Twice Sad Quotes

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But love is always new. Regardless of whether we love once, twice, or a dozen times in our life, we always face a brand-new situation. Love can consign us to hell or to paradise, but it always takes us somewhere. We simply have to accept it, because it is what nourishes our existence. If we reject it, we die of hunger, because we lack the courage to stretch out a hand and pluck the fruit from the branches of the tree of life. We have to take love where we find it, even if that means hours, days, weeks of disappointment and sadness. The moment we begin to seek love, love begins to seek us. And to save us.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
I went back to those graves not long afterward and found as I stood there that sadness was a very heavy thing. My body weighed twice what it had only a moment earlier, as if those graves were pulling me down toward them.
Arthur Golden (Memoirs of a Geisha)
Wanting to Die Since you ask, most days I cannot remember. I walk in my clothing, unmarked by that voyage. Then the almost unnameable lust returns. Even then I have nothing against life. I know well the grass blades you mention, the furniture you have placed under the sun. But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. Twice I have so simply declared myself, have possessed the enemy, eaten the enemy, have taken on his craft, his magic. In this way, heavy and thoughtful, warmer than oil or water, I have rested, drooling at the mouth-hole. I did not think of my body at needle point. Even the cornea and the leftover urine were gone. Suicides have already betrayed the body. Still-born, they don't always die, but dazzled, they can't forget a drug so sweet that even children would look on and smile. To thrust all that life under your tongue!— that, all by itself, becomes a passion. Death's a sad Bone; bruised, you'd say, and yet she waits for me, year after year, to so delicately undo an old wound, to empty my breath from its bad prison. Balanced there, suicides sometimes meet, raging at the fruit, a pumped-up moon, leaving the bread they mistook for a kiss, leaving the page of the book carelessly open, something unsaid, the phone off the hook and the love, whatever it was, an infection.
Anne Sexton
I don't like the rain forest," Ragnor said sadly. "That's because you are not open to new experiences in the same way I am!" "No, it is because it is wetter than a boar's armpit and twice as smelly here." Magnus pushed a dripping frond out of his eyes. "I admit you make an excellent point and also paint a vivid picture with your words.
Cassandra Clare (The Bane Chronicles)
Rosie, I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say. I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick. He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try. I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to. Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day. I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always. Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy. All my love, Alex
Cecelia Ahern (Love, Rosie)
Hallo, Eeyore." "Same to you, Pooh Bear, and twice on Thursdays," said Eeyore gloomily. Before Pooh could say: 'Why Thursdays?' Christopher Robin began to explain the sad story of Eeyore's lost house.
A.A. Milne
How come she never got sad?” She did get sad, Booboo. She got sad in her way instead of yours and mine. She got sad, I’m pretty sure.” Hal?” You remember how the staff lowered the flag to half-mast out front by the portcullis here after it happened? Do you remember that? And it goes to half-mast every year at Convocation? Remember the flag, Boo?” Hey Hal?” Don’t cry, Booboo. Remember the flag only halfway up the pole? Booboo, there are two ways to lower a flag to half-mast. Are you listening? Because no shit I really have to sleep here in a second. So listen - one way to lower the flag to half mast is just to lower the flag. There’s another way though. You can also just raise the pole. You can raise the pole to like twice its original height. You get me? You understand what I mean, Mario?” Hal?” She’s plenty sad, I bet.
David Foster Wallace (Infinite Jest)
turned out that the only difference between children and adults was that children were prepared to put twice the energy into the project of not being sad.
Chris Cleave (Everyone Brave is Forgiven)
It turned out that the only difference between children and adults was that children were prepared to put twice the energy into the project of not being sad.
Chris Cleave (Everyone Brave is Forgiven)
The italian nanny was attempting to answer the teachers latest question when the moroccan student interupted, shouting "Excuse me, What is an easter?" it would seem that depsite having grown up in a muslim country, she would have heard it mentioned once or twice, but no. "I mean it," She said. " I have no idea what you people are talking about." The teacher called upon the rest of us to explain. The poles led the charge to the best of their ability. It is," said one, "a party for the little boy of god who call his self jesus and... oh shit." She faltered and her fellow country man came to her aid. He call his self Jesus and then he die one day on two... morsels of... lumber." The rest of the class jumped in, offering bits of information that would have given the pope an aneurysm. he die one day and then he go above of my head to live with your father." he weared of himself the long hair and after he die. the first day he come back here for to say hello to the peoples." he Nice the jesus." he make the good things, and on the easter we be sad because somebody makes him dead today.
David Sedaris (Me Talk Pretty One Day)
Don't cry over the same thing twice. Get it all out the first time, even if it's loud and messy. Then it's over.
Ruth Emmie Lang (Beasts of Extraordinary Circumstance)
Tis a sad day when ye ha' t' pinch yerself t' see if ye're awake or in th' midst o' a night terror. 'Tis a really sad day when ye have t' pinch yerself twice." Old woman Nora to her three wee granddaughters on a cold winter's night
Karen Hawkins (Sleepless in Scotland (MacLean Curse, #4))
Then she saw him stop and wipe his brow with his handkerchief. Once, twice. And then once again. But she did not see the grin of relief spread over his face. That she did not see because her eyes had filled with tears. And the geraniums, they were just as sad. In any case, that's how they smelled.
Wolfgang Borchert (The sad geraniums, and other stories)
It's a sad thing to see, because as far as I know, this man Gavo had done nothing to deserve being shot in the back of the head at his own funeral. Twice.
Téa Obreht (The Tiger's Wife)
Each death laid a dreadful charge of complicity on the living; each death was incongenerous, its guilt irreducible, its sadness immortal; a bracelet of bright hair about the bone. I did not pray for her, because prayer has no efficacy; I did not cry for her, because only extroverts cry twice; I sat in the silence of that night, that infinite hostility to man, to permanence, to love, remembering her, remembering her.
John Fowles (The Magus)
I sat reading from first thing in the morning till the middle of the afternoon. I used to get a phone call twice a day for a while. A variety of dirty phone calls I called a Sadness Call or a Tragedy Call: I'd pick up, and all I'd hear was someone weeping.
Joseph McElroy (Women and Men)
Sadness was a very heavy thing. My body weighed twice what it had only a moment earlier.
Arthur Golden (Memoirs of a Geisha)
People were almost twice as likely to reach for a comfort food when they were happy than when they were sad.
Brian Wansink (Mindless Eating: Why We Eat More Than We Think)
The tyrants die, sooner or later, and the sands of time cover up their graves, but not their worst deeds, which often grow through like some rotten seeds of Evil, never to be eradicated, again and again. That means, sadly, that the tyrants and greatest evil-makes are indeed immortal, anyway much more immortal than their guiltless victims.
Raphael Canossa (Love and Die Twice: Between Passion and Destiny)
Son, make sure you want her to quit calling because a woman has a breaking point. She’ll stand by you if you kill someone, but when she finally reaches her breaking point, she’s done with you. There’s no getting her heart twice.” “It’s not her heart I want.” His young, arrogant voice still sounded in his ears after all these years. A sad look had come over his father’s face. “Make sure, Cash, or you’ll spend the rest of your life wanting something you can’t have.
Jamie Begley (Cash's Fight (The Last Riders, #5))
Despereaux turned. He looked up and into the Head Mouse's eyes. They were dark eyes, deep and sad and frightened. And as Despereaux looked into them, his heart thudded once, twice.
Kate DiCamillo (The Tale of Despereaux)
...I was not born with enough fuel. My anger often melts into sadness, it will just disintegrate into shame or fear, my clenched teeth release into chatter. But you have found the right mix of arrogance and alcohol. Place your hands on me one more time, then again, exhale the cigarette into my eyes, tell me again how I’m just not understanding the point, remind me how you are an expert, touch my knee, my thigh, my lower back, ignore me twice, three times, continue talking over me with the man to my right. There is a beast in my veins that was birthed by my father. It is quiet, it sleeps through most nights. Tonight, sir, my tail twitches in the darkest caves. Be careful, darling. Your footsteps land heavy here. Your racket will wake the dragons.
Sarah Kay (No Matter the Wreckage: Poems)
I listened to sad songs in the shower and cried along. Sometimes I would stop and see myself as from the outside and even laugh at such trite performances of heartbreak. I took the train to the south coast of Dublin once or twice a week to swim and walk around the brambly masses on the outskirts of Shankill. When I tried one day to stand at the pier on Dun Laoghaire and look out to the sea and reflect on my misfortune, I lasted only a few minutes before becoming self-conscious and retreating. The feelings were real, but they could find no natural expression.
Megan Nolan (Acts of Desperation)
It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
Molly Harper (And One Last Thing ...)
The way grief takes many forms, as tears or pinwheels. The way the word haystack never conjures up the same image twice. The way we assume all tears taste the same. The way our sadness is plural, but grief is singular.
Victoria Chang (Obit)
I believe in the kind of love where you give the other person the last bite of cheesecake without thinking twice. Where you laugh when they’re happy, and you ache when they’re sad. Where you’re not two halves making a whole, but two wholes making something bigger, that only the two of you can make.
Kimberly Kincaid (Better Than Me (Remington Medical, #2))
I have been gone for some time now. It's hard to see my family only once or twice a year. I thought it would get easier as time passed, but it feels like as I get older, it makes me more sad. Sometimes I wake up in my apartment and really remember that most of my friends and family are more than six thousand miles away from me and I get a pang of loneliness.
Jessica Pan (Graduates in Wonderland: The International Misadventures of Two (Almost) Adults)
Everything dies once - only love dies twice.
Laura Chouette
But a man's walking-around body can be a ghost a whole lot easier than his spirit can.
Sarah Porter (The Twice Lost)
And yet, the sort of major misfortune for which once is plenty, sadly, has something in common with the stray dog that persistently chases the same person around, twice and then thrice.
Keiichirō Hirano (A Man)
He locks the door, stares down at the floor; she lies on the sofa, stares at the ceiling. They don't know if they have anything to say to each other anymore. Everything has a breaking point, and even though people always say that "a joy shared is a joy doubled," we seem to insist on believing that the opposite is true of sorrow. Perhaps that isn't actually the case. Two drowning people with lead weights around their ankles may not be each other's salvation; if they hold hands, they'll just sink twice as fast. In the end the weight of carrying each other's broken hearts becomes unbearable.
Fredrik Backman (Us Against You (Beartown, #2))
Hes that kind of man. Every few years he sends news of where he is, and he even turned up on the doorstep unannounced once or twice when we were still at school. He's not a bad person, just a flighty one.
Josie Silver (The Two Lives of Lydia Bird)
Because he kissed you not once, but twice, while you were alternately crying and huffing gasoline, and you're still not sure if he's interested. That's just sad, Gabe, I can't even make fun of you for that.
