Tunnel View Quotes

My life seemed like a glass tunnel, through which I was moving faster every year, and at the end of which there was darkness. When I changed my view, the walls of my glass tunnel disappeared. I now live in the open air.

Our life is a faint tracing on the surface of mystery, like the idle curved tunnels of leaf miners on the face of a leaf. We must somehow take a wider view, look at the whole landscape, really see it, and describe what's going on here. Then we can at least wail the right question into the swaddling band of darkness, or, if it comes to that, choir the proper praise.

Relativity and quantum mechanics have demonstrated clearly that what you find out with instruments is true relative only to the instrument you’re using, and where that instrument is located in space-time. So there is no vantage point from which ‘real’ reality can be seen; we’re all looking from the point of view of our own reality tunnels.

We must always look at things from the point of view of eternity, the college theologians used to insist, from which, I imagine, we would all appear to have speed lines trailing behind us as we rush along the road of the world, as we rush down the long tunnel of time- the biker, of course, drunk on the wind, but also the man reading by a fire...

Desire- grasping, clinging, greed, attachment - is a state of mind that defines what we think we need in order to be happy. We project all of our hopes and dreams of fulfillment onto some object of our attention. This may be a certain activity or outcome, a particular thing or person. Deluded by our temporary enchantment, we view the world with tunnel vision. That object, and that alone, will make us happy.

We don't know what's going on here. If these tremendous events are random combinations of matter run amok, the yield of millions of monkeys at millions of typewriters, then what is it in us, hammered out of those same typewriters, that they ignite? We don’t know. Our life is a faint tracing on the surface of mystery, like the idle, curved tunnels of leaf miners on the face of a leaf. We must somehow take a wider view, look at the whole landscape, really see it, and describe what’s going on here. Then we can at least wail the right question into the swaddling band of darkness, or, if it comes to that, choir the proper praise.

When I believed that my existence was such a further fact, I seemed imprisoned in myself. My life seemed like a glass tunnel, through which I was moving faster every year, and at the end of which there was darkness. When I changed my view, the walls of my glass tunnel disappeared. I now live in the open air. There is still a difference between my life and the lives of other people. But the difference is less. Other people are closer. I am less concerned about the rest of my own life, and more concerned about the lives of others.

How can man know himself? It is a dark, mysterious business: if a hare has seven skins, a man may skin himself seventy times seven times without being able to say, “Now that is truly you; that is no longer your outside.” It is also an agonizing, hazardous undertaking thus to dig into oneself, to climb down toughly and directly into the tunnels of one’s being. How easy it is thereby to give oneself such injuries as no doctor can heal. Moreover, why should it even be necessary given that everything bears witness to our being — our friendships and animosities, our glances and handshakes, our memories and all that we forget, our books as well as our pens. For the most important inquiry, however, there is a method. Let the young soul survey its own life with a view of the following question: “What have you truly loved thus far? What has ever uplifted your soul, what has dominated and delighted it at the same time?” Assemble these revered objects in a row before you and perhaps they will reveal a law by their nature and their order: the fundamental law of your very self. Compare these objects, see how they complement, enlarge, outdo, transfigure one another; how they form a ladder on whose steps you have been climbing up to yourself so far; for your true self does not lie buried deep within you, but rather rises immeasurably high above you, or at least above what you commonly take to be your I.

Nina had never seen a creature like the one that crawled into view from the tunnel. It was some kind of reptile, its thick body covered in gray-green scales, its head wide and flat, its yellow eyes slitted. It moved

Twenty million people live and work in Tokyo. It’s so big that nobody really knows where it stops. It’s long since filled up the plain, and now it’s creeping up the mountains to the west and reclaiming land from the bay in the east. The city never stops rewriting itself. In the time one street guide is produced, it’s already become out of date. It’s a tall city, and a deep one, as well as a spread-out one. Things are always moving below you, and above your head. All these people, flyovers, cars, walkways, subways, offices, tower blocks, power cables, pipes, apartments, it all adds up to a lot of weight. You have to do something to stop yourself caving in, or you just become a piece of flotsam or an ant in a tunnel. In smaller cities people can use the space around them to insulate themselves, to remind themselves of who they are. Not in Tokyo. You just don’t have the space, not unless you’re a company president, a gangster, a politician or the Emperor. You’re pressed against people body to body in the trains, several hands gripping each strap on the metro trains. Apartment windows have no view but other apartment windows.

