Turquoise Stone Quotes

I would like to do whatever it is that presses the essence from the hour.

Of all the things I wondered about on this land, I wondered the hardest about the seduction of certain geographies that feel like home — not by story or blood but merely by their forms and colors. How our perceptions are our only internal map of the world, how there are places that claim you and places that warn you away. How you can fall in love with the light.

Breathing, it seemed to me, was a proper attribute for the mountains... mountains that quietly functioned as a single thing with a rhythmic inhale-exhale I could feel...

The complex human eye harvests light. It perceives seven to ten million colors through a synaptic flash: one-tenth of a second from retina to brain. Homo sapiens gangs up to 70 percent of its sense receptors solely for vision, to anticipate danger and recognize reward, but also—more so—for beauty.

A turquoise given by a loving hand carries with it happiness and good fortune." Arabic proverb

I will fill myself with the desert and the sky. I will be stone and stars, unchanging and strong and safe. The desert is complete; it is spare and alone, but perfect in its solitude. I will be the desert. I open my eyes to see Ry staring at me, and my desert soul erupts with turquoise water, floods and cascades and waterfalls rushing in around my stone, swirling and eddying around my rocky parts, pushing and reshaping and filling every hidden dark spot.

Stones of protection; amethyst, emerald, turquoise, lapis lazuli, and a male ruby.

Each of us possesses five fundamental, enthralling maps to the natural world: sight, touch, taste, hearing, smell. As we unravel the threads that bind us to nature, as denizens of data and artifice, amid crowds and clutter, we become miserly with these loyal and exquisite guides, we numb our sensory intelligence. This failure of attention will make orphans of us all.

On the evening of her eighteenth birthday, Maddy opened her journal and made a list of the jewels and precious stones she'd held. Gold, diamond, emerald; ruby, turquoise, pearl; amber, jade, marble… There were some she had forgotten. Beneath these she listed what she thought were the most perfect tastes and smells. Coffee, cinnamon, peaches; vanilla, honey, basil; baking bread, fresh bread, toasting bread.

Let Us Gather In A Flourishing Way Let us gather in a flourishing way opening with sun light grains songs we carry every day I pasture the young body happy to give and give pearls pearls of corn flowing tree of life at the four corners let us gather in a flourishing way happy life full of strength to giving birth to fragrant rivers Fresh sweet green turquoise strong rainbows flesh of our children let us gather in a flourishing way in the light and in the flesh of our heart to toil quiet in fields of blossoms together to stretch the arms With the quiet rain in the morning Early on our forehead star Heat sky and wisdom to meet us Where we toil always in the garden of our Struggle and joy let us offer our hearts to greet our eagle rising freedom woven branches celebrate arms branches nopales stones feathers bursting piercing figs and avocados Butterfly ripe fields and clear seas of our face to breathe all the way in blessing to give seeds to grow maiztlán in the hands of our love.

Everyone will tell you that genealogy serves two purposes: self-knowledge and social status, some sort of pedigree divined from names, locations, and achievements of eminence. However, there is nothing quite like an anomaly to suck attention away from the droning census records. A suicide hinted at emotion and thought. A closet door was flung open and daylight flooded a skeleton.

In the hallowed tradition of squishy doughball liberals, I believe that science, reason, kindness, and understanding—maybe a little food—can set the world right. B

I will build you with stones of turquoise. (Isaiah 54:11)

In genealogy you might say that interest lies in the eye of the gene holder. The actual descendants are far more intrigued with it all than the listeners, who quickly sink into a narcoleptic coma after the second or third great-great-somebody kills a bear or beheads Charles I, invents the safety pin or strip-mines Poland, catalogues slime molds, dances flamenco, or falls in love with a sheep. Genealogy is a forced march through stories. Yet everyone loves stories, and that is one reason we seek knowledge of our own blood kin. Through our ancestors we can witness their times. Or, we think, there might be something in their lives, an artist’s or a farmer’s skill, an affection for a certain landscape, that will match or explain something in our own. If we know who they were, perhaps we will know who we are. And few cultures have been as identity-obsessed as ours. So keen is this fascination with ancestry, genealogy has become an industry. Family reunions choke the social calendar. Europe crawls with ancestor-seeking Americans. Your mother or your spouse or your neighbors are too busy to talk to you because they are on the Internet running “heritage quests.” We have climbed so far back into our family trees, we stand inches away from the roots where the primates dominate.