Julianna Thorn (Farm of Fancy (Missing Cities, #1))
Knowing that Draco's hopeful face had probably been drilled into him by months of practice did not make it any less effective, Harry observed. Actually it did make it less effective, but unfortunately not ineffective. The same could be said of Draco's clever use of reciprocation pressure for an unsolicited gift, a technique which Harry had read about in his social psychology books (one experiment had shown that an unconditional gift of $5 was twice as effective as a conditional offer of $50 in getting people to fill out surveys). Draco had made an unsolicited gift of a confidence, and now invited Harry to offer a confidence in return... and the thing was, Harry did feel pressured. Refusal, Harry was certain, would be met with a look of sad disappointment, and maybe a small amount of contempt indicating that Harry had lost points.
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
The subject had reference to secret sin and those sad mysteries which we hide from our nearest and dearest, and would fain conceal from our own consciousness, even forgetting that the Omniscient can detect them.
Nathaniel Hawthorne (Twice Told Tales)
A few months ago on a school morning, as I attempted to etch a straight midline part on the back of my wiggling daughter's soon-to-be-ponytailed blond head, I reminded her that it was chilly outside and she needed to grab a sweater. "No, mama." "Excuse me?" "No, I don't want to wear that sweater, it makes me look fat." "What?!" My comb clattered to the bathroom floor. "Fat?! What do you know about fat? You're 5 years old! You are definitely not fat. God made you just right. Now get your sweater." She scampered off, and I wearily leaned against the counter and let out a long, sad sigh. It has begun. I thought I had a few more years before my twin daughters picked up the modern day f-word. I have admittedly had my own seasons of unwarranted, psychotic Slim-Fasting and have looked erroneously to the scale to give me a measurement of myself. But these departures from my character were in my 20s, before the balancing hand of motherhood met the grounding grip of running. Once I learned what it meant to push myself, I lost all taste for depriving myself. I want to grow into more of a woman, not find ways to whittle myself down to less. The way I see it, the only way to run counter to our toxic image-centric society is to literally run by example. I can't tell my daughters that beauty is an incidental side effect of living your passion rather than an adherence to socially prescribed standards. I can't tell my son how to recognize and appreciate this kind of beauty in a woman. I have to show them, over and over again, mile after mile, until they feel the power of their own legs beneath them and catch the rhythm of their own strides. Which is why my parents wake my kids early on race-day mornings. It matters to me that my children see me out there, slogging through difficult miles. I want my girls to grow up recognizing the beauty of strength, the exuberance of endurance, and the core confidence residing in a well-tended body and spirit. I want them to be more interested in what they are doing than how they look doing it. I want them to enjoy food that is delicious, feed their bodies with wisdom and intent, and give themselves the freedom to indulge. I want them to compete in healthy ways that honor the cultivation of skill, the expenditure of effort, and the courage of the attempt. Grace and Bella, will you have any idea how lovely you are when you try? Recently we ran the Chuy's Hot to Trot Kids K together as a family in Austin, and I ran the 5-K immediately afterward. Post?race, my kids asked me where my medal was. I explained that not everyone gets a medal, so they must have run really well (all kids got a medal, shhh!). As I picked up Grace, she said, "You are so sweaty Mommy, all wet." Luke smiled and said, "Mommy's sweaty 'cause she's fast. And she looks pretty. All clean." My PRs will never garner attention or generate awards. But when I run, I am 100 percent me--my strengths and weaknesses play out like a cracked-open diary, my emotions often as raw as the chafing from my jog bra. In my ultimate moments of vulnerability, I am twice the woman I was when I thought I was meant to look pretty on the sidelines. Sweaty and smiling, breathless and beautiful: Running helps us all shine. A lesson worth passing along.
Kristin Armstrong
Pretending not to be sad was the hardest, but looking sad made people think you were weak, and when you were already a foot too short and a measure too small, and a girl on top of that, you had to work twice as hard to convince them it wasn’t true.
V.E. Schwab (A Conjuring of Light (Shades of Magic, #3))
They say in extreme moments time will slow, returning to its unmoving core, and standing there, it seemed as if everything stopped. Within the stillness, I felt the old, irrepressible ache to know what my point in the world might be. I felt the longing more solemnly than anything I’d ever felt, even more than my old innate loneliness. What came to me was the fleur de lis button in the box and the lost girl who’d put it there, how I’d twice carried it from Charleston to Philadelphia and back, carried it like a sad, decaying hope.
Sue Monk Kidd (The Invention of Wings)
This is how to start telling the difference between thoughts that are informed by your intuition and thoughts that are informed by fear: Intuitive thoughts are calm. Intruding thoughts are hectic and fear-inducing. Intuitive thoughts are rational; they make a degree of sense. Intruding thoughts are irrational and often stem from aggrandizing a situation or jumping to the worst conclusion possible. Intuitive thoughts help you in the present. They give you information that you need to make a better-informed decision. Intruding thoughts are often random and have nothing to do with what’s going on in the moment. Intuitive thoughts are “quiet”; intruding thoughts are “loud,” which makes one harder to hear than the other. Intuitive thoughts usually come to you once, maybe twice, and they induce a feeling of understanding. Intruding thoughts tend to be persistent and induce a feeling of panic. Intuitive thoughts often sound loving, while invasive thoughts sound scared. Intuitive thoughts usually come out of nowhere; invasive thoughts are usually triggered by external stimuli. Intuitive thoughts don’t need to be grappled with—you have them and then you let them go. Invasive thoughts begin a whole spiral of ideas and fears, making it feel impossible to stop thinking about them. Even when an intuitive thought doesn’t tell you something you like, it never makes you feel panicked. Even if you experience sadness or disappointment, you don’t feel overwhelmingly anxious. Panic is the emotion you experience when you don’t know what to do with a feeling. It is what happens when you have an invasive thought. Intuitive thoughts open your mind to other possibilities; invasive thoughts close your heart and make you feel stuck or condemned. Intuitive thoughts come from the perspective of your best self; invasive thoughts come from the perspective of your most fearful, small self. Intuitive thoughts solve problems; invasive thoughts create them. Intuitive thoughts help you help others; invasive thoughts tend to create a “me vs. them” mentality. Intuitive thoughts help you understand what you’re thinking and feeling; invasive thoughts assume what other people are thinking and feeling. Intuitive thoughts are rational; invasive thoughts are irrational. Intuitive thoughts come from a deeper place within you and give you a resounding feeling deep in your gut; invasive thoughts keep you stuck in your head and give you a panicked feeling. Intuitive thoughts show you how to respond; invasive thoughts demand that you react.
Brianna Wiest (The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery)
In all our lives, my sister only told me her stories twice. We never compared our memories, ever. I think because where they were the same, they were painful and obvious. And where they were different--even just a little--they were so important to each of us, that we hated each other for not remembering them as we did.
Daniel Nayeri (Everything Sad Is Untrue)
But love is always new. Regardless of whether we love once, twice, or a dozen times in our life, we always face a brand-new situation. Love can consign us to hell or to paradise, but it always takes us somewhere. We simply have to accept it, because it is what nourishes our existence. If we reject it, we die of hunger, because we lack the courage to stretch out a hand and pluck the fruit from the branches of the tree of life. We have to take love where we find it, even if that means hours, days, weeks of disappointment and sadness.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
They say you die twice. One time when you stop breathing and a second time, a bit later on, when somebody says your name for the last time
Banksy
The fact that I’d become so wealthy so soon before my demise, and the unexplained disappearance of my money, only added gasoline to the firestorm of speculation. To this day, there remains no true account of my sad passing. For most of my life I had been a no-one, a lonely young woman who had never known happiness, and only dreamed of love. In death I became prettier, more important, because the public learned that in the days leading up to my death, I had found both happiness and love. I had just begun to live when my life ended, making what happened all the more tragic
Bobby Underwood (I Died Twice)
Sometimes you had to pretend, everyone knew that. Pretend to be happy. Pretend to be brave. Pretend to be strong. If you pretended long enough, it eventually came true. Pretending not be be sad was the hardest, but looking sad made people think you were weak, and when you were already a foot too short and a measure too small, and a girl on top of that, you had to work twice as hard to convince them it wasn’t true.
V.E. Schwab (A Conjuring of Light (Shades of Magic, #3))
I stood in the doorway, taking that image in: a Brannick, cooking breakfast for two demons. Who could have imagined that? Nick saw me and grinned. Well, tried to. Like me-heck, like all of us-he still had that haunted look in his eyes that made friendly expressions seem sad. “’Morning, Sophia. I saved you a slice of bacon. You too, Jenna,” he said, glancing over my shoulder. His eyes flicked to my other side. “Sorry, cuz, you’re out of luck.” Archer gave a little snort of amusement, but there was still something wary in the set of his shoulders as he moved into the kitchen. He also took the chair farthest away from Nick when he sat down. I wasn’t sure Archer and Nick could ever have anything approaching a normal relationship, but that was probably to be expected. After all, Nick’s parents had murdered Archer’s, and Nick had tried to kill Archer not once, but twice. That would definitely make for awkward family reunions in the future. It also didn’t help that the people who Archer considered family were now determined to kill him, too.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Dear Young Black Males, Are you growing up without your father? How does that make you feel? Angry, sad, confused, resentful, etc? Do you feel a void in your life? Do you feel like your life would’ve been better if your father had been in your life? If you get a young lady pregnant, do what’s right. Even if you choose NOT to be with her anymore, you have a responsibility to your child. Even if it was a one-night stand and/or booty call, hey, you took that risk. If you don’t want kids, strap up every time. I don’t care if she tells you she’s on the pill. Strap up! If not, don’t get mad or make excuses when she tells you that she’s having your baby. If you refuse to do your part, she may even get you for child support. If you have a job, that means your check will be garnished. So think twice before you take off your clothes. Is it worth it? Think it through.
Stephanie Lahart
My poor Eunice looked so tired when she huffed off the bus with her many bags that I nearly tackled her in a rejuvenating embrace, but I was careful not to make a scene, waving my roses and champagne at the armed men to prove that I had enough Credit to afford Retail, and then kissed her passionately on one cheek (she smelled of flight and moisturizer), then on the straight, thin, oddly non-Asian nose, then the other cheek, then back to the nose, then once more the first cheek, following the curve of freckles backward and forward, marking her nose like a bridge to be crossed twice. The champagne bottle fell out of my hands, but, whatever futuristic garbage it was made of, it didn't break.
Gary Shteyngart (Super Sad True Love Story)
Don’t cry, Booboo. Remember the flag only halfway up the pole? Booboo, there are two ways to lower a flag to half-mast. Are you listening? Because no shit I really have to sleep here in a second. So listen—one way to lower the flag to half-mast is just to lower the flag. There’s another way though. You can also just raise the pole. You can raise the pole to like twice its original height. You get me? You understand what I mean, Mario?’ ‘Hal?’ ‘She’s plenty sad, I bet.
