“
That’s how stories happen — with a turning point, an unexpected twist. There’s only one kind of happiness, but misfortune comes in all shapes and sizes. It’s like Tolstoy said. Happiness is an allegory, unhappiness a story.
”
”
Haruki Murakami (Kafka on the Shore)
“
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the will which says to them: 'Hold on!'
If you can talk with crowds and keep your virtue,
Or walk with Kings - nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!
”
”
Rudyard Kipling (If: A Father's Advice to His Son)
“
...crackers..." a voice breathed out nehind us, "yesss..."
Both of us turned, watching as Chubs twisted around in his seat and settled back down, still fast asleep.
I pressed a hand over my mouth to keep from laughing. Liam rolled his eyes, smiling.
"He dreams about food," he said. "A lot.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
I marveled at the beauty of all life and savored the power and possibilities of my imagination. In these rare moments, I prayed, I danced, and I analyzed. I saw that life was good and bad, beautiful and ugly. I understood that I had to dwell on the good and beautiful in order to keep my imagination, sensitivity, and gratitude intact. I knew it would not be easy to maintain this perspective. I knew I would often twist and turn, bend and crack a little, but I also knew that…I would never completely break.
”
”
Maria Nhambu (Africa's Child (Dancing Soul Trilogy, #1))
“
Don’t allow yourself to become disheartened when the thread doesn’t suit or seems unsightly to you. Wait and watch. Be patient and devoted. As the threads twist and turn, you will begin to understand, and you will see the pattern finally materialize in all its splendor.
”
”
Colleen Houck
“
I think of how life takes unexpected twists and turns, sometimes through sheer happenstance, sometimes through calculated decisions. In the end, it can all be called fate, but to me, it is more a matter of faith.
”
”
Emily Giffin (Love the One You're With)
“
Hurt spreads and grows and reaches out to break what’s good. Time heals all wounds, but often it’s only by the application of the grave, and while we live some hurts live with us, burning, making us twist and turn to escape them. And as we twist, we turn into other men.
”
”
Mark Lawrence (Emperor of Thorns (The Broken Empire, #3))
“
I’m a simple man without a lot of complicated twists and turns. Look down my throat and you can see out my ass.
”
”
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
“
The future was uncertain, absolutely, and there were many hurdles, twists, and turns to come, but as long as I kept moving forward, one foot in front of the other, the voices of fear and shame, the messages from those who wanted me to believe that I wasn't good enough, would be stilled.
”
”
Chris Gardner (The Pursuit of Happyness)
“
Life can take so many twists and turns. You can’t ever count yourself out. Even if you’re really afraid at some point, you can’t think that there’s no room for you to grow and do something good with your life.
”
”
Portia de Rossi
“
Each of us may think we know exactly what we need to make us happy, what will be good for us, what will ensure we have our happy ending, but life rarely works out in the way we expect, and our happy ending may have all sorts of unexpected twists and turns, be shaped in all sorts of unexpected ways
”
”
Jane Green
“
Every time I get nervous or scared, I remind myself that every good story needs twists and turns. Every heroine needs an adventure.
”
”
Victoria E. Schwab (City of Ghosts (Cassidy Blake, #1))
“
The road to recovery is not linear. It’s not straight. It’s a bumpy path, with lots of twists and turns. But you’re on the right track.
”
”
Candice Carty-Williams (Queenie)
“
The way the words say what I mean,
how they twist and turn language,
how they connect with people.
How they build community.
”
”
Elizabeth Acevedo (The Poet X)
“
A garden should make you feel you've entered privileged space -- a place not just set apart but reverberant -- and it seems to me that, to achieve this, the gardener must put some kind of twist on the existing landscape, turn its prose into something nearer poetry.
”
”
Michael Pollan (Second Nature: A Gardener's Education)
“
Have you been having the dreams?” asked Dani.
”
”
Steven Decker (The Balance of Time (Time Chain #2))
“
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . .
History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened.
My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .
There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .
And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
One thing I know for certain is that I want to go back in time and save all the people I killed.
”
”
Steven Decker (Addicted to Time)
“
Happiness is a flow between a playful construction and a painful deconstruction, undulating from a hampering past into a liberating 'now,' escorting a meandering flood of twists and turns, caressing the velvet sand of dreamy beaches or smashing sometimes into the rocks of reality. ("New York at arm's length of desire")
”
”
Erik Pevernagie (Words of Wisdom: Selected and illustrated by his readers)
“
Around two or three times a year, we would notice the wind blowing harder than usual, which meant a giant wave was coming.
”
”
Steven Decker (Addicted to Time)
“
Love.” The word floated between us on a soft gust of air. “Deep, abiding, unconditional love. You want it so much you’re willing to live for it.” Most people thought the biggest sacrifice they could make was to die for something. They were wrong. The biggest sacrifice someone could make was to live for something—to allow it to consume you and turn you into a version of yourself you didn’t recognize. Death was oblivion; life was reality, the harshest truth that had ever existed.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
Hello Charles, came the voice. I am the Watcher from the Sky.
”
”
Steven Decker (Addicted to Time)
“
I understand perfectly. Darquesse isn't a separate entity. She isn't another person. She's you. If you make the wrong choices, if you stop loving the people who love you, if you allow the world to twist and turn and change you, then yes, the future we've seen will come to pass. But if you fight, and if you kick, and struggle, and refuse to give in to the apathy, or the anger, or the hopelessness, then you'll change the future, and you'll walk your own path. And I'll be right there beside you, Valkyrie. I'll always be beside you.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
Thank Life For Happening, Thank Every Twist And Turn, There Is A Reason For Every Single Thing, There Is A Reason For Every Worry And Concern.
”
”
Dante Jannicelli
“
The weapon gave a rusty croak. ‘I don’t normally do weather reports anymore,’ the gun informed him politely.
‘Why is that?’
‘Ever since the demise of the old metropolis, there has been no control of the weather systems. Anyone who would have appreciated a weather forecast perished an awful long time ago. Besides, every time I started to inform my potential victims of the current cloud formations, or wind velocity, or barometric pressure, or potential precipitation, they simply ran away.
”
”
A.R. Merrydew (Our Blue Orange (Godfrey Davis, #1))
“
The world was becoming a very puzzling place for me. I didn’t understand why bad people were allowed to tell good people what to do. What kind of world would allow that to happen?
”
”
Steven Decker (Child of Another Kind)
“
Prisons are the temples where devils learn to prey. Every time we turn the key we twist the knife of fate, because every time we cage a man we close him in with hate.
”
”
Gregory David Roberts (Shantaram)
“
You are perfect. To think anything less is as pointless as a river thinking that it’s got too many curves or that it moves too slowly or that its rapids are too rapid. Says who? You’re on a journey with no defined beginning, middle or end. There are no wrong twists and turns. There is just being. And your job is to be as you as you can be. This is why you’re here. To shy away from who you truly are would leave the world you-less. You are the only you there is and ever will be. I repeat, you are the only you there is and ever will be. Do not deny the world its one and only chance to bask in your brilliance.
