Tusk Quotes

Look, ladies, we've been over this. I don't even remember killing Medusa. I don't remember anything! Can't we just call a truce and talk about your weekly specials?" Stheno gave her sister a pouty look, which was hard to do with giant bronze tusks. "Can we?

If you feel like you don't fit into the world you inherited it is because you were born to help create a new one.

To completely understand me you must first accept that I am not you.

Only when the last of the animals horns, tusks, skin and bones have been sold, will mankind realize that money can never buy back our wildlife

Some Hindus have an elephant to show. No one here has ever seen an elephant. They bring it at night to a dark room. One by one, we go in the dark and come out saying how we experience the animal. One of us happens to touch the trunk. A water-pipe kind of creature. Another, the ear. A strong, always moving back and forth, fan-animal. Another, the leg. I find it still, like a column on a temple. Another touches the curve back. A leathery throne. Another, the cleverest, feels the tusk. A rounded sword made of porcelain. He is proud of his description. Each of us touches one place and understands the whole in that way. The palm and the fingers feeling in the dark are how the senses explore the reality of the elephant. If each of us held a candle there, and if we went in together, we could see it.

My dream is to create something so beautiful that it encourages people to present the best version of themselves to me everywhere I go.

Do you remember our first kiss? I do. Not a day goes by I don’t think of the feel of that bicuspid against my tongue. It had such a distinctive feel, neither cuspid nor molar…but I’m not sure it knew that – that was what endeared it to me so. It was like the blunted tusk of a wild boar.

Japan and Hong Kong are steadily whittling away at the last of the elephants, turning their tusks (so much more elegant left on the elephant) into artistic carvings. In much the same way, the beautiful furs from leopard, jaguar, Snow leopard, Clouded leopard and so on, are used to clad the inelegant bodies of thoughtless and, for the most part, ugly women. I wonder how many would buy these furs if they knew that on their bodies they wore the skin of an animal that, when captured, was killed by the medieval and agonizing method of having a red-hot rod inserted up its rectum so as not to mark the skin.

Lost ye way in the dark, said the old man. He stirred the fire, standing slender tusks of bone up out of the ashes. The kid didn’t answer. The old man swung his head back and forth. The way of the transgressor is hard. God made this world, but he didnt make it to suit everbody, did he? I don’t believe he much had me in mind.

Of all African animals, the elephant is the most difficult for man to live with, yet its passing - if this must come - seems the most tragic of all. I can watch elephants (and elephants alone) for hours at a time, for sooner or later the elephant will do something very strange such as mow grass with its toenails or draw the tusks from the rotted carcass of another elephant and carry them off into the bush. There is mystery behind that masked gray visage, and ancient life force, delicate and mighty, awesome and enchanted, commanding the silence ordinarily reserved for mountain peaks, great fires, and the sea.

I had some peculiar ideas about love. I’ll tell you what I thought on the subject back then: it’s about as much use as a barrel with no bottom. When I fed the pigs and two of them got to scrapping over an old soft onion, I thought: that’s love. Love is eating. Love is a snarling pig snout and long tusks. Love is a dress like the sun. Love is the color of blood. Love is what grown folk do to each other because the law frowns on killing. I said I loved her back. I put my hand on the door and I said I loved her back and when I said it I thought of kissing her and also of shooting her through the eye.

Every decision you make in life will stem from one of two options: love or fear. Choose love.

Morels are ugly in the skillet. The caps look like the scrotums of leprechauns, the stems like the tusks of fetal elephants.

If he had even blinked, she would have been gone; but he did not blink, and he held her, as he had learned to hold griffins and chimeras motionless with his steady gaze. Her bare feet wounded him deeper than any tusk or riving talon ever had, but he was a true hero.

Eternity will not cause our memories to fade, it will force our hearts to accept the past.

Look!" She pointed, a smile on her face. "Wild pigs!" "They have razor-sharp tusks, so don't try to hug one.

Fear releases power. Man might be more tolerable, less fractious and smug, if he had more to fear. I do not mean fear of the intangible, the suffocation of the introvert, but physical fear, cold sweating fear for one's life, fear of the unseen menacing beast, imminent, bristly, tusked and terrible, ravening for one's own hot saline blood.

Now Rann the Kite brings home the night That Mang the Bat sets free— The herds are shut in byre and hut For loosed till dawn are we. This is the hour of pride and power, Talon and tusk and claw. Oh, hear the call!--Good hunting all That keep the Jungle Law!

Keep clear of the dupes that talk democracy and the dogs that talk revolution, drunk with talk, liars and believers. I believe in my tusks. Long live freedom and damn the ideologies," said the gamey black-maned wild boar tusking the turf on Mal Paso Mountain.

To struggle against the weight of sleep as reality eclipses the moon of your dreams is the purest sign of true love.

Courage~ What makes the flag on the mast to wave? What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage! What makes the sphinx the seventh wonder? Courage! What makes the dawn come up like thunder? Courage! What makes the Hottentot so hot? What puts the "ape" in apricot?~Cowardly Lion from the Wizard of Oz

The fundamental defect of the female character is a lack of a sense of justice. This originates first and foremost in their want of rationality and capacity for reflexion but it is strengthened by the fact that, as the weaker sex, they are driven to rely not on force but on cunning: hence their instinctive subtlety and their ineradicable tendency to tell lies: for, as nature has equipped the lion with claws and teeth, the elephant with tusks, the wild boar with fangs, the bull with horns and the cuttlefish with ink, so it has equipped woman with the power of dissimulation as her means of attack and defence, and has transformed into this gift all the strength it has bestowed on man in the form of physical strength and the power of reasoning. Dissimulation is thus inborn in her and consequently to be found in the stupid woman almost as often as in the clever one. To make use of it at every opportunity is as natural to her as it is for an animal to employ its means of defence whenever it is attacked, and when she does so she feels that to some extent she is only exercising her rights. A completely truthful woman who does not practice dissimulation is perhaps an impossibility, which is why women see through the dissimulation of others so easily it is inadvisable to attempt it with them. – But this fundamental defect which I have said they possess, together with all that is associated with it, gives rise to falsity, unfaithfulness, treachery, ingratitude, etc. Women are guilty of perjury far more often than men. It is questionable whether they ought to be allowed to take an oath at all.

When it came time to die, we knew and went to deep yards where we lay down and our bones turned to brass. We were picked over. We were used to fix broken clocks, music boxes; our pelvises were fitted onto pinions, our spines soldered into cast works. Our ribs were fitted as gear teeth and tapped and clicked like tusks. This is how, finally, we were joined.

