Twilight Best Quotes

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I wondered how long it could last. Maybe someday, years from now.If the pain would decrease to the point where I could bear it.I would be able to look back on those few short months that would always be the best of my life.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
I'm just here to be your friend. Your best friend, one last time.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
As long as you like me the best. And you think I’m good-looking—sort of. I’m prepared to be annoyingly persistent.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
He was my best friend. I would always love him, and it would never, ever be enough.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
You’ve never been a teenager, sweetie. You know what’s best for you.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
The best part is coming." "What's the best part? You swallowing an entire cow whole?" "No. That's the finale.
Stephenie Meyer (Eclipse)
You aren't exactly the best judge of what is or isn't dangerous.
Stephenie Meyer (Eclipse)
A man recovers best from his exceptional nature - his intellectuality - by giving his animal instincts a chance.
Friedrich Nietzsche (Twilight of the Idols)
Edward spoke in a voice so peaceful and gentle that it made the words strangely more threatening. "I'm not going to kill you now, because it would upset Bella." "Hmph," I grumbled. Edward turned slightly to throw me a quick smile. His face was still calm. "It would bother you in the morning," he said, brushing his fingers across my cheek. The he turned back to Jacob. "But if you ever bring her back damaged again--and I don't care whose fault it is; I don't care if she merely trips, or if a meteor falls out of the sky and hits her in the head--if you return her to me in less than the perfect condition that I left her in, you will be running with three legs. Do you understand that, mongrel?" Jacob rolled his eyes. "who's going back?" I muttered Edward continued as if he hadn't heard me. "And if you ever kiss her again, I wiil break your jaw for her," he promised, his voice still gentle and velvet deadly. "What if she wants me to?" Jacob drawled, arrogant. "Hah!" I snorted. "If that's what she wants, then I won't object." Edward shrugged, untroubled. "You might want to wait for her to say it, rather than trust your interpretation of body language-but it's your face." Jacob grinned. "You wish," I grumbled. "Yes, he does," Edward murmured. "Well, if you're done rummaging through my head," Jacob said with a think edge of annoyance, "why don't you go take care of her hand?" "One more thing," Edward said slowly. "I'll be fighting for her, too. You should know that. I'm not taking anything for granted, and I'll be fighting twice as hard as you will." "Good," Jacob growled. "it's no fun beating someone who forfeits." She is mine." Edward's low voice was suddenly dark, not as composed as before, "i did't say I would fight fair." "Neither did I." "Best of luck." Jacob nodded. "Yes, may the best man win." "That sounds about right...pup.
Stephenie Meyer (Eclipse)
It’s going to be fine, Edward. This is going to work out for the best. You deserve happiness, my son. Fate owes you that.
Stephenie Meyer (Midnight Sun (Twilight, #5))
At least he's alive and well. I love him enough that I want that. I want him to have what's best for him." She sighed. "I just don't want to stick around to watch.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
love isn't about living in fear. It's not about controlling the hearts of those around you. It is patient and kind. It endures and believes the very best. It never gives up.
Tracie Peterson (Twilight's Serenade (Song of Alaska, #3))
My taste, which may be the opposite of a tolerant taste, is in this case very far from saying Yes indiscriminately: it does not like to say Yes; better to say No, but best of all to say nothing.
Friedrich Nietzsche (Twilight of the Idols)
This was the best time of the day, when I could lie in the vague twilight, drifting off to sleep, making up dreams inside my head the way they should go.
Sylvia Plath (Johnny Panic and the Bible of Dreams: Short Stories, Prose and Diary Excerpts)
Fairy tales are best read as entertainment,” Harry said. “Not as a guide to life.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
So how was it possible that the sun was rising now in the middle of my midnight. —Edward Cullen.
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
You, out of everyone on this planet, are perhaps best equipped to deal with such a difficult quandary. You are the best and the brightest of us all.
Stephenie Meyer (Midnight Sun (Twilight, #5))
Option three: Edward loved me. The bond forged between us was not one that could be broken by absence, distance, or time. And no matter how much more special or beautiful or brillant or perfect than me he might me, he was as irreversibly altered as I was. As I would always belong to him, so would he always be mine. Was that what I'd been trying to tell myself? "Oh!" "Bella?" "Oh. Okay. I see." "Your epithany?" he asked, his voice uneven and strained. "You love me," I marveled. The sense of conviction and rightness washed through me again. Though his eyes were still anxious, the crooked smile I loved best flashed across his face. "Truly, I do.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
First of all, it was October, a rare month for boys. Not that all months aren’t rare. But there be bad and good, as the pirates say. Take September, a bad month: school begins. Consider August, a good month: school hasn’t begun yet. July, well, July’s really fine: there’s no chance in the world for school. June, no doubting it, June’s best of all, for the school doors spring wide and September’s a billion years away. But you take October, now. School’s been on a month and you’re riding easier in the reins, jogging along. You got time to think of the garbage you’ll dump on old man Prickett’s porch, or the hairy-ape costume you’ll wear to the YMCA the last night of the month. And if it’s around October twentieth and everything smoky-smelling and the sky orange and ash gray at twilight, it seems Halloween will never come in a fall of broomsticks and a soft flap of bedsheets around corners.
Ray Bradbury (Something Wicked This Way Comes)
Sometimes when you're making the best of a situation, it turns out far better than you could have hoped for.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Despite my best efforts I’ve seen you naked before – doesn’t do much for me so no worries.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
This story happened a long time ago in a galaxy far, far away. It is already over. Nothing can be done to change it. It is a story of love and loss, brotherhood and betrayal, courage and sacrifice and the death of dreams. It is a story of the blurred line between our best and our worst. It is the story of the end of an age. A strange thing about stories— Though this all happened so long ago and so far away that words cannot describe the time or the distance, it is also happening right now. Right here. It is happening as you read these words. This is how twenty-five millennia come to a close. Corruption and treachery have crushed a thousand years of peace. This is not just the end of a republic; night is falling on civilization itself. This is the twilight of the Jedi. The end starts now.
Matthew Woodring Stover (Star Wars: Episode III - Revenge of the Sith (Star Wars: Novelizations #3))
October Fullness” Little by little, and also in great leaps, life happened to me, and how insignificant this business is. These veins carried my blood, which I scarcely ever saw, I breathed the air of so many places without keeping a sample of any. In the end, everyone is aware of this: nobody keeps any of what he has, and life is only a borrowing of bones. The best thing was learning not to have too much either of sorrow or of joy, to hope for the chance of a last drop, to ask more from honey and from twilight. Perhaps it was my punishment. Perhaps I was condemned to be happy. Let it be known that nobody crossed my path without sharing my being. I plunged up to the neck into adversities that were not mine, into all the sufferings of others. It wasn’t a question of applause or profit. Much less. It was not being able to live or breathe in this shadow, the shadow of others like towers, like bitter trees that bury you, like cobblestones on the knees. Our own wounds heal with weeping, our own wounds heal with singing, but in our own doorway lie bleeding widows, Indians, poor men, fishermen. The miner’s child doesn’t know his father amidst all that suffering. So be it, but my business was the fullness of the spirit: a cry of pleasure choking you, a sigh from an uprooted plant, the sum of all action. It pleased me to grow with the morning, to bathe in the sun, in the great joy of sun, salt, sea-light and wave, and in that unwinding of the foam my heart began to move, growing in that essential spasm, and dying away as it seeped into the sand.
Pablo Neruda (The Essential Neruda: Selected Poems)
Stop blubbering, Bella. You'll ruin your dress. It's just me." "Just? Oh Jake! Everything is perfect now." He snorted. "Yeah- the party can start. The best man finally made it." "Now everyone I love is here.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
To put up with people, to keep open house with one's heart — that is liberal, but that is merely liberal. One recognizes those hearts which are capable of noble hospitality by the many draped windows and closed shutters, they keep their best rooms empty. Why? Because they expect guests with whom one does not "put up.
Friedrich Nietzsche (Twilight of the Idols)
What bella wanted and what was best for bella were two very different things
Stephenie Meyer (Twilight (The Twilight Saga, #1))
The Pomegranate The only legend I have ever loved is the story of a daughter lost in hell. And found and rescued there. Love and blackmail are the gist of it. Ceres and Persephone the names. And the best thing about the legend is I can enter it anywhere. And have. As a child in exile in a city of fogs and strange consonants, I read it first and at first I was an exiled child in the crackling dusk of the underworld, the stars blighted. Later I walked out in a summer twilight searching for my daughter at bed-time. When she came running I was ready to make any bargain to keep her. I carried her back past whitebeams and wasps and honey-scented buddleias. But I was Ceres then and I knew winter was in store for every leaf on every tree on that road. Was inescapable for each one we passed. And for me. It is winter and the stars are hidden. I climb the stairs and stand where I can see my child asleep beside her teen magazines, her can of Coke, her plate of uncut fruit. The pomegranate! How did I forget it? She could have come home and been safe and ended the story and all our heart-broken searching but she reached out a hand and plucked a pomegranate. She put out her hand and pulled down the French sound for apple and the noise of stone and the proof that even in the place of death, at the heart of legend, in the midst of rocks full of unshed tears ready to be diamonds by the time the story was told, a child can be hungry. I could warn her. There is still a chance. The rain is cold. The road is flint-coloured. The suburb has cars and cable television. The veiled stars are above ground. It is another world. But what else can a mother give her daughter but such beautiful rifts in time? If I defer the grief I will diminish the gift. The legend will be hers as well as mine. She will enter it. As I have. She will wake up. She will hold the papery flushed skin in her hand. And to her lips. I will say nothing.
Eavan Boland
This story happened a long time ago in a galaxy far, far away. It is already over. Nothing can be done to change it. It is a story of love and loss, brotherhood and betrayal, courage and sacrifice and the death of dreams. It is a story of the blurred line between our best and our worst. It is the story of the end of an age. A strange thing about stories— Though this all happened so long ago and so far away that words cannot describe the time or the distance, it is also happening right now. Right here. It is happening as you read these words. This is how twenty-five millennia come to a close. Corruption and treachery have crushed a thousand years of peace. This is not just the end of a republic; night is falling on civilization itself. This is the twilight of the Jedi. The end starts now.