Sometimes the desert exhilarates me to the point of soaring. Other times I am so heartsick I cannot bear up against the despair, a palpable, aching longing. Longing for this wild beauty to last and for me never to die and no longer be able to feel, see, hear, taste, and breathe it. A yearning to die before the desert's wild heart is lost so I do not have to witness it. A longing to be a better person, for the world to be a better place, for us to truly measure up to this land, for this land not to be a battlefield of anger and greed. When these two opposing conditions, elation and despair, follow one another too quickly, the universe seems careless and precipitate. I soar, I crash, a squall of heat let loose in the ethos. Or else I get hungry.

Grant pressed his back against the outside wall of the turquoise and white two-story home he and a team of Miami PD officers were about to storm. On the surface the place fit in perfectly into the upper middle class neighborhood. On the inside, however, it was a fully functioning cocaine lab.

gleaming like some fairy princess with sparkling jewels and gay embroideries. Her chignon was enclosed in a circlet of gold filigree and clustered pearls. It was fastened with a pin embellished with flying phoenixes, from whose beaks pearls were suspended on tiny chains. Her necklet was of red gold in the form of a coiling dragon. Her dress had a fitted bodice and was made of dark red silk damask with a pattern of flowers and butterflies in raised gold thread. Her jacket was lined with ermine. It was of a slate-blue stuff with woven insets in coloured silks. Her under-skirt was of a turquoise-coloured imported silk crêpe embroidered with flowers.

The aesthetes of Des Esseintes' generation found diamonds common, rubies and emeralds depreciated, and turquoises vulgar. The old poetry was dead, though echoes of it lived on in the names of such gems as chrysoberyl and peridot and olivines and almandines and cymophanes and aquamarines. Beauty which has departed from things may live on in words.

person, the buildings towering before us. Many of the exteriors are adorned in vibrant colors—coral, canary yellow, and turquoise—the sun bathing them in an amber glow. The walls match the flashy cars surrounding us, the paint on the structures peeling in places. Clotheslines hang from intricate wrought iron and stone balconies, clothes flapping in the breeze; power lines zigzag across buildings. People are stacked upon one another here, crammed into any available space, spilling from the buildings.

The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap parsemé with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires.

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

The door had six knobs on its inner side: the uppermost, which matched the outer one, a square of frost-furred crystal, and five beneath it, placed in an uneven row. The first two were of some sort of dark stone, one icy and the other matte and slippery-smooth. The fourth had the look of a tiny aquarium, a cylinder of turquoise sea shafted with sunlight. The bottom two were made of wood. The first was pale, carved with an intricate floral pattern. I could not tell if the second was similarly decorated, for it was largely covered in a wet moss woven with constellations of tiny white flowers.

gleaming like some fairy princess with sparkling jewels and gay embroideries. Her chignon was enclosed in a circlet of gold filigree and clustered pearls. It was fastened with a pin embellished with flying phoenixes, from whose beaks pearls were suspended on tiny chains. Her necklet was of red gold in the form of a coiling dragon. Her dress had a fitted bodice and was made of dark red silk damask with a pattern of flowers and butterflies in raised gold thread. Her jacket was lined with ermine. It was of a slate-blue stuff with woven insets in coloured silks. Her under-skirt was of a turquoise-coloured imported silk crêpe embroidered with flowers. She

