Tweed Quotes

Brett was damned good-looking. She wore a slip-over jersey sweater and a tweed skirt, and her hair was brushed back like a boy's. She started all that. She was built with curves like the hull of a racing yacht, and you missed none of it with that wool jersey.

He belonged to a walled city of the fifteenth century, a city of narrow, cobbled streets, and thin spires, where the inhabitants wore pointed shoes and worsted hose. His face was arresting, sensitive, medieval in some strange inexplicable way, and I was reminded of a portrait seen in a gallery I had forgotten where, of a certain Gentleman Unknown. Could one but rob him of his English tweeds, and put him in black, with lace at his throat and wrists, he would stare down at us in our new world from a long distant past—a past where men walked cloaked at night, and stood in the shadow of old doorways, a past of narrow stairways and dim dungeons, a past of whispers in the dark, of shimmering rapier blades, of silent, exquisite courtesy.

Ik heb altijd gehuiverd voor de daad van het beginnen. Voor het eerste woord, de eerste aanraking. De onrust wanneer zich de eerste zin moet vormen, en na de eerste de tweede.

I am a book. Sheaves pressed from the pulp of oaks and pines a natural sawdust made dingy from purses, dusty from shelves. Steamy and anxious, abused and misused, kissed and cried over, smeared, yellowed, and torn, loved, hated, scorned. I am a book. I am a book that remembers, days when I stood proud in good company When the children came, I leapt into their arms, when the women came, they cradled me against their soft breasts, when the men came, they held me like a lover, and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs, next to pool tables, on porch swings, in rocking chairs, my words hanging in the air like bright gems, dangling, then forgotten, I crumbled, dust to dust. I am a tale of woe and secrets, a book brand-new, sprung from the loins of ancient fathers clothed in tweed, born of mothers in lands of heather and coal soot. A family too close to see the blood on its hands, too dear to suffering, to poison, to cold steel and revenge, deaf to the screams of mortal wounding, amused at decay and torment, a family bred in the dankest swamp of human desires. I am a tale of woe and secrets, I am a mystery. I am intrigue, anxiety, fear, I tangle in the night with madmen, spend my days cloaked in black, hiding from myself, from dark angels, from the evil that lurks within and the evil we cannot lurk without. I am words of adventure, of faraway places where no one knows my tongue, of curious cultures in small, back alleys, mean streets, the crumbling house in each of us. I am primordial fear, the great unknown, I am life everlasting. I touch you and you shiver, I blow in your ear and you follow me, down foggy lanes, into places you've never seen, to see things no one should see, to be someone you could only hope to be. I ride the winds of imagination on a black-and-white horse, to find the truth inside of me, to cure the ills inside of you, to take one passenger at a time over that tall mountain, across that lonely plain to a place you've never been where the world stops for just one minute and everything is right. I am a mystery. -Rides a Black and White Horse

But leaning against him, crying into his stupid tweed, I thought I could maybe stay there forever. It was such a relief to be able to sob and have someone know all the reasons why.

Very good, Monique. Perfect as always. Next time, Sidheag, smaller handkerchief. A lady carries embroidered muslin, not-what on earth is that? A square of tweed? Really, girl! Dimity, watch your balance, and red? Dear, not read. You're not ready for red. Red is only for the advanced deployment of handkerchiefs.

It’s like watching a James Bond movie. Morpheus—in a black trench-coat-style blazer that hangs to his thighs, gray tweed pants, a dark gray vest, skinny red tie, and black pin-striped dress shirt—could pass for a punk-fae secret agent who’s captured his villain. His thick blue waves touch his shoulders from under a gray tweed flat cap, and his wings drape down his back and across the floor, fluttering sporadically as he keeps his balance against Jeb’s resistance.

I accepted all this counsel politely, with a glassy smile and a glaring sense of unreality. Many adults seemed to interpret this numbness as a positive sign; I remember particularly Mr. Beeman (an overly clipped Brit in a dumb tweed motoring cap, whom despite his solicitude I had come to hate, irrationally, as an agent of my mother’s death) complimenting me on my maturity and informing me that I seemed to be “coping awfully well.” And maybe I was coping awfully well, I don’t know. Certainly I wasn’t howling aloud or punching my fist through windows or doing any of the things I imagined people might do who felt as I did. But sometimes, unexpectedly, grief pounded over me in waves that left me gasping; and when the waves washed back, I found myself looking out over a brackish wreck which was illumined in a light so lucid, so heartsick and empty, that I could hardly remember that the world had ever been anything but dead.

For a boy I’d once thought was made mostly of tweed, Miles can kiss.

swathed in an old tweed coat on which the damp had settled like a thousand tiny pearls.

Dr. Kellet himself wore a three-piece Harris tweed suit strung with a large gold fob watch. He smelled of cloves and pipe tobacco and had a twinkly look about him as if he were going to toast muffins or read a particularly good story to her, but instead he beamed at Ursula and said, "So, I hear you tried to kill your maid?" (Oh, that's why I'm here, Ursula thought.)

I am fat with love! Husky with ardor! Morbidly obese with devotion! A happy, busy bumblebee of marital enthusiasm. I positively hum around him, fussing and fixing. I have become a strange thing. I have become a wife. I find myself steering the ship of conversations- bulkily, unnaturally- just so I can say his name aloud. I have become a wife, I have become a bore, I have been asked to forfeit my Independent Young Feminist card. I don't care. I balance his checkbook, I trim his hair. I've gotten so retro, at one point I will probably use the word pocketbook, shuffling out the door in my swingy tweed coat, my lips red, on the way to the beauty parlor. Nothing bothers me. Everything seems like it will turn out fine, every bother transformed into an amusing story to be told over dinner. 'So I killed a hobo today, honey...hahahaha! Ah, we have fun

My depth of purse is not so great Nor yet my bibliophilic greed, That merely buying doth elate: The books I buy I like to read: Still e'en when dawdling in a mead, Beneath a cloudless summer sky, By bank of Thames, or Tyne, or Tweed, The books I read — I like to buy.