David Foster Wallace (Infinite Jest)
And then there are those you stop counting the years with because they are here to stay. They are here. And they aren't going anywhere. Nothing will make them flinch. Nothing will make them think twice. They know you at your worst, the worst you didn't even know you had. They know the sound of your mood swings, the color of your anger, how you curse when you curse, how you shout when you throw a tantrum. They know when you're avoiding a subject. They know when you're lying. They know when you're jealous. They know your vices by heart and they celebrate them. They celebrate you-- vices included. They know your lost dreams and how life fucked you over. They know the battles you lost. And they think your fabulous when you think you're just an unlucky mediocre person who once thought will make it big in life. They know the last time you were happy. They see the unspoken sadness in your eyes. They know the words behind your silence. They know the photographs playing in your mind when you're looking afar. They know YOU, the naked YOU, the raw YOU, not the embellished YOU people see, not the YOU that will be read in biographies or in elegies once you're dead, not the YOU that introduces you to others. They love you from the bottom of their heart. They are your family regardless of their blood. They are your squad. They are your people. And no matter how many times you make them open the door, they can't walk out. They just can't. Because, just sometimes, when people say forever, they mean it. They do.
Malak El Halabi
The sudden and uncalled for coldness with which you treated me just before I left last night, both surprised and deeply hurt me - surprised because I could not have believed that such sullen and inflexible obstinacy could exist in the breast of any girl in whose heart love had found place; and hurt me, because I feel for you more than I have ever professed and feel a slight from you more than I care to tell. My object in writing to you is this: if hasty temper produces this strange behaviour, acknowledge it when I give you the opportunity - not once or twice, but again and again. If a feeling of you know not what - a capricious restlessness of you can't tell what, and a desire to tease, you don't know why, give rise to it - overcome it; it will never make you more amiable, I more fond or either of us, more happy. Depend upon it, whatever be the cause of your unkindness - whatever gives rise to these wayward fancies - that what you do not take the trouble to conceal from a Lover's eyes, will be frequently acted before those of a husband's. I know as well, as if I were by your side at this moment, that your present impulse on reading this letter is one of anger - pride perhaps, or to use a word more current with your sex - 'spirit'. My dear girl, I have not the most remote intention of awakening any such feeling, and I implore you, not to entertain it for an instant.... I have written these few lines in haste, but not anger.... If you knew but half the anxiety with which I watched your recent illness, the joy with which I hailed your recovery, and the eagerness with which I would promote your happiness, you could more readily understand the extent of the pain so easily inflicted, but so difficult to be forgotten. - Excerpts from a letter by Charles Dickens to his fiancee of three weeks, 1835
Charles Dickens
I may not have baggage with Nick, but nailing it still means I have to push everything else aside. Nothing else can matter but fully becoming Ellen, and what would Ellen do is a situation like this? She’d give herself an hour to be mad, to be sad, to be whatever she needed to be, and then she’d buckle down. No excuses.
Christina Lauren (Twice in a Blue Moon)
Saying good-bye to Ben is Sarina's least favorite activity. So sad the number of times she's had to do it. Ball games, recitals, the homes of friends, rented shore houses, through car windows after dropping off some forgotten camera to Annie. Goodbye. See you later. Nice seeing you. She has mastered it: A dismissive peck on the cheek. A hug like an afterthought. Telling herself, Do not watch him walk away. Watching him walk away. Watching him drive away. Watching him descend the stairs to the subway. How many times have they said goodbye to each other? Already tonight, twice. He interrupts her before she can get the second goodbye out. "How would you feel," he says, "about missing your train?" Once at the beach, Sarina watched a crane bathing in a gully at dusk. It used its wings to funnel the water over its back, then shook out the excess in a firework of droplets. After several minutes it took off, arcing out over the fretless sea. That felt like this.
Marie-Helene Bertino (2 A.M. at The Cat's Pajamas)
James wondered for a moment whether this was the first time someone had used a witchlight rune stone as stage lighting before his mind went blank. Christopher made a small noise in the back of his throat, and Thomas stared wide-eyed. The mermaid had human legs. They were long and really quite shapely, James had to admit, loosely draped in diaphanous skirts made of woven exotic seaweeds. Unfortunately, from the waist up she was the front half of a gaping, staring fish. Her scales were shiny metallic silver and reflected the light in a way that almost, but not quite, distracted from her dinner-plate-size, unblinking yellow eyes. The audience went mad, cheering and hooting twice as loudly as before. One of the werewolves howled, "CLARIBELLA!" in a mournful, yearning voice. "May I present," Matthew cried with a grin, "Claribella the Mermaid!" The crowd whistled and banged their approval. James, Christopher, and Thomas struggled to find words. "The mermaid's backwards," said James, having regained some of his vocabulary--though perhaps not all of it. "Matthew hired a reverse mermaid," Thomas agreed. "But why?" "I wonder what kind of fish she is," said Christopher. "Are mermaids a specific kind of fish? Sharks or herring, or such?" "I had kippers this morning," said Thomas sadly. The backward mermaid began to swing her hips side to side, with the ease of a practiced cabaret dancer. Her mouth bobbed open and closed in rhythm with the music. Her small fins, on either side of her body, flapped.
Cassandra Clare (Chain of Iron (The Last Hours, #2))
The most important form of selfishness involves spending time on your fitness, eating right, pursuing your career, and still spending quality time with your family and friends. If you neglect your health or your career, you slip into the second category—stupid—which is a short slide to becoming a burden on society. I blame society for the sad state of adult fitness in the Western world. We’re raised to believe that giving of ourselves is noble and good. If you’re religious, you might have twice as much pressure to be unselfish. All our lives we are told it’s better to give than to receive. We’re programmed for unselfish behavior by society, our parents, and even our genes to some extent. The problem is that our obsession with generosity causes people to think in the short term. We skip exercise to spend an extra hour helping at home. We buy fast food to save time to help a coworker with a problem. At every turn, we cheat our own future to appear generous today. So how can you make the right long-term choices for yourself, thus being a benefit to others in the long run, without looking like a selfish turd in your daily choices? There’s no instant cure, but a step in the right direction involves the power of permission. I’m giving you permission to take care of yourself first, so you can do a better job of being generous in the long run. What? You might be wondering how a cartoonist’s permission to be selfish can help in any way. The surprising answer is that it can, in my opinion. If you’ve read this far, we have a relationship of sorts. It’s an author-reader relationship, but that’s good enough.
Scott Adams (How to Fail at Almost Everything and Still Win Big: Kind of the Story of My Life)
We lived here for a while, after my father died,’ Iris says. Esme has to swallow once, twice before she can speak, and it hurts her throat. ‘How did he die?’ she asks. ‘Oh, it was stupid. A stupid accident. He was in hospital for a routine operation and he was given a drug he was allergic to. He was young, only thirty-one.’ Esme gets flashes of this scene. She thinks she has seen this, or something like it. When? She can’t recall. But she remembers the convulsions, the thrashing body, the lolling tongue, and then the awful stillness. She has to concentrate on her plate to get rid of them. ‘That’s very sad,’ she says, and speaking the words is good because it distracts her mind into thinking about forming the syllables. ‘My parents were already separated by the time he died so I didn’t see him much, but I still miss him. It would have been his birthday next week.
Maggie O'Farrell (The Vanishing Act of Esme Lennox)
Doing time is a real test of friendship. None of my old friends passed that test. Maybe none of them had even noticed that I was missing. To me, that made it even more special that people I had never met before came to visit me and did stick by me. Most of the travellers who had visited me were just passing through La Paz and couldn’t visit more than once or twice. However, many of them stayed in contact by letters and email. I glued the postcards they sent me from all over the world onto my wall. I received mail from the United States, Australia, Canada, Germany, England, Israel, Turkey and Japan. Whenever I felt sad, I would read what the tourists had written to me, and I would soon feel better again. Even though I only met many of these people once, I knew that they were real friends. You know how? I had nothing to give them. I couldn’t give them money, I couldn’t give them status, I couldn’t take them to fancy places and buy drinks for them. All I had were my stories and who I was, and that was enough for them to want to stay in contact. For the first time in my life, that was enough.
Thomas McFadden (Marching Powder: A True Story of Friendship, Cocaine, and South America's Strangest Jail)
If shame had a face I think it would kind of look like mine If it had a home would it be my eyes Would you believe me if I said I'm tired of this Well here we go now one more time I tried to climb your steps I tried to chase you down I tried to see how low I could get it down to the ground I tried to earn my way I tried to tame this mind You better believe that I tried to beat this [CHORUS] So when will this end it goes on and on Over and over and over again Keep spinning around I know that it won't stop Till I step down from this for good I never thought I'd end up here Never thought I'd be standing where I am I guess I kinda thought it would be easier than this I guess I was wrong now one more time I tried to climb your steps I tried to chase you down I tried to see how long I could get it down to the ground I tried to earn my way I tried to tame this mind You better believe that I tried yo beat this [REPEAT CHORUS] Sick cycle carousel This is a sick sycle, yeah Sick cycle carousel This is a sick cycle, yeah [REPEAT CHORUS TWICE] Sick cycle carousel Sick cycle carousel Sick cycle carousel...
Lifehouse
I've only met Reed twice," I said. Kind of sad, but that made him my oldest friend. "And I have no idea who this new guy is. Just for the record, I'm calling him 'Full Metal Jackass' because he's a sucker-punching douchebag, and I hop you'll join me in that by putting it on his official file or threat designator or whatever you use to keep track of metas that cross you." "Duly noted. We have concerns." She folded her hands again. "So do I," I agreed. "Most of them involve your fashion sense, with a few left to spare for the armor-clad whackjob that b**** slapped me around a parking lot this morning.
Robert J. Crane (Alone, Untouched, Soulless (The Girl in the Box, #1-3))
The pain and the sadness that you encounter when you lose something important is only a mix of one emotion: guilt. When you feel it once, you learn from it. When you live it twice, you mourn in silence. But if you experience it thrice, you will break, shattering like a frail piece of glass. But if you manage to survive, then you will only be a shadow of your soul: a broken doll. Because we are nothing more than mere puppets of Destiny, holding tightly on the string that keeps us from being consumed by the darkness. The string that will eventually lead humankind to its pinnacle. A simple red string named Hope.
