Tweed Jacket Quotes

Do not think of him with Blay. Do not think of him with Blay. Do not think of him— “I didn’t know you were a sherry man.” “Huh?" Qhuinn glanced down at what he’d poured himself. Fuck. In the midst of the self-lecture, he’d picked up the wrong bottle. “Oh, you know… I’m good with it.” To prove the point, he tossed back the hooch—and nearly choked as the sweetness hit his throat. He served himself another only so he didn’t look like the kind of idiot who wouldn’t know what he was dishing out into his own glass. Okay, gag. The second was worse than the first. From out of the corner of his eye, he watched Saxton settle in at the table, the brass lamp in front of him casting the most perfect glow over his face. Shiiiiiit, he looked like something out of a Ralph Lauren ad, with his buff-colored tweed jacket and his pointed pocket square and that button-down/sweater vest combo keeping his fucking liver cozy. Meanwhile, Qhuinn was sporting hospital scrubs, bare feet. And sherry.

Of the seminal moments in my life, Careers Day in the autumn of Year 5 is my favorite. Everyone had to dress as whatever they wanted to be once they grew up. I had gone in a tweed jacket and a bow tie, and when Miss Weston asked me what I wanted to be, I told her that I wanted to be the Doctor. 'Shouldn't you be wearing a lab coat and stethoscope like Paul?' She pointed to Paul Black, who was trying to strangle everyone with the stethoscope in question. Before I could answer, a boy I didn't know from the other class spoke up. 'Paul's *a* doctor,' he explained, giving me a look of approval. 'He wants to be *the* Doctor.' 'Who?' 'Exactly,' we said at the same time, relieved that she understood. She didn't. We were sent to the quiet table to reflect on why cheeking teachers was wrong.

And let’s debunk one bit of writer myth while we’re here: Doing a seventeenth revision on a project does not make a writer an artist or move him above the writer hoi polloi any more than dressing entirely in black or wearing tweed jackets with leather elbow patches or big, black drover coats. These are all affectations, and smack of dilettantism. Real writers, and real artists, finish books and move on to the next project.

And here I was in brown slacks and a tweed jacket over a sports shirt called, according to the salesman, "Hot Hula." At least there were no wild Balinese babes doing things on the shirt; it was just colorful.

I still remember our first meeting, when Albers brought him to my house. On the little carriage which carried him from the station, and which was hardly built with such loads in mind, sat a massive figure who appeared even more enormous by virtue of the thick overcoat he wore. Everything about him had the effect of extraordinary permanence and solidity: the deep bass voice; the tweed jacket, already, at that time, almost habitual; the appetite at dinner; and at night, the truly Cyclopean snoring, loud as a series of buzz saws, which frightened the other guests at my Chiemgau country house out of their peaceful slumbers.

Seen on her own, the woman was not so remarkable. Tall, angular, aquiline features, with the close-cropped hair which was fashionably called an Eton crop, he seemed to remember, in his mother's day, and about her person the stamp of that particular generation. She would be in her middle sixties, he supposed, the masculine shirt with collar and tie, sports jacket, grey tweed skirt coming to mid-calf. Grey stockings and laced black shoes. He had seen the type on golf courses and at dog shows - invariably showing not sporting breeds but pugs - and if you came across them at a party in somebody's house they were quicker on the draw with a cigarette lighter than he was himself, a mere male, with pocket matches. The general belief that they kept house with a more feminine, fluffy companion was not always true. Frequently they boasted, and adored, a golfing husband. ("Don't Look Now")

He was a tall, broad-shouldered, white-haired man with a face as serviceable as an oar; in fact, he was an oarsman, and an outdoorsman—a man who preferred soft, unironed trousers, maybe khakis or corduroys, and a tweed jacket with the elbow patches in need of a thread here or there.