Matthew Woodring Stover (Star Wars: Episode III - Revenge of the Sith)
You're really not that good a mechanic, Edward. Maybe you should have Rosalie take a look at it tonight, just so you look good if Mike decides to let you help, you know. Not that it wouldn't be fun to watch his face if Rosalie showed up to help. But since Rosalie is supposed to be across the country attending college, I guess that's not the best idea. Too bad.
Stephenie Meyer (Eclipse)
If romeo was really gone, never coming back, would it have mattered whether or not juliet had taken Paris up on his offer? Maybe she should have tried to settle into the left-over scraps of life that were left behind. Maybe that would have been as close to happiness as she could get.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Homecomer, hitcher, phantom rider, White lady wants what’s been denied her, Gather-grim knows what you fear the most, But best keep away from the crossroads ghost. Talk to the poltergeist, talk to the haunt, Talk to the routewitch if it’s what you want. Reaper’s in the parlor, seizer’s in a host, But you’d best keep away from the crossroads ghost. - common clapping rhyme among the ever-lasters of the twilight
Seanan McGuire (The Girl in the Green Silk Gown (Ghost Roads, #2))
Stop blubbering, Bella. You'll ruin your dress. It's just me." "Just? Oh, Jake! Everything I perfect now." He snorted. "Yeah- the party can start. The best man finally made it. "Now everyone I love is here.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
I guess that wasn’t the best idea,” I muttered, feeling like an ass.
Stephenie Meyer (Midnight Sun (Twilight, #5))
We best teach what we ourselves have learned.
Christie Golden (Thrall: Twilight of the Aspects (World of WarCraft, #9))
Trying to be the best at anything carries its own special risks, in or out of the Twilight Zone.
Rod Serling
In the Wide World the Wood-elves lingered in the twilight of our Sun and Moon, but loved best the stars; and they wandered in the great forests that grew tall in lands that are now lost. They dwelt most often by the edges of the woods, from which they could escape at times to hunt, or to ride and run over the open lands by moonlight or starlight; and after the coming of Men they took ever more and more to the gloaming and the dusk. Still elves they were and remain, and that is Good People.
J.R.R. Tolkien (The Hobbit)
I would have to commit to this- commit as much of me as there was left, every one of the broken pieces. It was the only way to be fair to him. Would I? Could I? Would it be wrong to try to make Jacob happy? Even if the love I felt for him was no more than a weak echo of what I was capable of, even if my heart was far away, wandering and grieving after my fickle Romeo, would it be so very wrong?
Stephenie Meyer (New Moon (The Twilight Saga, #2))
As a human, I'd never been best at anything... Obviously I could be counted out of anything athletic. Not artistic or musical, no particular talents to brag of. Nobody ever gave away a trophy for reading books. After eighteen years of mediocrity, I was pretty used to being average. I realized now that I'd long ago given up any aspirations of shining at anything.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
First, Edwin was a vampire. Second, he loved me--or at least thought my blood smelled delicious, which, for a vampire, was probably the next best thing. And third, I would get him to turn me into a vampire too, no matter how much scheming, manipulation, or treachery it required.
Harrison Geillor (The Twilight of Lake Woebegotten)
the worst kind of one-party state “invariably replaces all first-rate talents, regardless of their sympathies, with those crackpots and fools whose lack of intelligence and creativity is still the best guarantee of their loyalty.
Anne Applebaum (Twilight of Democracy: The Seductive Lure of Authoritarianism)
Find a calm lake and wait for the twilight in silence! There, existence will visit you with all its magnificence! The existence of the Existence can best be felt in the presence of dimness and in the absence of crowds and noises!
Mehmet Murat ildan
Contemporary warfare, then, is best practiced by the professional serial killer.
Frederic Morton (Thunder at Twilight: Vienna 1913/1914)
You could only to your best, and hope for a strong tail wind to waft you faster to your destination. Until then, you played the game, kept your tongue civil, and spoke favorably of your enemies when either they or their spies might overhear.
Michael Reaves (Jedi Twilight (Star Wars: Coruscant Nights, #1))
Oh come on, smile. Lisa, Jack... being bisexual is hardly a crime. Best of both worlds, isn't it?' And Ianto pushed her away. 'No,Gwen. No, really it's bloody not. It's the worst of any world because you don't really belong anywhere, because you are never sure of yourself ot those around you. You can't trust in anyone, their motives or their intentions. And because of that, you have, in a world that likes its shiny labels, no true identity.
Gary Russell (The Twilight Streets (Torchwood, #6))
I want to be able to do anything with words: handle slashing, flaming descriptions like Wells, and use the paradox with the clarity of Samuel Butler, the breadth of Bernard Shaw and the wit of Oscar Wilde, I want to do the wide sultry heavens of Conrad, the rolled-gold sundowns and crazy-quilt skies of Hitchens and Kipling as well as the pastel dawns and twilights of Chesterton. All that is by way of example. As a matter of fact I am a professed literary thief, hot after the best methods of every writer in my generation.
F. Scott Fitzgerald (A Short Autobiography)
I had to grasp every second of happiness I was allowed, all the more because those seconds were numbered. I knew I had a great capacity for ruining even the best moments with my wretched doubts and endless overthinking. What a waste, if I were only to have a few years, to spend any of them wallowing.
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
I had some serious problems. My best friend counted me with his enemies. Victoria was still on the loose, putting everyone I loved in danger. If I didn't become a vampire soon, the Volturi would kill me. And now it seemed if I did, the Quileute werewolves would try to do the job themselves―along with trying to kill my future familiy. I didn't think they had any chance really, but would my best friend get himself killed in the attempt? Very serious problems. So why did they all suddenly seem insignificant when we broke through the last of the trees and I caught sight of the expression on Charlie's purple face? Edward squeezed me gently. "I'm here." I drew in a deep breath. That was true. Edward was here, with his arms around me. I could face anything as long as that was true. I squared my shoulders and walked forward to meet my fate, with my destiny solidly at my side.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
You're the very best part of my life.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
My taste, which may be the opposite of a tolerant taste, is in this case too far from saying Yes indiscriminately: it does not like to say Yes; rather even No; but best of all, nothing.
Friedrich Nietzsche (Twilight of the Idols)
At its most basic, the logic of 'meritocracy' is ironclad: putting the most qualified, best equipped people into the positions of greates responsibility and import...But my central contention is that our near-religious fidelity to the meritocratic model comes with huge costs. We overestimate the advantages of meritocracy and underappreciate its costs, because we don't think hard enough about the consequences of the inequality it produces. As Americans, we take it as a given that unequal levels of achievement are natural, even desirable. Sociologist Jermole Karabel, whose work looks at elite formation, once said he 'didnt think any advanced democracy is as obsessed with equality of opportunity or as relatively unconcerned with equality of condition' as the United States. This is our central problem. And my proposed solution for correcting the excesses of our extreme version of meritocracy is quite simple: make America more equal
Christopher L. Hayes (Twilight of the Elites: America After Meritocracy)
I wondered how long it could last. Maybe someday, years from now.If the pain would decrease to the point where I could bear it.I would be able to look back on those few short months that would always be the best of my life. And, if it were possible that the pain would ever soften enough to allow me to do that, I was sure that I would feel grateful for as much time as he'd given me. More than I'd asked for, more than I'd deserved. Maybe someday I'd be able to see it that way.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Though he has watched a decent age pass by, A man will sometimes still desire the world. I swear I see no wisdom in that man. The endless hours pile up a drift of pain More unrelieved each day: and as for pleasure, When he is sunken in excessive age, You will not see his pleasure anywhere. The last attendant is the same for all, Old men and young alike, as in its season Man's heritage of underworld appears: There being no epithalamion, No music and no dance. Death is the finish. Not to be born beats all philosophy. The second best is to have seen the light And then to go back quickly whence we came. The feathery follies of his youth once over, What trouble is beyond the range of man? What heavy burden will he not endure? Jealousy, faction, quarreling, and battle-- The bloodiness of war, the grief of war. And in the end he comes to strengthless age, Abhorred by all men, without company, Unfriended in that uttermost twilight Where he must live with every bitter thing.
Sophocles (Oedipus at Colonus (The Theban Plays, #2))
Of the Three Rings that the Elves had preserved unsullied no open word was ever spoken among the Wise, and few even of the Eldar knew where they were bestowed. Yet after the fall of Sauron their power was ever at work, and where they abode there mirth also dwelt and all things were unstained by the griefs of time. Therefore ere the Third Age was ended the Elves perceived that the Ring of Sapphire was with Elrond, in the fair valley of Rivendell, upon whose house the stars of heaven most brightly shone; whereas the Ring of Adamant was in the Land of Lórien where dwelt the Lady Galadriel. A queen she was of the woodland Elves, the wife of Celeborn of Doriath, yet she herself was of the Noldor and remembered the Day before days in Valinor, and she was the mightiest and fairest of all the Elves that remained in Middle-earth. But the Red Ring remained hidden until the end, and none save Elrond and Galadriel and Cirdan knew to whom it had been committed. Thus it was that in two domains the bliss and beauty of the Elves remained still undiminished while that Age endured: in Imladris; and in Lothlórien, the hidden land between Celebrant and Anduin, where the trees bore flowers of gold and no Orc or evil thing dared ever come. Yet many voices were heard among the Elves foreboding that, if Sauron should come again, then either he would find the Ruling Ring that was lost, or at the best his enemies would discover it and destroy it; but in either chance the powers of the Three must then fail and all things maintained by them must fade, and so the Elves should pass into the twilight and the Dominion of Men begin. And so indeed it has since befallen: the One and the Seven and the Nine are destroyed; and the Three have passed away, and with them the Third Age is ended, and the Tales of the Eldar in Middle-earth draw to then-close.
J.R.R. Tolkien (The Silmarillion)
It's sad to wander about the graveyard of my tired memory, where all hurts have been forgiven, where every sin has been more that atoned for, every riddle unriddled and twilight quietly cloaks the crosses, now no longer upright, of graves I once wept over.
Teffi (Tolstoy, Rasputin, Others, and Me: The Best of Teffi)
But you have to know, if it were only about me, if there were no price for you to pay, then tonight would be the best night of my life. I've been staring forever in the face for a century, and tonight is the first time it's looked beautiful to me. Because of you.
