Twain Death Quotes

The fear of death follows from the fear of life. A man who lives fully is prepared to die at any time.

I do not fear death. I had been dead for billions and billions of years before I was born, and had not suffered the slightest inconvenience from it.

The reports of my death are greatly exaggerated.

Comparison is the death of joy.

To me [Edgar Allan Poe's] prose is unreadable—like Jane Austin's [sic]. No there is a difference. I could read his prose on salary, but not Jane's. Jane is entirely impossible. It seems a great pity that they allowed her to die a natural death.

Let us endeavor so to live that when we come to die even the undertaker will be sorry.

My kind of loyalty was loyalty to one's country, not to its institutions or its officeholders. The country is the real thing, the substantial thing, the eternal thing; it is the thing to watch over, and care for, and be loyal to; institutions are extraneous, they are its mere clothing, and clothing can wear out, become ragged, cease to be comfortable, cease to protect the body from winter, disease, and death.

THERE were two “Reigns of Terror,” if we would but remember it and consider it; the one wrought murder in hot passion, the other in heartless cold blood; the one lasted mere months, the other had lasted a thousand years; the one inflicted death upon ten thousand persons, the other upon a hundred millions; but our shudders are all for the “horrors” of the minor Terror, the momentary Terror, so to speak; whereas, what is the horror of swift death by the axe, compared with lifelong death from hunger, cold, insult, cruelty, and heart-break? What is swift death by lightning compared with death by slow fire at the stake? A city cemetery could contain the coffins filled by that brief Terror which we have all been so diligently taught to shiver at and mourn over; but all France could hardly contain the coffins filled by that older and real Terror—that unspeakably bitter and awful Terror which none of us has been taught to see in its vastness or pity as it deserves.

Do the thing you fear the most and the death of fear is certain.

Well, there are times when one would like to hang the whole human race and finish the farce.

I would like to live in Manchester, England. The transition between Manchester and death would be unnoticeable.

But death was sweet, death was gentle, death was kind; death healed the bruised spirit and the broken heart, and gave them rest and forgetfulness; death was man’s best friend; when man could endure life no longer, death came and set him free.

Warm summer sun, shine brightly here, Warm Southern wind, blow softly here, Green sod above, lie light, lie light, Good night, dear heart; good night, good night.

I was standing in our dining-room thinking of nothing in particular, when a cablegram was put into my hand. It said, 'Susy was peacefully released today.' It is one of the mysteries of our nature that a man, all unprepared, can receive a thunder-stroke like that and live.

Nature is bent on new beginning and death has not a chance of winning...

Wilson stopped and stood silent. Inattention dies a quick and sure death when a speaker does that.

Yes, King Edward VI lived only a few years, poor boy, but he lived them worthily.

It is a time when one’s spirit is subdued and sad, one knows not why; when the past seems a storm-swept desolation, life a vanity and a burden, and the future but a way to death. It is a time when one is filled with vague longings; when one dreams of flight to peaceful islands in the remote solitudes of the sea, or folds his hands and says, What is the use of struggling, and toiling and worrying any more? let us give it all up.

I deserve it all. Let the cold world do its worst; one thing I know--there's a grave somewhere for me. The world may go on just as its always done, and take everything from me--loved ones, property, everything--but it can't take that. Some day I'll lie down in it and forget it all, and my poor broken heart will be at rest.

Except for my daughters, I have not grieved for any death as I have grieved for his. His was a great and beautiful spirit, he was a man – all man, from his crown to his footsoles. My reverence for him was deep and genuine.

Sir Thomas More was a victim of injustice and irony. Generously and meekly, just as he was about to be martyred, he said: Paul . . . was present, and consented to the death of St. Stephen, and kept their clothes that stoned him to death, and yet be they [Stephen and Paul] now both twain Holy Saints in heaven, and shall continue there friends for ever, so I verily trust and . . . pray, that though your lordships have now here in earth been judges to my condemnation, we may yet hereafter in heaven merrily all meet together, to our everlasting salvation.

Looking' his last' upon the scene of his former joys and his later sufferings, and wishing 'she' could see him now, abroad on the wild sea, facing peril and death with a dauntless heart, going to his doom with a grim smile on his lips.

Mark Twain nailed it: “Comparison is the death of joy.

It is a time when one's spirit is subdued and sad, one knows not why; when the past seems a storm-swept desolation, life a vanity and a burden, and the future but a way to death.

The first time the Deity came down to earth, he brought life and death; when he came the second time, he brought hell.

James Elly Kleinman, a cousin of mine was seriously ill two or three weeks ago, in New York, but is well now. The report of my illness grew out of his illness, the report of my death was an exaggeration.

Ah, Lalage! while life is ours, Hoard not thy beauty rose and white, But pluck the pretty fleeing flowers That deck our little path of light: For all too soon we twain shall tread The bitter pastures of the dead: Estranged, sad spectres of the night.

I set down in a chair by the window and tried to think of something cheerful, but it warn't no use. I felt so lonesome I most wished I was dead.

Whoever has lived long enough to find out what life is, knows how deep a debt of gratitude we owe to Adam, the first great benefactor of our race. He brought death into the world.

Courage is resistance to fear, mastery of fear-not absence of fear. Except a creature be part coward it is not a compliment to say it is brave; it is merely a loose misapplication of the word. Consider the flea!-Incomparably the bravest of all the creatures of God, if ignorance of fear were courage. Whether you are asleep or awake he will attack you, caring nothing for the fact that in bulk and strength you are to him as are the massed armies of the earth to a sucking child; he lives both day and night and all days and nights in the very lap of peril and the immediate presence of death, and yet is no more afraid than is the man who walks the streets of a city that was threatened by an earthquake ten centuries before. When we speak of Clive, Nelson, and Putnam as men who "didn't know what fear was," we ought always to add the flea-and put him at the head of the procession.