My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don't; it's a passion, bordering on a spiritual illness, which cannot be explained to the unaffected. True, they're not for the faint of heart. Wild and chaotic, capricious and frustrating, there are certain physical laws that govern secondhand bookstores and like gravity, they're pretty much nonnegotiable. Paperback editions of D. H. Lawrence must constitute no less than 55 percent of all stock in any shop. Natural law also dictates that the remaining 45 percent consist of at least two shelves worth of literary criticism on Paradise Lost and there should always be an entire room in the basement devoted to military history which, by sheer coincidence, will be haunted by a man in his seventies. (Personal studies prove it's the same man. No matter how quickly you move from one bookshop to the next, he's always there. He's forgotten something about the war that no book can contain, but like a figure in Greek mythology, is doomed to spend his days wandering from basement room to basement room, searching through memoirs of the best/worst days of his life.) Modern booksellers can't really compare with these eccentric charms. They keep regular hours, have central heating, and are staffed by freshly scrubbed young people in black T-shirts. They're devoid of both basement rooms and fallen Greek heroes in smelly tweeds. You'll find no dogs or cats curled up next to ancient space heathers like familiars nor the intoxicating smell of mold and mildew that could emanate equally from the unevenly stacked volumes or from the owner himself. People visit Waterstone's and leave. But secondhand bookshops have pilgrims. The words out of print are a call to arms for those who seek a Holy Grail made of paper and ink.

[...] and I switched to English literature, where so many frustrated poets end as pipe-smoking teachers in tweeds.

It was a cold November day and she had dressed herself up in layers of cardigans and covered the whole lot with her old tweed coat, the one she might have used for feeding the chickens in.

He wore a tweed suit, of all horrible things, and a cravat tied with such carelessness it was almost as much a sin as his actions.

Had ik maar, was ik maar... allemaal nutteloze woorden. Want er is geen tweede kans. Uiteindelijk komt het neer op de keuzes die we maken.

Truly competent Literary Detectives are as rare as truthful men, Mr. Tweed -- you can see her potential as clearly as I can. Frightened of someone stealing your thunder, perhaps?

A sense of the Finn’s presence surrounded him, smell of Cuban cigarettes, smoke locked in musty tweed, old machines given up to the mineral rituals of rust.

Brett was damned good-looking. She wore a slipover jersey sweater and a tweed skirt, and her hair was brushed back like a boy’s. She started all that. She was built with curves like the hull of a racing yacht, and you missed none of it with that wool jersey.

Do not think of him with Blay. Do not think of him with Blay. Do not think of him— “I didn’t know you were a sherry man.” “Huh?" Qhuinn glanced down at what he’d poured himself. Fuck. In the midst of the self-lecture, he’d picked up the wrong bottle. “Oh, you know… I’m good with it.” To prove the point, he tossed back the hooch—and nearly choked as the sweetness hit his throat. He served himself another only so he didn’t look like the kind of idiot who wouldn’t know what he was dishing out into his own glass. Okay, gag. The second was worse than the first. From out of the corner of his eye, he watched Saxton settle in at the table, the brass lamp in front of him casting the most perfect glow over his face. Shiiiiiit, he looked like something out of a Ralph Lauren ad, with his buff-colored tweed jacket and his pointed pocket square and that button-down/sweater vest combo keeping his fucking liver cozy. Meanwhile, Qhuinn was sporting hospital scrubs, bare feet. And sherry.

Of the seminal moments in my life, Careers Day in the autumn of Year 5 is my favorite. Everyone had to dress as whatever they wanted to be once they grew up. I had gone in a tweed jacket and a bow tie, and when Miss Weston asked me what I wanted to be, I told her that I wanted to be the Doctor. 'Shouldn't you be wearing a lab coat and stethoscope like Paul?' She pointed to Paul Black, who was trying to strangle everyone with the stethoscope in question. Before I could answer, a boy I didn't know from the other class spoke up. 'Paul's *a* doctor,' he explained, giving me a look of approval. 'He wants to be *the* Doctor.' 'Who?' 'Exactly,' we said at the same time, relieved that she understood. She didn't. We were sent to the quiet table to reflect on why cheeking teachers was wrong.

Je zou een tweede hoofd moeten hebben om te begrijpen wat dat éne hoofd is, maar ik heb er maar een, hier is het in mijn handen, ik houd het vast op een manier waarop een mens nooit iets anders vasthoudt.

Miriam snorted. It was not a very ladylike snort. She was the sort of woman one expected to find tramping the countryside in tweeds with a gun under her arm and a bulldog at her side, probably one of her own breeding.

I stooped under the rude lintel, and there he sat upon a stone outside, his gray eyes dancing with amusement as they fell upon my astonished features. He was thin and worn, but clear and alert, his keen face bronzed by the sun and roughened by the wind. In his tweed suit and cloth cap he looked like any other tourist upon the moor, and he had contrived, with that catlike love of personal cleanliness which was one of his characteristics, that his chin should be as smooth and his linen as perfect as if he were in Baker Street.

Judging by the trace of accent in her voice, she had attended one of the Eastern colleges that teach women how to wear Harris tweed and talk with their teeth clenched.

Well, the only reason we’re friends is because you can rock a tweed suit,” she informed, tone mock serious. “So if you want to keep me around, I expect more tweed.

Both were dressed as Muggles, though very inexpertly: The man with the watch wore a tweed suit with thigh-length galoshes; his colleague, a kilt and a poncho.

There are people like me who just seem to be made of tweed.

The suit caught light and stirred like a bed of black tweed-thorns, interminably itching, covering the man’s long body with motion so it seemed he should excruciate, cry out, and tear the clothes free.

And let’s debunk one bit of writer myth while we’re here: Doing a seventeenth revision on a project does not make a writer an artist or move him above the writer hoi polloi any more than dressing entirely in black or wearing tweed jackets with leather elbow patches or big, black drover coats. These are all affectations, and smack of dilettantism. Real writers, and real artists, finish books and move on to the next project.

There had to be something wrong with my life. I should have been born a Yugoslavian shepherd who looked up at the Big Dipper every night. No car, no car stereo, no silver bracelets, no shuffling, no dark blue tweed suits.

At night when they prepared for bed Freda removed all her clothes and lay like a great fretful baby, majestically dimpled and curved. Brenda wore her pajamas and her underwear and a tweed coat—that was the difference between them.

ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.

It was one of those days when you're dragging life along behind you like a bag full of sand.