Stephenie Meyer (Life and Death: Twilight Reimagined (The Twilight Saga))
Almost every girl goes through this weird living nightmare, where you show up at school and realize people have grown to hate you overnight. It’s a Twilight Zone moment when you can’t figure out what is real. It is a group mind-fuck of the highest kind, and it makes or breaks you. I got through it by keeping my head down, and a few weeks passed and all the girls liked me again. We all pretended it never happened. There should be manuals passed out to teach girls how to handle that inevitable one-week stretch when up is down and the best friend who just slept over at your house suddenly pulls your hair in front of everyone and laughs.
Amy Poehler (Yes Please)
Poetic style, when address'd to the Soul, is less definite form, outline, sculpture, and becomes vista, music, half-tints, and even less than half- tints. True, it may be architecture; but again it may be the forest wild-wood, or the best effects thereof, at twilight, the waving oaks and cedars in the wind, and the impalpable odor.
Walt Whitman (Leaves of Grass)
Getting along with people, keeping an open house in one’s heart—that’s liberal, but nothing more than liberal. You can recognize hearts that are capable of noble hospitality by their many curtained windows and closed shutters: they keep their best rooms empty. But why?—Because they are waiting for guests that one does not “get along with”…
Friedrich Nietzsche (Twilight of the Idols: Or, How to Philosophize with the Hammer (Hackett Classics))
After I'd accepted that she was more or less safe with you - as safe as Bella ever is - it seemed best to stop driving her to extremes.
Stephenie Meyer (Eclipse)
You can’t think well while people are around you! Best thoughts visit us in the twilight of solitude!
Mehmet Murat ildan
one of the best ways to predict a student’s SAT score is to look at his parents’ income: the more money they make, the higher the score is likely to be.13
Christopher L. Hayes (Twilight of the Elites: America After Meritocracy)
Arendt observed the attraction of authoritarianism to people who feel resentful or unsuccessful back in the 1940s, when she wrote that the worst kind of one-party state “invariably replaces all first-rate talents, regardless of their sympathies, with those crackpots and fools whose lack of intelligence and creativity is still the best guarantee of their loyalty.
Anne Applebaum (Twilight of Democracy: The Seductive Lure of Authoritarianism)
On June 8, 2018, with the news of Tony having taken his own life, I was reminded that the labels we put onto others have no bearing on someone else’s pain. The best we can do is to expose our own pain to daylight and pay attention to the twilight messages we might otherwise miss from our loved ones. [Karen Rinaldi, (It’s Great to) Suck at Something (New York: Atria, 2019)]
Laurie Woolever (Bourdain: The Definitive Oral Biography)
I wanted to go on an immense journey, to travel night and day into the unknown until, forgetting my old self, I came into possession of a new self, one that I might have missed on my previous travels. But the first step was beyond me. I lay in bed, unable to move, pondering, as one does at my age, the ways of melancholy—how it seeps into the spirit, how it disincarnates the will, how it banishes the senses to the chill of twilight, how even the best and worst intentions wither in its keep. I kept staring at the ceiling, then suddenly felt a blast of cold air, and I was gone. — Mark Strand, “When I turned A Hundred,” Collected Poems. ( Knopf, 2014)
Mark Strand (Collected Poems)
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)
The feasting people were Wood-elves, of course. These are not wicked folk. If they have a fault it is distrust of strangers. Though their magic was strong, even in those days they were wary. They differed from the High Elves of the West, and were more dangerous and less wise. For most of them (together with their scattered relations in the hills and mountains) were descended from the ancient tribes that never went to Faerie in the West. There the Light-elves and the Deep-elves and the Sea-elves went and lived for ages, and grew fairer and wiser and more learned, and invented their magic and their cunning craft in the making of beautiful and marvellous things, before some came back into the Wide World. In the Wide World the Wood-elves lingered in the twilight of our Sun and Moon, but loved best the stars; and they wandered in the great forests that grew tall in lands that are now lost. They dwelt most often by the edges of the woods, from which they could escape at times to hunt, or to ride and run over the open lands by moonlight or starlight; and after the coming of Men they took ever more and more to the gloaming and the dusk. Still elves they were and remain, and that is Good People.
J.R.R. Tolkien (The Hobbit, or There and Back Again)
A certain shoemaker one of the chief towns of Silesia, in the year 1591, September 20, on a Friday betimes in the morning, in the further part of his house, where there was adjoining a little garden, cut his own throat with his shoemaker's knife.
Raymond T. McNally (A Clutch of Vampires: These Being Among the Best from History & Literature)
As French academic Frederic Gros writes in A Philosophy of Walking, it’s simply “the best way to go more slowly than any other method that has ever been found.” Jefferson walked to clear his mind, while Thoreau and Nietzsche, like Aristotle, walked to think. “All truly great thoughts are conceived while walking,” wrote Nietzsche in Twilight of the Idols. And Rousseau wrote in Confessions, “I can only meditate when I am walking. When I stop, I cease to think; my mind only works with my legs.
Florence Williams (The Nature Fix: Why Nature Makes Us Happier, Healthier, and More Creative)
Leah might be an interesting companion, maybe even a true friend—someone who would stand up for me. But she wasn’t my best friend the way that Bella was. Aside from the impossible love I felt for Bella, there was also that other bond, and it ran bone deep.
Stephenie Meyer (Breaking Dawn (Twilight, #4))
The idea of solvitur ambulando (in walking it will be solved) has been around since St. Augustine, but well before that Aristotle thought and taught while walking the open-air parapets of the Lyceum. It has long been believed that walking in restorative settings could lead not only to physical vigor but to mental clarity and even bursts of genius, inspiration (with its etymology in breathing) and overall sanity. As French academic Frederic Gros writes in A Philosophy of Walking, it’s simply “the best way to go more slowly than any other method that has ever been found.” Jefferson walked to clear his mind, while Thoreau and Nietzsche, like Aristotle, walked to think. “All truly great thoughts are conceived while walking,” wrote Nietzsche in Twilight of the Idols. And Rousseau wrote in Confessions, “I can only meditate when I am walking. When I stop, I cease to think; my mind only works with my legs.” Scotland
Florence Williams (The Nature Fix: Why Nature Makes Us Happier, Healthier, and More Creative)
Moral for psychologists. -- Not to go in for backstairs psychology. Never to observe in order to observe! That gives a false perspective, leads to squinting and something forced and exaggerated. Experience as the wish to experience does not succeed. One must not eye oneself while having an experience; else the eye becomes "an evil eye." A born psychologist guards instinctively against seeing in order to see; the same is true of the born painter. He never works "from nature"; he leaves it to his instinct, to his camera obscura, to sift through and express the "case," "nature," that which is "experienced." He is conscious only of what is general, of the conclusion, the result: he does not know arbitrary abstractions from an individual case. What happens when one proceeds differently? For example, if, in the manner of the Parisian novelists, one goes in for backstairs psychology and deals in gossip, wholesale and retail? Then one lies in wait for reality, as it were, and every evening one brings home a handful of curiosities. But note what finally comes of all this: a heap of splotches, a mosaic at best, but in any case something added together, something restless, a mess of screaming colors. The worst in this respect is accomplished by the Goncourts; they do not put three sentences together without really hurting the eye, the psychologist's eye. Nature, estimated artistically, is no model. It exaggerates, it distorts, it leaves gaps. Nature is chance. To study "from nature" seems to me to be a bad sign: it betrays submission, weakness, fatalism; this lying in the dust before petit faits [little facts] is unworthy of a whole artist. To see what is--that is the mark of another kind of spirit, the anti-artistic, the factual. One must know who one is. Toward a psychology of the artist. -- If there is to be art, if there is to be any aesthetic doing and seeing, one physiological condition is indispensable: frenzy. Frenzy must first have enhanced the excitability of the whole machine; else there is no art. All kinds of frenzy, however diversely conditioned, have the strength to accomplish this: above all, the frenzy of sexual excitement, this most ancient and original form of frenzy. Also the frenzy that follows all great cravings, all strong affects; the frenzy of feasts, contests, feats of daring, victory, all extreme movement; the frenzy of cruelty; the frenzy in destruction, the frenzy under certain meteorological influences, as for example the frenzy of spring; or under the influence of narcotics; and finally the frenzy of will, the frenzy of an overcharged and swollen will. What is essential in such frenzy is the feeling of increased strength and fullness. Out of this feeling one lends to things, one forces them to accept from us, one violates them--this process is called idealizing. Let us get rid of a prejudice here: idealizing does not consist, as is commonly held, in subtracting or discounting the petty and inconsequential. What is decisive is rather a tremendous drive to bring out the main features so that the others disappear in the process. In this state one enriches everything out of one's own fullness: whatever one sees, whatever one wills, is seen swelled, taut, strong, overloaded with strength. A man in this state transforms things until they mirror his power--until they are reflections of his perfection. This having to transform into perfection is--art. Even everything that he is not yet, becomes for him an occasion of joy in himself; in art man enjoys himself as perfection.
Friedrich Nietzsche (Twilight of the Idols / The Anti-Christ)
Hush-a-bye baby in the tree top, when the wind blows the cradle will rock, when the bough breaks the cradle will fall, and down will come baby, cradle and all. Momma will catch you, give you a squeeze, send you back up to play in the trees, when twilight falls and birds seek their nests, come home to the one who loves you the best.
Eloisa James (A Duke of Her Own (Desperate Duchesses, #6))
Like so many other organs, the brain possesses a miraculous ability to heal itself, to forge new synaptic connections around old ones, to learn and relearn. That is, however, if you don’t keep damaging it three times a day. A wholesome diet and exercise may offer your best hope for remaining sharp and healthy into your twilight years.
Michael Greger (How Not to Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease)
One thing I truly knew—knew it in the pit of my stomach, in the center of my bones, knew it from the crown of my head to the soles of my feet, knew it deep in my empty chest—was how love gave someone the power to break you. I’d been broken beyond repair. But I needed Jacob now, needed him like a drug. I’d used him as a crutch for too long, and I was in deeper than I’d planned to go with anyone again. Now I couldn’t bear for him to be hurt, and I couldn’t keep from hurting him, either. He thought time and patience would change me, and, though I knew he was dead wrong, I also knew that I would let him try. He was my best friend. I would always love him, and it would never, ever be enough.