Jon hung a quiver from his belt and pulled an arrow. The shaft was black, the fletching grey. As he notched it to his string, he remembered something that Theon Greyjoy had once said after a hunt. "The boar can keep his tusks and the bear his claws," he had declared, smiling that way he did. "There's nothing half so mortal as a grey goose feather.

With that, the poignant charm vanished. Inside the fifth machine, all was rampant malignity. Deformed flowers thrust monstrous horned tusks and trumpets ending in blaring teeth through the crimson walls, rending them; the ravenous garden slavered over its prey and every brick was shown in the act of falling. Amid the violence of this transformation, the oblivion of the embrace went on. The awakened girl, in all her youthful loveliness, still clasped in the arms of a lover from whom all the flesh had fallen. He was a grinning skeleton.

On the Vanity of Earthly Greatness The tusks which clashed in mighty brawls Of mastodons, are billiard balls. The sword of Charlemagne the Just Is Ferric Oxide, known as rust. The grizzly bear, whose potent hug, Was feared by all, is now a rug. Great Caesar's bust is on the shelf, And I don't feel so well myself.

She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the pensive, as though it had been looking at the image of its own tenebrous and passionate soul.

It was Christmas night, the eve of the Boxing Day Meet. You must remember that this was in the old Merry England of Gramarye, when the rosy barons ate with their fingers, and had peacocks served before them with all their tail feathers streaming, or boars' heads with the tusks stuck in again—when there was no unemployment because there were too few people to be unemployed—when the forests rang with knights walloping each other on the helm, and the unicorns in the wintry moonlight stamped with their silver feet and snorted their noble breaths of blue upon the frozen air. Such marvels were great and comfortable ones. But in the Old England there was a greater marvel still. The weather behaved itself.

Imagine, if you can, a huge grizzly with ten legs armed with mighty talons and an enormous froglike mouth splitting his head from ear to ear, exposing three rows of long, white tusks. Then endow this creature of your imagination with the agility and ferocity of a half-starved Bengal tiger and the strength of a span of bulls, and you will have some faint conception of Woola in action.

You're the one who thinks anything that doesn't look like you must be a monster.' 'They have snakes for hair!' Perseus cried. 'Snakes are't monsters,' said Hermes. 'And tusks.' 'Wild boar aren't monsters either.' 'And wings.' 'I'm sure even you don't think birds are monsters.

She was white, perhaps too white. Her eyes, which were almost always cast down, when she raised them testified to the purest of souls, and when she smiled, revealing her small, white teeth, one might be tempted to say that a rose is merely a plant, and ivory just an elephant’s tusk.

In the sky was a sliver of moon. What kind of moon? A moon like a clipped fingernail, like a smudge of powdered sugar, like a yellow laddoo, like a shattered dinner plate, like the tusk of a wounded mammoth, like a scimitar buried in the enemy’s skull, like a horned demon drowned in blood, like a fallen warrior’s silver visor, like the prow of a ghostly mothership, like the smile of a giant black cat, like God’s half-closed night-time eye, a low murder moon

And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witchmen, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul. Her face had a tragic and fierce aspect of wild sorrow and of dumb pain mingled with the fear of some struggling, halt-shaped resolve. She stood looking at us without a stir, and like the wilderness itself, with an air of brooding over an inscoutable purpose. A whole minute passed, and then she made a step forward. There was a low jingle, a glint of yellow metal, a sway of fringed draperies, and she stopped as if her heart had failed her. She looked at us all as if her life had depended upon the unswerving steadiness of her glance

The heart of a man is a small thing but it desires great matters. It is not big enough for a dog’s dinner but the whole world is not big enough for it. Man spares nothing that lives; he kills to feed himself, he kills to clothe himself, he kills to adorn himself, he kills to attack, he kills to defend himself, he kills to instruct himself, he kills to amuse himself, he kills for the sake of killing. From the lamb he tears its guts and makes his harp resound; from the wolf his most deadly tooth to polish his pretty works of art; from the elephant his tusks to make a toy for his child.(...)And who will exterminate him who exterminates all others?

He thanked God for rogue wooden tusks the entire way.

Some of these tusks have been found buried in the bodies of whales, which the unicorn always attacks with success.

What did it mean to a prophet to sing in a God´s own voice? Would that make him a shaman, as in the days described in the Tusk? Or would it make him a god?

It’s not a sock. It’s a cozy!” He stared at her blankly. “For a tea pot?” Surely, it was too small for that, too. With a tiny noise of frustration, she gestured at his face. “For your tusk. To keep it warm. But you don’t have to wear it if you don’t like it.

Do you know what it means to be that beautiful & still hunted & still alive? Who knows this story but the elephants & the trees? Who says the grace of a black man in motion is not perfect as a tusk in the sun or a single leaf taking its sweet time to the ground?

In the whole vast domain of living nature there reigns an open violence, a kind of prescriptive fury which arms all the creatures to their common doom. As soon as you leave the inanimate kingdom, you find the decree of violent death inscribed on the very frontiers of life. You feel it already in the vegetable kingdom: from the great catalpa to the humblest herb, how many plants die, and how many are killed. But from the moment you enter the animal kingdom, this law is suddenly in the most dreadful evidence. A power of violence at once hidden and palpable … has in each species appointed a certain number of animals to devour the others. Thus there are insects of prey, reptiles of prey, birds of prey, fishes of prey, quadrupeds of prey. There is no instant of time when one creature is not being devoured by another. Over all these numerous races of animals man is placed, and his destructive hand spares nothing that lives. He kills to obtain food and he kills to clothe himself. He kills to adorn himself, he kills in order to attack, and he kills in order to defend himself. He kills to instruct himself and he kills to amuse himself. He kills to kill. Proud and terrible king, he wants everything and nothing resists him. From the lamb he tears its guts and makes his harp resound ... from the wolf his most deadly tooth to polish his pretty works of art; from the elephant his tusks to make a toy for his child - his table is covered with corpses ... And who in all of this will exterminate him who exterminates all others? Himself. It is man who is charged with the slaughter of man ... So it is accomplished ... the first law of the violent destruction of living creatures. The whole earth, perpetually steeped in blood, is nothing but a vast altar upon which all that is living must be sacrificed without end, without measure, without pause, until the consummation of things, until evil is extinct, until the death of death.

Cherish your existence, for memories become legacies and life can change in an instant.