Read, laugh, and love someone 'Cause what's gone is gone Try to keep having fun As long as there's life Evert

Ja, we zijn bevrijd van pastoren en hun dwingende moraal, maar nee, we zijn niet vrij, integendeel. Er is een nieuwe moraal met haar eigen hogepriesters, die bovendien meer dwang uitoefenen dan de vorige, omdat ze zich als wetenschappelijk en dus als niet voor discussie vatbaar voordoen. Het enige gebod van die moraal is systematic effectiveness, meteen de mantra van de eerste hogepriester, de manager. De tweede pastoor is de nieuwe psychotherapeut, wiens mantra 'aanpassing' luidt.

Bond Street fascinated her; Bond Street early in the morning in the season; its flags flying; its shops; no splash; no glitter; one roll of tweed in the shop where her father had bought his suits for fifty years; a few pearls; salmon on an iceblock.

Seen on her own, the woman was not so remarkable. Tall, angular, aquiline features, with the close-cropped hair which was fashionably called an Eton crop, he seemed to remember, in his mother's day, and about her person the stamp of that particular generation. She would be in her middle sixties, he supposed, the masculine shirt with collar and tie, sports jacket, grey tweed skirt coming to mid-calf. Grey stockings and laced black shoes. He had seen the type on golf courses and at dog shows - invariably showing not sporting breeds but pugs - and if you came across them at a party in somebody's house they were quicker on the draw with a cigarette lighter than he was himself, a mere male, with pocket matches. The general belief that they kept house with a more feminine, fluffy companion was not always true. Frequently they boasted, and adored, a golfing husband. ("Don't Look Now")

Because I have conducted my own operas and love sheep-dogs; because I generally dress in tweeds, and sometimes, at winter afternoon concerts, have even conducted in them; because I was a militant suffragette and seized a chance of beating time to The March of the Women from the window of my cell in Holloway Prison with a tooth-brush; because I have written books, spoken speeches, broadcast, and don't always make sure that my hat is on straight; for these and other equally pertinent reasons, in a certain sense I am well known.

To a casual passerby, his appearance would not have inspired much confidence. His overcoat was patched in spots and frayed at the cuffs, he wore an old tweed suit that was missing a button, his white shirt was stained with ink and tobacco, and his tie--this was perhaps the strangest of all--was knotted not once, but twice, as if he'd forgotten whether he'd tied it and, rather than glancing down to check, had simply tied it again for good measure. His white hair poked out from beneath his hat, and his eyebrows rose from his forehead like great snowy horns, curling over a pair of bent and patched tortoiseshell glasses. All in all, he looked like someone who'd gotten dressed in the midst of a whirlwind and, thinking he still looked too presentable, had thrown himself down a flight of stairs. It was when you looked in his eyes that everything changed. Reflecting no light save their own, they shone brightly in the snow-muffled night, and there was in them a look of such uncommon energy and kindness and understanding that you forgot entirely about the tobacco and ink stains on his shirt and the patches on his glasses and that his tie was knotted twice over. You looked in them and knew that you were in the presence of true wisdom.

Reuben grinned and chewed more vigorously than ever; he had the measure of his master’s foot to a nicety. The sun felt actually hot, and Hilary, in his heavy tweeds, began to be less inclined for the long walk over stubbly fields. His eye roved for a suitable place to rest, which he finally discovered under a hedge.

Still, it’s important not to let practical considerations such as daunting toilet facilities stop you from venturing out. Experience has taught us that sad lesson: once old people stop doing something, they are unlikely ever to do it again.

Next to the defeated politician, the writer is the most vocal and inventive griper on earth. He sees hardship and unfairness wherever he looks. His agent doesn’t love him (enough). The blank sheet of paper is an enemy. The publisher is a cheapskate. The critic is a philistine. The public doesn’t understand him. His wife doesn’t understand him. The bartender doesn’t understand him. These are only some of the common complaints of working writers, but I have yet to hear any of them bring up the most fundamental gripe of all: the lifelong, horrifying expense involved in getting out the words. This may come as a surprise to many of you who assume that a writer’s equipment is limited to paper and pencils and a bottle of whiskey, and maybe one tweed sports coat for interviews. It goes far beyond that. The problem from which all other problems spring is that writing takes up the time that could otherwise be spent earning a living. The most humble toiler on Wall Street makes more in a month than ninety percent of writers make in a year. A beggar on the street, seeing a writer shuffling toward him, will dig deep into his rags to see if he can spare a dime. . . .

Were the stars out when I left the house last evening? All I could remember was the couple in the Skyline listening to Duran Duran. Stars? Who remembers stars? Come to think of it, had I even looked up at the sky recently? Had the stars been wiped out of the sky three months ago, I wouldn't have known. The only things I noticed were silver bracelets on women's wrists and popsicle sticks in potted rubber plants. There had to be something wrong with my life. I should have been born a Yugoslavian shepherd who looked up at the Big Dipper every night. No car, no car stereo, no silver bracelets, no shuffling, no dark blue tweed suits. My world foreshortened, flattening into a credit card. Seen head on, things seemed merely skewed, but from the side the view was virtually meaningless—a one-dimensional wafer. Everything about me may have been crammed in there, but it was only plastic. Indecipherable except to some machine. My first circuit must have been wearing thin. My real memories were receding into planar projection, the screen of consciousness losing all identity.

Religions are confluences of organic-cultural flows that intensify joy and confront suffering by drawing on human and supra-human forces to make homes and cross boundaries.(p. 54)

Natuurlijk gebeurde dit allemaal heel lang geleden en kan zoiets nu niet meer gebeuren. Niet in onze tijd.

Time is slipping through my fingers like a ripe banana.

Iedereen verdient een tweede kans in het leven. Maar vooral ook een eerste.

His style of dress went way beyond your usual adolescent grunge: old men’s overcoats bought at flea markets; crusty, baggy tweed pants; sneakers held together with duct tape.

Leren is nog geen weten. Er zijn weters en er zijn geleerden. Het geheugen maakt de eerste soort, de wijsheid de tweede.

Het is zelden een cadeau om je jeugd een tweede keer te moeten beleven.

Summarized, the letter explained that he was all against the banks but all for the bankers-except the Jewish bankers who were to be driven out of finance entirely; that he had thoroughly tested (but unspecified) plans to make all wages very high and the prices of everything produced by these same highly paid workers very low; that he was 100 per cent for Labor, but 100 per cent against all strikes; and that he was in favor of the United States so arming itself, so preparing to produce its own coffee, sugar, perfumes, tweeds, and nickel instead of importing them, that it could defy the World...and maybe, if that World was so impertinent as to defy American in turn, Buzz hinted, he might have to take it over and run it properly.

