Turquoise Hair Quotes

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There was a scuffling and a great thump: someone else had clambered out of the tunnel, overbalanced slightly and fallen. He pulled himself up on the nearest chair, looked around through lopsided horn - rimmed glasses and said, 'Am I too late? Has it started? I only just found out, so I - I -' Percy spluttered into silence. Evidently he had not expected to run into most of his family. There was a long moment of astonishment, broken by Fleur turning to Lupin and saying, in a wildly transparent attempt to break the tension, 'So - 'ow eez leetle Teddy?' Lupin blinked at her, startled. The silence between the Weasleys seemed to be solidifying, like ice. 'I - oh yes - he's fine!' Lupin said loudly. 'Yes, Tonks is with him - at her mother's.' Percy and the other Weasleys were still staring at one another, frozen. 'Here, I've got a picture!' Lupin shouted, pulling a photograph from inside his jacket and showing it to Fleur and Harry, who saw a tiny baby with a tuff of bright turquoise hair, waving fat fists at the camera. 'I was a fool!' Percy roared, so loudly that Lupin nearly dropped his photograph 'I was an idiot, I was a pompous prat, I was a - a -' 'Ministry - loving, family - disowning, power - hungry moron,' said Fred. Percy swallowed. 'Yes I was!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
She sat up, cheeks flushed and golden hair tousled. She was so beautiful that it made my soul ache. I always wished desperately that I could paint her in these moments and immortalize that look in her eyes. There was a softness in them that I rarely saw at other times, a total and complete vulnerability in someone who was normally so guarded and analytical in the rest of her life. But although I was a decent painter, capturing her on canvas was beyond my skill. She collected her brown blouse and buttoned it up, hiding the brightness of turquoise lace with the conservative attire she liked to armor herself in. She’d done an overhaul of her bras in the last month, and though I was always sad to see them disappear, it made me happy to know they were there, those secret spots of color in her life.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I don't need these," Ian said, flashing emerald in his turquoise gaze for a split second, "when I have this." With a casual swipe of his hand, he ripped his shirt open, causing buttons to fly everywhere. Another swipe took his sleep mask all the way off. Finally, he finger-combed his shoulder-length hair and smiled at his reflection in the rearview mirror. "I am, after all, irresistible." I couldn't contain my snort. "I resisted you just fine the day we met, or don't you remember me sticking a knife in your chest?" Ian smiled with lazy wickedness. "I remember, but you seem to have forgotten that you kissed me first. And thoroughly enjoyed it.
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
My hair smells of oceanic wind My eyes are two starfish The charming, turquoise sea is seducing me The rhythms of the calming Crashing waves are my guide Omnipotent, almost holy, They seek to cleanse my polluted soul Here, by the seductive sea, I am unshackled. I am free. I am me.
Melody Lee (Moon Gypsy)
I know I want her body more than I want my next breath. And I know that meeting her, basking in her smiles and wanting her on me like a second skin has forever changed me. But can there ever be more? Can I spend every night counting her freckles, like I once counted the stars? Can I replace my sunrise with the vision of her sleeping beside me, fiery hair, wild and tangled all over her face? Can I swim in those too-big turquoise eyes and drown myself in her laughter every night? I think the biggest question is, How can I not
S.L. Jennings (Taint (Sexual Education, #1))
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
Toby liked to say he chose not to be impulsive. As if being impulsive were something you consciously decide. When I look at Starling, with her turquoise turban and wet knot of hair, and at Rowan, with his stack of cheap string anklets, I think: Impulsive isn't something you choose. It's something you are. Like gay, or freckled or bipolar. Something I pretend to be but am not. Not really. Not deep down.
Kirsten Hubbard (Wanderlove)
But his face. And his eyes … Holy gods. Chaol put a hand on his sword, schooling his features to remain neutral, disinterested, even as the Wolf of the North came close enough to slaughter him. They were Celaena’s eyes. Ashryver eyes. A stunning turquoise with a core of gold as bright as their hair. Their hair—even the shade of it was the same. They could have been twins, if Aedion weren’t twenty-four and tanned from years in the snow-bright mountains of Terrasen.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
There was a scrape and crunch of shoes, then a small, smooth hand slid toward her. But it was not Chaol or Sam or Nehemia who lay across from her, watching her with those sad turquoise eyes. Her cheek against the moss, the young princess she had been—Aelin Galathynius—reached a hand for her. “Get up,” she said softly. Celaena shook her head. Aelin strained for her, bridging that rift in the foundation of the world. “Get up.” A promise—a promise for a better life, a better world. The Valg princes paused. She had wasted her life, wasted Marion’s sacrifice. Those slaves had been butchered because she had failed—because she had not been there in time. “Get up,” someone said beyond the young princess. Sam. Sam, standing just beyond where she could see, smiling faintly. “Get up,” said another voice—a woman’s. Nehemia. “Get up.” Two voices together—her mother and father, faces grave but eyes bright. Her uncle was beside them, the crown of Terrasen on his silver hair. “Get up,” he told her gently. One by one, like shadows emerging from the mist, they appeared. The faces of the people she had loved with her heart of wildfire. And then there was Lady Marion, smiling beside her husband. “Get up,” she whispered, her voice full of that hope for the world, and for the daughter she would never seen again.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Vida Winter's appearance was not calculated for concealment. She was an ancient queen, sorceress or goddess. Her stiff figure rose regally out of a profusion of fat purple and red cushions. Draped around her shoulders, the folds of the turquoise-and-green cloth that had cloaked her body did not soften the rigidity of her frame. Her bright copper hair had been arranged into an elaborate confection of twists, curls and coils. Her face, as intricately lined as a map, was powdered white and finished with bold scarlet lipstick. In her lap, her hands were a cluster of rubies, emeralds and white, bony knuckles; only her nails, unvarnished, cut short and square like my own, struck an incongruous tone.
