Twice Dead King Quotes

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TIRESIAS: ... All men make mistakes, it is only human. But once the wrong is done, a man can turn his back on folly, misfortune too, if he tries to make amends, however low he's fallen, and stops his bullnecked ways. Stubbornness brands you for stupidity - pride is a crime. No, yield to the dead! Never stab the fighter when he's down. Where's the glory, killing the dead twice over? (Antigone)
Sophocles (The Three Theban Plays: Antigone, Oedipus the King, and Oedipus at Colonus)
THE DEATH OF PARNELL 6th October 1891 He cleared his throat once or twice and then began to recite: He is dead. Our Uncrowned King is dead. O, Erin, O mourn with grief and woe For he lies dead whom the fell gang Of modern hypocrites laid low. He lies slain by the coward hounds He raised to glory from the mire; And Erin’s hopes and Erin’s dreams Perish upon her monarch’s pyre. In palace, cabin or in cot The Irish heart where’er it be Is bowed with woe—for he is gone Who would have wrought her destiny. He would have had his Erin famed, The green flag gloriously unfurled, Her statesmen, bards and warriors raised Before the nations of the World. He dreamed (alas, ’twas but a dream!) Of Liberty: but as he strove To clutch that idol, treachery Sundered him from the thing he loved. Shame on the coward caitiff hands That smote their Lord or with a kiss Betrayed him to the rabble-rout Of fawning priests—no friends of his. May everlasting shame consume The memory of those who tried To befoul and smear th’ exalted name Of one who spurned them in his pride. He fell as fall the mighty ones, Nobly undaunted to the last, And death has now united him With Erin’s heroes of the past. No sound of strife disturb his sleep! Calmly he rests: no human pain Or high ambition spurs him now The peaks of glory to attain. They had their way: they laid him low. But Erin, list, his spirit may Rise, like the Phoenix from the flames, When breaks the dawning of the day, The day that brings us Freedom’s reign. And on that day may Erin well Pledge in the cup she lifts to Joy One grief—the memory of Parnell.
James Joyce (Dubliners)
Cassilda: (speaking to herself) We strain our ears for the sound of love, but must all mothers bear the horror of seeing their Children grow from wonderful possibility to grim reality? Stranger: (Stands mutely in the shadows, his hands folding across his chest) Cassilda: If only we could stay a moment behind the veil of time, and live in that moment of indecision. Stranger: (Whispers so Cassilda cannot hear) Existence is decision. (...) [Te Child appears before the closed curtain] 1 Te Child: I am not the Prologue, nor the Afterword; call me the Prototaph. My role is this: to tell you it is now too late to close the book or quit the theatre. You already thought you should have done so earlier, but you stayed. How harmless it all is! No definite principles are involved, no doctrines promulgated in these pristine pages, no convictions outraged…but the blow has fallen, and now it is too late. And shall I tell you where the sin lies? It is yours. You listened to us; and all the say you stay to see the Sign. Now you are ours, or, since the runes also run backwards, we are yours…forever. (...) Along the shore the cloud waves break, The twin suns sink behind the lake, The shadows lengthen In Carcosa. Strange is the night where black stars rise, And strange moons circle through the skies But stranger still is Lost Carcosa. Songs that the Hyades shall sing, Where flap the tatters of the King, Must die unheard in Dim Carcosa. Song of my soul, my voice is dead; Die thou, unsung, as tears unshed Shall dry and die in Lost Carcosa. (...) [As the gong continues to strike, everyone begins to unmask. There are murmurs and gestures of surprise, real or polite, as identities are recognized or revealed. Ten there is a wave of laugher. The music becomes louder and increases in tempo.] Camilla: You, sir, should unmask. Stranger: Indeed? Camilla: Indeed, it’s time. We have all laid aside disguise but you. Stranger: I wear no mask. Camilla: No mask? No mask! Stranger: I, I am the Pallid Mask itself. I, I am the Phantom of Truth. I came from Alar. My star is Aldebaran. Truth is our invention; it is our weapon of