Stephenie Meyer (New Moon (Twilight, #2))
Picture a summer stolen whole from some coming-of-age film set in the small-town 1950s. This is none of Ireland's subtle seasons mixed for a connoisseur's palate, watercolor nuances within a pinch-sized range of cloud and soft rain; this is summer full-throated and extravagant in a hot pure silkscreen blue. This summer explodes on your tongue tasting of chewed blades of long grass, your own clean sweat, Marie biscuits with butter squirting through the holes and shaken bottles of red lemonade picnicked in tree houses. It tingles on your skin with BMX wind in your face, ladybug feet up your arm; it packs every breath full of mown grass and billowing wash lines; it chimes and fountains with birdcalls, bees, leaves and football-bounces and skipping-chants, One! two! three! This summer will never end. It starts every day with a shower of Mr. Whippy notes and your best friend's knock at the door, finishes it with long slow twilight and mothers silhouetted in doorways calling you to come in, through the bats shrilling among the black lace trees. This is Everysummer decked in all its best glory.
Tana French (In the Woods (Dublin Murder Squad, #1))
Long, long ago in the days when gods appeared to men... Bread fell down from heaven. Some lamented loudly that the bread was not meat. Meat fell down from heaven. Some lamented loudly that they preferred the bread. God came down from heaven. He will make water fall down for a time, until everyone knows what will make them happy. Rain fell down from heaven. Everyone lamented loudly that their clothing became wet. Flames fell from heaven. Everyone lamented loudly that their houses had been burned. God came down from heaven. He will make nothing fall from heaven, until everyone knows what will make them happy. Nothing fell down from heaven. Some lamented loudly that God had forsaken them. All manner of things fell down from heaven. Some lamented loudly that God should be more selective in what he sent. Boulders rained down from heaven. Now the lamentations finally ceased. Rain fell down from heaven. passing travelers expressed their gratitude. "God, we thank thee for the unexpected weather. Now we can carry on our long journey and enjoy the break from the monotony." God saw them off without a word. As it should be. Gods and dice are best when silent.
Ryukishi07 (うみねこのなく頃に散 Episode 8: Twilight of the Golden Witch)
This story happened a long time ago in a galaxy far, far away. It is already over. Nothing can be done to change it. It is a story of love and loss, brotherhood and betrayal, courage and sacrifice and the death of dreams. It is a story of the blurred line between our best and our worst. It is the story of the end of an age. A strange thing about stories — Though this all happened so long ago and so far away that words cannot describe the time or distance, it is also happening right now. Right here. It is happening as you read these words. This is how twenty-five millennia come to a close. Corruption and treachery have crushed a thousand years of peace. This is not just the end of a republic; night is falling on civilization itself. This is the twilight of the Jedi. The end starts now.
Matthew Woodring Stover (Star Wars: Revenge of the Sith (Star Wars Novelizations, #3))
I have, however, been at no pains to separate my own beliefs from those of the peasantry, but have rather let my men and women, dhouls and faeries, go their way unoffended or defended by any argument of mine. The things a man has heard and seen are threads of life, and if he pull them carefully from the confused distaff of memory, any who will can weave them into whatever garments of belief please them best. I too have woven my garment like another, but I shall try to keep warm in it, and shall be well content if it do not unbecome me. Hope and Memory have one daughter and her name is Art, and she has built her dwelling far from the desperate field where men hang out their garments upon forked boughs to be banners of battle. O beloved daughter of Hope and Memory, be with me for a little. 1893.
W.B. Yeats (The Celtic Twilight)
I would sink into the relief I felt from having friends like these girls. Smart. Patient. Good daughters and sisters. That’s who I ran with. That being said, I still went through the young-girl rites of passage, including being kicked out of the group. Almost every girl goes through this weird living nightmare, where you show up at school and realize people have grown to hate you overnight. It’s a Twilight Zone moment when you can’t figure out what is real. It is a group mind-fuck of the highest kind, and it makes or breaks you. I got through it by keeping my head down, and a few weeks passed and all the girls liked me again. We all pretended it never happened. There should be manuals passed out to teach girls how to handle that inevitable one-week stretch when up is down and the best friend who just slept over at your house suddenly pulls your hair in front of everyone and laughs.
Amy Poehler (Yes Please)
You’re the only one we could ever trust her with,” I murmured to him. “If you didn’t love her so much, I could never bear this. I know you can protect her, Jacob.” He whined again, and dipped his head to butt it against my shoulder. “I know,” I whispered. “I love you, too, Jake. You’ll always be my best man.” A tear the size of a baseball rolled into the russet fur beneath his eye. Edward leaned his head against the same shoulder where he’d placed Renesmee. “Goodbye, Jacob, my brother… my son.
Stephenie Meyer (Breaking Dawn (Twilight, #4))
Poppy was dressed in her best gown, a violet silk that shimmered with tones of blue and pink as the light moved over it. The unique color had been achieved with a new synthetic dye, and it was so striking that little ornamentation was needed. The bodice was intricately wrapped, leaving the tops of her shoulders bare, and the full, layered skirts rustled softly as she moved. Just as she set down the powder brush, Harry came to the doorway and surveyed her leisurely. "No woman will compare to you tonight," he murmured.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Soon thereafter, a maid brought Poppy a tray of neat boxes tied with ribbons. Opening them, Poppy discovered that one was filled with toffee, another with boiled sweets, and another with Turkish delight. Best of all, one box was filled with a new confection called "eating-chocolates" that had been all the rage at the London Exhibition. "Where did these come from?" Poppy asked Harry when he returned to her room after a brief visit to the front offices. "From the sweet shop." "No, these," Poppy showed him the eating-chocolates. "No one can get them. The makers, Fellows and Son, have closed their shop while they moved to a new location. The ladies at the philanthropic luncheon were talking about it." "I sent Valentine to the Fellows residence to ask them to make a special batch for you." Harry smiled as he saw the paper twists scattered across the counterpane. "I see you've sampled them." "Have one," Poppy said generously. Harry shook his head. "I don't like sweets." But he bent down obligingly as she gestured for him to come closer. She reached out to him, her fingers catching the knot of his necktie. Harry's smile faded as Poppy exerted gentle tension, drawing him down. He was suspended over her, an impending weight of muscle and masculine drive. As her sugared breath blew against his lips, she sensed the deep tremor within him. And she was aware of a new equilibrium between them, a balance of will and curiosity. Harry held still, letting her do as she wished. She tugged him closer until her mouth brushed his. The contact was brief but vital, striking a glow of heat. Poppy released him carefully, and Harry drew back. "You won't kiss me for diamonds," he said, his voice slightly raspy, "but you will for chocolates?" Poppy nodded. As Harry turned his face away, she saw his cheek tauten with a smile. "I'll put in a daily order, then.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
focus and attitude, he’d declared. Which one had been right? Was there more I could do? A name and a category for what I was? “Can you project?” Kate asked interestedly. “Project?” I asked. “Push it out from yourself,” Kate explained. “Shield someone besides yourself.” “I don’t know. I’ve never tried. I didn’t know I should do that.” “Oh, you might not be able to,” Kate said quickly. “Heavens knows I’ve been working on it for centuries and the best I can do is run a current over my skin.” I stared at her, mystified. “Kate’s got an offensive skill,” Edward said. “Sort of like Jane.” I flinched away from Kate automatically, and she laughed. “I’m not sadistic about it,” she assured me. “It’s just something that comes in handy during a fight.” Kate’s words were sinking in, beginning to make connections in my mind. Shield someone besides yourself, she’d said. As if there were some way for me to include another person in my strange, quirky silent head. I remembered Edward cringing on the ancient stones of the Volturi castle turret. Though this was a human memory, it was sharper, more painful than most of the others—like it had been branded into the tissues of my brain. What if I could stop that from happening ever again? What if I could protect him? Protect
Stephenie Meyer (Breaking Dawn (Twilight, #4))
You don’t believe it either?” Harry asked him. “Nah, that story’s just one of those things you tell kids to teach them lessons, isn’t it? ‘Don’t go looking for trouble, don’t pick fights, don’t go messing around with stuff that’s best left alone! Just keep your head down, mind your own business, and you’ll be okay.’ Come to think of it,” Ron added, “maybe that story’s why elder wands are supposed to be unlucky.” “What are you talking about?” “One of those superstitions, isn’t it? ‘May-born witches will marry Muggles.’ ‘Jinx by twilight, undone by midnight.’ ‘Wand of elder, never prosper.’ You must’ve heard them. My mum’s full of them.” “Harry and I were raised by Muggles,” Hermione reminded him. “We were taught different superstitions.” She sighed deeply as a rather pungent smell drifted up from the kitchen. The one good thing about her exasperation with Xenophilius was that it seemed to have made her forget that she was annoyed at Ron. “I think you’re right,” she told him. “It’s just a morality tale, it’s obvious which gift is best, which one you’d choose—” The three of them spoke at the same time; Hermione said, “the Cloak,” Ron said, “the wand,” and Harry said, “the stone.” They looked at each other, half surprised, half amused. “You’re supposed to say the Cloak,” Ron told Hermione, “but you wouldn’t need to be invisible if you had the wand. An unbeatable wand, Hermione, come on!” “We’ve already got an Invisibility Cloak,” said Harry. “And it’s helped us rather a lot, in case you hadn’t noticed!” said Hermione. “Whereas the wand would be bound to attract trouble—” “Only if you shouted about it,” argued Ron. “Only if you were prat enough to go dancing around, waving it over your head, and singing, ‘I’ve got an unbeatable wand, come and have a go if you think you’re hard enough.’ As long as you kept your trap shut—” “Yes, but could you keep your trap shut?” said Hermione, looking skeptical.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
There is a section of the museum (of memory and human rights) that I like the best...Guides describe it as the heart of the museum. From an observation platform surrounded by candles, which aren't actually candles but little bulbs, more than a thousand photographs of many of the regime's victims are visible, hung high op on one wall. The photographs were donated by the victims' families, so we see them at home, at celebrations, at the beach, smiling at teh camera the way we all do when we want to leave a record of ourselves at our best. There are beautiful women who look like movie stars, who must have fixed themselves up flirtatiously, thinking they'll give the photo to a boyfriend, a lover.
Nona Fernández (The Twilight Zone)
I am sorry about it hurting you. I didn’t know it was like that. Bella, things are different with us now, but you’ll always be my best friend, and I’ll always love you. But I’ll love you the right way now. There’s finally a balance. We both have people we can’t live without.” He smiled his very most Jacob-y smile. “Still friends?” Try as hard as I could to resist, I had to smile back. Just a tiny smile. He held out his hand: an offer. I took a deep breath and shifted Renesmee’s weight to one arm. I put my left hand in his—he didn’t even flinch at the feel of my cool skin. “If I don’t kill Charlie tonight, I’ll consider forgiving you for this.” “When you don’t kill Charlie tonight, you’ll owe me huge.” I rolled my eyes.