Don’t be afraid to do weird stuff, so long as you do it cheaply and cover everyone’s bets. Be bold. Be stupid, if you have to: so long as you don’t hurt anybody, what’s it matter how dopey your dream is? If I hadn’t made TUSK? If I’d let it die as a podcast? I wouldn’t have three other movies I’m now making within the span of a year. Some folks will try to shame you for trying something outside the norm; the only shame is in not trying to accomplish your dreams.

We shall not attempt to give the reader an idea of that tetrahedron nose-that horse-shoe mouth-that small left eye over-shadowed by a red bushy brow, while the right eye disappeared entirely under an enormous wart-of those straggling teeth with breaches here and there like the battlements of a fortress-of that horny lip, over which one of those teeth projected like the tusk of an elephant-of that forked chin-and, above all, of the expression diffused over the whole-that mixture of malice, astonishment, and melancholy. Let the reader, if he can, figure to himself this combination.

I waved away a fly that buzzed in my ear, my hand caked with blood both my own and foreign. I’d always thought death would be some sort of peaceful homecoming—a sweet, sad lullaby to usher me into whatever waited afterward. I crunched down with an armored boot on the flagpole of a Loyalist standard-bearer, smearing red mud across the tusked boar embroidered on its emerald flag. I now wondered if the lullaby of death was not a lovely song, but the droning of flies. If flies and maggots were all Death’s handmaidens.

THE WILD BOAR AND THE FOX A Wild Boar was engaged in whetting his tusks upon the trunk of a tree in the forest when a Fox came by and, seeing what he was at, said to him, "Why are you doing that, pray? The huntsmen are not out to-day, and there are no other dangers at hand that I can see." "True, my friend," replied the Boar, "but the instant my life is in danger I shall need to use my tusks. There'll be no time to sharpen them then.

I believe that if children fall in love with wildlife they will grow up wanting to protect it.

until the original mountain peak now raked the sky like the ornately carved tusk of some great, grey, granite beast.

He charged in, raising his ax above his head, and the boar rammed his tusk straight into Ankaios’s crotch. Ankaios died, and he was remembered forever after as the Crotchless Wonder.

In my dreams I come face to face with myriad reflections of myself, all unknown and passing strange. They speak unending in languages not my own and walk with companions I have never met, in places my steps have never gone. In my dreams I walk worlds where forests crowd my knees and half the sky is walled ice. Dun herds flow like mud, vast floods tusked and horned surging over the plain, and lo, they are my memories, the migrations of my soul.

Lead us, Evolution, lead us Up the future's endless stair; Chop us, change us, prod us, weed us. For stagnation is despair: Groping, guessing, yet progressing, Lead us nobody knows where. Wrong or justice, joy or sorrow, In the present what are they while there's always jam-tomorrow, While we tread the onward way? Never knowing where we're going, We can never go astray. To whatever variation Our posterity may turn Hairy, squashy, or crustacean, Bulbous-eyed or square of stern, Tusked or toothless, mild or ruthless, Towards that unknown god we yearn. Ask not if it's god or devil, Brethren, lest your words imply Static norms of good and evil (As in Plato) throned on high; Such scholastic, inelastic, Abstract yardsticks we deny. Far too long have sages vainly Glossed great Nature's simple text; He who runs can read it plainly, 'Goodness = what comes next.' By evolving, Life is solving All the questions we perplexed. Oh then! Value means survival- Value. If our progeny Spreads and spawns and licks each rival, That will prove its deity (Far from pleasant, by our present, Standards, though it may well be).

At last the anchor was up, the sails were set, and off we glided. It was a short, cold Christmas; and as the short northern day merged into night, we found ourselves almost broad upon the wintry ocean, whose freezing spray cased us in ice, as in polished armor. The long rows of teeth on the bulwarks glistened in the moonlight; and like the white ivory tusks of some huge elephant, vast curving icicles depended from the bows.

Don’t think about it, Holly told herself. Don’t think about the white-hot magma flow that’s going to engulf this tiny craft. Don’t think about hurtling toward the surface with a MACH 2 force trying to turn you inside out. And certainly don’t think about the blood-crazed troll ready to disembowel you with his tusks. Nope. Don’t think about any of that stuff… Too late.

The Hebrew word, qeren (#H7161 קֶ֣רֶן), is a horn of a bull, or is sometimes used to describe the tusk of an elephant. The English translation here is, “might.” In either case, the business-end of either animal is the symbol of its strength. pg 41

It’s all along of the unicorn’s horn – it’s all along of the glorious hand. Huzzay, three times huzzay for the doctor!’ Lord, how they cheered their surgeon! It was he who had brought the narwhal’s tusk aboard: and the severed hand, the Hand of Glory, was his property: both symbolized (and practically guaranteed) immense good fortune, virility, safety from poison or any disease you chose to name: and both had proved their worth.

Then, he smiled. And my consciousness came crashing back down to earth, bitch-slapped out of its reverie, by the worst teeth I had ever seen. Fuck, they were bad. You could have parked a double-wide between those discolored front tusks, and the rest of them looked like they were engaged in fisticuffs, scrambling over each other in a desperate attempt to leap from that hellhole—pun fully intended—and finally put an end to their suffering.

When poachers target the matriarchs or older females—as they often do, because older elephants usually have larger tusks—they also destroy that lifetime of learning and knowledge. For an elephant family, the death of a matriarch must feel like losing an encyclopedia, or an entire library—and for us, the loss makes stopping the poaching even more urgent, if only to protect the experienced matriarchs, who keep their families out of harm’s way.

Psychologists say the best way to handle children at this stage of development is not to answer their questions directly but instead to tell them a story. As pediatrician Alan Greene explained, “After conversing with thousands of children, I’ve decided that what they really mean is, ‘That’s interesting to me. Let’s talk about that together. Tell me more, please?’ Questions are a child’s way of expressing love and trust. They are a child’s way of starting a conversation. So instead of simply insisting over and over again that the object of my son’s attention is, in fact, an elephant, I might tell him about how, in India, elephants are symbols of good luck, or about how some say elephants have the best memories of all the animals. I might tell him about the time I saw an elephant spin a basketball on the tip of his trunk, or about how once there was an elephant named Horton who heard a Who. I might tell him that once upon a time, there was an elephant and four blind men; each man felt a different part of the elephant’s body: the ears, the tail, the side, and the tusk . . .