Diane Setterfield (The Thirteenth Tale)
Ian stared until she disappeared inside the elevator. Then he glanced back at me. "Don't fret, poppet. I'll get her." "We need to do this discreetly. If I wanted to make a colossal scene, I'd just drag her off kicking and screaming now," I said, not adding, "dumb ass" only because he was family. "She'll come without a fuss," Ian said with confidence. "You can't green-eye her in the elevator, it'll have video surveillance. So will the garage," I retorted. "I don't need these," Ian said, flashing emerald in his turquoise gaze for a split second, "when I have this." With a casual swipe of his hand, he ripped his shirt open, causing buttons to fly everywhere. Another swipe took his sleep mask all the way off. Finally, he finger-combed his shoulder-lenght hair and smiled at his reflection in the rearview mirror. "I am after all, irresistible.
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
Mary, do you know where the—” I handed a fresh bottle of black ink to Tray before they could finish their sentence, and they chuckled, taking it out of my hand. “Don’t know where we’d be without you,” they said, the light gleaming off their turquoise hair.
Kandi Steiner (Hail Mary (Red Zone Rivals, #4))
It had been in a Paris house, with many people around, and my dear friend Jules Darboux, wishing to do me a refined aesthetic favor, had touched my sleeve and said, "I want you to meet-" and led me to Nina, who sat in the corner of a couch, her body folded Z-wise, with an ashtray at her heel, and she took a long turquoise cigarette holder from her lips and joyfully, slowly exclaimed, "Well, of all people-" and then all evening my heart felt like breaking, as I passed from group to group with a sticky glass in my fist, now and then looking at her from a distance (she did not look...), and listening to scraps of conversation, and overheard one man saying to another, "Funny, how they all smell alike, burnt leaf through whatever perfume they use, those angular dark-haired girls," and as it often happens, a trivial remark related to some unknown topic coiled and clung to one's own intimate recollection, a parasite of its sadness.
Vladimir Nabokov (The Portable Nabokov)
Ana emerges from the shack with Fuga. His face is clean. His hair, the color of black crude oil, is parted on the side and slicked expertly back from his strong, architectural face. The turquoise suit of lights throws sparkles with each small movement. The man who looked like a murderer now looks like a matador.
Ruta Sepetys (The Fountains of Silence)
According to Yiannis' sister Irini, who had trained as a hairdresser in London, the British spent their long winters in grey and black, and this was why they chose such gaudy colours for the summer: turquoise with blue, orange with pink, mauve with indigo. Colours that didn't go well with the bleached hair of the women and the reddish flush of tans that resulted from too great a greediness for the sun, as if Mother Nature, who hated to be hurried, had imprinted her exasperation on their skin.
Alison Fell (The Element -inth in Greek)
Gary tried not to notice how pale Savannah was as she fixed him a pot of coffee.Her satin skin was almost translucent.He was groggy from the trance-induced sleep and had a hard time waking up, even after a long shower. He had no idea where the change of clothes had come from,but they were lying on the end of the bed when he awakened. Savannah was beautiful, moving through the house like flowing water, like music in the air.She was dressed in faded blue jeans and a pale turquoise shirt that clung to her curves and emphasized her narrow rib cage and small waist.Her long hair was pulled back in a thick braid that hung below her bottom.Gary tried to keep his eyes to himself.He hadn't seen any evidence of Gregori this evening,but he didn't want to take any chances.He had a feeling the one thing that could change that remote expression fast was to have another man ogling Savannah.
Christine Feehan (Dark Magic (Dark, #4))
My mother died at eighty-three, of cancer, in pain, her spleen enlarged so that her body was misshapen. Is that the person I see when I think of her? Sometimes. I wish it were not. It is a true image, yet it blurs, it clouds, a truer image. It is one memory among fifty years of memories of my mother. It is the last in time. Beneath it, behind it is a deeper, complex, ever-changing image, made from imagination, hearsay, photographs, memories. I see a little red-haired child in the mountains of Colorado, a sad-faced, delicate college girl, a kind, smiling young mother, a brilliantly intellectual woman, a peerless flirt, a serious artist, a splendid cook—I see her rocking, weeding, writing, laughing — I see the turquoise bracelets on her delicate, freckled arm — I see, for a moment, all that at once, I glimpse what no mirror can reflect, the spirit flashing out across the years, beautiful. That must be what the great artists see and paint. That must be why the tired, aged faces in Rembrandt’s portraits give us such delight: they show us beauty not skin-deep but life-deep.