Stephenie Meyer (Breaking Dawn (Twilight, #4))
A few hours later, lying on a mat during rest time, Vladimir embraced the tiny curled-up creature beside him, his first best buddy, just as Mother had promised. Maybe tomorrow they could go to the Piskaryovka mass grave together with their grandmothers and lay flowers for their dead. Maybe they would even be inducted into the Red Pioneers side by side. What good fortune that he and Lionya were so alike and that neither of them had siblings...Now they would have each other! It was as if Mother had created someone just for him, as if she had guessed how lonely he had been in his sick bed with his stuffed giraffe, the months spinning away in twilight gloom until it was June again, time to go down to sunny Yalta to watch the Black Sea dolphins jump for joy.
Gary Shteyngart (The Russian Debutante's Handbook)
It was often like this with her: never stepping out of her quiet comfort zone except for someone else’s perceived need; changing the subject whenever her circle of human friends grew too cruel to one another; thanking a teacher for their lesson if that teacher seemed down; giving up her locker for a more inconvenient location so two best friends could be neighbors; smiling a certain smile that never surfaced for her contented friends, only revealing itself to someone who was hurting. Little things that none of her acquaintances or admirers ever seemed to see. Through all these little things, I was able to add the most important quality to my list, the most revealing of them all, as simple as it was rare. Bella was good. All the other things added up to that whole: Kind and self-effacing and unselfish and brave—she was good through and through.
Stephenie Meyer (Midnight Sun (Twilight, #5))
A further triumph is our spiritualisation of enmity. This consists in our profound understanding of the value of having enemies: in short, our doing and deciding the opposite of what people previously thought and decided … Throughout the ages the church has wanted to destroy its enemies: we, the immoralists and anti-Christians, see it as to our advantage that the church exists … Even in the field of politics, enmity has become spiritualised. Almost every party sees that self-preservation is best served if the opposite number does not lose its powers. The same is true of Realpolitik. A new creation, such as the new Reich, needs enemies more than it does friends: only by being opposed does it feel necessary; only by being opposed does it become necessary. Our behaviour towards our ‘inner enemy’ is no different: here, too, we have spiritualised enmity; here, too, we have grasped its value. (Twilight of the Idols, V, 3)
Luc Ferry (A Brief History of Thought: A Philosophical Guide to Living (Learning to Live))
Nico looked very tall and thin wearing a opaque black sweatshirt hoodie and dark inked skinny jeans. His outer physical structure was handsome and gaunt, straight jet black hair razored and clipped in angles, a few purple highlights, and his white skin toned the color of alabaster. She had always liked the slender salamander type. He totally looked punk rock tonight, and that made him look absolutely awesome! A curtain of fog parted in front of him, giving him even more of the illusion as if he was part of a rock band at a rock band concert. Katty now saw Nico with exaggerated clarity. Nico Rocket looked so freakin' hot! He looked so good-looking at times, especially within the dark scenes of rolling fog and a pitchy darkness. She randomly wondered what he looked like before he was bit and turned into a Vampire. Had he been a Renaissance geek just like her? Before she could really examine him and fantasize of what he must have looked like before turning into a Vampire, the fog closed in all around him again, surrounding him with a ring of solitary imprisonment. He now lurked as a shadow among the shadows, disappearing into the illusion of gray’s. She didn't like him for not showing up on time, but all had been forgiven as soon as she had seen him all dressed up in his Gothic best. So what if he didn't believe in punctuality? His hotness sure made up for the rest! Through the fog, she saw his bright red eyes pierce through the heaviness of the darkness. He then broke free from the fog, leaving a trail of the thickened smoke lingering far behind, and wide.
Keira D. Skye (Bite!)
You didn’t fuck me senseless,” I scoff. “No?” he smirks back. “Your legs stopped working, you trembled and your wings were flapping wildly. I think that’s the best fuck you’ve had in a long time, darling. It’s certainly the best fuck I’ve had in quite a while.
C.J. Holmes (Twilight's Secrets (Toronto Fae Court #1))
You called for poems about twilight. Each twilight now brings memories of the soft blue dress you wore...that day in the palace when you read and judged them. If mine was judged the best...you see, there was a vision of you, a vision in blue veils, in the blue dawn when I could not sleep. So I got up from bed and wrote the poem for you... But you slept on unknowing in that early dawn. You did not peep out from the jade flower pavilion to see roses blooming in the sky above the palace. In that same palace once for love of her, Wou-Ti made Empress a lovely dancing-girl like you.
Tsiang-Tien
You called for poems about twilight. Each twilight now brings memories of the soft blue dress you wore...that day in the palace when you read and judged them. If mine was judged the best...you see, there was a vision of you, a vision in blue veils, in the blue dawn when I could not sleep. So I got up from bed and wrote the poem for you... But you slept on unknowing in that early dawn. You did not peep out from the jade flower pavilion to see roses blooming in the sky above the palace. In that same palace once, for love of her, Wou-Ti made Empress a lovely dancing-girl like you.
Tsiang-Tien
In that twilight mood it was impossible for me to think about anyone without becoming them for a moment, a frighteningly porous state I feared was a kind of madness in itself, until morning came and dispelled it.
Jonathan Rosen (The Best Minds: A Story of Friendship, Madness, and the Tragedy of Good Intentions)
Vengeance is a meal best served screaming.
Ryen Santana (A Veil of Twilight)
Twilight is the best and only stupid people like the hunger games
Maria Twilight
sprang on your nerves with all the abruptness of a normal night’s dream turning to nightmare. Dog into wolf, light into twilight, emptiness into waiting presence, here were your underage Marine barfing in the street, barmaid with a ship’s propeller tattooed on each buttock, one potential berserk studying the best technique for jumping through a plate glass window (when to scream Geronimo? before or after the glass breaks?), a drunken deck ape crying back in the alley because last time the SP’s caught him like this they put him in a strait jacket.
Anonymous
it is very often the case in large metro areas that the geographic locations of desirable housing with good school districts are far from the place where there are the best job opportunities. Meanwhile, lack of access to a car is one of the most debilitating aspects of modern poverty, particularly for those in places where public transportation is scarce and unsteady. According to the 2000 census, 8 percent of Americans resided in a household without access to a car, but that number varies widely depending on class and location. Among the poor nationwide, 20 percent live in households that don’t have access to a car, and
Christopher L. Hayes (Twilight of the Elites: America After Meritocracy)
Entertaining Possibilities "Why sometimes I've believed as many as six impossible things before breakfast." - The Queen of Hearts, Alice in Wonderland riding bareback on a triceratops through green galaxies while you ride beside me on your favorite mastodon running a finger over those I love and like a highlighter pen turning them neon noting them forever so I can return to them easily when I need them thinking something good can come of "ethnic cleansing" swimming in an ocean deep and wet enough to fill the eternity of love between these two sheets walking into the vowels of a word like open and becoming it locking away Pandora's box putting evil back in its place for good and swallowing the key lighting myself with a single match then watching me melt warm and liquid over your body cooling gently in the shape of you sitting flat in round anticipation I will be page 233 in the book that you have just opened and I will chew on each delicious moment of every turn as you move page by page closer to me stowing away in your pillowcase and sailing your dreams so that when you are sent to walk the plank I can catch you together we can be the mutiny on any bounty letting my best ideas ripen beside yours on the vine then stomping it all juicy between toes yours and mine aging then bottling it all till the sun falls and we uncork our store one by one and drink forever in the twilight planting a memory watering the spot watching it grow tall, tender, familiar, then putting my ear to its blossom and hearing my grandmother's voice tell me again that I can be both the gift and the giver
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
It's sad to wander about the graveyard of my tired memory, where all hurts have been forgiven, where every sin has been more than atoned for, every riddle unriddled and twilight quietly cloaks the crosses, now no longer upright, of graves I once wept over.
Teffi (Tolstoy, Rasputin, Others, and Me: The Best of Teffi)
Against Whatever It Is That's Encroaching" Best of all is to be idle, And especially on a Thursday, And to sip wine while studying the light: The way it ages, yellows, turns ashen And then hesitates forever On the threshold of the night That could be bringing the first frost. It's good to have a woman around just then, And two is even better. Let them whisper to each other And eye you with a smirk. Let them roll up their sleeves and unbutton their shirts a bit. As this fine old twilight deserves, And the small schoolboy Who has come home to a room almost dark And now watches wide-eyed The grownups raise their glasses to him, The giddy-headed, red-haired woman With eyes tightly shut, As if she were about to cry or sing.