The world, he now perceived, was in fact a great, flat wheel with a myriad spokes of water, trees and grass, for ever turning and turning beneath the sun and moon. At each spoke was an animal-all the animals and birds he had ever known-horses, dogs, chaffinches, mice, hedgehogs,rabbits, cows, sheep, rooks and many more which he did not recognize-a huge, striped cat, and a monstrous fish spurting water in a fountain to the sky. At the centre, on the axle itself, stood a man, who ceaselessly lashed and lashed the creatures with a whip to make them drive the wheel round. Some shrieked aloud as they bled and struggled, others silently toppled and were trodden down beneath their comrades' stumbling feet. And yet, as he himself could see, the man had misconceived his task, for in fact the wheel turned of itself and all he needed to do was to keep it balanced upon its delicate axle by adjusting, as might be necessary, the numbers of animals upon this side and that. The great fish poured blood as the man pierced it with a flying spear which exploded within its body. The striped cat melted, diminishing slowly to the size of a mouse; and a great, grey beast with a long trunk cried piteously as the man tore its white tusks out of its face. Still on towards the wheel he circled, and between him and the wheel Mr. Ephraim called him silently to fellowship with the dead.

Power was the ability to destroy without needing to. To do it not out of necessity, but as an act of pure excess.

And across the water, you would swear you could sniff it all; the cinnamon and the cloves, the frankincense and the honey and the licorice, the nutmeg and citrons, the myrrh and the rosewater from Persia in keg upon keg. You would think you could glimpse, heaped and glimmering, the sapphires and the emeralds and the gauzes woven with gold, the ostrich feathers and the elephant tusks, the gums and the ginger and the coral buttons mynheer Goswin the clerk of the Hanse might be wearing on his jacket next week. . . . The Flanders galleys put into harbor every night in their highly paid voyage from Venice, fanned down the Adriatic by the thick summer airs, drifting into Corfu and Otranto, nosing into and out of Sicily and round the heel of Italy as far as Naples; blowing handsomely across the western gulf to Majorca, and then to the north African coast, and up and round Spain and Portugal, dropping off the small, lucrative loads which were not needed for Bruges; taking on board a little olive oil, some candied orange peel, some scented leather, a trifle of plate and a parrot, some sugar loaves.

Machine learners, like all scientists, resemble the blind men and the elephant: one feels the trunk and thinks it’s a snake, another leans against the leg and thinks it’s a tree, yet another touches the tusk and thinks it’s a bull. Our aim is to touch each part without jumping to conclusions; and once we’ve touched all of them, we will try to picture the whole elephant.

One party went to far away Zimbabwe and returned with pack-oxen loaded with ivory, rhinoceros hides, lion skins and hog tusks. They reported finding a people whose women dug the mountain sides for nuggets and brittle stones, which they brought home to boil and produce a beautiful metal from which to mould bangles and ornaments of rare beauty. That was the Matebele’s first experience of gold smelting. [182]

.. And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. 'She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witchmen, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.

We both swore as something lumbered into view. It was huge. And shaggy. It had orange-brown fur and forklift-shaped tusks. It looked like it had chewed through the barbed wire around Jim Henson’s workshop and fled into the wild.

What then shall I liken the Sperm Whale to for fragrance, considering his magnitude? Must it not be to that famous elephant, with jewelled tusks, and redolent with myrrh, which was led out of an Indian town to do honor to Alexander the Great?

Who" The month of flowering’s finished. The fruit’s in, Eaten or rotten. I am all mouth. October’s the month for storage. The shed’s fusty as a mummy’s stomach: Old tools, handles and rusty tusks. I am at home here among the dead heads. Let me sit in a flowerpot, The spiders won’t notice. My heart is a stopped geranium. If only the wind would leave my lungs alone. Dogsbody noses the petals. They bloom upside down. They rattle like hydrangea bushes. Mouldering heads console me, Nailed to the rafters yesterday: Inmates who don’t hibernate. Cabbageheads: wormy purple, silver-glaze, A dressing of mule ears, mothy pelts, but green-hearted, Their veins white as porkfat. O the beauty of usage! The orange pumpkins have no eyes. These halls are full of women who think they are birds. This is a dull school. I am a root, a stone, an owl pellet, Without dreams of any sort. Mother, you are the one mouth I would be a tongue to. Mother of otherness Eat me. Wastebasket gaper, shadow of doorways. I said: I must remember this, being small. There were such enormous flowers, Purple and red mouths, utterly lovely. The hoops of blackberry stems made me cry. Now they light me up like an electric bulb. For weeks I can remember nothing at all.

Some team! The Chief was doing so many jobs alone. I’d fix on the Chief’s raw, rope-burned palms or all the gray hairs collected in his sink, and I’d suffer this terrible side pain that Kiwi said was probably an ulcer and Ossie diagnosed as lovesickness. Or rather a nausea produced by the “black fruit” of love—a terror that sprouted out of your love for someone like rotting oranges on a tree branch. Osceola knew all about this black fruit, she said, because she’d grown it for our mother, our father, Grandpa Sawtooth, even me and Kiwi. Loving a ghost was different, she explained—that kind of love was a bare branch. I pictured this branch curving inside my sister: something leafless and complete, elephantine, like a white tusk. No rot, she was saying, no fruit. You couldn’t lose a ghost to death.

After lunch, there's a lecture on walruses. There are rumours of rogue walruses that prey on seals, puncturing them with their tusks, then sucking out the fat with their powerful mouths. The women on either side are knitting. One of them says, "Liposuction." The other laughs.

A keramat animal is a sacred beast, a creature with the ability to come and go like a phantom, trampling sugarcane or raiding livestock with impunity. It’s always distinguished by some peculiarity, such as a missing tusk or a rare albino color. But the most common indicator is a withered or maimed foot.

I would go to India for you, Victoria Forester, and bring you the tusks of elephants, and pearls as big as your thumb, and rubies the size of wren’s eggs. ‘I would go to Africa, and bring you diamonds the size of cricket balls. I would find the source of the Nile, and name it after you. ‘I would go to America – all the way to San Francisco, to the gold-fields, and I would not come back until I had your weight in gold. Then I would carry it back here, and lay it at your feet. ‘I would travel to the distant northlands did you but say the word, and slay the mighty polar bears, and bring you back their hides.’ ‘I

She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.

But it was not in Mr. Gruber's nature to look for reasons. That was why he was an ideal secretary. He had been given much fancier assignments in the past. Find out by six in the evening whether Hubermann played any Tschaikovsky after the first intermission of his concert in Brussels last year. Produce a narwhal tusk at least five feet long by eight o'clock Thursday morning. Buy, in your own name, the Domino Motion Picture Theater in Zurich. On Wednesday afternoon between five and six in the Café Meteor in Budapest, slap the face of a character known as Ervin Kugyec. A good secretary does not look for reasons but gets results.