James Heron dreamed he was once more in the abandoned tunnels on Mars. As he walked, the barren rocky landscape transformed into hills of tangled vegetation. Lightning played in tall cumulus clouds in a darkening sky, and the sky was definitely an Earth sky, not a Martian one. He seemed to have companions, but their clothing was strange—very old fashioned, in fact, as if they belonged in the nineteenth century. He didn’t recognise the landscape, but it seemed to be on Earth, and the group, several youths and a few older men, appeared to be suffering from the heat, plucking their shirts which displayed damp patches of perspiration. A short distance ahead of him walked a heavily built man who evidently was not enjoying the walk in the heat, his face flushed crimson and perspiring profusely. The sky darkened and large drops of rain pelted the group, and they increased their pace. His view changed slightly as someone behind him called something he could not quite hear. The lightning seemed to be getting closer, and he and a companion—a youth, he noted ran for cover. He could smell the rain on the wet earth, and the fragrance of the vegetation intensified. He could feel the tension of the group—their fear perhaps? Suddenly there was a blinding flash that seemed to engulf him—and then he jolted awake bathed in perspiration.

Dreams are important, but if they are not followed up by a commitment to the process, then they will simply remain daydreams, never seeing the light at the end of the tunnel. If you are interested in fulfilling your destiny, then you must learn to view failure as a healthy, inevitable part of the process of success.

The whole underneath of Paris was an ant nest, Metro tunnels, sewer shafts, catacombs, mines, cemeteries. She'd been down in the city of bones where skulls and femurs rose in yellowing walls. Right down there, win the square before them. through a dinky little entrance, were the Roman ruins like honeycomb. The trains went under the river. There were tunnels people had forgotten about. It was a wonder Paris stood up at all. The bit you saw was only half of it. Her skin burned, thinking of it. The Hunchback knew. Up here in the tower of Notre Dame he saw how it was. Now and then, with the bells rattling his bones, he saw it like God saw it -- inside, outside, above and under -- just for a moment. The rest of the time he went back to hurting and waiting like Scully out there crying in the wind.

Some people see things in shades of gray, and some in black and white. I see mainly black, and while I have my reasons for that, it doesn’t mean it’s an accurate view of the world.

Reading is like riding through a tunnel and coming out with a new landscape...

We are all, of course, wayfaring strangers on this earth. But coming out of the rainbow tunnel, the liminal portal between Marin and San Francisco, myth and reality, I catch sight of a beautiful, sparkling city that might as well be on the moon. I can name the sights, the streets, the eateries, but in my heart it feels as unfamiliar as Cape Town or Cuzco. I've lived here for fourteen years. This is the arena of my adult life, with its large defeats and small victories. Maybe, like all transplants (converts?), I've asked too much of the city. I would never have moved to Pittsburh or Houston or L.A. expecting it to save my soul. Only here in the great temple by the bay. It's a mistake we've been making for decades, and probably a necessary one. The city's flaws, of course, are numerous. Our politics can suffer from humourless stridency, and life here is menacingly expensive. But if you're insulated from these concerns, sufficiently employed and housed, if you are -in other words- like most people, you are in view of the unbridgeable ideal. Here, with our plentiful harvest, our natural beauty, our bars, our bookstores, our cliffs and ocean, out free to be you and me; here, where pure mountain water flows right out of the tap. It's here that the real questions become inescapable. In fact the proximity of the ideal makes us more acutely aware of the real questions. Not the run-of-the-mill insolubles-Why am I here? Who am I?- but the pressing questions of adult life: Really? and Are you sure? And Now what?

eight out of ten of the officers she surveyed experienced tunnel vision during their shootings. This is sometimes referred to as perceptual narrowing, and as the name implies, under extreme stress, such as occurs in a shooting, the area of visual focus narrows as if the officer were viewing the situation through a tube. Christensen and Artwohl tell of one police sergeant who says that as a suspect fired rounds at him from his handgun, his eyes focused totally on a ring the shooter wore on a finger of his gun hand.

