“
Once upon a time, there was a girl who talked to the moon. And she was mysterious and she was perfect, in that way that girls who talk to moons are. In the house next door, there lived a boy. And the boy watched the girl grow more and more perfect, more and more beautiful with each passing year. He watched her watch the moon. And he began to wonder if the moon would help him unravel the mystery of the beautiful girl. So the boy looked into the sky. But he couldn't concentrate on the moon. He was too distracted by the stars. And it didn't matter how many songs or poems had already been written about them, because whenever he thought about the girl, the stars shone brighter. As if she were the one keeping them illuminated.
One day, the boy had to move away. He couldn't bring the girl with him, so he brought the stars. When he'd look out his window at night, he would start with one. One star. And the boy would make a wish on it, and the wish would be her name.
At the sound of her name, a second star would appear. And then he'd wish her name again, and the stars would double into four. And four became eight, and eight became sixteen, and so on, in the greatest mathematical equation the universe had ever seen. And by the time an hour had passed, the sky would be filled with so many stars that it would wake the neighbors. People wondered who'd turned on the floodlights.
The boy did. By thinking about the girl.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
Depression is a lot like that: slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearale. But you won't even notice it coming on, thinking that it is somehow normal, something about getter older, about turning eight or about turning twelve or turning fifteeen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.
”
”
Elizabeth Wurtzel (Prozac Nation)
“
Kitten, four hours of sleep while holding you is far more beneficial to me than eight hours of endless tossing and turning because you're not there. -Bones from This Side of the Grave
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.
In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake.
That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead.
And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
”
”
Elizabeth Wurtzel (Prozac Nation)
“
You mean when we discovered the secret lair under the hangar where I'd been kept comatose for eight years of my life, then turned into a cyborg by some mystery surgeon before being given away to a family who didn't really want me? Yeah, Thorne, those were the good old days.
”
”
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
“
Nine lies on his back, groaning. His chest is shredded from where Eight slashed him, he’s got a fresh black eye, and I think I notice a trickle of blood from where I struck him with his staff. Suddenly, his groans turn to laughter.
“That was awesome!” Nine hollers.
”
”
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
“
Relegated as he was to a corner and as though sheltered behind the billiard table, the soldiers, their eyes fixed upon Enjolras, had not even noticed Grantaire, and the sergeant was preparing to repeat the order: 'Take aim!' when suddenly they heard a powerful voice cry out beside them, 'Vive la Republique! Count me in.'
Grantaire was on his feet.
The immense glare of the whole combat he had missed and in which he had not been, appeared in the flashing eyes of the transfigured drunkard.
He repeated, 'Vive la Republique!' crossed the room firmly, and took his place in front of the muskets beside Enjolras.
'Two at one shot,' he said.
And, turning toward Enjolras gently, he said to him, 'Will you permit it?'
Enjolras shook his hand with a smile.
The smile had not finished before the report was heard.
Enjolras, pierced by eight bullets, remained backed up against the wall is if the bullets had nailed him there. Except that his head was tilted.
Grantaire, struck down, collapsed at his feet.
”
”
Victor Hugo (Les Misérables)
“
There was a story going around about the Special Olympics. For the hundred-yard dash, there were nine contestants, all of them so-called physically or mentally disabled. All nine of them assembled at the starting line and, at the sound of the gun, they took off. But one little boy didn't get very far. He stumbled and fell and hurt his knee and began to cry. The other eight children heard the boy crying. They slowed down, turned around, and ran back to him--every one of them ran back to him. The little boy got up, and he and the rest of the runners linked their arms together and joyfully walked to the finish line.
They all finished the race at the same time. And when they did, everyone in the stadium stood up and clapped and whistled and cheered for a long, long time. And you know why? Because deep down we know that what matters in this life is more than winning for ourselves. What really matters is helping others win, too, even if it means slowing down and changing our course now and then.
”
”
Fred Rogers
“
The children came to a perfume shop. In the show window was a large jar of freckle salve, and beside the jar was a sign, which read: DO YOU SUFFER FROM FRECKLES?
'What does the sign say?' ask Pippi. She couldn’t read very well because she didn’t want to go to school as other children did.
'It says, "Do you suffer from freckles?"' said Annika.
'Does it indeed?' said Pippi thoughtfully. 'Well, a civil question deserves a civil answer. Let’s go in.'
She opened the door and entered the shop, closely followed by Tommy and Annika. An elderly lady stood back of the counter. Pippi went right up to her. 'No!' she said decidedly.
'What is it you want?' asked the lady.
'No,' said Pippi once more.
'I don’t understand what you mean,' said the lady.
'No, I don’t suffer from freckles,' said Pippi.
Then the lady understood, but she took one look at Pippi and burst out, 'But, my dear child, your whole face is covered with freckles!'
'I know it,' said Pippi, 'but I don’t suffer from them. I love them. Good morning.'
She turned to leave, but when she got to the door she looked back and cried, 'But if you should happen to get in any salve that gives people more freckles, then you can send me seven or eight jars.
”
”
Astrid Lindgren (Pippi Longstocking (Pippi Långstrump, #1))
“
Lovers must not, like usurers, live for themselves alone. They must finally turn from their gaze at one another back toward the community. If they had only themselves to consider, lovers would not need to marry, but they must think of others and of other things. They say their vows to the community as much as to one another, and the community gathers around them to hear and to wish them well, on their behalf and its own. It gathers around them because it understands how necessary, how joyful, and how fearful this joining is. These lovers, pledging themselves to one another "until death," are giving themselves away, and they are joined by this as no law or contract could join them. Lovers, then, "die" into their union with one another as a soul "dies" into its union with God. And so here, at the very heart of community life, we find not something to sell as in the public market but this momentous giving. If the community cannot protect this giving, it can protect nothing...
”
”
Wendell Berry (Sex, Economy, Freedom, and Community: Eight Essays)
“
You will see, as time goes by", said Ibn Rushd, "that in the end it will be religion that will make men turn away from God. The godly are God's worst advocates.
”
”
Salman Rushdie (Two Years Eight Months and Twenty-Eight Nights)
“
Never say you are five feet nine when
you are five feet eight and a half" was the first one I encountered.
Another was, "Always say some prayers at night because it might turn
out that there is a God.
”
”
John Knowles (A Separate Peace)
“
Wait a minute— who is Mrs. Alexander Banks eight thousand and twenty-one?"
Uh-oh. He'd spotted the small icon at the top with my log-in name. I felt my face heat up. "It's just, uh, a name. Everyone has to log in under a made-up name."
He turned to me, narrowing his eyes. "Is this your made-up name?
”
”
Allison van Diepen (The Vampire Stalker)
“
Fair Fatality, you are the most unusual female I have encountered in all my thirty-eight years!" "You can't think how deeply flattered I am!" she assured him. "I daresay my head would be quite turned if I didn't suspect that amongst so many a dozen or so may have slipped from your memory.
”
”
Georgette Heyer (Venetia)
“
I have a couple of questions," he said.
"Do, please, go ahead."
"My first one is for Yassen Gregorovich." He turned to the Russian. "Why are you working for this lunatic?"
"I sometimes think that I was richer when I was eight years old than most people will be in their lifetime!"
"Do we have to listen to this?" Alex asked.
”
”
Anthony Horowitz (Eagle Strike (Alex Rider, #4))
“
I walked to Montevallo.'
'Forty miles?!'
'Forty-two,' he corrected me. 'Well. Forty-two there. Forty-two back. Eight-two miles. No. Eight-four. Yes. Eighty-four miles in forty-five hours.'
'What the hell's in Montevallo?' I asked.
'Not much. I just walked til I got too cold, and then I turned around.'
'You didn't sleep?'
'No, the dreams are terrible.
”
”
John Green (Looking for Alaska)
“
Ruby, what does the future look like?” Nico asked. “I can’t picture it. I try all the time, but I can’t imagine it. Jude said it looked like an open road just after a rainstorm.”
I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name.
You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen they’d thrown all of us animals into.
“I see it in colors,” I said. “A deep blue, fading into golds and reds—like fire on a horizon. Afterlight. It’s a sky that wants you to guess if the sun is about to rise or set.”
Nico shook his head. “I think I like Jude’s better.”
“Me too,” I said softly. “Me too.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
We have turned doctors into gods and worship their deity by offering up our bodies and our souls - not to mention our worldly goods.
And yet paradoxically, they are the most vulnerable of human beings. Their suicide rate is eight times the national average. Their percentage of drug addiction is one hundred times higher
And because they are painfully aware that they cannot live up to our expectations, their anguish is unquantifiably intense. They have aptly been called 'wounded healers.' "
~ Barney Livingston, M.D.
(Doctors, 1989)
”
”
Erich Segal
“
I hadn't felt such disgust for a boy since the early days, when they'd tease girls on the playground, kicking us and throwing gravel and raising their voices in high screechy mockery. "They do that because they like you," all the adults said, grinning like pumpkins. We believed them, back then. Back then we thought it was true, and we were drawn toward all that meanness because it meant we were special, let them kick us, let them like us. We liked them back. But now it was turning out that our first instincts were right. Boys weren't mean because they liked you; it was because they were mean.
”
”
Daniel Handler (The Basic Eight)
“
I'll be at your place tonight, seven thirty."
"Does seven thirty mean our reservation is at eight?"
"Eight fifteen, in case we hit traffic or weather."
"Will this mean you'll turn into a pumpkin on the way back, considering we'll probably get home past your bedtime?"
Silence then, "Now she gives me smartass and it's still fuckin' cute."
”
”
Kristen Ashley (Breathe (Colorado Mountain, #4))
“
My dad used to say that life was like turning the pages in a book. 'Oh, look,' he'd say, pretending to flip the pages in the air after we'd had something bad happen to us. 'Bad luck here on page ninety-seven. And on ninety-eight. But something good here on ninety-nine! All you had to do was keep reading!
”
”
Ally Condie (Summerlost)
“
If life ever seems too complicated, if you think no one can help, sometimes the right person to turn to is an eight-year-old.
”
”
Richard Osman (The Bullet That Missed (Thursday Murder Club, #3))
“
Listen, you might want to pack a few of your things together before going to bed. The former bishop of Turkey will be coming tonight along with six to eight black men. They might put some candy in your shoes, they might stuff you into a sack and take you to Spain, or they might just pretend to kick you. We don't know for sure, but we want you to be prepared."
This was the reward for living in the Netherlands. As a child you get to hear this story, and as an adult you get to turn around and repeat it.
”
”
David Sedaris (Dress Your Family in Corduroy and Denim)
“
Now, Mama, Papa, and sir," said Ramses, "please withdraw to the farthest corner and crouch down with your backs turned. It is as I feared; we will never break through by this method. The walls are eight feet thick. Fortunately I brought along a little nitroglycerin--"
"Oh, good Gad," shrieked Inspector Cuff.
”
”
Elizabeth Peters (The Deeds of the Disturber (Amelia Peabody, #5))
“
From space, astronauts can see people making love as a tiny speck of light. Not light, exactly, but a glow that could be mistaken for light--a coital radiance that takes generations to pour like honey through the darkness to the astronaut's eyes.
In about one and a half centuries--after the lovers who made the glow will have long been laid permanently on their backs--metropolises will be seen from space. They will glow all year. Smaller cities will also be seen, but with great difficulty. Shtetls will be virtually impossible to spot. Individual couples, invisible.
The glow is born from the sum of thousands of loves: newlyweds and teenagers who spark like lighters out of butane, pairs of men who burn fast and bright, pairs of women who illuminate for hours with soft multiple glows, orgies like rock and flint toys sold at festivals, couples trying unsuccessfully to have children who burn their frustrated image on the continent like the bloom a bright light leaves on the eye after you turn away from it.
Some nights, some places are a little brighter. It's difficult to stare at New York City on Valentine's Day, or Dublin on St. Patrick's. The old walled city of Jerusalem lights up like a candle on each of Chanukah's eight nights...We're here, the glow...will say in one and a half centuries. We're here, and we're alive.
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
That's Doctor Smart-ass. I didn't spend eight years in insult college to be called Mister.
”
”
Jim Butcher (Turn Coat (The Dresden Files, #11))
“
He turned to face me and his eyes widened. "Are you crying?"
He sounded a little panicked, like the sight of a crying girl was scarier than anything that had happened over the past forty-eight hours.
”
”
Kathleen Peacock (Hemlock (Hemlock, #1))
“
Our pets are the kids who never leave home, and that's absolutely fine by us because these kids don't ask for the keys to the car, don't turn up drunk at two in the morning, and don't complain if you turn their bedroom into a home gym. Their presence in times of upheaval and transition acts as a touchstone, a reminder of normalcy, of comfort, and the certainty of a love that can get you through.
”
”
Nick Trout (Ever By My Side: A Memoir in Eight [Acts] Pets)
“
Check this out,” Nine says. He holds up a small purple stone and then places it on the back of his hand. The stone slides into his hand—through it. Nine turns his hand over just as the stone pops out in his palm. “Pretty cool, right?” he asks me, waggling his eyebrows.
“Uh, but what is it supposed to do?” Eight asks, looking up from his own Chest.
“I dunno. Impress girls?” Nine looks over at me. “Did it work?”
“Um . . .” I hesitate, trying not to roll my eyes too hard. “Not really. But, I’ve seen guys teleport so I’m kind of hard to impress.”
“Tough crowd.
”
”
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
“
Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;
The children were nestled all snug in their beds;
While visions of sugar-plums danced in their heads;
And mamma in her 'kerchief, and I in my cap,
Had just settled our brains for a long winter's nap,
When out on the lawn there arose such a clatter,
I sprang from my bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.
The moon on the breast of the new-fallen snow,
Gave a lustre of midday to objects below,
When what to my wondering eyes did appear,
But a miniature sleigh and eight tiny rein-deer,
With a little old driver so lively and quick,
I knew in a moment he must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name:
"Now, Dasher! now, Dancer! now Prancer and Vixen!
On, Comet! on, Cupid! on, Donder and Blixen!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!"
As leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky;
So up to the housetop the coursers they flew
With the sleigh full of toys, and St. Nicholas too—
And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St. Nicholas came with a bound.
He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a pedler just opening his pack.
His eyes—how they twinkled! his dimples, how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard on his chin was as white as the snow;
The stump of a pipe he held tight in his teeth,
And the smoke, it encircled his head like a wreath;
He had a broad face and a little round belly
That shook when he laughed, like a bowl full of jelly.
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread;
He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;
He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight—
“Happy Christmas to all, and to all a good night!
”
”
Clement Clarke Moore (The Night Before Christmas)
“
I plant daffodil bulbs about eight inches deep. As I mentioned before, I don't use a ruler. As a married woman, I know perfectly well what six or eight inches looks like, so it's easy to make a good estimate. This mental measurement makes planting time much more interesting than it might be otherwise.
”
”
Cassandra Danz (Mrs. Greenthumbs: How I Turned a Boring Yard into a Glorious Garden and How You Can, Too)
“
Listen, now, you're going to die, Ray-mond K. K. K. Hessel, tonight. You might die in one second or in one hour, you decide. So lie to me. Tell me the first thing off the top of your head. Make something up. I don't give a shit. I have a gun.
Finally, you were listening and coming out of the little tragedy in your head.
Fill in the blank. What does Raymond Hessel want to be when he grows up?
Go home, you said you just wanted to go home, please.
No shit, I said. But after that, how did you want to spend your life? If you could do anything in the world.
Make something up.
You didn't know.
Then you're dead right now, I said. I said, now turn your head.
Death to commence in ten, in nine, in eight.
A vet, you said. You want to be a vet, a veterinarian.
You could be in school working your ass off, Raymond Hessel, or you could be dead. You choose. I stuffed your wallet into the back of your jeans. So you really wanted to be an animal doctor. I took the saltwater muzzle of the gun off one cheek and pressed it against another. Is that what you've always wanted to be, Dr. Raymond K. K. K. K. Hessel, a veterinarian?...
So, I said, go back to school. If you wake up tomorrow morning, you find a way to get back into school.
I have your license.
I know who you are. I know where you live. I'm keeping your license, and I'm going to check on you, mister Raymond K. Hessel. In three months, and then six months, and then a year, and if you aren't back in school on your way to being a veterinarian, you will be dead...
Raymond K. K. Hessel, your dinner is going to taste better than any meal you've ever eaten, and tomorrow will be the most beautiful day of your life.
”
”
Chuck Palahniuk (Fight Club)
“
The room was full of people. “Ninety-eight days,” said the queen, folding her hands in her lap. “You said it would take six months.” Eugenides picked at a nub in the coverlet. “I like to give myself a margin. When I can.” “I didn’t believe you,” the queen admitted with a delicate smile. “Now you know better.” The king smiled back. They might as well have been alone. The queen turned her head to listen. There was shouting in the guardroom. Costis tensed. His hand went to his belt, looking for his sword. “That will be Dite,” said the king. “He must have been in the outer rooms. I may as well see him.” The queen rose and stepped behind the embroidered screen in front of the fireplace. Her attendants withdrew. The king’s attendants remained, digesting the fact that their helpless, inept king had promised his wife to destroy the house of Erondites in six months and had done it in ninety-eight days.
”
”
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
“
This path turns out to be much as the commandments of Moses, but being only eight in number seems more understanding of a human heart. I like best, “to intend to resist evil.” I am charmed by the word intend.
”
”
Ki Longfellow (The Secret Magdalene)
“
I met this boy here who I knew as a kid and his mum left him with a pedophile for two weeks when he was eight years old and I'm presuming you know everything there is to know about Jonah's father, and that my father is dead, and my mother hasn't been around for years, and God knows Jessa's real story. So what I'm saying here, Sergeant, is that we're just a tad low on the reliable adult quota so you have no right to be all self-righteous about what Chaz did and if you're going to go around not talking to him when his only crime was wanting me to have what he has, then I think you're going to turn out to be a bit of a dud and you know something? I'm just a bit over life's little disappointments right now. Do you understand what I'm saying?
”
”
Melina Marchetta (On the Jellicoe Road)
“
Gareth sucked in a breath. Hyacinth’s brother wasn’t going to make this easy on him. But that didn’t matter. He had vowed to do this right, and he would not be cowed.
He looked up, meeting the viscount’s dark eyes with steady purpose. “I would like to marry Hyacinth,” he said. And then, because the viscount did not say anything, because he didn’t even move, Gareth added, “Er, if she’ll have me.”
And then about eight things happened at once. Or perhaps there were merely two or three, and it just seemed like eight, because it was all so unexpected.
First, the viscount exhaled, although that did seem to understate the case. It was more of a sigh, actually—a huge, tired, heartfelt sigh that made the man positively deflate in front of Gareth. Which was astonishing. Gareth had seen the viscount on many occasions and was quite familiar with his reputation. This was not a man who sagged or groaned.
His lips seemed to move through the whole thing, too, and if Gareth were a more suspicious man, he would have thought that the viscount had said, “Thank you, Lord.”
Combined with the heavenward tilt of the viscount’s eyes, it did seem the most likely translation.
And then, just as Gareth was taking all of this in, Lord Bridgerton let the palms of his hands fall against the desk with surprising force, and he looked Gareth squarely in the eye as he said, “Oh, she’ll have you. She will definitely have you.”
It wasn’t quite what Gareth had expected. “I beg your pardon,” he said, since truly, he could think of nothing else.
“I need a drink,” the viscount said, rising to his feet. “A celebration is in order, don’t you think?”
“Er…yes?”
Lord Bridgerton crossed the room to a recessed bookcase and plucked a cut-glass decanter off one of the shelves. “No,” he said to himself, putting it haphazardly back into place, “the good stuff, I think.” He turned to Gareth, his eyes taking on a strange, almost giddy light. “The good stuff, wouldn’t you agree?”
“Ehhhh…” Gareth wasn’t quite sure what to make of this.
“The good stuff,” the viscount said firmly. He moved some books to the side and reached behind to pull out what looked to be a very old bottle of cognac. “Have to keep it hidden,” he explained, pouring it liberally into two glasses.
“Servants?” Gareth asked.
“Brothers.” He handed Gareth a glass. “Welcome to the family.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
Mrs. Zuppa was coming in from bingo just as I was leaving the building.
"Looks like you're going to work," she said, leaning heavily on her cane. "What are you packin'?"
"A thirty-eight."
"I like a nine-millimeter myself."
"A nine's good."
"Easier to use a semiautomatic after you've had hip replacement and you walk with a cane," she said.
One of those useful pieces of information to file away and resurrect when I turn eighty-three.
”
”
Janet Evanovich (Four to Score (Stephanie Plum, #4))
“
It’s the first thing I always say at our new employee training seminars. I gaze around the room, pick one person, and have him stand up. And this is what I say: I have some good news for you, and some bad news. The bad news first. We’re going to have to rip off either your fingernails or your toenails with pliers. I’m sorry, but it’s already decided. It can’t be changed. I pull out a huge, scary pair of pliers from my briefcase and show them to everybody. Slowly, making sure everybody gets a good look. And then I say: Here’s the good news. You have the freedom to choose which it’s going to be—your fingernails, or your toenails. So, which will it be? You have ten seconds to make up your mind. If you’re unable to decide, we’ll rip off both your fingernails and your toenails. I start the count. At about eight seconds most people say, ‘The toes.’ Okay, I say, toenails it is. I’ll use these pliers to rip them off. But before I do, I’d like you to tell me something. Why did you choose your toes and not your fingers? The person usually says, ‘I don’t know. I think they probably hurt the same. But since I had to choose one, I went with the toes.’ I turn to him and warmly applaud him. And I say, Welcome to the real world.
”
”
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
“
Wild mushrooms and carpets of moss and bumblebees turning figure eights in the slashes of sun in the woods, as if they too are stupefied by the beauty of the place.
”
”
Smith Henderson (Fourth of July Creek)
“
You'd think that sweet would be a land far, far away from irritating, but as it turns out they're right next door and always having border disputes.
”
”
Daniel Handler (The Basic Eight)
“
Of course, I feared that the joy I felt, like certain trees, had taken root at the edge of a craggy cliff. They may crane their necks and turn their leaves all they want toward the sun, but gravity has the last word.
”
”
André Aciman (Eight White Nights)
“
A single word can brighten the face
of one who knows the value of words.
Ripened in silence, a single word
acquires a great energy for work.
War is cut short by a word,
and a word heals the wounds,
and there’s a word that changes
poison into butter
and honey.
Let a word mature inside yourself.
Withhold the unripened thought.
Come and understand the kind of word
that reduces money and riches to dust.
Know when to speak a word
and when not to speak at all.
A single word turns the universe of hell
into eight paradises.
Follow the Way. Don’t be fooled
by what you already know. Be watchful.
Reflect before you speak.
A foolish mouth can brand your soul.
Yunus, say one last thing
about the power of words –
Only the word “I”
divides me from God.
”
”
Yunus Emre
“
(from A Love Story, Eight Takes)
8
As it turns out, there is a wrong way to tell this story.
I was wrong to tell you how multi-true everything is,
when it would be truer to say nothing.
I've invented so much and prevented more.
But I'd like to talk with you about other things,
in absolute quiet. In extreme context.
To see you again, isn't love revision?
It could have gone so many ways.
This just one of the ways it went.
Tell me another.
”
”
Brenda Shaughnessy (Human Dark with Sugar)
“
You know how to steer a yacht?" Mr. McIntyre asked Ian worriedly.
"I was born knowing how to steer a yacht," Ian said. Then a stricken look came over his face. "But–do you suppose Jonah prepaid the full amount for renting this? Once my dad hears what Natalie and I did, he'll cancel our credit cards."
"You mean we're...we're poor now?" Natalie gasped.
"Penniless," Ian said grimly.