His students were usually struck first by his appearance: he wore old tweed jackets until they fell apart, kept well into his fifties overcoats that he had inherited from Albert, and, with his ruddy complexion and hearty manner, reminded many students of a grocer or a butcher. But the voice soon captivated them. Little

Heaven forbid you do anything -cliché-, Mr. English-Professor-in-Training," says Dodger. "You might find a single cliché is a gateway drug to tweed jackets and khaki slacks, and the next thing you know, you're teaching Kerouac and making eyes at that cute undergrad in the front row who makes you think about fucking all of Middle America in one triumphant go.

Brian was known to value courage as the crown of the virtues, and he exhibited it by coming into work every day in the same clothes. To his credit, there was nothing malodorous about him - presumably he bathed and visited the dry-cleaners on a regular basis – but thirty years in a tweed jacket and khaki trousers was a long time. What made it doubly odd was that he also valued glamour.

Mr. Brunner was this middle-aged guy in a motorized wheelchair. He had thinning hair and a scruffy beard and a frayed tweed jacket, which always smelled like coffee. You wouldn’t think he’d be cool, but he told stories and jokes and let us play games in class. He also had this awesome collection of Roman armor and weapons, so he was the only teacher whose class didn’t put me to sleep.

During those years his writers were Kerouac, Hesse and Camus. From among the living, Lowell, Moorcock, Ballard and Burroughs. Ballard had been to King’s, Cambridge but Roland forgave him that, as he would have forgiven him anything. He had a romantic view of writers. They should be, if not barefoot bums, light-footed, unrooted, free, living a vagabond life on the edge, gazing into the abyss and telling the world what was down there. Not knighthoods or pearls, for sure. Decades later he was more generous. Less stupid. A tweed jacket never stopped anyone from writing well. He believed it was extremely difficult to write a very good novel and to get halfway there was also an achievement. He deplored the way literary editors commissioned novelists rather than critics to review each other’s work. He thought it was a grisly spectacle, insecure writers condemning the fiction of their colleagues to make elbow room for themselves. His ignorant twenty-seven-year-old self would have sneered at Roland’s favourites now. He was reading through a domestic canon that lay just beyond the great encampments of literary modernism. Henry Green, Antonia White, Barbara Pym, Ford Madox Ford, Ivy Compton-Burnett, Patrick Hamilton. Some had

But there’s never been anyone? Really?” Sarah shrugs. “Penny and I were tutored at home when we were young . . . but in year ten, there was this one boy.” I rub my hands together. “Here we go—tell me everything. I want all the sick, lurid details. Was he a footballer? Big and strong, captain of the team, the most popular boy in school?” I could see it. Sarah’s delicate, long and lithe, but dainty, beautiful—any young man would’ve been desperate to have her on his arm. In his lap. In his bed, on the hood of his car, riding his face . . . all of the above. “He was captain of the chess team.” I cover my eyes with my hand. “His name was Davey. He wore these adorable tweed jackets and bow ties, he had blond hair, and was a bit pale because of the asthma. He had the same glasses as I and he had a different pair of argyle socks for every day of the year.” “You’re messing with me, right?” She shakes her head. “Argyle socks, Sarah? I am so disappointed in you right now.” “He was nice,” she chides. “You leave my Davey alone.” Then she laughs again—delighted and free. My cock reacts hard and fast, emphasis on hard. It’s like sodding granite. “So what happened to old Davey boy?” “I was alone in the library one day and he came up and started to ask me to the spring social. And I was so excited and nervous I could barely breathe.” I picture how she must’ve looked then. But in my mind’s eyes she’s really not any different than she is right now. Innocent, sweet, and so real she couldn’t deceive someone if her life depended on it. “And then before he could finish the question, I . . .” I don’t realize I’m leaning toward her until she stops talking and I almost fall over. “You . . . what?” Sarah hides behind her hands. “I threw up on him.” And I try not to laugh. I swear I try . . . but I’m only human. So I end up laughing so hard the car shakes and I can’t speak for several minutes. “Christ almighty.” “And I’d had fish and chips for lunch.” Sarah’s laughing too. “It was awful.” “Oh you poor thing.” I shake my head, still chuckling. “And poor Davey.” “Yes.” She wipes under her eyes with her finger. “Poor Davey. He never came near me again after that.” “Coward—he didn’t deserve you. I would’ve swam through a whole lake of puke to take a girl like you to the social.” She smiles so brightly at me, her cheeks maroon and round like two shiny apples. “I think that’s the nicest thing anyone’s ever said to me.” I wiggle my eyebrows. “I’m all about the compliments.