Homer, in the second book of the Iliad says with fine enthusiasm, "Give me masturbation or give me death." Caesar, in his Commentaries, says, "To the lonely it is company; to the forsaken it is a friend; to the aged and to the impotent it is a benefactor. They that are penniless are yet rich, in that they still have this majestic diversion." In another place this experienced observer has said, "There are times when I prefer it to sodomy." Robinson Crusoe says, "I cannot describe what I owe to this gentle art." Queen Elizabeth said, "It is the bulwark of virginity." Cetewayo, the Zulu hero, remarked, "A jerk in the hand is worth two in the bush." The immortal Franklin has said, "Masturbation is the best policy." Michelangelo and all of the other old masters--"old masters," I will remark, is an abbreviation, a contraction--have used similar language. Michelangelo said to Pope Julius II, "Self-negation is noble, self-culture beneficent, self-possession is manly, but to the truly great and inspiring soul they are poor and tame compared with self-abuse." Mr. Brown, here, in one of his latest and most graceful poems, refers to it in an eloquent line which is destined to live to the end of time--"None knows it but to love it; none name it but to praise.

I lost Susy thirteen years ago; I lost her mother--her incomparable mother!--five and a half years ago; Clara has gone away to live in Europe and now I have lost Jean. How poor I am, who was once so rich! . . . Jean lies yonder, I sit here; we are strangers under our own roof; we kissed hands good-by at this door last night--and it was forever, we never suspecting it. She lies there, and I sit here--writing, busying myself, to keep my heart from breaking. How dazzling the sunshine is flooding the hills around! It is like a mockery. Seventy-four years ago twenty-four days. Seventy-four years old yesterday. Who can estimate my age today?

The country is the real thing, the substantial thing, the eternal thing; it is the thing to watch over, and care for, and be loyal to; institutions are extraneous, they are its mere clothing, and clothing can wear out, become ragged, cease to be comfortable, cease to protect the body from winter, disease, and death. To be loyal to rags, to shout for rags, to die for rags--that is a loyalty of unreason, it is pure animal; it belongs to monarchy, was invented by monarchy; let monarchy keep it.

I was afraid of a united Church; it makes a mighty power, the mightiest conceivable, and then when it by and by gets into selfish hands, as it is always bound to do, it means death to human liberty and paralysis to human thought.

Death is to life as heaven is to hell they're both dependent on each other

Live, and be prosperous: and farewell, good fellow. Juliet! ...O my love! my wife! Death, that hath sucked the honey of thy breath, Hath had no power yet upon thy beauty: Thou art not conquered; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there. Tybalt, liest thou there in thy bloody sheet? O, what more favor can I do to thee, Than with that hand that cut thy youth in twain To sunder his that was thine enemy? Forgive me, cousin! Ah, dear Juliet, Why art thou yet so fair? shall I believe That unsubstantial death is amorous, And that the lean abhorred monster keeps Thee here in dark to be his paramour? For fear of that, I still will stay with thee; And never from this palace of dim night Depart again: here, here will I remain With worms that are thy chamber-maids...Eyes, look your last. Arms, take your last embrace. and, lips, O you The doors of breath, seal with a righteous kiss A dateless bargain to engrossing death... Here's to my love!...Thus with a kiss I die.

Life was not a valuable gift, but death was. Life was a fever-dream made up of joys embittered by sorrows, pleasure poisoned by pain; a dream that was a nightmare-confusion of spasmodic and fleeting delights, ecstasies, exultations, happinesses, interspersed with long-drawn miseries, griefs, perils, horrors, disappointments, defeats,humiliations, and despairs--the heaviest curse devisable by divine ingenuity; but death was sweet, death was gentle, death was kind; death healed the bruised spirit and the broken heart, and gave them rest and forgetfulness; death was man's best friend; when man could endure life no longer, death came and set him free.

I am drawn to Tom Sawyer Island because a tribute to Mark Twain would not be out of place in a theme park of my own design. Should Vowell World ever get enough investors, I'm going to stick my Tom Sawyer Island in Love and Death in the American Novel Land right between the Jay Gatsby Swimming Pool and Tom Joad's Dust Bowl Lanes, a Depression-themed bowling alley renting artfully worn-out shoes.

Jimmy Finn was not burned in the calaboose, but died a natural death in a tan vat, of a combination of delirium tremens and spontaneous combustion. When I say natural death, I mean it was a natural death for Jimmy Finn.

And now the tiresome chirping of a cricket that no human ingenuity could locate, began. Next the ghastly ticking of a death-watch in the wall at the bed's head made Tom shudder - it meant that somebody's days were numbered.

You see my kind of loyalty was loyalty to one's country, not to its institutions or its officeholders. The country is the real thing, the substantial thing, the eternal thing; it is the thing to watch over, and care for, and be loyal to; institutions are extraneous, they are its mere clothing, and clothing can wear out, become ragged, cease to be comfortable, cease to protect the body from winter, disease and death. To be loyal to rags, to shout for rags, to worship rags, to die for rags -- that is loyalty of unreason, it is pure animal.

Whoo-oop! I'm the old original iron-jawed, brass-mounted, copper-bellied corpse-maker from the wilds of Arkansaw!—Look at me! I'm the man they call Sudden Death and General Desolation! Sired by a hurricane, dam'd by an earthquake, half-brother to the cholera, nearly related to the small-pox on the mother's side! Look at me! I take nineteen alligators and a bar'l of whiskey for breakfast when I'm in robust health, and a bushel of rattlesnakes and a dead body when I'm ailing! I split the everlasting rocks with my glance, and I squench the thunder when I speak! Whoo-oop! Stand back and give me room according to my strength! Blood's my natural drink, and the wails of the dying is music to my ear! Cast your eye on me, gentlemen!—and lay low and hold your breath, for I'm bout to turn myself loose!

She was as simple-hearted and honest as the day was long, and so she was an easy victim. She gathered together her quack periodicals and her quack medicines, and thus armed with death, went about on her pale horse, metaphorically speaking, with "hell following after.

For though I tried to move his arm— unlock his bridegroom clasp—yet, sleeping as he was, he still hugged me tightly, as though naught but death should part us twain.