war. And see–by this sign we have conquered, and the siege of good and evil is ended… § [On the horizon, the towers of Carcosa begin to glow] Noatalba: (Pointing) Look, look! Carcosa, Carcosa is on fire! (...) The King: Te Phantom of ruth shall be laid. Te scalloped tattersof Te King must hide Haita forever. As for thee, Yhtill– All: No! No, no! Te King: And as for thee, we tell you this; it is a fearful thing to fall into the hands of the living god. (...) Te Stranger falls, and everyone else sinks slowly to the ground after him. Te King can now be seen, although only faintly. He stands in state upon the balcony. He has no face, and is twice as tall as a man. He wears painted shows under his tattered, fantastically colored robes, and a streamer of silk appears to fall from the pointed tip of his hood. Behind his back he holds inverted a torch with a turned and jeweled shaft, which emits smoke, but no light. At times he appears to be winged; at others, haloed. These details are for the costumier; at no point should Te King be sufficiently visible to make themall out. Behind him, Carcosa and the Lake of Hali have vanished. Instead, there appears at his back a huge sculptured shield, in shape suggesting a labrys of onyx, upon which the Yellow Sign is chased in gold. Te rest of the stage darkens gradually, until, at the end, it is lit only by the decomposed body of the Stranger, phosphorescing bluely.]
Talbot Estus
That would be nice. This is a new suit.” “You always have a new suit. I don’t think I’ve ever seen you in the same suit twice.” “Of course you have. A couple of years ago. When I was in town working on a movie and you were my valet.” “You were a valet?” says Janet. “No. I was his bodyguard.” “Still,” says Samael. “I remember you fetching me clothes.” “I also stabbed you and left you for dead. Remember that?” “Well, I didn’t say you were a good valet.
Richard Kadrey (King Bullet (Sandman Slim #12))
The stew had been as vile as the potato, but neither compared to the following courses of perfectly good eels ruined as they curled in a gelatinous mold studded green with herbs, guinea fowl roasted and seasoned with some concoction that convinced him the royal cook wasn’t a cook but a necromancer who ground the bones of the dead and mixed them with the pepper. The cheese plate almost did him in, and he had to ask Ildiko twice if the ones speckled a greenish-blue weren’t actually bits and pieces of fermented corpse. Her explanation of how the cheese was made had him wishing they’d served fermented corpse instead.
Grace Draven (Radiance (Wraith Kings, #1))
Dear Lord, you are a vampire,” Eva gasped, then covered her mouth to keep the wayward thing from spouting any other unwanted revelations. Connall stiffened, his eyes shooting to her face. He had the oddest expression on his face, she noted. He looked . . . scared? Nay, apprehensive was a better description, and Eva had to wonder why he was looking so apprehensive when he was the soulless— Nay, not soulless, she reminded herself, recalling their conversation from the night before. He was not dead, nor soulless, he had assured her and he did not kill those he bit. Connall had described himself as just different and while Eva thought that was something of an understatement, she reassured herself with that information, now. He was just different, still her husband, the kind, sweet, gentle man who had treated her as if she had value, and shown her such consideration, as well as taught her passion. Nothing else had changed, she reminded herself as her head began to spin. He was the clan chief of the MacAdie, and her husband. And really, as flaws went, vampirism was much more pleasant to deal with than his being a wife beater or some such thing. Wasn’t it? “Dear Lord,” Eva breathed, shaking her head at her own thoughts, then she glanced to Connall again. He was uncharacteristically silent, his attention focused on her with an intensity that made her nervous. Her husband hadn’t said a word since she’d blurted that he was a vampire and it was making her uncomfortable enough to start searching her mind for a way to make him leave. “If you have things to do, you need not trouble yourself to wait here for me to finish eating. I can manage well enough on my own,” she murmured at last, though