Giou Yomi
The sexton studied me; again he clicked his tongue twice. “The boy, yes,” he said in his soft voice. “I do not much care for childhood. It is a state of terrible vulnerability, and is therefore unnatural and incompatible with human life. Everyone will cut you, strike you, cheat you, everyone will offer you suffering when goodness should reign. And because children can do nothing for themselves, they need good advocates, good parents. But a good parent is as rare as snow in summer, I am afraid. Well.” He smiled sadly. “It is possible I have some prejudices in this respect.” “You are an orphan yourself, are you
Esi Edugyan (Washington Black)
I realized today that a daughter is born twice. For nine months, a mother carries and nourishes her daughter in her stomach, then gives birth to her. It's a happy occasion, but the mother is left feeling sadly empty inside...But I realized today that, after raising her within my love and embrace and sending her off in marriage, this day is just as sad and leaves me just as empty as the one when I first gave birth to her. Picture Man: Only after a parent has let go of their child will the parent truly be an adult. Living creatures leave their nest when ready. But the ones sending them off still anxiously and unnecessarily spread out their hands to catch them.
Kim Dong Hwa
I think you grow up twice, The first time happens automatically. Everyone passes from childhood to adulthood, and this transition is marked as much by the moment when the weight of the world overshadows the wonder of the world as it is by the passage of years. Usually you don't get to choose when it happens. But if the triumph of this weight over wonder makes the first passage into adulthood, the second is the rediscovery of that wonder despite sickness, evil, fear, sadness, suffering-despite everything. And this second passage doesn't happen on its own. It's a choice, not an inevitability. It is something you have to deliberately find, and value, and protect.And you can't just do it once and keep it forever. You have to keep looking.
Nate Staniforth (Here Is Real Magic: A Magician's Search for Wonder in the Modern World)
But she was a widow and she had to watch her behavior. Not for her the pleasures of unmarried girls. She had to be grave and aloof. Ellen had stressed this at great length after catching Frank's lieutenant swinging Scarlett in the garden swing and making her squeal with laughter. Deeply distressed, Ellen had told her how easily a widow might get herself talked about. The conduct of a widow must be twice as circumspect as that of a matron. 'And God only knows,' thought Scarlett, listening obediently to her mother's soft voice, 'matrons never have any fun at all. So widows might as well be dead.' A widow had to wear hideous black dresses without even a touch of braid to enliven them, no flower or ribbon or lace or even jewelry, except onyx mourning brooches or necklaces made from the deceased's hair. And the black crepe veil on her bonnet had to reach to her knees, and only after three years of widowhood could it be shortened to shoulder length. Widows could never chatter vivaciously or laugh aloud. Even when they smiled, it must be a sad, tragic smile. And, most dreadful of all, they could in no way indicate an interest in the company of gentlemen. And should a gentleman be so ill bred as to indicate an interest in her, she must freeze him with a dignified but well-chosen reference to her dead husband. Oh, yes, thought Scarlett, drearily, some widows do remarry eventually, when they are old and stringy. Though Heaven knows how they manage it, with their neighbors watching. And then it's generally to some desperate old widower with a large plantation and a dozen children.
Margaret Mitchell (Gone with the Wind)
How I Got That Name Marilyn Chin an essay on assimilation I am Marilyn Mei Ling Chin Oh, how I love the resoluteness of that first person singular followed by that stalwart indicative of “be," without the uncertain i-n-g of “becoming.” Of course, the name had been changed somewhere between Angel Island and the sea, when my father the paperson in the late 1950s obsessed with a bombshell blond transliterated “Mei Ling” to “Marilyn.” And nobody dared question his initial impulse—for we all know lust drove men to greatness, not goodness, not decency. And there I was, a wayward pink baby, named after some tragic white woman swollen with gin and Nembutal. My mother couldn’t pronounce the “r.” She dubbed me “Numba one female offshoot” for brevity: henceforth, she will live and die in sublime ignorance, flanked by loving children and the “kitchen deity.” While my father dithers, a tomcat in Hong Kong trash— a gambler, a petty thug, who bought a chain of chopsuey joints in Piss River, Oregon, with bootlegged Gucci cash. Nobody dared question his integrity given his nice, devout daughters and his bright, industrious sons as if filial piety were the standard by which all earthly men are measured. * Oh, how trustworthy our daughters, how thrifty our sons! How we’ve managed to fool the experts in education, statistic and demography— We’re not very creative but not adverse to rote-learning. Indeed, they can use us. But the “Model Minority” is a tease. We know you are watching now, so we refuse to give you any! Oh, bamboo shoots, bamboo shoots! The further west we go, we’ll hit east; the deeper down we dig, we’ll find China. History has turned its stomach on a black polluted beach— where life doesn’t hinge on that red, red wheelbarrow, but whether or not our new lover in the final episode of “Santa Barbara” will lean over a scented candle and call us a “bitch.” Oh God, where have we gone wrong? We have no inner resources! * Then, one redolent spring morning the Great Patriarch Chin peered down from his kiosk in heaven and saw that his descendants were ugly. One had a squarish head and a nose without a bridge Another’s profile—long and knobbed as a gourd. A third, the sad, brutish one may never, never marry. And I, his least favorite— “not quite boiled, not quite cooked," a plump pomfret simmering in my juices— too listless to fight for my people’s destiny. “To kill without resistance is not slaughter” says the proverb. So, I wait for imminent death. The fact that this death is also metaphorical is testament to my lethargy. * So here lies Marilyn Mei Ling Chin, married once, twice to so-and-so, a Lee and a Wong, granddaughter of Jack “the patriarch” and the brooding Suilin Fong, daughter of the virtuous Yuet Kuen Wong and G.G. Chin the infamous, sister of a dozen, cousin of a million, survived by everbody and forgotten by all. She was neither black nor white, neither cherished nor vanquished, just another squatter in her own bamboo grove minding her poetry— when one day heaven was unmerciful, and a chasm opened where she stood. Like the jowls of a mighty white whale, or the jaws of a metaphysical Godzilla, it swallowed her whole. She did not flinch nor writhe, nor fret about the afterlife, but stayed! Solid as wood, happily a little gnawed, tattered, mesmerized by all that was lavished upon her and all that was taken away!
Marilyn Chin
Brian Doyle about the Irish custom of “taking to the bed.” He says “In Irish culture, taking to the bed with a gray heart is not considered especially odd. People did and do it for understandable reasons—ill health, or the black dog, or, most horrifyingly, to die during An Gorta Mor, the great hunger, when whole families took to their beds to slowly starve…And in our time: I know a woman who took to her bed for a week after September eleventh, and people who have taken to their beds for days on end to recover from shattered love affairs, the death of a child, a physical injury that heals far faster than the psychic wound gaping under it. I’ve done it myself twice, once as a youth and once as a man, to think through a troubled time in my marriage. Something about the rectangularity of the bed, perhaps, or supinity, or silence, or timelessness; for when you are in bed but not asleep there is no time, as lovers and insomniacs know. Yet, anxious, heartsick, we take to the bed, saddled by despair and dissonance and disease, riddled by muddledness and madness, rattled by malaise and misadventure, and in the ancient culture of my forbears this was not so unusual….For from the bed we came and to it we shall return, and our nightly voyages there are nutritious and restorative, and we have taken to our beds for a thousand other reasons, loved and argued and eater and seethed there, and sang and sobbed and suckled, and burned with fevers and visions and lust, and huddled and howled and curled and prayed. As children we all, every one of us, pretended the bed was a boat; so now, when we are so patently and persistently and daily at sea, why not seek a ship? p. 119-20 Brian Doyle in The Wet Engine: Exploring the Mad Wild Miracle of the Heart, p. 90-91
Brian Doyle (The Wet Engine: Exploring Mad Wild Miracle of Heart)
When Kestrel opened her eyes, she was lying in her bed. Someone had built a fire, which sent ripples of orange light over the ceiling. An oil lamp burned on the night table, casting her father’s face into extremes of shadow and bone. He had drawn a chair close and perhaps had been sleeping in it, but his eyes were alert. “Your knee needs to be tapped,” he said. She looked at it. Someone--her father?--had cut away the right legging at her thigh, and below the sheared black cloth her knee was swollen to twice its normal size. It felt tight and hot. “I don’t know what that means,” Kestrel said, “but it doesn’t sound very nice.” “Irex dislocated your kneecap. It slipped back into place, but the blow must have torn your muscle. Your knee’s filling with blood. That’s what’s causing you so much pain: the swelling.” He hesitated. “I have some experience with this kind of wound, on the battlefield. I can drain it. You’ll feel better. But I would have to use a knife.” Kestrel remembered him cutting her mother’s arm, blood weaving through his fingers as he tried to close the wound. He looked at her now, and she thought that he was seeing the same thing, or seeing Kestrel remember it, and that they were mirroring each other’s nightmare. His gaze fell to his scarred hands. “I’ve sent for a doctor. You can wait until she comes, if you prefer.” His voice was flat, yet there was a small, sad note that probably only she would have heard. “I wouldn’t suggest this if I didn’t feel myself capable and if I didn’t think it would be better to do it now. But it’s your choice.” His eyes met hers. Something in them made her think that he would never have let Irex kill her, that he would have pushed into the ring and planted a blade in Irex’s back if he had thought his daughter might die, that he would have thrown away his honor with hers. Of course, Kestrel couldn’t be sure. Yet she nodded. He sent a slave for clean rags, which he eased under her knee. Then he went to the fire and held a small knife in the flames to sterilize it. He returned to her side, the blackened knife in his hand. “I promise,” he said, but Kestrel didn’t know whether he meant to say that he promised this would help her, or that he knew what he was doing, or that he would have saved her from Irex if she had needed saving. He slid the knife in, and she fainted again.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Every Sunday he arrived in his wine-dark Buick, a tall, prune-faced, sad-seeming man with an incongruously vital head of wavy hair. He was not interested in children. A proponent of the Great Books series—which he had read twice—Uncle Pete was engaged with serious thought and Italian opera. He had a passion, in history, for Edward Gibbon, and, in literature, for the journals of Madame de Staël. He liked to quote that witty lady’s opinion on the German language, which held that German wasn’t good for conversation because you had to wait to the end of the sentence for the verb, and so couldn’t interrupt. Uncle Pete had wanted to become a doctor, but the “catastrophe” had ended that dream. In the United States, he’d put himself through two years of chiropractic school, and now ran a small office in Birmingham with a human skeleton he was still paying for in installments. In those days, chiropractors had a somewhat dubious reputation. People didn’t come to Uncle Pete to free up their kundalini. He cracked necks, straightened spines, and made custom arch supports out of foam rubber. Still, he was the closest thing to a doctor we had in the house on those Sunday afternoons. As a young man he’d had half his stomach surgically removed, and now after dinner always drank a Pepsi-Cola to help digest his meal. The soft drink had been named for the digestive enzyme pepsin, he sagely told us, and so was suited to the task.