In old Norse times, the thrones of the sea-loving Danish kings were fabricated, saith tradition, of the tusks of the narwhale. How could one look at Ahab then, seated on that tripod of bones, without bethinking him of the royalty it symbolized? For a Khan of the plank, and a king of the sea and a great lord of Leviathans was Ahab.

And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. "She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.

Man's destructive hand spares nothing that lives; he kills to feed himself, he kills to clothe himself, he kills to adorn himself, he kills to attack, he kills to defend himself, he kills to instruct himself, he kills to amuse himself, he kills for the sake of killing. Proud and terrible king, he needs everything and nothing resists him ... from the lamb he tears its guts and makes his harp resound ... from the wolf his most deadly tooth to polish his pretty works of art; from the elephant his tusks to make a toy for his child - his table is covered with corpses ... And who in all of this will exterminate him who exterminates all others? Himself. It is man who is charged with the slaughter of man ... So it is accomplished ... the first law of the violent destruction of living creatures. The whole earth, perpetually steeped in blood, is nothing but a vast altar upon which all that is living must be sacrificed without end, without measure, without pause, until the consummation of things, until evil is extinct, until the death of death.

Here we go,” Phoenix said, turning back to Nora. “Try not to let this room scare you.

Whoever can remember is real. A being that remembers is alive, and authentic. I am here. That is enough.

Elephant altruism on the Kenyan plains. With her tusks, Grace (right) lifted the fallen three-ton Eleanor to her feet, then tried to get her to walk by pushing her. But Eleanor fell again and eventually died, leaving Grace vocalizing with streaming temporal glands—a sign of deep distress. Being matriarchs of different herds, these two elephants were likely unrelated.

And as Sean climbs into bed and closes his eyes, Mother comes, riding astride a lion the size of a house, blowing a clarion from a horn made out of a hollowed-out elephant's tusk. Her eyes have a faint crimson glow from the lasers that are mounted behind her irises, ready to fire at will. 'I touched a prince's chest today and made his heart stop,' she says. 'I'll do it again if I have to: they'll see what happens if anyone gets in my way. Good night, my son. Remember that I will always keep you safe; that I am always everywhere and always here.' 'Good night, Mom,' Sean says, and falls asleep. And Mother recedes, wise and beautiful and strong, a genius and a hero, a punisher of thieves and a slayer of wicked men, to watch over her son in all her different versions.

Then I ran to her and our relatives laughed. The knots of bystanders were horrified at the loss of her expensive tusk ornaments, but with my hand firmly clasped in hers she reminded them, with her face beaming,'When has it ever been a virtue to be rich in wealth and poor in people?' The relatives nodded. They understood her very well- why have heaven an earth when you have no one to share it with?

What is this, behind this veil, is it ugly, is it beautiful? It is shimmering, has it breasts, has it edges? I am sure it is unique, I am sure it is what I want. When I am quiet at my cooking I feel it looking, I feel it thinking 'Is this the one I am too appear for, Is this the elect one, the one with black eye-pits and a scar? Measuring the flour, cutting off the surplus, Adhering to rules, to rules, to rules. Is this the one for the annunciation? My god, what a laugh!' But it shimmers, it does not stop, and I think it wants me. I would not mind if it were bones, or a pearl button. I do not want much of a present, anyway, this year. After all I am alive only by accident. I would have killed myself gladly that time any possible way. Now there are these veils, shimmering like curtains, The diaphanous satins of a January window White as babies' bedding and glittering with dead breath. O ivory! It must be a tusk there, a ghost column. Can you not see I do not mind what it is. Can you not give it to me? Do not be ashamed--I do not mind if it is small. Do not be mean, I am ready for enormity. Let us sit down to it, one on either side, admiring the gleam, The glaze, the mirrory variety of it. Let us eat our last supper at it, like a hospital plate. I know why you will not give it to me, You are terrified The world will go up in a shriek, and your head with it, Bossed, brazen, an antique shield, A marvel to your great-grandchildren. Do not be afraid, it is not so. I will only take it and go aside quietly. You will not even hear me opening it, no paper crackle, No falling ribbons, no scream at the end. I do not think you credit me with this discretion. If you only knew how the veils were killing my days. To you they are only transparencies, clear air. But my god, the clouds are like cotton. Armies of them. They are carbon monoxide. Sweetly, sweetly I breathe in, Filling my veins with invisibles, with the million Probable motes that tick the years off my life. You are silver-suited for the occasion. O adding machine----- Is it impossible for you to let something go and have it go whole? Must you stamp each piece purple, Must you kill what you can? There is one thing I want today, and only you can give it to me. It stands at my window, big as the sky. It breathes from my sheets, the cold dead center Where split lives congeal and stiffen to history. Let it not come by the mail, finger by finger. Let it not come by word of mouth, I should be sixty By the time the whole of it was delivered, and to numb to use it. Only let down the veil, the veil, the veil. If it were death I would admire the deep gravity of it, its timeless eyes. I would know you were serious. There would be a nobility then, there would be a birthday. And the knife not carve, but enter Pure and clean as the cry of a baby, And the universe slide from my side.

Most days what I felt was this: the minute you put a first name and a last name together, you've got a pair of tusks coming right at you (i.e., Watch out, buddy). but on days when I didn't disapprove of everything on principle--days when the whole cologned, cuff-shooting ruck of my co-workers didn't repulse me from the moment they disembarked from the sixth-floor elevator and began squidging their way along the carpeted track that led to the office--my thinking stabbed more along these lines: a name belittles that which is named. Give a person a name and he'll sink right into it, right into the hollows and the dips of the letters that spelled out the whole insultingly reductive contraption, so that you have to pull him up and dance him out of it, take his attendance, and fuck some life into him if you expect to get any work out of him. Multiply him by twenty-two and you will have some idea of what the office was like, except that a good third of my colleagues were female.

and rocks and creaks and moans in the eternal breeze. Through all ages — when the pavement was grass, when it was swamp, through the age of tusk and mammoth, through the age of silent sunrise, the battered woman — for she wore a skirt — with her right hand exposed, her left clutching at her side, stood singing of love — love which has lasted a million years, she sang, love which prevails, and millions of years ago, her lover, who had been dead these centuries, had walked, she crooned, with her in May; but in the course of ages, long as summer days, and flaming, she remembered, with nothing but red asters, he had gone; death’s enormous sickle had swept those tremendous hills, and when at last she laid her hoary and immensely aged head on the earth, now become a mere cinder of ice, she implored the Gods to lay by her side a bunch of purple-heather, there on her high burial place which the last rays of the last sun caressed; for then the pageant of the universe would be over.