Ancient powers lurk in your bones. Four mountains bind you to your home. Four days to find you are not alone. “White shell, blue turquoise, abalone, and jet, Two to remember, one to forget. The last, take from the progenitor’s debt. “The spider reveals the rainbow road. Two will pay what one once owed. Beware, beware the friendly toad. “A talking stone, a field of knives, a prom of thorns, a seethe of sand. Thoughts take form, form becomes true. To defeat the trials, you must know you. “Who will pay the lost ones’ price? Blood and flesh will not suffice. A dream must be the sacrifice. “The Merciless One keeps vigil true. Heir of lightning, overdue. What once was old is now brand-new. Only then will you be you.

She sprang out of bed, the ornaments in her hair tinkling and jingling, making tiny versions of the noises of the chimes above her. And that was Rapunzel's most striking beauty: her hair. Bound in plaits and whorls and buns and knots and twists as tightly as she could manage. Some of the braids were so long they hung in loops that she put her arms through; they hung at her sides like giant sleeves or tippets from an ancient dress. Decorating all of this were dozens of charms-- also silver, like her hair, but some with exotic stones like lapis and turquoise. Bells, tiny moons, hands, suns, six-pointed stars, eyes, and anything else Mother Gothel could lay her hands on at her daughter's request. By these amulets Rapunzel definitely tried to control her hair, bind her hair, disempower her hair, and unenchant her magic hair.

The sun had not yet stood out from the orient, but his precedent light shone through the translucent blue. Yet it was not blue, nor is there any word, nor is a word possible to convey the feeling unless one could be built up of signs and symbols like those in the book of the magician, which glowed and burned to and fro the page. For the blue of the precious sapphire is thick to it, the turquoise dull, these hard surfaces are no more to be compared to it than sand and gravel. They are but stones, hard, cold, pitiful, that which gives them their lustre is the light. Through delicate porcelain sometimes the light comes, and it is not the porcelain, it is the light that is lovely. But porcelain is clay, and the light is shorn, checked, and shrunken. Down through the beauteous azure came the Light itself, pure, unreflected Light, untouched, untarnished even by the dew-sweetened petal of a flower, descending, flowing like a wind, a wind of glory sweeping through the blue. A luminous purple glowing as Love glows in the cheek, so glowed the passion of the heavens. Two things only reach the soul. By touch there is indeed emotion. But the light in the eye, the sound of the voice! the soul trembles and like a flame leaps to meet them. So to the luminous purple azure his heart ascended.

What does one wear to a ranch early in the morning? I wondered. I was stumped. I had enough good sense, thank God, to know my spiked black boots--the same boots I’d worn on basically every date with Marlboro Man thus far--were out of the question. I wouldn’t want them to get dirty, and besides that, people might look at me funny. I had a good selection of jeans, yes, but would I go for the dark, straight-leg Anne Kleins? Or the faded, boot-cut Gaps with contrast stitching? And what on earth would I wear on top? This could get dicey. I had a couple of nice, wholesome sweater sets, but the weather was turning warmer and the style didn’t exactly scream “ranch” to me. Then there was the long, flax-colored linen tunic from Banana Republic--one I loved to pair with a chunky turquoise necklace and sandals. But that was more Texas Evening Barbecue than Oklahoma Early-Morning Cattle Gathering. Then there were the myriad wild prints with sparkles and stones and other obnoxious adornments. But the last thing I wanted to do was spook the cattle and cause a stampede. I’d seen it happen in City Slickers when Billy Crystal fired up his cordless coffee grinder, and the results weren’t the least bit pretty. I considered cancelling. I had absolutely nothing to wear. Every pair of shoes I owned was black, except for a bright yellow pair of pumps I’d bought on a whim in Westwood one California day. Those wouldn’t exactly work, either. And I didn’t own a single shirt that wouldn’t loudly broadcast *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* I wanted to crawl under my covers and hide.