Jeffrey Eugenides (Middlesex)
Never treat your launch team like a core group. It’s not. Your launch team is a time-limited, purpose-driven team. It ends with the debriefing session following your launch. At that meeting, release the launch team members to join a ministry team of their choice. Your launch team will not stay with you over the long haul. Many church planters make the mistake of thinking that the people from their launch team (whom they have grown to love) will be the same people who will grow the church with them in the long term. That is seldom, if ever, the case. While it’s sad to see people go, it’s part of God’s process in growing your church. So, expect it, be prepared for it, and be thankful that you have the opportunity to serve with so many different people at different points along the journey. Preparing a launch team to maximize your first service is first and foremost a spiritual enterprise. Pray and fast—a lot. Don’t be fooled into thinking that being a solid leader undermines the spirit of teamwork. You can lead a team, hold people accountable and ensure that things get done in a way that fosters teamwork and gives glory to God. So get ready. show people your heart before you ask for their hand. People want to know that you care, and they want to be part of something bigger than themselves. If you can articulate your vision in a way that excites people, they’ll want to be on your team. The launch team is not a democracy. Don’t vote. You are the leader. Lead. While it’s true that you want to share the gospel with as many people as possible, you will need to develop a clear picture of the specific demographic your new church is targeting in order to effectively reach the greatest number of people. Diffused light has little impact, but focused light has the ability to cut through steel. Take time to focus so that you are able to reach the specific people God has called you to. 1. Who Are the Key Population Groups Living in My Area? 2. What Population Group Is Not Being Reached Effectively? 3. What Population Group Do I Best Relate To? Healthy organisms grow, and that includes your church. If you feel stagnation setting in, your job is not to push growth any way you can but to identify the barriers that are hindering you and remove them. The only people who like full rooms are preachers and worship leaders. If you ignore this barrier, your church will stop growing. Early on, it’s best to remain flexible. The last thing you want to do is get in a position in which God can’t grow you because you aren’t logistically prepared. What if twice as many people showed up this Sunday? Would you be ready? When a lead pastor isn’t growing: The church stops growing, the sermons are stale, The staff and volunteers stop growing, The passion for ministry wanes. Keeping your church outwardly focused is just as important now as it was during your prelaunch stage. Make sure that you are continually working to expand God’s kingdom, not building your own. A healthy launch is the single greatest indicator of future church health.
Nelson Searcy (Launch: Starting a New Church from Scratch)
Once or twice, at night, he planted himself in front of the type-writer, trying to get back to the book he'd come to New York to write. It was supposed to be about America, and freedom, and the kinship of time to pain, but in order to write about these things, he'd needed experience. Well, be careful what you wish for. For now all he seemed capable of producing was a string of sentences starting, Here was William. Here was William's courage, for example. And here was William's sadness, smallness of stature, size of hands. Here was his laugh in a dark movie theater, his unpunk love of the films of Woody Allen, not for any of the obvious ways they flattered his sensibility, but for something he called their tragic sense, which he compared to Chekhov's (whom Mercer knew he had not read). Here was the way he never asked Mercer about his work; the way he never talked about his own and yet seemed to carry it with him just beneath the skin; the way his skin looked in the sodium light from outside with the light off, with clothes off, in silver rain; the way he embodied qualities Mercer wanted to have, but without ruining them by wanting to have them; the way his genius overflowed its vessel, running off into the drain; the unfinished self-portrait; the hint of some trauma in his past, like the war a shell-shocked town never talks about; his terrible taste in friends; his complete lack of discipline; the inborn incapacity for certain basic things that made you want to mother him, fuck him, give your right and left arms for him, this man-child, this skinny American; and finally his wildness, his refusal to be imaginable by anyone.
Garth Risk Hallberg (City on Fire)
listen. it wouldn't have hurt so much if she wasn't the girl i always wanted to be. in high school i carved the word ugly into my skin so that even if i once reached that pivotal point of high self esteem i would always be reminded of who i was underneath it all and i wanted so badly to be the athletic girl who put makeup on effortlessly who knew a thing or two about fashion whose laughter sounded like flowers blooming who knew what it meant to be sad, and anxious, but in the beautiful way in the mysterious way in the way that could be cured by true love's kiss whose skin was always soft and hair always brushed - sometimes styled - long, and long, and dark, and wavy a fine contrast against her light eyes and pale skin that never led anyone to question just where she was from whose body hair was fine, or at least taken care of so frequently and expertly, that no one ever questioned just where she fell in human evolution whose body curved in all the right places whose skin was taut with muscle and soft with and inviting where it should be who ate right who never smoked and never tried to end her life; once, twice, seventeen times who liked art but didn't really understand it who studied hard even though she hated it who cared about injustice but not to the point that too much thought would led her to unending, selfish tears whose eyes could stop an army and whose lips never fell into a thin line whose kisses you remember and whose body you miss when you're lying in a bed without her whose warmth you reach out for not just from habit or desire but need - desperate need who didn't make loving her hard who you missed, even when you were with another the girl who everyone knew was beautiful - they just knew, ok. they just knew her name and they would say: 'yes, her. she's very beautiful.' (...) it wouldn't hurt so much if you weren't everything i was looking for, everything i wanted, and so was she
Kara Petrovic (beyond rock bottom: a collection of poetry)
Dear Jon, A real Dear Jon let­ter, how per­fect is that?! Who knew you’d get dumped twice in the same amount of months. See, I’m one para­graph in and I’ve al­ready fucked this. I’m writ­ing this be­cause I can’t say any of this to you face-to-face. I’ve spent the last few months ques­tion­ing a lot of my friend­ships and won­der­ing what their pur­pose is, if not to work through big emo­tional things to­gether. But I now re­al­ize: I don’t want that. And I know you’ve all been there for me in other ways. Maybe not in the lit­eral sense, but I know you all would have done any­thing to fix me other than lis­ten­ing to me talk and al­low­ing me to be sad with­out so­lu­tions. And now I am writ­ing this let­ter rather than pick­ing up the phone and talk­ing to you be­cause, de­spite every thing I know, I just don’t want to, and I don’t think you want me to ei­ther. I lost my mind when Jen broke up with me. I’m pretty sure it’s been the sub­ject of a few of your What­sApp con­ver­sa­tions and more power to you, be­cause I would need to vent about me if I’d been friends with me for the last six months. I don’t want it to have been in vain, and I wanted to tell you what I’ve learnt. If you do a high-fat, high-pro­tein, low-carb diet and join a gym, it will be a good dis­trac­tion for a while and you will lose fat and gain mus­cle, but you will run out of steam and eat nor­mally again and put all the weight back on. So maybe don’t bother. Drunk­en­ness is an­other idea. I was in black­out for most of the first two months and I think that’s fine, it got me through the evenings (and the oc­ca­sional af­ter­noon). You’ll have to do a lot of it on your own, though, be­cause no one is free to meet up any more. I think that’s fine for a bit. It was for me un­til some­one walked past me drink­ing from a whisky minia­ture while I waited for a night bus, put five quid in my hand and told me to keep warm. You’re the only per­son I’ve ever told this story. None of your mates will be ex­cited that you’re sin­gle again. I’m prob­a­bly your only sin­gle mate and even I’m not that ex­cited. Gen­er­ally the ex­pe­ri­ence of be­ing sin­gle at thirty-five will feel dif­fer­ent to any other time you’ve been sin­gle and that’s no bad thing. When your ex moves on, you might be­come ob­sessed with the bloke in a way that is al­most sex­ual. Don’t worry, you don’t want to fuck him, even though it will feel a bit like you do some­times. If you open up to me or one of the other boys, it will feel good in the mo­ment and then you’ll get an emo­tional hang­over the next day. You’ll wish you could take it all back. You may even feel like we’ve en­joyed see­ing you so low. Or that we feel smug be­cause we’re win­ning at some­thing and you’re los­ing. Re­member that none of us feel that. You may be­come ob­sessed with work­ing out why ex­actly she broke up with you and you are likely to go fully, fully nuts in your bid to find a sat­is­fy­ing an­swer. I can save you a lot of time by let­ting you know that you may well never work it out. And even if you did work it out, what’s the pur­pose of it? Soon enough, some girl is go­ing to be crazy about you for some un­de­fin­able rea­son and you’re not go­ing to be in­ter­ested in her for some un­de­fin­able rea­son. It’s all so ran­dom and un­fair – the peo­ple we want to be with don’t want to be with us and the peo­ple who want to be with us are not the peo­ple we want to be with. Re­ally, the thing that’s go­ing to hurt a lot is the fact that some­one doesn’t want to be with you any more. Feel­ing the ab­sence of some­one’s com­pany and the ab­sence of their love are two dif­fer­ent things. I wish I’d known that ear­lier. I wish I’d known that it isn’t any­body’s job to stay in a re­la­tion­ship they don’t want to be in just so some­one else doesn’t feel bad about them­selves. Any­way. That’s all. You’re go­ing to be okay, mate. Andy
Dolly Alderton (Good Material)
My only remained wish is just to get my belly full twice a day with some love desserts & without any worries in my mind, But still if it looks I'm dreaming something big, Then it would just be two meals a day with some love, & I'l handle those worries.
Abhijeet Singh
the majority of the homeless never leave an impact in your mind because they all look the same—dry, washed up, sad with maybe a long, grey beard and dirty clothing. He said that society has become so accustomed to seeing such people that we don’t think twice when we see them, that they’re simply invisible blips on the map of overall success.
Kody Boye (The Diary of Dakota Hammell)
The silence stretched, and she could hear him shift his feet. The lower tones of the dancing music trembled through the walls, muffled and sad, stripped of vigor and all high prancing notes. Surreal, Jane thought. That’s what you call this. “Miss Erstwhile, let me impress upon you my utmost sincerity…” “There’s no need.” She sat up straighter, smoothed her hands over her skirt. “I understand completely. But I guess I just can’t. I can’t do it anymore. I did my best, and this place was really good for me, you were really good for me. But I’ve come to the end. And it’s okay.” Something in her tone must have caught at him. He knelt beside her, taking her hand. “Are you? Are you okay?” he asked in more honest, feeling tones than she had ever heard from him. The change startled her. Despite his austere looks, he had an openness about his expression that she could only account for in his eyes. Dark eyes, focused on her, pleading with her. But it was all just a game. “I don’t know you,” she said softly. He blinked twice. He looked down. “Perhaps I spoke too soon. Forgive me. We can speak of this later.” He rose to leave. “Mr. Nobley,” she said, and he stopped. “Thank you for thinking kindly of me. I can’t accept your proposal, and I won’t ever be able to. I’m flattered by your attentions, and I have no doubt that many a fine lady will melt under such proclamations in the future.” “But not you.” He sounded beautifully sad. What an actor, she thought. “No, I guess not. I’m embarrassed that I came here at all as though begging for your tormented, lovesick proposal. Thank you for giving it to me so that I could see that it’s not what I want.” “What do you want?” His voice nearly growled with the question. “Excuse me?” “I am asking sincerely,” he said, though he still sounded angry. “What do you want?” “Something real.” He frowned. “Does this have anything to do with a certain gardener?” “Don’t argue with me about this. It’s none of your business.” He scowled but said, “I truly wish you every happiness, Miss Erstwhile, whom I will never call Jane.” “Let’s toss the pretense out the window, shall we? Go ahead and call me Jane.” He seemed saddened by that invitation, and she remembered what it meant to a Regency man to call a woman by her first name. “Except it won’t imply that we’re engaged or anything…Never mind. I’m sorry, I feel like a fool.” “I am the fool,” he said. “Then here’s to fools.” Jane smiled sadly. “I should return.” Mr. Nobley bowed. “Enjoy the ball.” She left him in the dark library, starling herself with the suddenness of yet another ending. But she’d done it. She’d said no. To Mr. Nobley, to the idea of Mr. Darcy, to everything that held her back. She felt so light, her heels barely touching the floor. I’m done, Carolyn, I know what I want, she thought as she approached the palpable strokes of dancing music.