The report of my death was an exaggeration.

He is in heaven now, and happy; or if not there, he bides in hell and is content; for in that place he will find neither abbot nor yet bishop.

Being skilled in Catsism is like being a ninja only deadlier and not so silent. The only bad thing is the sickening grammar you have to use.

There was a slight noise from the direction of the dim corner where the ladder was. It was the king descending. I could see that he was bearing something in one arm, and assisting himself with the other. He came forward into the light; upon his breast lay a slender girl of fifteen. She was but half conscious; she was dying of smallpox. Here was heroism at its last and loftiest possibility, its utmost summit; this was challenging death in the open field unarmed, with all the odds against the challenger, no reward set upon the contest, and no admiring world in silks and cloth of gold to gaze and applaud; and yet the king’s bearing was as serenely brave as it had always been in those cheaper contests where knight meets knight in equal fight and clothed in protecting steel. He was great now; sublimely great. The rude statues of his ancestors in his palace should have an addition—I would see to that; and it would not be a mailed king killing a giant or a dragon, like the rest, it would be a king in commoner’s garb bearing death in his arms that a peasant mother might look her last upon her child and be comforted.

Mark Twain’s dismissal of the fear of death is another: ‘I do not fear death. I had been dead for billions and billions of years before I was born, and had not suffered the slightest inconvenience from it.

When analytic thought, the knife, is applied to experience, something is always killed in the process. That is fairly well understood, at least in the arts. Mark Twain’s experience comes to mind, in which, after he had mastered the analytic knowledge needed to pilot the Mississippi River, he discovered the river had lost its beauty. Something is always killed. But what is less noticed in the arts—something is always created too. And instead of just dwelling on what is killed it’s important also to see what’s created and to see the process as a kind of death-birth continuity that is neither good nor bad, but just is.

On the island at our right was the machine they call the Nilometer, a stone-column whose business it is to mark the rise of the river and prophecy whether it will reach only thirty-two feet and produce a famine, or whether it will properly flood the land at forty and produce plenty, or whether it will rise to forty-three and bring death and destruction to flocks and crops—but how it does all this they could not explain to us so that we could understand.

I wanted to stop the whole thing and set the slaves free, but that would not do.  I must not interfere too much and get myself a name for riding over the country's laws and the citizen's rights roughshod.  If I lived and prospered I would be the death of slavery, that I was resolved upon; but I would try to fix it so that when I became its executioner it should be by command of the nation.

We all know about Father Damien, the French priest who voluntarily forsook the world and went to the leper island of Molokai to labor among its population of sorrowful exiles who wait there, in slow-consuming misery, for death to come and release them from their troubles;

After he had sailed around the Mediterranean in 1869, Mark Twain said that travel was “fatal to prejudice, bigotry, and narrow-mindedness.” Neuroscientists have been trying for years to pin down what it is about travel that alters us, how it effects mental change. Neural pathways become ingrained, automatic, if they operate only by habit. They are highly attuned to alterations, to novelty. New sights, sounds, languages, tastes, smells stimulate different synapses in the brain, different message routes, different webs of connection, increasing our neuroplasticity. Our brains have evolved to notice differences in our environment: it’s how we’re alerted to predators, to potential danger. To be sensitive to change, then, is to ensure survival.

Love, is it morning risen or night deceased That makes the mirth of this triumphant east? Is it bliss given or bitterness put by That makes most glad men's hearts at love's high feast? Grief smiles, joy weeps, that day should live and die. "Is it with soul's thirst or with body's drouth That summer yearns out sunward to the south, With all the flowers that when thy birth drew nigh Were molten in one rose to make thy mouth? O love, what care though day should live and die? "Is the sun glad of all love on earth, The spirit and sense and work of things and worth? Is the moon sad because the month must fly And bring her death that can but bring back birth? For all these things as day must live and die. "Love, is it day that makes thee thy delight Or thou that seest day made out of thy light? Love, as the sun and sea are thou and I, Sea without sun dark, sun without sea bright; The sun is one though day should live and die. "O which is elder, night or light, who knows? And life or love, which first of these twain grows? For life is born of love to wail and cry, And love is born of life to heal his woes, And light of night, that day should live and die. "O sun of heaven above the wordly sea, O very love, what light is this of thee! My sea of soul is deep as thou art high, But all thy light is shed through all of me, As love's through love, while day shall live and die.

In time, the Deity perceived that death was a mistake; a mistake, in that it was insufficient; insufficient, for the reason that while it was an admirable agent for the inflicting of misery upon the survivor, it allowed the dead person himself to escape from all further persecution in the blessed refuge of the grave. This was not satisfactory. A way must be conceived to pursue the dead beyond the tomb. The Deity pondered this matter during four thousand years unsuccessfully, but as soon as he came down to earth and became a Christian his mind cleared and he knew what to do. He invented hell, and proclaimed it.

extraneous, they are its mere clothing, and clothing can wear out, become ragged, cease to be comfortable, cease to protect the body from winter, disease, and death. To be loyal to rags, to shout for rags, to worship rags, to die for rags—that is a loyalty of unreason, it is pure animal; it belongs to monarchy, was

Sunday morning came – next day the battalions would leave for the front; the church was filled; the volunteers were there, their young faces alight with martial dreams – visions of the stern advance, the gathering momentum, the rushing charge, the flashing sabers, the flight of the foe, the tumult, the enveloping smoke, the fierce pursuit, the surrender! Then home from the war, bronzed heroes, welcomed, adored, submerged in golden seas of glory! With the volunteers sat their dear ones, proud, happy, and envied by the neighbors and friends who had no sons and brothers to send forth to the field of honor, there to win for the flag, or, failing, die the noblest of noble deaths. The service proceeded; a war chapter from the Old Testament was read; the first prayer was said; it was followed by an organ burst that shook the building, and with one impulse the house rose, with glowing eyes and beating hearts, and poured out that tremendous invocation

To proceed with the Biblical curiosities. Naturally you will think the threat to punish Adam and Eve for disobeying was of course not carried out, since they did not create themselves, nor their natures nor their impulses nor their weaknesses, and hence were not properly subject to anyone's commands and not responsible to anybody for their acts.It will surprise you to know that the threat was carried out. Adam and Eve were punished and that crime finds apologists unto this day.The sentence of death was executed.