"Actually," Mr. McIntyre said, "I should have mentioned this before the others left. Grace had an addendum to her will regarding everyone who made it through the gauntlet. There were eight of you–you will all receive double the amount you turned down to get the first clue."
"It was a million dollars originally," Ian said. "So Natalie and I each get two million dollars? I suppose we could live on that."
Natalie beamed.
"That is such a relief!" she said. "Being poor wasn't quite as bad as I thought it would be, but still–"
"You were only poor for about two seconds!" Dan protested, rolling his eyes.
”
”
Margaret Peterson Haddix (Into the Gauntlet (The 39 Clues, #10))
“
Maybe when she'd been eighteen it was a quality she might have laughed at, but at twenty-eight, dependability had turned into something of an aphrodisiac.
”
”
Jill Mansell (Rumour Has it)
“
Maybe, generations ago, young people rebelled out of some clear motive, but now, we know we’re rebelling. Between teen movies and sex-ed textbooks we’re so ready for our rebellious phase we can’t help but feel it’s safe, contained. It will turn out all right, despite the risk, snug in the shell of rebellion narrative. Rebellion narrative, does that make sense? It was appropriate to do, so we did it.
”
”
Daniel Handler (The Basic Eight)
“
I’ve traveled for eight years and countless miles to get here. Right. Here. It’s my turn to get the girl. I’ve earned it. So … yeah … I call dibs. Dibs. Dibs. Dibs! I will fucking level anyone in this life or the next that tries to steal you from me.
”
”
Jewel E. Ann (Fortuity (Transcend, #3))
“
Live or die, but don't poison everything...
Well, death's been here
for a long time --
it has a hell of a lot
to do with hell
and suspicion of the eye
and the religious objects
and how I mourned them
when they were made obscene
by my dwarf-heart's doodle.
The chief ingredient
is mutilation.
And mud, day after day,
mud like a ritual,
and the baby on the platter,
cooked but still human,
cooked also with little maggots,
sewn onto it maybe by somebody's mother,
the damn bitch!
Even so,
I kept right on going on,
a sort of human statement,
lugging myself as if
I were a sawed-off body
in the trunk, the steamer trunk.
This became perjury of the soul.
It became an outright lie
and even though I dressed the body
it was still naked, still killed.
It was caught
in the first place at birth,
like a fish.
But I play it, dressed it up,
dressed it up like somebody's doll.
Is life something you play?
And all the time wanting to get rid of it?
And further, everyone yelling at you
to shut up. And no wonder!
People don't like to be told
that you're sick
and then be forced
to watch
you
come
down with the hammer.
Today life opened inside me like an egg
and there inside
after considerable digging
I found the answer.
What a bargain!
There was the sun,
her yolk moving feverishly,
tumbling her prize --
and you realize she does this daily!
I'd known she was a purifier
but I hadn't thought
she was solid,
hadn't known she was an answer.
God! It's a dream,
lovers sprouting in the yard
like celery stalks
and better,
a husband straight as a redwood,
two daughters, two sea urchings,
picking roses off my hackles.
If I'm on fire they dance around it
and cook marshmallows.
And if I'm ice
they simply skate on me
in little ballet costumes.
Here,
all along,
thinking I was a killer,
anointing myself daily
with my little poisons.
But no.
I'm an empress.
I wear an apron.
My typewriter writes.
It didn't break the way it warned.
Even crazy, I'm as nice
as a chocolate bar.
Even with the witches' gymnastics
they trust my incalculable city,
my corruptible bed.
O dearest three,
I make a soft reply.
The witch comes on
and you paint her pink.
I come with kisses in my hood
and the sun, the smart one,
rolling in my arms.
So I say Live
and turn my shadow three times round
to feed our puppies as they come,
the eight Dalmatians we didn't drown,
despite the warnings: The abort! The destroy!
Despite the pails of water that waited,
to drown them, to pull them down like stones,
they came, each one headfirst, blowing bubbles the color of cataract-blue
and fumbling for the tiny tits.
Just last week, eight Dalmatians,
3/4 of a lb., lined up like cord wood
each
like a
birch tree.
I promise to love more if they come,
because in spite of cruelty
and the stuffed railroad cars for the ovens,
I am not what I expected. Not an Eichmann.
The poison just didn't take.
So I won't hang around in my hospital shift,
repeating The Black Mass and all of it.
I say Live, Live because of the sun,
the dream, the excitable gift.
”
”
Anne Sexton (The Complete Poems)
“
Kitten”—Bones paused from pulling on his shirt—“four hours of sleep while holding you is far more beneficial to me than eight hours of endless tossing and turning because you’re not there.
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that was the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave.
”
”
Mark Z. Danielewski (House of Leaves)
“
The movies, I thought, have got the soundtrack to war all wrong. War isn't rock 'n' roll. It's got nothing to do with Jimi Hendrix or Richard Wagner. War is nursery rhymes and early Madonna tracks. War is the music from your childhood. Because war, when it's not making you kill or be killed, turns you into an infant. For the past eight days, I'd been living like a five-year-old — a nonexistence of daytime naps, mushy food, and lavatory breaks. My adult life was back in Los Angeles with my dirty dishes and credit card bills.
”
”
Chris Ayres (War Reporting for Cowards)
“
Mud ? They're going to put mud on my face ?"
"You'll love it."
"Whenever the kitties and I played stalk and pounce and we ended up muddy, everyone frowned about it."
Surreal grunted softly. Only Jaenelle referred to Jaal and Kaelas, a full-grown tiger and an eight-hundred-pound Arcerian cat, as "the kitties"... or voluntarily played games with them to keep their predatory skills honed.
"So why is this mud different ?" Jaenelle grumbled.
Stretched out on the other table, Surreal turned her head and opened one eye. "It's expensive.
”
”
Anne Bishop (Dreams Made Flesh (The Black Jewels, #5))
“
You will see, as time goes by,” said Ibn Rushd, “that in the end it will be religion that will make men turn away from God. The godly are God’s worst advocates. It may take a thousand and one years but in the end religion will shrivel away and only then will we begin to live in God’s truth.
”
”
Salman Rushdie (Two Years Eight Months and Twenty-Eight Nights)
“
They become best friends as immediately as you only can when you’ve just turned eight...
”
”
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
“
So we get a karaoke machine.
On the first night, the year tens stage a competition, insisting that every member of the House has to be involved, so we clear the year-seven and -eight dorms and wait for our turn. Raffy is on second and does an impressive job of "I Can''t Live, If Living Means Without You" but then one of the seniors points out to her that she's chosen a dependency song and Raffy spends the whole night neuroticising about it.
"I just worked out that I don't have ambition," she says while one of the year eights sings tearfully, "Am I Not Pretty Enough?" I start compiling a list of all the kids I should be recommending to the school counsellor, based on their song choices.
"I think she's reading a little to much into it, Raf."
"No she isn't. Because do you know what my second and third choices were? 'Don't Leave Me This Way' and 'I Just Don't Know What To Do With Myself.'"
"Mary Grace chose 'Brown-eyed Girl' and she's got blue eyes and Serina sang 'It's Raining Men' and she's a lesbian. You're taking this way too seriously. Let it go.
”
”
Melina Marchetta (On the Jellicoe Road)
“
Whenever people unquestioningly turn over their minds to authoritarian figures to do with as they please—whether it be in a satanic cult or some of the more fanatic offshoots of the Jesus Movement, in the right wing or the far left, or in the mind-bending cults of the new sensitivity—those potentials exist. One hopes that none of these groups will spawn other Charles Mansons.
”
”
Vincent Bugliosi (Helter Skelter: Part Eight of the Shocking Manson Murders)
“
I am the unseen. For centuries I have been here, beneath this great city, this metropolis. I know your language. I know all languages. . . . My cave is broad and cool. The sun cannot send its heat down here. The damp soil is rich and fragrant. I turn softly on my back and place my eight legs to the cave ceiling. Then, I listen. I am the spider. I see sound. I feel taste. I hear touch. I spin this story. This is the story I’ve spun.
”
”
Nnedi Okorafor (Lagoon)
“
Wait, I do have one question.” I paused, my arms full. “Yes?” “The blood in the foundation spells—all eight pints of it—it isn’t yours.” I turned and gave him the kind of smile that made people twitch. “I never said it was.
”
”
Lisa Edmonds (Heart of Malice (Alice Worth #1))
“
It's ridiculous. Here I sit in my little room, I, Brigge, who have got to be twenty-eight years old and about whom no one knows. I sit here and am nothing. And yet this nothing begins to think and thinks, up five flights of stairs, these thoughts on a gray Paris afternoon:
Is it possible, this nothing thinks, that one has not yet seen, recognized, and said anything real and important? Is it possible that one has had thousands of years of time to look, reflect, and write down, and that one has let the millennia pass away like a school recess in which one eats one's sandwich and an apple?
Yes, it is possible.
...Is it possible that in spite of inventions and progress, in spite of culture, religion, and worldly wisdom, that one has remained on the surface of life? Is it possible that one has even covered this surface, which would at least have been something, with an incredibly dull slipcover, so that it looks like living-room furniture during the summer vacation?
Yes, it is possible.
Is it possible that the whole history of the world has been misunderstood? Is it possible that the past is false because one has always spoken of its masses, as if one was telling about a coming together of many people, instead of telling about the one person they were standing around, because he was alien and died?
Yes, it is possible.
Is it possible that one believed one has to make up for everything that happened before one was born? Is it possible one would have to remind every single person that he arose from all earlier people so that he would know it, and not let himself be talked out of it by the others, who see it differently?
Yes, it is possible.
Is it possible that all these people know very precisely a past that never was? Is it possible that everything real is nothing to them; that their life takes its course, connected to nothing, like a clock in an empty room?
Yes, it is possible.
Is it possible that one knows nothing about girls, who are nevertheless alive? Is it possible that one says "the women", "the children", "the boys", and doesn't suspect (in spite of all one's education doesn't suspect) that for the longest time these words have no longer had a plural, but only innumerable singulars?
Yes, it is possible.
Is it possible that there are people who say "God" and think it is something they have in common? Just look at two schoolboys: one buys himself a knife, and the same day his neighbor buys one just like it. And after a week they show each other their knives and it turns out that they bear only the remotest resemblance to each other-so differently have they developed in different hands (Well, the mother of one of them says, if you boys always have to wear everything out right away). Ah, so: is it possible to believe that one could have a God without using him?
Yes, it is possible.
But, if all this is possible, has even an appearance of possibility-then for heaven's sake something has to happen. The first person who comes along, the one who has had this disquieting thought, must begin to accomplish some of what has been missed; even if he is just anyone, not the most suitable person: there is simply no one else there. This young, irrelevant foreigner, Brigge, will have to sit himself down five flights up and write, day and night, he will just have to write, and that will be that.
”
”
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
“
MOTHER – By Ted Kooser
Mid April already, and the wild plums
bloom at the roadside, a lacy white
against the exuberant, jubilant green
of new grass and the dusty, fading black
of burned-out ditches. No leaves, not yet,
only the delicate, star-petaled
blossoms, sweet with their timeless perfume.
You have been gone a month today
and have missed three rains and one nightlong
watch for tornadoes. I sat in the cellar
from six to eight while fat spring clouds
went somersaulting, rumbling east. Then it poured,
a storm that walked on legs of lightning,
dragging its shaggy belly over the fields.
The meadowlarks are back, and the finches
are turning from green to gold. Those same
two geese have come to the pond again this year,
honking in over the trees and splashing down.
They never nest, but stay a week or two
then leave. The peonies are up, the red sprouts,
burning in circles like birthday candles,
for this is the month of my birth, as you know,
the best month to be born in, thanks to you,
everything ready to burst with living.
There will be no more new flannel nightshirts
sewn on your old black Singer, no birthday card
addressed in a shaky but businesslike hand.
You asked me if I would be sad when it happened
and I am sad. But the iris I moved from your house
now hold in the dusty dry fists of their roots
green knives and forks as if waiting for dinner,
as if spring were a feast. I thank you for that.
Were it not for the way you taught me to look
at the world, to see the life at play in everything,
I would have to be lonely forever.
”
”
Ted Kooser (Delights and Shadows)
“
- Obviously, we're hoping that the weather forecasters are wrong, the way they tend to be about ninety-eight percent of the time
A few adults chuckled at that lameness. I remember thinking, hoping, that I would never turn into the kind of person who though weather jokes were funny.
”
”
Siobhan Vivian (The Last Boy and Girl in the World)
“
Aaron, what are your intentions with Lina? You are not just fooling around, are you? What do you think about marriage? Because Lina is about to turn thirty and—” “Charo,” I interrupted her. “Ya basta,” I hissed. “And I’m only twenty-eight. Jesus.” Aaron chuckled behind me. “Marriage is one of my favorite institutions.” My jaw hit the floor. “I’ve always wanted to get married.” My breath hitched, my mouth still hanging open. “Have a bunch of kids. A dog too.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
A month after it ended, President Johnson decided not to seek reelection, and Westmoreland would shortly thereafter be removed as its commander. Richard Nixon was elected president eight months later mendaciously promising not victory, but a secret plan to bring the war to an “honorable end.
”
”
Mark Bowden (Hue 1968: A Turning Point of the American War in Vietnam)
“
It was hard not to feel resentment that men weren't forced into these choices. Some days she felt that she would spend all her time trying to forget her life before children because she loved them too much to be reminded of the heat of Rome in the summer and a beautiful girl who turned heads as she walked down an Italian strada.
”
”
Whitney Otto (Eight Girls Taking Pictures)
“
He turned to her wearily. «Listen. I wrote her eight goddam letters. Eight. She didn't answer one of 'em.»
Ginnie hesitated. «Well, maybe she was busy.»
«Yeah. Busy. Busy as a little goddam beaver.»
”
”
J.D. Salinger (Nine Stories)
“
I never knew I never knew that everything was falling through That everyone I knew was waiting on a cue To turn and run when all I needed was the truth But that's how it's got to be It's coming down to nothing more than apathy I'd rather run the other way than stay and see The smoke and who's still standing when it clears Everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind
She's on your mind Let's rearrange I wish you were a stranger I could disengage Just say that we agree and then never change Soften a bit until we all just get along But that's disregard Find another friend and you discard As you lose the argument in a cable car Hanging above as the canyon comes between Everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind
She's on your mind Everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind She's on your ... And suddenly I become a part of your past I'm becoming the part that don't last I'm losing you and its effortless Without a sound we lose sight of the ground In the throw around Never thought that you wanted to bring it down I won't let it go down till we torch it ourselves And everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind
She's on your mind Everyone knows She's on your mind Everyone knows I'm in over my head I'm in over my head I'm over my... Everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind
She's on your mind.
”
”
The Fray
“
I’d always heard that your twenties were for partying until all hours of the night, and then your thirties were pajamas at eight. I couldn’t wait until I turned thirty because I was already there in spirit.
”
”
T.J. Klune (Why We Fight (At First Sight, #4))
“
Even our best endeavors turn against us. A loom that can do the work of eight men should free eight men from servitude. Instead, seven skilled men are put out of work to starve with their families, and one skilled man because the unskilled minder of the mechanical loom. What is the point of progress if it benefits the few while the many suffer?
”
”
Jeanette Winterson (Frankissstein: A Love Story)
“
Big things, I hope, might happen someday, but it’s the little things that are important, isn’t it? They keep us grounded. The little things are the things we miss the most when normality is turned on its head.
”
”
Lia Louis (Eight Perfect Hours)
“
...a kid, maybe eight years old, ran up and poked her in the ribs with a plastic laser weapon, making electric zinging noises as he repeatedly pulled the trigger. “You’re dead,” he said victoriously. His mother came hurrying up, looking harassed and helpless. “Damian, stop that!” She gave him a smile that was little more than a grimace. “Don’t bother the nice people.” “Shut up,” he said rudely. “Can’t you see they’re Terrons from Vaniot.”
The kid poked her in the ribs again. “Ouch!” He made those zinging noises again, taking great pleasure in her discomfort. She plastered a big smile on her face and leaned down closer to precious Damian, then cooed in her most alienlike voice, “Oh, look, a little earthling.” She straightened and gave Sam a commanding look. “Kill it.” Damian’s mouth fell open. His eyes went as round as quarters as he took in the big pistol on Sam’s belt. From his open mouth began to issue a series of shrill noises that sounded like a fire alarm. Sam cursed under his breath, grabbed Jaine by the arm, and began tugging her at a half-trot toward the front of the store. She managed to snag her purse from the buggy as she went past.
“Hey, my groceries!” she protested. “You can spend another three minutes in here tomorrow and get them,” he said with pent-up violence. “Right now I’m trying to keep you from getting arrested.”
“For what?” she asked indignantly as he dragged her out of the automatic doors. People were turning to look at them, but most were following the sounds of Damian’s shrieks to aisle seven. “How about threatening to kill that brat and causing a riot?”
“I didn’t threaten to loll him! I just ordered you to.
”
”
Linda Howard (Mr. Perfect)
“
On the ethics of war the Quran and the New Testament are worlds apart. Whereas Jesus tells us to turn the other cheek, the Quran tells us, 'Whoso commits aggression against you, do you commit aggression against him' (2:194). The New Testament says nothing about how to wage war. The Quran, by contrast, is filled with just-war precepts. Here war is allowed in self-defense (2:190; 22:39), but hell is the punishment for killing other Muslims (4:93), and the execution of prisoners of war is explicitly condemned (47:4). Whether in the abstract is is better to rely on a scripture that regulates war or a scripture that hopes war away is an open question, but no Muslim-majority country has yet dropped an atomic bomb in war.
”
”
Stephen Prothero (God Is Not One: The Eight Rival Religions That Run the World--and Why Their Differences Matter)
“
Everybody tries to protect this vulnerable two three four five six seven eight year old inside, and to acquire skills and aptitudes for dealing with the situations that threaten to overwhelm it... Usually, that child is a wretchedly isolated undeveloped little being. It’s been protected by the efficient armour, it’s never participated in life, it’s never been exposed to living and to managing the person’s affairs, it’s never been given responsibility for taking the brunt. And it’s never properly lived. That’s how it is in almost everybody. And that little creature is sitting there, behind the armour, peering through the slits. And in its own self, it is still unprotected, incapable, inexperienced...
And in fact, that child is the only real thing in them. It’s their humanity, their real individuality, the one that can’t understand why it was born and that knows it will have to die, in no matter how crowded a place, quite on its own. That’s the carrier of all the living qualities. It’s the centre of all the possible magic and revelation. What doesn’t come out of that creature isn’t worth having, or it’s worth having only as a tool—for that creature to use and turn to account and make meaningful...
And so, wherever life takes it by surprise, and suddenly the artificial self of adaptations proves inadequate, and fails to ward off the invasion of raw experience, that inner self is thrown into the front line—unprepared, with all its childhood terrors round its ears.
And yet that’s the moment it wants. That’s where it comes alive—even if only to be overwhelmed and bewildered and hurt. And that’s where it calls up its own resources—not artificial aids, picked up outside, but real inner resources, real biological ability to cope, and to turn to account, and to enjoy.
That’s the paradox: the only time most people feel alive is when they’re suffering, when something overwhelms their ordinary, careful armour, and the naked child is flung out onto the world. That’s why the things that are worst to undergo are best to remember.
But when that child gets buried away under their adaptive and protective shells—he becomes one of the walking dead, a monster. So when you realise you’ve gone a few weeks and haven’t felt that awful struggle of your childish self—struggling to lift itself out of its inadequacy and incompetence—you’ll know you’ve gone some weeks without meeting new challenge, and without growing, and that you’ve gone some weeks towards losing touch with yourself.
”
”
Ted Hughes (Letters of Ted Hughes)
“
Now that I know, I can't unsee her girlness. The turned curve of her nose, the slant of her cheeks. How her eyelashes curl up just so. It would be a mistake to think that any of these things mean she's fragile. The very fact that she's sitting here, eight days after being stabbed, is testament to that.
”
”
Ryan Graudin (The Walled City)
“
Did you know that on one of the islands of Orkney, in the North of Scotland, there are some runes that when translated turned out to be Viking graffiti? Eight feet up a wall it says "A tall Viking wrote this." You gotta love that.
”
”
Barbara Sher (What Do I Do When I Want to Do Everything?: A Revolutionary Programme for Doing Everything That You)
“
The Red Lamp, the army brothel, was around the corner in the main street. I had seen a queue of a hundred and fifty men waiting outside the door, each to have his short turn with one of the three women in the house. My servant, who had stood in the queue, told me that the charge was ten francs a man – about eight shillings at that time. Each woman served nearly a battalion of men every week for as long as she lasted. According to the assistant provost-marshal, three weeks was the usual limit: ‘after which she retired on her earnings, pale but proud.
”
”
Robert Graves (Goodbye to All That)
“
Relegated, as he was, to one corner, and sheltered behind the billiard-table, the soldiers whose eyes were fixed on Enjolras, had not even noticed Grantaire, and the sergeant was preparing to repeat his order: "Take aim!" when all at once, they heard a strong voice shout beside them:
"Long live the Republic! I'm one of them."
Grantaire had risen. The immense gleam of the whole combat which he had missed, and in which he had had no part, appeared in the brilliant glance of the transfigured drunken man.
He repeated: "Long live the Republic!" crossed the room with a firm stride and placed himself in front of the guns beside Enjolras.
"Finish both of us at one blow," said he.
And turning gently to Enjolras, he said to him:
"Do you permit it?"
Enjolras pressed his hand with a smile.
This smile was not ended when the report resounded.
Enjolras, pierced by eight bullets, remained leaning against the wall, as though the balls had nailed him there. Only, his head was bowed.
Grantaire fell at his feet, as though struck by a thunderbolt.
”
”
Victor Hugo
“
Sweetbuns?” “Tradition among us Two Rivers folk.” “Never heard of that tradition.” “It’s very obscure.” “Ah, I see. And what did you do to those buns?” “Sprinklewort,” Mat said. “It’ll turn her mouth blue for a week, maybe two. And she won’t share the sweetbuns with anyone, except maybe her Warders. Joline is addicted to the things. She must have eaten seven or eight bags’ worth since we got to Caemlyn.” “Nice,” Thom said, knuckling his mustache. “Childish, though.” “I’m trying to get back to my basic roots,” Mat said. “You know, recapture some of my lost youth.
”
”
Robert Jordan (Towers of Midnight (The Wheel of Time, #13))
“
He turned to Harley, the oddly muscular eight-year-old son of Hephaestus. "Want to come with? I might need help with the projector."
"A projectile! Yes!" Harley pumped his fist.
"A projector," Connor corrected. "And you can't make it do anything but show the movie. No exploding upgrades. No turning it into a killer robot."
"Aww ..." Harley scowled in disappointment, but he followed Connor to the Big House.
”
”
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
“
But what I find deplorable, I continued, looking about the bookshelves again, is that nothing is known about women before the eighteenth century. I have no model in my mind to turn about this way and that. Here am I asking why women did not write poetry in the Elizabethan age, and I am not sure how they were educated; whether they were taught to write; whether they had sitting-rooms to themselves; how many women had children before they were twenty-one; what, in short, they did from eight in the morning till eight at night.