”
”
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
“
Every day is a journey filled with twists and turns. Every day, if you smile, you will feel alive, my son.
”
”
Santosh Kalwar
“
Piety can turn the power-hungry into monsters,’ Ead said. ‘They can twist any teaching to justify their actions.
”
”
Samantha Shannon (The Priory of the Orange Tree (The Roots of Chaos, #1))
“
Don’t spend a lot of time imagining the worst-case scenario. It rarely goes down as you imagine it will, and if by some fluke it does, you will have lived it twice.
”
”
Michael J. Fox (A Funny Thing Happened on the Way to the Future...: Twists and Turns and Lessons Learned)
“
When a writer looked at an empty computer screen, what did she see? Tristan wondered. A movie screen ready to be lit with faces? A night sky with one small star blinking at the top, a universe ready to be written on? Endless possibilities. Love's endless twists and turns - and all love's impossibilities.
”
”
Elizabeth Chandler (The Power of Love (Kissed by an Angel, #2))
“
We both smile at the classic misunderstanding. It’s all so cliché-ridden, it’s embarrassing. I wish our story could have some more original twists and turns. Maybe one of us will turn into a vampire or something.
”
”
Stacy Kramer (From What I Remember...)
“
Don't be afraid! We won't make an author of you, while there's an honest trade to be learnt, or brick-making to turn to.
”
”
Charles Dickens (Oliver Twist)
“
The path to our goal is rarely straight. It tends to turn and twist, which makes the journey far more enjoyable than it would otherwise be.
”
”
Christopher Paolini (To Sleep in a Sea of Stars (Fractalverse, #1))
“
I convinced myself I was fully justified in destroying the world by destroying the Mind Upload Community before it got started, and when that seemed impossible, I conceived the idea of infecting the world’s OIM and going to this Utopia Annette was building in 2585.
”
”
Steven Decker (Addicted to Time)
“
As far as I'm concerned, you can't beat a good whodunnit: the twists and turns, the clues and the red herrings and then, finally, the satisfaction of having everything explained to you in a way that makes you kick yourself because you hadn't seen it from the start.
”
”
Anthony Horowitz (Magpie Murders (Susan Ryeland, #1))
“
Facts are simple and facts are straight.
Facts are lazy and facts are late.
Facts all come with points of view.
Facts don't do what I want them to.
Facts just twist the truth around.
Facts are living turned inside out.
”
”
David Byrne
“
This whole conversation was turning into a twisted version of Abbot & Costello's Who's on First.
”
”
Kelly Moran (Tracking You (Redwood Ridge #2))
“
I had always thought life was a road, twisting and turning with the vagaries of fate. Luck and opportunity, gifts beyond our control. As I gazed across the endless night, it dawned on me then, that our paths were forged from the choices we made. Whether to reach for an opportunity or to let it pass by. To be swept up with changed or to hold your ground.
”
”
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
“
When I put my hands on your body on your flesh I feel the history of that body. Not just the beginning of its forming in that distant lake but all the way beyond its ending. I feel the warmth and texture and simultaneously I see the flesh unwrap from the layers of fat and disappear. I see the fat disappear from the muscle. I see the muscle disappearing from around the organs and detaching iself from the bones. I see the organs gradually fade into transparency leaving a gleaming skeleton gleaming like ivory that slowly resolves until it becomes dust. I am consumed in the sense of your weight, the way your flesh occupies momentary space the fullness of it beneath my palms. I am amazed at how perfectly your body fits to the curves of my hands. If I could attach our blood vessels so we could become each other I would. If I could attach our blood vessels in order to anchor you to the earth to this present time I would. If I could open up your body and slip inside your skin and look out your eyes and forever have my lips fused with yours I would. It makes me weep to feel the history of your flesh beneath my hands in a time of so much loss. It makes me weep to feel the movement of your flesh beneath my palms as you twist and turn over to one side to create a series of gestures to reach up around my neck to draw me nearer. All these memories will be lost in time like tears in the rain.
”
”
David Wojnarowicz
“
When Ava turned away, Jules leaned in and whispered, “He’s totally whipped. Watch.” She raised her voice to a panicked level. “Oh my God! Ava, are you bleeding?” Alex’s head snapped up. Less than five seconds later, he ended his call and crossed the room to a confused-looking Ava, whose hand froze halfway to the scones on the table. “I’m fine,” Ava said as Alex searched her for injuries. She glared at Jules. “What did I just say?” “I can’t help it.” Jules’s eyes sparkled with mischief. “It’s so much fun. It’s like playing with a windup toy.” “Until the toy comes alive and kills you,” Stella murmured loud enough for everyone to hear. Alex stared at Jules with displeasure scrawled all over his face. His features were so perfect it was a little unnerving, like seeing a carefully sculpted statue come to life. Some people were into that, but I preferred men with a little more grit. Give me scars and a nose that was slightly crooked from being broken too many times over perfection. “Pray you and Ava stay friends forever,” Alex said, icy enough to elicit a rash of goosebumps on my arms.
”
”
Ana Huang (Twisted Games (Twisted, #2))
“
Most people thought the biggest sacrifice they could make was to die for something. They were wrong. The biggest sacrifice someone could make was to live for something—to allow it to consume you and turn you into a version of yourself you didn’t recognize. Death was oblivion; life was reality, the harshest truth that had ever existed.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
Life is full of twists, turns, hiccups and brick walls. A delay in pursuing your purpose allows you to regroup, recharge and launch again. Treat it as a pause and not an end to capturing your dreams.
”
”
C. Toni Graham
“
What are you still doing up?”
I twisted around, spotting Hayden in the doorway. “Watching the… uh,” I turned back, frowning at the screen, “the… way tigers mate.” I sighed. Damn you, Discovery Channel.
He chuckled deep in his throat. “Didn’t know that kind of thing interested you.”
“Oh. Yeah, always wanted to know how they picked their boyfriends.
”
”
Jennifer L. Armentrout (Cursed)
“
That boy was going to make the world turn, and the stars would fall like rain.
”
”
Twist and Shout
“
He turns me inside out, take me apart, and puts me back together—all in the span of one night.
”
”
Anna Zaires (Twist Me (Twist Me, #1))
“
The most interesting thing about writing is the way that it obliterates time. Three hours seem like three minutes. Then there is the business of surprise. I never know what is coming next. The phrase that sounds in the head changes when it appears on the page. Then I start probing it with a pen, finding new meanings. Sometimes I burst out laughing at what is happening as I twist and turn sentences. Strange business, all in all. One never gets to the end of it. That’s why I go on, I suppose. To see what the next sentences I write will be.
”
”
Gore Vidal
“
She knew that she belonged to this man, body and soul. Every trace of shame departed; it was burnt out by the fire that consumed her. She gave him a thousand opportunities; she fought to turn his words to serious things. He baffled her with his shallow smile and ready tongue, that twisted all topics to triviality. By six o'clock she was morally on her knees before him; she was imploring him to stay to dinner with her. He refused.