Do the thing you fear most and the death of fear is certain.” MARK TWAIN

Mark Twain once said, “I want to be in Kentucky when the end of the world comes, because it’s always twenty years behind.

I'm not afraid of death; I just don't want to be there when it happens.” Woody Allen *

Wrinkles should merely indicate where smiles have been." _Mark Twain (Author)

After he had sailed around the Mediterranean in 1869, Mark Twain said that travel was ‘fatal to prejudice, bigotry, and narrow-mindedness’.

I shot the current through all the fences and struck the whole host dead in their tracks! There was a groan you could hear! It voiced the death pang of eleven thousand

The law roasted her to death at a slow fire.

Mark Twain nailed it: “Comparison is the death of joy.” We’re with Mark.

Even Mark Twain, that hairy goofball who came in and left on Halley’s Comet, said, “The fear of death follows from the fear of life. A man who lives fully is prepared to die at any time.

At the time that the telegraph brought the news of his death, I was on the Pacific coast. I was a fresh new journalist, and needed a nom de guerre; so I confiscated the ancient mariner's discarded one, and have done my best to make it remain what it was in his hands—a sign and symbol and warrant that whatever is found in its company may be gambled on as being the petrified truth; how I have succeeded, it would not be modest in me to say.

There are narrow escapes in India. In the very jungle where I killed sixteen tigers and all those elephants, a cobra bit me but it got well; everyone was surprised. This could not happen twice in ten years, perhaps. Usually death would result in fifteen minutes.

Love, that is first and last of all things made, The light that has the living world for shade, The spirit that for temporal veil has on The souls of all men woven in unison, One fiery raiment with all lives inwrought And lights of sunny and starry deed and thought, And alway through new act and passion new Shines the divine same body and beauty through, The body spiritual of fire and light That is to worldly noon as noon to night; Love, that is flesh upon the spirit of man And spirit within the flesh whence breath began; Love, that keeps all the choir of lives in chime; Love, that is blood within the veins of time; That wrought the whole world without stroke of hand, Shaping the breadth of sea, the length of land, And with the pulse and motion of his breath Through the great heart of the earth strikes life and death, The sweet twain chords that make the sweet tune live Through day and night of things alternative, Through silence and through sound of stress and strife, And ebb and flow of dying death and life: Love, that sounds loud or light in all men's ears, Whence all men's eyes take fire from sparks of tears, That binds on all men's feet or chains or wings; Love that is root and fruit of terrene things; Love, that the whole world's waters shall not drown, The whole world's fiery forces not burn down; Love, that what time his own hands guard his head The whole world's wrath and strength shall not strike dead; Love, that if once his own hands make his grave The whole world's pity and sorrow shall not save; Love, that for very life shall not be sold, Nor bought nor bound with iron nor with gold; So strong that heaven, could love bid heaven farewell, Would turn to fruitless and unflowering hell; So sweet that hell, to hell could love be given, Would turn to splendid and sonorous heaven; Love that is fire within thee and light above, And lives by grace of nothing but of love; Through many and lovely thoughts and much desire Led these twain to the life of tears and fire; Through many and lovely days and much delight Led these twain to the lifeless life of night.

had gradually come to have a realizing sense of the fact that Slade was a man whose heart and hands and soul were steeped in the blood of offenders against his dignity; a man who awfully avenged all injuries, affront, insults or slights, of whatever kind—on the spot if he could, years afterward if lack of earlier opportunity compelled it; a man whose hate tortured him day and night till vengeance appeased it—and not an ordinary vengeance either, but his enemy’s absolute death—nothing less; a man whose face would light up with a terrible joy when he surprised a foe and had him at a disadvantage. A high and efficient servant of the Overland, an outlaw among

Seven months after Grant’s death, Julia received a whopping $200,000 check from Twain and $450,000 in the end—an astonishing sum for book royalties at the time. No previous book had ever sold so many copies in such a short period of time, and it rivaled that other literary sensation of the nineteenth century, Uncle Tom’s Cabin. Clearly Grant had emerged victorious in his last uphill battle.

On the inquest it was shown that Buck Fanshaw, in the delirium of a wasting typhoid fever, had taken arsenic, shot himself through the body, cut his throat, and jumped out of a four-story window and broken his neck—and after due deliberation, the jury, sad and tearful, but with intelligence unblinded by its sorrow, brought in a verdict of death "by the visitation of God." What could the world do without juries?

Afterwards Jim said the witches be witched him and put him in a trance, and rode him all over the State, and then set him under the trees again, and hung his hat on a limb to show who done it. And next time Jim told it he said they rode him down to New Orleans; and, after that, every time he told it he spread it more and more, till by and by he said they rode him all over the world, and tired him most to death, and his back was all over saddle-boils.

He had another conspicuous characteristic, and it was the father of those which I have just spoken of. This was an intense lust for approval. He was so eager to be approved, so girlishly anxious to be approved by anybody and everybody, without discrimination, that he was commonly ready to forsake his notions, opinions and convictions at a moment’s notice in order to get the approval of any person who disagreed with them. I wish to be understood as reserving his fundamental principles all the time. He never forsook those to please anybody. Born and reared among slaves and slave-holders, he was yet an abolitionist from his boyhood to his death. He was always truthful; he was always sincere; he was always honest and honorable. But in light matters—matters of small consequence, like religion and politics and such things—he never acquired a conviction that could survive a disapproving remark from a cat.

