Turquoise Blue Water Quotes

We've searched our database for all the quotes and captions related to Turquoise Blue Water. Here they are! All 28 of them:

The vestibule door opens onto a June morning so fine and scrubbed Classira pauses at the threshold as she would at the edge of a pool, watching the turquoise water lapping at the tiles, the liquid nets of sun wavering in the blue depths. As if standing at the edge of a pool she delays for a moment the plunge, the quick membrane of chill, the plain shock of immersion.
Michael Cunningham (The Hours)
I put a gentle hand to my chest as I surveyed the situation. The turquoise blue swimming pool some distance behind the lawn was no longer behind that lawn, but within my thorax, and my organs swam in it like excrements in the blue sea water in Nice.
Vladimir Nabokov (Lolita)
The night stayed outside. She was surprised. She opened her mouth but no sound came out. Instead, blue things flew in, pieces of glass or tin, or necklaces of blue diamond, perhaps. The air was the blue of a pool when there are shadows, when clouds cross the turquoise surface, when you suspect something contagious is leaking, something camouflaged and disrupted. There is only this infected blue enormity, elongating defiantly. The blue that knows you and where you live and it's never going to forget.
Kate Braverman
Beyond the slumpstone wall lay a backyard, a swimming pool. Dappled with morning light and tree shadows, the water glimmered in shades of blue from sapphire to turquoise, as might a trove of jewels left by long-dead pirates who had sailed a sea since vanished.
Dean Koontz (Odd Thomas (Odd Thomas, #1))
It was a color I didn't realize the earth could make without the help of human beings. I knew the water would be blue, but I had in mind a tamer, more pastel blue: a light color through which all the sand and fish underneath would be clearly visible. This water was like super-wavy, lit up turquoise, and so beautiful I could hardly take my eyes off it. The moment I was spellbound by the color of the water was the moment I knew I had been in New York for to long and my decision to leave was a good one.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
Gary tried not to notice how pale Savannah was as she fixed him a pot of coffee.Her satin skin was almost translucent.He was groggy from the trance-induced sleep and had a hard time waking up, even after a long shower. He had no idea where the change of clothes had come from,but they were lying on the end of the bed when he awakened. Savannah was beautiful, moving through the house like flowing water, like music in the air.She was dressed in faded blue jeans and a pale turquoise shirt that clung to her curves and emphasized her narrow rib cage and small waist.Her long hair was pulled back in a thick braid that hung below her bottom.Gary tried to keep his eyes to himself.He hadn't seen any evidence of Gregori this evening,but he didn't want to take any chances.He had a feeling the one thing that could change that remote expression fast was to have another man ogling Savannah.
Christine Feehan (Dark Magic (Dark, #4))
As I write these lines I lift my eyes and look seaward.  I am on the beach of Waikiki on the island of Oahu.  Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea.  Nearer, the sea is emerald and light olive-green.  Then comes the reef, where the water is all slaty purple flecked with red.  Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks.  Through and over and out of these wonderful colours tumbles and thunders a magnificent surf.
Jack London (The Cruise of the Snark (Illustrated) (Annotated))
Blue water extends in rows of gentle ripples to a thin line of barely visible cottonwoods on the far side. The wind dies to a whisper and it's quiet, almost perfectly still except for the snap of grasshoppers leaping from the weeds. To the west the mountains rise suddenly, almost violently from the sandy brown of the plains, layered silhouettes of blue and green and gray rising to a turquoise sky. My heart is filled with the beauty of it all.
Kristen Iversen (Full Body Burden: Growing Up in the Nuclear Shadow of Rocky Flats)
She stepped onto the Devil’s Bridge arching over the deadly crater lake—a round pool of water beaming with bioluminescent light; the light of the dead. Like many other namesakes, the semi-circular metal structure connected the diameter of the small lake, reflecting in the water beneath it. Together, the bridge and its mirror became an immense sphere of sky and water. Blue and green combining into turquoise—always turquoise, the bane of her life.
Alexandra Almeida (Unanimity (Spiral Worlds, #1))
A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant. And on these were the mermaids. Wendy gasped at their beauty. Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive. The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers. Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared. They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did. "Oh!" Wendy whispered. "They're-" And then she stopped. Tinker Bell was giving her a funny look. An unhappy funny look. The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.