Skiddy Cottontail—that was his name—and he defended LGBT equality. He was a flamboyant, colorful striped rabbit, with a headdress of a rainbow crown on his forehead. The radiance of his energy was violet, scarlet, and turquoise; as it represented his love for everyone. In the infancy years of his existence, he was abandoned—alone—unwanted—unloved; rejected by a world that disdains him. His father wished him deceased, his family exiled him from the warren, he was physically mistreated and preyed on by homophobic mobs in the surrounding community by Elephants—Hyenas—rats. They splashed spit at his face, advising him that God condemns homosexuality—as Christ did not. They would slam him on the pavement with their Bibles, strike him in the stomach with their feet, throw boulders of stone at his body: imploring—abusing—condemning him to a tyrannical sentence. Skiddy Cottontail thought that his existence would end with this case of cruelty—violence—assault that was perpetrated against him. He wanted to cease to exist— he wanted to commit the ultimate murder on himself—he no more desired to go on living— he realized hope is already deceased. He yearned to have the courage to emerge, to discover his bravery that would sever this spiral of sensations of oppression. Being a victim made him a slave to his opponent—as his adversaries have full leverage against him. Life has become a thread of light, which he longed to be liberated from its shackles. His demon—a voice that keeps blaming him for his crimes in the back of his mind—a glass that continually cracks in his heart—will keep breaking him if he does not devise a way out of this crisis. He was conscious by his innermost conviction that there was candlelight with a key that had the potential to illuminate a new chapter that will erase this trail of obscurity behind him. He sees a new horizon with greater comprehension, a journey that can give him the roses of affection than a handful of dead birds that his adversaries handed him along the way. The stunning blossoming trees did have a forest—beautiful greenery that was colorful like the rainbow in the Heavens. This home will embrace him with a warm embrace of open arms, where cruelty is forbidden; where adoration can forever abound. Dawn will know him when he arrives. No more hurricanes or strife will be here—no crying of a sad humanity are here—only a gift of harmony and devotion, beyond all explanation, will abide in the heart of Skiddy Cottontail—when he finds his way out from this opponent world for a beautiful existence that is called liberation. Skiddy Cottontail has found a happiness that can only bring him contentment like nothing in this hurtful world can. Find your own sense of balance like him, Skiddy Cottontail, and you will experience serenity as much as him.

The gyre that pulls this sunrise ocean moves west from Africa across the equator then caresses this thumb of land on Mexico’s flank. The Gulf Stream carries the warm waters farther north. Like the ocean currents, airflow also moves in a circular pattern, captive to the earth’s rotation, pulled one way or the other on either side of the equator: the Coriolis effect. This force can act upon the spiraling of water down drains, counterclockwise if you are in the Northern Hemisphere, clockwise if you are south of the equator. We are still in the Northern Hemisphere but just barely. My quest for drain behavior reassures me that we will not be flung off the spinning globe—you can never be too sure. On a flight to Australia once, when the airplane was precisely over the equator, I rushed to the airplane’s lavatory and filled the sink with water. Then I pulled the plug to see which way the water would circle the drain, hoping for some sort of momentous turmoil in the physics of deflection. When you venture well beyond home, it is important to assess the territory.

The car door opened and large boots hit the ground. Abby stood as if her name had sounded in a roll call. She let out a deep breath. She was busted. Her gaze traveled up the officer’s long thick legs, to his gladiator-worthy body, then on up to turquoise blue eyes. “Sheriff Stone,” she said under her breath.

It has come quickly, this crushing, industrial love of paradise. The pervert-free, less-trammeled, hundred-mile-view days were little more than two decades past, not so very long ago. Yet already my own history sounds like another country.