”
”
Virginia Woolf (A Room of One's Own)
“
Of course it might have been some other city, had circumstances been different and the time been different and had I been different, might have been Paris or Chicago or even San Francisco, but because I am talking about myself I am talking here about New York. That first night I opened my window on the bus into town and watched for the skyline, but all I could see were the wastes of Queens and big signs that said MIDTOWN TUNNEL THIS LANE and then a flood of summer rain (even that seemed remarkable and exotic, for I had come out of the West where there was no summer rain), and for the next three days I sat wrapped in blankets in a hotel room air-conditioned to 35 degrees and tried to get over a bad cold and a high fever. It did not occur to me to call a doctor, because I knew none, and although it did occur to me to call the desk and ask that the air conditioner be turned off, I never called, because I did not know how much to tip whoever might come—was anyone ever so young? I am here to tell you that someone was. All I could do during those three days was talk long-distance to the boy I already knew I would never marry in the spring. I would stay in New York, I told him, just six months, and I could see the Brooklyn Bridge from my window. As it turned out the bridge was the Triborough, and I stayed eight years.
”
”
Joan Didion (Slouching Towards Bethlehem)
“
the first archer lets his arrow fly, soaring over the crowd and hitting it's mark in a shower of sparks.
The bonfire ignites in an eruption of yellow flame.
Then second chime follows.
the second archer sends his arrow into the yellow flames, and they become a clear sky-blue.
A third chime with a third arrow. and the flames are a warm bright pink.
Flames the color of a ripe pumpkin follow the fourth arrow.
A fifth, and the flames are scarlet-red.
A sixth brings a deeper, sparkling crimson.
Seven, and the fire is soaked in a color like an incandescent wine.
Eight, and the flames are shimmering violet.
Nine, and violet shift to indigo.
A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue.
”
”
Erin Morgenstern (The Night Circus)
“
As the world turns toward winter and the nights grow long, people begin to wake in the dark. Lying in bed too long cramps the limbs, and dreams dreamt too long turn inward on themselves, grotesque as a Mandarin’s fingernails. By and large, the human body isn’t adapted for more than seven or eight hours’ sleep—but what happens when the nights are longer than that? What happens is the second sleep. You fall asleep from tiredness, soon after dark—but then wake again, rising toward the surface of your dreams like a trout coming up to feed. And should your sleeping partner also wake then—and people who have slept together for a good many years know at once when each other wakes—you have a small, private place to share, deep in the night. A place in which to rise, to stretch, to bring a juicy apple back to bed, to share slice by slice, fingers brushing lips. To have the luxury of conversation, uninterrupted by the business of the day. To make love slowly in the light of an autumn moon. And then, to lie close, and let a lover’s dreams caress your skin as you begin to sink once more beneath the waves of consciousness, blissful in the knowledge that dawn is far off—that’s second sleep.
”
”
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
“
1.
I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates.
2.
The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.”
3.
Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay.
4.
The last eight times I told you I loved you, they sounded like apologies.
5.
You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice.
6.
Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.”
7.
You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent.
8.
I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it.
9.
I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.”
10.
I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave.
11.
I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help.
12.
Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself.
13.
I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.”
14.
The entire time, I was only pretending that I knew it was coming.
”
”
Miles Walser
“
For me… it was excruciating.” He closed his eyes for a moment then focused on her. “It is so painful to truly love someone so much and not have them. For years I practiced tolerating that pain. Around the time I was sixteen I could finally stand to look at you. So, I did, all the damn time. I watched you so carefully. I captured every smile, every frown, every tear from you. I wanted you… but I couldn’t have you. Then one day we became friends and
the pain came back, but I didn’t care because you were my friend, my best friend. But when you kissed me, I realized the feeling I had before was nothing compared to what I felt when we kissed. I felt alive… and guilty and betrayed, because it’s not fair. It’s not fair for me to go through that… to want to kiss you every day, every hour, every minute for the rest of my miserable life, but I want to. I’m afraid that it will get to a point where I need to. I have been in love with you since I was eight years old. I have hated the way my father has treated me, but nothing has hurt me as much as the pain of my mother’s death except seeing you and my brother in bliss. What I want is for you to stay in this room with me. I want to feel how you feel, taste how you taste, and completely fall in you because I’m just… tired of always wanting what I can’t have. I want to make you smile, make you happy… I want to be inside you… I want to give you pleasure in every way… mind, body, and soul… I am completely, madly… and utterly in love with you… and it hurts… because I can’t have you. And it hurts because if there is a chance that I can then it is possible that it will turn out to be my tragedy and misfortune. And all I can say to that … I accept my tragedy… but I don’t wish it.
”
”
Chelsea Ballinger (The Kindness of Kings)
“
He wanted to tell Golo, who was now thirty-two, that Elisabeth had declared that after the age of thirty no one had the right to blame their parents for anything. And then he could turn to Michael, who was twenty-two, and tell him that he had eight years left and he should use them wisely.
”
”
Colm Tóibín (The Magician)
“
My friend Emma, who likes things to add up neatly, claims that this is because my parents died when I was too young to take it in: they were there one day and gone the next, crashing through that fence so hard and fast they left it splintered for good. When I was Lexie Madison for eight months she turned into a real person to me, a sister I lost or left behind on the way; a shadow somewhere inside me, like the shadows of vanishing twins that show up on people's X-rays once in a blue moon. Even before she came back to find me I knew I owed her something, for being the one who lived.
”
”
Tana French (The Likeness)
“
it’s well to take a look at what new rascals you are going to get before you jump at any chance to turn your present rascals out. Democracy is a poor system of government at best; the only thing that can honestly be said in its favor is that it is about eight times as good as any other method the human race has ever tried. Democracy’s worst fault is that its leaders are likely to reflect the faults and virtues of their constituents—a depressingly low level, but what else can you expect?
”
”
Robert A. Heinlein (Stranger in a Strange Land)
“
If the multiverse turns out to be the best explanation of the fundamental physical constants, it would not be the first time we have been flabbergasted by worlds beyond our noses. Our ancestors had to swallow the discovery of the Western Hemisphere, eight other planets, a hundred billion stars in our galaxy (many with planets), and a hundred billion galaxies in the observable universe. If reason contradicts intuition once again, so much the worse for intuition. Another advocate of the multiverse, Brian Greene, reminds us:
“From a quaint, small, earth-centered universe to one filled with billions of galaxies, the journey has been both thrilling and humbling. We’ve been compelled to relinquish sacred belief in our own centrality, but with such cosmic demotion we’ve demonstrated the capacity of the human intellect to reach far beyond the confines of ordinary experience to reveal extraordinary truth.
”
”
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
“
My Grandpa Miller explained that during migration, birds flew in V formation. The bird at the front, the tip of the V, had the hardest job facing the greatest amount of wind resistance. The air coming off the leader’s flapping wings lifted the birds flying behind it. Being the leader was grueling, so the birds took turns. When a bird exhausted itself, it trailed to the back, where it wouldn’t have to flap as hard, riding waves of wind that have been broken down by others. It saved its energy so that it could lead again. This was the only way to make the journey, to escape winter and make it to warmer places. I had spent two weeks pumping my wings, keeping a calm face, to protect my flock from brutal conditions. But resilience required rest. For the next eight months I was going to fall back. The most important thing to remember was that to be at the rear, to be slower, did not mean you were not a leader.
”
”
Chanel Miller (Know My Name: A Memoir)
“
At ten seconds before the hour, they raise their bows and aim the flaming arrows at the waiting well of curling iron. As the clock begins to chime near the gates, the first archer lets his arrow fly, soaring over the crowd and hitting its mark in a shower of sparks.
The bonfire ignites in an eruption of yellow flame.
Then the second chime follows, the second archer sends his arrow into the yellow flames, and they become a clear sky-blue.
A third chime with a third arrow, and the flames are a warm bright pink.
Flames the color of a ripe pumpkin follow the fourth arrow.
A fifth, and the flames are scarlet-red.
A sixth brings a deeper, sparkling crimson.
Seven, and the fire is soaked in a color like incandescent wine.
Eight, and the flames are shimmering violet.
Nine, and the violet shifts to indigo.
A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue.
On the penultimate chime, the dancing flames change from blue to black, and for a moment, it is difficult to discount the fire from its cauldron.
And on the final strike, the dark flames are replaced with a blinding white, a shower of sparks falling like snowflakes around it. Huge curls of dense white smoke swirl up into the night sky.
”
”
Erin Morgenstern (The Night Circus)
“
Where's my sister?"
"She's setting up the island we found tonight."
Galen shakes his head. "You slithering eel. You might have told me what you were up to."
Toraf laughs. "Oh sure. 'Hey, Galen, I need to borrow Emma for a few minutes so I can kiss her, okay?' Didn't see that going over very well."
"You think your surprise attack went over better?"
Toraf shrugs. "I'm satisfied."
"I could have killed you today."
"Yeah."
"Don't ever do that again."
"Wasn't planning on it. Thought it was real sweet of you to defend your sister's honor. Very brotherly." Toraf snickers.
"Shut up."
"I'm just saying."
Galen runs a hand through his hair. "I only saw Emma. I forgot all about Rayna."
"I know, idiot. That's why I let you hit me fifty-eight times. That's what I would do if someone kissed Rayna."
"Fifty-nine times."
"Don't get carried away, minnow. By the way, was Emma boiling mad or just a little heated? Should I keep my distance for a while?"
Galen snorts. "She laughed so hard I thought she'd pass out. I'm the one in trouble."
"Shocker. What'd you do?"
"The usual." Hiding his feelings. Blurting out the wrong thing. Acting like a territorial bull shark.
Toraf shakes his head. "She won't put up with that forever. She already thinks you only want to change her so she can become another of your royal subjects."
"She said that?" Galen scowls. "I don't know what's worse. Letting her think that, or telling her the truth about why I'm helping her to change."
"In my opinion, there's nothing to tell her unless she can actually change. And so far, she can't."
"You don't think she's one of us?"
Toraf shrugs. "Her skin wrinkles. It's kind of gross. Maybe she's some sort of superhuman. You know, like Batman."
Galen laughs. "How do you know about Batman?"
"I saw him on that black square in your living room. He can do all sorts of things other humans can't do. Maybe Emma is like him."
"Batman isn't real. He's just a human acting like that so other humans will watch him."
"Looked real to me."
"They're good at making it look real. Some humans spend their whole lives making something that isn't real look like something that is."
"Humans are creepier than I thought. Why pretend to be something you're not?"
Galen nods. To take over a kingdom, maybe? "Actually, that reminds me. Grom needs you."
Toraf groans. "Can it wait? Rayna's getting all cozy on our island right about now."
"Seriously. I don't want to know."
Toraf grins. "Right. Sorry. But you can see my point, right? I mean, if Emma were waiting for you-"
"Emma wouldn't be waiting for me. I wouldn't have left."
"Rayna made me. You've never hit me that hard before. She wants us to get along. Plus, there's something I need to tell you, but I didn't exactly get a change to."
"What?"
"Yesterday when we were practicing in front of your house, I sensed someone. Someone I don't know. I made Emma get out of the water while I went to investigate."
"And she listened to you?"
Toraf nods. "Turns out, you're the only one she disobeys.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
There is also a waka poem Akio penned for me:
Now I understand
It is all so clear to me
August wind, rain, sleet
I stopped believing in love
Until I saw the leaves fall
Poetry is kind of our thing. Originally, we were mortal enemies. Akio drove me nuts with his schedules, his overall gothic-novel vibe, and his eight inches of height over me. But now, our couple dynamic is fun-loving princess and gruff former bodyguard turned promising pilot who only shows his soft side to those closest to him. It really works for me.
”
”
Emiko Jean (Tokyo Dreaming (Tokyo Ever After, #2))
“
The Total Perspective Vortex derives its picture of the whole Universe on the principle of extrapolated matter analyses.
To explain — since every piece of matter in the Universe is in some way affected by every other piece of matter in the Universe, it is in theory possible to extrapolate the whole of creation — every sun, every planet, their orbits, their composition and their economic and social history from, say, one small piece of fairy cake.
The man who invented the Total Perspective Vortex did so basically in order to annoy his wife.
Trin Tragula — for that was his name — was a dreamer, a thinker, a speculative philosopher or, as his wife would have it, an idiot.
And she would nag him incessantly about the utterly inordinate amount of time he spent staring out into space, or mulling over the mechanics of safety pins, or doing spectrographic analyses of pieces of fairy cake.
“Have some sense of proportion!” she would say, sometimes as often as thirty-eight times in a single day.
And so he built the Total Perspective Vortex — just to show her.
And into one end he plugged the whole of reality as extrapolated from a piece of fairy cake, and into the other end he plugged his wife: so that when he turned it on she saw in one instant the whole infinity of creation and herself in relation to it.
To Trin Tragula’s horror, the shock completely annihilated her brain; but to his satisfaction he realized that he had proved conclusively that if life is going to exist in a Universe of this size, then the one thing it cannot afford to have is a sense of proportion.
”
”
Douglas Adams (Hitchhiker's Guide to the Galaxy omnibus 2: Tot ziens en bedankt voor de vis / Grotendeels ongevaarlijk / En dan nog iets… (Hitchhiker's Guide to the Galaxy, #4-6))
“
Rapture
I can feel she has got out of bed.
That means it is seven a.m.
I have been lying with eyes shut,
thinking, or possibly dreaming,
of how she might look if, at breakfast,
I spoke about the hidden place in her
which, to me, is like a soprano’s tremolo,
and right then, over toast and bramble jelly,
if such things are possible, she came.
I imagine she would show it while trying to conceal it.
I imagine her hair would fall about her face
and she would become apparently downcast,
as she does at a concert when she is moved.
The hypnopompic play passes, and I open my eyes
and there she is, next to the bed,
bending to a low drawer, picking over
various small smooth black, white,
and pink items of underwear. She bends
so low her back runs parallel to the earth,
but there is no sway in it, there is little burden, the day has hardly begun.
The two mounds of muscles for walking, leaping, lovemaking,
lift toward the east—what can I say?
Simile is useless; there is nothing like them on earth.
Her breasts fall full; the nipples
are deep pink in the glare shining up through the iron bars
of the gate under the earth where those who could not love
press, wanting to be born again.
I reach out and take her wrist
and she falls back into bed and at once starts unbuttoning my pajamas.
Later, when I open my eyes, there she is again,
rummaging in the same low drawer.
The clock shows eight. Hmmm.
With huge, silent effort of great,
mounded muscles the earth has been turning.
She takes a piece of silken cloth
from the drawer and stands up. Under the falls
of hair her face has become quiet and downcast,
as if she will be, all day among strangers,
looking down inside herself at our rapture.
”
”
Galway Kinnell (A New Selected Poems)
“
‘And what about a [band] name?’ said Tony [Iommi]. The three of us looked at each other.
‘We should all take a couple of days to think about it,’ I said. ‘I dunno about you two, but I’ve got a special place where I go to get ideas for important stuff like this. It’s never failed me yet.’
Forty-eight hours later I blurted out: ‘I’ve got it!’
‘Must have been that dodgy bird you poked the other night,’ said Geezer. ‘Has your whelk turned green yet?’
Tony and Bill snickered into their plates of egg and chips. We were sitting in a greasy spoon caff in Aston. So far, everyone was getting along famously.
‘Very funny, Geezer,’ I said, waving an eggy fork at him. ‘I mean the name for our band.’
The snickering died down.
‘Go on then,’ said Tony [Iommi].
‘Well, I was on the shitter last night, and...'
‘That’s your special place?’ spluttered Bill, blobs of mushed-up egg and HP sauce flying out of his mouth.
‘Where the f**k did you think it was, Bill?’ I said. ‘The hanging gardens of f**king Babylon?
”
”
Ozzy Osbourne (I Am Ozzy)
“
My mother, of course, had a different opinion.
'They're driving me crazy!' she said, swatting at them with her beige Coach handbag.
'How can you tell?' my dad asked. 'Between your menopause craziness and your turning fifty craziness and everything else?'
'Forty-eight!' my mom cried.
Dad groaned. 'Have you forgotten who you're lying to?
”
”
Megan McCafferty (Charmed Thirds (Jessica Darling, #3))
“
Then she added thoughtfully, “And that old woman that turned me off so short got down so bad in the end that she was walking on two sticks.” And I knew she was thinking, though she never said it: Here I am today, my eight children healthy and grown and three of them in college and me with hardly a sick day for years. Ain’t Jesus wonderful?
”
”
Alice Walker (In Search of Our Mothers' Gardens: Prose)
“
I remember her, not a girl but the girl. The brains behind the all time top ten comic book vixens only wish they could conjure a a siren the likes of Susan Glenn, beneath my feet my own private earthquake registered an eight when Susan Glenn was near. In her presence all was beautiful before she arrived turned grotesque and in her shadows others became goblinesque, if she approached Susan Glenn she didn’t walk she floated, accompanied by Pyrotechnics spectacals that left me feeling a foot tall. She embodied every desireable quality I have ever wanted. In my mind I was a peasant before a Queen. And so Susan Glenn and I were never a thing, if I could do it again, I’d do it differently.
”
”
Keifer Sutherland
“
David turned on the TV and sat on the couch. He could grade the Calc I homework but that always depressed him. It would almost put him in mourning, sitting Shiva, but it had to be done.
He would get up early in the morning and do it. He chuckled.
The TV had a stupid dog commercial. Cocker Spaniel mix. Same kind of mutt Miriam brought into their marriage. She was a dog person. Named it Lucky.
Lucky died of poisoning while David was at home one afternoon. Somehow the dog had gotten into Clorox. Not so lucky.
That had been their only fight. David did not want to get another dog. Claimed it would remind him of Lucky.
When David was little, about eight or nine years old, he had learned Clorox would kill a dog. Their neighbor had a German shepherd. Sol would throw rocks at it when they walked to school.
One day the dog got out and bit Sol, and if the neighbors had not stopped it, the dog may have mauled Sol to death. The dog’s name was Roxx, short for Roxanne. It was found dead a couple of days later. Poisoned.
David was not a dog person.
”
”
Michael Grigsby (Segment of One)
“
Later, at the sink in our van, Mama rinsed the blue stain and the odd spiders, caterpillars, and stems from the bucket.
"Not what we usually start with, but we can go again tomorrow. And this will set up nicely in about six, eight jars."
The berries were beginning to simmer in the big pot on the back burner. Mama pushed her dark wooden spoon into the foaming berries and cicrcled the wall of the pot slowly.
I leaned my hot arms on the table and said, "Iphy better not go tomorrow. She got tired today." I was smelling the berries and Mamaa's sweat, and watching the flex of the blue veins behind her knees.
"Does them good. The twins always loved picking berries, even more than eating them. Though Elly likes her jam."
"Elly doesn't like anything anymore."
The knees stiffened and I looked up. The spoon was motionless. Mama stared at the pot.
"Mama, Elly isn't there anymore. Iphy's changed. Everything's changed. This whole berry business, cooking big meals that nobody comes for, birthday cakes for Arty. It's dumb, Mama. Stop pretending. There isn't any family anymore, Mama."
Then she cracked me with the big spoon. It smacked wet and hard across my ear, and the purple-black juice spayed across the table. She started at me, terrified, her mouth and eyes gaping with fear. I stared gaping at her. I broke and ran.
I went to the generator truck and climbed up to sit by Grandpa. That's the only time Mama ever hit me and I knew I deserved it. I also knew that Mama was too far gone to understand why I deserved it. She'd swung that spoon in a tigerish reflex at blasphemy. But I believed that Arty had turned his back on us, that the twins were broken, that the Chick was lost, that Papa was weak and scared, that Mama was spinning fog, and that I was an adolescent crone sitting in the ruins, watching the beams crumble, and warming myself in the smoke from the funeral pyre. That was how I felt, and I wanted company. I hated Mama for refusing to see enough to be miserable with me. Maybe, too, enough of my child heart was still with me to think that if she would only open her eyes she could fix it all back up like a busted toy.
”
”
Katherine Dunn (Geek Love)
“
I wore only black socks, because I had heard that white ones were the classic sign of the American tourist. Black ones though,- those'll fool 'em. I supposed I hoped the European locals' conversation would go something like this:
PIERRE: Ha! Look at that tourist with his camera and guidebook!
JACQUES: Wait, but observe his socks! They are...black!
PIERRE: Zut alors! You are correct! He is one of us! What a fool I am! Let us go speak to him in English and invite him to lunch!
”
”
Doug Mack (Europe on 5 Wrong Turns a Day: One Man, Eight Countries, One Vintage Travel Guide)
“
All hands obeyed, and at once the eight or ten seamen who composed the crew, sprang to their respective stations at the spanker brails and outhaul, topsail sheets and halyards, the jib downhaul, and the topsail clewlines and buntlines. The young sailor gave a look to see that his orders were promptly and accurately obeyed, and then turned again to the owner.
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
… In 1885, when he turned twenty-five, he let out the word that he was ready to settle down with the right girl. The matrons heaved a collective sigh of relief. How wonderful. The boy actually understood his duties to God and country.
He had no intention of marrying, of course, until he was at least forty-five – a society that so worshiped the infernal institution of marriage deserved to be misled. Let them try to matchmake. He did say the right girl, didn’t he? The right girl wouldn’t come along for twenty years, and she’d be a naive, plump-chested chit of seventeen who worshiped the ground on which he trod.
Little could he guess that at twenty-eight he would marry, out of the blue, a lady who was quite some years removed from seventeen, neither naive nor plump-chested, and who examined the ground on which he trod with a most suspicious eye, seeing villany in everything he said and did.
Her name was Louisa Cantwell, and she would be his undoing.
”
”
Sherry Thomas (The Luckiest Lady in London)
“
On Translating Eugene Onegin
1
What is translation? On a platter
A poet's pale and glaring head,
A parrot's screech, a monkey's chatter,
And profanation of the dead.
The parasites you were so hard on
Are pardoned if I have your pardon,
O, Pushkin, for my stratagem:
I traveled down your secret stem,
And reached the root, and fed upon it;
Then, in a language newly learned,
I grew another stalk and turned
Your stanza patterned on a sonnet,
Into my honest roadside prose--
All thorn, but cousin to your rose.
2
Reflected words can only shiver
Like elongated lights that twist
In the black mirror of a river
Between the city and the mist.
Elusive Pushkin! Persevering,
I still pick up Tatiana's earring,
Still travel with your sullen rake.
I find another man's mistake,
I analyze alliterations
That grace your feasts and haunt the great
Fourth stanza of your Canto Eight.
This is my task--a poet's patience
And scholastic passion blent:
Dove-droppings on your monument.
”
”
Vladimir Nabokov
“
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day.
I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him.
Options skim through my head like a flip book.
Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus.
Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious.
Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all.
For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands.
Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now.
I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic.
"Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest.
I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me.
"Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand.
"I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?"
He blinks, gives a slight nod.
Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
James and the other eight children of 'Superior Dosset,' of whom there are still five alive, may be said to have represented Victorian England, with its principles of trade and individualism at five per cent, and your money back - if you know what that means. At all events they've turned thirty thousand pounds into a cool million between them in the course of their long lives. (...) Their day is passing, and their type, not altogether for the advantage of the country. They were pedestrian, but they too were sound.
”
”
John Galsworthy (The Forsyte Saga (The Forsyte Chronicles, #1-3))
“
In most black people, there is a South Side, a sense of home, that never leaves, and yet to compete in the world, we have to go forth. So we learn to code-switch and become bilingual. We save our Timberlands for the weekend, and our jokes for the cats in the mail room. Some of us give ourselves up completely and become the mask, while others overcompensate and turn every dustup into the Montgomery bus boycott.
But increasingly, as we move into the mainstream, black folks are taking a third road -- becoming ourselves.
”
”
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
“
I lowered my phone, hope and anger warring for control of my emotions. As always, it was easier to let anger win. I turned back to Sylvester. "You threw him out?" I asked, in a low dangerous tone. "I was asleep for almost eleven hours, and you threw him out?"