Sevdiğinin aniden ve beklenmedik şekilde ölümünden önceki son yirmi dört saati... Bir kitaba sığar mı ki? İki kitaba sığar mı? Sanmıyorum. Bir sel gibi aklıma doluşuyorlar. Bunlar aslında her gün, her zaman olup biten sıradan şeyler, aynı zamanda da önemsiz ve kolayca unutulabilir şeyler... Fakat ya şimdi? Şimdi, ne kadar da farklı. Ne kadar değerli, ne kadar önemli şeyler. Şimdi artık hepsi unutulmaz, hepsi hazin, hepsi kutsal, hepsi nasıl da itibarlı.

Her lily hand her rosy cheek lies under, Cozening the pillow of a lawful kiss; Who, therefore angry, seems to part in sunder, Swelling on either side to want his bliss; Between whose hills her head entombed is; Where like a virtuous monument she lies, To be admired of lewd unhallowed eyes. Without the bed her other fair hand was, On the green coverlet, whose perfect white Showed like an April daisy on the grass, With pearly sweat resembling dew of night. Her eyes, like marigolds, had sheathed their light, And canopied in darkness sweetly lay Till they might open to adorn the day. Her hair like golden threads played with her breath O modest wantons, wanton modesty! Showing life’s triumph in the map of death, And death’s dim look in life’s mortality. Each in her sleep themselves so beautify As if between them twain there were no strife, But that life lived in death, and death in life.

And thither, ere sweet night had slain sweet day, Iseult and Tristram took their wandering way, And rested, and refreshed their hearts with cheer In hunters' fashion of the woods; and here More sweet it seemed, while this might be, to dwell And take of all world's weariness farewell Than reign of all world's lordship queen and king. Nor here would time for three moon's changes bring Sorrow nor thought of sorrow; but sweet earth Fostered them like her babes of eldest birth, Reared warm in pathless woods and cherished well. And the sun sprang above the sea and fell, And the stars rose and sank upon the sea; And outlaw-like, in forest wise and free, The rising and the setting of their lights Found those twain dwelling all those days and nights. And under change of sun and star and moon Flourished and fell the chaplets woven of June, And fair through fervours of the deepening sky Panted and passed the hours that lit July, And each day blessed them out of heaven above, And each night crowned them with the crown of love. Nor till the might of August overhead Weighed on the world was yet one roseleaf shed Of all their joy's warm coronal, nor aught Touched them in passing ever with a thought That ever this might end on any day Or any night not love them where they lay; But like a babbling tale of barren breath Seemed all report and rumour held of death, And a false bruit the legend tear impearled That such a thing as change was in the world.

And with light lips yet full of their swift smile, And hands that wist not though they dug a grave, Undid the hasps of gold, and drank, and gave, And he drank after, a deep glad kingly draught: And all their life changed in them, for they quaffed Death; if it be death so to drink, and fare As men who change and are what these twain were. And shuddering with eyes full of fear and fire And heart-stung with a serpentine desire He turned and saw the terror in her eyes That yearned upon him shining in such wise As a star midway in the midnight fixed. Their Galahault was the cup, and she that mixed; Nor other hand there needed, nor sweet speech To lure their lips together; each on each Hung with strange eyes and hovered as a bird Wounded, and each mouth trembled for a world; Their heads neared, and their hands were drawn in one, And they saw dark, though still the unsunken sun Far through fine rain shot fire into the south; And their four lips became one burning mouth.

Tom Sawyer stepped forward with conceited confidence and soared into the unquenchable and indestructible “Give me liberty or give me death” speech, with fine fury and frantic gesticulation, and broke down in the middle of it. A ghastly stage fright seized him, his legs quaked under him and he was like to choke. True, he had the manifest sympathy of the house—but he had the house’s silence, too, which was even worse than its sympathy. The master frowned, and this completed the disaster. Tom struggled a while and then retired, utterly defeated.

Hamlet’s soliloquy, you know; the most celebrated thing in Shakespeare. Ah, it’s sublime, sublime! Always fetches the house. I haven’t got it in the book—I’ve only got one volume—but I reckon I can piece it out from memory. I’ll just walk up and down a minute, and see if I can call it back from recollection’s vaults.” So he went to marching up and down, thinking, and frowning horrible every now and then; then he would hoist up his eyebrows; next he would squeeze his hand on his forehead and stagger back and kind of moan; next he would sigh, and next he’d let on to drop a tear. It was beautiful to see him. By and by he got it. He told us to give attention. Then he strikes a most noble attitude, with one leg shoved forwards, and his arms stretched away up, and his head tilted back, looking up at the sky; and then he begins to rip and rave and grit his teeth; and after that, all through his speech, he howled, and spread around, and swelled up his chest, and just knocked the spots out of any acting ever I see before. This is the speech—I learned it, easy enough, while he was learning it to the king: To be, or not to be; that is the bare bodkin That makes calamity of so long life; For who would fardels bear, till Birnam Wood do come to Dunsinane, But that the fear of something after death Murders the innocent sleep, Great nature’s second course, And makes us rather sling the arrows of outrageous fortune Than fly to others that we know not of. There’s the respect must give us pause: Wake Duncan with thy knocking! I would thou couldst; For who would bear the whips and scorns of time, The oppressor’s wrong, the proud man’s contumely, The law’s delay, and the quietus which his pangs might take, In the dead waste and middle of the night, when churchyards yawn In customary suits of solemn black, But that the undiscovered country from whose bourne no traveler returns, Breathes forth contagion on the world, And thus the native hue of resolution, like the poor cat i’ the adage, Is sicklied o’er with care, And all the clouds that lowered o’er our housetops, With this regard their currents turn awry, And lose the name of action. ’Tis a consummation devoutly to be wished. But soft you, the fair Ophelia: Ope not thy ponderous and marble jaws, But get thee to a nunnery—go! Well,

spiritual wants and instincts are as various in the human family as are physical appetites, complexions, and features, and a man is only at his best, morally, when he is equipped with the religious garment whose color and shape and size most nicely accommodate themselves to the spiritual complexion, angularities, and stature of the individual who wears it; and, besides, I was afraid of a united Church; it makes a mighty power, the mightiest conceivable, and then when it by and by gets into selfish hands, as it is always bound to do, it means death to human liberty and paralysis to human thought.