Ursula K. Le Guin (The Wave in the Mind: Talks and Essays on the Writer, the Reader and the Imagination)
Get the hell out of—” Aelin let out a low whistle. “Allow me to introduce to you, Captain Rolfe, the incomparable, the beautiful, and the absolutely and all-around flawless Queen of Terrasen.” Dorian’s brows creased. But footsteps sounded, and then—The males shifted as Aelin Galathynius indeed strode into the room, clad in a dark green tunic of equal wear and dirt, her golden hair unbound, her turquoise-and-gold eyes laughing as she strode past a slack-jawed Rolfe and perched on the arm of Aelin’s chair. Dorian couldn’t tell—without a Fae’s sense of smell, he couldn’t tell. “What—what devilry is this,” Rolfe hissed, yielding a single step. Aelin and Aelin looked at each other. The one in black grinned up at the newcomer. “Oh, you are gorgeous, aren’t you?” The one in green smiled, but for all its delight, all its wicked mischief … It was a softer smile, made with a mouth that was perhaps less used to snarling and teeth-baring and getting away with saying hideous, swaggering things. Lysandra, then. The two queens faced Rolfe. “Aelin Galathynius had no twin,” he growled, a hand on his sword. Aelin in black—the true Aelin, who had been among them all along—rolled her eyes. “Ugh, Rolfe. You ruin my fun. Of course I don’t have a twin.” She jerked her chin at Lysandra, and the shifter’s flesh glowed and melted, hair becoming a heavy, straight fall of dark tresses, her skin sun-kissed, her uptilted eyes a striking green.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
You rarely saw the celebs protesting anything of substance. The Glades weren't a sexy enough cause, but give the latest blonde-haired twenty-something who'd just hit it big on TV six or seven horn-tailed, red-spotted, sticky-beaked, pigeon-toed, multi-striped tree-owls who might occasionally fly over the two-mile zone pumping millions of barrels of oil out of the ground, and suddenly she began to feel a stronger connection to the land than the Ancient Ones, the Anasazi. Two months later of course, the only red-spotted, sticky-beaked creature in sight would be the little blonde's flush face when she made it on TMZ for failing a breathalyzer test and cursing the cop arresting her, shouting the typical Hollywood star mantra: "Don't you know who I am?
Bobby Underwood (The Turquoise Shroud (Seth Halliday #1))
Tall, way taller than her five foot five frame, his body bulged with muscles covered in tanned skin. He possessed layered down brown hair with gold highlights, vivid turquoise eyes and chiseled features, including a strong straight nose--surprising because with a taunting mouth like his she expected he'd gotten it broken more than once in his life--a square chin, and wickedly full lips that now quirked into a grin. -"Enjoying the view?" he taunted. -"Deciding what part to carve off your body first," she replied."Do you have a name by the way? Or should I just refer to you as 'that asshole'?" -"You can call me Remy, but when I get your thighs around my neck, feel free to call me God. It totally pisses Lucifer's brother off, which means brownie points for me.
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
Tarquin was summer incarnate in turquoise and gold, bits of emerald shining at his buttons and fingers. A crown of sapphire and white gold fashioned like cresting waves sat atop his seafoam-coloured hair- so exquisite that I often caught myself staring at it.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
It had been only natural that as she developed into a young woman, she would become physically attracted to him. Certainly every other female in Hampshire was. McKenna had grown into a tall, big-boned male with striking looks, his features strong if not precisely chiseled, his nose long and bold, his mouth wide. His black hair hung over his forehead in a perpetual spill, while those singular turquoise eyes were shadowed by extravagant dark lashes. To compound his appeal, he possessed a relaxed charm and a sly sense of humor that had made him a favorite on the estate and in the village beyond.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
Absently, she brushed back some of the hair from her face, and she saw as Jaguar's eyes followed how the long strands slid across her throat. Though his dark skin did not show pallor as clearly as Lord Daryl's had, Turquoise could tell Jaguar had not fed yet, and she recognized the hungry look in his black eyes. Testing, she stood, the movement appearing reluctant. "I"ll leave you to your work if you'd like." He answered the way she had expected him to. Not raising his gaze from her throat, he said, "Come here." Though the words were an order, the tone left room for argument. For a moment, Turquoise almost felt guilty. She was intentionally manipulating him. A feeding vampire is an easy target; most of them completely lost sense of their surroundings as they drew blood. Jaguar did not even try to catch her mind as his lips fell to her throat. If she had been armed, it would have been revoltingly easy to kill him.