Charles Simic (Unending Blues)
Harry was fascinated by the Hathaways, the mysterious connections between them, as if they shared some collective secret. One could almost see the wordless understanding that passed between them. Although Harry knew a great deal about people, he knew nothing about being part of a family. After Harry’s mother had run off with one of her lovers, his father had tried to get rid of every remaining trace of her existence. And he had done his best to forget that he even had a son, leaving Harry to the hotel staff and a succession of tutors. Harry had few memories of his mother, only that she had been beautiful and had had golden hair. It seemed she had always been going out, away from him, forever elusive. He remembered crying for her once, clutching his hands in her velvet skirts, and she had tried to make him let go, laughing softly at his persistence. In the wake of his parents’ abandonment, Harry had taken his meals in the kitchen with the hotel employees. When he was sick, one or another of the maids had taken care of him. He saw families come and go, and he had learned to view them with the same detachment that the hotel staff did. Deep down Harry harbored a suspicion that the reason his mother had left, the reason his father never had anything to do with him, was because he was unlovable. And therefore he had no desire to be part of a family. Even if or when Poppy bore him children, Harry would never allow anyone close enough to form an attachment. He would never let himself be shackled that way. And yet he sometimes knew a fleeting envy for those who were capable of it, like the Hathaways.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Where were you today?” Poppy’s pleasure dissolved as she understood. He was suspicious of her. He thought she had gone to visit Michael. The injustice of that, and the hurt of being mistrusted, caused her face to stiffen. She answered in a brittle voice. “I went out for an errand or two.” “What kind of errand?” “I’d rather not say.” Harry’s face was hard and implacable. “I’m afraid I’m not giving you a choice. You will tell me where you went and whom you saw.” Reddening in outrage, Poppy whirled away from him and clenched her fists. “I don’t have to account for every minute of my day, not even to you.” “Today you do.” His eyes narrowed. “Tell me, Poppy.” She laughed incredulously. “So you can verify my statements, and decide whether I’m lying to you?” His silence was answer enough. Hurt and furious, Poppy went to her reticule, which had been set on a small table, and rummaged in it. “I went to visit Leo,” she snapped without looking at him. “He’ll vouch for me, and so will the driver. And afterward I went to Bond Street to pick up something I had bought for you. I had wanted to wait for an appropriate moment to give it to you, but apparently that’s not possible now.” Extracting an object encased in a small velvet pouch, she resisted the temptation to throw it at him. “Here’s your proof,” she muttered, pushing it into his hands. “I knew you would never get one of these on your own.” Harry opened the pouch slowly, and let the object slide into his hand. It was a pocket watch with a solid gold casing, exquisitely simple except for the engraved initials JHR on the lid. There was a perplexing lack of reaction from Harry. His dark head was bent so that Poppy couldn’t even see his face. His fingers closed around the watch, and he let out a long, deep breath. Wondering if she had done the wrong thing, Poppy turned blindly to the bellpull. “I hope you like it,” she said evenly. “I’ll ring for dinner now. I’m hungry, even if you’re—” All at once Harry seized her from behind, wrapping his arms around her, one hand still gripped around the watch. His entire body was trembling, powerful muscles threatening to crush her. His voice was low and remorseful. “I’m sorry.” Poppy relaxed against him as he continued to hold her. She closed her eyes. “Damn it,” he said into the loose sheaf of her hair, “I’m so sorry. It’s just that the thought of you having any feelings for Bayning . . . it . . . doesn’t bring out the best in me.” “There’s an understatement,” Poppy said darkly. But she turned in his arms and pressed against him, her hand sliding up to the back of his head. “It tortures me,” he admitted gruffly. “I don’t want you to care for any man but me. Even if I don’t deserve it.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
I never want to be apart from you,” he said. “I’m going to buy an island and take you there. A ship will come once a month with supplies. The rest of the time it will be just the two of us, wearing leaves and eating exotic fruit and making love on the beach . . .” “You’d start a produce export business and organize a local economy within a month,” she said flatly. Harry groaned as he recognized the truth of it. “God. Why do you tolerate me?” Poppy grinned and slid her arms around his neck. “I like the side benefits,” she told him. “And really, it’s only fair since you tolerate me.” “You’re perfect,” Harry said with heated earnestness. “Everything about you, everything you do or say. And even if you have a little flaw here or there . . .” “Flaws?” she asked in mock indignation. “. . . I love those best of all.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Why did you go through with it?” she heard him ask quietly. “I thought it best for Michael.” She felt a twinge of satisfaction as she saw how that had annoyed him. Harry half sat on the bed, his posture informal. His gaze didn’t stray from her. “Had there been a choice, I would have done all this the ordinary way. I would have courted you openly, won you fairly. But you’d already decided on Bayning. This was the only alternative.” “No, it wasn’t. You could have let me be with Michael.” “It’s doubtful he ever would have offered for you. He deceived you, and himself, by assuming he could persuade his father to accept the match. You should have seen the old man when I showed him the letter—he was mortally offended by the notion of his son taking a wife so far beneath him.” That hurt, as perhaps Harry had intended, and Poppy stiffened. “Then why didn’t you let it all play out? Why not wait until Michael had abandoned me, and then come forward to pick up the pieces?” “Because there was a chance Bayning might have dared to run off with you. I couldn’t risk it. And I knew that sooner or later you’d realize that what you had with Bayning was nothing but infatuation.” Poppy gave him a glance of purest contempt. “What do you know of love?” “I’ve seen how people in love behave. And what I witnessed in the vestry this morning was nothing close to it. Had you truly wanted each other, no force in the world could have stopped you from walking out of that church together.” “You wouldn’t have allowed it!” she shot back in outrage. “True. But I would have respected the effort.” “Neither of us gives a damn about your respect.” The fact that she was speaking for Michael as well as herself . . . “us” . . . caused Harry’s face to harden. “Whatever your feelings for Bayning are, you’re my wife now. And he’ll go on to marry some blue-blooded heiress as he should have done in the first place. Now all that’s left to decide is how you and I will go on.” “I would prefer a marriage in name only.” “I don’t blame you,” Harry said calmly. “However, the marriage isn’t legal until I bed you. And, unfortunately, I never leave loopholes.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Everyone in my family loves novels,” Poppy finally said, pushing the conversation back into line. “We gather in the parlor nearly every evening, and one of us reads aloud. Win is the best at it—she invents a different voice for each character.” “I’d like to hear you read,” Harry said. Poppy shook her head. “I’m not half as entertaining as Win. I put everyone to sleep.” “Yes,” Harry said. “You have the voice of a scholar’s daughter.” Before she could take offense, he added, “Soothing. Never grates. Soft . . .” He was extraordinarily tired, she realized. So much that even the effort to string words together was defeating him. “I should go,” he muttered, rubbing his eyes. “Finish your sandwiches first,” Poppy said authoritatively. He picked up a sandwich obediently. While he ate, Poppy paged through the book until she found what she wanted . . . a description of walking through the countryside, under skies filled with fleecy clouds, past almond trees in blossom and white campion nestled beside quiet brooks. She read in a measured tone, occasionally stealing a glance at Harry while he polished off the entire plate of sandwiches. And then he settled deeper into the corner, more relaxed than she had ever seen him. She read a few pages more, about walking past hedges and meadows, through a wood dressed with a counterpane of fallen leaves, while soft pale sunshine gave way to a quiet rain . . . And when she finally reached the end of the chapter, she looked at Harry once more. He was asleep. His chest rose and fell in an even rhythm, his long lashes fanned against his skin. One hand was palm down against his chest, while the other lay half open at his side, the strong fingers partially curled. “Never fails,” Poppy murmured with a private grin.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
I think,” he said slowly, “that you should marry a man who would appreciate you.” She made a face. “Those are in short supply.” He smiled. “You don’t need a supply. You just need one.” He grasped Poppy’s shoulder, his hand curving over the illusion-trimmed sleeve of her gown until she felt its warmth through the fragile gauze. His thumb toyed with the filmy edge of fabric, brushing her skin in a way that made her stomach tighten. “Poppy,” he said gently, “what if I asked for permission to court you?” She went blank as astonishment swept through her. Finally, someone had asked to court her. And it wasn’t Michael, or any of the diffident, superior aristocrats she had met during three failed seasons. It was Harry Rutledge, an elusive and enigmatic man she had known only a matter of days. “Why me?” was all she could manage. “Because you’re interesting and beautiful. Because saying your name makes me smile. Most of all because this may be my only hope of ever having hotchpotch.” “I’m sorry, but . . . no. It wouldn’t be a good idea at all.” “I think it’s the best idea I’ve ever had. Why can’t we?” Poppy’s mind was spinning. She could hardly stammer out a reply. “I-I don’t like courtship. It’s very stressful. And disappointing.” His thumb found the soft ridge of her collarbone and traced it slowly. “It’s arguable that you’ve ever had a real courtship. But if it pleases you, we’ll dispense with it altogether. That would save time.” “I don’t want to dispense with it,” Poppy said, increasingly flustered. She trembled as she felt his fingertips glide along the side of her neck. “What I mean is . . . Mr. Rutledge, I’ve just been through a very difficult experience. This is too soon.” “You were courted by a boy, who had to do as he was told.” His hot breath feathered against her lips as he whispered, “You should try it with a man, who needs no one’s permission.” A man. Well, he certainly was that. “I don’t have the luxury of waiting,” Harry continued. “Not when you’re so hell-bent on going back to Hampshire. You’re the reason I’m here tonight, Poppy. Believe me, I wouldn’t have come otherwise.” “You don’t like balls?” “I do. But the ones I attend are given by a far different crowd.” Poppy couldn’t imagine what crowd he was referring to, or what kind of people he usually associated with. Harry Rutledge was too much of a mystery. Too experienced, too overwhelming in every way. He could never offer the quiet, ordinary, sane life she longed for. “Mr. Rutledge, please don’t take this as an affront, but you don’t have the qualities I seek in a husband.” “How do you know? I have some excellent qualities you haven’t even seen yet.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
His attention was snared by the sight of Catherine Marks, standing in the corner and watching as Beatrix and her partner danced. Marks looked tense as usual, her slender dark-clad figure as straight as a ramrod. She never missed an opportunity to disdain Leo and treat him as if he had all the intellectual prowess of an oyster. And she was resistant to any attempts at charm or humor. Like any sensible man, Leo did his best to avoid her. But to his chagrin, Leo couldn’t stop himself from wondering what Catherine Marks would look like after a good, thorough tupping. Her spectacles cast aside, her silky hair loose and tumbled, her pale body released from the contraption of stays and laces . . . Suddenly nothing at the ball seemed quite so interesting as his sisters’ companion. Leo decided to go bother her.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Would you mind if I left you again momentarily?” “No, you’re only going to yell at the staff again, and they’re already doing their best. Stay with me.” She reached for his hand. That mystifying feeling again . . . the sense of puzzle pieces fitting together. Such an innocent connection, one hand in another, and yet it was enormously satisfying.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Manfredo -- Your Excellency -- how can you, even you, hope...?" "Life is a jest, and all things show it, my dear," I replied; "and if the most barbarous demagogue of the Congo treats the great of the world with hauteur, why should not such a one as I? Ah, yes: we'd best find time for an appeal to New Delhi, too, and Peiping. The might of Upper Volta must be implored, and the enlightened patriots of Bamako. Effrontery never brought greater rewards than it does in our time. Smile, Melchiora!