Liz Braswell (Straight On Till Morning)
These rocky, verdant, and volcanic landscapes of the Greek Isles exert their own charm, but it is the sea that dominates every aspect of life. Winding paths hug the shoreline, revealing hidden coves and inlets of turquoise water sparkling in the sun. So many constructions--whether house, church, shop, or restaurant--offer a vista of the blue sea. Terraces spilling over with bougainvillea, and balconies bearing hand-hewn wooden chairs take advantage of the views afforded by crescent-shaped harbors and quiet bays. Each island takes pride in its own picturesque fishing harbors. Off the ports of Kalymnos, fishermen and skin divers gather sponges, octopi, grouper, and shellfish.
Laura Brooks (Greek Isles (Timeless Places))
Oh, my," said Nerissa, when she could speak. Juliet, smiling, murmured, "Would you just look at her." "I don't think we can help but look at her," murmured an urbane voice, and gasping, all three women turned to see Lucien standing in the doorway, arms crossed and his black eyes gleaming in the candlelight. He lifted his hand.  "Turn around, my dear," he said, giving a negligent little wave.  Her eyes huge, Amy slowly did as he asked, staring down at herself in awe and disbelief.  The gown, an open-robed saque of watered silk, shimmered with every movement, a vibrant purplish-blue in this light, a vivid emerald-green in that.  Its robed bodice open to show a stomacher of bright yellow satin worked with turquoise and green embroidery, it had tight sleeves ending in treble flounces just behind the elbow, which, combined with the chemise's triple tiers of lace, made Amy feel as though she had wings.  She smoothed her palms over the flounced and scalloped petticoats of royal blue silk, and then, with impulsive delight, threw back her head on a little laugh, extended her arms and spun on her toe, making gauzy sleeves, shining hair, and yards upon yards of shimmering fabric float in the air around her. Hannah, who did not think such behavior was quite appropriate, especially in front of a duke, frowned, but Lucien was trying hard to contain his amusement.  He couldn't remember the last time he'd made anyone so happy, and it touched something deep inside him that he'd long thought dead.  He exchanged a look of furtive triumph with Nerissa. "Oh!  Is it really me?" Amy breathed, reverently touching her sleeve and then raising wide, suddenly misty eyes to her small audience. "It is really you," Juliet said, smiling. "Only someone with your coloring could wear such bold shades and make them work for instead of against you," said Nerissa, coming forward to tie a black ribbon around Amy's neck.  "Lud, if I tried to wear those colors, I daresay they would overwhelm me!" "Speaking of overwhelmed . . ."  Amy turned to face the man who still lounged negligently in the doorway, his fingers trying, quite unsuccessfully, to rub away the little smile that tugged at his mouth.  "Your Grace, I don't know how to thank you," she whispered, dabbing away one tear, then another.  "No one has ever done anything like this for me before and I . . . I feel like a princess." "My dear girl.  Don't you know?"  His smile deepened and she saw what was almost a cunning gleam come into his enigmatic black eyes.  "You are a princess.  Now dry those tears and if you must thank me, do so by enjoying yourself tonight." "I will, Your Grace." "Yes," he said, on a note of finality.  "You will." And
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
She had blue eyes, but his were BLUE. Not just one shade of blue, either, but a swirl of shades that reminded her of the stretch of ocean between Bella Vita Isle and Nassau where the turquoise waters fell into a deep, fathomless blue.
Emily March (Dreamweaver Trail (Eternity Springs, #8))
Thunder explodes over their heads and Sarah sees the silver sheet of water pouring down outside the broken barn door, Cowboy slumped against the wall with a rueful smile, the buttons in his head reflecting the lightning in blue-white pattern, silver and turquoise, like eyes gazing inward, into his head. Sarah feels a sweep of sadness for Cowboy, the dispossessed panzerboy, his boots leaving tracks in the dust above which he once flew with his mind flicking at the speed of light.