In this country faith is absolute and universal. The choice, if there is a choice, is made at birth. Everyone believes. For these people, God is a near neighbour. I thought of Sundays at home when I was a child, buttoned up in an uncomfortable tweed jacket and forced to go to Sunday communion. I remember mouthing the hymns without really singing, peering between my fingers at the rest of the congregation when I was supposed to be praying, twisting in my seat during the sermon, aching with impatience for the whole boring ritual to be over. I can’t remember when I last went to church. I must have been since Mary and I were married but I can’t remember when. I don’t know anyone who does go to church now. It’s extraordinary, isn’t it? I know I live amongst scientists and civil servants, and Mary’s friends are all bankers or economists, so perhaps we are not typical. You still see people coming out of church on Sunday morning, chatting on the steps, shaking hands with the vicar, as you drive past on your way to get the Sunday papers, relieved you are too old now to be told to go. But no one I know goes any more. We never talk about it. We never think about it. I cannot easily remember the words of the Lord’s Prayer. We have moved on from religion. Instead of going to church, which would never occur to us, Mary and I go to Tesco together on Sundays. At least, that is what we did when she still lived in London. We never have time to shop during the week and Saturdays are too busy. But on Sunday our local Tesco is just quiet enough to get round without being hit in the ankles all the time by other people’s shopping carts. We take our time wheeling the shopping cart around the vast cavern, goggling at the flatscreen TVs we cannot afford, occasionally tossing some minor luxury into the trolley that we can afford but not justify. I suppose shopping in Tesco on Sunday morning is in itself a sort of meditative experience: in some way a shared moment with the hundreds of other shoppers all wheeling their shopping carts, and a shared moment with Mary, come to that. Most of the people I see shopping on Sunday morning have that peaceful, dreamy expression on their faces that I know is on ours. That is our Sunday ritual. Now, I am in a different country, with a different woman by my side. But I feel as if I am in more than just a different country; I am in another world, a world where faith and prayer are instinctive and universal, where not to pray, not to be able to pray, is an affliction worse than blindness, where disconnection from God is worse than losing a limb.

Writers are tough sons-of-bitches. It’s hard enough to write a book. Then you have to wade into this street fight we call the publishing industry and start pitching your project. The tweed jacket crowd is gone, replaced by Darwinian corporate mergers, staff churn, the e-book earthquake, anti-trust pricing scuffles, and book platforms multiplying like rabbits. You have to sort through too much personal information on too few agents, searching for a hook, parsing what they love, and what they want, and exactly how they want it presented. Your pitch letter has to be pitch perfect, a polished gem. You gotta sell more than a well-wrought paragraph; only Clancy and Cussler get a promo budget. You gotta show them you’ve got a social media game – tweet, facebook, link-in, chat, blog. You gotta help them sell your book. So what. I wouldn’t trade this trade for anything. Thanks, Gutenberg, for inventing this game I love.

Jesus doesn’t approve of my hedonistic lifestyle. We’re incompatible. You may look at me and see a well-dressed nerd. But behind the tweed jacket and bowtie and Harry Potter glasses is a man full of ugly vices,” Ross confessed. “That makes you a perfect candidate to be friends with Jesus. When he walked on earth he often hung out with rich men and prostitutes, as well as misfits, outcasts, lepers and the destitute. And he tended to shy away from people who thought they were faultless.” “You make Jesus sound like a party animal,” Ross said. Rafter grinned. “He sort of was. He caused a stir wherever he went. Jesus performed his first miracle at a wedding feast when he turned water into wine. And then he really shook things up when he caused the sun to stop shining and the earth to quake on the first Good Friday.