”
”
Aleister Crowley (Moonchild)
“
IN ONE IMPORTANT WAY, an abusive man works like a magician: His tricks largely rely on getting you to look off in the wrong direction, distracting your attention so that you won’t notice where the real action is. He draws you into focusing on the turbulent world of his feelings to keep your eyes turned away from the true cause of his abusiveness, which lies in how he thinks. He leads you into a convoluted maze, making your relationship with him a labyrinth of twists and turns. He wants you to puzzle over him, to try to figure him out, as though he were a wonderful but broken machine for which you need only to find and fix the malfunctioning parts to bring it roaring to its full potential. His desire, though he may not admit it even to himself, is that you wrack your brain in this way so that you won’t notice the patterns and logic of his behavior, the consciousness behind the craziness.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
Stories took twists and turns down fairy-tale paths or down very human everyday ones. You think you’re at the end of the book, and it’s only the end of a chapter.
”
”
Deb Caletti (The Story of Us)
“
He chuckled. Even as he said my most private thoughts, even as I burned with outrage and shame, I trembled at the grip still on my mind. Rhysand turned to the High Lord. "I'm curious: Why did she wonder if it would feel good to have you bite her breast the way you bit her neck?"
"Let. Her. Go." Tamlin's face was twisted with such feral rage that it struck a different, deeper chord of terror in me.
"If it's any consolation," Rhysand confided to him, "she would have been the one for you - and you might have gotten away with it. A bit late, though. She's more stubborn than you are.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Happiness and love need wisdom to navigate life's tides. Insight lets us detach from the weight of the past and embrace the present moment's "timelessness," teaching us to welcome the twists and turns with wonder. (“Love, Happiness, and Insight”)
”
”
Erik Pevernagie
“
She sensed an ending, and she thought that Flint did too. But she also sensed a beginning. The post-pandemic world would continue to unfold in many directions at once—many of them troubling and disheartening, she imagined. She had to counteract even just a fraction of that negative energy.
”
”
Amy L. Bernstein
“
See? See what you can do? Never mind you can’t tell one letter from another, never mind you born a slave, never mind you lose your name, never mind your daddy dead, never mind nothing. Here, this here, is what a man can do if he puts his mind to it and his back in it. Stop sniveling,’ [the land] said. ‘Stop picking around the edges of the world. Take advantage, and if you can’t take advantage, take disadvantage. We live here. On this planet, in this nation, in this county right here. Nowhere else! We got a home in this rock, don’t you see! Nobody starving in my home; nobody crying in my home, and if I got a home you got one too! Grab it. Grab this land! Take it, hold it, my brothers, make it, my brothers, shake it, squeeze it, turn it, twist it, beat it, kick it, kiss it, whip it, stomp it, dig it, plow it, seed it, reap it, rent it, buy it, sell it, own it, build it, multiply it, and pass it on – can you hear me? Pass it on!
”
”
Toni Morrison (Song of Solomon)
“
Most of what she knew, she'd learned from the wild. Nature had nurtured, tutored, and protected her when no one else would. If consequences resulted from her behaving differently then they too were functions of life's fundamental core. Tate's devotion eventually convinced her that human love is more than the bizarre mating competitions of the marsh creatures. But life also taught her than ancient genes for survival still persist in undesirable forms among the twists and turns of man's genetic code. For Kya it was enough to be part of this natural sequence as sure as the tides. Kya was bonded to her planet and its life in a way few people are. Rooted solid in this earth. Born of this mother.
”
”
Delia Owens (Where the Crawdads Sing)
“
And after that, and also for each word, there should be sentences that show the twists and turns of meanings—the way almost every word slips in its silvery, fishlike way, weaving this way and that, adding subtleties of nuance to itself, and then perhaps shedding them as public mood dictates.
”
”
Simon Winchester (The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary)
“
What?" he whispered. "What are you smiling about?"
My fingers brushed against his hair, trying to smooth it down. I realized what I was doing a full minute after Liam had closed his eyes and leaned into my touch. Embarrassment flared up my chest, but he grabbed my hand before I could pull back and tucked it under his chin.
"Nope," he whispered, when I tried to tug it away. "Mine now."
Dangerous. This is dangerous. The warning was fleeting, banished to the back corners of my mind, where it wouldn't interrupt how good it felt to touch him - how right.
"I'm going to need it back eventually," I said, letting him run it along the stubble on his chin.
"Too bad."
"...crackers..." a voice breathed out behind us, "yessss..."
Both of us turned, watching as Chubs twisted around in his seat and settled back down, still fast asleep.
I pressed a hand over my mouth to keep from laughing. Liam rolled his eyes, smiling.
"He dreams about food," he said. "A lot."
"At least they're good dreams."
"Yeah," Liam agreed. "I guess he's lucky.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Then the best thing I can do is—"
He froze. The brown eyes that had been narrowed with aggravation suddenly went wide with...what? Amazement? Awe? Or perhaps that stunned feeling I kept having when I saw him?
Because suddenly, I was pretty sure he was experiencing the same thing I had earlier. He'd seen me plenty of times in Siberia. He'd seen me just the other night at the warehouse. But now...now he was truly viewing me with his own eyes. Now that he was no longer Strigoi, his whole world was different. His outlook and feelings were different. Even his soul was different.
It was like one of those moments when people talked about their lives flashing before their eyes. Because as we stared at one another, every part of our relationship replayed in my mind's eye. I remembered how strong and invincible he'd been when we first met, when he'd come to bring Lissa and me back to the folds of Moroi society. I remembered the gentleness of his touch when he's bandaged my bloodies and bettered hands. I remembered him carrying me in his arms after Victor's daughter Natalie had attacked me. Most of all, I remembered the night we'd been together in the cabin, just before the Strigoi had taken him. A year. We'd known each other only a year but we'd lived a lifetime in it.
And he was realizing that too, I knew as he studied me. His gaze was all-powerful, taking in every single one of my features and filing them away.
Dimly, I tried to recall what I looked like today. I still wore the dress from the secret meeting and knew it looked good on me. My eyes were probably bloodshot from crying earlier, and I'd only had time for a quick brushing of my hair before heading off with Adrian.
Somehow, I doubted any of it mattered. The way Dimitri was looking at me...it confirmed everything I'd suspected. The feelings he'd had for me before he'd been turned-the feelings that had become twisted while a Strigoi—were all still there. They had to be. Maybe Lissa was his savior. Maybe the rest of the Court thought she was a goddess. I knew, right then, that no matter how bedraggled I looked or how blank he tried to keep his face, I was a goddess to him.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Kaladin screamed, reaching the end of the bridge. Finding a tiny surge of strength somewhere, he raised his spear and threw himself off the end of the wooden platform, launching into the air above the cavernous void.
Bridgemen cried out in dismay. Syl zipped about him with worry. Parshendi looked up with amazement as a lone bridgeman sailed through the air toward them.
His drained, worn-out body barely had any strength left. In that moment of crystallized time, he looked down on his enemies. Parshendi with their marbled red and black skin. Soldiers raising finely crafted weapons, as if to cut him from the sky. Strangers, oddities in carapace breastplates and skullcaps. Many of them wearing beards.