Walter Jon Williams (Hardwired (Hardwired, #1))
Taking art classes on repeat, you learn a alot about color, but I can't explain that blue. You see it in photos of icy lands. Peacock blue in the deep center, shading out to clear on the pebbly edges....My eye kept going back to the turquoise middle. You so rarely see that, but children will color water taht way every time, given the right choice of crayons. Like they were born knowing there's better out there than what we're getting. -p. 531
Barbara Kingsolver (Demon Copperhead)
Tilly found a bucket of white paint and began mixing it with indigo sediment and lime. She vowed her growing son would not grow up with evil spirits floating around him. So she mixed an indigo dye and stained the ceiling where William slept in haint blue, using another indigo-sodden rag to leave behind the tinge of turquoise on the rafters. Dragged upon foreign shores, early enslaved Africans believed the hue would trap the evil spirits that tried to do harm, tricking them to believe that the vibrant pigment was the sky or water, ensuring they remained at bay.
Shaunna J. Edwards (The Thread Collectors)
She would. Even if Danika had to snarl in Micah Domitus’s face, she’d get her point across. There weren’t many who’d dare piss off the Archangel of Crescent City, but Danika wouldn’t hesitate. And given that all seven Heads of the City would be at this meeting, the odds of that happening were high. Things tended to escalate swiftly when they were in one room. There was little love lost between the six lower Heads in Crescent City, the metropolis formally known as Lunathion. Each Head controlled a specific part of the city: the Prime of the wolves in Moonwood, the Fae Autumn King in Five Roses, the Under-King in the Bone Quarter, the Viper Queen in the Meat Market, the Oracle in the Old Square, and the River Queen—who very rarely made an appearance—representing the House of Many Waters and her Blue Court far beneath the Istros River’s turquoise surface. She seldom deigned to leave it.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
As they banked left, Frankie saw Vietnam through the open doorway: The flat green swath of jungle, a brown ribbon of water, dotted with boats. White sand beaches bordered the turquoise waters of the South China Sea. Verdant mountains in the distance reached up into the blue cloud-strewn sky.
Kristin Hannah (The Women)
And then the sea, bright and unreal as a painting. She's never seen so many shades of blue" gleaming turquoise near the breakers; further out, a blue so dark it's almost black. Lucy shivers, thinking of the world beneath the spangled waves. The coastline curves around, so that she can see the cliffs on the other side of the bay, honeycombed with caves. Devil's Lookout. It's the same view she's seen already, on Jess's postcard, but the photographer hadn't quite captured the eeriness of the cliff face. In person, the caves look deeper and darker; one in particular, closest to the waterline, is large enough that she can almost imagine a demon lurking there, surveying the sea below. A prickle starts at the base of Lucy's spine. Maybe it's the knowledge of what the water would do to her skin. She imagines the waves lapping at her like tongues, stripping her of flesh until she is nothing but bone, gleaming white. Or perhaps it's the podcast; the thought of all those missing men, presumed drowned. But with the prickling fear there's a strange pull, too. Lucy struggles to tear her gaze from the bright waves, mesmerized by the way they curl over the shore. A part of her wants to get closer, to feel spindrift on her face, slick rock beneath her palms.
Emilia Hart (The Sirens)
Next to him stands a Water Human wearing one of the elaborate canvas suits held up with a clockwork frame that allows him, or her, to survive in the open air. The machine is like a tank with legs. Plates of glass affixed in the sides allow glimpses of the Human inside, colored blue and scarlet like a singing bird, with stripes of turquoise, black, and mottled gold, a profusion of fins and frills like drowned fans. Not for the first time, I wonder how one water-based race has managed to define itself as Human while all the rest are considered Beasts. That must have taken some fine-grained negotiation.
Cat Rambo (Beasts of Tabat (Tabat Quartet, #1))
Prayer to the Pacific I traveled to the ocean distant from my southwest land of sandrock to the moving blue water Big as the myth of origin. Pale pale water in the yellow-white light of sun floating west to China where ocean herself was born. Clouds that blow across the sand are wet. Squat in the wet sand and speak to the Ocean: I return to you turquoise the red coral you sent us, sister spirit of Earth. Four round stones in my pocket I carry back the ocean to suck and to taste. Thirty thousand years ago Indians came riding across the ocean carried by giant sea turtles. Waves were high that day great sea turtles waded slowly out from the gray sundown sea. Grandfather Turtle rolled in the sand four times and disappeared swimming into the sun. And so from that time immemorial, as the old people say, rain clouds drift from the west gift from the ocean. Green leaves in the wind Wet earth on my feet swallowing raindrops clear from China.