Soon, I found myself criss-crossing the country with Steve, in what we called our “dog and pony show,” trying to drum up interest in our initial public offering. As we traveled from one investment house to another, Steve (in a costume he rarely wore: suit and tie) pushed to secure early commitments, while I added a professorial presence by donning, at Steve’s insistence, a tweed jacket with elbow patches. I was supposed to embody the image of what a “technical genius” looks like—though, frankly, I don’t know anyone in computer science who dresses that way. Steve, as pitch man, was on fire. Pixar was a movie studio the likes of which no one had ever seen, he said, built on a foundation of cutting-edge technology and original storytelling. We would go public one week after Toy Story opened, when no one would question that Pixar was for real. Steve turned out to be right. As our first movie broke records at the box office and as all our dreams seemed to be coming true, our initial public offering raised nearly $140 million for the company—the biggest IPO of 1995. And a few months later, as if on cue, Eisner called, saying that he wanted to renegotiate the deal and keep us as a partner. He accepted Steve’s offer of a 50/50 split. I was amazed; Steve had called this exactly right. His clarity and execution were stunning. For me, this moment was the culmination of such a lengthy series of pursuits, it was almost impossible to take in. I had spent twenty years inventing new technological tools, helping to found a company, and working hard to make all the facets of this company communicate and work well together. All of this had been in the service of a single goal: making a computer-animated feature film. And now, we’d not only done it; thanks to Steve, we were on steadier financial ground than we’d ever been before. For the first time since our founding, our jobs were safe. I

Paul Costelloe One of the most established and experienced names in British fashion, Irish-born Paul Costelloe has maintained a highly successful design label for more than twenty-five years. He was educated in Paris and Milan, and has since become known for his expertise in fabrics, primarily crisp linen and tweed. I remember another moment, in the pouring rain in Hyde Park, when Pavarotti was singing for an audience. Diana went up to him in a design of mine, a double-breasted suit consisting of a jacket and skirt. She was absolutely soaked and she was beautifully suntanned. To me, the most radiant photograph of her that has ever appeared anywhere was taken then. If you ever get a chance to look at it, you must. It is featured in a couple of books about her. It really is something special to me--I have it on my wall, in my studio, at this very moment. Whenever I look at it, I get a lump in my throat. There was another occasion when she wore something of mine that stands out in my mind. Diana was wearing a very sheer skirt and jacket and was standing in the sun. She was in India, in front of the Taj Mahal, and her skirt was see-through. Of course, the press went full out on that. My last memory of her is when she was wearing a linen dress of mine in Melbourne and was surrounded by a large group of Australian swimmers. That, for me, was a very exciting moment. She was always incredibly polite, incredibly generous. There is simply no comparison. She had a completely different manner from everyone else. I have been to Buckingham Palace, and she was always far above the rest. I must have been the one and only Irishman ever to dress a member of the Royal Family!

Subconsciously, or maybe not, they picked up the pace. A few seconds later, Lindsey said, “Bobby?” Bobby Dodd rose from the card table. The first word that came to mind: Dapper. He looked sprightly and fresh. He had dark black skin, thick wrinkles like something you might see on an alligator. He was a snappy dresser in a tweed jacket, two-tone loafers, red ascot with matching hanky. His gray hair was cropped close and slicked down. His

He was attractive and he knew it, but he pretended he had no idea. Therefore he was both vain and disingenuous. Tall, or so he seemed to Jess, he looked Italian with his dark skin and dark eyes. Very old- again, from Jess's point of view- where anyone past thirty harked back to another era altogether. Despite his years, George had a powerful body, a broad chest, a face of light and shade, a glint of humor even in his frown. When he wasn't lobbing his sarcastic comments, he seemed scholarly and peaceful, like a Renaissance St. Jerome at work in his cave of books. All he needed was a skull on his desk and a lion at his sandaled feet. He wore T-shirts, jeans, rimless reading glasses, sometimes tweed jackets. He had the deep didactic voice of a man who had smoked for years and then suddenly quit and now hated smokers everywhere. He never watched television, and he never tired of telling people so. But the most pretentious thing about him was his long hair. With his chestnut locks of threaded gray, he was a fly caught in amber, the product and exemplar of a lost world.