And it's just the same with the inner life of man. Anyone can know about it nowadays. How the devil am I to prove to my counsel that I don't know my murderous impulses through C. G. Jung, jealousy through Marcel Proust, Spain through Hemingway, Paris through Ernst Jünger, Switzerland through Mark Twain, Mexico through Graham Greene, my fear of death through Bernanos, inability ever to reach my destination through Kafka, and all sorts of other things through Thomas Mann? It's true, you need never have read these authorities, you can absorb them through your friends, who also live all their experiences second-hand.

At 8:08 a.m. on July 23, 1885, Grant died so gently that nobody was quite certain at first that his spirit had stolen away. His death reflected words he had once written to a bereaved widow during the Mexican War, saying that her husband had “died as a soldier dies, without fear and without a murmur.”142 Grant’s corpse weighed ninety pounds and lay under an oval picture of Abraham Lincoln. It was hard to believe this wizened form represented the earthly remains of the stouthearted general. “I think his book kept him alive several months,” Twain wrote upon hearing the news. “He was a very great man and superlatively good.

When he is sitting quiet, thinking about his sins, or is absent-minded or unapprehensive of danger, his majestic ears project above him conspicuously; but the breaking of a twig will scare him nearly to death, and then he tilts his ears back gently and starts for home. All you can see, then, for the next minute, is his long gray form stretched out straight and "streaking it" through the low sage-brush, head erect, eyes right, and ears just canted a little to the rear, but showing you where the animal is, all the time, the same as if he carried a jib. Now and then he makes a marvelous spring with his long legs, high over the stunted sage-brush, and scores a leap that would make a horse envious. Presently he comes down to a long, graceful "lope," and shortly he mysteriously disappears. He has crouched behind a sage-bush, and will sit there and listen and tremble until you get within six feet of him, when he will get under way again. But one must shoot at this creature once, if he wishes to see him throw his heart into his heels, and do the best he knows how. He is frightened clear through, now, and he lays his long ears down on his back, straightens himself out like a yard-stick every spring he makes, and scatters miles behind him with an easy indifference that is enchanting.

The heroes of urban fantasy come out of the hard-boiled mystery, while the villains, monsters, and antagonists have their own roots in classic horror . . . but it is the combination that gives this subgenre its juice. For these are two genres that are at heart antagonistic. Horror fiction is a fiction steeped in darkness and fear, and set in a hostile Lovecraftian universe impossible for men to comprehend, a world where, as Poe suggested, death in the end holds dominion over all. But detective fiction, even the grim, gritty, hard-boiled variety, is all about rationality; the world may be dark, but the detective is a bringer of light, an agent of order, and, yes, justice. You would think this twain could never meet. But bastards can break all the rules, and that’s half their charm. The chains of convention need not apply.

And here were these freemen assembled in the early morning to work on their lord the bishop's road three days each—gratis; every head of a family, and every son of a family, three days each, gratis, and a day or so added for their servants.  Why, it was like reading about France and the French, before the ever memorable and blessed Revolution, which swept a thousand years of such villany away in one swift tidal-wave of blood—one:  a settlement of that hoary debt in the proportion of half a drop of blood for each hogshead of it that had been pressed by slow tortures out of that people in the weary stretch of ten centuries of wrong and shame and misery the like of which was not to be mated but in hell. There were two "Reigns of Terror," if we would but remember it and consider it; the one wrought murder in hot passion, the other in heartless cold blood; the one lasted mere months, the other had lasted a thousand years; the one inflicted death upon ten thousand persons, the other upon a hundred millions; but our shudders are all for the "horrors" of the minor Terror, the momentary Terror, so to speak; whereas, what is the horror of swift death by the axe, compared with lifelong death from hunger, cold, insult, cruelty, and heart-break?  What is swift death by lightning compared with death by slow fire at the stake?  A city cemetery could contain the coffins filled by that brief Terror which we have all been so diligently taught to shiver at and mourn over; but all France could hardly contain the coffins filled by that older and real Terror—that unspeakably bitter and awful Terror which none of us has been taught to see in its vastness or pity as it deserves.

Grey lizards, those heirs of ruin, of sepulchres and desolation, glided in and out among the rocks or lay still and sunned themselves. Where prosperity has reigned, and fallen; where glory has flamed, and gone out; where beauty has dwelt, and passed away; where gladness was, and sorrow is; where the pomp of life has been, and silence and death brood in its high places, there this reptile makes his home, and mocks at human vanity. His coat is the colour of ashes: and ashes are the symbol of hopes that have perished, of aspirations that came to nought, of loves that are buried. If he could speak, he would say, Build temples: I will lord it in their ruins; build palaces: I will inhabit them; erect empires: I will inherit them; bury your beautiful: I will watch the worms at their work; and you, who stand here and moralise over me: I will crawl over your corpse at the last.

I gave it up and walked down to the Sphynx. After years of waiting, it was before me at last. The great face was so sad, so earnest, so longing, so patient. There was a dignity not of earth in its mien, and in its countenance a benignity such as never any thing human wore. It was stone, but it seemed sentient. If ever image of stone thought, it was thinking. It was looking toward the verge of the landscape, yet looking at nothing—nothing but distance and vacancy. It was looking over and beyond every thing of the present, and far into the past. It was gazing out over the ocean of Time—over lines of century-waves which, further and further receding, closed nearer and nearer together, and blended at last into one unbroken tide, away toward the horizon of remote antiquity. It was thinking of the wars of departed ages; of the empires it had seen created and destroyed; of the nations whose birth it had witnessed, whose progress it had watched, whose annihilation it had noted; of the joy and sorrow, the life and death, the grandeur and decay, of five thousand slow revolving years. It was the type of an attribute of man—of a faculty of his heart and brain. It was MEMORY—RETROSPECTION—wrought into visible, tangible form. All who know what pathos there is in memories of days that are accomplished and faces that have vanished—albeit only a trifling score of years gone by—will have some appreciation of the pathos that dwells in these grave eyes that look so steadfastly back upon the things they knew before History was born—before Tradition had being—things that were, and forms that moved, in a vague era which even Poetry and Romance scarce know of—and passed one by one away and left the stony dreamer solitary in the midst of a strange new age, and uncomprehended scenes.