"October, I told you we had asked him -"
"No. 'We asked him to leave so you can rest' only works if I was asleep for four hours, or six, or maybe eight, although me sleeping for eight hours when I'm not injured or drugged is such a perishingly rare event that he should have been sitting next to the bed with a bowl of popcorn. Do you understand me? I was poisoned. This stuff is poison to changelings, and the man I love wanted to be with me, and you sent him away. You kept him away from me for eleven hours, and you didn't tell him what was going on. I know you meant well. But can either of you tell me how in the hell you could believe that was right?
”
”
Seanan McGuire (Chimes at Midnight (October Daye, #7))
“
Siddhartha gave his garments to a poor Brahman in the street. He wore
nothing more than the loincloth and the earth-coloured, unsown cloak.
He ate only once a day, and never something cooked. He fasted for
fifteen days. He fasted for twenty-eight days. The flesh waned from
his thighs and cheeks. Feverish dreams flickered from his enlarged
eyes, long nails grew slowly on his parched fingers and a dry, shaggy
beard grew on his chin. His glance turned to icy when he encountered
women; his mouth twitched with contempt, when he walked through a city
of nicely dressed people. He saw merchants trading, princes hunting,
mourners wailing for their dead, whores offering themselves, physicians
trying to help the sick, priests determining the most suitable day for
seeding, lovers loving, mothers nursing their children--and all of this
was not worthy of one look from his eye, it all lied, it all stank,
it all stank of lies, it all pretended to be meaningful and joyful and
beautiful, and it all was just concealed putrefaction. The world tasted
bitter. Life was torture.
A goal stood before Siddhartha, a single goal: to become empty, empty of
thirst, empty of wishing, empty of dreams, empty of joy and sorrow.
Dead to himself, not to be a self any more, to find tranquility with an
emptied heard, to be open to miracles in unselfish thoughts, that was
his goal. Once all of my self was overcome and had died, once every
desire and every urge was silent in the heart, then the ultimate part
of me had to awake, the innermost of my being, which is no longer my
self, the great secret.
”
”
Hermann Hesse (Siddhartha)
“
They do the twenty-one-gun salute for the good guys, right? So I brought this.” Beckett pointed the gun in the sky. “For Mouse.”
One, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen shots exploded from Beckett’s gun.
“Who am I fucking kidding? What the hell does a gun shot by me mean? Nothing special, that’s for damn sure. Fuck it.”
“For Mouse, who watched over my sister and saved Blake and me from more than we could’ve handled in the woods that night.” Livia nodded at Beckett, and he squeezed the trigger. When the sound had cleared, she counted out loud. “Seventeen.”
Kyle stepped forward and replaced Livia at Beckett’s arm. “For Mouse. I didn’t know you well, but I wish I had.” The air snapped with the shot. “Eighteen.”
Cole rubbed Kyle’s shoulder as he approached. He took the gun from Beckett’s hand. “For Mouse, who protected Beckett from himself for years.” The gun popped again. “Nineteen.”
Blake thought for a moment with the gun pointed at the ground, then aimed it at the sky. “For Mouse, who saved Livia’s life when I couldn’t. Thank you is not enough.” The gun took his gratitude to the heavens. “Twenty.”
Eve took the gun from Blake, the hand that had been shaking steadied. “Mouse, I wish you were still here. This place was better when you were part of it.” The last shot was the most jarring, juxtaposed with the perfect silence of its wake.
As if the bullet was a key in a lock, the gray skies opened and a quiet, lovely snow shower filtered down. The flakes decorated the hair of the six mourners like glistening knit caps.
Eve turned her face to be bathed in the fresh flakes. “Twenty-one,” she said softly, replacing her earpiece.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
It would be incorrect in every sense to say that so near the end of his life he had lost his faith, when in fact
God seemed more abundant to him in the Regina Cleri home than any place he had been before. God was in the folds of his bathrobe, the ache of his knees. God saturated the hallways in the form of a pale electrical light. But now that his heart had become so shiftless and unreliable, now that he should be sensing the afterlife like a sweet scent drifting in from the garden, he had started to wonder if there was in fact no afterlife at all. Look at all these true believers who wanted only to live, look at himself, cling onto this life like a squirrel scrambling up the icy pitch of a roof. In suggesting that there may be nothing ahead of them, he in no way meant to diminish the future; instead, Father Sullivan hoped to elevate the present to a state of the divine. It seemed from this moment of repose that God may well have been life itself. God may have been the baseball games, the beautiful cigarette he smoked alone after checking to see that all the bats had been put back behind the closet door. God could have been the masses in which he had told people how best to prepare for the glorious life everlasting, the one they couldn't see as opposed to the one they were living at that exact moment in the pews of the church hall, washed over in stained glass light. How wrongheaded it seemed now to think that the thrill of heartbeat and breath were just a stepping stone to something greater. What could be greater than the armchair, the window, the snow? Life itself had been holy. We had been brought forth from nothing to see the face of God and in his life Father Sullivan had seen it miraculously for eighty-eight years. Why wouldn't it stand to reason that this had been the whole of existence and now he would retreat back to the nothingness he had come from in order to let someone else have their turn at the view. This was not the workings of disbelief. It was instead a final, joyful realization of all he had been given. It would be possible to overlook just about anything if you were trained to constantly strain forward to see the power and the glory that was waiting up ahead. What a shame it would have been to miss God while waiting for him.
”
”
Ann Patchett (Run)
“
He crosses the front room, which he calls his study, and comes down the staircase. The stairs turn a corner; they are narrow and steep. You can touch both handrails with your elbows, and you have to bend your head, even if, like George, you are only five eight. This is a tightly planned little house. He often feels protected by its smallness; there is hardly room enough here to feel lonely. Nevertheless.
”
”
Christopher Isherwood (A Single Man)
“
I show her my palms, surrendering before the fight has even begun. "You don't really want this and neither do I. Especially because I wouldn't want to mess up that pretty face of yours, darling."
She all but rolls her eyes at me. "That's funny because I won't hesitate to mess up your pretty face."
I smirk. "I knew you thought I was pretty."
At that, she throws another punch at my face that I easily evade. We continue circling each other, slowly. Damp hair clings to my forehead and I comb my fingers through it, pushing it off my sticky skin.
"You do know that I have eight powers at my disposal right now and any one of them could drop you." I grin as I say it, watching her eyes narrow.
"I don't want to fight your power-I want to fight you. Just you." Her piercing gaze never leaves mine as she says it, even as the other Elites turn their attention toward us, finding this fight far more interesting than their training.
"So, you just want me? No powers?"
"Yes, I just want you," she breathes, annoyed with me.
My mouth twists into a crooked grin. "I knew you wanted me, Gray.
”
”
Lauren Roberts, Powerless
“
…but to the unicorn’s eyes Molly was becoming a softer country, full of pools and caves, where old flowers came burning out of the ground. Under the dirt and indifference, she appeared only thirty-seven or thirty-eight years old - no older than Schmendrick, surely, despite the magician’s birthdayless face. Her rough hair bloomed, her skin quickened, and her voice was nearly as gentle to all things as it was when she spoke to the unicorn. The eyes would never be joyous, any more than they could ever turn green or blue, but they too had wakened in the earth. She walked eagerly into King Haggard’s realm on bare, blistered feet, and she sang often.
And far away on the other side of the unicorn, Schmendrick the Magician stalked in silence. His black cloak was sprouting holes, coming undone, and so was he. The rain that renewed Molly did not fall on him, and he seemed ever more parched and deserted, like the land itself. The unicorn could not heal him. A touch of her horn could have brought him back from death, but over despair she had no power, nor over magic that had come and gone.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
I found myself with dozens more hours in the week, heaps more energy, £23,000 more money over four years, deepened friendships, revived family relationships, better skin, a tighter body, tanned legs for the first time ever, the ability to sleep for eight uninterrupted hours, a bone-deep sense of well-being, a totally turned-around positive outlook and an infinitely more successful career. What’s not to like?!
”
”
Catherine Gray (The Unexpected Joy of Being Sober)
“
Count Alexander Ilyich Rostov stirred at half past eight to the sound of rain on the eaves. With a half-opened eye, he pulled back his covers and climbed from bed. He donned his robe and slipped on his slippers. He took up the tin from the bureau, spooned a spoonful of beans into the Apparatus, and began to crank the crank. Even as he turned the little handle round and round, the room remained under the tenuous authority of sleep. As yet unchallenged, somnolence continued to cast its shadow over sights and sensations, over forms and formulations, over what has been said and what must be done, lending each the insubstantiality of its domain. But when the Count opened the small wooden drawer of the grinder, the world and all it contained were transformed by that envy of the alchemists—the aroma of freshly ground coffee. In that instant, darkness was separated from light, the waters from the lands, and the heavens from the earth. The trees bore fruit and the woods rustled with the movement of birds and beasts and all manner of creeping things. While closer at hand, a patient pigeon scuffed its feet on the flashing. Easing
”
”
Amor Towles (A Gentleman in Moscow)
“
In any age, there is no shortage of people willing to embark on a hazardous adventure. Columbus and Magellan filled eight ships between them for voyages into the void. One hundred and fifty years ago, the possibilities offered by missionary service were limitless and first-rate. Later, Scott and Shackleton turned away droves after filling their crews for their desperate Antarctic voyages. In 1959 ... sailor H.W. Tilman, looking for a crew for a voyage in an old wooden yacht to the Southern Ocean, ran this ad in the London Times: "Hand [man] wanted for long voyage in small boat. No pay, no prospects, not much pleasure." Tilman received more replies than he could investigate, one from as far away as Saigon.
”
”
Peter Nichols (Evolution's Captain: The Dark Fate of the Man Who Sailed Charles Darwin Around the World)
“
It was nearly eight before he returned to the office. This was the hour when he found London most lovable; the working day over, her pub windows were warm and jewel-like, her streets thrummed with life, and the indefatigable permanence of her aged buildings, softened by the street lights, became strangely reassuring. We have seen plenty like you, they seemed to murmur soothingly, as he limped along Oxford Street carrying a boxed-up camp bed. Seven and a half million hearts were beating in close proximity in this heaving old city, and many, after all, would be aching far worse than his. Walking wearily past closing shops, while the heavens turned indigo above him, Strike found solace in vastness and anonymity.
”
”
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
“
Trina had filed a civil suit against the officer who raped her, and the jury awarded her a judgment of $62,000. The guard appealed, and the Court reversed the verdict because the correctional officer had not been permitted to tell the jury that Trina was in prison for murder. Consequently, Trina never received any financial aid or services from the state to compensate her for being violently raped by one of its “correctional” officers. In 2014, Trina turned fifty-two. She has been in prison for thirty-eight years. She is one of nearly five hundred people in Pennsylvania who have been condemned to mandatory life imprisonment without parole for crimes they were accused of committing when they were between the ages of thirteen and seventeen. It is the largest population of child offenders condemned to die in prison in any single jurisdiction in the world.
”
”
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
“
If women, as a gender, must suffer the constant evaluations and denigrations of men, black women must suffer that, plus a broad dismissal from the realm of what American society deems to be beautiful. But Michelle Obama is beautiful in the way that black people know themselves to be. Her prominence as first lady directly attacks a poison that diminishes black girls from the moment they are capable of opening a magazine or turning on a television.
”
”
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
“
Leaving Things Alone (excerpt)
You train your eye and your vision lusts after colour. You train your ear, and you long for delightful sound. You delight in doing good, and your natural kindness is blown out of shape. You delight in righteousness, and you become righteous beyond all reason. You overdo liturgy, and you turn into a ham actor. Overdo your love of music, and you play corn. Love of wisdom leads to wise contriving. Love of knowledge leads to faultfinding.
If men would stay as they really are, taking or leaving these eight delights would make no difference. But if they will not rest in their right state, the eight delights develop like malignant tumors. The world falls into confusion. Since man honour these delights, and lust after them, the world has gone stone-blind.
When the delight is over, they still will not let go of it: they surround its memory with ritual worship, they fall on their knees to talk about it, play music and sing, fast and discipline themselves in honour of the eight delights. When the delights become a religion, how can you control them?
”
”
Thomas Merton (The Way of Chuang Tzu (Shambhala Library))
“
Being an avid mystery reader as an adolescent does not prepare you for real life. I truly imagined that my adult existence would be far more booklike than it turned out to be. I thought, for example, that there would be several moments in which I got into a cab to follow someone. I thought I'd attend far more readings of someone's will, and that I'd need to know how to pick a lock, and that any time I went on vacation (especially to old creaky inns or rented lake houses) something mysterious would happen. I thought train rides would inevitably involve a murder, that sinister occurrences would plague wedding weekends, and that old friends would constantly be getting in touch to ask for help, to tell me that their lives were in danger. I even thought quicksand would be an issue.
”
”
Peter Swanson (Eight Perfect Murders)
“
Handsome, strong, gay ... She felt again the thro and lilt of her blood. She had loved Kameni in that moment. She loved him now. Kameni could take the place that Khay had held in her life.
She thought: 'We shall be happy together - yes, we shall be happy. We shall live together and take pleasure in each other and we shall have strong, handsome children. There will be busy days full of work ... and days of pleasure when we sail on the River...Life will be again as I knew it with Khay...What could I ask more than that? What do I want more than that?'
And slowly, very slowly indeed, she turned her face towards Hori. It was as though, silently, she asked him a question.
As though he understood her, he answered:
'When you were a child, I loved you. I loved your grave face and the confidence with which you came to me, asking me to mend your broken toys. And then, after eight years' absence, you came again and sat here, and brought me the thoughts that were in your mind. And your mind, Renisenb, is not like the minds of the rest of your family. It does not turn in upon itself, seeking to encase itself in narrow walls. Your mind is like my mind, it looks over the River, seeing a world of changes, of new ideas - seeing a world where all things are possible to those with courage and vision...'
She broke off, unable to find words to frame her struggling thoughts. What life would be with Hori, she did not know. In spite of his gentleness, in spite of his love for her, he would remain in some respects incalculable and incomprehensible. They would share moments of great beauty and richness together - but what of their common daily life?
(...)
I have made my choice, Hori. I will share my life with you for good or evil, until death comes...
With his arms round her, with the sudden new sweetness of his face against hers, she was filled with an exultant richness of living.
”
”
Agatha Christie (Death Comes as the End)
“
Comparative suffering is a function of fear and scarcity. Falling down, screwing up, and facing hurt often lead to bouts of second-guessing our judgment, our self-trust, and even our worthiness. I am enough can slowly turn into Am I really enough? If there’s one thing I’ve learned over the past decade, it’s that fear and scarcity immediately trigger comparison, and even pain and hurt are not immune to being assessed and ranked. My husband died and that grief is worse than your grief over an empty nest. I’m not allowed to feel disappointed about being passed over for promotion when my friend just found out that his wife has cancer. You’re feeling shame for forgetting your son’s school play? Please—that’s a first-world problem; there are people dying of starvation every minute. The opposite of scarcity is not abundance; the opposite of scarcity is simply enough. Empathy is not finite, and compassion is not a pizza with eight slices. When you practice empathy and compassion with someone, there is not less of these qualities to go around. There’s more. Love is the last thing we need to ration in this world. The refugee in Syria doesn’t benefit more if you conserve your kindness only for her and withhold it from your neighbor who’s going through a divorce. Yes, perspective is critical. But I’m a firm believer that complaining is okay as long as we piss and moan with a little perspective. Hurt is hurt, and every time we honor our own struggle and the struggles of others by responding with empathy and compassion, the healing that results affects all of us.
”
”
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
“
The children in my dreams
speak in Gujarati
turn their trusting faces to the sun
say to me
care for us nurture us
in my dreams I shudder and I run.
I am six
in a playground of white children
Darkie, sing us an Indian song!
Eight
in a roomful of elders
all mock my broken Gujarati
English girl!
Twelve, I tunnel into books
forge an armor of English words.
Eighteen, shaved head
combat boots -
shamed by masis
in white saris
neon judgments
singe my western head.
Mother tongue.
Matrubhasha
tongue of the mother
I murder in myself.
Through the years I watch Gujarati
swell the swaggering egos of men
mirror them over and over
at twice their natural size.
Through the years
I watch Gujarati dissolve
bones and teeth of women, break them
on anvils of duty and service, burn them
to skeletal ash.
Words that don't exist in Gujarati :
Self-expression.
Individual.
Lesbian.
English rises in my throat
rapier flashed at yuppie boys
who claim their people “civilized” mine.
Thunderbolt hurled
at cab drivers yelling
Dirty black bastard!
Force-field against teenage hoods
hissing
F****ing Paki bitch!
Their tongue - or mine?
Have I become the enemy?
Listen:
my father speaks Urdu
language of dancing peacocks
rosewater fountains
even its curses are beautiful.
He speaks Hindi
suave and melodic
earthy Punjabi
salty rich as saag paneer
coastal Kiswahili
laced with Arabic,
he speaks Gujarati
solid ancestral pride.
Five languages
five different worlds
yet English
shrinks
him
down
before white men
who think their flat cold spiky words
make the only reality.
Words that don't exist in English:
Najjar
Garba
Arati.
If we cannot name it
does it exist?
When we lose language
does culture die? What happens
to a tongue of milk-heavy
cows, earthen pots
jingling anklets, temple bells,
when its children
grow up in Silicon Valley
to become
programmers?
Then there's American:
Kin'uh get some service?
Dontcha have ice?
Not:
May I have please?
Ben, mane madhath karso?
Tafadhali nipe rafiki
Donnez-moi, s'il vous plait
Puedo tener…..
Hello, I said can I get some service?!
Like, where's the line for Ay-mericans
in this goddamn airport?
Words that atomized two hundred thousand Iraqis:
Didja see how we kicked some major ass in the Gulf?
Lit up Bagdad like the fourth a' July!
Whupped those sand-niggers into a parking lot!
The children in my dreams speak in Gujarati
bright as butter
succulent cherries
sounds I can paint on the air with my breath
dance through like a Sufi mystic
words I can weep and howl and devour
words I can kiss and taste and dream
this tongue
I take back.
”
”
Shailja Patel (Migritude)
“
Vance took the news of their "big-city fellows" status better than Philip. Probably because it turned out that he was actually gay.
"You're what?"
"Well, I'm not entirely sure," said Vance, "but I'd say it's seventy-thirty for it."
"But I've seen you with women."
"That would be the thirty part of the equation," said Vance as he sipped his coffee.
"Oh my God. That's why you agreed to do this with me. You think I'm gay, too!"
Vance chuckled. "Dude you're not gay."
"I know I'm not, but do you know I'm not?"
"I'd say ninety-two-eight on the straight side," said Vance.
"How the hell-"
"They've made some terrific advances in gaydar, dude.
”
”
A. Lee Martinez (Death's Excellent Vacation)
“
Thomas stood in the manacles, vibrating , overwhelmed with words he couldn't say. Didn't know if he knew how to say them, because they contained all the heartbreak of the world mixed with it's ephemeral joy. Waking to the aroma of breakfast when he was eight. Feeling the heat of the setting sun on his skin while falling asleep on Kate's back at ten. Turning and seeing Marcus for the very first time. Moments too powerful to be contained by the human heart and therefore having a peculiar way of making the soul hurt, as if there was something to mourn in the midst of the happiness. As if happiness itself couldn't exist without shadows to define it...
”
”
Joey W. Hill (Rough Canvas (Nature of Desire, #6))
“
They each look at Ava, then at me, in turn, scanning down from our heads to our feet, their eyes taking us in like little mouths sipping strange drinks. As they do, their noses twitch, their eight eyes do not blink, but stare and stare. Then they look back at the Duchess and lean in to each other, their lip-glossed mouths forming whispery words. Ava squeezes my arm, hard. The Duchess turns and arches an eyebrow at us. She raises a hand up. Is there an invisible gun in it? No. It’s an empty, open hand. With which she then waves. At me. With something like a smile on her face. Hi, her mouth says. My hand shoots up of its own accord before I can even stop myself. I’m waving and waving and waving. Hi, I’m saying with my mouth, even though no sound comes out. Then the rest of the Bunnies hold up a hand and wave too.
”
”
Mona Awad (Bunny (Bunny, #1))
“
That's the real distinction between people: not between those who have secrets and those who don't, but between those who want to know everything and those who don't. This search is a sign of love, I maintain.
It's similar with books. Not quite the same, of course (it never is); but similar. If you quite enjoy a writer's work, if you turn the page approvingly yet
don't mind being interrupted, then you tend to like that author unthinkingly. Good chap, you assume. Sound fellow. They say he strangled an entire pack of Wolf Cubs and fed their bodies to a school of carp? Oh no, I'm sure he didn't; sound fellow, good chap. But if you love a writer, if you depend upon the drip-feed of his intelligence, if you want to pursue him and find him -- despite edicts to the contrary -- then it's impossible to know too much. You seek the vice as well. A pack of Wolf Cubs, eh? Was that twenty-seven or twenty-eight? And did he have their little scarves sewn up into a patchwork quilt? And is it true that as he ascended the scaffold he quoted from the Book of Jonah? And that he bequeathed his carp pond to the local Boy Scouts?
But here's the difference. With a lover, a wife, when you find the worst -- be it infidelity or lack of love, madness or the suicidal spark -- you are almost relieved. Life is as I thought it was; shall we now celebrate this disappointment? With a writer you love, the instinct is to defend. This is what I meant earlier: perhaps love for a writer is the purest, the steadiest form of love. And so your defense comes the more easily. The fact of the matter is, carp are an endangered species, and everyone knows that the only diet they will accept if the winter has been especially harsh and the spring turns wet before St Oursin's Day is that of young minced Wolf Cub. Of course he knew he would hang for the offense, but he also knew that humanity is not an endangered species, and reckoned therefore that twenty-seven (did you say twenty-eight?) Wolf Cubs plus one middle-ranking author (he was always ridiculously modest about his talents) were a trivial price to pay for the survival of an entire breed of fish. Take the long view: did we need so many Wolf Cubs? They would only have grown up and become Boy Scouts. And if you're still so mired in sentimentality, look at it this way: the admission fees so far received from visitors to the carp pond have already enabled the Boy Scouts to build and maintain several church halls in the area.
”
”
Julian Barnes (Flaubert's Parrot)
“
A child is born with no state of mind Blind to the ways of mankind God is smilin' on you but he's frownin' too Because only God knows what you'll go through You'll grow in the ghetto livin' second-rate And your eyes will sing a song called deep hate The places you play and where you stay Looks like one great big alleyway You'll admire all the number-book takers Thugs, pimps and pushers and the big money-makers Drivin' big cars, spendin' twenties and tens And you'll wanna grow up to be just like them, huh Smugglers, scramblers, burglars, gamblers Pickpocket peddlers, even panhandlers You say I'm cool, huh, I'm no fool But then you wind up droppin' outta high school Now you're unemployed, all non-void Walkin' round like you're Pretty Boy Floyd Turned stick-up kid, but look what you done did Got sent up for a eight-year bid Now your manhood is took and you're a Maytag Spend the next two years as a undercover fag Bein' used and abused to serve like hell 'til one day, you was found hung dead in the cell It was plain to see that your life was lost You was cold and your body swung back and forth But now your eyes sing the sad, sad song Of how you lived so fast and died so young
”
”
Grandmaster Flash
“
Without the Dreamscape, we can’t sleep.
My parents remind me all the time about stories their parents told them, of how things were in the Manic Age. The time before our bodies were upgraded to sync with the amazing invention called the Dreamscape. Thirty-eight years ago, people actually had to fall asleep on their own and, sometimes, they would toss and turn for hours. My grandparents said when sleep, in its mercy, did come, it often brought with it horrible images I’ve heard people used to call nightmares.