If you were to come to Headquarters and see a woman in a smart green tweed suit following a man into his office or a woman wearing red heels and a matching angora sweater at reception, you might've assumed these women were typists or secretaries; and you would've been right. But you would have also been wrong. Secretary: a person entrusted with a secret. From the Latin secretus, secretum. We all typed, but some of us did more. We spoke no word of the work we did after we covered our typewriters each day. Unlike some of the men, we could keep our secrets.

Feit is dat de ten uitvoerlegging van de Truman doctrine de Verenigde Staten heeft verheven, in een eerste fase, tijdens de Koude Oorlog, tot de politie van West-Europa, in een tweede fase, na de Val van de Muur, tot de politie van de hele wereld, - een politie die aan iedere parlementaire controle ontsnapt. Is dit dan de global power waar George W. Bush en zijn denktanks zo fier over waren?

Om negen uur, toen het goed licht was geworden, werd hij wakker. 'De tweede dag van Christus is aangebroken,' dacht hij. 'Het is vrijwel zeker,' zei hij hardop, toen hij de hemel boven de huizen bekeek, 'dat het helder, droog weer wordt. Laat ik niet te lang blijven liggen.' ... 'Het lijkt wel.' zei hij zacht, de radio inschakelend en aan het raam tredend 'of de zon doorkomt.' U hoort thans de cantate voor de tweede kerstdag van Johan Sebastiaan Bach,' zei de omroeper. Frits stelde het toestel zuiver af, holde naar zijn slaapkamer, kwam met zijn shagdoos terug en rolde, op de divan gezeten, zo snel een sigaret, dat hij deze kon aansteken op het ogenblik, dat het onregelmatige geraas van het stemmen van de muziekinstrumenten had opgehouden. ' Nu ben ik gelukkig, ' zei hij hardop en grinnikte.

And here I was in brown slacks and a tweed jacket over a sports shirt called, according to the salesman, "Hot Hula." At least there were no wild Balinese babes doing things on the shirt; it was just colorful.

I still remember our first meeting, when Albers brought him to my house. On the little carriage which carried him from the station, and which was hardly built with such loads in mind, sat a massive figure who appeared even more enormous by virtue of the thick overcoat he wore. Everything about him had the effect of extraordinary permanence and solidity: the deep bass voice; the tweed jacket, already, at that time, almost habitual; the appetite at dinner; and at night, the truly Cyclopean snoring, loud as a series of buzz saws, which frightened the other guests at my Chiemgau country house out of their peaceful slumbers.

But despite the maturity of the basic F4U design, the risks involved in flight-testing design changes remained. On 8 July 1946 test pilot Dick Burroughs was killed while attempting to land at the Tweed New Haven Airport following an engine failure in the XF4U-5. Later that year, project pilot Bill Horan survived a risky bail out of an F4U-5 following an engine failure during a high altitude dive test over Long Island Sound.

tweeds, and nickel instead of importing them, that it could defy the World. . .and maybe, if that World was so impertinent as to defy America in turn, Buzz hinted, he might have to take it over and run it properly.

It was the excitement, the richness of the whole experience, the mixture of pleasure and danger and freedom and the sun. You know, when we came back here, for a long while I still went on living in Euphoria inside my head. Outwardly I returned to my old routine. I got up in the morning, put on a tweed suit, read the Guardian over breakfast, walked into the University, gave the same old tutorials on the same old texts... and all the while I was leading a completely different life inside my head. Inside my head, I had decided not to come back to England, so I was waking up in Plotinus, sitting in the sun in my happi-coat, looking out over the Bay, putting on Levis and a sports shirt, reading the Euphoric Times over breakfast, and wondering what would happen today, would there be a protest, a demonstration, would my class have to fight their way through teargas and picket lines or should we meet off-campus in somebody's apartment, sitting on the floor surrounded by posters and leaflets and paperbacks about encounter groups and avant garde theatre and Viet Nam.

The Cheerful Fairy was quite short and plump in a tweed skirt and shoes so sensible they could do their own tax returns, and was pretty much like the first teacher you get at school, the one who has special training in dealing with nervous incontinence and little boys whose contribution to the wonderful world of sharing consists largely of hitting a small girl repeatedly over the head with a wooden horse. In fact, this picture was helped by the whistle on a string around her neck and a general impression that at any moment she would clap her hands. The tiny gauzy wings just visible on her back were probably just for show, but the wizards kept on staring at her shoulder.

But our good humour was restored when we saw Lord John Roxton waiting for us upon the platform, his tall, thin figure clad in a yellow tweed shooting-suit. His keen face, with those unforgettable eyes, so fierce and yet so humorous, flushed with pleasure at the sight of us. His ruddy hair was shot with grey, and the furrows upon his brow had been cut a little deeper by Time's chisel, but in all else he was the Lord John who had been our good comrade in the past.

Nooit heb ik zo beseft, hoe zwak, hoe afhankelijk ik ben, hoe zonder eigen inhoud. Ik ben een instrument dat luid gaat klinken bij één vleug van wind, maar weerloos blijft en zonder eigen kracht wanneer de dagen windstil zijn en doods.

It was at a conference in Cyprus in 1976, where the theme was the rights of small nations, that I first met Edward Said. It was impossible not to be captivated by him: of his many immediately seductive qualities I will start by mentioning a very important one. When he laughed, it was as if he was surrendering unconditionally to some guilty pleasure. At first the very picture of professorial rectitude, with faultless tweeds, cravats, and other accoutrements (the pipe also being to the fore), he would react to a risqué remark, or a disclosure of something vaguely scandalous, as if a whole Trojan horse of mirth had been smuggled into his interior and suddenly disgorged its contents. The build-up, in other words, was worth one's effort.

He works in profanity the way another artist might work in watercolors, each word carrying various hues and subtleties not available to the casual curser. His work in the field of gerunds alone would make him a legend in any seaport on the east coast.