Cersei cupped the other woman’s breast. Softly at first, hardly touching, feeling the warmth of it beneath her palm, the skin as smooth as satin. She gave it a gentle squeeze, then ran her thumbnail lightly across the big dark nipple, back and forth and back and forth until she felt it stiffen. When she glanced up, Taena’s eyes were open. “Does that feel good?” she asked. “Yes,” said Lady Merryweather. “And this?” Cersei pinched the nipple now, puling on it hard, twisting it between her fingers. The Myrish woman gave a gasp of pain. “You’re hurting me.” “It’s just the wine. I had a flagon with my supper, and another with the widow Stokeworth. I had to drink to keep her calm.” She twisted Taena’s other nipple too, puling until the other woman gasped. “I am the queen. I mean to claim my rights.” “Do what you wil.” Taena’s hair was as black as Robert’s, even down between her legs, and when Cersei touched her there she found her hair al sopping wet, where Robert’s had been coarse and dry. “Please,” the Myrish woman said, “go on, my queen. Do as you wil with me. I’m yours.” But it was no good. She could not feel it, whatever Robert felt on the nights he took her. There was no pleasure in it, not for her. For Taena, yes. Her nipples were two black diamonds, her sex slick and steamy. Robert would have loved you, for an hour. The queen slid a finger into that Myrish swamp, then another, moving them in and out, but once he spent himself inside you, he would have been hard-pressed to recal your name. She wanted to see if it would be as easy with a woman as it had always been with Robert. Ten thousand of your children perished in my palm, Your Grace, she thought, slipping a third finger into Myr. Whilst you snored, I would lick your sons of my face and fingers one by one, al those pale sticky princes. You claimed your rights, my lord, but in the darkness I would eat your heirs. Taena gave a shudder. She gasped some words in a foreign tongue, then shuddered again and arched her back and screamed. She sounds as if she is being gored, the queen thought. For a moment she let herself imagine that her fingers were a bore’s tusks, ripping the Myrish woman apart from groin to throat. It was stil no good. It had never been any good with anyone but Jaime. When she tried to take her hand away, Taena caught it and kissed her fingers. “Sweet queen, how shal I pleasure you?” She slid her hand down Cersei’s side and touched her sex. “Tel me what you would have of me, my love.

Questions are a child’s way of expressing love and trust. They are a child’s way of starting a conversation. So instead of simply insisting over and over again that the object of my son’s attention is, in fact, an elephant, I might tell him about how, in India, elephants are symbols of good luck, or about how some say elephants have the best memories of all the animals. I might tell him about the time I saw an elephant spin a basketball on the tip of his trunk, or about how once there was an elephant named Horton who heard a Who. I might tell him that once upon a time, there was an elephant and four blind men; each man felt a different part of the elephant’s body: the ears, the tail, the side, and the tusk . . . Sometimes, as I’m doing this, my son will crawl into my lap, put his head on my chest, and just listen to the story, his questions quieted, his body relaxed. And I realize this is all he wanted to begin with—to be near me, to hear the familiar cadence of my voice, to know he’s safe and not alone.

You've asked me what the lobster is weaving there with his golden feet? I reply, the ocean knows this. You say, what is the ascidia waiting for in its transparent bell? What is it waiting for? I tell you it is waiting for time, like you. You ask me whom the Macrocystis alga hugs in its arms? Study, study it, at a certain hour, in a certain sea I know. You question me about the wicked tusk of the narwhal, and I reply by describing how the sea unicorn with the harpoon in it dies. You enquire about the kingfisher's feathers, which tremble in the pure springs of the southern tides? Or you've found in the cards a new question touching on the crystal architecture of the sea anemone, and you'll deal that to me now? You want to understand the electric nature of the ocean spines? The armored stalactite that breaks as it walks? The hook of the angler fish, the music stretched out in the deep places like a thread in the water? I want to tell you the ocean knows this, that life in its jewel boxes is endless as the sand, impossible to count, pure, and among the blood-colored grapes time has made the petal hard and shiny, made the jellyfish full of light and untied its knot, letting its musical threads fall from a horn of plenty made of infinite mother-of-pearl. I am nothing but the empty net which has gone on ahead of human eyes, dead in those darknesses, of fingers accustomed to the triangle, longitudes on the timid globe of an orange. I walked around as you do, investigating the endless star, and in my net, during the night, I woke up naked, the only thing caught, a fish trapped inside the wind.

if you motherfuckers must know, I was looking up porn,” Preppy said with a shrug of his shoulders. There was a rustling in the brush up ahead. A huge brown hog with wiry hair and a broken tusk darted out from its hiding place and into the clearing, making a run for his life through the trees. Preppy lifted his gun and pulled the trigger. He missed the fast moving pig and the bullet blew a huge hole into a tree stump. “But you’d be surprised how one little misspelling of the word BEASTIALITY can change the entire fucking nature of a search.

When I contacted her about my research, Dr. Dalmau's colleague Dr. Rita Balice-Gorodn brought up the old Indian proverb, often used by neuroscientists studying the brain, about six blind men trying to identify an elephant, offering it as a way of understanding how much more we have to learn about the disease. Each man grabs hold of a different part of the animal and tries to identify the unnamed object. One man touches the tail and says, "rope"; one touches a leg and says, "pillar"; one feels a trunk and says, "tree"; one feels an ear and says, "fan"; one feels the belly and says, "wall"; the last one feels the tusk and is certain it's a "pipe." (The tale has been told so many times that the outcomes differ widely. In a Buddhist iteration, the mean are told they are all correct and rejoice; in another, the men break out in violence when they can't agree.) Dr. Balice-Gordon has a hopeful interpretation of the analogy: "We're sort of approaching the elephant from the front end and from the back end in the hopes of touching in the middle. We're hoping to paint a detailed enough landscape of the elephant.

The massive machine bore down on them. Nearly fourteen feet long and six wide, it seemed to completely fill the bridge. Almost a ton and a half of wood, glass, rubber, brass and steel, a monster, roaring and trumpeting as it approached its kill, the great shining black fender arches framing its huge goggling eyes. The thrusting tusks of its sprung-leaf suspension threatened to skewer any soft flesh and young bone that lay in its path. Black smoke billowed from its rear. Sparks spat from behind its grille. No dragon of ancient legend could have seemed more terrifying or more deadly.