”
”
Shannon Duffy (Awakening)
“
Walt Whitman’s “Song of Myself” from Leaves of Grass. I think I could turn and live with animals, they are so placid and self-contain’d, I stand and look at them long and long. They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God, Not one is dissatisfied, not one is demented with the mania of owning things, Not one kneels to another, nor to his kind that lived thousands of years ago, Not one is respectable or unhappy over the whole earth. So they show their relations to me and I accept them, They bring me tokens of myself, they evince them plainly in their possession.
”
”
Tom Ryan (Following Atticus: Forty-Eight High Peaks, One Little Dog, and an Extraordinary Friendship)
“
How oddly situated a man is apt to find himself at age thirty-eight! His youth belongs to the distant past. Yet the period of memory beginning with the end of youth and extending to the present has left him not a single vivid impression. And therefore he persists in feeling that nothing more than a fragile barrier separates him from his youth. He is forever hearing with the utmost clarity the sounds of this neighboring domain, but there is no way to penetrate the barrier.
Honda felt that his youth had ended with the death of Kiyoaki Matsugae. At that moment something real within him, something that had burned with a vibrant brilliance, suddenly ceased to be.
Now, late at night, when Honda grew weary of his legal drafts, he would pick up the dream journal that Kiyoaki had left him and turn over its pages.
(...)
Since then eighteen years had passed. The border between dream and memory had grown indistinct in Honda’s mind. Because the words contained in this journal, his only souvenir of his friend, had been traced there by Kiyoaki’s own hand, it had profound significance for Honda. These dreams, left like a handful of gold dust in a winnowing pan, were charged with wonder.
As time went by, the dreams and the reality took on equal worth among Honda’s diverse memories. What had actually occurred was in the process of merging with what could have occurred. As reality rapidly gave way to dreams, the past seemed very much like the future.
When he was young, there had been only one reality, and the future had seemed to stretch before him, swelling with immense possibilities. But as he grew older, reality seemed to take many forms, and it was the past that seemed refracted into innumerable possibilities. Since each of these was linked with its own reality, the line distinguishing dream and reality became all the more obscure. His memories were in constant flux, and had taken on the aspect of a dream.
”
”
Yukio Mishima (Runaway Horses (The Sea of Fertility, #2))
“
Thank you," he said. "Welcome. Welcome especially to Mr. Coyle Mathis and the other men and women of Forster Hollow who are going to be employed at this rather strikingly energy-inefficient plant. It's a long way from Forster Hollow, isn't it?"
"So, yes, welcome," he said. "Welcome to the middle class! That's what I want to say. Although, quickly, before I go any further, I also want to say to Mr. Mathis here in the front row: I know you don't like me. And I don't like you. But, you know, back when you were refusing to have anything to do with us, I respected that. I didn't like it, but I had respect for your position. For your independence. You see, because I actually came from a place a little bit like Forster Hollow myself, before I joined the middle class. And, now you're middle-class, too, and I want to welcome you all, because it's a wonderful thing, our American middle class. It's the mainstay of economies all around the globe!"
"And now that you've got these jobs at this body-armor plant," he continued, "You're going to be able to participate in those economies. You, too, can help denude every last scrap of native habitat in Asia, Africa, and South America! You, too, can buy six-foot-wide plasma TV screens that consume unbelievable amounts of energy, even when they're not turned on! But that's OK, because that's why we threw you out of your homes in the first places, so we could strip-mine your ancestral hills and feed the coal-fired generators that are the number-one cause of global warming and other excellent things like acid rain. It's a perfect world, isn't it? It's a perfect system, because as long as you've got your six-foot-wide plasma TV, and the electricity to run it, you don't have to think about any of the ugly consequences. You can watch Survivor: Indonesia till there's no more Indonesia!"
"Just quickly, here," he continued, "because I want to keep my remarks brief. Just a few more remarks about this perfect world. I want to mention those big new eight-miles-per-gallon vehicles you're going to be able to buy and drive as much as you want, now that you've joined me as a member of the middle class. The reason this country needs so much body armor is that certain people in certain parts of the world don't want us stealing all their oil to run your vehicles. And so the more you drive your vehicles, the more secure your jobs at this body-armor plant are going to be! Isn't that perfect?"
"Just a couple more things!" Walter cried, wresting the mike from its holder and dancing away with it. "I want to welcome you all to working for one of the most corrupt and savage corporations in the world! Do you hear me? LBI doesn't give a shit about your sons and daughters bleeding in Iraq, as long as they get their thousand-percent profit! I know this for a fact! I have the facts to prove it! That's part of the perfect middle-class world you're joining! Now that you're working for LBI, you can finally make enough money to keep your kids from joining the Army and dying in LBI's broken-down trucks and shoddy body armor!"
The mike had gone dead, and Walter skittered backwards, away from the mob that was forming. "And MEANWHILE," he shouted, "WE ARE ADDING THIRTEEN MILLION HUMAN BEINGS TO THE POPULATION EVERY MONTH! THIRTEEN MILLION MORE PEOPLE TO KILL EACH OTHER IN COMPETITION OVER FINITE RESOURCES! AND WIPE OUT EVERY OTHER LIVING THING ALONG THE WAY! IT IS A PERFECT FUCKING WORLD AS LONG AS YOU DON'T COUNT EVERY OTHER SPECIES IN IT! WE ARE A CANCER ON THE PLANT! A CANCER ON THE PLANET!
”
”
Jonathan Franzen (Freedom)
“
There is unmistakable proof that abusers do get together in order to share children, abuse more children, and even learn from each other. As more cases have come into the public eye in recent years, this has become increasingly obvious. More and more of this type of abuse is coming to light.
I definitely think it is the word ritual which causes people to question, to feel uncomfortable, or even just disbelieve. It seems almost incredible that such things would happen, but too many of us know exactly how bad the lives of many children are. A great deal of child pornography shows children being abused in a ritualised setting, and many have now come forward to share their experiences, but there is a still tendency to say it just couldn't happen.
Why not?
Why, given what we now know about paedophiles and about what they do to children? Would they have limits? It was all done to me and I have enough experiences to write many more books than this one, but this will have to do for now. I've tried to make sense of it and I've tried to tell you my story in a way that will, hopefully, let you understand how it was done, and how they managed to get away with it, but I haven't told you a big part of it yet. I haven't told you what happened that finally ended it all for me.
There was something else.
When I was eight, someone else came into my life and made a huge difference to what was happening and how things would turn out. I didn't know it then, but I see the whole picture now.
Something I have often wondered is whether Andrew was there while I was being abused. Lots of people hide their faces, and there were often masks worn, so he certainly could have been. I have no evidence one way or another though, so I will leave it to the reader to decide whether it would seem in a paedophile's character to watch abuse continue when it has been masterminded by him. But I do know that it wasn't just me who he abused - I know that because I saw it.
Andrew was away a lot with the Army until I was at high school, then he left that position. He was instrumental both in my abuse and in setting the scene, but when I was eight, something happened which would distract him and which would, at times, take his attention from me. My mother very kindly provided him with a new victim - my little sister.
”
”
Laurie Matthew (Groomed)
“
There's pathos in this familiar routine, in the sounds of homely objects touching surfaces. And in the little sigh she makes when she turns or slightly bends our unwieldy form. It's already clear to me how much of life is forgotten even as it happens. Most of it. The unregarded present spooling away from us, the soft tumble of unremarkable thoughts, the long-neglected miracle of existence. When she's no longer twenty-eight and pregnant and beautiful, or even free, she won't remember the way she set down the spoon and the sound it made on slate, the frock she wore today, the touch of her sandal's thong between her toes, the summer's warmth, the white noise of the city beyond the house walls, a short burst of birdsong by a closed window. All gone, already.
”
”
Ian McEwan (Nutshell)
“
I had recently read to my dismay that they have started hunting moose again in New England. Goodness knows why anyone would want to shoot an animal as harmless and retiring as the moose, but thousands of people do—so many, in fact, that states now hold lotteries to decide who gets a permit. Maine in 1996 received 82,000 applications for just 1,500 permits. Over 12,000 outof-staters happily parted with a nonrefundable $20 just to be allowed to take part in the draw. Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old. That’s all there is to it. Without doubt, the moose is the most improbable, endearingly hopeless creature ever to live in the wilds. Every bit of it—its spindly legs, its chronically puzzled expression, its comical oven-mitt antlers—looks like some droll evolutionary joke. It is wondrously ungainly: it runs as if its legs have never been introduced to each other. Above all, what distinguishes the moose is its almost boundless lack of intelligence. If you are driving down a highway and a moose steps from the woods ahead of you, he will stare at you for a long minute (moose are notoriously shortsighted), then abruptly try to run away from you, legs flailing in eight directions at once. Never mind that there are several thousand square miles of forest on either side of the highway. The moose does not think of this. Clueless as to what exactly is going on, he runs halfway to New Brunswick before his peculiar gait inadvertently steers him back into the woods, where he immediately stops and takes on a startled expression that says, “Hey—woods. Now how the heck did I get here?” Moose are so monumentally muddle-headed, in fact, that when they hear a car or truck approaching they will often bolt out of the woods and onto the highway in the curious hope that this will bring them to safety. Amazingly, given the moose’s lack of cunning and peculiarly-blunted survival instincts, it is one of the longest-surviving creatures in North America. Mastodons, saber-toothed tigers, wolves, caribou, wild horses, and even camels all once thrived in eastern North America alongside the moose but gradually stumbled into extinction, while the moose just plodded on. It hasn’t always been so. At the turn of this century, it was estimated that there were no more than a dozen moose in New Hampshire and probably none at all in Vermont. Today New Hampshire has an estimated 5,000 moose, Vermont 1,000, and Maine anywhere up to 30,000. It is because of these robust and growing numbers that hunting has been reintroduced as a way of keeping them from getting out of hand. There are, however, two problems with this that I can think of. First, the numbers are really just guesses. Moose clearly don’t line up for censuses. Some naturalists think the population may have been overstated by as much as 20 percent, which means that the moose aren’t being so much culled as slaughtered. No less pertinent is that there is just something deeply and unquestionably wrong about killing an animal that is so sweetly and dopily unassuming as a moose. I could have slain this one with a slingshot, with a rock or stick—with a folded newspaper, I’d almost bet—and all it wanted was a drink of water. You might as well hunt cows.
”
”
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
“
Daddy shook Pappy's hand, then Henry's, then hugged the children. At last he turned to me. Softly, in a voice meant for my ears along, he said, "When you were a year old and you came down with rubella, the doctor told us you were likely to die of it. Said he didn't expect you'd live another forty-eight hours. Your mother was frantic, but I told her that doctor didn't know what he was talking about. Our Laura's a fighter, I said, and she's going to be just fine. I never doubted it, not for one minute, then or since. You keep that in your pocket and take it out when you need it, hear?
”
”
Hillary Jordan (Mudbound)
“
though. Our Azadian friends are always rather nonplussed by our lack of a flag or a symbol, and the Culture rep here—you’ll meet him tonight if he remembers to turn up—thought it was a pity there was no Culture anthem for bands to play when our people come here, so he whistled them the first song that came into his head, and they’ve been playing that at receptions and ceremonies for the last eight years.” “I thought I recognized one of the tunes they played,” Gurgeh admitted. The drone pushed his arms up and made some more adjustments. “Yes, but the first song that came into the guy’s head was ‘Lick Me Out’; have you heard the lyrics?” “Ah.” Gurgeh grinned. “That song. Yes, that could be awkward.” “Damn right. If they find out they’ll probably declare war. Usual Contact snafu.
”
”
Iain M. Banks (The Player of Games (Culture, #2))
“
She had seen her son for the first time, in this place, when he was a child of eight or nine. She remembered that day. He ran along the path near the cottage to which she had been assigned, calling to his friends, laughing, his unkempt hair bright in the sunlight. “Gabe!” she heard a boy call; but she would have known him without hearing it. It was the same smile she remembered, the same silvery laugh. She had moved forward in that moment, intending to rush to him, to greet and embrace him. Perhaps she would make the silly face, the one with which they had once mimicked each other. But when she started eagerly toward him, she forgot her own weakness; her dragging foot caught on a stone and she stumbled clumsily. Quickly she righted herself, but in that moment she saw him glance toward her, then look away in disinterest. As if looking through his eyes, she perceived her own withered skin, her sparse gray hair, the awkward gait with which she moved. She stayed silent, and turned away, thinking.
”
”
Lois Lowry (Son (The Giver, #4))
“
The Humbug whistled gaily at his work, for he was never as happy as when he had a job which required no thinking at all. After what seemed like days, he had dug a hole scarcely large enough for his thumb. Tock shuffled steadily back and forth with the dropper in his teeth, but the full well was still almost as full as when he began, and Milo's new pile of sand was hardly a pile at all.
"How very strange," said Milo, without stopping for a moment. "I've been working steadily all this time, and I don't feel the slightest bit tired or hungry. I could go right on the same way forever."
"Perhaps you will," the man agreed with a yawn (at least it sounded like a yawn).
"Well, I wish I knew how long it was going to take," Milo whispered as the dog went by again.
"Why not use your magic staff and find out?" replied Tock as clearly as anyone could with an eye dropper in his mouth. Milo took the shiny pencil from his pocket and quickly calculated that, at the rate they were working, it would take each of them eight hundred and thirty-seven years to finish.
"Pardon me," he said, tugging at the man's sleeve and holding the sheet of figures up for him to see, "but it's going to take eight hundred and thirty-seven years to do these jobs."
"Is that so?" replied the man, without even turning around. "Well, you'd better get on with it then."
"But it hardly seems worth while," said Milo softly.
"WORTH WHILE!" the man roared indignantly.
"All I meant was that perhaps it isn't too important," Milo repeated, trying not to be impolite.
"Of course it's not important," he snarled angrily. "I wouldn't have asked you to do it if I thought it was important." And now, as he turned to face them, he didn't seem quite so pleasant.
"Then why bother?" asked Tock, whose alarm suddenly began to ring.
"Because, my young friends," he muttered sourly, "what could be more important than doing unimportant things? If you stop to do enough of them, you'll never get to where you're going." He punctuated his last remark with a villainous laugh.
"Then you must -----" gasped Milo.
"Quite correct!" he shrieked triumphantly. "I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.
”
”
Norton Juster (The Phantom Tollbooth)
“
Consider the parable of the Chinese farmer. One day, the farmer’s horse ran away. That evening, the neighbors stopped by to offer their sympathies. “So sorry to hear your horse ran away,” they said. “That’s too bad.” “Maybe,” the farmer said. “Maybe not.” The next day the horse returned, bringing seven wild horses with it. “Oh, isn’t that lucky,” said the neighbors. “Now you have eight horses. What a great turn of events.” “Maybe,” said the farmer. “Maybe not.” The next day the farmer’s son was training one of these horses when he was thrown and broke his leg. “Oh dear, that’s too bad,” said the neighbors. “Maybe,” said the farmer. “Maybe not.” The following day, conscription officers came to the village to recruit young men for the army, but they rejected the farmer’s son because he had a broken leg. And all the neighbors said, “Isn’t that great!” “Maybe,” said the farmer. “Maybe not.” We lead telephoto lives in a wide-angle world. We never see the big picture. The only sane response is, like the Chinese farmer, to adopt a philosophy of maybe-ism.
”
”
Eric Weiner (The Socrates Express: In Search of Life Lessons from Dead Philosophers)
“
Abundance of the Heart. He describes an experience with nature and his father. An environment of trust can have to do with a special experience, a place, another person, or people.
My first real discovery of nature in life came one morning in April 1916. My father put me on the back of his bike, where I had a little seat, and said, "Off we go." And then he turned in the wrong direction for I thought he was taking me down to Quakers' meeting--it was a Sunday. "No," he said, "we are going somewhere else today." And we rode for about eight miles, and we stopped at a wood. . . . We went into the wood; and there, suddenly, was a great pool of bluebells stretching for perhaps a hundred yards in the shade of the oak trees. And I could scarcely breathe because the impression was so great. The experience then was just the bluebells and the scent; now, when I recall it, it is also the love of my father who chose to do that that morning--to give me that experience. I am sure he had been there the day before, found it, and thought, "I'll take my son there." As we rode there and as we rode back, we heard the distant thud of the guns at the Battle of the Somme, where thousands were dying every day. That overwhelming experience of a natural phenomenon, a demonstration of beneficent creation, and at the same time hearing those guns on the Somme--that experience has remained with me almost more clearly than anything else in my life. [The Abundance of the Heart (Salt Lake City: Bookcraft, 1986), p. 88]
”
”
Arthur Henry King
“
She laughed, but this time it sounded hoarse. "It's alright," she said, leaning in again. "It's not the first time I've fucked to get a part."
Mark took a step back, putting his hand forward to distance her. The way she said fucked sounded exactly like the way she said rat, and he felt certain that this was all wrong.
"How could you say that?"
"Say what? You can't be new to this."
"That's not an excuse," he said, taking another step back. "Why do you do this? How can you do this?"
She stopped her approach. Her eyes turned to the abandoned plate of steak on the coffee table. Mark, unable to imagine what she was feeling, picked up her sweater from the floor and handed it to her. She took it without looking at him, then sat on the couch. She began to cry.
"I'm sorry," he said. "But there's no reason for you to do any of this."
She put her sweater on, straightened her skirt, then turned to face him. "I do this," she said, gesturing gat the couch, "because the moment I spend being someone else on screen is better than the twenty-eight years I've spent being myself.
”
”
Tablo (Pieces of You)
“
That's what love is, Marissa. It's not magic or voodoo. It's real. You can explain it. I an tell you exactly why I love Sarah." I hold my hand out and, thank God, Sarah gently interlaces her fingers with mine. 'I had lots of friends when I was little but by the time I turned eight they were mostly gone. It turns out blind Parker with a dead mom wasn't nearly as much fun as she was before the accident. I couldn't run around and play and I cried all the time and knocked over everything and turned into a royal bitch and one by one my friends disappeared until there were only two left. I'm not saying they were the only one who understood me or were nice, just that they were the ones who didn't go off and find easier people to be friends with. I love Sarah because she's been my best fiend and stayed that way when it got really really hard to be my friend at all.
”
”
Eric Lindstrom
“
Here, I have something for you."
"It had better not be an engagement ring."
He paused, his lips puckering as if the thought hadn't occurred to him and he was regretting it.
"Or gloves," added Cinder. "That didn't work out too well last time."
Grinning, Kai took a step closer to her and dropped to one knee.
Her eyes widened.
"Cinder ..."
Her heart thumped. "Wait."
"I've been waiting a long time to give this to you."
"Kai -"
With an expression as serious as politics, he pulled his hand from behind his back. In it was cupped a small metal foot, frayed wires sticking up from the cavity and the joints packed with grease.
Cinder released her breath, then started to laugh. "You - ugh."
"Are you terribly disappointed, because I'm sure Luna has some great jewelry stores if you wanted me to -"
"Shut up," she said, taking the foot. She turned it over in her palms, shaking her head. "I keep trying to get rid of this thing, but somehow it keeps finding its way back to me. What made you keep it?"
"It occurred to me that if I could find the cyborg that fits this foot, it must be a sign we were meant to be together." He twisted his lips to one side. "But then I realized it would probably fit an eight-year-old."
"Eleven, actually."
"Close enough." He hesitated. "Honestly, I guess it was the only thing I had to connect me to you when I thought I'd never see you again."
She slid her gaze off the foot. "Why are you still kneeling?"
Kai reached for her prosthetic hand and brushed his lips against her newly polished knuckles. "You'll have to get used to people kneeling to you. It kind of comes with the territory."
"I'm going to make it a law that the correct way to address your sovereign is by giving a high five."
Kai's smile brightened. "That's genus. Me too.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
Call yourself a doctor, too, do you?” said Mr. Haycox. “I think I can say without fear of contradiction that I earned that degree,” said Doctor Pond coolly. “My thesis was the third longest in any field in the country that year—eight hundred and ninety-six pages, double-spaced, with narrow margins.” “Real-estate salesman,” said Mr. Haycox. He looked back and forth between Paul and Doctor Pond, waiting for them to say something worth his attention. When they’d failed to rally after twenty seconds, he turned to go. “I’m doctor of cowshit, pigshit, and chickenshit,” he said. “When you doctors figure out what you want, you’ll find me out in the barn shoveling my thesis.
”
”
Kurt Vonnegut Jr. (Player Piano)
“
My Grandpa Miller explained that during migration, birds flew in V formation. The bird at the front, the tip of the V, had the hardest job facing the greatest amount of wind resistance. the air coming off the leader's flapping wings lifted the birds flying behind it. Being the leader was grueling, so the birds took turns. When a bird exhausted itself, it trailed to the back, where it wouldn't have to flap as hard, riding waves of wind that have been broken down by others. It saved its energy so that it could lead again. This was the only way to make the journey, to escape winter and make it to warmer places. I had spent two weeks pumping my wings, keeping a calm face, to protect my flock from brutal conditions. But resilience required rest. For the next eight months I was going to fall back. The most important thing to remember was that to be at the rear, to be slower, did not mean you were not a leader.
”
”
Chanel Miller (Know My Name)
“
You'll stay," he said firmly.
"But-"
He crossed his arms. "Do I look like a man in the mood to be argued with?"
She stared at him mutinously.
"If you run," he warned, "I will catch you."
Sophie eyed the distance between them, then tried to judge the distance back to My Cottage.If he stopped to pull on his clothing she might have a chance of escaping, but if he didn't...
"Sophie," he said, "I can practically see the steam coming out of your ears. Stop taxing your brain with useless mathematical computations and do as I asked."
One of her feet twitched. Whether it was itching to run home or merely turn around, she'd never know.
"Now," he ordered.
With a loud sigh and grumble, Sophie crossed her arms and turned around to stare at a knothole in the tree trunk in front of her as if her very life depended on it The inferal man wasn't being particularly quiet as he went about his business, and she couldn't seem to keep herself from listening to and trying to identify every sound that rustled and splashed behind her.Now he was emerging from the water, now he was reaching for his breeches, now he was...
It was no use.She had a dreadfully wicked imagination, and there was no getting around it.
He should have just let her return to the house. Instead she was forced to wait, utterly mortified, while he dressed. Her skin felt like it was on fire, and she was certain her cheeks must be eight different shades of red. A gentleman would have let her weasle out of her embarrassment and hole up in her room back at the house for at least three days in hopes that he'd just forget about the entire affair.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
White women—feminists included—have revealed a historical reluctance to acknowledge the struggles of household workers. They have rarely been involved in the Sisyphean task of ameliorating the conditions of domestic service. The convenient omission of household workers’ problems from the programs of “middle-class” feminists past and present has often turned out to be a veiled justification—at least on the part of the affluent women—of their own exploitative treatment of their maids.
In 1902 the author of an article entitled “A Nine-Hour Day for Domestic Servants” described a conversation with a feminist friend who had asked her to sign a petition urging employers to furnish seats for women clerks.
“The girls,” she said, “have to stand on their feet ten hours a day and it makes my heart ache to see their tired faces.”
“Mrs. Jones,” said I, “how many hours a day does your maid stand upon her feet?”
“Why, I don’t know,” she gasped, “five or six I suppose.”
“At what time does she rise?”
“At six.” “And at what hour does she finish at night?”
“Oh, about eight, I think, generally.”
“That makes fourteen hours …”
“… (S)he can often sit down at her work.”
“At what work? Washing? Ironing? Sweeping? Making beds? Cooking? Washing dishes? … Perhaps she sits for two hours at her meals and preparing vegetables, and four days in the week she has an hour in the afternoon. According to that, your maid is on her feet at least eleven hours a day with a score of stair-climbings included. It seems to me that her case is more pitiable than that of the store clerk.”
My caller rose with red cheeks and flashing eyes. “My maid always has Sunday after dinner,” she said.