In the East, he then believed, a man went to college not for vocational training but in disciplined search for wisdom and beauty, and nobody over the age of twelve believed that those words were for sissies. In the East, wearing rumpled tweeds and flannels, he could have strolled for hours among ancient elms and clock towers, talking with his friends, and his friends would have been the cream of their generation. The girls of the East were marvelously slim and graceful; they moved with the authority of places like Bennington and Holyoke; they spoke intelligently in low, subtle voices, and they never giggled. On sharp winter evenings you could meet them for cocktails at the Biltmore and take them to the theater, and afterwards, warmed with brandy, they would come with you for a drive to a snowbound New England inn, where they’d slip happily into bed with you under an eiderdown quilt. In the East, when college was over, you could put off going seriously to work until you’d spent a few years in a book-lined bachelor flat, with intervals of European travel, and when you found your true vocation at last it was through a process of informed and unhurried selection; just as when you married at last it was to solemnize the last and best of your many long, sophisticated affairs.

A rotund fellow in green hunting tweeds has set himself up on the pianoforte in the corrner and is playing a bawdy tune that causes offense only for the ineptness of its delivery. Nobody is paying much attention to him, though he's doing his best to rectify that.

Als ik niet begrijp hoe dingen gaan, wil ik dat de wereld ophoudt met draaien, zodat ik tijd heb om te begrijpen hoe het gaat. Maar de wereld houdt niet op met draaien. Terwijl ik één ding probeer te begrijpen, komt er een tweede bij, dat ik ook probeer te begrijpen, maar ik was nog niet klaar met het begrijpen van dat eerste. Alsof je met je linkerhand hete soep opschept en tegelijkertijd met je rechterhand een broodje met pindakaas probeert te smeren. En dan is er vaak een derde ding dat ik moet begrijpen, maar ik heb geen handen meer vrij.

Bond Street la fascinaba; Bond Street muy de mañana en plena temporada; sus banderas ondeando; sus tiendas; sin excesos; sin resplandor; un rollo de tweed en la tienda donde su padre se había comprado los trajes durante cincuenta años; unas cuantas perlas; el salmón encima de un taco de hielo.

He disliked them, not because they were his fellow-countrymen, but because they were noisy and obtrusive, obliterating with their big limbs and tweed clothing all the quieter tints of the day that brought him satisfaction and enabled him to melt into insignificance and forget that he was anybody.

Heil Hitler,' zei hij, wat, voor zover hij wist, een andere manier was om te zeggen 'Tot ziens en een prettige dag verder'.

We hadden de Furie nooit te eten moeten vragen,' zei ze. 'Sommige mensen moeten zo nodig hogerop komen.

Heaven forbid you do anything -cliché-, Mr. English-Professor-in-Training," says Dodger. "You might find a single cliché is a gateway drug to tweed jackets and khaki slacks, and the next thing you know, you're teaching Kerouac and making eyes at that cute undergrad in the front row who makes you think about fucking all of Middle America in one triumphant go.

Zolang dit bestaat, en ik het mag beleven, deze zonneschijn, die hemel waar geen wolk aan is, zo lang kan ik niet treurig zijn.

Young sunlight on old bones is one of the best antidotes to depression.

Dit was pas de tweede keer dat Carswell Thorne echt nadacht over Kate Fallow. De eerste keer had hij zich afgevraagd waarom ze zo van boeken hield, en of dat iets te maken had met de reden waarom hij zo dol was op ruimteschepen. Ze konden je namelijk meenemen naar plaatsen ver, ver hiervandaan. Deze keer vroeg hij zich echter af welke cijfers zij voor wiskunde haalde.

Brian was known to value courage as the crown of the virtues, and he exhibited it by coming into work every day in the same clothes. To his credit, there was nothing malodorous about him - presumably he bathed and visited the dry-cleaners on a regular basis – but thirty years in a tweed jacket and khaki trousers was a long time. What made it doubly odd was that he also valued glamour.

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep black space high up among many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of the dots. At length, I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at the very moment with great emotion, in intricate detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which whole worlds of feeling and energy were wrapped, in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water…I saw may apples in forest, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided and apples grew striped and spotted in the fall. Mountains kept their cool caves, and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wilds ducks flew, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remembered the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “Yes, that’s how it was then, that part there we called ‘France’”. I was filled with the deep affection of nostalgia- and then I opened my eyes.

Cormac heard that glorious word for the first time in the1850s, and it came to epitomize for him all of New York's rough skepticism. It had much greater weight than the word 'horseshit.' Horseshit was flaky and without substance; it dried in the sun and was blown away in a high wind. Preachers were the master of horseshit. But bullshit was heavier, filled with crude truth, a kind of black cement. The voters knew the difference and they appreciated bullshit when practiced by a master. Any politician who used God in a speech was practicing horseshit. When he talked about building schools, getting water into Chatham Square, or lighting the darkest streets, Bill Tweed was practicing bullshit. If a third of the bullshit actually came into existence, their lives were made better. Tweed, as he moved up in the system, was a master of bullshit.

The record for the shortest stay is held by a lady whose name we never even came to know. A day and a half after arriving through the front door in a wheelchair, she departed again through the back door in a coffin.

Het tweede is dit: wanneer je kind sterft, voel je alles wat je zou verwachten, gevoelens die door zo veel anderen al zo goed beschreven zijn dat ik niet eens de moeite zal nemen ze hier op te sommen, behalve dat ik wil zeggen dat alles wat over rouw geschreven is één pot nat is, en het is één pot nat met reden: omdat niemand werkelijk van de tekst afwijkt. Soms voel je wat meer van het een en minder van het ander, en soms voel je het in een andere volgorde, en soms langer of korter. Maar de gevoelens zijn altijd hetzelfde. Maar nu komt er iets wat niemand zegt: als het jouw kind is, voelt een deel van jou, een piepklein maar niettemin onmiskenbaar deel van jou, ook opluchting. Want eindelijk is het moment gekomen dat je al verwachtte, waar je voor vreesde, waarop je je hebt voorbereid sinds de dag dat je een kind kreeg. Aha, zeg je bij jezelf, daar is het. Het is zover. En daarna heb je nooit meer iets te vrezen.

Tweeds, he soon found, are not in warm weather the ideal clothes for mountain climbing, for that was what his progress soon became. The track grew almost precipitous and he was still further hindered by the loose surface and his package of food and wine. He had been climbing for half an hour when he stopped, ate his lunch, drank his wine and smoked a pipe. Some forty minutes later, much refreshed and free of encumbrance, he continued the ascent in better style.