Russell Kirk (A Creature of the Twilight: His Memorials)
During the writing of this book, I found myself questioning why the sixteenth-century history of the Irish-English conflict—“the Mother of All the Irish Rebellions”—has been utterly ignored or forgotten. This episode was by far the largest of Elizabeth’s wars and the last significant effort of her reign. It was also the most costly in English lives lost, both common and noble. By some estimates, the rebellion resulted in half the population of Ireland dying through battle, famine, and disease, and the countryside—through the burning of forestland—was changed forever. Yet almost no one studies it, writes of it, or discusses it, even as the impact of that revolt continues to make headlines across the world more than four hundred years later. Likewise, few people outside Ireland have ever heard of Grace O’Malley, surely one of the most outrageous and extraordinary personalities of her century—at least as fascinating a character as her contemporary and sparring partner Elizabeth I. Of course history is written by the victors, and England was, by all accounts, the winner of the Irish Rebellion of the sixteenth century. But the mystery only deepens when we learn that the only contemporary knowledge we have of Grace’s exploits—other than through Irish tradition and legend—is recorded not in Ireland’s histories, but by numerous references and documentation in England’s Calendar of State Papers, as well as numerous official dispatches sent by English captains and governors such as Lords Sidney, Maltby, and Bingham. As hard as it is to believe, Grace O’Malley’s name never once appears in the most important Irish history of the day, The Annals of the Four Masters. Even in the two best modern books on the Irish Rebellion—Cyril Fall’s Elizabeth’s Irish Wars and Richard Berleth’s The Twilight Lords—there is virtually no mention made of her. Tibbot Burke receives only slightly better treatment. Why is this? Anne Chambers, author of my two “bibles” on the lives of Grace O’Malley (Granuaile: The Life and Times of Grace O’Malley) and Tibbot Burke (Chieftain to Knight)—the only existing biographies of mother and son—suggests that as for the early historians, they might have had so little regard for women in general that Grace’s exclusion would be expected. As for the modern historians, it is troubling that in their otherwise highly detailed books, the authors should ignore such a major player in the history of the period. It
Robin Maxwell (The Wild Irish: A Novel of Elizabeth I and the Pirate O'Malley)
Twilight Zone revisited would best describe Gray’s first day back at school in a new body, only this time Gray was treated like a returning celebrity rather than a mental case. Students formed circles around her. The braver ones hugged her. If Gray happened to forget certain details of her life before, it was waved off as post-traumatic stress, selective amnesia—totally understandable.
Nikki Jefford (Entangled (Spellbound, #1))
Out there in the chrysanthemum light, the day was at its best. The sun was setting later and later, leaving behind a strange way of making the time fade away and nearly disappear, as though night truly wouldn’t come. Helen looked to the side at Stuart. He seemed different in this lighting, both stronger and softer than usual. Like salt, the time of day made everything he was more rich and intense. His eyes met hers and he turned, his full body facing her. With a single step, he was standing closer to her than he ever had before, the space between them nearly as small as the space between heartbeats.
Corinne Beenfield (The Ocean's Daughter : (National Indie Excellence Award Finalist))
Joey was a good kid, the best. He never whined, never threw tantrums or complained.
Dean Koontz (THE SERVANTS OF TWILIGHT)
She said calmly, “So I hear you are now an atheist. Is that true?” I nodded yes, and she smiled. She placed the package in my hands. “The man’s name is Friedrich Nietzsche, and the book is called Twilight of the Idols,” she said. “If you are going to be an atheist, be the best one out there. Bon appetit!
John Medina (Brain Rules: 12 Principles for Surviving and Thriving at Work, Home, and School (Book & DVD))
She said calmly, “So I hear you are now an atheist. Is that true?” I nodded yes, and she smiled. She placed the package in my hands. “The man’s name is Friedrich Nietzsche, and the book is called Twilight of the Idols,” she said. “If you are going to be an atheist, be the best one out there. Bon appetit!
John Medina (Brain Rules: 12 Principles for Surviving and Thriving at Work, Home, and School (Book & DVD))
About you . Deuteronomy 6:5 You shall love the Lord your God with all your heart and with all your soul and with all your might. Deuteronomy 30:6 “Moreover the Lord your God will circumcise your heart and the heart of your descendants, to love the Lord your God with all your heart and with all your soul, so that you may live. Matthew 22:37 And He said to him, “ ‘ You shall love the Lord your God with all your heart, and with all your soul, and with all your mind.’ Mark 12:30 and you shall love the Lord your God with all your heart, and with all your soul, and with all your mind, and with all your strength.’ Luke 10:27 And he answered, “ You shall love the Lord your God with all your heart, and with all your soul, and with all your strength, and with all your mind; and your neighbor as yourself.” V'ahav'ta eit Adonai Elohekha b'khol l'vav'kha uv'khol naf'sh'kha uv'khol m'odekha. וְאָהַבְתָּ, אֵת יְהוָה אֱלֹהֶיךָ, בְּכָל-לְבָבְךָ וּבְכָל-נַפְשְׁךָ, וּבְכָל-מְאֹדֶךָ. Shared with Public Name pronunciation Add a name pronunciation Other names Add a nickname, a birth name... Favorite quotes "Perhaps I can best describe my experience of doing mathematics in terms of a journey through a dark unexplored mansion. You enter the first room of the mansion and it's completely dark. You stumble around bumping into the furniture, but gradually you learn where each piece of furniture is. Finally, after six months or so, you find the light switch, you turn it on, and suddenly it's all illuminated. You can see exactly where you were. Then you move into the next room and spend another six months in the dark. So each of these breakthroughs, while sometimes they're momentary, sometimes over a period of a day or two, they are the culmination of - and couldn't exist without - the many months of stumbling around in the dark that precede them." ~ Andrew Wiles "Anyone who claims to be in the light but hates a brother or sister is still in the darkness. Anyone who loves their brother and sister lives in the light, and there is nothing in them to make them stumble. But anyone who hates a brother or sister is in the darkness and walks around in the darkness. They do not know where they are going, because the darkness has blinded them." ~ First Epistle of John, chapter 2, verse 9-11 "As nightfall does not come at once, neither does oppression. It is in such twilight that we all must be aware of change in the air - however slight - lest we become victims of the darkness." ~ William O. Douglas For God, who said, “Let light shine out of darkness,” made his light shine in our hearts to give us the light of the knowledge of God’s glory displayed in the face of Christ. ~ Paul & Timothy in the Second Epistle to the Corinthians
Saint Paul and Saint Timothy
descended from the ancient tribes that never went to Faerie in the West. There the Light-elves and the Deep-elves and the Sea-elves went and lived for ages, and grew fairer and wiser and more learned, and invented their magic and their cunning craft in the making of beautiful and marvellous things, before some came back into the Wide World. In the Wide World the Wood-elves lingered in the twilight of our Sun and Moon, but loved best the stars; and they wandered in the great forests that grew tall in lands that are now lost. They dwelt most often by the edges of the woods, from which they could escape at times to hunt, or to ride and run over the open lands by moonlight or starlight; and after the coming of Men they took ever more and more to the gloaming and the dusk. Still elves they were and remain, and that is Good People.
J.R.R. Tolkien (The Hobbit (Middle Earth, #0))
At the very beginning of the poetic argument, we entered the world of Job’s inner torment through the great death wish poem that takes up all of Chapter 3. These first thirty seven lines of God’s response to Job constitute a brilliantly pointed reversal, in structure, image, and theme, of that initial poem of Job’s. Perhaps the best way to sense the special weight of disputation over theodicy is to observe that it is cast in the form of a clash between two modes of poetry, one kind spoken by man and, however memorable, appropriate to the limitations of his creaturely condition, the other kind of verse a poet of genius could persuasively imagine God speaking…. Perhaps the finest illustration of this nice match of meaning and imagery between the two poems is the beautiful counterbalance between the most haunting of Job’s lines wishing for darkness and the most exquisite of God’s lines affirming light. Job, one recalls, tried to conjure up an eternal starless night: “Let its twilight stars go dark, / let it hope for light in vain, / and let it not see the eyelids of the dawn” (3:9). God, near the beginning of His first discourse, evokes the moment when creation was completed in an image that has become justly famous in its own right but that is also, it should be observed, a counterimage to 3:9: “When the morning stars sang together, / and all the sons of God shouted for joy” (verse 7). That is, instead of a night with no twilight stars, with no glimmer of dawn, the morning stars of creation exult. The emphasis in this line on song and shouts of joy also takes us back to the poem of Chapter 3, which began with a triumphant cry on the night of conception—a cry Job wanted to wish away—and proceeded to a prayer that no joyous exclamation come into that night (3:7).
Robert Alter (The Art of Biblical Poetry)
Many ancient peoples believed in a land of shade, where the dead dwell in a twilight underworld. In Hebrew, it is tsalmaveth, the death-shadow. In one of the more peculiar Biblical passages, King Saul, who is in desperate need of advice, orders the witch of Endor to summon the prophet Samuel from the shadows. Samuel appears, but he is vexed at being disturbed and angry at Saul's lack of faith. Things don't go at all well for the King, implying that summoning the dead is not the best way to reach a decision.
Laurie R. King (Castle Shade (Mary Russell and Sherlock Holmes, #17))
He quite literally occupied it. At the end of a long oaken table near the window of the Writing Room was “the Hitler Chair.” It had the best light for painting postcards. Nobody but Adolf dared sit there. Everybody honored his obsession with the chair, partly out of gratitude: If a Männerheim tenant fell short of his week’s rent, Hitler was amazingly fast in organizing a collection.
Frederic Morton (Thunder at Twilight: Vienna 1913/1914)
Ghosts are just one of the possible causes of these phenomena. Other such causes include, but are not limited to, the following: poltergeists, psychic children, magic, aliens, hallucinatory drugs, an alternate dimension analog of my apartment, a Hollywood special effects team, intergalactic space wizards, LASERS, ninjas, demons, vengeful deities, mischievous deities, uncaring impersonal but very clumsy and unapologetic deities, Silent Hill, that little kid from the Twilight Zone, Old Scratch himself, a curse, trapped spirits and/or demons, a building with hemophilia that cuts itself, one really really pissed ex girlfriend, a dimensional portal to Hell, an erection lasting more than four hours, a manifestation of a horror movie into the real world caused by a djinn or other bad wishing, fever dreams, a sentient building, Bizarro Elvis, the Antichrist, the Best Little Demonic Whorehouse in Texas, mental illness, brain damage, living downstairs from a cut-rate blood bank, a vision from God, or even a cursed sword.
Dennis Liggio (Damned Lies Strike Back (Damned Lies #2))
Twilight Poetry [10w] Non-rational poetry's best composed in a twilight state of consciousness.