“Yes, but the clerk has all day Sunday. Please don’t go until I have signed that petition. No one would be more thankful than I to see the clerks have a chance to sit …
”
”
Angela Y. Davis (Women, Race & Class)
“
Eight o'clock, no later,
You light the lamps,
The big one by the large window,
The small one on your desk,
They are not to see by--
It is still twilight out over the sand,
The scrub oaks and cranberries.
Even the small birds have not settled
For sleep yet, out of the reach
Of prowling foxes. No,
You light the lamps because
You are alone in your small house
And the wicks sputtering gold
Are like two visitors with good stories
They will tell slowly, in soft voices,
While the air outside turns quietly
A grainy and luminous blue.
You wish it would never change--
But of course the darkness keeps
Its appointment. Each evening,
An inscrutable presence, it has the final word
Outside every door.
”
”
Mary Oliver (New and Selected Poems, Volume One)
“
Like Michelangelo spending eight months in the mountains of Carrara, selecting the most perfect blocks of marble for the tomb of Pope Julius II, Françoise, who attached extreme importance to the inherent quality of the materials out of which her masterpieces were to be wrought, had been down to Les Halles in person more than once to choose the finest slabs of rump steak, the best shin of beef and calf’s foot. She threw herself so strenuously into this pursuit that my mother, seeing our old servant turn red in the face, feared that, as the sculptor of the Medici tombs had sickened in the quarries at Pietrasanta, she might make herself ill from overwork. (p. In the Shadow of Young Girls in Flower, 17)
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
And then there is the black cat. Who has no other name than the Black Cat and who turned up almost a month ago. We did not realize he was going to be living here at first: he looked too well fed to be a stray, too old and jaunty to have been abandoned. He looked like a small panther, and he moved like a patch of night.
One day, in the summer, he was lurking about our ramshackle porch: eight or nine years old, at a guess, male, greenish-yellow of eye, very friendly, quite unperturbable. I assumed he belonged to a neighboring farmer or household.
I went away for a few weeks, to finish writing a book, and when I came home he was still on our porch, living in an old cat ben one of the children had found for him. He was, however, almost unrecognizable. Patches of fur had gone, and there were deep scratches on his gray skin. The tip of one ear was chewed away. There was a gash beneath one eye, s lice gone from one lip. He looked tired and thin.
”
”
Neil Gaiman (M Is for Magic)
“
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
”
”
Matthew McConaughey (Greenlights)
“
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
”
”
James Altucher (Choose Yourself)
“
If the entire history of the Earth were condensed into a single day, one hour would equate to 200 million years, one minute to 3.3 million years and one second to 55,000 years. Life would appear as early as eight or nine o'clock in the morning, but human civilisation would not emerge
until the last tenth of the last second of the day. From the morning that philosophers held the first ever debate on the steps of a temple in Ancient Greece... from the day slaves laid the first foundation stone of the Great Pyramid…… from the minute that Confucius welcomed his first disciple into the candlelit gloom of his thatched hut... right up until the moment you turned the first page of this book, only one tenth of the tick of the clock would have elapsed.
”
”
Liu Cixin (Of Ants and Dinosaurs)
“
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you.
In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh.
Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
”
”
Alistair MacLean (When Eight Bells Toll)
“
A single word can brighten the face
of one who knows the value of words.
Ripened in silence, a single word
acquires a great energy for work.
War is cut short by a word,
and a word heals the wounds,
and there's a word that changes
poison into butter and honey.
Let a word mature inside yourself.
Withhold the unripened thought.
Come and understand the kind of word
that reduces money and riches to dust.
Know when to speak a word
and when not to speak at all.
A single word turns the universe of hell
into eight paradises.
Follow the Way. Don't be fooled
by what you already know. Be watchful.
Reflect before you speak.
A foolish mouth can brand your soul.
Yunus, say one last thing
about the power of words --
Only the word "I"
divides me from God.
”
”
Yunus Emre (The Drop That Became the Sea: Lyric Poems)
“
The Archean Eon was followed by the Proterozoic Eon, each billions of years; then the Paleozoic: the Cambrian’s seventy million years, the Ordovician’s sixty million years, the Silurian’s forty million years, the Devonian’s fifty million years, the Carboniferous’s sixty-five million years, and the Permian’s fifty-five million years; then the Mesozoic: the Triassic’s thirty-five million years, the Jurassic’s fifty-eight million years, and the Cretaceous’s seventy million years; then the Cenozoic: the Tertiary’s 64.5 million years and the Quaternary’s 2.5 million years. Then humanity appeared. Compared to the eons before, mankind’s history was but the blink of an eye. Dynasties and eras exploded like fireworks; the bone club tossed into the air by an ape turned into a spaceship. Finally, this 3.5-billion-year-long road full of trials and tribulations stopped in front of a tiny human individual, a single person out of the one hundred billion people who had ever lived on the Earth, holding a red switch.
”
”
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
“
New Rule: Death isn’t always sad. This week, the Reverend Jerry Falwell died, and millions of Americans asked, “Why? Why, God? Why…didn’t you take Pat Robertson with him?” I don’t want to say Jerry was disliked by the gay community, but tonight in New York City, at exactly eight o’clock, Broadway theaters along the Great White Way turned their lights up for two minutes.
I know you’re not supposed to speak ill of the dead, but I think we can make an exception, because speaking ill of the dead was kind of Jerry Falwell’s hobby. He’s the guy who said AIDS was God’s punishment for homosexuality and that 9/11 was brought on by pagans, abortionists, feminists, gays, and the ACLU—or, as I like to call them, my studio audience.
It was surreal watching people on the news praise Falwell, followed by a clip package of what he actually said—things like:
"Homosexuals are part of a vile and satanic system that will be utterly annihilated." "If you’re not a born-again Christian, you’re a failure as a human being." "Feminists just need a man in the house." "There is no separation of church and state." And, of course, everyone’s favorite: "The purple Teletubby is gay."
Jerry Falwell found out you could launder your hate through the cover of “God’s will”—he didn’t hate gays, God does.
All Falwell’s power came from name-dropping God, and gay people should steal that trick. Don’t say you want something because it’s your right as a human being—say you want it because it’s your religion.
Gay men have been going at things backward. Forget civil right, and just make gayness a religion. I mean, you’re kneeling anyway. And it’s easy to start a religion. Watch, I’ll do it for you.
I had a vision last night. The Blessed Virgin Mary came to me—I don’t know how she got past the guards—and she told me it’s time to take the high ground from the Seventh-day Adventists and give it to the twenty-four-hour party people. And that what happens in the confessional stays in the confessional. Gay men, don’t say you’re life partners. Say you’re a nunnery of two. “We weren’t having sex,officer. I was performing a very private mass.Here in my car. I was letting my rod and my staff comfort him.”
One can only hope that as Jerry Falwell now approaches the pearly gates, he is met there by God Himself, wearing a Fire Island muscle shirt and nut-hugger shorts, saying to Jerry in a mighty lisp, “I’m not talking to you.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Now the terror is beginning. Now taking her lump 0£ chalk she draws figures, six, seven, eight, and then a cross and then a line on the blackboard. What is the answer? The others look; they look with understanding. Louis writes; Susan writes; Neville writes; Jinny writes; even Bernard has now begun to write. But I cannot write. I see only figures. The others are handing in their answers, one by one. Now it is my turn. But I have no answer. The others are allowed to go. They slam the door. Miss Hudson goes. I am left alone to find an answer. The figures mean nothing now. Meaning has gone. The clock ticks. The two hands are convoys marching through a desert. The black bars on the clock face are green oases. The long hand has marched ahead to find water. The other painfully stumbles among hot stones in the desert. It will die in the desert. The kitchen door slams. Wild dogs bark far away. Look, the loop 0£ the figure is beginning to fill with time; it hole rorld in it. I begin to draw a figure and the world is looped in it, and I myself am outside the loop; which I now join-and seal up, and make entire.
”
”
Virginia Woolf (The Waves)
“
Bloom of adulthood. Try a whiff of that. On your back in the dark you remember. Ah you remember. Cloudless May day. She joins you in the little summerhouse. Entirely of logs. Both larch and fir. Six feet across. Eight from floor to vertex. Area twenty-four square feet to the furthest decimal. Two small multicoloured lights vis-a-vis. Small stained diamond panes. Under each a ledge. There on summer Sundays after his midday meal your father loved to retreat with Punch and a cushion. The waist of his trousers unbuttoned he sat on the one ledge and turned the pages. You on the other your feet dangling. When he chuckled you tried to chuckle too. When his chuckle died yours too. That you should try to imitate his chuckle pleased and amused him greatly and sometimes he would chuckle for no other reason than to hear you try to chuckle too. Sometimes you turn your head and look out through a rose-red pane. You press your little nose against the pane and all without is rosy. The years have flown and there at the same place as then you sit in the bloom of adulthood bathed in rainbow light gazing before you. She is late.
”
”
Samuel Beckett (As the Story Was Told (Beckett Short))
“
Imagine that you're an extremely modern car, equipped with a greater number of options and functions than most cars. You're faster and higher performance. You're very lucky. But it's not easy. Because no one knows exactly the number of options you have or what they enable you to do. Only you can know. And speed can be dangerous. Like when you're eight, you don't know how to drive. There are many things you have to learn: how to drive when it's wet, when it's snowy, to look out for other cars and respect them, to rest when you've been driving for too long. That's what it means to be a grown up.' I'm thirteen and I can see that I'm not managing to grow up in the right way: I can't understand the road signs, I'm not in control of my vehicle, I keep taking the wrong turnings and most of the time I feel like I'm stuck on the dodgems rather than on a race track.
”
”
Delphine de Vigan (No and Me)
“
SINCE the start of the industrial revolution, humans have burned through enough fossil fuels—coal, oil, and natural gas—to add some 365 billion metric tons of carbon to the atmosphere. Deforestation has contributed another 180 billion tons. Each year, we throw up another nine billion tons or so, an amount that’s been increasing by as much as six percent annually. As a result of all this, the concentration of carbon dioxide in the air today—a little over four hundred parts per million—is higher than at any other point in the last eight hundred thousand years. Quite probably it is higher than at any point in the last several million years. If current trends continue, CO2 concentrations will top five hundred parts per million, roughly double the levels they were in preindustrial days, by 2050. It is expected that such an increase will produce an eventual average global temperature rise of between three and a half and seven degrees Fahrenheit, and this will, in turn, trigger a variety of world-altering events, including the disappearance of most remaining glaciers, the inundation of low-lying islands and coastal cities, and the melting of the Arctic ice cap. But this is only half the story.
”
”
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
“
Perfect moments, what did they even mean? They were blind luck, that was all. Coincidences. Statistical anomalies. I did some Googling and it turned out somebody had actually bothered to do the math on this, a real actual Cambridge University mathematician named John Littlewood (1885-1977; thank you, Wikipedia). He proposed that if you define a miracle as something with a probability of one in a million, and if you’re paying close attention to the world around you eight hours a day, every day, and little things happen around you at a rate of one per second, then you’d observe about thirty thousand things every day, which means about a million things a month. So, on average, you should witness one miracle every month (or every thirty-three-and-one-third days, if we’re being strictly accurate). It’s called Littlewood’s law.
So, there you have it, a miracle a month. They’re not even that special.
”
”
Stephanie Perkins (Summer Days and Summer Nights: Twelve Love Stories)
“
On the Lights, Tom Sherbourne has plenty of time to think about the war. About the faces, the voices of the blokes who had stood beside him, who saved his life one way or another; the ones whose dying words he heard, and those whose muttered jumbles he couldn’t make out, but who he nodded to anyway. Tom isn’t one of the men whose legs trailed by a hank of sinews, or whose guts cascaded from their casing like slithering eels. Nor were his lungs turned to glue or his brains to stodge by the gas. But he’s scarred all the same, having to live in the same skin as the man who did the things that needed to be done back then. He carries that other shadow, which is cast inward. He tries not to dwell on it: he’s seen plenty of men turned worse than useless that way. So he gets on with life around the edges of this thing he’s got no name for. When he dreams about those years, the Tom who is experiencing them, the Tom who is there with blood on his hands, is a boy of eight or so. It’s this small boy who’s up against blokes with guns and bayonets, and he’s worried because his school socks have slipped down and he can’t hitch them up because he’ll have to drop his gun to do it, and he’s barely big enough even to hold that. And he can’t find his mother anywhere. Then he wakes and he’s in a place where there’s just wind and waves and light, and the intricate machinery that keeps the flame burning and the lantern turning. Always turning, always looking over its shoulder. If he can only get far enough away—from people, from memory—time will do its job.
”
”
M.L. Stedman (The Light Between Oceans)
“
this is what I say: I have some good news for you, and some bad news. The bad news first. We’re going to have to rip off either your fingernails or your toenails with pliers. I’m sorry, but it’s already decided. It can’t be changed. I pull out a huge, scary pair of pliers from my briefcase and show them to everybody. Slowly, making sure everybody gets a good look. And then I say: Here’s the good news. You have the freedom to choose which it’s going to be—your fingernails, or your toenails. So, which will it be? You have ten seconds to make up your mind. If you’re unable to decide, we’ll rip off both your fingernails and your toenails. I start the count. At about eight seconds most people say, ‘The toes.’ Okay, I say, toenails it is. I’ll use these pliers to rip them off. But before I do, I’d like you to tell me something. Why did you choose your toes and not your fingers? The person usually says, ‘I don’t know. I think they probably hurt the same. But since I had to choose one, I went with the toes.’ I turn to him and warmly applaud him. And I say, Welcome to the real world.” Tsukuru gazed wordlessly at his old friend’s delicate face. “Each of us is given the freedom to choose,” Aka said, winking and smiling. “That’s the point of the story.
”
”
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
“
A passerby discovered a toddler sitting on the chilly concrete on an alley, playing with the wrapper of a cat food container. By the time she was brought to the hospital, her limbs were blue with cold. She was a wizened little thing, too thin, made of sticks.
She knew only one word, her name. Wren.
As she grew, her skin retained a slight bluish cast, resembling skimmed milk. Her foster parents bundled her up in jackets and coats and mittens and gloves, but unlike her sister, she was never cold. Her lip colour changed like a mood ring, staying bluish and purple even in summer, turning pink only when close to a fire. And she could play in the snow for hours, constructing elaborate tunnels and mock-fighting with icicles, coming inside only when called.
Although she appeared bony and anaemic, she was strong. By the time she was eight, she could lift bags of groceries that her adoptive mother struggled with.
By the time she was nine, she was gone.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
David watched Sol finish the can of beans. Sol always ate fast. He overate. Since he was eight.
Sol leaned back in the wooden chair against the wall, under the window. Baby brother. Sol could have been anything he wanted to be. Nothing mathematical, nothing quantitative, of course, but anything else. A beautiful boy, a wonderful brother, they got along well.
Then when Sol turned eight years old, age of a new beginning, their mother obsessed over him, ignoring David.
Obsessed over Sol and his underwear. Over and over, a regeneration, a newness. Changed his clothes constantly, had him on her lap every minute possible. She put him in bed and tucked the covers in every night. She refused to let their father do it, so he always took care of David.
But, of course, David needed no help and Sol always needed Ruth to take care of him.
Sol was still being breast fed even when he finally went to kindergarten. Then Ruth slowly increased regular, solid food. But before bed, Sol had a nightcap, mother’s milk. Their special time. Their unique closeness took a turn from breastfeeding to something else. By the time Sol was in third grade, he was one of the fattest kids in class. Then the brothers became a real team.
Now here he was. David and Sol still together, on a mission given by the Creator. It was perfect.
”
”
Michael Grigsby (Segment of One)
“
They did not overthrow the elected government of Mossadegh in Iran; support the genocide of eight hundred thousand leftists in Indonesia; intervene on behalf of the fascist Phalange against the Palestinians in Lebanon; fight a dirty war against Dhofarian insurgents; underwrite absolute monarchies like Saudi Arabia, the shah of Iran, Morocco, and the Gulf Emirates; build with billions of U.S. tax dollars the golden throne upon which Mubarak sits like a modern-day pharaoh; arm Saddam Hussein in the 1980s and turn a blind eye to his genocide against the communists and Kurds; then kill seventeen thousand Iraqi civilians in bombing raids during the Gulf War, including more than four hundred women and children incinerated in the Amariyah bomb shelter. Nor did they stir the Shias of southern Iraq into revolt, then abandon them to Saddam Hussein’s executioners because George Bush senior calculated that the total destruction of the regime would create an impermissible power vacuum that Iran might rush to fill.
”
”
Mike Davis (In Praise of Barbarians: Essays Against Empire)
“
This week I was watching the Rachel Maddow Show (you'd love her: she's funny and brilliant and just happens to be a stunning butch), and she was interviewing the outgoing attorney general, Loretta Lynch, about the country's post election future. The entire show was like a burst of hope so bright I almost had to put on sunglasses. The African American attorney general, prim and plump, sat perched on a barstool talking to a white butch lesbian who has her own national television news show! The event was being recorded in the Stonewall Inn, the site of one of the first places where queer people fought back against police violence! (I was so nervous about being a lesbian in 1969, I hid the tiny newspaper clipping from you.) Simply that the interview was happening made me remember that there are people in the world who are not such egotistical, political careerists as to believe that human rights don't matter. Then, as if just showing up wasn't enough, Attorney General Lynch spoke a truth that is hard to remember from our short-lived perspective: "History is bigger than one turn of the electoral wheel." During your eighty-eight years on this plane, you saw numerous turns of the wheel, and many of them did not land on a prize. Still, toward the end of your life, you took me in and bestowed not just a roof and clothes and food but the gift of your history and the knowledge that we find hope inside ourselves.
”
”
Jewelle Gomez (Radical Hope: Letters of Love and Dissent in Dangerous Times)
“
Twas the night before Christmas, and all
through the base
Only sentries were stirring--they guarded the place.
At the foot of each bunk sat a helmet and boot
For the Santa of Soldiers to fill up with loot.
The soldiers were sleeping and snoring away
As they dreamed of “back home” on
good Christmas Day.
One snoozed with his rifle--he seemed so content.
I slept with the letters my family had sent.
When outside the tent there arose such a clatter.
I sprang from my rack to see what was the matter.
Away to the window I flew like a flash.
Poked out my head, and yelled, “What was that crash?”
When what to my thrill and relief should appear,
But one of our Blackhawks to give the all clear.
More rattles and rumbles! I heard a deep whine!
Then up drove eight Humvees, a jeep close behind…
Each vehicle painted a bright Christmas green.
With more lights and gold tinsel than I’d ever seen.
The convoy commander leaped down and he paused.
I knew then and there it was Sergeant McClaus!
More rapid than rockets, his drivers they came
When he whistled, and shouted, and called
them by name:
“Now, Cohen! Mendoza! Woslowski! McCord!
Now, Li! Watts! Donetti! And Specialist Ford!”
“Go fill up my sea bags with gifts large and small!
Now dash away! Dash away! Dash away, all!”
In the blink of an eye, to their trucks the troops darted.
As I drew in my head and was turning around,
Through the tent flap the sergeant came in with a bound.
He was dressed all in camo and looked quite a sight
With a Santa had added for this special night.
His eyes--sharp as lasers! He stood six feet six.
His nose was quite crooked, his jaw hard as bricks!
A stub of cigar he held clamped in his teeth.
And the smoke, it encircled his head like a wreath.
A young driver walked in with a seabag in tow.
McClaus took the bag, told the driver to go.
Then the sarge went to work. And his mission today?
Bring Christmas from home to the troops far away!
Tasty gifts from old friends in the helmets he laid.
There were candies, and cookies, and cakes, all homemade.
Many parents sent phone cards so soldiers could hear
Treasured voices and laughter of those they held dear.
Loving husbands and wives had mailed photos galore
Of weddings and birthdays and first steps and more.
And for each soldier’s boot, like a warm, happy hug,
There was art from the children at home sweet and snug.
As he finished the job--did I see a twinkle?
Was that a small smile or instead just a wrinkle?
To the top of his brow he raised up his hand
And gave a salute that made me feel grand.
I gasped in surprise when, his face all aglow,
He gave a huge grin and a big HO! HO! HO!
HO! HO! HO! from the barracks and then from the base.
HO! HO! HO! as the convoy sped up into space.
As the camp radar lost him, I heard this faint call:
“HAPPY CHRISTMAS, BRAVE SOLDIERS!
MAY PEACE COME TO ALL!
”
”
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
“
She locked herself in her room. She needed time to get used to her maimed consciousness, her poor lopped life, before she could walk steadily to the place allotted her. A new searching light had fallen on her husband's character, and she could not judge him leniently: the twenty years in which she had believed in him and venerated him by virtue of his concealments came back with particulars that made them seem an odious deceit. He had married her with that bad past life hidden behind him, and she had no faith left to protest his innocence of the worst that was imputed to him. Her honest ostentatious nature made the sharing of a merited dishonor as bitter as it could be to any mortal.
But this imperfectly taught woman, whose phrases and habits were an odd patchwork, had a loyal spirit within her. The man whose prosperity she had shared through nearly half a life, and who had unvaryingly cherished her—now that punishment had befallen him it was not possible to her in any sense to forsake him. There is a forsaking which still sits at the same board and lies on the same couch with the forsaken soul, withering it the more by unloving proximity. She knew, when she locked her door, that she should unlock it ready to go down to her unhappy husband and espouse his sorrow, and say of his guilt, I will mourn and not reproach. But she needed time to gather up her strength; she needed to sob out her farewell to all the gladness and pride of her life. When she had resolved to go down, she prepared herself by some little acts which might seem mere folly to a hard onlooker; they were her way of expressing to all spectators visible or invisible that she had begun a new life in which she embraced humiliation. She took off all her ornaments and put on a plain black gown, and instead of wearing her much-adorned cap and large bows of hair, she brushed her hair down and put on a plain bonnet-cap, which made her look suddenly like an early Methodist.
Bulstrode, who knew that his wife had been out and had come in saying that she was not well, had spent the time in an agitation equal to hers. He had looked forward to her learning the truth from others, and had acquiesced in that probability, as something easier to him than any confession. But now that he imagined the moment of her knowledge come, he awaited the result in anguish. His daughters had been obliged to consent to leave him, and though he had allowed some food to be brought to him, he had not touched it. He felt himself perishing slowly in unpitied misery. Perhaps he should never see his wife's face with affection in it again. And if he turned to God there seemed to be no answer but the pressure of retribution.
It was eight o'clock in the evening before the door opened and his wife entered. He dared not look up at her. He sat with his eyes bent down, and as she went towards him she thought he looked smaller—he seemed so withered and shrunken. A movement of new compassion and old tenderness went through her like a great wave, and putting one hand on his which rested on the arm of the chair, and the other on his shoulder, she said, solemnly but kindly—
"Look up, Nicholas."
He raised his eyes with a little start and looked at her half amazed for a moment: her pale face, her changed, mourning dress, the trembling about her mouth, all said, "I know;" and her hands and eyes rested gently on him. He burst out crying and they cried together, she sitting at his side. They could not yet speak to each other of the shame which she was bearing with him, or of the acts which had brought it down on them. His confession was silent, and her promise of faithfulness was silent. Open-minded as she was, she nevertheless shrank from the words which would have expressed their mutual consciousness, as she would have shrunk from flakes of fire. She could not say, "How much is only slander and false suspicion?" and he did not say, "I am innocent.