Amelia Atwater-Rhodes (Midnight Predator (Den of Shadows, #4))
Don’t know if I should be pleased or worried,” Alis said the next night as she slid the golden underdress over my upraised arms, then tugged it down. I smiled a bit, marveling at the intricate metallic lace that clung to my arms and torso like a second skin before falling loosely to the rug. “It’s just a dress,” I said, lifting my arms again as she brought over the gossamer turquoise overgown. It was sheer enough to see the gleaming gold mesh beneath, and light and airy and full of movement, as if it flowed on an invisible current. Alis just chuckled to herself and guided me over to the vanity to work on my hair. I didn’t have the courage to look at the mirror as she fussed over me. “Does this mean you’ll be wearing gowns from now on?” she asked, separating sections of my hair for whatever wonders she was doing to it. “No,” I said quickly. “I mean—I’ll be wearing my usual clothes during the day, but I thought it might be nice to … try it out, at least for tonight.” “I see. Good that you aren’t losing your common sense entirely, then.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Percy spluttered into silence. Evidently he had not expected to run into most of his family. There was a long moment of astonishment, broken by Fleur turning to Lupin and saying, in a wildly transparent attempt to break the tension, ‘So – ’ow eez leetle Teddy?’ Lupin blinked at her, startled. The silence between the Weasleys seemed to be solidifying, like ice. ‘I – oh yes – he’s fine!’ Lupin said loudly. ‘Yes, Tonks is with him – at her mother’s.’ Percy and the other Weasleys were still staring at one another, frozen. ‘Here, I’ve got a picture!’ Lupin shouted, pulling a photograph from inside his jacket and showing it to Fleur and Harry, who saw a tiny baby with a tuft of bright turquoise hair, waving fat fists at the camera.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Unfortunately for him he looked more like an innocent man on America’s terror watch-list rather than a gallant Viking possessing all the benefits of modernity. More like a villain in a Western fairy tale with his slicked-bouffant obsidian hair rather than the long sun-like curls that all great saviors of the poor have been obliged to possess. I squinted to the side towards him for a second and he caught my gaze almost immediately; his inky irises were comfortable enough to hold my stare indefinitely, his pupils seemed entirely ravenous as opposed to the feminist preferred oceanic turquoise, which for them is a physical demarcation of emotional sensitivity. He seemed like an uncanny bad guy any which way I looked at him, except of course, by his actions thus far…
Bruce Crown (Forlorn Passions)
turquoise-and-green cloth that cloaked her body did not soften the rigidity of her frame. Her bright copper hair had been arranged into an elaborate confection of twists, curls and coils. Her face, as intricately lined as a map, was powdered white and finished with bold scarlet lipstick. In her lap, her hands were a cluster of rubies, emeralds and white, bony knuckles; only her nails, unvarnished, cut short and square like my own, struck an incongruous note.
Diane Setterfield (The Thirteenth Tale)
Physically, Manya was both appealing and aristocratic in her bearing. It wasn't her copious white hair that attracted men, her flawless white skin, her billowing breasts, but the innate womanliness that emanated from her. Even when she wore her cooking clothes- a mammoth Hoover apron that she slipped on over her head and tied around a baggy dress or her cardigan sweater, a dull brown thing appropriate for shopping- she exuded a sympathetic femininity. Many didn't give much thought to her appearance. More often than not she washed her face and body with the brown kosher soap that contained no fat from forbidden animals, and wrapped her hair in a haphazard bun held together with several large imitation-turquoise hairpins. Her cooking shoes were splattered with chicken and goose fat, bits and oddments of duck, salmon roe, even calves' brains. Because she had been raised on the Black Sea, she loved caviar, so every now and then a glistening bead would fall upon her well-fed shoes. The smell of food on her body made her no less alluring.
Eleanor Widmer (Up from Orchard Street)
A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant. And on these were the mermaids. Wendy gasped at their beauty. Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive. The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers. Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared. They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did. "Oh!" Wendy whispered. "They're-" And then she stopped. Tinker Bell was giving her a funny look. An unhappy funny look. The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.
Liz Braswell (Straight On Till Morning)
There was a scuffling and a great thump: Someone else had clambered out of the tunnel, overbalanced slightly, and fallen. He pulled himself up on the nearest chair, looked around through lopsided horn-rimmed glasses, and said, “Am I too late? Has it started? I only just found out, so I--I--” Percy spluttered into silence. Evidently he had not expected to run into most of his family. There was a long moment of astonishment, broken by Fleur turning to Lupin and saying, in a wildly transparent attempt to break the tension, “So--’ow eez leetle Teddy?” Lupin blinked at her, startled. The silence between the Weasleys seemed to be solidifying, like ice. “I--oh yes--he’s fine!” Lupin said loudly. “Yes, Tonks is with him--at her mother’s--” Percy and the other Weasleys were still staring at one another, frozen. “Here, I’ve got a picture!” Lupin shouted, pulling a photograph from inside his jacket and showing it to Fleur and Harry, who saw a tiny baby with a tuft of bright turquoise hair, waving fat fists at the camera. “I was a fool!” Percy roared, so loudly that Lupin nearly dropped his photograph. “I was an idiot, I was a pompous prat, I was a--a--” “Ministry-loving, family-disowning, power-hungry moron,” said Fred. Percy swallowed. “Yes, I was!” “Well, you can’t say fairer than that,” said Fred, holding out his hand to Percy. Mrs. Weasley burst into tears. She ran forward, pushed Fred aside, and pulled Percy into a strangling hug, while he patted her on the back, his eyes on his father. “I’m sorry, Dad,” Percy said. Mr. Weasley blinked rather rapidly, then he too hurried to hug his son. “What made you see sense, Perce?” inquired George. “It’s been coming on for a while,” said Percy, mopping his eyes under his glasses with a corner of his traveling cloak. “But I had to find a way out and it’s not so easy at the Ministry, they’re imprisoning traitors all the time. I managed to make contact with Aberforth and he tipped me off ten minutes ago that Hogwarts was going to make a fight of it, so here I am.” “Well, we do look to our prefects to take a lead at times such as these,” said George in a good imitation of Percy’s most pompous manner. “Now let’s get upstairs and fight, or all the good Death Eaters’ll be taken.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Aelin let out a low whistle. “Allow me to introduce to you, Captain Rolfe, the incomparable, the beautiful, and the absolutely and all-around flawless Queen of Terrasen.” Dorian’s brows creased. But footsteps sounded, and then— The males shifted as Aelin Galathynius indeed strode into the room, clad in a dark green tunic of equal wear and dirt, her golden hair unbound, her turquoise-and-gold eyes laughing as she strode past a slack-jawed Rolfe and perched on the arm of Aelin’s chair. Dorian couldn’t tell—without a Fae’s sense of smell, he couldn’t tell. “What—what devilry is this,” Rolfe hissed, yielding a single step. Aelin and Aelin looked at each other. The one in black grinned up at the newcomer. “Oh, you are gorgeous, aren’t you?