So, before he got sick, he used to tear up her hardware, the designer's, and put the real parts into cases he'd make in his shop. Say he'd make a solid bronze case for a minidisk unit, ebony inlays, carve the control surfaces out of fossil ivory, turquoise, rock crystal. It weighed more, sure, but it turned out a lot of people liked that, like they had their music or their memory, whatever, in some-thing that felt like it was there…. And people liked touching all that stuff: metal, a smooth stone…. And once you had the case, when the manufacturer brought out a new model, well, if the electronics were any better, you just pulled the old ones out and put the new ones in your case. So you still had the same object, just with better functions.

Faile watched the last embers of the miniature pyre flicker out. “I think Rolan actually loved me,” she said. And that was all. The four rose and returned to the camp. The past was a field of embers and ash, an old Saldaean proverb said, the remnants of the fire that was the present. Those embers blew away behind her. But she kept Rolan’s turquoise stone. Not for regret, but for remembrance.

Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue

As she did, something slipped off her hand. I didn’t call after her to alert her to the missing item. Instead, I waited until she disappeared around the corner before I walked over and retrieved the turquoise ring from the ground. I pulled the ring out of my pocket. The usually warm stone felt ice cold in my palm.

How does vision, this tyrant of the senses, draw someone to a piece of earth? What do the eyes rest upon-mind disengaged, heart not—that combines senses and affection into a homeland? Do the eyes conspire with other senses in a kind of synesthetic faculty, an ability to respond to the colors of place as if they were taste and scent, sound and touch?

Presently Grandmother Jia appeared, seated, in solitary splendour, in a large palanquin carried by eight bearers. Li Wan, Xi-feng and Aunt Xue followed, each in a palanquin with four bearers. After them came Bao-chai and Dai-yu sharing a carriage with a splendid turquoise-coloured canopy trimmed with pearls. The carriage after them, in which Ying-chun, Tan-chun and Xi-chun sat, had vermilion-painted wheels and was shaded with a large embroidered umbrella. After them rode Grandmother Jia’s maids, Faithful, Parrot, Amber and Pearl; after them Lin Dai-yu’s maids, Nightingale, Snowgoose and Delicate; then Bao-chai’s maids, Oriole and Apricot; then Ying-chun’s maids, Chess and Tangerine; then Tan-chun’s maids, Scribe and Ebony; then Xi-chun’s maids, Picture and Landscape; then Aunt Xue’s maids, Providence and Prosper, sharing a carriage with Caltrop and Caltrop’s own maid, Advent; then Li Wan’s maids, Candida and Casta; then Xi-feng’s own maids, Patience, Felicity and Crimson, with two of Lady Wang’s maids, Golden and Suncloud, whom Xi-feng had agreed to take with her, in the carriage behind. In the carriage after them sat another couple of maids and a nurse holding Xi-feng’s little girl. Yet more carriages followed carrying the nannies and old women from the various apartments and the women whose duty it was to act as duennas when the ladies of the household went out of doors.

Now Montezuma [a Tohono O’odham culture hero] called all the tribes together and said, ‘I am greater than anything that has ever been, greater than anything which exists now, and greater than anything that will ever be. Now, you people shall build me a tall house, floor upon floor upon floor, a house rising into the sky, rising far above this earth into the heavens, where I shall rule as Chief of all the Universe.’ The Great Mystery Power descended from the sky to reason with Montezuma, telling him to stop challenging that which cannot be challenged, but Montezuma would not listen. He said: ‘I am almighty. Let no power stand in my way. I am the Great Rebel. I shall turn this world upside down to my own liking.’ Then good changed to evil. Men began to hunt and kill animals. Disregarding the eternal laws by which humans had lived, they began to fight among themselves. The Great Mystery Power tried to warn Montezuma and the people by pushing the sun farther away from the earth and placing it where it is now. Winter, snow, ice, and hail appeared, but no one heeded this warning. In the meantime Montezuma made the people labour to put up his many-storied house, whose rooms were of coral and jet, turquoise and mother-of-pearl. It rose higher and higher, but just as it began to soar above the clouds far into the sky, the Great Mystery Power made the earth tremble. Montezuma’s many-storied house of precious stones collapsed into a heap of rubble. When that happened, the people discovered that they could no longer understand the language of the animals, and the different tribes, even though they were all human beings, could no longer understand each other. Then Montezuma shook his fists toward the sky and called: ‘Great Mystery Power, I defy you. I shall fight you. I shall tell the people not to pray or make sacrifices of corn and fruit to the Creator. I, Montezuma, am taking your place!’ The Great Mystery Power sighed, and even wept, because the one he had chosen to lead mankind had rebelled against him. Then the Great Mystery resolved to vanquish those who rose against him. He sent the locust flying far across the eastern waters, to summon a people in an unknown land, people whose faces and bodies were full of hair, who rode astride strange beasts, who were encased in iron, wielding iron weapons, who had magic hollow sticks spitting fire, thunder, and destruction. The Great Mystery Power allowed these bearded, pitiless people to come in ships across the great waters out of the east - permitted them to come to Montezuma’s country, taking away Montezuma’s power and destroying him utterly. From Montezuma and the Great Flood