Shannon Hale (Austenland (Austenland, #1))
Let’s say it straight out: Hillary Clinton lied about the reason for the Benghazi attack. She lied about it to the nation as a whole and she lied right to the faces of the grieving family members of those who died there—and then lied about her lying. And she keeps telling Americans one huge, disgusting lie after another. As I wrap up writing this book, Hillary has claimed that we “didn’t lose a single person” in Libya. Really? Try telling that to the families of the four men we lost on September 11, 2012. Not too long before Mrs. Clinton committed that amazing, bizarre falsehood, the late Sean Smith’s mother, Pat, broke down on national television, exclaiming, “Hillary is a liar! I know what she told me.” Pat went on to say that she wanted to “see Hillary in jail” for her misdeeds at Benghazi. “She’s been lying. She’s turned the whole country into a bunch of liars.” Two decades ago the late New York Times columnist William Safire wrote: “Americans of all political persuasions are coming to the sad realization that our first lady—a woman of undoubted talents who was a role model for many in her generation—is a congenital liar.” The lies change. The liar doesn’t. I don’t know where the future will lead, but I know enough of history and I know my own personal experiences. I trust in the Constitution. I know who I am, what I do, and whom I’m doing it for. My God, my family, and my country are my riches. I’m not looking for a fight, but I don’t run from one, either: I walk softly and carry my standard-issue stick. I’m proud of my legacy, but it’s not over, not yet. No matter what, I never stop hearing Genny in my ear: “Just do the right thing.” That’s why I told you my story. Me, I’m not important. But what I learned about the Clintons firsthand—the hard way—is very important. It’s 2016, but with Hillary Clinton again running for president, it feels uncomfortably like the 1990s again—as if America were trapped in some great, cruel time machine hurtling us back to the land of Monica and Mogadishu and a thousand other Clinton-era nightmares. Fool me once, as the saying goes—your fault. Fool me twice… The bottom line: My job in the 1990s was to lay down my life for the presidency. My obligation today is to raise my voice, to help safeguard the presidency from Bill and Hillary Clinton—to remind readers like you of what happened back then. We all remember—or should remember—what a Clinton White House was like. If we board that time machine for a return trip—it’s our fault.
Gary J. Byrne (Crisis of Character: A White House Secret Service Officer Discloses His Firsthand Experience with Hillary, Bill, and How They Operate)
Stop Buying the Protein Myth A common myth that persists and persists is that it’s difficult to get enough protein from a vegan diet. Let’s just put that myth to rest. The fact is, people on the standard American diet (SAD) eat nearly twice the recommended daily amount of protein—which can actually be unhealthy. According to the U.S. Food and Nutrition Board, recommended protein intake should be calculated according to your weight and age; it recommends 0.8 grams of protein per kilo of body weight, meaning that the average woman requires approximately 50 grams of protein per day, 56 grams for the average man. These guidelines also indicate that the preferred form of protein is from nonanimal sources, such as beans, legumes, nuts, and seeds. These protein sources are also naturally lower in fat, too, again supporting your weight loss efforts. Most of the fats they do contain are unsaturated and they’re always cholesterol free. To put it more simply, your average daily protein intake should be about 15 to 20 percent of your total daily calories (other sources say it can be even less—more like 10.7 percent)—a number easy to get to on a plant-based diet. There is protein in just about everything. So as long as you are eating a varied diet of whole grains, beans, and legumes, vegetables, fruits, and meat and dairy alternatives, you will be just fine. No, there is absolutely no need to consume animal foods to get enough protein. In fact the American Dietetic Association holds that vegan diets provide more than enough protein, even without any special food combinations. Nutritionists used to think you needed to eat “complementary proteins”— beans and rice, for example—in one sitting to get all the nutrients we needed. We now know that’s not true. As long as you are eating a bit of everything throughout the day, all is well.
Kathy Freston (Veganist: Lose Weight, Get Healthy, Change the World)
Perhaps a Once-Born person awakens one morning and feels the beckoning finger of fate loosening disturbing questions: “Is this all there is to life? Will I always feel the same? Do I not have some purpose to fulfill, some greater kindness to give, some inner freedom to taste?” And then he gets out of bed and dresses for work, and he doesn’t attend to the soul’s questions. The next morning, and all the next mornings, he lives as if the soul was a figment of a flighty imagination. This inattention makes him confused, or numb, or sad, or angry. A Twice-Born person pays attention when the soul pokes its head through the clouds of a half-lived life. Whether through choice or calamity, the Twice-Born person goes into the woods, loses the straight way, makes mistakes, suffers loss, and confronts that which needs to change within himself in order to live a more genuine and radiant life.
Elizabeth Lesser (Broken Open: How difficult times can help us grow)
Horizontal comparisons tend to stimulate self-righteousness. Think of the contrast between the words of the Pharisee and the tax collector in Jesus’s parable in Luke 18. He also told this parable to some who trusted in themselves that they were righteous, and treated others with contempt: “Two men went up into the temple to pray, one a Pharisee and the other a tax collector. The Pharisee, standing by himself, prayed thus: ‘God, I thank you that I am not like other men, extortioners, unjust, adulterers, or even like this tax collector. I fast twice a week; I give tithes of all that I get.’ But the tax collector, standing far off, would not even lift up his eyes to heaven, but beat his breast, saying, ‘God, be merciful to me, a sinner!’ I tell you, this man went down to his house justified, rather than the other. For everyone who exalts himself will be humbled, but the one who humbles himself will be exalted.” (Luke 18:9–14) In comparing himself to other people who are obviously more sinful than he is, the Pharisee essentially tells God that he doesn’t need him, and he surely doesn’t need his forgiveness. How ironic it is to tell the One to whom you are praying that you don’t need him. How strange is it to turn prayer into an argument for your independence rather than a humble confession of personal need. The argument of the Pharisee has two parts. First, he compares himself to others, and then he offers evidence that he is really quite righteous. Sadly, in this man’s prayer, he is participating in his own deception—​​​a deception that will be his doom. The tax collector does just the opposite. Why is he so quick to cry out for God’s mercy? He’s quick to do so because he’s looked into the mirror of God’s Word. You cannot read God’s Word without becoming deeply aware that you are a person in desperate need. You cannot read God’s Word without being confronted with the sin that lives in your heart. You cannot read your Bible without facing the fact that you constantly fall beneath God’s wise and holy standard. You cannot properly celebrate the Christmas story without also being willing to receive its clear and loving rebuke.
Paul David Tripp (Come, Let Us Adore Him: A Daily Advent Devotional)
Never give the same love an opportunity to hurt you twice.
Laura Chouette
But he was so very sad about the boy who didn’t see. Now that Dad was gone I was starting to see how mortality was bound up in things like that cold, arc-lit sky. How the world is full of signs and wonders that come, and go, and if you are lucky you might see them. Once, twice. Perhaps never again. The albums on my mother’s shelves are full of family photographs. But also other things. A starling with a crooked beak. A day of hoarfrost and smoke. A cherry tree thick with blossom. Thunderclouds, lightning strikes, comets and eclipses: celestial events terrifying in their blind distances but reassuring you, too, that the world is for ever, though you are only a blink in its course. Henri Cartier-Bresson called the taking of a good photograph a decisive moment. ‘Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera,’ he said. ‘The Moment! Once you miss it, it is gone for ever.
Helen Macdonald (H is for Hawk)
Hola,” my daughter offered meekly. “¿Cuál es su nombre?” the woman asked. What is her name? “Stella.” “Hmm?” “Stella.” The woman still looked puzzled. Drew jumped in. “Estella.” She broke into a smile. “Ah, Estella.” “Sí.” I smiled, too. “Y tu hijo?” she asked, running her hand over our son’s blond head. He shook his head impatiently. “Cole,” I replied. “Col?” she asked, again looking puzzled. “Sí.” Everyone wanted to call Stella “Estella,” and sometimes she’d get mistaken for chela, the Mexican slang for beer. Cole, on the other hand, is a Spanish word, at least how it’s pronounced. It’s Catalan as well, which is the second language in Barcelona (or first, depending on who you ask). Cole is pronounced like the Spanish word col and means “cabbage.” We accidentally named our son after the slightly smelly vegetable they put in cocidos and ensaladas. Meet our children: Beer and Cabbage. Apparently it didn’t matter, as the abuelita quickly launched into a story about her three children and eight grandchildren (who all lived outside the city, sadly) and her hand injury that had only recently healed. I nodded and Drew offered, “Sí, sí, vale, vale,” the usual Spanish murmurs of agreement. The bus stopped and we said our good-byes as she departed. After the bus had started rolling again, I leaned over to Drew and whispered, “If we have another baby, we are naming her Alejandra—or Javier if it’s a boy—something so Spanish no one ever asks us twice.” He grinned. “Agreed.
Christine Gilbert (Mother Tongue: My Family's Globe-Trotting Quest to Dream in Mandarin, Laugh in Arabic, and Sing in Spanish)
Visiting someone in a hospital recently, I watched an elderly couple. The man was in a wheelchair, the wife sitting next to him in the visitor's room. For the half-hour that I watched they never exchanged a word, just held hands and looked at each other, and once or twice the man patted his wife's face. The feeling of love was so thick in that room that I felt I was sharing in their communion and was shaken all day by their pain, their love, something sad and also joyful: the fullness of a human relationship.