The sorceress walked a short distance away, her rounded hips swaying. She lifted her hands, fingers moving as if plucking invisible strings. Bitter cold flooded out, the sand crackling as if lit by lightning, and the gate that erupted was massive, yawning, towering. Through the billowing icy air flowed out a sweeter, rank smell. The smell of death. A figure stood on the threshold of the gate. Tall, hunched, a withered, lifeless face of greenish grey, yellowed tusks thrusting up from the lower jaw. Pitted eyes regarded them from beneath a tattered woollen cowl. The power cascading from this apparition sent Equity stumbling back. Abyss! A Jaghut, yes, but not just any Jaghut! Calm – can you hear me? Through this howl? Can you hear me? An ally stands before me – an ally of ancient – so ancient – power! This one could have been an Elder God. This one could have been…anything! Gasping, fighting to keep from falling to one knee, from bowing before this terrible creature, Equity forced herself to lift her gaze, to meet the empty hollows of his eyes. ‘I know you,’ she said. ‘You are Hood.’ The Jaghut stepped forward, the gate swirling closed behind him. Hood paused, regarding each witness in turn, and then walked towards Equity. ‘They made you their king,’ she whispered. ‘They who followed no one chose to follow you. They who refused every war fought your war. And what you did then – what you did—’ As he reached her, his desiccated hands caught her. He lifted her from her feet, and then, mouth stretching, he bit into the side of her face. The tusks drove up beneath her cheek bone, burst the eye on that side. In a welter of blood, he tore away half of her face, and then bit a second time, up under the orbitals, the tusks driving into her brain. Equity hung in his grip, feeling her life drain away. Her head felt strangely unbalanced. She seemed to be weeping from only one eye, and from her throat no words were possible. I once dreamed of peace. As a child, I dreamed of—

We had proceeded but a few days, coasting the crushing capes of rock that every where seemed to run out in a diablerie of tusks and horns to drive us from the region that they warded, now cruising through a runlet of blue water just wide enough for our keel, with silver reaches of frost stretching away into a ghastly horizon—now plunging upon tossing seas, tho sun wheeling round and round, and never sinking from the strange, weird sky above us, when again to our look-out a glimmer in the low horizon told its awful tale—a sort of smoky lustre like that which might ascend from an army of spirits—the fierce and fatal spirits tented on the terrible field of the ice-floe.

One article on reproductive strategies was titled "Sneaky Fuckers." Kya laughed. As is well known, the article began, in nature, usually the males with the most prominent secondary sexual characteristics, such as the biggest antlers, deepest voices, broadest chests, and superior knowledge secure the best territories because they have fended off weaker males. The females choose to mate with these imposing alphas and are thereby inseminated with the best DNA around, which is passed on to the female's offspring- one of the most powerful phenomena in the adaptation and continuance of life. Plus, the females get the best territory for their young. However, some stunted males, not strong, adorned, or smart enough to hold good territories, possess bags of tricks to fool the females. They parade their smaller forms around in pumped-up postures or shout frequently- even if in shrill voices. By relying on pretense and false signals, they manage to grab a copulation here or there. Pint-sized male bullfrogs, the author wrote, hunker down in the grass and hide near an alpha male who is croaking with great gusto to call in mates. When several females are attracted to his strong vocals at the same time, and the alpha is busy copulating with one, the weaker male leaps in and mates one of the others. The imposter males were referred to as "sneaky fuckers." Kya remembered, those many years ago, Ma warning her older sisters about young men who overrevved their rusted-out pickups or drove jalopies around with radios blaring. "Unworthy boys make a lot of noise," Ma had said. She read a consolation for females. Nature is audacious enough to ensure that the males who send out dishonest signals or go from one female to the next almost always end up alone. Another article delved into the wild rivalries between sperm. Across most life-forms, males compete to inseminate females. Male lions occasionally fight to the death; rival bull elephants lock tusks and demolish the ground beneath their feet as they tear at each other's flesh. Though very ritualized, the conflicts can still end in mutilations. To avoid such injuries, inseminators of some species compete in less violent, more creative methods. Insects, the most imaginative. The penis of the male damselfly is equipped with a small scoop, which removes sperm ejected by a previous opponent before he supplies his own. Kya dropped the journal on her lap, her mind drifting with the clouds. Some female insects eat their mates, overstressed mammal mothers abandon their young, many males design risky or shifty ways to outsperm their competitors. Nothing seemed too indecorous as long as the tick and the tock of life carried on. She knew this was not a dark side to Nature, just inventive ways to endure against all odds. Surely for humans there was more.

As her feet beat the concrete ground beneath them, her chest began to ache. It had been a long time since she had run at a full sprint. She was, quite literally, running for her life, and leaving everything she had known before behind. Regardless of her past experiences, here she was, blindly following a girl, who was virtually a stranger, because she had promised to lead Eleanor to safety.

Emocjonalny stosunek Polaków do sąsiednich narodów jest obciążony wspomnieniem doznanych krzywd, odniesionych ran (rzecz jasna tych, które nam zadano, a nie tych, które my zadawaliśmy) oraz rachunkiem poległych i pomordowanych. Łatwo rozdmuchać tlący się żar tej wrogości oraz pragnienie wyrównania rachunku. Robią to czasem politycy dla doraźnego, wyborczego zysku. Taki zysk zmienia się jednak w narodową stratę. Stosunki z sąsiednimi państwami zależą od psychologicznej tkanki stosunków między narodami. Dla każdego polskiego rządu – obojętne czy premierem będzie Kaczyński, czy Tusk – rozniecona wrogość wobec Rosjan, Niemców lub Ukraińców będzie jak kula u nogi, która nie pozwoli na układanie wzajemnych stosunków gospodarczych i politycznych w najlepiej pojętym interesie narodowym. Słono za to zapłacimy.

Try to think of it as though we are rewriting history––the first time this experience occurred you and I never kissed in this Dream Machine room. But now when we leave here, and open our eyes again near the wall around the center of Constance, that kiss will be included in our memories of the day we first met. We could spend a lifetime recreating this moment here, meanwhile, not a single second of our lives would slip by back in our reality. Time seems to move differently inside of our memories.

Eleanor had heard talk of the rebellion that existed inside the city of Constance before. Most of the information she gathered was considered an old fairy tale by the general public. There were a few stories here and there about people angered by their present living conditions, who had demanded that the center of Constance be held responsible for it. However, information was never passed between the five different sectors. Over the years the tales of the rebellion had become children’s bedtime stories, and people did not take them seriously.