The sorcerer pulled a variety of stones from the box and placed them at the four directional corners outside the rune circle, chanting as he went. Granite for north, turquoise for east, red jasper for south, and jade at the west.

The wonderful thing about Moab is that everything happens in a story-book setting, with illustrations by Maxfield Parrish and Wyeth and Joe Coll, and all the rest of them, whichever way you look. Imagine a blue sky—so clear-blue and pure that you can see against it the very feathers in the tails of wheeling kites, and know that they are brown, not black. Imagine all the houses, and the shacks between them, and the poles on which the burlap awnings hang, painted on flat canvas and stood up against that infinite blue. Stick some vultures in a row along a roof-top—purplish—bronze they’ll look between the tiles and sky. Add yellow camels, gray horses, striped robes, long rifles, and a searching sun-dried smell. And there you have El-Kerak, from the inside. From any point along the broken walls or the castle roof you can see for fifty miles over scenery invented by the Master-Artist, with the Jordan like a blue worm in the midst of yellow-and-green hills twiggling into a turquoise sea. The villains stalk on-stage and off again sublimely aware of their setting. The horses prance, the camels saunter, the very street-dogs compose themselves for a nap in the golden sun, all in perfect harmony with the piece. A woman walking with a stone jar on her head (or, just as likely, a kerosene can) looks as if she had just stepped out of eternity for the sake of the picture. And not all the kings and kaisers, cardinals and courtezans rolled into one great swaggering splurge of majesty could hold a candle to a ragged Bedouin chief on a flea-bitten pony, on the way to a small-town mejlis.

The Future Glory of Zion 1“Sing, O barren woman, you who never bore a child; burst into song, shout for joy, you who were never in labor; because more are the children of the desolate woman than of her who has a husband,” says the LORD. 2“Enlarge the place of your tent, stretch your tent curtains wide, do not hold back; lengthen your cords, strengthen your stakes. 3For you will spread out to the right and to the left; your descendants will dispossess nations and settle in their desolate cities. 4“Do not be afraid; you will not suffer shame. Do not fear disgrace; you will not be humiliated. You will forget the shame of your youth and remember no more the reproach of your widowhood. 5For your Maker is your husband— the LORD Almighty is his name— the Holy One of Israel is your Redeemer; he is called the God of all the earth. 6The LORD will call you back as if you were a wife deserted and distressed in spirit— a wife who married young, only to be rejected,” says your God. 7“For a brief moment I abandoned you, but with deep compassion I will bring you back. 8In a surge of anger I hid my face from you for a moment, but with everlasting kindness I will have compassion on you,” says the LORD your Redeemer. 9“To me this is like the days of Noah, when I swore that the waters of Noah would never again cover the earth. So now I have sworn not to be angry with you, never to rebuke you again. 10Though the mountains be shaken and the hills be removed, yet my unfailing love for you will not be shaken nor my covenant of peace be removed,” says the LORD, who has compassion on you. 11“O afflicted city, lashed by storms and not comforted, I will build you with stones of turquoise,† your foundations with sapphires.† 12I will make your battlements of rubies, your gates of sparkling jewels, and all your walls of precious stones. 13All your sons will be taught by the LORD, and great will be your children’s peace. 14In righteousness you will be established: Tyranny will be far from you; you will have nothing to fear. Terror will be far removed; it will not come near you. 15If anyone does attack you, it will not be my doing; whoever attacks you will surrender to you. 16“See, it is I who created the blacksmith who fans the coals into flame and forges a weapon fit for its work. And it is I who have created the destroyer to work havoc; 17no weapon forged against you will prevail, and you will refute every tongue that accuses you. This is the heritage of the servants of the LORD, and this is their vindication from me,” declares the LORD.