Life was not a valuable gift, but death was. Life was a fever-dream made up of joys embittered by sorrows, pleasure poisoned by pain; a dream that was a nightmare-confusion of spasmodic and fleeting delights, ecstasies, exultations, happinesses, interspersed with long-drawn miseries, griefs, perils, horrors, disappointments, defeats, humiliations, and despairs--the heaviest curse devisable by divine ingenuity; but death was sweet, death was gentle, death was kind; death healed the bruised spirit and the broken heart, and gave them rest and forgetfulness; death was man's best friend; when man could endure life no longer, death came and set him free. In time, the Deity perceived that death was a mistake; a mistake, in that it was insufficient; insufficient, for the reason that while it was an admirable agent for the inflicting of misery upon the survivor, it allowed the dead person himself to escape from all further persecution in the blessed refuge of the grave. This was not satisfactory. A way must be conceived to pursue the dead beyond the tomb. The Deity pondered this matter during four thousand years unsuccessfully, but as soon as he came down to earth and became a Christian his mind cleared and he knew what to do. He invented hell, and proclaimed it.

He pictured himself lying sick unto death and his aunt bending over him beseeching one little forgiving word, but he would turn his face to the wall, and die with that word unsaid. Ah, how would she feel then? And he pictured himself brought home from the river, dead, with his curls all wet, and his sore heart at rest. How she would throw herself upon him, and how her tears would fall like rain, and her lips pray God to give her back her boy and she would never, never abuse him any more! But he would lie there cold and white and make no sign—a poor little sufferer, whose griefs were at an end. He so worked upon his feelings with the pathos of these dreams, that he had to keep swallowing, he was so like to choke; and his eyes swam in a blur of water, which overflowed when he winked, and ran down and trickled from the end of his nose. And such a luxury to him was this petting of his sorrows, that he could not bear to have any worldly cheeriness or any grating delight intrude upon it; it was too sacred for such contact; and so, presently, when his cousin Mary danced in, all alive with the joy of seeing home again after an age-long visit of one week to the country, he got up and moved in clouds and darkness out at one door as she brought song and sunshine in at the other.

Few authors have captivated the American penchant for curiosity like Samuel Longhorne Clemens. Many have called his cantankerous alter ego, Mark Twain, the greatest American humorist-philosopher of his age-if not of all times. With his wry observations and forthright humor-unleashed in his particularly pithy paragraphs-Mark Twain became one of the most prolific satirists in American literature. The New York Times editorial, reporting of his death on April 22, 1910, said. “ He has been quoted in common conversation oftener, perhaps, than any of his fellow-countrymen, including Benjamin Franklin and Lincoln. In 1909, Mark Twain is quoted as saying, “ I came in with Haley's Comet in 1835. It is coming again next year, and I expect to go out with it. It will be the greatest disappointment of my life if I don't go out with Haley's Comet. The Almighty has said, no doubt: 'Now here are these two unaccountable freaks; they came in together, they must go out together.” His prediction was accurate-Mark Twain died of a heart attack on April 21, 1910, one day after the comet's closest approach to earth. In Mark Twain's Guide to Audacious Sarcasm-volume 1, Lowell Smith has assembled twenty of the classic cantankerous tales and wry observations of Mark Twain’s celestial career.

Must we always kill the people?’ ‘Oh, certainly. It’s best. Some authorities think different, but mostly it’s considered best to kill them — except some that you bring to the cave here, and keep them till they’re ransomed.’ ‘Ransomed? What’s that?’ ‘I don’t know. But that’s what they do. I’ve seen it in books; and so of course that’s what we’ve got to do.’ ‘But how can we do it if we don’t know what it is?’ ‘Why, blame it all, we’ve GOT to do it. Don’t I tell you it’s in the books? Do you want to go to doing different from what’s in the books, and get things all muddled up?’ ‘Oh, that’s all very fine to SAY, Tom Sawyer, but how in the nation are these fellows going to be ran- somed if we don’t know how to do it to them? — that’s the thing I want to get at. Now, what do you reckon it is?’ ‘Well, I don’t know. But per’aps if we keep them till they’re ransomed, it means that we keep them till they’re dead. ‘ ‘Now, that’s something LIKE. That’ll answer. Why couldn’t you said that before? We’ll keep them till they’re ransomed to death; and a bothersome lot they’ll be, too — eating up everything, and always trying to get loose.’ ‘How you talk, Ben Rogers. How can they get loose when there’s a guard over them, ready to shoot them down if they move a peg?’ ‘A guard! Well, that IS good. So somebody’s got to set up all night and never get any sleep, just so as to watch them. I think that’s foolishness. Why can’t a body take a club and ransom them as soon as they get here?’ ‘Because it ain’t in the books so — that’s why. Now, Ben Rogers, do you want to do things regular, or don’t you? — that’s the idea. Don’t you reckon that the people that made the books knows what’s the correct thing to do? Do you reckon YOU can learn ‘em anything? Not by a good deal. No, sir, we’ll just go on and ransom them in the regular way.