the food was all gone. “Tis no trouble to be with ye,” he said with a frown and there was sudden anger on his face. “Yer no a burden to me, Eva, ye ne’er ha’e been and ne’er will be. Dear God, ye saved me life this morn, woman, no once, but twice. Ha’e ye no realized yer worth yet?” “I—” Eva shook her head helplessly, confused by the tears suddenly pooling in her eyes. His vehemence was as surprising to her as the words themselves. She had saved his life that morning. She’d driven the intruder off with the log, then . . . well all right, the feeding bit wasn’t that impressive. Anyone would have done in that instance, but she had fended off the intruder. “Ye’ve courage and beauty and intelligence and are a worthy wife. E’en a king would ha’e pride in claimin’ ye to wife. I have felt nothing but pride in claimin’ ye meself.” “Despite my bein’ accident prone?” she teased with a wry twist of the lips. “Yer accidents are a result o’ tryin’ too hard to earn a place here,” he said quietly. “But ’tis only because you doonae realize ye already ha’e a place here. Yer the Lady MacAdie. My wife.” Eva swallowed, her gaze dropping from his at those words. They made her heart ache for some reason. “Why do ye look away? Do ye hate me now?” Eva glanced back up with surprise. “What?” “Now that ye know what I am?” he explained. “Will ye be wantin’ an annulment? Beggin’ to be set free? Wid ye rather a mortal man to husband? Should I take ye back to Caxton?” Eva stared at him in horror, fear clutching at her heart at the very idea of what he suggested.
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
What’s that bumper sticker say? Fool me once, shame on you. Fool me twice, and I’ll reverse back over you to make sure you’re dead.
Andrew Cull (The Cockroach King)
Orks, thought Oltyx, feeling pure hatred. Only they could enter the ancient tomb of a culture so might it had defeated gods, get massacred in the process, and then have a party.
Nate Crowley (The Twice-Dead King: Ruin)
I know you have your grudges, Oltyx, but must you interpret the very arrangement of the heavens as an insult against your person?
Nate Crowley (The Twice-Dead King: Ruin)
Never let your scars become drowned in gold.
Nate Crowley (The Twice-dead King: Reign)
Yenekh sent nothing in return but glyphs of profound obedience, arranged with an immaculate balance of humility and flare. The fact the sequence could also be read in an obscure homeworld dialect from before biotransference, in which it would translate as 'took your fly-blown time', was surely an artefact of chance.
Nate Crowley (The Twice-dead King: Reign)
Simple reason suggested that the Space Marines of the Lystraegonian were, by now, categorically out of the fight. But reason, Oltyx had learned over the course of the Akrops' flight, was near useless as a measure for understanding the actions of humanity,
Nate Crowley (The Twice-dead King: Reign)
It been considered distasteful, at least among the upper echelons of necrontyr culture, to talk of luck. To speak of bad luck was simply to confess your incompetence but speaking of good little better, as was an admission that elements of your reality were outside your control. Even when star of the home world had ended one of its relatively benign cycles and the mass graves the commoner’s districts were only half full by the solstice. That was not good luck, merely weakness on the sun's part.
Nate Crowley (The Twice-dead King: Reign)
The colonial forces ultimately triumphed, but at a horrifying cost. There were approximately seventy thousand people in New England at the outbreak of hostilities. By the end of the war, somewhere in the neighborhood of five thousand were dead, with more than three-quarters of those losses suffered by the Native Americans. In terms of percentage of population killed, King Philip’s War was more than twice as bloody as the American Civil War and at least seven times more lethal than the American Revolution. Not counted in these statistics are the hundreds of Native Americans who, like the passengers aboard the Seaflower, ended the war as slaves. It had taken fifty-six years to unfold, but one people’s quest for freedom had resulted in the conquest and enslavement of another.
Nathaniel Philbrick (Mayflower: A Story of Courage, Community, and War)