The female of this species can be roughly divided into two types: indoors and outdoors. Both are utterly terrifying. Neither generally wears pantalon rouge, but there is unquestionably a uniform. I’m not sufficiently au fait with it to know who makes it, but they must have made a fortune out of it as it appears to be a mandatory sartorial requirement. It’s a sort of green tartan waistcoat, made from the hardiest of tweed. It looks like the sort of thing that’s tough enough to drag through a hedge backwards without damaging a single stitch. It is invariably accompanied by a waxed jacket (Barbour). The outdoor female pantalon rouge wears, without exception, trousers that she has almost certainly knitted herself with the wool from the pelt of a long extinct species of mammal which has been hanging on the wall of her ancestral home for several hundred years; they are sufficiently coarse that they could comfortably exfoliate a rhinoceros. Every item of her clothing is of a colour that might have been designed with no other purpose than to disguise mud, a material of which she maintains a permanent film.

Ian Cornwell tries too hard to look professorial—unruly hair, unkempt beard, tweed jacket, mustard-hued corduroy pants.

Tension stretches across my back like a wire hanger. “What does that mean?” “It’s just an awkward time to be talking black and sleeping white.” He shrugs the linebacker shoulders rebelling against his tweed sports jacket with patches on the elbows. “To be dating someone outside your community when you’re emerging as such a voice for it.” The smartest man I know just said some dumb shit. “You see those two things as somehow incongruous?” My question is laced with dread as I brace myself for the man I saw as a hero to show his feet of clay.

Kyosuke was right on time, as usual. He was dressed in winter-white flannel trousers, a black turtleneck sweater, and a gray-and-black herringbone tweed jacket. An oyster-colored silk scarf was slung carelessly around his neck. Kenzo, who had thrown on some wrinkled khaki slacks and an old tan sweater, stared admiringly at his friend’s dashing getup.

Chiron sighed. He shed his tweed jacket

A loud smack startles me and I pull back, but it doesn’t phase him. It was the book. He cast it to the floor so he could grasp my waist with firm fingers. He dives for my neck, layering searing kisses to my surging pulse. “I feel compelled to tell you that I hate you,” I breathe as he bites and sucks on my skin. I start tugging the collar of his jacket off. “Just like I hate your leather satchel and your hideous tweed jacket that looks like it came from the hipster reject pile. If I could feel secondhand embarrassment for anyone, I would feel it for you.” Kaplan’s dark laugh heats my skin as he nips my earlobe and a moan escapes my lips. “Good. I’ll wear it every fucking day. I’ll even sew suede patches on the elbows.

She's a tall skinny old girl in a tweed jacket and brown corduroy trousers, long restless hands stained yellow, rings on every finger. Hair tied up in a bandanna and clear, fierce blue eyes like mine. You'd know us anywhere as brother and sister, lanky, beaky customers with these piercing eyes and silver hair.

Pride of place in my wardrobe is an Edwardian-style Norfolk Jacket in Derby Tweed. It is silk-lined with leather-clad buttons and has a smell that reminds me of wet moss and fallen leaves.

The real reason I like natural fabrics is not just because they are traditional, but because of their provenance. I like the thought that, for example, a favourite tweed jacket was once a sheep, living upon a mountain in Scotland.

Catia’s hired a local guide to whisk us around, and, I suspect, instructed him to tire us out so thoroughly that we wouldn’t have much energy for sneaking off with lifeguards, boys from the Lido, or art teachers. Certainly, though the guide’s a man, Catia has picked one who won’t be any temptation to a group of single teenage girls. He’s a skinny, hollow-chested academic type who wears a sweater and tweed jacket even in this hot weather. It’s just really unfortunate that he’s also called Luigi.

Malhotra wore a tweed jacket and matching hat, which were probably better suited for shooting ducks in the English countryside than eating paneer pakoras in Delhi.