Beards woven with glowing gemstones.
Kaladin breathed in.
Like the power of salvation itself—like rays of sunlight from the eyes of the Almighty—Stormlight exploded from those gemstones. It streamed through the air, pulled in visible streams, like glowing columns of luminescent smoke. Twisting and turning and spiraling like tiny funnel clouds until they slammed into him.
And the storm came to life again.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
Damon eats pain,” I told her. “He will find some way to take it and twist it and fit it down his throat, so he can swallow it. He’s made of it. You all can endure it until you overcome it, but Damon…he wants to be in hell.”
It’s where he shines.
I turned my eyes back up to the sky, sliding an arm under my head. “But still…he never cried.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
We never end up with the book we began writing. Characters twist it and turn it until they get the life that is perfect for them. A good writer won't waste their time arguing with the characters they create...It is almost always a waste of time and people tend to stare when you do!
”
”
C.K. Webb
“
While life is meant to test, challenge, and strengthen us, if we are attempting to negotiate the twists and turns and ups and downs of mortality alone, we're doing it all wrong. Mortality is a test, but it is an open book test. We have access not only to the divine text but to Him who authored it.
”
”
Sheri Dew (Saying It Like It Is)
“
I am his puzzle and he is my lock, and it's an arms race to solve the other first. But somewhere in all the knots and twists and trapdoors, he turned to an arsonist, leaving his embers in my veins, smoke on my tongue, a fire burning softly in my heart. And it will not die easy.
”
”
Margaret Owen (Little Thieves (Little Thieves, #1))
“
At other times, at the edge of a wood, especially at dusk, the trees themselves would assume strange shapes: sometimes they were arms rising heavenwards, , or else the trunk would twist and turn like a body being bent by the wind. At night, when I woke up and the moon and the stars were out, I would see in the sky things that filled me simultaneously with dread and longing. I remember that once, one Christmas Eve, I saw a great naked women, standing erect, with rolling eyes; she must have been a hundred feet high, but along she drifted, growing ever longer and ever thinner, and finally fell apart, each limb remaining separate, with the head floating away first as the rest of her body continued to waver
”
”
Gustave Flaubert (November)
“
He clenches his jaw, twisting and turning as he looks for some way out of this. But there isn't one. I don't expect him to forgive me, and I don't deserve it either. But his hand closes ovdf mine, holding on to the last person on his side.
Slowly he starts to hum. I recognize the tune as the sad song, the one we kissed to in a room full of moonlight.
”
”
Victoria Aveyard (Red Queen (Red Queen, #1))
“
So what's your team called?" asked Kate, twisting her legs into a pretzel-like configuration, "We're called the Winmates because we're inmates who win." Kate looked back and forth at Reynie and Constance, searching their expression for signs of delight.
"You gave yourselves a name?" asked Constance.
Now it was Kate's turn to be baffled. "You didn't? How can you have a team without a name?
”
”
Trenton Lee Stewart (The Mysterious Benedict Society and the Prisoner's Dilemma (The Mysterious Benedict Society, #3))
“
If you are walking on a path thick with brambles and rocks, a path that abruptly twists and turns, it's easy to get lost, or tired, or discouraged. You might be tempted to give up entirely. But if a kind and patient person comes along and takes your hand, saying, "I see you're having a hard time- here, follow me, I'll help you find your way," the path becomes manageable, the journey less frightening.
”
”
Elyn R. Saks (The Center Cannot Hold: My Journey Through Madness)
“
There was once an invisible man, the monster continued, though Conor kept his eyes firmly on Harry, who had grown tired of being unseen.
Conor set himself into a walk.
A walk after Harry.
It was not that he was actually invisible, the monster said, following Conor, the room volume dropping as they passed. It was that the people had become used to not seeing him.
"Hey!" Conor called. Harry didn't turn around. Neither did Sully nor Anton, though thet were still sniggering as Conor picked up his pace.
And if no one sees you, the monster said, picking up its pace, too, are you really there at all?
"HEY!" Conor called loudly.
The dining hall had fallen silent now, as Conor and the monster moved faster after Harry.
Harry who had still not turned around.
Conor reached him and grabbed him by the shoulder, twisting him round. Harry pretended to question what had happened, looking hard at Sully, acting like he was the one who'd done it. "Quit messing about," Harry said and turned away again.
Turned away from Conor.
And then one day the invisible man decided, the monster said, its voice ringing in Conor's ears, I will make them see me.
"How?" Conor asked, breathing heavily again, not turning back to see the monster standing there, not looking at the reaction of the room to the huge monster now in the midst, though he was aware of nervous murmurs and a strange anticipation in the air. "How did the man do it?"
Conor could feel the monster close behind him, knew that it was kneeling, knew that it was putting its face up to his ear to whisper into in, to tell him the rest of the story.
He called, it said for a monster.
”
”
Patrick Ness (A Monster Calls)
“
Lowering my chin, I sighed. What my Seth wanted, I wanted, but... daimons? I rubbed my hands on my bent knees and sighed again - louder, like a petulant child.
Aiden's back twisted as he turned his head. "What, Alex?"
"Nothing," I mumbled.
"There's something." He leaned back, tipping his head against the bar. "You have that tone."
I frowned at the wall. "What tone?"
"The 'I have something I want to say but I shouldn't' tone" A little bit of humor seeped into his voice. "I'm well familiar with it."
Well... damn.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
I've had it with both of you." He pulled his own bag higher on one shoulder and turned to me. "You let me know when you decide what the hell you want from me. I love you, and I miss you, and I'll be waiting, whenever you're ready. But don't spy on me again. Ever." I nodded miserably as he twisted to face Sabine.
"And you! You come find me when you're ready to be my friend, because that's all I have to offer right now. But as badly as I need someone to talk to, I don't need another complication in my life. And as for the two of you!" He stepped away from us, already walking backward toward the school entrance. "Work it out. Or don't work it out. But leave me the hell out of it.
”
”
Rachel Vincent (My Soul to Steal (Soul Screamers, #4))
“
It's the best kind of devastating there is. He took his pain and he turned it into something beautiful. Into something that people connect to. And that's what good music does. It speaks to you. It changes you. What I'm trying to say is, it's just nice, I guess, knowing that someone else can put into words what I feel. That there are people who have been through things worse than I have, and they came out on the other side okay. Not only that, but they have made some kind of twisted, effed up sense of the completely senseless. They made it mean something. These songs tell me I'm not alone. If you look at it that way, music...music can see you through anything.
”
”
Hannah Harrington (Saving June)
“
My heart leaps in my chest when her feet slide. Moving sideways. Not closer, not farther. Now it's her turn to prowl. Even though she's only walking, it feels like a dance. I mirror her movements, stepping with her. She's more graceful than I am, a lithe thief born of many years and many twists of fate.
...
The sparks reflect in her eyes. They shudder from brown to purple, giving her an unearthly look, like her gaze might run me through.
Part of me wishes she would.