”
”
George Eliot (Middlemarch)
“
All at once Sherman was aware of a figure approaching him on the sidewalk, in the wet black shadows of the town houses and the trees. Even from fifty feet away, in the darkness, he could tell. It was that deep worry that lives in the base of the skull of every resident of Park Avenue south of Ninety-sixth Street—a black youth, tall, rangy, wearing white sneakers. Now he was forty feet away, thirty-five. Sherman stared at him. Well, let him come! I’m not budging! It’s my territory! I’m not giving way for any street punks! The black youth suddenly made a ninety-degree turn and cut straight across the street to the sidewalk on the other side. The feeble yellow of a sodium-vapor streetlight reflected for an instant on his face as he checked Sherman out. He had crossed over! What a stroke of luck! Not once did it dawn on Sherman McCoy that what the boy had seen was a thirty-eight-year-old white man, soaking wet, dressed in some sort of military-looking raincoat full of straps and buckles, holding a violently lurching animal in his arms, staring, bug-eyed, and talking to himself.
”
”
Tom Wolfe (The Bonfire of the Vanities)
“
During forced exercise one day, Louie fell into step with William Harris, a twenty-five-year-old marine officer, the son of marine general Field Harris. Tall and dignified, with a face cut in hard lines, Harris had been captured in the surrender of Corregidor in May 1942. With another American,* he had escaped and embarked on an eight-and-a-half-hour swim across Manila Bay, kicking through a downpour in darkness as fish bit him. Dragging himself ashore on the Japanese-occupied Bataan Peninsula, he had begun a run for China, hiking through jungles and over mountains, navigating the coast in boats donated by sympathetic Filipinos, hitching rides on burros, and surviving in part by eating ants. He had joined a Filipino guerrilla band, but when he had heard of the American landing at Guadalcanal, the marine in him had called. Making a dash by boat toward Australia in hopes of rejoining his unit, he had gotten as far as the Indonesian island of Morotai before his journey ended. Civilians had turned him in to the Japanese, who had discovered that he was a general’s son and sent him to Ofuna. Even here, he was itching to escape.
”
”
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
“
Bring Cecily home,” he said curtly. “I won’t have her at risk, even in the slightest way.”
“I’ll take care of Cecily,” came the terse reply. “She’s better off without you in her life.”
Tate’s eyes widened. “I beg your pardon?” he asked, affronted.
“You know what I mean,” Holden said. “Let her heal. She’s too young to consign herself to spinsterhood over a man who doesn’t even see her.”
“Infatuation dies,” Tate said.
Holden nodded. “Yes, it does. Goodbye.”
“So does hero worship,” he continued, laboring the point.
“And that’s why after eight years, Cecily has had one raging affair after the other,” he said facetiously.
The words had power. They wounded.
“You fool,” Holden said in a soft tone. “Do you really think she’d let any man touch her except you?” He went to his office door and gestured toward the desk. “Don’t forget your gadget,” he added quietly.
“Wait!”
Holden paused with his hand on the doorknob and turned. “What?”
Tate held the device in his hands, watching the lights flicker on it. “Mixing two cultures when one of them is all but extinct is a selfish thing,” he said after a minute. “It has nothing to do with personal feelings. It’s a matter of necessity.”
Holden let go of the doorknob and moved to stand directly in front of Tate. “If I had a son,” he said, almost choking on the word, “I’d tell him that there are things even more important than lofty principles. I’d tell him…that love is a rare and precious thing, and that substitutes are notoriously unfulfilling.”
Tate searched the older man’s eyes. “You’re a fine one to talk.”
Holden’s face fell. “Yes, that’s true.” He turned away.
Why should he feel guilty? But he did. “I didn’t mean to say that,” Tate said, irritated by his remorse and the other man’s defeated posture. “I can’t help the way I feel about my culture.”
“If it weren’t for the cultural difference, how would you feel about Cecily?”
Tate hesitated. “It wouldn’t change anything. She’s been my responsibility. I’ve taken care of her. It would be gratitude on her part, even a little hero worship, nothing more. I couldn’t take advantage of that. Besides, she’s involved with Colby.”
“And you couldn’t live with being the second man.”
Tate’s face hardened. His eyes flashed.
Holden shook his head. “You’re just brimming over with excuses, aren’t you? It isn’t the race thing, it isn’t the culture thing, it isn’t even the guardian-ward thing. You’re afraid.”
Tate’s mouth made a thin line. He didn’t reply.
“When you love someone, you give up control of yourself,” he continued quietly. “You have to consider the other person’s needs, wants, fears. What you do affects the other person. There’s a certain loss of freedom as well.” He moved a step closer. “The point I’m making is that Cecily already fills that place in your life. You’re still protecting her, and it doesn’t matter that there’s another man. Because you can’t stop looking out for her. Everything you said in this office proves that.” He searched Tate’s turbulent eyes. “You don’t like Colby Lane, and it isn’t because you think Cecily’s involved with him. It’s because he’s been tied to one woman so tight that he can’t struggle free of his love for her, even after years of divorce. That’s how you feel, isn’t it, Tate? You can’t get free of Cecily, either. But Colby’s always around and she indulges him. She might marry him in an act of desperation. And then what will you do? Will your noble excuses matter a damn then?
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Newton had invented the calculus, which was expressed in the language of "differential equations," which describe how objects smoothly undergo infinitesimal changes in space and time. The motion of ocean waves, fluids, gases, and cannon balls could all be expressed in the language of differential equations. Maxwell set out with a clear goal, to express the revolutionary findings of Faraday and his force fields through precise differential equations.
Maxwell began with Faraday's discovery that electric fields could turn into magnetic fields and vice versa. He took Faraday's depictions of force fields and rewrote them in the precise language of differential equations, producing one of the most important series of equations in modern science. They are a series of eight fierce-looking differential equations. Every physicist and engineer in the world has to sweat over them when mastering electromagnetism in graduate school.
Next, Maxwell asked himself the fateful question: if magnetic fields can turn into electric fields and vice versa, what happens if they are constantly turning into each other in a never-ending pattern? Maxwell found that these electric-magnetic fields would create a wave, much like an ocean wave. To his astonishment, he calculated the speed of these waves and found it to be the speed of light! In 1864, upon discovering this fact, he wrote prophetically: "This velocity is so nearly that of light that it seems we have strong reason to conclude that light itself...is an electromagnetic disturbance.
”
”
Michio Kaku (Physics of the Impossible)
“
Most Europeans like to think that American bankruptocracy is worse than its European cousin, thanks to the power of Wall Street and the infamous revolving door between the US banks and the US government. They are very, very wrong. Europe’s banks were managed so atrociously in the years preceding 2008 that the inane bankers of Wall Street almost look good by comparison. When the crisis hit, the banks of France, Germany, the Netherlands and the UK had exposure in excess of $30 trillion, more than twice the United States national income, eight times the national income of Germany, and almost three times the national incomes of Britain, Germany, France and Holland put together.8 A Greek bankruptcy in 2010 would have immediately necessitated a bank bailout by the German, French, Dutch and British governments amounting to approximately $10,000 per child, woman and man living in those four countries. By comparison, a similar market turn against Wall Street would have required a relatively tiny bailout of no more than $258 per US citizen. If Wall Street deserved the wrath of the American public, Europe’s banks deserved 38.8 times that wrath. But
”
”
Yanis Varoufakis (Adults in the Room: My Battle with Europe's Deep Establishment)
“
Well,all she had to do was ask," one offended male replied.
"I hope you're satisfied!" Lauren whispered furiously.
"I'm not," Nick chuckled in her ear. "But I'm going to be."
Fully intending to leave him to take his own notes, Lauren slammed her notebook closed and tried to shove her chair back. Nick's body blocked the chair. She twisted her head around to say something scathing, and his lips captured hers in a kiss that forced her head against the back of the chair, tripled her pulse rate and robbed her of thought. When he took his mouth away, she was too shaken to do anything except stare at him.
"What do you think,Nick?" a voice asked over the speaker.
"I think it gets better every time," he answered huskily.
When the call was finally over, Nick pressed a button on the desk, and Lauren saw the door leading into Mary's office swing shut electronically. He grasped her arms and drew her out of the chair, turning her toward him. His mouth came closer to hers,and Lauren felt herself being helplessly drawn into his magnetic spell. "Don't!" she pleaded. "Please don't do this to me."
His hands tightened on her arms. "Why can't you just admit you want me and enjoy the consequences?"
"All right," she said wretchedly, "You win. I want you...I admit it." She saw the gleam of triumph in his eyes, and her chin lifted. "When I was eight years old, I also wanted a monkey I saw in a pet store."
The triumph faded. "And?" he sighed irritably,letting go of her.
"And unfortunately I got him," Lauren said. "Daisy bit me,and I had to have twelve stitches in my leg."
Nick looked as if he was torn between laughter and anger. "I imagine he bit you for naming him Daisy."
Lauren ignored his mockery. "And when I was thirteen, I wanted sisters and brothers. My father obliged me by remarrying, and I got a stepsister who stole my clothes and my boyfriends, and a stepbrother who stole my allowances."
"What the hell does that have to do with us?"
"Everything!
”
”
Judith McNaught (Double Standards)
“
WHEN IT’S ALL OVER, there’s one final talk I want to make—to the press. When they gather in front of me, it’s hard to forget that nearly all of them had considered me a hoax. They start to shoot questions at me, but I cut them off: “Hold it! Hold it!” I say. “You’ve all had a chance to say what you thought before the fight. Now it’s my turn. You all said Sonny Liston would kill me. You said he was better than Jack Johnson or Jack Dempsey, even Joe Louis, and you ranked them the best heavyweights of all time. You kept writing how Liston whipped Floyd Patterson twice, and when I told you I would get Liston in eight, you wouldn’t believe it. Now I want all of you to tell the whole world while all the cameras are on us, tell the world that I’m The Greatest.” There’s a silence. “Who’s The Greatest?” I ask them. Nobody answers. They look down at their pads and microphones. “Who’s The Greatest?” I say again. They look up with solemn faces, but the room is still silent. “For the LAST TIME!” I shout. “All the eyes of the world on us. You just a bunch of hypocrites. I told you I was gonna get Liston and I got him. All the gamblers had me booked eight-to-one underdog. I proved all of you wrong. I shook up the world! Tell me who’s The Greatest! WHO IS THE GREATEST?” They hesitate for a minute, and finally in a dull tone they all answer, “You are.” •
”
”
Muhammad Ali (The Greatest: My Own Story)
“
Her face went blank as she realized what she’d interrupted. “I’ll, uh, go upstairs and watch a show,” she said, not sounding like herself at all.
I scooted out from under Adam. “And Jesse saves the day,” I said lightly. “Thank you, that was getting out of hand.”
She paused, looking—surprised.
I wondered uncharitably how many times she’d walked in on her mother in similar situations and what her mother’s response had been. I never had liked Jesse’s mother and was happy to believe all sorts of evil about her. I let anger at the games her mother might have played surround me. When you’ve lived with werewolves, you learn tricks to hide what you’re feeling from them—anger, for instance, covers up panic pretty well—and, out from under Adam’s sensuous hands, I was panicking plenty.
Adam snorted. “That’s one way to put it.” To my relief, he’d stayed where we’d been, sinking facedown onto the mat.
“Even with my willpower, his lure was too great,” I said melodramatically, complete with wrist to forehead. If I made a joke of it, he’d never realize how truthful I was being.
A slow smile spread across her face and she quit looking like she was ready to bolt back into the house. “Dad’s kind of a stud, all right.”
“Jesse,” warned Adam, his voice muffled only a little by the mat. She giggled.
“I have to agree,” I said in overly serious tones. “Maybe as high as a seven or eight, even.”
“Mercedes,” Adam thundered, surging to his feet.
I winked at Jesse, held my gi top over my left shoulder with one finger, and strolled casually out the back door of the garage. I didn’t mean to, but when I turned to shut the door, I looked back and saw Adam’s face. His expression gave me cold chills.
He wasn’t angry or hurt. He looked thoughtful, as if someone had just given him the answer to a question that had been bothering him. He knew.
”
”
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
“
Your Lordship tempts his servant to see whether he remembers the revelations imparted to him. Trifle not with me, my Lord; I crave, I thirst, for more knowledge. Doubtless we cannot see that other higher Spaceland now, because we have no eye in our stomachs. But, just as there was the realm of Flatland, though that poor puny Lineland Monarch could neither turn to left nor right to discern it, and just as there was close at hand, and touching my frame, the land of Three Dimensions, though I, blind senseless wretch, had no power to touch it, no eye in my interior to discern it, so of a surety there is a Fourth Dimension, which my Lord perceives with the inner eye of thought. And that it must exist my Lord himself has taught me. Or can he have forgotten what he himself imparted to his servant? In One Dimension, did not a moving Point produce a Line with two terminal points? In Two Dimensions, did not a moving Line produce a Square with four terminal points? In Three Dimensions, did not a moving Square produce—did not this eye of mine behold it—that blessed Being, a Cube, with eight terminal points? And in Four Dimensions shall not a moving Cube—alas, for Analogy, and alas for the Progress of Truth, if it be not so—shall not, I say, the motion of a divine Cube result in a still more divine Organization with sixteen terminal points? Behold the infallible confirmation of the Series, 2, 4, 8, 16: is not this a Geometrical Progression? Is not this—if I might quote my Lord’s own words—“strictly according to Analogy”? Again, was I not taught by my Lord that as in a Line there are two bounding Points, and in a Square there are four bounding Lines, so in a Cube there must be six bounding Squares? Behold once more the confirming Series, 2, 4, 6: is not this an Arithmetical Progression? And consequently does it not of necessity follow that the more divine offspring of the divine Cube in the Land of Four Dimensions, must have 8 bounding Cubes: and is not this also, as my Lord has taught me to believe, “strictly according to Analogy”? O, my Lord, my Lord, behold, I cast myself in faith upon conjecture, not knowing the facts; and I appeal to your Lordship to confirm or deny my logical anticipations. If I am wrong, I yield, and will no longer demand a fourth Dimension; but, if I am right, my Lord will listen to reason. I ask therefore, is it, or is it not, the fact, that ere now your countrymen also have witnessed the descent of Beings of a higher order than their own, entering closed rooms, even as your Lordship entered mine, without the opening of doors or windows, and appearing and vanishing at will? On the reply to this question I am ready to stake everything. Deny it, and I am henceforth silent. Only vouchsafe an answer.
”
”
Edwin A. Abbott (Flatland: A Romance of Many Dimensions)
“
AUTHOR’S NOTE
Dear reader:
This story was inspired by an event that happened when I was eight years old. At the time, I was living in upstate New York. It was winter, and my dad and his best friend, “Uncle Bob,” decided to take my older brother, me, and Uncle Bob’s two boys for a hike in the Adirondacks. When we left that morning, the weather was crisp and clear, but somewhere near the top of the trail, the temperature dropped abruptly, the sky opened, and we found ourselves caught in a torrential, freezing blizzard.
My dad and Uncle Bob were worried we wouldn’t make it down. We weren’t dressed for that kind of cold, and we were hours from the base. Using a rock, Uncle Bob broke the window of an abandoned hunting cabin to get us out of the storm.
My dad volunteered to run down for help, leaving my brother Jeff and me to wait with Uncle Bob and his boys. My recollection of the hours we spent waiting for help to arrive is somewhat vague except for my visceral memory of the cold: my body shivering uncontrollably and my mind unable to think straight.
The four of us kids sat on a wooden bench that stretched the length of the small cabin, and Uncle Bob knelt on the floor in front of us. I remember his boys being scared and crying and Uncle Bob talking a lot, telling them it was going to be okay and that “Uncle Jerry” would be back soon. As he soothed their fear, he moved back and forth between them, removing their gloves and boots and rubbing each of their hands and feet in turn.
Jeff and I sat beside them, silent. I took my cue from my brother. He didn’t complain, so neither did I. Perhaps this is why Uncle Bob never thought to rub our fingers and toes. Perhaps he didn’t realize we, too, were suffering.
It’s a generous view, one that as an adult with children of my own I have a hard time accepting. Had the situation been reversed, my dad never would have ignored Uncle Bob’s sons. He might even have tended to them more than he did his own kids, knowing how scared they would have been being there without their parents.
Near dusk, a rescue jeep arrived, and we were shuttled down the mountain to waiting paramedics. Uncle Bob’s boys were fine—cold and exhausted, hungry and thirsty, but otherwise unharmed. I was diagnosed with frostnip on my fingers, which it turned out was not so bad. It hurt as my hands were warmed back to life, but as soon as the circulation was restored, I was fine. Jeff, on the other hand, had first-degree frostbite. His gloves needed to be cut from his fingers, and the skin beneath was chafed, white, and blistered. It was horrible to see, and I remember thinking how much it must have hurt, the damage so much worse than my own.
No one, including my parents, ever asked Jeff or me what happened in the cabin or questioned why we were injured and Uncle Bob’s boys were not, and Uncle Bob and Aunt Karen continued to be my parents’ best friends.
This past winter, I went skiing with my two children, and as we rode the chairlift, my memory of that day returned. I was struck by how callous and uncaring Uncle Bob, a man I’d known my whole life and who I believed loved us, had been and also how unashamed he was after. I remember him laughing with the sheriff, like the whole thing was this great big adventure that had fortunately turned out okay. I think he even viewed himself as sort of a hero, boasting about how he’d broken the window and about his smart thinking to lead us to the cabin in the first place. When he got home, he probably told Karen about rubbing their sons’ hands and feet and about how he’d consoled them and never let them get scared.
I looked at my own children beside me, and a shudder ran down my spine as I thought about all the times I had entrusted them to other people in the same way my dad had entrusted us to Uncle Bob, counting on the same naive presumption that a tacit agreement existed for my children to be cared for equally to their own.
”
”
Suzanne Redfearn (In an Instant)
“
She sat and watched the dockhand when it was sunny and she sat and watched him when it rained. Or when it was foggy, which is what it was nearly every morning at eight o’clock. This morning was none of the above. This morning was cold. The pier smelled of fresh water and of fish. The seagulls screeched overhead, a man’s voice shouted. Where is my brother to help me, my sister, my mother? Pasha, help me, hide in the woods where I know I can find you. Dasha, look what’s happened. Do you even see? Mama, Mama. I want my mother. Where is my family to ask things of me, to weigh on me, to intrude on me, to never let me be silent or alone, where are they to help me through this? Deda, what do I do? I don’t know what to do. This morning the dockhand did not go over to see his friend at the next pier for a smoke and a coffee. Instead, he walked across the road and sat next to her on the bench. This surprised her. But she said nothing, she just wrapped her white nurse’s coat tighter around herself, and fixed the kerchief covering her hair. In Swedish he said to her, “My name is Sven. What’s your name?” After a longish pause, she replied. “Tatiana. I don’t speak Swedish.” In English he said to her, “Do you want a cigarette?” “No,” she replied, also in English. She thought of telling him she spoke little English. She was sure he didn’t speak Russian. He asked her if he could get her a coffee, or something warm to throw over her shoulders. No and no. She did not look at him. Sven was silent a moment. “You want to get on my barge, don’t you?” he asked. “Come. I will take you.” He took her by her arm. Tatiana didn’t move. “I can see you have left something behind,” he said, pulling on her gently. “Go and retrieve it.” Tatiana did not move. “Take my cigarette, take my coffee, or get on my barge. I won’t even turn away. You don’t have to sneak past me. I would have let you on the first time you came. All you had to do was ask. You want to go to Helsinki? Fine. I know you’re not Finnish.” Sven paused. “But you are very pregnant. Two months ago it would have been easier for you. But you need to go back or go forward. How long do you plan to sit here and watch my back?” Tatiana stared into the Baltic Sea. “If I knew, would I be sitting here?” “Don’t sit here anymore. Come,” said the longshoreman. She shook her head. “Where is your husband? Where is the father of your baby?” “Dead in the Soviet Union,” Tatiana breathed out. “Ah, you’re from the Soviet Union.” He nodded. “You’ve escaped somehow? Well, you’re here, so stay. Stay in Sweden. Go to the consulate, get yourself refugee protection. We have hundreds of people getting through from Denmark. Go to the consulate.” Tatiana shook her head. “You’re going to have that baby soon,” Sven said. “Go back, or move forward.” Tatiana’s hands went around her belly. Her eyes glazed over. The dockhand patted her gently and stood up. “What will it be? You want to go back to the Soviet Union? Why?” Tatiana did not reply. How to tell him her soul had been left there? “If you go back, what happens to you?” “I die most likely,” she barely whispered. “If you go forward, what happens to you?” “I live most likely.” He clapped his hands. “What kind of a choice is that? You must go forward.” “Yes,” said Tatiana, “but how do I live like this? Look at me. You think, if I could, I wouldn’t?” “So you’re here in the Stockholm purgatory, watching me move my paper day in and day out, watching me smoke, watching me. What are you going to do? Sit with your baby on the bench? Is that what you want?” Tatiana was silent. The first time she laid eyes on him she was sitting on a bench, eating ice cream. “Go forward.” “I don’t have it in me.” He nodded. “You have it. It’s just covered up. For you it’s winter.” He smiled. “Don’t worry. Summer’s here. The ice will melt.” Tatiana struggled up from the bench. Walking away, she said in Russian, “It’s not the ice anymore, my seagoing philosopher. It’s the pyre.
”
”
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
“
September 10, 1965 Dear Francesca, Enclosed are two photographs. One is the shot I took of you in the pasture at sunrise. I hope you like it as much as I do. The other is of Roseman Bridge before I removed your note tacked to it. I sit here trolling the gray areas of my mind for every detail, every moment, of our time together. I ask myself over and over, “What happened to me in Madison County, Iowa?” And I struggle to bring it together. That’s why I wrote the little piece, “Falling from Dimension Z,” I have enclosed, as a way of trying to sift through my confusion. I look down the barrel of a lens, and you’re at the end of it. I begin work on an article, and I’m writing about you. I’m not even sure how I got back here from Iowa. Somehow the old truck brought me home, yet I barely remember the miles going by. A few weeks ago, I felt self-contained, reasonably content. Maybe not profoundly happy, maybe a little lonely, but at least content. All of that has changed. It’s clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty humming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another. The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable—it could not have been any other way—a case of what I call the high probability of the improbable. So here I am walking around with another person inside of me. Though I think I put it better the day we parted when I said there is a third person we have created from the two of us. And I am stalked now by that other entity. Somehow, we must see each other again. Any place, anytime. Call me if you ever need anything or simply want to see me. I’ll be there, pronto. Let me know if you can come out here sometime—anytime. I can arrange plane fare, if that’s a problem. I’m off to southeast India next week, but I’ll be back in late October. I Love You, Robert P. S., The photo project in Madison County turned out fine. Look for it in NG next year. Or tell me if you want me to send a copy of the issue when it’s published. Francesca Johnson set her brandy glass on the wide oak windowsill and stared at an eight-by-ten black-and-white photograph of herself.