His lips fell back against mine and in the blink of an eye, our bathing suits were shed. He fisted my hair and tilted my head off to the side, nibbling down my neck as he sucked marks against my skin. I felt my pussy heating for him. I felt my toes curling as he kissed down the valley of my breasts. He cupped them forcefully, massaging and tweaking my puckered peaks as I moaned and squealed and whimpered. “Teo,” I whispered. He growled. “Already so wet for me.” He slid two fingers inside of my body and my back arched dangerously. He crooked them against that pebbled spot as his thumb slid against my clit, and already I felt my ending approaching. I fisted the bed sheets as he pumped his dexterous fingers, tickling that sweet spot that made my eyes widen and my jaw unhinge with silent pleasure. An unearthly drone bubbled up the back of my throat as my orgasm crashed over me. But, nothing felt even remotely wonderful compared to the feeling of his cock sliding between my legs. “Holy fuck,” he growled. He pinned my wrists above my head and pounded against my body. My tits jumped for his viewing pleasure as he planted his knees into the mattress. My legs locked around him as I opened myself up for his assault. His thick dick, sliding against my walls as they clamped around him. My body, puckering at every movement and every sound he graced me with. All I knew was pleasure. All I understood was his presence. And the only name that came to mind as my second orgasm approached was his name. “Teo! Holy shit!” I exclaimed. He grunted. “Come for me. Squeeze that tight little pussy ar—ound—oh, shit.” He slowed his movements long enough to work me through an ecstasy that crashed so hard against my body that my vision tunneled. My body shook and tensed. Contracted and released. Then finally, my back collapsed to the bed. I felt physically spent until Teo’s dick slid from between my legs. And automatically, I missed him.

He doesn’t have to fight anymore. He can let go. Calm sweeps across him. Suddenly the numb isn’t so bad. The panic’s gone. Nothing hurts. It’s all right, he thinks. It’s all right. He’s falling through the tunnel; he’s left his body and the speeder behind. He’s left Luke behind.

I dream in tunnel vision, I think. I remember in tunnel vision, I think. The question remains, when my tunnel vision goes, as it will very soon, what will I remember seeing? How will I remember? All I can do is write it down and keep writing. How else can I hold this picture, this life, or this face together? The view from here is of a boy with a softball, ready to let it go. His is an ironic gift from the past, as if the young me is aiming at the old, saying, "Here, buddy, let me help you with that." I wanted to let the ball fly at my lens, whatever was left of it.

Outsiders sometimes have an impression that mathematics consists of applying more and more powerful tools to dig deeper and deeper into the unknown, like tunnelers blasting through the rock with ever more powerful explosives. And that's one way to do it. But Grothendieck, who remade much of pure mathematics in his own image in the 1960's and 70's, had a different view: "The unknown thing to be known appeared to me as some stretch of earth or hard marl, resisting penetration...the sea advances insensibly in silence, nothing seems to happen, nothing moves, the water is so far off you hardly hear it...yet it finally surrounds the resistant substance." The unknown is a stone in the sea, which obstructs our progress. We can try to pack dynamite in the crevices of rock, detonate it, and repeat until the rock breaks apart, as Buffon did with his complicated computations in calculus. Or you can take a more contemplative approach, allowing your level of understanding gradually and gently to rise, until after a time what appeared as an obstacle is overtopped by the calm water, and is gone. Mathematics as currently practiced is a delicate interplay between monastic contemplation and blowing stuff up with dynamite.

My slight fall had extinguished the lantern, but I produced an electric pocket lamp and viewed the small horizontal tunnel which led away indefinitely in both directions. It was amply large enough for a man to wriggle through; and though no sane person would have tried at that time, I forgot danger, reason, and cleanliness in my single-minded fever to unearth the lurking fear.