”
”
Victoria Aveyard (War Storm (Red Queen, #4))
“
When things go wrong, as they sometimes will,
When the road you’re trudging seems all uphill,
When the funds are low and the debts are high,
And you want to smile, but you have to sigh,
When care is pressing you down a bit,
Rest, if you must, but don’t you quit.
Life is queer with its twists and turns,
As every one of us sometimes learns,
And many a failure turns about,
When he might have won had he stuck it out;
Don’t give up though the pace seems slow-
You may succeed with another blow.
Often the goal is nearer than,
It seems to a faint and faltering man,
Often the struggler has given up,
When he might have captured the victor’s cup,
And he learned too late when the night slipped down,
How close he was to the golden crown.
Success is failure turned inside out-
The silver tint of the clouds of doubt,
And you never can tell how close you are,
It may be near when it seems so far,
So stick to the fight when you’re hardest hit-
It’s when things seem worst that you must not quit
”
”
Edgar A. Guest
“
My comrades, hardly strangers to pain before now, we all have weathered worse. Some god will grant us an end to this as well. You've threaded the rocks resounding with Scylla's howling rabid dogs, and taken the brunt of the Cyclops' boulders, too. Call up your courage again. Dismiss your grief and fear. A joy it will be one day, perhaps, to remember even this. Through so many hard straits, so many twists and turns our course holds firm for Latium. There Fate holds out a homeland, calm, at peace. There the gods decree the kingdom of Troy will rise again. Bear up. Save your strength for better times to come.
”
”
Virgil (The Aeneid)
“
I'll see you there little Red.' Fane’s voice faded out of her mind and she could feel his humor. Oh, wasn't he just too cute, picking up on her two best friends' idea of a sick joke - to turn her into the little girl who almost wound up as the wolf's dinner.
"My, what big eyes you have, wolf-man," Jacque said out loud, unable to stop her sarcasm from boiling up.
“The better to see you with love,” Jen chimed in.
“What big ears you have!” Sally continued their comic relief.
“The better to hear you with my love,” Jen followed.
“What big teeth you have!” Sally mocked, her hands on either side of her face.
“The better to eat you with my love,” Jen cackled, but she wasn’t finished. True to Jen form she added her own twisted sense of humour. “My, what a big-“
Sally slapped a hand over her mouth, quickly realising where Jen was going with that statement.
”
”
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
“
That if you didnt get your medicine in the next twenty-four hours you'd be dead?" i said, " Not exactly, but close. you know, the old ' upping the ante with a fatal disease that needs medication twist. APerently it still works."
"Kind of a letdown, then, huh?"
"No kidding. Look at you, your not even gasping."
" All right then, emergency medical situation, take two."
he leaped to his feet, stagored, kneeled over, then lifted his head weakly.
Chloe? Is that you?" he couphed, " DO you have my insulin?"
i placed it in his outstreched hand.
"You savedmy life, how can i ever repay you?" he said.
"undying servitude sounds good. i like my eggs scrambled."
he held up a piece of fruit, "Would you settle for a bruised apple?"
i lauphed.
"YOu guys are wierd." tori said.
simon sat on the crate beside me. "thats right. we are totally wierd and completely uncool. you popularity is plummeting just by being near us. so why dont you-"
"Chloe?" derek inturupted. "Hows your arm?"
"HEr-?" simon swore under his breath. "Way to keep showing me up. first food. now her arm" he turned to me"How is it?
”
”
Kelley Armstrong
“
I could never myself believe in God, if it were not for the cross. The only God I believe in is the One Nietzsche ridiculed as 'God on the cross.' In the real world of pain, how could one worship a God who was immune to it? I have entered many Buddhist temples in different Asian countries and stood respectfully before the statue of the Buddha, his legs crossed, arms folded, eyes closed, the ghost of a smile playing round his mouth, a remote look on his face, detached from the agonies of the world. But each time after a while I have had to turn away. And in imagination I have turned instead to that lonely, twisted, tortured figure on the cross, nails through hands and feet, back lacerated, limbs wrenched, brow bleeding from thorn-pricks, mouth dry and intolerably thirsty, plunged in Godforsaken darkness. That is the God for me! He laid aside his immunity to pain. He entered our world of flesh and blood, tears and death. He suffered for us. Our sufferings become more manageable in the light of his. There is still a question mark against human suffering, but over it we boldly stamp another mark, the cross that symbolizes divine suffering. 'The cross of Christ ... is God’s only self-justification in such a world” as ours....' 'The other gods were strong; but thou wast weak; they rode, but thou didst stumble to a throne; But to our wounds only God’s wounds can speak, And not a god has wounds, but thou alone.
”
”
John R.W. Stott (Cross)
“
But then you heard Sophie was coming to Hecate, and you decided to stay," Lara finished, and her lips twisted in the triumphant smile I'd seen on Mrs. Casnoff's face dozens of times. I stood there, frozen in place, as she turned back to me and said, "Mr. Callahan gave up a chance to travel the world with the Council so that he could be little more than a janitor on Graymalkin Island. For you.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
I ripped all her clothes off. She twisted and turned, slow, so they would slip out from under her. Then she closed her eyes and lay back on the pillow. Her hair was falling over her shoulders in snaky curls. Her eye was all black, and her breasts weren’t drawn up and pointing up at me, but soft, and spread out in two big pink splotches. She looked like the great grandmother of every whore in the world. The devil got his money’s worth that night.
”
”
James M. Cain (The Postman Always Rings Twice)
“
Kazi of Brightmist...you are the love I didn't know I needed.
You are the hand pulling me through the wilderness,
The sun warming my face.
You make me stronger, smarter, wiser.
You are the compass that makes me a better man.
With you by my side, no challenge will be too great.
I vow to honor you, Kazi, and do all I can to be worthy of your love.
I will never stumble in my devotion to you, and I vow to keep you safe always.
My family is now your family, and your family, mine.
You have not stolen my heart, but I give it freely,
And in the presence of these witnesses, I take you to be my wife."
He squeezed my hand. His brown eyes danced, just as they had the first time he spoke those vows to me. It was my turn now. I took a deep breath. Were any words enough? But I said the ones closest to my heart, the ones I had said in the wilderness and repeated almost daily when I lay in a dark cell, uncertain where he was but needing to believe I would see him again.
"I love you, Jase Ballenger, and I will for all my days. You have brought me fullness where there was only hunger,
You have given me a universe of stars and stories,
Where there was emptiness.
You've unlocked a part of me I was afraid to believe in,
And made the magic of wish stalks come true.
I vow to care for you, to protect you and everything that is yours.
Your home is now my home, your family, my family.
I will stand by you as a partner in all things.
With you by my side, I will never lack for joy.
I know life is full of twists and turns, and sometimes loss, but whatever paths we go down, I want every step to be with you.
I want to grow old with you, Jase.
Every one of my tomorrows is yours,
And in the presence of these witnesses, I take you to be my husband.
”
”
Mary E. Pearson (Vow of Thieves (Dance of Thieves, #2))
“
Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;
The children were nestled all snug in their beds;
While visions of sugar-plums danced in their heads;
And mamma in her 'kerchief, and I in my cap,
Had just settled our brains for a long winter's nap,
When out on the lawn there arose such a clatter,
I sprang from my bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.