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
She sprang out of bed, the ornaments in her hair tinkling and jingling, making tiny versions of the noises of the chimes above her. And that was Rapunzel's most striking beauty: her hair. Bound in plaits and whorls and buns and knots and twists as tightly as she could manage. Some of the braids were so long they hung in loops that she put her arms through; they hung at her sides like giant sleeves or tippets from an ancient dress. Decorating all of this were dozens of charms-- also silver, like her hair, but some with exotic stones like lapis and turquoise. Bells, tiny moons, hands, suns, six-pointed stars, eyes, and anything else Mother Gothel could lay her hands on at her daughter's request. By these amulets Rapunzel definitely tried to control her hair, bind her hair, disempower her hair, and unenchant her magic hair.
Liz Braswell (What Once Was Mine)
Tub full, she stood back to regard the mound of ice. Already the heat of her home fought to melt it. A rap came again at the entrance, more like an impatient pounding, and she cursed. The clock showed her only a few minutes away from her torture. I need whoever it is to go away. She ran to the door and slid open the peek-a-boo slot. Familiar turquoise eyes peered back. “Little witch, little witch, let me come in,” he chanted in a gruff voice. A smile curled her lips. “Not by the wart on my chinny chin chin,” she replied. “And before you try huffing and puffing, Nefertiti herself spelled this door. So forget blowing it down.” “So open it then. I’ve got a lead I think on escapee number three.” A glance at the clock showed one minute left. “Um, I’m kind of in the middle of something. Can you come back in like half an hour?” “Why not just let me in and I’ll wait while you do your thing? I promise not to watch, unless you like an audience.” “I can’t. Please. Just go away. I promise I’ll let you in when you come back.” His eyes narrowed. “Open this door, Ysabel.” “No. Now go away. I’ll talk to you in half an hour.” She slammed the slot shut and only allowed herself a moment to lean against the door which shuddered as he hit it with a fist. She didn’t have time to deal with his frustration. The tickle in her toes started and she ran to the bathroom, dropping her robe as she moved. The fire erupted, and standing on the lava tile in her bathroom, she concentrated on breathing against the spiraling pain and flames. I mustn’t scream. Remy might still be there, listening. Why that mattered, she couldn’t have said, but it did help her focus for a short moment. But the punishment would not allow her respite. Flames licked up her frame, demolishing her thin underpants and she couldn’t help but scream as the agony tore through her body. Make it stop. Make it stop. Wishing, praying, pleading didn’t stop the torture. As the inferno consumed her, her ears roared with the snap of the fire and a glance in her mirror horrified her, for there she stood – a living pyre of fire. She closed her eyes against the brilliant heat, but that just seemed to amplify the pain. Her knees buckled, but she didn’t fall. Something clasped her and she moaned as she sensed more than saw Remy’s arms wrap around her waist. It had to be him. Who else was crazy enough to break down her door and interrupt? Forcing open her eyes, eyes that wanted to water but couldn’t as the heat dried up all moisture, she saw the flames, not picky about their choice her own nightmare, she knew enough to try and push him away with hands that glowed inferno bright. He wouldn’t budge, and he didn’t scream – just held her as the curse ran its course. Without being told, once the flames disappeared, he placed her in the ice bath, the shocking cold a welcome relief. Gasping from the pain, she couldn’t speak but remained aware of how he stroked her hair back from her face and how his arm rested around her shoulders, cradling her. “Oh, my poor little witch,” he murmured. “No wonder you’ve been hiding.” Teeth chattering as the cold penetrated her feverish limbs, she tried to reply. “Wh-what c-c-can I say? I’m h-h-hot.” -Remy & Ysabel
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
She picked through the bits of jewelry, the stud earrings and ruby ring that belonged to their mother, Shirin. There was something almost meditative about this ritual of hers, combing through the photos and small keepsakes, even if she touched on some painful memories. It was as if her fingers were actually tracing the milestones each piece represented. Her hand closed on a smooth, round object, something resembling a marble egg. It was a miniature bar of lotus soap, still in its wrapper, bought on their last trip to the 'hammam'. The public bathhouse had been a favorite spot of theirs, a place the three of them liked to go to on Thursdays, the day before the Iranian weekend. Marjan held the soap to her nose. She took a deep breath, inhaling the downy scent of mornings spent washing and scrubbing with rosewater and lotus products. All at once she heard the laughter once again, the giggles of women making the bathing ritual a party more than anything else. The 'hammam' they had attended those last years in Iran was situated near their apartment in central Tehran. Although not as palatial as the turquoise and golden-domed bathhouse of their childhood, it was still a grand building of hot pools and steamy balconies, a place of gossip and laughter. The women of the neighborhood would gather there weekly to untangle their long hair with tortoiseshell combs and lotus powder, a silky conditioner that left locks gleaming like onyx uncovered. For pocket change, a 'dalak' could be hired by the hour. These bathhouse attendants, matronly and humorous for all their years spent whispering local chatter, would scrub at tired limbs with loofahs and mitts of woven Caspian seaweed. Massages and palm readings accompanied platters of watermelon and hot jasmine tea, the afternoons whiled away with naps and dips in the perfumed aqueducts regulated according to their hot and cold properties.