”
”
Robert James Waller (The Bridges Of Madison County)
“
I stick to the road out of habit, but it’s a bad choice, because it’s full of the remains of those who tried to flee. Some were incinerated entirely. But others, probably overcome with smoke, escaped the worst of the flames and now lie reeking in various states of decomposition, carrion for scavengers, blanketed by flies. I killed you, I think as I pass a pile. And you. And you. Because I did. It was my arrow, aimed at the chink in the force field surrounding the arena, that brought on this firestorm of retribution. That sent the whole country of Panem into chaos. In my head I hear President Snow’s words, spoken the morning I was to begin the Victory Tour. “Katniss Everdeen, the girl who was on fire, you have provided a spark that, left unattended, may grow to an inferno that destroys Panem.” It turns out he wasn’t exaggerating or simply trying to scare me. He was, perhaps, genuinely attempting to enlist my help. But I had already set something in motion that I had no ability to control. Burning. Still burning, I think numbly. The fires at the coal mines belch black smoke in the distance. There’s no one left to care, though. More than ninety percent of the district’s population is dead. The remaining eight hundred or so are refugees in District 13 — which, as far as I’m concerned, is the same thing as being homeless forever. I know I shouldn’t think that; I know I should be grateful for the way we have been welcomed. Sick, wounded, starving, and empty-handed. Still, I can never get around the fact that District 13 was instrumental in 12’s destruction. This doesn’t absolve me of blame — there’s plenty of blame to go around. But without them, I would not have been part of a larger plot to overthrow the Capitol or had the wherewithal to do it. The citizens of District 12 had no organized resistance movement of their own. No say in any of this. They only had the misfortune to have me. Some survivors think it’s good luck, though, to be free of District 12 at last. To have escaped the endless hunger and oppression, the perilous mines, the lash of our final Head Peacekeeper, Romulus Thread. To have a new home at all is seen as a wonder since, up until a short time ago, we hadn’t even known that District 13 still existed.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Onions! Fresh, hot, sweet onions,” Sam called as Mary Lou pulled the cart down Main Street. “Eight cents a dozen.” It was a beautiful spring morning. The sky was painted pale blue and pink—the same color as the lake and the peach trees along its shore. Mrs. Gladys Tennyson was wearing just her nightgown and robe as she came running down the street after Sam. Mrs. Tennyson was normally a very proper woman who never went out in public without dressing up in fine clothes and a hat. So it was quite surprising to the people of Green Lake to see her running past them. “Sam!” she shouted. “Whoa, Mary Lou,” said Sam, stopping his mule and cart. “G’morning, Mrs. Tennyson,” he said. “How’s little Becca doing?” Gladys Tennyson was all smiles. “I think she’s going to be all right. The fever broke about an hour ago. Thanks to you.” “I’m sure the good Lord and Doc Hawthorn deserve most of the credit.” “The Good Lord, yes,” agreed Mrs. Tennyson, “but not Dr. Hawthorn. That quack wanted to put leeches on her stomach! Leeches! My word! He said they would suck out the bad blood. Now you tell me. How would a leech know good blood from bad blood?” “I wouldn’t know,” said Sam. “It was your onion tonic,” said Mrs. Tennyson. “That’s what saved her.” Other townspeople made their way to the cart. “Good morning, Gladys,” said Hattie Parker. “Don’t you look lovely this morning.” Several people snickered. “Good morning, Hattie,” Mrs. Tennyson replied. “Does your husband know you’re parading about in your bed clothes?” Hattie asked. There were more snickers. “My husband knows exactly where I am and how I am dressed, thank you,” said Mrs. Tennyson. “We have both been up all night and half the morning with Rebecca. She almost died from stomach sickness. It seems she ate some bad meat.” Hattie’s face flushed. Her husband, Jim Parker, was the butcher. “It made my husband and me sick as well,” said Mrs. Tennyson, “but it nearly killed Becca, what with her being so young. Sam saved her life.” “It wasn’t me,” said Sam. “It was the onions.” “I’m glad Becca’s all right,” Hattie said contritely. “I keep telling Jim he needs to wash his knives,” said Mr. Pike, who owned the general store. Hattie Parker excused herself, then turned and quickly walked away. “Tell Becca that when she feels up to it to come by the store for a piece of candy,” said Mr. Pike. “Thank you, I’ll do that.” Before returning home, Mrs. Tennyson bought a dozen onions from Sam. She gave him a dime and told him to keep the change. “I don’t take charity,” Sam told her. “But if you want to buy a few extra onions for Mary Lou, I’m sure she’d appreciate it.” “All right then,” said Mrs. Tennyson, “give me my change in onions.” Sam gave Mrs. Tennyson an additional three onions, and she fed them one at a time to Mary Lou. She laughed as the old donkey ate them out of her hand.
”
”
Louis Sachar (Holes)
“
It is a year and eight months since I last looked at these notes of mine. I do so now only because, being overwhelmed with depression, I wish to distract my mind by reading them through at random. I left them off at the point where I was just going to Homburg. My God, with what a light heart (comparatively speaking) did I write the concluding lines!—though it may be not so much with a light heart, as with a measure of self-confidence and unquenchable hope. At that time had I any doubts of myself? Yet behold me now. Scarcely a year and a half have passed, yet I am in a worse position than the meanest beggar. But what is a beggar? A fig for beggary! I have ruined myself—that is all. Nor is there anything with which I can compare myself; there is no moral which it would be of any use for you to read to me. At the present moment nothing could well be more incongruous than a moral. Oh, you self-satisfied persons who, in your unctuous pride, are forever ready to mouth your maxims—if only you knew how fully I myself comprehend the sordidness of my present state, you would not trouble to wag your tongues at me! What could you say to me that I do not already know? Well, wherein lies my difficulty? It lies in the fact that by a single turn of a roulette wheel everything for me, has become changed. Yet, had things befallen otherwise, these moralists would have been among the first (yes, I feel persuaded of it) to approach me with friendly jests and congratulations. Yes, they would never have turned from me as they are doing now! A fig for all of them! What am I? I am zero—nothing. What shall I be tomorrow? I may be risen from the dead, and have begun life anew. For still, I may discover the man in myself, if only my manhood has not become utterly shattered.
”
”
Fyodor Dostoevsky (The Gambler)
“
Something they seem to omit to mention in Boston AA when you're new and out of your skull with desperation and ready to eliminate your map and they tell you how it'll all get better and better as you abstain and recover: they somehow omit to mention that the way it gets better and you get better is through pain. Not around pain, or in spite of it. They leave this out, talking instead about Gratitude and Release from Compulsion. There's serious pain in being sober, though, you find out, after time. Then now that you're clean and don't even much want Substances and feeling like you want to both cry and stomp somebody into goo with pain, these Boston AAs start in on telling you you're right where you're supposed to be and telling you to remember the pointless pain of active addiction and telling you that at least this sober pain now has a purpose. At least this pain means you're going somewhere, they say, instead of the repetitive gerbil-wheel of addictive pain.
They neglect to tell you that after the urge to get high magically vanishes and you've been Substanceless for maybe six or eight months, you'll begin to start to 'Get In Touch' with why it was that you used Substances in the first place. You'll start to feel why it was you got dependent on what was, when you get right down to it, an anesthetic. 'Getting In Touch With Your Feelings' is another quilted-sampler-type cliche that ends up masking something ghastly deep and real, it turns out. [178: A more abstract but truer epigram that White Flaggers with a lot of sober time sometimes change this to goes something like: 'Don't worry about getting in touch with your feelings, they'll get in touch with you.’]
It starts to turn out that the vapider the AA cliche, the sharper the canines of the real truth it covers.
”
”
David Foster Wallace (Infinite Jest)
“
She was confusing me. This was my tragedy. Why were we talking about her? “I’d get there and people would stare at me,” I said. “Look at me!” “Look at me!” she shot back. She pointed accusingly at herself in the full-length mirror. Her hair looked wilty. Her bottom lip sagged. “I’m thirty-eight years old and still living with my mother. I’ve wanted to get away from that woman all my life. And here it is, ten-thirty at night. I’m tired, Dolores. I just want to go to bed. But instead, I’m on my way to work, dressed up like . . . one of the goddamned Andrews sisters.” In the mirror, we shared a smile. I wanted to reach over and rub her back, tell her I loved her. I opened my mouth to say it, but something else came out. “What if I get so depressed down there that I slit my wrists? They could call here and say they found me in a pool of blood.” “Oh for Christ’s sweet sake!” Her hairbrush flew past me and hit the wall. She slammed into the bathroom, banging the medicine-cabinet door once, twice, three times. Tap water ran for several minutes. When she came back, her eyes were red. She bent over and picked up the brush, picked strands of hair from the bristles. “You don’t want to go to college? Don’t go. I can’t keep this up. I thought I could, but I can’t.” “I’ll get a job,” I said. “Maybe I’ll go on a diet. I’m sorry.” “You’re sorry, I’m sorry, everybody’s sorry,” she sighed. “Write that girl a letter. Don’t let her get stuck with those bedspreads.” I stopped her as she headed for the stairs. “Ma?” I said. She turned and faced me and I saw, in her eyes, the dazed woman she’d been those first days when she’d returned from the mental hospital years before. “Goddamnit, Dolores,” she said. “You’ve made me so goddamned tired.” Then she was down the stairs and out the door.
”
”
Wally Lamb (She's Come Undone)
“
I had the most ridiculous dream.” I point at my brother. “You were there.” I point at Simon beside him. “And you.” Then Franny, all of them huddled on the floor around me. “And you too. You . . . abdicated the throne, Nicholas. And they all wanted to make me king.” A maniacal laugh passes my lips . . . until I turn to the right and see dark blue eyes, sweet lips. and black, swirling hair.
Then I scream like a girl. “Ahhhh!”
It’s Olivia. My brother’s wife. His very American wife.
I turn back to Nicholas. “It wasn’t a dream, was it?”
“No, Henry.”
I lie back down on the floor. “Fuuuuuck.”
Then I feel sort of bad.
“Sorry, Olive. You know I think you’re top-notch.”
She smiles kindly. “It’s okay, Henry. I’m sorry you’re having a hard time.”
I scrub my hand over my face, trying to think clearly.
“It’s all right. This is a better, new plan—I won’t have to live under the stage now.”
“You were going to live under the stage?” Nicholas asks.
I wave my hand. “Forget it. It was Potter’s stupid idea. Boy Wonder Wizard, my arse.”
And now my brother looks really worried.
I gesture to him. “But you’re here now. You can take me with you back to the States.”
“Henry . . .”
“Give me your tired, poor, huddled masses yearning to be free—that describes me perfectly! I’m a huddled mass, Nicholas!”
He squeezes my arms, shaking just a bit. “Henry. You can’t move to America.”
I grasp his shirt. And my voice morphs into an eight-year-old boy’s, confessing he sees dead people. “But she’s so mean, Nicholas. She’s. So. Mean.”
He taps my back. “I know.”
Nicholas and Simon drag me up, holding on so that I stay on my feet. “But we’ll figure it out,” Nicholas says. “It’s going to be all right.”
I shake my head. “You keep saying that. I’m starting to think you don’t know what the hell you’re talking about.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
We crossed the street and turned left into one of the side streets, which was only slightly less wide. Here the traffic was lighter. To the left and slightly in front of us, two men walked shoulder to shoulder. The first wore leather pants, a white shirt with wide sleeves, and a leather vest over it. A wide leather bracer enclosed his left forearm. His hair, a rare blond shade, almost gold, hung in a ponytail down his back. He moved with a casual aristocratic elegance, perfectly balanced. Watching him, you had a feeling that if the road suddenly became a tightrope, he would just keep on walking without breaking a stride. My father moved like that. I sped up a little. We drew even and I saw a slender sword on his waist. That's what I thought. An expert swordsman.
I glanced at his face and blinked. He was remarkably handsome.
The man to his left was larger, his shoulders broader, his body emanating contained aggression. He didn't walk, he stalked, and you could tell by the way he moved that he would be very strong. His auburn hair looked like he'd rolled out of bed, dragged his hand through it, and gone on about his day. He wore dark pants and a black leather jacket that was more doublet than motorcycle. A ragged scar crossed his left cheek and when he turned his head, his eyes shone with yellow. Interesting.
"It's always work with you," the russet-haired man said.
"Some of us have to mind the safety of the realm," the blond said. A narrow smile curled his lips.
"I've given the realm eight years of my life. It can bite me," his stocky companion retorted. "How far is it?"
The slim man raised his left arm. A hawk dropped out of the sky and landed on his bracer. "We're almost there. Two blocks left."
"Good. Let's get this crap and go home."
They turned into the side street.
"That bird smelled dead," Sean said.
”
”
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
“
Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure.
”
”
Marcel Proust (Jean Santeuil)
“
During World War II, there had been a project to sabotage the Nazi nuclear weapons program. Years earlier, Leo Szilard, the first person to realize the possibility of a fission chain reaction, had convinced Fermi not to publish the discovery that purified graphite was a cheap and effective neutron moderator. Fermi had wanted to publish, for the sake of the great international project of science, which was above nationalism. But Szilard had persuaded Rabi, and Fermi had abided by the majority vote of their tiny three-person conspiracy. And so, years later, the only neutron moderator the Nazis had known about was deuterium.
The only deuterium source under Nazi control had been a captured facility in occupied Norway, which had been knocked out by bombs and sabotage, causing a total of twenty-four civilian deaths.
The Nazis had tried to ship the deuterium already refined to Germany, aboard a civilian Norwegian ferry, the SS Hydro.
Knut Haukelid and his assistants had been discovered by the night watchman of the civilian ferry while they were sneaking on board to sabotage it. Haukelid had told the watchman that they were escaping the Gestapo, and the watchman had let them go. Haukelid had considered warning the night watchman, but that would have endangered the mission, so Haukelid had only shaken his hand. And the civilian ship had sunk in the deepest part of the lake, with eight dead Germans, seven dead crew, and three dead civilian bystanders. Some of the Norwegian rescuers of the ship had thought the German soldiers present should be left to drown, but this view had not prevailed, and the German survivors had been rescued. And that had been the end of the Nazi nuclear weapons program.
Which was to say that Knut Haukelid had killed innocent people. One of whom, the night watchman of the ship, had been a good person. Someone who'd gone out of his way to help Haukelid, at risk to himself; from the kindness of his heart, for the highest moral reasons; and been sent to drown in turn. Afterward, in the cold light of history, it had looked like the Nazis had never been close to getting nuclear weapons after all.
And Harry had never read anything suggesting that Haukelid had acted wrongly.
”
”
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
“
Did he want Nick to die on the floor of his bathroom from an overdose of mentholated rub? Did he want me to spend the last eighty years of my lifespan in a convent? Maybe he was mad that I was trying to sneak out of the house wearing his jeans for the third day in a row.
"I am taking Doofus for another walk," I said clearly,daring him to defy me.
"That would not be good for Doofus." Josh folded his arms. "Mom,that would not be good for Doofus."
Oh! Dragging Mom into this was low.Not to mention Doofus.
"Since when is going for a walk not good for a dog?" I challenged Josh.
"He's an old dog," Josh protested.
"He's four!" I pointed out.
"That's twenty-eight in dog years! He's practically thirty!"
"Strike!" Mom squealed amid the noise of electronic pins falling. Then she shook her game remote at both of us in turn. "I'm not stupid, you know.And I'm not as out of it as you assume. I know the two of you are really arguing about something else.It's those jeans again, isn't it?" She nodded to me. "I should cut them in half and give each of you a leg.Why does either of you want to wear jeans with 'boy toy' written across the seat anyway?"
"I thought that was the fashion." Josh said. "Grandma wears a pair of sweatpants with 'hot mama' written across the ass."
"That is different," Mom hissed. "She wears them around the kitchen."
I sniffed indignantly. "I said," I announced, "I am goig for a walk with my dog. My beloved canine and I are taking a turn around our fair community. No activity could be more wholesome for a young girl and her pet. And if you have a problem with that,well! What is this world coming to? Come along, dear Doofus." I stuck my nose in the air and stalked past them, but the effect was lost. Somewhere around "our fair community," Mom and Josh both had lost interest and turned back to the TV.
Or so I thought.But just as I was about to step outside,hosh appeared in the doorway between the kitchen and the mud room. "What the hell are you doing" he demanded.
I said self-righteously, "I am taking my loyal canine for a w-"
"You're going to Nick's,aren't you?" he whispered. "Do you think that's a good idea? I heard you yelled at him for no reason at the half-pipe,right before he busted ass.
”
”
Jennifer Echols (The Ex Games)
“
I sprinkle some flour on the dough and roll it out with the heavy, wooden rolling pin. Once it’s the perfect size and thickness, I flip the rolling pin around and sing into the handle—American Idol style.
“Calling Gloriaaaaaaaaaaaaaaaaaaa . . .”
And then I turn around.
“AHHHHHHHHHHHHHH!”
Without thinking, I bend my arm and throw the rolling pin like a tomahawk . . . straight at the head of the guy who’s standing just inside the kitchen door.
The guy I didn’t hear come in.
The guy who catches the hurling rolling pin without flinching—one-handed and cool as a gorgeous cucumber—just an inch from his perfect face.
He tilts his head to the left, looking around the rolling pin to meet my eyes with his soulful brown ones. “Nice toss.”
Logan St. James.
Bodyguard. Totally badass. Sexiest guy I have ever seen—and that includes books, movies and TV, foreign and domestic. He’s the perfect combo of boyishly could-go-to-my-school kind of handsome, mixed with dangerously hot and tantalizingly mysterious. If comic-book Superman, James Dean, Jason Bourne and some guy with the smoothest, most perfectly pitched, British-Scottish-esque, Wessconian-accented voice all melded together into one person, they would make Logan fucking St. James.
And I just tried to clock him with a baking tool—while wearing my Rick and Morty pajama short-shorts, a Winnie-the-Pooh T-shirt I’ve had since I was eight and my SpongeBob SquarePants slippers.
And no bra.
Not that I have a whole lot going on upstairs, but still . . .
“Christ on a saltine!” I grasp at my chest like an old woman with a pacemaker.
Logan’s brow wrinkles. “Haven’t heard that one before.”
Oh fuck—did he see me dancing? Did he see me leap? God, let me die now.
I yank on my earbuds’ cord, popping them from my ears. “What the hell, dude?! Make some noise when you walk in—let a girl know she’s not alone. You could’ve given me a heart attack. And I could’ve killed you with my awesome ninja skills.”
The corner of his mouth quirks. “No, you couldn’t.”
He sets the rolling pin down on the counter.
“I knocked on the kitchen door so I wouldn’t frighten you, but you were busy with your . . . performance.”
Blood and heat rush to my face. And I want to melt into the floor and then all the way down to the Earth’s core.
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
The last man crossed the deck: the clinking ship’s company was dismissed, and Jack said to the signal-midshipman, ‘To Dryad: Captain repair aboard at once.’ He then turned to Rowan and said, ‘You may part company as soon as I hear from Captain Babbington whether the transports are in Cephalonia or not; then you will not lose a moment of this beautiful leading breeze. Here he is. Captain Babbington, good day to you. Are the transports in Cephalonia? Is all well?’ ‘Yes, sir.’ ‘Mr Rowan, report to the Commander-in-Chief, with my duty, that the transports are in Cephalonia, and that all is well. You need not mention the fact that you saw one of the squadron crammed with women from head to stern; you need not report this open and I may say shameless violation of the Articles of War, for that disagreeable task falls to your superiors; nor need you make any observations about floating brothels or the relaxation of discipline in the warmer eastern waters, for these observations will naturally occur to the Commander-in-Chief without your help. Now pray go aboard our prize and proceed to Malta without the loss of a minute: not all of us can spare the time to dally with the sex.’ ‘Oh sir,’ cried Babbington, as Rowan darted over the side, ‘I really must be allowed to protest – to deny – ’ ‘You will not deny that they are women, surely? I can tell the difference between Adam and Eve as quick as the next man, even if you cannot; just as I can tell the difference between an active zealous officer and a lubber that lies in port indulging his whims. It is of no use trying to impose upon me.’ ‘No, sir. But these are all respectable women.’ ‘Then why are they leering over the side like that, and making gestures?’ ‘It is only their way, sir. They are all Lesbians – ’ ‘And no doubt they are all parsons’ daughters, your cousins in the third degree, like that wench in Ceylon.’ ‘– and Lesbians always join their hands like that, to show respect.’ ‘You are becoming an authority on the motions of Greek women, it appears.’ ‘Oh sir,’ cried Babbington, his voice growing shriller still. ‘I know you do not like women aboard – ’ ‘I believe I have had occasion to mention it to you some fifty or sixty times in the last ten years.’ ‘But if you will allow me to explain – ’ ‘It would be interesting to hear how the presence of thirty-seven, no, thirty-eight young women in one of His Majesty’s sloops can be explained; but since I like some decency to be preserved on my quarterdeck, perhaps the explanation had better take place in the cabin.’ And in the cabin he said, ‘Upon my word, William, this is coming it pretty high. Thirty-eight wenches at a time is coming it pretty high.
”
”
Patrick O'Brian (The Ionian Mission (Aubrey/Maturin, #8))
“
Two men enter the room, one old and mustached and the other young and tawny-headed, wearing sweats and a worn T-shirt. He looks like Silas, actually—god, what am I, obsessed? But there really is something of the woodsman in the younger man’s face, with his full lips, his slightly curled hair that turns like tendrils around his ears . . . I look away before studying him too closely.
“All right, ladies, are we ready?” the older man says enthusiastically. There’s a loud rustling of paper as well flip the enormous sketchbooks on our easels until we find blank sheets. I draw a few soft lines on my page, unsure what—
Non-Silas rips off his T-shirt, revealing lightly defined muscles on his pale chest. I raise an eyebrow just as he tugs at the waist of the sweatpants. They drop to the floor in a fluid, sweeping motion.
There’s nothing underneath them. At all.
My charcoal slips through my suddenly sweaty fingers.
Non-Silas steps out of the puddle of his clothes and moves to the center of the room, fluorescent lights reflecting off his slick abdomen. He’s smiling as though he isn’t naked, smiling as though I didn’t somehow manage to get the seat closest to him. As if I can’t see . . . um . . . everything only a few feet from my face, making my mind clumsily spiral. I squeeze my eyes shut for a moment; he looks like Silas in the face, and because of that I keep wondering if he looks akin to Silas everywhere else.
“All right, ladies, this will be a seven-minute pose. Ready?” the older man says, positioning himself behind the other empty easel. The roomful of housewives nod in one hungry motion. I quiver. “Go!” the older man says, starting the stopwatch. Non-Silas poses, something reminiscent of Michelangelo’s David, only instead of marble eyes looking into nothingness, non-Silas is staring almost straight at me.
Draw. I’m supposed to be drawing. I grab a new piece of charcoal from the bottom of the easel and begin hastily making lines in my sketchbook. I can’t not look at him, or he’ll think I’m not drawing him. I glance hurriedly, trying to avoid the region my eyes continuously return to. I start to feel fluttery.
How long has it been? Surely it’s been seven minutes. I try to add some tone to my drawing’s chest. I wonder what Silas’s chest looks like . . . Stop! Stop stop stop stop stop—”
“Right, then!” the older man says as his stopwatch beeps loudly and the scratchy sound of charcoal on paper ends. Thank you, sir, thank you—”
“Annnnd next pose!”
Non-Silas turns his head away, till all I can see is his wren-colored hair and his side, including a side view of . . . how many times am I going to have to draw this man’s area? What’s worse is that he looks even more like Silas now that I can’t see his eyes. Just like Silas, I bet. My eyes linger longer than necessary now that non-Silas isn’t staring straight at me.
By the end of class, I’ve drawn eight mediocre pictures of him, each one with a large white void in the crotch area. The housewives compare drawings with ravenous looks in their eyes as non-Silas tugs his pants back on and leaves the room, nodding politely. I picture him naked again.
I sprint from the class, abandoning my sketches—how could I explain them to Scarlett or Silas? Stop thinking of Silas, stop thinking of Silas.
”
”
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
“
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me.
"Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically.
The man sprints off the seat as my face flames. His pregnant girlfriend?
"Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together."
"That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds.
Time passes quickly for an eight-hour flight.
We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle.
"At least they're practical," he says.
"What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall."
"At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?"
"I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?"
"Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!"
We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase.
There's a lot of blood. And Mickey Mouse ears.
After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there.
He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here.
I'm home.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.”
Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.”
Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady.
“My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly.
The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.”
Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally.
“Anything, my dear,” he said huskily.
“I would like to-to rest before supper.”
He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.”
Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.”
“Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.”
“We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.”
“The butler stared at my bosom,” Berta complained. “I saw him!”
Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))