The moon on the breast of the new-fallen snow,
Gave a lustre of midday to objects below,
When what to my wondering eyes did appear,
But a miniature sleigh and eight tiny rein-deer,
With a little old driver so lively and quick,
I knew in a moment he must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name:
"Now, Dasher! now, Dancer! now Prancer and Vixen!
On, Comet! on, Cupid! on, Donder and Blixen!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!"
As leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky;
So up to the housetop the coursers they flew
With the sleigh full of toys, and St. Nicholas too—
And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St. Nicholas came with a bound.
He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a pedler just opening his pack.
His eyes—how they twinkled! his dimples, how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard on his chin was as white as the snow;
The stump of a pipe he held tight in his teeth,
And the smoke, it encircled his head like a wreath;
He had a broad face and a little round belly
That shook when he laughed, like a bowl full of jelly.
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread;
He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;
He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight—
“Happy Christmas to all, and to all a good night!
”
”
Clement Clarke Moore (The Night Before Christmas)
“
I imagined a labyrinth of labyrinths, a maze of mazes, a twisting, turning, ever-widening labyrinth that contained both past and future and somehow implied the stars. Absorbed in those illusory imaginings, I forgot that I was a pursued man; I felt myself, for an indefinite while, the abstract perceiver of the world. The vague, living countryside, the moon, the remains of the day did their work in me; so did the gently downward road, which forestalled all possibility of weariness. The evening was near, yet infinite.
”
”
Jorge Luis Borges (Ficciones)
“
Countless times, I watched my father turn my mother into a nervous wreck by simply transforming himself into a dark cloud of a presence. He wouldn't use any curses or shouts, but he'd set his bowl down a little too loudly, or slam doors a little too harshly. She'd step cautiously around him as if he were a bomb, worrying about her every move for fear of setting him off. Without uttering a single word, he'd teach her to twist herself into knots to prioritize his needs and wants, in some strangling hope of quelling the pressure in the house and returning things to normal.
”
”
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
“
He slumped down into the pen, and the puppies immediately leapt on him. "Perhaps I'll see you later tonight."
"If you're lucky," Celaena purred, and walked away. She smiled to herself as they strode through the castle.
Eventully Nehemia turned to her. "Do you like him?"
Celaena made a face. "Of course not. Why would I?"
You converse easily. It seems as if you have...a connection."
"A connection?" Celaena choked on the word. "I just enjoy teasing him."
"It's not a crime if you consider him handsome. I'll admit I judged him wrong; I thought him to be a pompous, selfish idiot, but he's not so bad."
"He's a Havilliard."
"My mother was the daughter of a chief who sought to overthrow my grandfather."
"We're both silly. It's nothing."
"He seems to take great interest in you."
Celaena's head whipped around, her eyes full of long-forgotten fury that made her belly ache and twist. "I would sooner cut out my own heart than love a Havilliard," she snarled.
They completed their walk in silence, and when they parted ways, Celaena quickly wished Nehemia a pleasant evening before striding to her part of the castle.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
I understand that you are an accomplished swords-man,” she finally said.
He eyed her curiously. Where was she going with this? “I like to fence, yes,” he replied.
“I have always wanted to learn.”
“Good God,” Gregory grunted.
“I would be quite good at it,” she protested.
“I’m sure you would,” her brother replied, “which is why you should never be allowed within thirty feet of a sword.” He turned to Gareth. “She’s quite diabolical.”
“Yes, I’d noticed,” Gareth murmured, deciding that maybe there might be a bit more to Hyacinth’s brother than he had thought.
Gregory shrugged, reaching for a piece of shortbread. “It’s probably why we can’t seem to get her married off.”
“Gregory!” This came from Hyacinth, but that was only because Lady Bridgerton had excused herself and followed one of the footmen into the hall.
“It’s a compliment!” Gregory protested. “Haven’t you waited your entire life for me to agree that you’re smarter than any of the poor fools who have attempted to court you?”
“You might find it difficult to believe,” Hyacinth shot back, “but I haven’t been going to bed each night thinking to myself—Oh, I do wish my brother would offer me something that passes for a compliment in his twisted mind.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
I know you,” said Maddy. “You’re -“
“What’s a name?” Loki grinned. “Wear it like a coat; turn it, burn it, throw it aside, and borrow another. One-Eye knows; you should ask him.”
“But Loki died,” she said, shaking her head. “He died on the field at Ragnarok.”
“Not quite.” He pulled a face. “You know there’s rather a lot the Oracle didn’t foretell, and old tales have a habit of getting twisted.”
“But in any case, that was centuries ago,” Maddy said bewildered. “I mean - that was the End of the World, wasn’t it?”
“So?” said Loki impatiently. “This isn’t the first time the world has come to an end, and it won’t be the last either.
”
”
Joanne Harris (Runemarks (Runemarks, #1))
“
I took in a deep breath, and smoke twisted around my head as I let it slip through my teeth. “Do you know what my favorite show was when I was a little kid?”
The look again. “I would have no idea.”
“Doctor Who. British sci-fi show.”
“I am familiar with it. Christopher Eccleston, David Tennant, and Matt—“
“No,” I said. “The new show’s great, but I grew up on the old one. The low-budget, rubber monster show with Tom Baker and Peter Davison. I watched it on PBS all the time as a kid.”
I looked out at the dark ruins of Hollywood, at the stumbling shadows dotting the streets as far as you could see. The only other living person within half a mile was standing behind me, her eyes boring into my head.
“The Doctor didn’t have super-powers or weapons or anything like that. He was just a really smart guy who always tried to do the right thing. To help people, no matter what. That struck me when I was a kid. The idea that no matter how cold and callous and heartless the world seemed, there was somebody out there who just wanted to make life better. Not better for worlds or countries in some vague way. Just better for people trying to live their lives, even if they didn’t know about him.”
I turned back to her and tapped my chest. “That’s what this suit’s always been about. Not scaring people like you or Gorgon do. Not some sort of pseudo-sexual roleplay or repressed emotions. I wear this thing, all these bright colors, because I want people to know someone’s trying to make their lives better. I want to give them hope.
”
”
Peter Clines (Ex-Heroes (Ex-Heroes, #1))
“
I wanted to tell him then how loneliness can become a tangible thing, after a while. It’s something that you carry with you on your shoulder, hold up like a friend with a twisted ankle. It sits with you and walks the streets with you. It’s a selfish thing and it refuses to let go or even split its attention. Of course, like a particularly annoying itch, you can convince yourself for a while that it’s not there. You can go to libraries and sit with friends and drink more coffee than your body can handle and you can feel surrounded and happy. But eventually you have to scratch it. Loneliness steals you away from the world, as if you’ve been cut loose and you’re lost, untethered, somewhere far above everyone else. Just you and this feeling that you just need someone to put a hand on your shoulder and turn you around, to look at you and tell you the three words that matter most: You’re not alone. Don’t be scared. I am here. It’s not about love or lust or any other inadequate word; it’s about being touched and realising that you are no longer by yourself.