Leslie Marmon Silko (Storyteller)
assured me. Still, I saw nothing. “Ambassador! Ambassador Delgaroth!” she called. The water parted with barely a ripple as he rose to the surface. Delgaroth was the deep blue of the sky just before night, with dazzling green markings on his flanks and face. His eyes were large for a natite, with dark blue irises surrounded by soft turquoise. When he blinked, it was with one or both of his two sets of eyelids. The first set was opaque, the second translucent. I’d been told that the clear eyelids allowed natites to see beneath the water. “Good morning to you, Ambassador,” said Khara with a nod. “And to you, Lady Kharassande of the Donatis,” Delgaroth said.
Katherine Applegate (The Only (Endling, #3))
And the water—it was otherworldly. A hue of teal so postcard perfect, I was disbelieving. But it was not the only shade of blue. When the sky was overcast or the sun had not yet punctured the surface of the morning, we saw lavender gray and cornflower ripple across the ocean’s calm surface. Under the high sun, we boarded fishing boats and walked beaches, witnessing coastal cerulean, jungle azure, deep pools of peacock and sapphire. We swam in turquoise, indigo, aquamarine.
Jennifer Gold (Halfway to You)
A patchwork of blue, emerald and turquoise, with white horses dancing like diamonds on the surface. The water stretched out forever until it melted into the sky.
Hannah Gold (The Lost Whale)
We pulled into the so-called safe zone, next to a pair of tow teams that had sidelined themselves, and as King reached past me to untether his camera case and assemble his housing, I started at Jaws. At about 40 feet, this wasn't the biggest day on record, but somehow that diminished nothing. The wave was breathtaking. As it rose, its face opened up to the cliffs and its lip curled over a full-bellied barrel. Except for the luminous glints of turquoise at its peak, the wave was sapphire blue, gin clear, and flecked with white. If heaven were a color it would be tinted like this. You could fall into this water and happily never come out and you could see it forever and never get tired of looking. Jaws did not permit its spectators to daydream about being someplace else, to feel bored or irritated or jaded. Watching it was an instant antidote to petty problems. There could be no confusion about who called the shots out here, at this gorgeous, haunted, heavy, lush, primordial place, with all its unnameable blues and its ability to nourish you and kill you at the same time. There was unspeakable power at Jaws, but it was the beauty that got me.
Susan Casey (The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean)
Whenever Daddy would take me to the ocean, I'd see it in its beauty--the blues and turquoises of the water, the ripples and movements that drenched my ears in soothing sounds. But Daddy never took me there during the storms. We didn't go to shore when a hurricane came or the waves crashed high and hard onto the sand. What Daddy had come to know was the dichotomy, the mixing of the beauty and destruction, the awe and devastation that the force of nature could unleash.
Meagan Church (The Last Carolina Girl)
Anger, he smiles, towering in shiny metallic purple armor. Queen Jealousy Envy waits behind him—her fire green gown sneers at the grassy ground. Blue are the life-giving waters taken for granted, they quietly understand. Once-happy turquoise armies lay opposite ready, But wondering why the fight is on. But they're all bold as love...just ask the Axis. Red, so confident, he flashes trophies of war and ribbons of euphoria. Orange is young, full of daring, But very unsteady for the first go-round. Yellow in this case is not so mellow, In fact, I'm trying to say, it's frightened like me. And all these emotions of mine keeps holding me back from giving my life to rainbow you.
Jimi Hendrix (Cherokee Mist: The Lost Writings)
across water so electric-blue it looked as if someone had dumped a vat of Ty-D-Bol into it. It was a color I didn't realize the earth could make without the help of human beings. I knew the water would be blue, but I had in my mind a tamer, more pastel blue: a light color, through which all the sand and fish underneath would be clearly visible. This water was like super-wavy, lit-up turquoise, and so beautiful I could hardly take my eyes off it. The moment I was spellbound by the color of the water was the moment I knew I had been in New York for too long and my decision to leave was a good one.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)