If anyone had ever asked me to defend my work, here’s what I would have said: The more complex a behavior is, the more rigorous and complicated the science behind it. Math, chemistry, that’s the easy stuff—closed models with discrete answers. To understand behavior—human or elephant—the systems are far more complex, which is why the science behind them must be that much more intricate. But no one ever asked. I’m pretty sure my boss, Grant, thought this was a phase I was going through, and that sooner or later, I’d get back to science, instead of elephant cognition. I had seen elephants die before, but this was the first time since I’d changed my research focus. I wanted every last detail to be noted. I wanted to make sure I didn’t overlook anything as too mundane; any action that I might learn later was critical to the way elephants mourn. To that end, I stayed there, sacrificing sleep. I marked down which elephants came to visit, identifying them by their tusks, their tail hair, the marks on their bodies, and sometimes even the veins on their ears, which had patterns as unique as our own thumbprints. I cataloged how much time they spent touching Mmaabo,

Ah, my friends, that innocent afternoon with Larry provoked me into thought in a way my own dicelife until then never had. Larry took to following the dice with such ease and joy compared to the soul-searching gloom that I often went through before following a decision, that I had to wonder what happened to every human in the two decades between seven and twenty-seven to turn a kitten into a cow. Why did children seem to be so often spontaneous, joy-filled and concentrated while adults seemed controlled, anxiety-filled and diffused? It was the Goddam sense of having a self: that sense of self which psychologists have been proclaiming we all must have. What if - at the time it seemed like an original thought - what if the development of a sense of self is normal and natural, but is neither inevitable nor desirable? What if it represents a psychological appendix: a useless, anachronistic pain in the side? - or, like the mastodon's huge tusks: a heavy, useless and ultimately self-destructive burden? What if the sense of being some-one represents an evolutionary error as disastrous to the further development of a more complex creature as was the shell for snails or turtles? He he he. What if? indeed: men must attempt to eliminate the error and develop in themselves and their children liberation from the sense of self. Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus. I became tremendously excited with my thoughts: 'Men must become comfortable in flowing from one role to another' - why aren't they? At the age of three or four, children were willing to be either good guys or bad guys, the Americans or the Commies, the students or the fuzz. As the culture molds them, however, each child comes to insist on playing only one set of roles: he must always be a good guy, or, for equally compulsive reasons, a bad guy or rebel. The capacity to play and feel both sets of roles is lost. He has begun to know who he is supposed to be. The sense of permanent self: ah, how psychologists and parents lust to lock their kids into some definable cage. Consistency, patterns, something we can label - that's what we want in our boy. 'Oh, our Johnny always does a beautiful bower movement every morning after breakfast.' 'Billy just loves to read all the time...' 'Isn't Joan sweet? She always likes to let the other person win.' 'Sylvia's so pretty and so grown up; she just loves all the time to dress up.' It seemed to me that a thousand oversimplifications a year betrayed the truths in the child's heart: he knew at one point that he didn't always feel like shitting after breakfast but it gave his Ma a thrill. Billy ached to be out splashing in mud puddles with the other boys, but... Joan wanted to chew the penis off her brother every time he won, but ... And Sylvia daydreamed of a land in which she wouldn’t have to worry about how she looked . . . Patterns are prostitution to the patter of parents. Adults rule and they reward patterns. Patterns it is. And eventual misery. What if we were to bring up our children differently? Reward them for varying their habits, tastes, roles? Reward them for being inconsistent? What then? We could discipline them to be reliably various, to be conscientiously inconsistent, determinedly habit-free - even of 'good' habits.

Ahab stood for a while leaning over the bulwarks; and then, as had been usual with him of late, calling a sailor of the watch, he sent him below for his ivory stool, and also his pipe. Lighting the pipe at the binnacle lamp and planting the stool on the weather side of the deck, he sat and smoked. In old Norse times, the thrones of the sea-loving Danish kings were fabricated, saith tradition, of the tusks of the Narwhale. How could one look at Ahab then, seated on that tripod of bones, without bethinking him of the royalty it symbolized? For a Khan of the plank, and a king of the sea, and a great lord of Leviathans was Ahab. Some moments passed, during which the thick vapor came from his mouth in quick and constant puffs, which blew back again into his face. "How now," he soliloquized at last, withdrawing the tube, "this smoking no longer soothes. Oh, my pipe! hard must it go with me if thy charm be gone! Here have I been unconsciously toiling, not pleasuring, aye, and ignorantly smoking to windward all the while; to windward, and with such nervous whiffs, as if, like the dying whale, my final jets were the strongest and fullest of trouble. What business have I with this pipe? This thing that is meant for sereneness, to send up mild white vapors among mild white hairs, not among torn iron-grey locks like mine. I'll smoke no more" He tossed the still lighted pipe into the sea. The fire hissed in the waves; the same instant the ship shot by the bubble the sinking pipe made. With slouched hat, Ahab lurchingly paced the planks.

Tell it to me.” “Why? We both know the tale.” “Even so. I want to hear it from your lips. Tell the tale. The room will keep rhythm.” Tell the tale. My heart clenched. I miss you, Gauri. Sinking into my old habit was easy enough. I sat on the floor, crossing my legs in front of me, my gaze flickering between Amar and the pillar. Amar’s eyes were closed, his head tilted back to expose his bronzed throat. I spun my tale and the sky shimmered with images. I told Amar of the demon king who wished to escape death so he performed the most severe penances until he was granted a boon by the gods. “He prayed that he would not die inside or outside his home. He prayed that he would die neither at night or day nor in the ground or in the sky. He prayed that neither man nor beast could kill him. He prayed no weapon could harm him.” Amar’s head snapped up. He looked at the pillar with a wicked smile. “And yet death found its way to him.” I nodded. “One day, the god appeared as part-man, part-lion and burst forth from the pillar.” A being of shadow tore through the pillar. A lion’s mane cast a torn shadow across the marble. Fangs lengthened in its mouth. “He came upon the demon king at twilight--” “--which is neither night nor day,” said Amar. “And he appeared on the threshold of a courtyard--” “Neither indoors nor out.” “And he spread the king across his lap.” “Neither above nor below ground.” The shadow story played out in front of us, a tusked hulking man dragged to his knees and then lifted onto the thighs of the beast god. “And he used his fingernails.” “Not a true weapon.” The shadow being lifted muscled arms above his head and claws erupted from his fingers. Amar grinned. “And then death took him,” I said. “Yes,” finished Amar. “He did.” The shadow beast tore its claws into the demon king. Blood spattered across the walls. Within seconds, the images collapsed and the beast god slunk back into the pillar, one eye slit to the outside world before the marble folded up and swallowed him. I stood up, my hands shaking for no reason. “Beautiful,” said Amar. “I found it gruesome,” I said, shivering. Amar rose and walked to where I stood. “I was not talking about the story.