”
”
Chloe Rattray (Sacré Noir)
“
There is little joy in those first moments of recognition- for the reality is that most encounters of such depth, most first glances of love come to nothing. And while the sincerity of that rare moment when your heart is bursting should be the signal to fling yourself on the ground in the path of this stranger, it's the depth of such sincerity that paralyses you, holds you back from the silence of phrases like "hello" and "good morning."
And as they pass, granting only single, torturous details like fingers upon the handle of an umbrella, or a hair pin bearing the weight of a twist, or a wool collar beaded with pearls of rain- there is only one thing you could ever say that would be true, that would make them stop walking and turn to face you.
But such a thing is unsayable.
”
”
Simon Van Booy (The Secret Lives of People in Love)
“
There was a wicked ole witch once called Black Aliss. She was an unholy terror. There's never been one worse or more powerful. Until now. Because I could spit in her eye and steal her teeth, see. Because she didn't know Right from Wrong, so she got all twisted up, and that was the end of her.
"The trouble is, you see, that if you do know Right from Wrong, you can't choose Wrong. You just can't do it and live. So.. if I was a bad witch I could make Mister Salzella's muscles turn against his bones and break them where he stood... if I was bad. I could do things inside his head, change the shape he thinks he is, and he'd be down on what had been his knees and begging to be turned into a frog... if I was bad. I could leave him with a mind like a scrambled egg, listening to colors and hearing smells...if I was bad. Oh yes." There was another sigh, deeper and more heartfelt.
"But I can't do none of that stuff. That wouldn't be Right."
She gave a deprecating little chuckle. And if Nanny Ogg had been listening, she would have resolved as follows: that no maddened cackle from Black Aliss of infamous memory, no evil little giggle from some crazed Vampyre whose morals were worse than his spelling, no side-splitting guffaw from the most inventive torturer, was quite so unnerving as a happy little chuckle from a Granny Weatherwax about to do what's best.
”
”
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
“
My mom says, "Do you know what the AIDS memorial quilt is all about?"
Jump to how much I hate my brother at this moment.
I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it."
Give me amnesia.
Flash.
Give me new parents.
Flash.
Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea."
My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind."
Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things."
The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does."
My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute."
My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which."
Yellow," my father says, "means watersports."
A lighter shade of blue," Mom says, "would mean just regular oral sex."
Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which."
My mother passes me the quilted chicken with the rolls still warm inside.
We're supposed to sit and eat with Shane dead all over the table in front of us.
Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material."
Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?"
I know it isn't table talk.
And fisting?" my mom asks.
I say, I know. I don't mention Manus and his vocational porno magazines.
We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray.
Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
”
”
Chuck Palahniuk (Invisible Monsters)
“
Little Fox, when I saw you, I thought-'
He broke off as he set her atop all the twisted sheets. Then he fisted her hair in his hand and tugged until she was looking up at him. His face had all the agony of a fallen star, broken and beautiful, with eyes so blue, the colour of everything else looked dull.
Deliberately, his gaze fell to her lips.
Her breathing turned ragged, and she wished just once that he could kiss her.
He leaned closer and gently twisted her hair, angling her head as he brought their mouths incredibly close.
'You're still bleeding.' He licked the centre of her lips, soft and agonisingly slow. His tongue felt like heaven and hell. Like everything she wanted and all she couldn't have. She had to stop herself from leaning closer, though she doubted Jacks would let her. She could feel his fingers against her scalp, holding her in place, keeping her lips just shy of his.
But maybe it was close enough. Maybe they didn't have to touch. She could live like this as long as she could live with him.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I hurried out of the lobby and turned the corner into the English hall, so I didn’t see the guy in front of me until it was too late.
“Oh!” I exclaimed as we bumped shoulders. “Sorry!”
Then I realized who I’d bumped into, and I immediately regretted my apologetic tone. If I’d known it was David Stark, I would have tried to hit him harder, or maybe stepped on his foot with the spiky heel of my new shoes for good measure.
I did my best to smile at him, though, even as I realized my stomach was jumping all over the place. He must have scared me more than I’d thought.
David scowled at me over the rims of his ridiculous hipster glasses, the kind with the thick black rims. I hate those. I mean, it’s the 21st century. There are fashionable options for eyewear.
“Watch where you’re going,” he said. Then his lips twisted in a smirk. “Or could you not see through all that mascara?”
I would’ve loved nothing more than the tell him to kiss my ass, but one of the responsibilities of being a student leader at The Grove is being polite to everyone, even if he is a douchebag who wrote not one, but three incredibly unflattering articles in the school paper about what a crap job you’re doing as SGA president.
And you especially needed to be polite to said douchebag when he happened to be the nephew of Saylor Stark, President of the Pine Grove Junior League, head of the Pine Grove Betterment Society, Chairwoman of the Grove Academy School Board, and, most importantly, Founder and Organizer of Pine Grove’s Annual Cotillion.
So I forced myself to smile even bigger at David and said, “Nope, just in a hurry. Are you, uh… are you here for the dance?”
He snorted. “Um, no. I’d rather slam my testicles in a locker door. I have some work to do on the paper.
”
”
Rachel Hawkins (Rebel Belle (Rebel Belle, #1))
“
And so Gollum found them hours later, when he returned, crawling and creeping down the path out of the gloom ahead. Sam sat propped against the stone, his head dropping sideways and his breathing heavy. In his lap lay Frodo's head, drowned in sleep; upon his white forehead lay one of Sam's brown hands, and the other lay softly upon his master's breast. Peace was in both their faces.
Gollum looked at them. A strange expression passed over his lean hungry face. The gleam faded from his eyes, and they went dim and grey, old and tired. A spasm of pain seemed to twist him, and he turned away, peering back up towards the pass, shaking his head, as if engaged in some interior debate. Then he came back, and slowly putting out a trembling hand, very cautiously he touched Frodo's knee--but almost the touch was a caress. For a fleeting moment, could one of the sleepers have seen him, they would have thought that they beheld an old weary hobbit, shrunken by the years that had carried him far beyond his time, beyond friends and kin, and the fields and streams of youth, an old starved pitiable thing.
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
If you want to see philosophy in action, pay a visit to a robo-rat laboratory. A robo-rat is a run-ofthe-mill rat with a twist: scientists have implanted electrodes into the sensory and reward areas in the rat’s brain. This enables the scientists to manoeuvre the rat by remote control. After short training sessions, researchers have managed not only to make the rats turn left or right, but also to climb ladders, sniff around garbage piles, and do things that rats normally dislike, such as jumping from great heights. Armies and corporations show keen interest in the robo-rats, hoping they could prove useful in many tasks and situations. For example, robo-rats could help detect survivors trapped under collapsed buildings, locate bombs and booby traps, and map underground tunnels and caves. Animal-welfare activists have voiced concern about the suffering such experiments inflict on the rats. Professor Sanjiv Talwar of the State University of New York, one of the leading robo-rat researchers, has dismissed these concerns, arguing that the rats actually enjoy the experiments. After all, explains Talwar, the rats ‘work for pleasure’ and when the electrodes stimulate the reward centre in their brain, ‘the rat feels Nirvana’.