Curious?” This second man was tall as a lamp post. His pale face, lunar pockmarks denting it, cast light on those who stood below. His vest was the color of fresh blood. His eyebrows, his hair, his suit were licorice black, and the sun-yellow gem which stared from the tie pin thrust in his cravat was the same unblinking shade and bright crystal as his eyes. But in this instant, swiftly, and with utter clearness, it was the suit which fascinated Will. For it seemed woven of boar-bramble, clock-spring hair, bristle, and a sort of ever-trembling, ever-glistening dark hemp. The suit caught light and stirred like a bed of black tweed-thorns, interminably itching, covering the man’s long body with motion so it seemed he should excruciate, cry out, and tear the clothes free. Yet here he stood, moon-calm, inhabiting his itch-weed suit and watching Jim’s mouth with his yellow eyes. He never looked once at Will. “The name is Dark.

down near the Brooklyn Bridge and Tweed courthouse. As a kid I’d read something about the courthouse that has stuck with me my entire life: In the nineteenth century, Boss Tweed had used its construction as a pretext to embezzle millions from New York State. When they finally got around to trying him for that crime, they did it in the courthouse named after him. How hilarious an irony—here was a city government building celebrating one of the most corrupt members in its history.

Se qualcuno lo avesse spogliato del suo tweed inglese e gli avesse fatto indossare un abito nero, con pizzi sul collo e sui polsi, il signor de Winter avrebbe potuto guardare a noi del nuovo mondo da un passato molto distante - un passato nel quale gli uomini, di notte, camminavano intabarrati, e restavano nell'ombra di antichi passaggi, un passato di scale a chiocciola e di celle sotterranee, un passato di sussurri nel buio, di lame balenanti, di silenziosa e squisita cortesia.

Dit Oostenrijks-Hongaarse staatsgevoel was een zo zonderling geconstrueerd iets dat het welhaast vergeefs moet lijken om het iemand uit te leggen die het niet zelf heeft meegemaakt. Het bestond bijvoorbeeld niet uit een Oostenrijks en een Hongaars deel, die elkaar, zoals men zou kunnen denken, aanvulden, maar het bestond uit een geheel en een deel, namelijk uit het Hongaars en het Oostenrijks-Hongaars staatsgevoel, en dit tweede was thuis in Oostenrijk, waardoor het Oostenrijkse staatsgevoel eigenlijk vaderlandsloos was. De Oostenrijker wam alleen in Hongarije voor, en daar als aversie; thuis noemde hij zich onderdaan van de in de Rijksraad vertegenwoordigde koninkrijken en landen der Oostenrijks-Hongaarse monarchie, wat neerkomt op een Oostenrijker plus een Hongaar minus deze Hongaar, en dat deed hij beslist niet uit enthousiasme, maar omwille van een idee dat hem tegenstond, want hij kon de Hongaren even weinig luchten als de Hongaren hem, waardoor het verband nog ingewikkelder werd.

Big woman, Miss Eileen McKenna. Not fat, just big, the way some women get in their fifties after years of being the boss: all out front, hoisted up high and solid, ready to sail through anything and not get wet. I could see her in a break-time corridor, girls skittering away in front of her before they even knew she was coming. Lots of chin; lots of eyebrow. Iron hair and steely glasses. I don't know women's gear but I know quality, and the greeny tweed was quality; the pearls weren't from Penney's.

Should the girls decide to go for a walk, they would need to change into a different outfit, a light woollen tweed suit and sturdier boots - but on simpler days, such as for the garden party, they make mercifully few changes. Cora, like many married ladies in her position, takes the opportunity on quiet afternoons to take off her corset and wear a teagown for an hour or two before getting into her evening dress. Its huge advantage was that it was always ornately decorated but simply cut, meaning it was the only garment a woman could conceivably get in and out of alone, as it could be worn without a corset underneath. Worn between five and seven o'clock, it gave rise to the French phrase 'cinq a sept'. This referred to the hours when lovers were received, the only time of day when a maid wouldn't need to be there to help you undress and therefore discover your secret. Lady Colin Campbell's divorce had hinged on the fact that her clothes had clearly been fastened by a man who didn't know what he was doing; when her lady's maid saw her for the next change, the fastenings were higgledy-piggledy. But for Cora, the teagown is not for any illicit behaviour, just for respite from her underpinnings.

During those years his writers were Kerouac, Hesse and Camus. From among the living, Lowell, Moorcock, Ballard and Burroughs. Ballard had been to King’s, Cambridge but Roland forgave him that, as he would have forgiven him anything. He had a romantic view of writers. They should be, if not barefoot bums, light-footed, unrooted, free, living a vagabond life on the edge, gazing into the abyss and telling the world what was down there. Not knighthoods or pearls, for sure. Decades later he was more generous. Less stupid. A tweed jacket never stopped anyone from writing well. He believed it was extremely difficult to write a very good novel and to get halfway there was also an achievement. He deplored the way literary editors commissioned novelists rather than critics to review each other’s work. He thought it was a grisly spectacle, insecure writers condemning the fiction of their colleagues to make elbow room for themselves. His ignorant twenty-seven-year-old self would have sneered at Roland’s favourites now. He was reading through a domestic canon that lay just beyond the great encampments of literary modernism. Henry Green, Antonia White, Barbara Pym, Ford Madox Ford, Ivy Compton-Burnett, Patrick Hamilton. Some had