Marsha Mehran (Rosewater and Soda Bread (Babylon Café #2))
Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.
Mary Spillane (Color Me Beautiful's Looking Your Best: Color, Makeup and Style)
Oh, my," said Nerissa, when she could speak. Juliet, smiling, murmured, "Would you just look at her." "I don't think we can help but look at her," murmured an urbane voice, and gasping, all three women turned to see Lucien standing in the doorway, arms crossed and his black eyes gleaming in the candlelight. He lifted his hand.  "Turn around, my dear," he said, giving a negligent little wave.  Her eyes huge, Amy slowly did as he asked, staring down at herself in awe and disbelief.  The gown, an open-robed saque of watered silk, shimmered with every movement, a vibrant purplish-blue in this light, a vivid emerald-green in that.  Its robed bodice open to show a stomacher of bright yellow satin worked with turquoise and green embroidery, it had tight sleeves ending in treble flounces just behind the elbow, which, combined with the chemise's triple tiers of lace, made Amy feel as though she had wings.  She smoothed her palms over the flounced and scalloped petticoats of royal blue silk, and then, with impulsive delight, threw back her head on a little laugh, extended her arms and spun on her toe, making gauzy sleeves, shining hair, and yards upon yards of shimmering fabric float in the air around her. Hannah, who did not think such behavior was quite appropriate, especially in front of a duke, frowned, but Lucien was trying hard to contain his amusement.  He couldn't remember the last time he'd made anyone so happy, and it touched something deep inside him that he'd long thought dead.  He exchanged a look of furtive triumph with Nerissa. "Oh!  Is it really me?" Amy breathed, reverently touching her sleeve and then raising wide, suddenly misty eyes to her small audience. "It is really you," Juliet said, smiling. "Only someone with your coloring could wear such bold shades and make them work for instead of against you," said Nerissa, coming forward to tie a black ribbon around Amy's neck.  "Lud, if I tried to wear those colors, I daresay they would overwhelm me!" "Speaking of overwhelmed . . ."  Amy turned to face the man who still lounged negligently in the doorway, his fingers trying, quite unsuccessfully, to rub away the little smile that tugged at his mouth.  "Your Grace, I don't know how to thank you," she whispered, dabbing away one tear, then another.  "No one has ever done anything like this for me before and I . . . I feel like a princess." "My dear girl.  Don't you know?"  His smile deepened and she saw what was almost a cunning gleam come into his enigmatic black eyes.  "You are a princess.  Now dry those tears and if you must thank me, do so by enjoying yourself tonight." "I will, Your Grace." "Yes," he said, on a note of finality.  "You will." And
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Patches of hair stuck to his wet cheekbones. His ears were threaded with tiny little wampum earrings, except at the cartilage, where the rings were turquoise. His stubby nose ended abruptly at the bottom of a short bridge. His face tapered with a round chin, a white birthmark under his jaw. He was my favorite picture. He burned into the backs of my eyes.
Rose Christo (The Dogs of Balboa)
Now Montezuma [a Tohono O’odham culture hero] called all the tribes together and said, ‘I am greater than anything that has ever been, greater than anything which exists now, and greater than anything that will ever be. Now, you people shall build me a tall house, floor upon floor upon floor, a house rising into the sky, rising far above this earth into the heavens, where I shall rule as Chief of all the Universe.’ The Great Mystery Power descended from the sky to reason with Montezuma, telling him to stop challenging that which cannot be challenged, but Montezuma would not listen. He said: ‘I am almighty. Let no power stand in my way. I am the Great Rebel. I shall turn this world upside down to my own liking.’ Then good changed to evil. Men began to hunt and kill animals. Disregarding the eternal laws by which humans had lived, they began to fight among themselves. The Great Mystery Power tried to warn Montezuma and the people by pushing the sun farther away from the earth and placing it where it is now. Winter, snow, ice, and hail appeared, but no one heeded this warning. In the meantime Montezuma made the people labour to put up his many-storied house, whose rooms were of coral and jet, turquoise and mother-of-pearl. It rose higher and higher, but just as it began to soar above the clouds far into the sky, the Great Mystery Power made the earth tremble. Montezuma’s many-storied house of precious stones collapsed into a heap of rubble. When that happened, the people discovered that they could no longer understand the language of the animals, and the different tribes, even though they were all human beings, could no longer understand each other. Then Montezuma shook his fists toward the sky and called: ‘Great Mystery Power, I defy you. I shall fight you. I shall tell the people not to pray or make sacrifices of corn and fruit to the Creator. I, Montezuma, am taking your place!’ The Great Mystery Power sighed, and even wept, because the one he had chosen to lead mankind had rebelled against him. Then the Great Mystery resolved to vanquish those who rose against him. He sent the locust flying far across the eastern waters, to summon a people in an unknown land, people whose faces and bodies were full of hair, who rode astride strange beasts, who were encased in iron, wielding iron weapons, who had magic hollow sticks spitting fire, thunder, and destruction. The Great Mystery Power allowed these bearded, pitiless people to come in ships across the great waters out of the east - permitted them to come to Montezuma’s country, taking away Montezuma’s power and destroying him utterly. From Montezuma and the Great Flood
James Wilson (The Earth Shall Weep: A History of Native America)
Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
The human race is watched because of dusty paintings and cleared hairs.