For the turquoise is to all Tibetans a most precious jewel, They love it for its beauty and they believe it has magic power, It is the symbol of power and of wealth, the wealth of this world and the wealth of the soul; and it is the outward sign of sovereignty. Only officials may wear the long single turquoise eatting which is the badge of rank, though all, even the poorest, men as well as women, are never contented or secure until they can wear a fleck of the magic stone, in a nose, or ear, or finger ring. However small it may be, the precious gem will protect them from danger and evil, and will link them to God.

Indeed, the door before us was nearly identical in shape and style--- it blended into the Greek countryside perfectly, its wooden boards painted with a scene of pale, pebbly stone and sun-dried vegetation. A little patch of rock roses to the left continued into the painting, and these two-dimensional blooms tossed their heads in the breeze in time with their tangible brethren. Even more impossible, to my mortal eyes, was the doorknob, a square of glass enclosing a splash of turquoise sea. This nexus is truly the most peculiar variety of faerie door I have encountered in my career.

Prayer to the Pacific I traveled to the ocean distant from my southwest land of sandrock to the moving blue water Big as the myth of origin. Pale pale water in the yellow-white light of sun floating west to China where ocean herself was born. Clouds that blow across the sand are wet. Squat in the wet sand and speak to the Ocean: I return to you turquoise the red coral you sent us, sister spirit of Earth. Four round stones in my pocket I carry back the ocean to suck and to taste. Thirty thousand years ago Indians came riding across the ocean carried by giant sea turtles. Waves were high that day great sea turtles waded slowly out from the gray sundown sea. Grandfather Turtle rolled in the sand four times and disappeared swimming into the sun. And so from that time immemorial, as the old people say, rain clouds drift from the west gift from the ocean. Green leaves in the wind Wet earth on my feet swallowing raindrops clear from China.

La geografia dell'aridità è un prisma da cui emergono i più insoliti e complessi accostamenti di colore. I sederti hanno questo in comune, i colori. E sono loro a farci sentire a casa in luoghi simili, a darci l'impressione che il mondo non sia poi così grande.

Sulla linea dell'orizzonte, al crepuscolo, là dove la roccia rossa incontra il cielo blu oltremare, proprio nel punto in cui avviene l'unione, corre un nasto turchese adagiato sopra la grande terra scura. Un colore transitorio.

Siete sognatori, e i sogni che custodite sono così tanti che di giorno, nelle ore di veglia, ve li portate appresso come pietre, storie che vi lasciano nella testa il sapore della nebbia finchè le pietre della notte successiva non arrivano a rimpiazzarle.

Il mare turchese costituisce un orizzonte che esalta i contorni e le tinte di ogni altro elemento del paesaggio [...] Il mare ospita altri colori per cui nessuno ha un nome.

When projection takes the leap from a normal human impulse to a pathology, it demonizes the Other. In its extremes it reduces a group or race to stereotype, even subhuman stature, thereby providing an excuse for oppressing them.

