Simmons (Word to the Wise (Twisted Roses #4))
Fuck the rest of the world. You’re mine, Felicity Alcott. Please say I can be yours.” I hold her cheeks in my hands as tears start to pour. “Marry me.” “Of course.” She stumbles on the words in a half laugh, and a half cry. “Yes, I’ll marry you.” “Seriously?” “Well, I’m not joking. You better not be.” She playfully shoves at my chest. “Fuck no, I’m not.
Eva Simmons (Lies Like Love (Twisted Roses #1))
I’ve heard all the jokes, if that’s what you’re thinking.” “Don’t know what you’re talking about.” Except something about the darkness in his smile tells me he does. “Fel… like: I fell for you the moment I saw you. Or my favorite: You must be an angel because you look like you fell from heaven. Guys always think they’re so creative.” “They actually say that shit?” Jude chuckles, shaking his head. I nod. “Well don’t worry, I don’t think you’re an angel.” “Why not?” He leans closer, and I catch an inhale of his pine scent. Like a forest I’m already lost in. “Because the quiet ones never are.
Eva Simmons (Lies Like Love (Twisted Roses #1))
I’m deranged in the head.” She joked, “But it sounds like you like it, so I guess we’ll go with it.
A.M. McCoy (Twisted Ink (Beauty In The Ink, #1))
Do you ever smile? It might help with your condition.” “What condition?” Alex sounded bored. “Stickuptheassitis.” “No. The condition is chronic.” “D-did you make a joke?
Ana Huang (Twisted Love (Twisted, #1))
There was nothing I loved better than seeing the normally serious Rhys joke around.
Ana Huang (Twisted Games (Twisted, #2))