Petra Hermans (Voor een betere wereld)
I forget where I am, why I’m in a twin bed instead of my California king. Where is the musty smell of old wood beams? The sound of surf crashing? And that acrid scent that Dad emitted as he grew sicker and sicker? You can still sometimes smell it in parts of our house when it’s humid. Instead I’m in a cramped rectangular room, swimming in sweat, my legs slick, my armpits, face, and scalp—hair twisted and matted. The A/C unit is rattling, but no cool air is coming out. I shut it off and reset it. I feel around until my eyes adjust, until I realize there is a moon, big and yellow. It is not actually that dark. I can make out the daisies in their turquoise vase, the dresser, the writing desk with my laptop setup. It is bright enough to see the far wall, to make out the photograph Hannah has taken and Paul has framed. The Ponte Sisto at night, buzzing silver and gold.
Liska Jacobs (The Worst Kind of Want)
Paul felt his knees almost buckle when he saw her. Now, he knew this was one fine-looking woman, and since he’d been the best man at her last wedding, it wasn’t as if he’d never seen her all dressed up. But it felt like the first time. She was usually found in jeans or a simple sundress, and in those she was almost too much for his heart. Today she was resplendent in green so pale it was nearly white. It was a shimmering, clingy silk, her reddish-gold hair lying in full curls on her shoulders and down her back. Her turquoise eyes were alive with love, sparkling brightly, and her peach lips were curved in a smile. “Holy shit,” Tommy said. “Look at my sister, man.” “I see her,” Paul croaked. “God above.” Tom laughed. “Well, go get her,” he said, poking him in the ribs. “God, I hope I’m cooler than you when I get married.” “Yeah,” Paul said in a weak breath. He unstuck his rooted feet and went to collect his bride and bring her into the gathering. She was greeted with lots of hugs and kisses, a glass pressed into her hand. Paul’s arm was around her waist and he couldn’t make himself let her go. He felt his chest swell with cocky pride, having her at his side. No way he should be getting a woman who looked like this. And she was all his; she couldn’t even glance at him without confirming that with her gaze. “Let’s
Robyn Carr (Second Chance Pass)
She crossed her arms behind her head, gazing at the turquoise sea visible between the dilapidated buildings that made up Skull’s Bay. Sam half-rose from his chair. “Just get back in your seat.” “I’ve spent the past ten days at sea. Why should I sit in that uncomfortable chair when this one’s far more suited to my tastes?” Sam let out a growl. Before he could speak, the door opened. Sam froze, but Celaena only inclined her head in greeting as Captain Rolfe, Lord of the Pirates, entered his office. “I’m glad to see you’ve made yourself at home.” The tall, dark-haired man shut the door behind him. Bold move, considering who was waiting in his office.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Her hand closed on a smooth, round object, something resembling a marble egg. It was a miniature bar of lotus soap, still in its wrapper, bought on their last trip to the 'hammam'. The public bathhouse had been a favorite spot of theirs, a place the three of them liked to go to on Thursdays, the day before the Iranian weekend. Marian held the soap to her nose. She took a deep breath, inhaling the downy scent of mornings spent washing and scrubbing with rosewater and lotus products. All at once she heard the laughter once again, the giggles of women making the bathing ritual a party more than anything else. The 'hammam' they had attended those last years in Iran was situated near their apartment in central Tehran. Although not as palatial as the turquoise and golden-domed bathhouse of their childhood, it was still a grand building of hot pools and steamy balconies, a place of gossip and laughter. The women of the neighborhood would gather there weekly to untangle their long hair with tortoiseshell combs and lotus powder, a silky conditioner that left locks gleaming like onyx uncovered. For pocket change, a 'dalak' could be hired by the hour. These bathhouse attendants, matronly and humorous for all their years spent whispering local chatter, would scrub at tired limbs with loofahs and mitts of woven Caspian seaweed. Massages and palm readings accompanied platters of watermelon and hot jasmine tea, the afternoons whiled away with naps and dips in the perfumed aqueducts regulated according to their hot and cold properties.