But there’s never been anyone? Really?” Sarah shrugs. “Penny and I were tutored at home when we were young . . . but in year ten, there was this one boy.” I rub my hands together. “Here we go—tell me everything. I want all the sick, lurid details. Was he a footballer? Big and strong, captain of the team, the most popular boy in school?” I could see it. Sarah’s delicate, long and lithe, but dainty, beautiful—any young man would’ve been desperate to have her on his arm. In his lap. In his bed, on the hood of his car, riding his face . . . all of the above. “He was captain of the chess team.” I cover my eyes with my hand. “His name was Davey. He wore these adorable tweed jackets and bow ties, he had blond hair, and was a bit pale because of the asthma. He had the same glasses as I and he had a different pair of argyle socks for every day of the year.” “You’re messing with me, right?” She shakes her head. “Argyle socks, Sarah? I am so disappointed in you right now.” “He was nice,” she chides. “You leave my Davey alone.” Then she laughs again—delighted and free. My cock reacts hard and fast, emphasis on hard. It’s like sodding granite. “So what happened to old Davey boy?” “I was alone in the library one day and he came up and started to ask me to the spring social. And I was so excited and nervous I could barely breathe.” I picture how she must’ve looked then. But in my mind’s eyes she’s really not any different than she is right now. Innocent, sweet, and so real she couldn’t deceive someone if her life depended on it. “And then before he could finish the question, I . . .” I don’t realize I’m leaning toward her until she stops talking and I almost fall over. “You . . . what?” Sarah hides behind her hands. “I threw up on him.” And I try not to laugh. I swear I try . . . but I’m only human. So I end up laughing so hard the car shakes and I can’t speak for several minutes. “Christ almighty.” “And I’d had fish and chips for lunch.” Sarah’s laughing too. “It was awful.” “Oh you poor thing.” I shake my head, still chuckling. “And poor Davey.” “Yes.” She wipes under her eyes with her finger. “Poor Davey. He never came near me again after that.” “Coward—he didn’t deserve you. I would’ve swam through a whole lake of puke to take a girl like you to the social.” She smiles so brightly at me, her cheeks maroon and round like two shiny apples. “I think that’s the nicest thing anyone’s ever said to me.” I wiggle my eyebrows. “I’m all about the compliments.

Quick. Don’t think about it. Imagine an English professor in your head. No, a male English professor. What do you see? Tweeds? Elbow patches? A high pale forehead with thinning hair combed over? Eyeglasses with designer frames? Oh God, do you see a cravat? His fingernails are clean and white. His palms are silky and uncalloused. If you grip him by his upper arm, your fingers plunge to the bone. He prefers wine to beer. But when he drinks beer, he favors pretentious microbrews that he sniffs and swirls, while waxing on about oaky hints and lemony essences. You are imagining a man, yes, but one whose masculinity is so refined, so sanded down and smoothed away, that it’s hard to see how it differs from femininity. It has been said that the humanities have been feminized. In English departments, where the demographics of professors and students now skew strongly female, this is literally so. But English departments have also been feminized in spirit. There’s a sense in which if you are a guy who wants to be a literature professor, it’s wise to actively suppress all of the offensive cues that you are actually a guy. Or at least that’s how it has always seemed to me. And I think that’s how it seems to most people. In the public mind, teaching English is about as manly as styling hair.

took the magazine from him and turned it the right way round. There they were again, the images of my childhood: bold, striding, confident, their arms flung out as if to claim space, their legs apart, feet planted squarely on the earth. There was something Renaissance about the pose, but it was princes I thought of, not coiffed and ringleted maidens. Those candid eyes, shadowed with makeup, yes, but like the eyes of cats, fixed for the pounce. No quailing, no clinging there, not in those capes and rough tweeds, those boots that came to the knee. Pirates, these women, with their ladylike briefcases for the loot and their horsy acquisitive teeth. I

Als je mij vraagt zijn er drie belangrijke stadia in de geschiedenis van de mens. In het eerste kende hij zijn eigen spiegelbeeld niet, evenmin als een dier dat kent. Laat een kat in een spiegel kijken en hij denkt dat het een raam is waarachter een andere kat staat. Blaast ertegen, loopt er omheen. Op den duur is hij niet meer geïnteresseerd; sommige katten tonen zelfs nooit enige belangstelling voor hun spiegelbeeld. Zo zijn de eerste mensen ook geweest. Honderd procent subjectief. Een ‘ik’ dat zich vragen kon stellen over een 'zelf’ bestond niet. Tweede stadium: Narcissus ontdekt het spiegelbeeld. Niet Prometheus die het vuur ontdekte is de grootste geleerde van de Oudheid, maar Narcissus. Voor het eerst ziet 'ik’ zich 'zelf’. Psychologie was in dit stadium een overbodige wetenschap, want de mens was voor zichzelf wat hij was, namelijk zijn spiegelbeeld. Hij kon ervan houden of niet, maar hij werd niet door zichzelf verraden. Ik en zelf waren symmetrisch, elkaars spiegelbeeld, meer niet. Wij liegen en het spiegelbeeld liegt met ons mee. Pas in het derde stadium hebben wij de genadeslag van de waarheid gekregen. Het derde stadium begint met de uitvinding van de fotografie. Hoe dikwijls gebeurt het dat er een pasfoto van ons gemaakt wordt waarvan wij evenveel houden als van ons spiegelbeeld? Hoogst zelden! Voordien, als iemand zijn portret liet schilderen en het beviel hem niet, kon hij de schuld aan de schilder geven. Maar de camera, weten wij, kan niet liegen. En zo kom je in de loop van de jaren, via talloze foto’s, erachter dat je meestal niet jezelf bent, niet symmetrisch met jezelf, maar dat je het grootste deel van je leven in een aantal vreemde incarnaties bestaat voor welke je alle verantwoordelijkheid van de hand zou wijzen als je kon. De angst dat andere mensen hem zien zoals hij is op die foto’s die hij niet kan endosseren, dat ze hem misschien nooit zien zoals het spiegelbeeld waarvan hij houdt, heeft de menselijke individu versplinterd tot een groep die uit een generaal plus een bende muitende soldaten bestaat. Een Ik dat iets wil zijn - en een aantal schijngestalten die het Ik onophoudelijk afvallen. Dat is het derde stadium: het voordien vrij zeldzame twijfelen aan zichzelf, laait op tot radeloosheid. De psychologie komt tot bloei.

He went on thus to call over names celebrated in Scottish song, and most of which had recently received a romantic interest from his own pen. In fact, I saw a great part of the border country spread out before me, and could trace the scenes of those poems and romances which had, in a manner, bewitched the world. I gazed about me for a time with mute surprise, I may almost say with disappointment. I beheld a mere succession of gray waving hills, line beyond line, as far as my eye could reach; monotonous in their aspect, and so destitute of trees, that one could almost see a stout fly walking along their profile; and the far-famed Tweed appeared a naked stream, flowing between bare hills, without a tree or thicket on its banks; and yet, such had been the magic web of poetry and romance thrown over the whole, that it had a greater charm for me than the richest scenery I beheld in England. I could not help giving utterance to my thoughts. Scott hummed for a moment to himself, and looked grave; he had no idea of having his muse complimented at the expense of his native hills. "It may be partiality," said he, at length; "but to my eye, these gray hills and all this wild border country have beauties peculiar to themselves. I like the very nakedness of the land; it has something bold, and stern, and solitary about it. When I have been for some time in the rich scenery about Edinburgh, which is like ornamented garden land, I begin to wish myself back again among my own honest gray hills; and if I did not see the heather at least once a year, I think I should die!