What the disciple is to notice principally are relationships between the church and the divine: he is to notice that the moon is above the steeple, and tilted; he is to notice that the lines of the steeple rise up and embrace the moon, that they flank it, contain it, and guard it; he is to notice that the moon lies in the protecting lines. He is to notice that while the weight of the edifice presses downward, the jasmine lightness of the moon remains above. All of this concerns relationships. He is to notice only to a lesser degree the colors of the scene: the shell-pink of the moon, the turquoise color of the sky, the way the brown-stone and slate become orange and dark blue. But the poet points out that, though less important, the colors are still there to be noticed: “It is true: / in the light colors / of morning / brownstone and slate / shine orange and dark blue.” What sort of colors is the disciple to no- tice, if he is to notice them at all? He is to notice the pink of a shell, the blue of a turquoise, the orange of the sun, and the dark blue of the sky, that is, colors of things naturally occuring in the real, imperfect world. He is to notice that the colors of manufactured things—the cut brown-stone and slate building materials—are transformed in the scene into natural colors.

Lo, gold, lapis lazuli, silver, and turquoise, Carnelian, amethyst, ibht- stone and Are strung on the necks of female slaves. Noblewomen roam the land. Ladies say, “We want to eat!” Lo, noblewomen, Their bodies suffer in rags, Their hearts shrink from greeting [each other]. Lo, chests of ebony are smashed.

THROAT CHAKRA—VISHUDDHA How do you know the truth? Truth is the operative word in this section, whereas voice is its secondary focus. Most people are focusing on voice and expression at the Throat Chakra — that is, the capacity to express ideas and thoughts. What matters most is not how you talk at the Throat Chakra, but what you convey. The "what" is your truth, your most insightful wisdom; the "how" is your medium to express your truth. Both the "what" and "how" of truth are sitting here at the Throat Chakra, at the center of your physical throat (or the apple of your Adam). What do you mean by "truth?" Many claim the reality is a personal quest to discover the values and beliefs that drive choices and decisions about your life. Others suggest that a collective truth exists, a unified wisdom to which all can aspire and seek integration. Let the intersection of these two approaches inspire you to explore individual and collective truths to understand how to integrate what you see, learn and experience into your life. Throat Chakra Gemstones The gems of this chakra are believed to be the gems of Lemuria, an ancient civilization aligned with the realm of the dolphin, which reflect knowledge that had been preserved and held in crystals before the destruction of that community. One of the main Lemurian gemstones, AQUA Atmosphere QUARTZ is a powerful purifier of the atmosphere and also encourages power, tenacity and stability. •       AMAZONITE is the primary stone of reality, and it enhances confidence for public speakers, allowing them to express with ease even the most difficult words and themes. •       ANGELITE (in crystalline form, known as CELESTITE) invokes the angelic forces to evoke in your spaces the presence of angels, like archangels. Take this jewel with you or sleep by it to feel more connected to your own personal angels and guides. •       Since centuries TURQUOISE has been valued by indigenous Americans who find it a powerful purifier and healer, as well as a tool that strengthens and defends warriors in combat. It was revered as a source of good fortune in antiquity Persia. Connect to your gemstones in the Throat Chakra in moments of anxiety or frustration. Here's how to do this: Lie down in a comfortable position and keep in your right hand, the receiving one, one or three of your beloved light blue Throat Chakra crystals, through which energy reaches your body. (Some people feel their left hand is their Receiving Hand; go with what they feel right for you.) Set the intention to receive the gifts of the Throat Chakra, peace, wisdom and truth. Then move the stones to your hand, or Projecting Side, so you can take the energy out into the universe as a gift for everyone. Imagine a bright blue ray of truth and light beaming out into the world for everyone to see, receive and enjoy.

The geography of aridity is a prism for brightness, the eclectic partnerships of a fiercely articulated palette. Deserts share a kinship of color. You know you are home and the world is not so large.