Beryl Dov
Time is different in Rome. Maybe it’s the light, which is languid and delicate. The blue afternoon bleeds into twilight like a watercolor, and I realize we’ve been up on Silvia’s terrace drinking aperitifs for nearly five hours. Donato’s friends in crisp suit jackets, hair slicked back, plumes of smoke climbing into the now golden sky. Hannah and her girlfriends, their boisterous chatter mixing with the city noises below: a car horn, a motorcycle, a police siren, sandals clack-clacking on the narrow cobblestone streets. My niece had been the one to open the door. She tried her best to be nonchalant. Auntie, she cried. But I knew that look. Emily had the same expression when I caught her smoking a joint with the neighbor. Guilty.
Liska Jacobs (The Worst Kind of Want)
Why did you go through with it?" she heard him ask quietly. "I thought it best for Michael." She felt a twinge of satisfaction as she saw how that had annoyed him. Harry half sat on the bed, his posture informal. His gaze didn't stray from her. "Had there been a choice, I would have done all this the ordinary way. I would have courted you openly, won you fairly. But you'd already decided on Bayning. This was the only alternative." "No, it wasn't. You could have let me be with Michael." "It's doubtful he ever would have offered for you. He deceived you, and himself, by assuming he could persuade his father to accept the match. You should have seen the old man when I showed him the letter- he was mortally offended by the notion of his son taking a wife so far beneath him." That hurt, as perhaps Harry had intended, and Poppy stiffened.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
She spent what was left of the afternoon in the kitchen with the chef, Monsieur Broussard, the pastry chef, Mr. Rupert, and Mrs. Pennywhistle. Broussard was involved in the creation of a new dessert... or more aptly, trying to re-create a dessert he had remembered from childhood. "My great-aunt Albertine always made this with no recipe," Broussard explained ruefully as he pulled a bain-marie, or water bath, from the oven. Nestled inside were a half dozen perfect little steaming apple puddings. "I watched her every time. But it has all slipped from my mind. Fifteen times I have tried it, and still it's not perfect... but quand on veut, on peut." "When one wants, one can," Poppy translated. "Exactement." Broussard carefully removed the dishes from the hot water. Chef Rupert drizzled cream sauce over each pudding, and topped them with delicate pastry leaves. "Shall we?" he asked, handing out spoons. Solemnly, Poppy, Mrs. Pennywhistle, and the two chefs took a pudding and sampled it. Poppy's mouth was filled with cream, soft tart apple, and crisply imploding pastry. She closed her eyes to better enjoy the textures and flavors, and she heard satisfied sighs from Mrs. Pennywhistle and Chef Rupert. "Still not right," Monsieur Broussard fretted, scowling at the dish of pudding as if it were deliberately being obstinate. "I don't care if it's not right," the housekeeper said. "That is the best thing I've ever tasted in my life." She turned to Poppy. "Don't you agree, Mrs. Rutledge?" "I think it's what angels must eat in heaven," Poppy said, digging into the pudding.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
The best you can hope for at any gig is Altamont-like spontaneity where nobody happens to get killed.
Steven Hyden (Twilight of the Gods: A Journey to the End of Classic Rock)
The best of these early albums is 2011’s Twin Fantasy,
Steven Hyden (Twilight of the Gods: A Journey to the End of Classic Rock)
Does that sound naïve?” “Yes,” he said flatly. Poppy’s lips quirked, although she felt nothing close to actual amusement. “I’m sure I’ve read too many fairy tales. The prince is supposed to slay the dragon, defeat the villain, and marry the servant girl, and carry her off to his castle.” “Fairy tales are best read as entertainment,” Harry said. “Not as a guide to life.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Sometimes, they were even willing to get their hands dirty. In Fredric Dannen’s 1990 book Hit Men, the best-ever exposé of the music business of the seventies and eighties,
Steven Hyden (Twilight of the Gods: A Journey to the End of Classic Rock)
But still, each time, it can feel like divinity. It can make you feel healed and religious; it can make you feel dangerously wild. What’s the difference? Your world realigns in a juddering oceanic shimmer. You feel that your soul is dazzling, delicate, unlimited; you understand that you can give the best of yourself away to everyone you love without ever feeling depleted. This is what it feels like to be a child of Jesus, in a dark chapel, with stained-glass diamonds floating on the skin of all the people kneeling around you. This is what it feels like to be twenty-two, nearly naked, your hair blowing in the wind as the pink twilight expands into permanence, your body still holding the warmth of the day. You were made to be here. You are depraved, insignificant; you are measureless, and you will never not be redeemed.
Jia Tolentino (Trick Mirror)
The Buchedd Collin, a Welsh life of St Collen dating from 1536, shows the extent to which Annwn was synonymous with fairyland and Gwyn ap Nudd with the king of the fairies in late medieval Wales. Although this particular story was recorded on the eve of the Reformation, it may well draw on earlier tales: As [St Collen] was in his cell one day, he heard two men talking about Gwyn ap Nudd, and saying that he was the King of Annwn (the Under-World) and the Fairies. Collen put his head out, and told them to hold their peace, and those were only demons. They told him to hold his peace, and, besides, he would have to meet Gwyn face to face. By-and-by Collen heard a knocking at his door, and in answer got the reply, ‘It is I, the messenger of Gwyn ap Nudd, King of Annwn, bidding you to come to speak with him on the top of the hill by mid-day’. The saint persistently refused to go day after day, until at last he was threatened with the words, ‘If you don’t come, Collen, it will be the worse for you’. This disconcerted him, and, taking some holy water with him, he went. On reaching the place, Collen beheld there the most beautiful castle that he had ever seen, with the best-appointed troops; a great number of musicians with all manner of instruments; horses with young men riding them; handsome, sprightly maidens, and everything that became the court of a sumptuous king. When Collen entered, he found the king sitting in a chair of gold. Collen was welcomed by him, and asked to seat himself at the table to eat, adding that beside what he saw thereon, he should have the rarest of all dainties, and plenty of every kind of drink. Collen said, ‘I will not eat the tree-leaves’. ‘Hast thou ever’. asked the king, ‘seen men better dressed than these in red and blue?’ Collen said, ‘Their dress is good enough, for such kind as it is’. ‘What kind is that?’ asked the king. Collen said that the red on the one side meant burning, and the other, cold. Then he sprinkled holy water over them, and they all vanished, leaving behind them nothing but green tumps.
Francis Young (Twilight of the Godlings: The Shadowy Beginnings of Britain's Supernatural Beings)
The sun slants to the horizon early. There is a sense of the world turning a shoulder away from the sun. Twilight comes quickly. Another year is passing away. At first the ground of the stubble is hard underfoot. The corn’s roots sucked its moisture. Showers fall. Day by day the stubble-walker feels a softening of the surface he treads. Latterly it is like walking on a pile carpet. As it softens, the day when the plough will enter it draws nearer. These pleasant strolls are doomed. A man may have made a little daily route for himself, such is habit. At first he goes this way one day, another way the next – across the middle of a stubble today, yesterday along by that hedge, tomorrow beside the ash trees. Yet in a week or so he comes to take a favourite route at a favourite hour. Evening is best. There is half an hour of twilight. The sun, fallen into a welter of clouds, scatters fire into the tree-tops. The glow, at setting out too bright to look on, swiftly fades to cool colours. Watching the sky, dwelling on fat woods, a man can let his feet stray; no path to miss, no clod to stumble over. Called back to earth by a whirr of wings or the swish of a surprised rabbit, he can note speedwell and charlock, pluck a leaf of wild mint and smell it, mixed with an inhalation of wood smoke from afar.
Adrian Bell (A Countryman’s Autumn Notebook)
Instead, the best known and most widely used Welsh term for the nation’s folkloric beings is perhaps tylwyth teg, ‘the good folk’, first attested in the fourteenth century in a poem of Dafydd ap Gwilym,19 and later in William Salesbury’s Welsh-English dictionary (1547).20 Other later terms such as plant (‘children’), plant annwn (‘children of the underworld’), gwragedd annwyl (‘dear women’) and anweledig (‘hidden ones’) are similarly euphemistic and elliptical.
Francis Young (Twilight of the Godlings: The Shadowy Beginnings of Britain's Supernatural Beings)
The Kind of Man I Aim to Be (Intro) Under soft twilight, my thoughts unwind, To the love you showed, one of a kind. (Verse 1) By the fire on a quiet night, I think of you, my guiding light. Through the tears and the trials you stayed, Taught me love that won’t ever fade. (Chorus) Thank you, Dad, for standing tall, You held my hand through it all. From your grace, I’ve come to see, The kind of man I aim to be. Patient, kind, strong and true, I owe the best of me to you. (Verse 2) When I faltered, when I strayed, Your love was there, it never swayed. Every lesson, every tear, Built the bond I hold so dear. (Bridge) Your selfless heart, your steady way, Taught me how to face each day. In every path that I pursue, I carry a piece of you. (Final Chorus) Thank you, Dad, for standing tall, You held my hand through it all. From your grace, I’ve come to see, The kind of man I aim to be. Patient, kind, strong and true, I owe the best of me to you. (Outro) Under the stars, I hope you see, Dad, your love’s the best of me. March 7, 2025 at 3:12 PM
― James Hilton-Cowboy
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One of the best things about Charlie is he doesn’t hover.
Stephenie Meyer (Twilight (Twilight, #1))
He refuses to watch the end of Twilight. "I think I've seen enough." But agrees with me that New Moon is the best in the series.
Ali Hazelwood (Love, Theoretically)
When dusk falls on us, as it will, To dim the light of lives outlived, When night is next, when sleep is sure, When nothing’s left to lift— I will be glad. The work of a day Well done, this rest its good reward, The best we’ve earned and what We’ve won, this doorway opening. Our lives are like this: years moved on Beyond the words that started them.
Alberto Ríos (Not Go Away Is My Name)
This story happened a long time ago in a galaxy far, far away. It is already over. Nothing can be done to change it. It is a story of love and loss, brotherhood and betrayal, courage and sacrifice and the death of dreams. It is a story of the blurred line between our best and our worst. It is a story of the end of an age. A strange thing about stories-- Though this all happened so long ago and so far away that words cannot describe the time or the distance, it is also happening right now. Right here. It is happening as you read these words. This is how twenty-five millennia come to a close. Corruption and treachery have crushed a thousand years of peace. This is not just the end of a republic; night is falling on civilization itself. This is the twilight of the Jedi. The end starts now.
Matthew Woodring Stover (Star Wars: Episode III: Revenge of the Sith: UK 20th Anniversary Deluxe Edition (Novelisations))