Marsha Mehran (Rosewater and Soda Bread (Babylon Café #2))
saddlebags. “And please tell Kiri she should put her shoes on. Lucas will have a fit if she serves like that.” “Mummy, why do I have to put on shoes? Kiri isn’t wearing any.” George met Gwyneira and her daughter in the corridor outside his room just as he was about to go down to dinner. He had done his best as far as evening wear went. Though slightly wrinkled, his light brown suit was handsomely tailored and much more becoming than the comfortable leather pants and waxed jacket he had acquired in Australia. Gwyneira and the captivating little red-haired girl who was squabbling so loudly were likewise elegantly attired. Though not in the latest fashion. Gwyneira was wearing a turquoise evening gown of such breathtaking refinement that, even in the best London salons, it would have created a stir—especially with a woman as beautiful as Gwyneira modeling it. The little girl wore a pale green shift that was almost entirely concealed by her abundant red-gold locks. When Fleur’s hair hung down loose, it frizzed a bit, like that of a gold tinsel angel. Her delicate green shoes matched the adorable little dress, but the little one obviously preferred to carry them in her hands than wear them on her feet. “They pinch!” she complained. “Fleur, they don’t pinch,” her mother declared. “We just bought them four weeks ago, and they were on the verge of being too big then. Not even you grow that fast. And even if they do pinch, a lady bears a small degree of pain without complaining.” “Like the Indians? Ruben says that in America they take stakes and hurt themselves for fun to see who’s the bravest. His daddy told him. But Ruben thinks that’s dumb, and so do I.” “That’s her opinion on the subject of being ‘ladylike,’” Gwyneira remarked, looking to George for help. “Come, Fleurette. This is a gentleman. He’s from England, like Ruben’s mummy and me. If you behave properly, maybe he’ll greet you by kissing your hand and call you ‘my lady.’ But only if you wear shoes.” “Mr. McKenzie always calls me ‘my lady’ even if I walk around barefoot.” “He must not come from England, then,” George said, playing along. “And he certainly hasn’t been introduced to the queen.” This honor had been conferred on the Greenwoods the year before, and George’s mother would probably chatter on about it for the rest of her
Sarah Lark (In the Land of the Long White Cloud (In the Land of the Long White Cloud Saga, #1))
Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
Matthew Dickman
There was a scrape and crunch of shoes, then a small, smooth hand slid toward her. But it was not Chaol or Sam or Nehemia who lay across from her, watching her with those sad turquoise eyes. Her cheek against the moss, the young princess she had been—Aelin Galathynius—reached a hand for her. ‘Get up,’ she said softly. Celaena shook her head. Aelin strained for her, bridging that rift in the foundation of the world. ‘Get up.’ A promise—a promise for a better life, a better world. The Valg princes paused. She had wasted her life, wasted Marion’s sacrifice. Those slaves had been butchered because she had failed—because she had not been there in time. ‘Get up,’ someone said beyond the young princess. Sam. Sam, standing just beyond where she could see, smiling faintly. ‘Get up,’ said another voice—a woman’s. Nehemia. ‘Get up.’ Two voices together—her mother and father, faces grave but eyes bright. Her uncle was beside them, the crown of Terrasen on his silver hair. ‘Get up,’ he told her gently. One by one, like shadows emerging from the mist, they appeared. The faces of the people she had loved with her heart of wildfire. And then there was Lady Marion, smiling beside her husband. ‘Get up,’ she whispered, her voice full of that hope for the world, and for the daughter she would never seen again…. She would not let that light go out. She would fill the world with it, with her light—her gift. She would light up the darkness, so brightly that all who were lost or wounded or broken would find their way to it, a beacon for those who still dwelled in that abyss. It would not take a monster to destroy a monster—but light, light to drive out darkness. She was not afraid. She would remake the world—remake it for them, those she had loved with this glorious, burning heart; a world so brilliant and prosperous that when she saw them again in the Afterworld, she would not be ashamed. She would build it for her people, who had survived this long, and whom she would not abandon. She would make for them a kingdom such as there had never been, even if it took until her last breath… Aelin Galathynius smiled at her, hand still outreached. ‘Get up,’ the princess said. Celaena reached across the earth between them and brushed her fingers against Aelin’s. And arose.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
I scanned the room, knowing it couldn't take long to spot Annie, who had chosen to wear a floor-length 1960s muumuu in a deep shade of turquoise that looked, I had to admit, strikingly lovely against her honey-toned skin. Her dark hair was piled on top of her head, giving her a couple extra inches of height, and spiked through with a gold, rhinestone-encrusted chopstick. Or at least I thought it was a chopstick, but who knew what you called the utensil once it pierced a mound of hair. Perhaps just a stick? Regardless, she looked stunning- like a colorful little bird that surprises everyone with its audacity and out-of-place beauty by landing right in the middle of a bustling city sidewalk.
Meg Donohue (How to Eat a Cupcake)
Annabelle Archer!” A shrill voice came from above us. “I spoke too soon.” Kate fumbled with her shoes as she tried to wedge her feet back in them. We all turned around to greet Mrs. Pierce as she barreled unsteadily down the stairs toward us, a mass of overly bouffant blond hair and turquoise chiffon. “Lord have mercy, she’s drunk as a skunk!
Laura Durham (Better Off Wed (Annabelle Archer, #1))
After the initial shock subsides, the Aegean Sea, turquoise and limpid, enveloping my limbs feels like a gigantic womb. I think, as we swim side by side moving our legs and arms in unison like synchronized frogs, of the sea as the mother of the first creatures who crawled out of it and somehow, eventually became me and Patron’s operatic wife. She is still wearing her glasses and is careful to keep her teased puffy hair out of the water.
Loren Edizel (Days of Moonlight)
She wore her long brown hair in twin braids, and even sitting down, she seemed lanky, slim and tall. In a roomful of people wearing black, she was almost too colorful to look at, her sunflower-yellow dress paired with a turquoise vest. She wore a ring on every finger and several layers of necklaces. All in all, she seemed like she’d wandered into the FBI war room after getting lost on her way to a crystals store and decided this was an interesting place to hang out.
Brianna Labuskes (The Lies You Wrote (Raisa Susanto #1))
Her bright, golden hair was tied back in a casual braid, and the turquoise of her clothes—fashioned like my own—offset her sun-kissed skin, making her practically glow in the morning light. “Hello, hello,” she chirped, her full lips parting in a dazzling smile as her rich brown eyes fixed on me. “Feyre,” Rhys said smoothly, “meet my cousin, Morrigan. Mor, meet the lovely, charming, and open-minded Feyre.” I debated splashing my tea in his face, but Mor strode toward me. Each step was assured and steady, graceful, and … grounded. Merry but alert. Someone who didn’t need weapons—or at least bother to sheath them at her side.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))