The President is the King's father. He is an erect, strongly built, massive featured, white-haired, tawny old gentleman of eighty years of age or thereabouts. He was simply but well dressed, in a blue cloth coat and white vest, and white pantaloons, without spot, dust or blemish upon them. He bears himself with a calm, stately dignity, and is a man of noble presence. He was a young man and a distinguished warrior under that terrific fighter, Kamehameha I., more than half a century ago. A knowledge of his career suggested some such thought as this: "This man, naked as the day he was born, and war-club and spear in hand, has charged at the head of a horde of savages against other hordes of savages more than a generation and a half ago, and reveled in slaughter and carnage; has worshipped wooden images on his devout knees; has seen hundreds of his race offered up in heathen temples as sacrifices to wooden idols, at a time when no missionary's foot had ever pressed this soil, and he had never heard of the white man's God; has believed his enemy could secretly pray him to death; has seen the day, in his childhood, when it was a crime punishable by death for a man to eat with his wife, or for a plebeian to let his shadow fall upon the King—and now look at him; an educated Christian; neatly and handsomely dressed; a high-minded, elegant gentleman; a traveler, in some degree, and one who has been the honored guest of royalty in Europe; a man practiced in holding the reins of an enlightened government, and well versed in the politics of his country and in general, practical information. Look at him, sitting there presiding over the deliberations of a legislative body, among whom are white men—a grave, dignified, statesmanlike personage, and as seemingly natural and fitted to the place as if he had been born in it and had never been out of it in his life time. How the experiences of this old man's eventful life shame the cheap inventions of romance!

The Phoenix and the Turtle Let the bird of loudest lay On the sole Arabian tree Herald sad and trumpet be, To whose sound chaste wings obey. But thou shrieking harbinger, Foul precurrer of the fiend, Augur of the fever's end, To this troop come thou not near. From this session interdict Every fowl of tyrant wing, Save the eagle, feather'd king; Keep the obsequy so strict. Let the priest in surplice white, That defunctive music can, Be the death-divining swan, Lest the requiem lack his right. And thou treble-dated crow, That thy sable gender mak'st With the breath thou giv'st and tak'st, 'Mongst our mourners shalt thou go. Here the anthem doth commence: Love and constancy is dead; Phoenix and the Turtle fled In a mutual flame from hence. So they lov'd, as love in twain Had the essence but in one; Two distincts, division none: Number there in love was slain. Hearts remote, yet not asunder; Distance and no space was seen 'Twixt this Turtle and his queen: But in them it were a wonder. So between them love did shine That the Turtle saw his right Flaming in the Phoenix' sight: Either was the other's mine. Property was thus appalled That the self was not the same; Single nature's double name Neither two nor one was called. Reason, in itself confounded, Saw division grow together, To themselves yet either neither, Simple were so well compounded; That it cried, "How true a twain Seemeth this concordant one! Love has reason, reason none, If what parts can so remain." Whereupon it made this threne To the Phoenix and the Dove, Co-supremes and stars of love, As chorus to their tragic scene: Beauty, truth, and rarity, Grace in all simplicity, Here enclos'd, in cinders lie. Death is now the Phoenix' nest, And the Turtle's loyal breast To eternity doth rest, Leaving no posterity: 'Twas not their infirmity, It was married chastity. Truth may seem but cannot be; Beauty brag but 'tis not she; Truth and beauty buried be. To this urn let those repair That are either true or fair; For these dead birds sigh a prayer

Awake ye muses nine, sing me a strain divine, Unwind the solemn twine, and tie my Valentine! Oh the Earth was made for lovers, for damsel, and hopeless swain, For sighing, and gentle whispering, and unity made of twain. All things do go a courting, in earth, or sea, or air, God hath made nothing single but thee in His world so fair! The bride, and then the bridegroom, the two, and then the one, Adam, and Eve, his consort, the moon, and then the sun; The life doth prove the precept, who obey shall happy be, Who will not serve the sovereign, be hanged on fatal tree. The high do seek the lowly, the great do seek the small, None cannot find who seeketh, on this terrestrial ball; The bee doth court the flower, the flower his suit receives, And they make merry wedding, whose guests are hundred leaves; The wind doth woo the branches, the branches they are won, And the father fond demandeth the maiden for his son. The storm doth walk the seashore humming a mournful tune, The wave with eye so pensive, looketh to see the moon, Their spirits meet together, they make their solemn vows, No more he singeth mournful, her sadness she doth lose. The worm doth woo the mortal, death claims a living bride, Night unto day is married, morn unto eventide; Earth is a merry damsel, and heaven a knight so true, And Earth is quite coquettish, and beseemeth in vain to sue. Now to the application, to the reading of the roll, To bringing thee to justice, and marshalling thy soul: Thou art a human solo, a being cold, and lone, Wilt have no kind companion, thou reap'st what thou hast sown. Hast never silent hours, and minutes all too long, And a deal of sad reflection, and wailing instead of song? There's Sarah, and Eliza, and Emeline so fair, And Harriet, and Susan, and she with curling hair! Thine eyes are sadly blinded, but yet thou mayest see Six true, and comely maidens sitting upon the tree; Approach that tree with caution, then up it boldly climb, And seize the one thou lovest, nor care for space, or time! Then bear her to the greenwood, and build for her a bower, And give her what she asketh, jewel, or bird, or flower — And bring the fife, and trumpet, and beat upon the drum — And bid the world Goodmorrow, and go to glory home!

Death and taxes are the only two certainties in life, as Mark Twain once said. Or was it Benjamin Franklin?

What’d you just do? Took yer pulse, Frank said with a yawn. Indeed they had, for when he pressed his hand to his chest the familiar monotony of his bloodworks had fallen silent. Fingers twain on the wrist proved as ineffective at registering the gust and porridge pour of his redstuffs. So’s you fall under the same rubric as the basis of death, that is, the non-cog-tations of the engine-heart. What?

The mighty White Race is brainwashed, filled with suicidal self-hatred, crazy about its deadly enemies, trivialized, doped up on drugs and lies, and apparently rushing headlong toward oblivion. But the strength of the blood is still there, as we have shown in every war where the Jews have "turned us loose". Whenever as in World War II, the Jews wish us to be our ancient, ferocious, mighty selves, able to smash anything in our way: whenever they allow Natural Law to return to us, even in a temporary and wrong way, our people show themselves still heroes and fighters, not decadent weaklings, or in any way like the people of a dying culture. The rumors of our death, to quote Mark Twain, are "greatly exaggerated". They are appearances only.