Eda LeShan
Listening As he drove to his grandma’s home, his heart was low and sad. He’d always loved her little place and the good times that they’d had. He hoped that she would cheer him up and help him on his way. He felt confused and troubled on that bright mid-summer day. The flowers in her garden seemed colorful and kind. He raised his hand to ring the bell, then somehow changed his mind. “It’s me!” he called out hopefully, walking through the door. His grandma’s friend walked toward him, as she’d done countless times before. The two of them had lived so long in this peaceful home they shared. He was glad to see her standing there. He knew how much she cared. “She won’t be long,” he said aloud. “It’s her day to volunteer. Do you mind if I just stay and wait? She’ll be glad to see me here.” He walked toward the cookie jar and lifted up the lid. It smelled of fresh baked cookies, like when he was a kid. His grandma’s friend loved cookies. He didn’t need to ask her twice. “I’ll put some on a plate for us. Now wouldn’t that be nice?” They sat down on the sofa, the plate between the two, And savoring the sweetness, they sighed as old friends do. Then the boy began to speak. His voice was low and sad. “I’m feeling so confused,” he said, “Don’t know when I’ve felt so bad.” His grandma’s friend moved closer, but didn’t say a word.
Gail Van Kleeck (The Magical Interior Design Guide)
Caught off guard. I was handled a thread, my imagination was handled a thread. And because I know my mind well, I know it would have preferred me saying "it was gifted", but here we are, yet another conflict, a sad heart is protesting, so we are back to the start "my imagination was handled a thread." So, recklessly but not reluctantly, currently running marathons, painting drafts, writing notes, taking deep breathes, and staring at guilt wine-stained skies, here we are again, all because of a tiny thread. Lucky me; check the foundation, check the walls, feel the beating heart and not only that but have a taste of the cherry on top, then, leave. Caught off guard, I'm left holding an endless thread, walking a road leading to an infinite ocean of possibilities, my mind is childish enough to only draw the best ones, only draw the best scenarios, to only draw my fairytale. Think twice, you are not a queen, you are not a princess, you are just a maiden, with a bright mind, caught in an endless loop of beautiful scenarios, like usual, all mine.
Mennah al Refaey
Good-bye, my lovely child. Overlook my sadness at having missed your letters twice. I have only had one, but it’s enough for me. My love, I embrace you most affectionately. Your letters are so pleasant to me that only you can console me for not having more of them
Marie de Rabutin-Chantal de Sévigné (Selected Letters)
Matajura wanted to become a great swordsman, but his father said he could never learn, because he wasn’t quick enough. So Matajura went to the famous dueler Banzo and asked to become his pupil. “How long will it take me to become a master?” he asked. “Suppose I become your servant, to be with you every minute, how long?” “Ten years,” said Banzo. “My father is getting old,” pleaded Matajura. “Before ten years have passed I will have to return home to take care of him. Suppose I work twice as hard. How long will it take me?” “Thirty years,” said Banzo. “How is that?” asked Matajura. “When I offer to work twice as hard, you say it will take three times as long. Let me make myself clear. I will work unceasingly. No hardship will be too much. How long will it take?” “Seventy years,” said Banzo. “A pupil in such a hurry learns slowly.” Matajura understood. Without asking for any promises in terms of time, he became Banzo’s servant. Three years passed. Matajura cleaned, cooked, washed, and gardened. He was ordered never to speak of fencing or to touch a sword. He was very sad at this, but he had given his promise to the master and resolved to keep his word. One day while Matajura was gardening, Banzo came up quietly behind him and gave him a terrible whack with a wooden sword. The next day in the kitchen, the same blow fell again. Thereafter, day in and day out, from every corner and at any moment, Matajura was attacked by Banzo’s wooden sword. He learned to live on the balls of his feet, ready to dodge at any moment. He became a body with no desires, no thought, only external readiness and quickness. Banzo smiled and started lessons. Soon, Matajura was the greatest swordsman in Japan. THE
Tracy Goss (The Last Word on Power: Executive Re-Invention for Leaders Who Must Make the Impossible Happen)
In times when “truth” seems like a commodity peddled on every street corner, we need to grasp the power of the foundation we have in Scripture. While many readers will say “yes” and “amen” to this, the sad truth is that Bible reading is low even among those who frequently attend church. A 2015 study by LifeWay Research found that only 45 percent of people who attend church regularly read the Bible more than once a week. More than 40 percent of church attenders read their Bibles occasionally, about once or twice a month. Almost one in five churchgoers say they never read the Bible, which is about the same number as those who read it every day.[18]
Ed Stetzer (Christians in the Age of Outrage: How to Bring Our Best When the World Is at Its Worst)
The Kübler-Ross model would just have you accept someone dying of cancer. But under the Kidokoro-Kübler-Ross model, cancer would be cured. Parents would have to answer to their children for their divorces, give them whatever they want all the time to fill them with more happy hormones for the sadness they created. The drug addict would kill his dealer, or at least get him locked away forever. And the scorned lover in a breakup would move on to someone twice as hot as their ex, then rub it in the exes face over social media. Rational, intuitive things like this. In keeping with the greater good and what’s right. This is the Kidokoro-Kübler-Ross model.
A.D. Aliwat (In Limbo)
She thinks about that now. Is grief the price? Why does love have to be so costly? The benefits she has reaped from this love, have they been enough? When she had just Daisy toddling around, an older woman had said to her, “I think by the time they’re two, kids have repaid their parents for everything. They give us so much joy in just those first two years of their life. All the worrying and misery that might come after is just paying the piper.” Margaret, then a frizzled first-time mom, wondered what the woman was talking about. But now she thinks she knows. She’s had these moments, a nestling child in her arms, a kiss and a deep inhale of the heady sent of a sleeping baby, a laugh of pure joy shared with her husband at something funny that has been said by an unknowing innocent – she has had so, so many of these moments. Her life has been rich with those moments. She is grateful for them. She wants to remember and honor them. This is such a moment, she realizes. Sitting here, on the beach, with the warm sand beneath and the bright sun above, with Clarke and two of her children present, she feels something like a brief moment of contentment. You don’t win anything for being the saddest the longest, Dr. Stein has said. There’s no prize for being the most miserable. You are not betraying anyone by trying to live a better life. You are not giving up on anyone. I’m not telling you to be happy. I’m telling you that it’s okay to have moments when you’re not sad. You can laugh, maybe once a month, maybe twice. It’s okay. Here’s the thing. You think only one specific event, one miracle, will make things better, but actually life will get better if you only let it. You have to let life get better. You have to for your family’s sake, and for your sake. You don’t think your happiness matters, but it does. It matters for your family. They can’t be happy unless you see that you have the ability to be. Time will help. It can be agonizingly slow, but it always does. Forward. Onward. Those are the directions she has to follow. Remember this moment, she thinks fiercely. Hold onto it. - The Expatriates
Janet Y.K. Lee
The door to the captain’s office was open, the room vacant but for the memories it held, and I staggered forward to sink into a chair. I closed my eyes, filled with a dreadful, yearning sorrow. Cannan had been such a powerful presence in the palace--in our lives--for so many years that it felt as though the heart of our kingdom had been taken from us. He had been Captain of the Guard for thirty years, and had not failed once in his duties; he had saved more lives than he had ever taken in war; and he had raised Steldor to be the man he was today--a bold, brave, sacrificing man. The son was his father in many, many ways. I was startled out of my thoughts by a knock, and turned to see Steldor standing in the doorway. He glanced around the office, his expression composed, and yet it held a deep and immutable sorrow. “I was told I would find you here,” he said. “How are you?” I asked, nervously twining my hands. “As good as can be expected, I suppose.” “And Galen?” “He has Tiersia.” I nodded, averting my gaze. I knew his answer had been an honest one, and had not been meant to hurt me, but sadness filled me. I wanted him to have someone--he deserved to have someone. Only that someone could not be me. “Let’s go to my drawing room,” I suggested, for Cannan’s office was not a place that would allow us to talk about the future, and that was what we needed to do. Steldor stepped aside, allowing me to exit first. He spent one last moment absorbing the look and feel of his father’s office, then respectfully closed the door. When we reached the Queen’s Drawing Room at the front of the palace, we walked over to the bay window that granted a view of the Eastern Courtyard to talk, much as we had when he had told me of his plan to annul our marriage. But this time, I was the one who needed to speak. I slipped my hand into his, and he glanced at me in mild surprise. “I’m sorry about your father’s passing. I know how close you were to him. His strength and guidance will be missed by all. Despite our kingdom’s glory, Hytanica is less without him.” Steldor did not respond, but gazed stoically out the window. Then he nodded twice and took a deep breath, reining in his emotions. Even now, with me, he was proud, not knowing that I wanted to hold him and let him cry, and that if he did, I would not, even for an instant, find him weak. He ran a hand through his dark hair and turned to face me, silently begging me to change the subject, and I obliged. “”And how is the rest of your family?” “Amid our losses, there is also some good news. Shaselle has a suitor.” “Do you approve of her choice? After all, you are the man of the family now.” “There’s no accounting for taste.” He smirked, seeming thankful for my attempt at normalcy. “Actually, Lord Grayden is a good man--a man who met my father’s approval and, I believe, would have met Baelic’s. When the time is right, I expect a betrothal.” Again a smile played across his features. “Now I just have to worry about the other three girls in the family.” I laughed, lacing my fingers through his when I felt he might pull away. I did not know how he would react to my coming proposal--and whether he would admit it or not, he needed some comfort now. “Steldor,” I said, my tone and demeanor once more serious, “when I see Galen, I will reinstate him as Sergeant at Arms.” “An excellent decision.” I nodded, then continued. “But our military needs to be reformed. It needs a strong and passionate leader, someone who will do Cannan and all of his work justice. I cannot think of anyone more suited to taking over the position of Captain of the Guard than you.” He did not immediately reply, but his eyes went to our hands, and he raised mine to his lips as he had so often done before.
Cayla Kluver (Sacrifice (Legacy, #3))
From inside the Contuzzi apartment I heard the phone ring. Once, twice, three times. “Bolitar?” It stopped after six rings. “We know you’re still in London. Where are you?” I hung up and looked at Mario’s door. The ringing phone—ringing like a phone used to, not like some ringtone on a cell—had sounded very much like a landline. Hmm. I put my hand on the door. Thick and sturdy. I pressed my ear against the cool surface, hit Mario’s cell phone number, watched the LCD display on my mobile. It took a moment or two before the connection went through. When I heard the faint chime of Mario’s cell phone through the door—the landline had been loud; this was not—dread flooded my chest. True, it may be nothing, but most people nowadays do not travel even the shortest of distances, including bathroom visits, without the ubiquitous cell phone clipped or carried upon their person. You can bemoan this fact, but the chances that a guy working in television news would leave his cell phone behind while heading to his office seemed remote. “Mario?” I shouted. I started pounding on the door. “Mario?” I didn’t expect him to answer, of course. I pressed my ear against the door again, listening for I’m not sure what—a groan maybe. A grunt. Calling out. Something. No sound. I wondered about my options. Not many. I reared back, lifted my heel, and kicked the door. It didn’t budge. “Steel-enforced, mate. You’ll never kick it down.” I turned toward the voice. The man wore a black leather vest without any sort of shirt underneath, and sadly, he didn’t have the build to pull it off. His physique, on too clear a display, managed to be both scrawny and soft. He had a cattle-ring piercing in his nose. He was balding but the little hair he had left was done up in what might be called a comb-over Mohawk. I placed his age at early fifties. It looked like he had gone out to a gay bar in 1979 and had just gotten home. “Do you know the Contuzzis?” I asked. The man smiled. I expected another dental nightmare, but while the rest of him might be in various stages of decay, his teeth were gleaming. “Ah,” he said. “You’re an American.” “Yes.” “Friends with Mario, are we?” No reason to go into a long answer here: “Yes.” “Well, what can I tell you, mate? Normally they’re a quiet couple, but you know what they say—when the wife’s away, the mouse will play.