To the best of our understanding, the rat doesn’t feel that somebody else controls her, and she doesn’t feel that she is being coerced to do something against her will. When Professor Talwar presses the remote control, the rat wants to move to the left, which is why she moves to the left. When the professor presses another switch, the rat wants to climb a ladder, which is why she climbs the ladder. After all, the rat’s desires are nothing but a pattern of firing neurons. What does it matter whether the neurons are firing because they are stimulated by other neurons, or because they are stimulated by transplanted electrodes connected to Professor Talwar’s remote control? If you asked the rat about it, she might well have told you, ‘Sure I have free will! Look, I want to turn left – and I turn left. I want to climb a ladder – and I climb a ladder. Doesn’t that prove that I have free will?
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze.
The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine.
And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too.
How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me.
But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it.
Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—”
Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me.
When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?”
“Nothing—”
“Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!”
His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.”
Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.”
“Lee—”
“I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.”
“We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Ivypool backed away. She twisted and ducked under him as he leaped, but his claws sank into her tail and pinned her to the ground. Thistleclaw and Snowtuft attacked from opposite sides, snarling, slicing her ears. She struggled away from them, crashing into hard muscle. Hawkfrost was behind her now. He stabbed his claws into her shoulders. With a gasp, Ivypool saw his teeth flashing beside her throat. Then a black pelt flashed over the top of the gorse. Paws landed with a thump beside her.
"Get off her!" Hollyleaf yowled.
Ivypool's world spun as the black warrior slammed into Hawkfrost and sent him reeling into the gorse. Free from Hawkfrost's claws, Ivypool turned on Thistleclaw and Snowtuft. She began slashing with her front paws, remembering in a crystalline moment every moon of training. Hollyleaf reared up beside her, matching her blow for blow, as though she instinctively knew where Ivypool would strike next. Blood sprayed the forest floor as Ivypool sliced Snowtuft's muzzle and tore Thistleclaw's nose. Turning she kicked with hind legs and knocked Thistleclaw backward, then sank her teeth into Snowtuft's neck.
The white warrior screeched and ripped free from her jaws. Ivypool tasted his blood as he hared away through the bracken. She met Thistleclaw's gaze. Fear sparked in his eyes as she spat out a bloody clump of Snowtuft's fur.
"Run," she hissed. "Because if you stay, I will kill you".
Mouth open, Thistleclaw fled, disappearing through the gorse. A shriek exploded behind Ivypool. She turned and saw Hollyleaf swipe at Hawkfrost's muzzle. The force of the blow sent the Dark Forest warrior crashing away. He dropped with a thump and scrabbled to his paws. Blood dripping from his cheek, one eye swollen shut, he glanced at Hollyleaf and tore his way through the gorse.
Ivypool stared at the black she-cat. "You saved my life!"
Hollyleaf staggered and fell to the ground. "Hollyleaf!" Ivypool darted to her side and saw blood pulsing from a wound in her neck. Panic formed a hard lump in Ivypool's belly. Grasping Hollyleaf's scruff in her teeth, she began to half drag, half carry her Clanmate toward the ThunderClan border. Jayfeather would know what to do.
"I'll get you home," Ivypool growled through gritted teeth. "I promise I'll get you home".
”
”
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
“
She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly’s wing lying upon the arches of a cathedral. Of all that only a few random marks scrawled upon the canvas remained. And it would never be seen; never be hung even, and there was Mr Tansley whispering in her ear, “Women can’t paint, women can’t write ...”
She now remembered what she had been going to say about Mrs Ramsay. She did not know how she would have put it; but it would have been something critical. She had been annoyed the other night by some highhandedness. Looking along the level of Mr Bankes’s glance at her, she thought that no woman could worship another woman in the way he worshipped; they could only seek shelter under the shade which Mr Bankes extended over them both. Looking along his beam she added to it her different ray, thinking that she was unquestionably the loveliest of people (bowed over her book); the best perhaps; but also, different too from the perfect shape which one saw there. But why different, and how different? she asked herself, scraping her palette of all those mounds of blue and green which seemed to her like clods with no life in them now, yet she vowed, she would inspire them, force them to move, flow, do her bidding tomorrow. How did she differ? What was the spirit in her, the essential thing, by which, had you found a crumpled glove in the corner of a sofa, you would have known it, from its twisted finger, hers indisputably? She was like a bird for speed, an arrow for directness. She was willful; she was commanding (of course, Lily reminded herself, I am thinking of her relations with women, and I am much younger, an insignificant person, living off the Brompton Road). She opened bedroom windows. She shut doors. (So she tried to start the tune of Mrs Ramsay in her head.) Arriving late at night, with a light tap on one’s bedroom door, wrapped in an old fur coat (for the setting of her beauty was always that—hasty, but apt), she would enact again whatever it might be—Charles Tansley losing his umbrella; Mr Carmichael snuffling and sniffing; Mr Bankes saying, “The vegetable salts are lost.” All this she would adroitly shape; even maliciously twist; and, moving over to the window, in pretence that she must go,—it was dawn, she could see the sun rising,—half turn back, more intimately, but still always laughing, insist that she must, Minta must, they all must marry, since in the whole world whatever laurels might be tossed to her (but Mrs Ramsay cared not a fig for her painting), or triumphs won by her (probably Mrs Ramsay had had her share of those), and here she saddened, darkened, and came back to her chair, there could be no disputing this: an unmarried woman (she lightly took her hand for a moment), an unmarried woman has missed the best of life. The house seemed full of children sleeping and Mrs Ramsay listening; shaded lights and regular breathing.
”
”
Virginia Woolf (To the Lighthouse)
“
He slouches,' DeeDee contributes.
'True--he needs to work on his posture,' Thelma says.
'You guys,' I say.
'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?'
'You guys. We are not getting married!'
'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?'
'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?'
I swat her. "I'm not having Mitchell's children!'
'I'm sorry--what?' Thelma says.
Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl!
But I don't care. If they're going to embarrass me, then I'll embarrass them right back.
'I said'--I raise my voice--'I am not having Mitchell Truman's children!'
Jolene turns beet red, and she and DeeDee dissolve into mad giggles.
'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous.
'Okaaay, I think maybe I won't turn around,' I announce.
A person of the male persuasion clears his throat.
'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me.
'If you change your mind, we might be able to work something out,' the person of the male persuasion says.
'About the children?' DeeDee asks. 'Or the turning around?'
'DeeDee!' Jolene says.
'Both,' says the male-persuasion person.
I shrink in my chair, but I raise my hand over my head and wave.
'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.'
Warm fingers clasp my own.
'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.'
'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!'
I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants.
Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter.
He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line.
Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder.
'Did you see!' Thelma gasps. 'Did you see how proud he was?'
'You improve his posture!' Jolene says.
'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.'
'I can't believe you waved at him,' DeeDee says.
'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.'
'It was a surrender flag. I was surrendering myself to abject humiliation.'
'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
”
”
Lauren Myracle (Bliss (Crestview Academy, #1))