In this country faith is absolute and universal. The choice, if there is a choice, is made at birth. Everyone believes. For these people, God is a near neighbour. I thought of Sundays at home when I was a child, buttoned up in an uncomfortable tweed jacket and forced to go to Sunday communion. I remember mouthing the hymns without really singing, peering between my fingers at the rest of the congregation when I was supposed to be praying, twisting in my seat during the sermon, aching with impatience for the whole boring ritual to be over. I can’t remember when I last went to church. I must have been since Mary and I were married but I can’t remember when. I don’t know anyone who does go to church now. It’s extraordinary, isn’t it? I know I live amongst scientists and civil servants, and Mary’s friends are all bankers or economists, so perhaps we are not typical. You still see people coming out of church on Sunday morning, chatting on the steps, shaking hands with the vicar, as you drive past on your way to get the Sunday papers, relieved you are too old now to be told to go. But no one I know goes any more. We never talk about it. We never think about it. I cannot easily remember the words of the Lord’s Prayer. We have moved on from religion. Instead of going to church, which would never occur to us, Mary and I go to Tesco together on Sundays. At least, that is what we did when she still lived in London. We never have time to shop during the week and Saturdays are too busy. But on Sunday our local Tesco is just quiet enough to get round without being hit in the ankles all the time by other people’s shopping carts. We take our time wheeling the shopping cart around the vast cavern, goggling at the flatscreen TVs we cannot afford, occasionally tossing some minor luxury into the trolley that we can afford but not justify. I suppose shopping in Tesco on Sunday morning is in itself a sort of meditative experience: in some way a shared moment with the hundreds of other shoppers all wheeling their shopping carts, and a shared moment with Mary, come to that. Most of the people I see shopping on Sunday morning have that peaceful, dreamy expression on their faces that I know is on ours. That is our Sunday ritual. Now, I am in a different country, with a different woman by my side. But I feel as if I am in more than just a different country; I am in another world, a world where faith and prayer are instinctive and universal, where not to pray, not to be able to pray, is an affliction worse than blindness, where disconnection from God is worse than losing a limb.

Directly Mr Pye stepped ashore he heard her voice. 'The name is Dredger,' it said. Mr Pye lifted his head again, his thorn-shaped nose veering towards her and the rest of his round face following it, as a ship must follow its bowsprit. His little mouth continued to smile gently but it gave nothing away. As he remained silent, Miss Dredger raised her voice as though to establish the fact of her forthright nature from the outset. 'Mr Pye, I imagine!' Her new acquaintance removed his glasses, wiped them carefully, and re-set them on his nose. 'Who else?' he murmured. 'Who else, dear lady?' As Miss Dredger could not think 'who' else could possibly be Mr Pye, and had no wish to follow so foolish a train of conjecture, she blew some smoke out of her nostrils. Mr Pye watched the smoke-jets with interest, ad then, as though he were suggesting an alternative attitude to life, he drew a little box from his waistcoat pocket and helped himself to a fruit-drop. At this, Miss Dredger raised one of her black eyebrows, and as she did so she caught sight of young Pépé - and seeing him reminded her of Mr Pye's luggage. She turned to Mr Pye, her scrubbed hands on her tweed hips. 'What have you brought with you?' she said. Mr Pye turned his gaze upon her. 'Love,' he said. 'Just ... Love ...' and then he transferred the fruit-drop from one cheek to the other with a flick of his experience tongue. His fat little hands that held the lapels of his coat were quite green with the light reflected from the harbour water. Miss Dredger's face had turned the most dreadful colour and she had shut her eyes. The smoke drifted out of her nostrils with no enthusiasm. There were some things that simply are not mentioned - unless one wishes to be offensive and embarrassing. Religion, Art, and now this new horror - Love. What on earth did the man mean?

Het conflict tussen bedrijven en actievoerders is dat van narcolepsie versus herinnering. De bedrijven hebben geld, macht en invloed. Ons enige wapen is publieke verontwaardiging. Verontwaardiging heeft de Yuccan Dam verhinderd, Nixon afgezet en, ten dele, een einde gemakt aan de wandaden in Vietnam. Maar verontwaardiging is moeilijk tot stand te brengen en te hanteren Allereerst moet je een nauwkeurig onderzoek hebben; in de tweede plaats wijdverbreid bewustzijn; pas als dat een kritische massa heeft bereikt komt publieke verontwaardiging als een explosie tot stand. Elke fase kan gesaboteerd worden. De Alberto Grimaldi's kunnen nauwkeurig onderzoek bestrijden door de waarheid te begraven in commissies, saaiheid en onjuiste informatie, of door de onderzoekers te intimideren. Ze kunnen bewustzijn doven door misleidende educatie, door tv-stations te bezitten, een "vergoeding" te betalen aan invloedrijke schrijvers of gewoon door media op te kopen. In de media - en niet alleen in de Washington Post - voert een democratie zijn burgeroorlogen.

he was all against the banks but all for the bankers—except the Jewish bankers, who were to be driven out of finance entirely; that he had thoroughly tested (but unspecified) plans to make all wages very high and the prices of everything produced by these same highly paid workers very low; that he was 100 per cent for Labor, but 100 per cent against all strikes; and that he was in favor of the United States so arming itself, so preparing to produce its own coffee, sugar, perfumes, tweeds, and nickel instead of importing them, that it could defy the World. . .and maybe, if that World was so impertinent as to defy America in turn, Buzz hinted, he might have to take it over and run it properly. Each moment the brassy importunities of the radio seemed to Doremus the more offensive, while the hillside slept in the heavy summer night, and he thought about the mazurka of the fireflies, the rhythm of crickets like the rhythm of the revolving earth itself, the voluptuous breezes that bore away the stink of cigars and sweat and whisky breaths and mint chewing-gum that seemed to come to them from the convention over the sound waves, along with the oratory.