Harlan Coben (Long Lost (Myron Bolitar, #9))
Patience. Over the next five days, Hunter’s became as elusive as dandelion fuzz caught in a high wind. He was living with not one but two angry yellow-hairs, Loretta because he refused to take Amy home and had made mention of the possibility that he might marry more than one woman. Amy because he was forcing Swift Antelope’s company upon her. On all counts, Hunter felt justified and carried on with implacable determination, trying to ignore the glares to which he was treated every time he set foot inside his lodge. By the fifth night his perseverance was rewarded with a smile from Amy after Swift Antelope escorted her home from their daily walk. With flushed cheeks, Amy regaled Loretta with the details of her time spent with Swift Antelope, about the doe and twin fawns they had spied upon, about the flowers Swift Antelope had picked for her, about the birdcalls and sign language he was teaching her, about the silly tricks he played on her. Clearly Swift Antelope was making headway with Amy; the girl was beginning to heal. Hunter’s already low spirits plummeted. It was a sad state of affairs when an untried boy had more luck with women than a grown man. It was especially upsetting because Hunter knew he had paid dearly, not once but twice, for the right to possess Loretta, that he could exercise his rights at any time he chose, yet found himself hesitating because of the shadows in her eyes. Recalling his father’s advice, he could only scoff. The way things were going, if he was to become his woman’s friend before he became her lover, they might never move on to the second stage of their relationship.
Catherine Anderson (Comanche Moon (Comanche, #1))
By the fifth night his perseverance was rewarded with a smile from Amy after Swift Antelope escorted her home from their daily walk. With flushed cheeks, Amy regaled Loretta with the details of her time spent with Swift Antelope, about the doe and twin fawns they had spied upon, about the flowers Swift Antelope had picked for her, about the birdcalls and sign language he was teaching her, about the silly tricks he played on her. Clearly Swift Antelope was making headway with Amy; the girl was beginning to heal. Hunter’s already low spirits plummeted. It was a sad state of affairs when an untried boy had more luck with women than a grown man. It was especially upsetting because Hunter knew he had paid dearly, not once but twice, for the right to possess Loretta, that he could exercise his rights at any time he chose, yet found himself hesitating because of the shadows in her eyes. Recalling his father’s advice, he could only scoff. The way things were going, if he was to become his woman’s friend before he became her lover, they might never move on to the second stage of their relationship. The more disgruntled Hunter became over the situation, the more he glowered, and the more he glowered, the more uneasy Loretta was in his presence. The worst part was, Hunter couldn’t blame her. Their bargain hung over them like a dark cloud, her promises binding her to him yet holding them apart. He knew she dreaded the moment when he would confront her, demanding that she lie with him. With each passing day, the prospect seemed to grow more frightening to her. Hunter was perceptive enough to realize that waiting patiently for her to come around wasn’t abetting him in his cause, yet he couldn’t bring himself to force her, either.
Catherine Anderson (Comanche Moon (Comanche, #1))
you.” As a kid, I would come up with elaborate hypotheses to test him. “What if I robbed a store or murdered somebody? Would you still love me then?” He’d say, “Absolutely! I’d be disappointed and sad, but I will always love you.” Once or twice last November, I thought to myself, “Well, Dad, what if I lose an election I should have won and let an unqualified bully become President of the United States? Would you still love me then?” Unconditional love is the greatest gift he gave me, and I’ve tried to give it to Chelsea and now to Charlotte and Aidan. Nouwen sees another
Hillary Rodham Clinton (What Happened)
Rapunzel, I'm not anything heroic or wonderful or whatever you thought," he said sadly. "I'm a sneak thief mostly out for my own good. The rest of it's a lie. My name isn't even Flynn Rider." "Um, what?" Of all the many things she thought he might say, this was not one of them. "My real name is Eugene Fitzherbert. At least, that was what was on record at the orphanage." There might have been a glint from inside a guard's helmet at that, as if he couldn't help sniggering a little. Rapunzel's jaw actually fell open. "Eugene?" she asked. "Yes." "And doesn't Fitz mean--" "Yes, it does," he interrupted in annoyance. "But who knows if that's really my family name, or a real name, or whatever. I think of myself as Flynn Rider. Daring hero, escape artist, adventurer extraordinaire... Eugene is someone who wastes away in an orphanage, who nobody wants. Eugene eats porridge once or twice a day, maybe, and wears the old clothes that bigger kids grew out of a generation ago." "I like Eugene," Rapunzel protested, patting his hand. "I like it better than Flynn. It sounds more... real. Like who you really are." "Thanks," he muttered. "No, really! Eugene doesn't abandon his friends. Eugene makes snarky remarks... and then hangs around witchy goat farms to see how he can help. Eugene pauses his wild, adventurous life to make sure the people around him get their happy endings. Eugene gives crowns back to their rightful owners." "Eugene winds up drained of his blood in a castle ruled by a demonic she-beast," Flynn said, looking up to gauge his captors' possibly violent response. They didn't move. "Flynn Rider is somewhere off riding into the sunset--" "Without his princess," Rapunzel interrupted, hands on hips. Flynn smiled sadly at her.
Liz Braswell (What Once Was Mine)
For those of us who have felt this broken piece that has left us unable to mate as others seem to do, there is such comfort in solitude. There is comfort in the alone time, I guess. Or it just seems less dangerous.
Sharon Stone (The Beauty of Living Twice)
It was a strange thing, really, seeing my boyfriend's naked ass thrusting between widespread thighs. Was that what he looked like when he was on top of me? Because I had to say he appeared rather ridiculous, pumping away like an unhinged bunny. Then again, I'd never liked that particular method of his; I'd rarely orgasmed when pounded like a piece of meat. His partner, however, didn't seem to have that problem. Either she was faking it, or she loved it. But her rather enthusiastic squeaks of delight cut short as she caught sight of me, and all the color drained from her face. Sadly, it took Greg a bit longer to realize she'd frozen beneath him; Greg always was a bit of a selfish lover. When he finally noticed, he was as smooth as ever, observing me from over his sweaty shoulder without making a move to get off the woman. Silence fell like a hammer. Or maybe an ax. Why not? An ax could sever more than one thing today. Greg swallowed twice, his gaze darting over me, like he couldn't quite believe I was there. In my own home. His voice was somewhat shaky when he finally spoke. "You're early." So many things to say. Scream, maybe? Cry? But I was numb. Completely numb. So I said the only thing I could. "Funny, I think I arrived just in time.
Kristen Callihan (Make It Sweet)
Safe good. Funny better.” Kate sighed and gestured to Jack, who reached up and knocked twice on the door. “Who’s dere?” Fred asked. “Icy,” Jack said, but the tone of his voice had lost the joking, happy manner of before. “Icy who?” Fred asked, seeming to not notice Jack’s sad tone. “Icy you looking at me,” Jack delivered the line in a flat voice. It didn’t stop Fred from laughing. “Thanks Fred, we’re gonna go find that monster now.
Pixel Ate (The Accidental Minecraft Family: Book 32: Search & Rescue: First Mission)
Sorry. That was a very long answer to your question. So to answer, I would say that no, I'm not depressed." "But sad?" "Sure." "Why is that—how is that different?" "Depression is a serious illness. It's physically painful, debilitating. And you can't just decide to get over it in the same way you can't just decide to get over cancer. Sadness is a normal human condition, no different from happiness. You wouldn't think of happiness as an illness. Sadness and happiness need each other. To exist, each relies on the other, is what I mean." "It seems like more people, if not depressed, are unhappy these days. Would you agree?" "I'm not sure I'd say that. It does seem like there's more opportunity to reflect on sadness and feelings of inadequacy, and also a pressure to be happy all the time. Which is impossible." "That's what I mean. We live in a sad time, which doesn't make sense to me. Why is that? Are there more sad people around now than there used to be?" "There are many around the university, students and profs whose biggest concern each day—and I'm not exaggerating—is how to burn the proper number of calories for their specific body type based on diet and amount of strenuous exercise. Think about that in the context of human history. Talk about sad. "There's something about modernity and what we value now. Our shift in morality. Is there a general lack of compassion? Of interest in others? In connections? It's all related. How are we supposed to achieve a feeling of significance and purpose without feeling a link to something bigger than our own lives? The more I think about it, the more it seems happiness and fulfillment rely on the presence of others, even just one other. The same way sadness requires happiness, and vice versa. Alone is..." "I know what you mean," I say. "There's an old example that gets used in first-year philosophy. It's about context. It goes like this: Todd has a small plant in his room with red leaves. He decides he doesn't like the look of it and wants his plant to look like the other plants in his house. So he very carefully paints each leaf green. After the paint dries, you can't tell that the plant has been painted. It just looks green. Are you with me?" "Yeah." "The next day he gets a call from his friend. She's a plant biologist and asks if he has a green plant she can borrow to do some tests on. He says no. The next day, another friend, this time an artist, calls to ask if he has a green plant she can use as a model for a new painting. He says yes. He's asked the same question twice and gives opposite answers, and each time he's being honest." "I see what you mean." Another turn, this time at a four-way stop. "It seems to me that in the context of life and existing and people and relationships and work, being sad is one correct answer. It's truthful. Both are right answers. The more we tell ourselves that we should always be happy, that happiness is an end in itself, the worse it gets. And by the way, this isn't a very original thought or anything. You know I'm not trying to be brilliant right now, right? We're just talking." "We're communicating," I say. "We're thinking.
Iain Reid (I'm Thinking of Ending Things)
You will treat me like a lady, Maxwell Harper. You will politely ask me questions, and you will not accuse me of anything again unless you’re damn sure I’ve done something to deserve it. You will not walk into my place of business and tell the town I’m some sort of harlot. Is that understood?” Max looked up at her. There were rose petals and greenery in his hair. He looked like he wanted to argue, but he swallowed twice and replied simply, “Yes, baby.” There was a surprised burst of laughter, and Rachel turned to see the sheriff standing there. He quickly stopped laughing when she turned on him. “Do you want some of this, too?” She held the sad flowers out threateningly. “No, ma’am,” he said, his face going somber.
Sophie Oak (Three to Ride (Nights in Bliss, Colorado, #1))