Twelve O'clock High Quotes

Wait, you remember that?" "Of course I remember that. You sounded like a frat boy and looked like a fucking model. What man could ever forget that?" "I would have given anything to know what you were thinking right then." "I was thinking, 'Highly fuckable intern, twelve o'clock. Disengage, soldier. I repeat, disengage.

I was thinking, 'Highly fuckable intern, twelve o'clock. Disengage, soldier. I repeat, disengage

I was thinking, ‘Highly fuckable intern, twelve o’clock. Disengage, soldier. I repeat, disengage.

For all his early-morning bravado, Bannon sounded as if he still couldn’t quite believe it all. And what an incredible story it was. Given the central role he had played in the greatest political upset in American history, the reporter suggested that it had all the makings of a Hollywood movie. Without missing a beat, Bannon shot back a reply worthy of his favorite vintage star, Gregory Peck in Twelve O’Clock High. “Brother,” he said, “Hollywood doesn’t make movies where the bad guys win.

Extract from 'Quixotic Ambitions': The crowd stared at Katy expectantly. She looked at them - old women in black, exhausted young women with pasty-faced children, youths in jeans and leather blousons chewing gum. She tried to speak but the words wouldn’t come. Then, with a sudden burst of energy, she blurted out her short speech, thanking the people of Shkrapova for their welcome and promising that if she won the referendum she would work for the good of Maloslavia. There was some half-hearted applause and an old lady hobbled up to her, knelt down with difficulty, and kissed the hem of her skirt. She looked at Katy with tears rolling down her face and gabbled something excitedly. Dimitar translated: ‘She says that she remembers the reign of your grandfather and that God has sent you to Maloslavia.’ Katy was embarrassed but she smiled at the woman and helped her to her feet. At this moment the People’s Struggle Pioneers appeared on the scene, waving their banners and shouting ‘Doloy Manaheeyoo! Popnikov President!’ Police had been stationed at strategic points and quickly dispersed the demonstrators without any display of violence, but the angry cries of ‘Down with the monarchy!’ had a depressing effect on the entertainment that had been planned; only a few people remained to watch it. A group of children aged between ten and twelve ran into the square and performed a series of dances accompanied by an accordian. They stamped their feet and clapped their hands frequently and occasionally collided with one another when they forgot their next move. The girls wore embroidered blouses, stiffly pleated skirts and scarlet boots and the boys were in baggy linen shirts and trousers, the legs of which were bound with leather thongs. Their enthusiasm compensated for their mistakes and they were loudly applauded. The male voice choir which followed consisted of twelve young men who sang complicated polyphonic melodies with a high, curiously nasal tenor line accompanied by an unusually deep droning bass. Some of their songs were the cries of despair of a people who had suffered under Turkish occupation; others were lively dance tunes for feast days and festivals. They were definitely an acquired taste and Katy, who was beginning to feel hungry, longed for them to come to an end. At last, at two o’clock, the performance finished and trestle tables were set up in the square. Dishes of various salads, hors-d’oeuvres and oriental pastries appeared, along with casks of beer and bottles of the local red wine. The people who had disappeared during the brief demonstration came back and started piling food on to paper plates. A few of the People’s Struggle Pioneers also showed up again and mingled with the crowd, greedily eating anything that took their fancy.

At twelve o’clock we went below, and had just got through dinner, when the cook put his head down the scuttle and told us to come on deck and see the finest sight that we had ever seen. “Where away, cook?” asked the first man who was up. “On the larboard bow.” And there lay, floating in the ocean, several miles off, an immense, irregular mass, its top and points covered with snow, and its center of a deep indigo color. This was an iceberg, and of the largest size, as one of our men said who had been in the Northern ocean. As far as the eye could reach, the sea in every direction was of a deep blue color, the waves running high and fresh, and sparkling in the light, and in the midst lay this immense mountain-island, its cavities and valleys thrown into deep shade, and its points and pinnacles glittering in the sun.

Given the central role he had played in the greatest political upset in American history, the reporter suggested that it had all the makings of a Hollywood movie. Without missing a beat, Bannon shot back a reply worthy of his favorite vintage star, Gregory Peck in Twelve O’Clock High. “Brother,” he said, “Hollywood doesn’t make movies where the bad guys win.

Jules was in some pretty fancy company, all right. Running alongside him that day were two solid, wide-ranging Pointers: a liver and white Rip Rap dog and a slippery lemon Elhew bitch Blume swore by. Rounding out the field were his pride and joy, a breath-taking English setter he called Babe and another Brittany, one almost twice the size of my little Jules. We hadn't gone far, perhaps only a few hundred yards when Jules dropped out of sight. Blume’s highly esteemed dog trainer/handler was the first to locate him. “Your dog is down over here," Joe cryptically announced, his condescension purposefully unmasked, “Maybe he’s got a rabbit!” “Oh boy; now they’re reading my mind,” I thought to myself. As I topped the little rise that stretched before us, a beautiful composition began to unfold. Jules hung rock solid on the far side of a naked wash, his back foot still raised as if frozen in mid-stride, his head faced forward while his eyes were locked in hard to the left. Somewhere under that big cottonwood log and brush top breathed game — A bunny perhaps! One by one, each of the other dogs arrived: first, the Setter with her beautiful, white flowing flag, then the cat walking Brittany, and finally, the wide running Pointers with their twelve-o’clock high tails. Each, honoring Jules’ find, fell into his own exquisite cast iron point, until finally the painting was complete. Slowly we walked in amongst them. At the last possible moment, Blume turned to me, and with a little smile, kicked the old cottonwood log. The explosion was startling even for hunters who'd been there many, many times before. It seemed like every quail in West Texas was huddled up under that log.