He closed the door behind her and turned, blocking her view of the surprisingly neat room to crowd her against the door. “I’ve wanted to do this all week. Even dreamed about it this morning.” And he touched his lips to hers. She curved into the warmth of his body, wrapping her arms around his shoulders, her fingers tunneling through his hair as he dipped his tongue between her parted lips, stroking, playing, teasing.

tour of quantum mechanics. For our purposes, the main points are that in the view of most of the savants, the subatomic universe works on a level that is fundamentally indeterministic on both an ontic and epistemic level. Particles can be in multiple places at once, can communicate with each other over vast distances faster than the speed of light, making both space and time fundamentally suspect, and can tunnel through solid objects. As we’ll now see, that’s plenty enough for people to run wild when proclaiming free will.

The raid comes without warning, like a team of Juvie-rounders in the night. A real special-ops team—nothing like the playacting kids Starkey calls special ops. The invaders tranq the storks guarding the entrance to the mine before they can even raise their weapons and flood into the tunnels, tranq’ing anyone who comes into view. Their directive is simple: Get to Mason Starkey. The commotion wakes kids deeper in the mine in time for them to scramble for weapons, which they’ve learned to use without hesitation and without fear. They bring several of the intruders down, but there are more behind them—and this force is armed with weapons the storks have never seen: squad machine guns that spray tiny tranq-tipped darts at such an alarming rate, they create an inescapable wall of unconsciousness before them. The layers of protection surrounding Starkey peel away until he’s exposed and vulnerable before the invading force. Starkey swings his own weapon up, but fumbles with it just long enough for his attackers to grab it and grab him. The entire operation is over in less than five minutes.

Ducking beneath the low-hanging limbs of giant trees, she churned slowly through thicket for more than a hundred yards, as easy turtles slid from water-logs. A floating mat of duckweed colored the water as green as the leafy ceiling, creating an emerald tunnel. Finally, the trees parted, and she glided into a place of wide sky and reaching grasses, and the sounds of cawing birds. The view a chick gets, she reckoned, when it finally breaks its shell. Kya tooled along, a tiny speck of a girl in a boat, turning this way and that as endless estuaries branched and braided before her. Keep left at all the turns going out, Jodie had said. She barely touched the throttle, easing the boat through the current, keeping the noise low. As she broke around a stand of reeds, a whitetail doe with last spring's fawn stood lapping water. Their heads jerked up, slinging droplets through the air. Kya didn't stop or they would bolt, a lesson she'd learned from watching wild turkeys: if you act like a predator, they act like prey. Just ignore them, keep going slow. She drifted by, and the deer stood as still as a pine until Kya disappeared beyond the salt grass.

Autopilot is the enemy of boldness, because autopilot equals tunnel vision. When you operate on autopilot, you reflexively do the same things, over and over, because you haven’t paused long enough to consider a more conscious choice. On autopilot, you can access just a narrow slice of the possibilities around you. In fact, the aperture is so narrow that you become literally blind to the options. You’re being carried by habit, by momentum, rather than going where you intentionally point your headlights. Hell, on autopilot, you don’t even need to check whether you even have headlights, because you’re not actually driving. You’re just drifting. But when you get more intentional about the choices you make—no matter how small or seemingly inconsequential—the lens through which you view those choices begins to open up. The realm of what is possible widens and you can see just how many more chances life offers to align to your preferences and values, through your discernment, to your deeper being. Change starts with acknowledging the life you’re living doesn’t line up with the life you want. From there, it’s about getting off autopilot. Then you can make decisions that honor and support that most holy part within you.

Do you remember that movie we saw when we were little?” I begin. “The Great Escape—we watched it with Dad at least seven or eight times. It was about these American pilots in a German POW camp who dig this long, long tunnel that runs the length of the compound. But, on the night of the escape, when they reach the end of the tunnel, they realize they’re six meters short of the forest. Their calculations had been off by six meters! They’ve got no choice but to risk their necks and make a run for it, in plain view of the guards. Do you remember?” “No,” she says indifferently. “Whatever. What I’m trying to say is: Being with a woman is like sticking your head out of the tunnel and discovering that you’ve actually dug through those last few meters.

Soon, said the artists, ignoring him, there would be nothing left but a series of long subterranean tubes covering the surface of the planet. The air and light inside them would be artificial, the ozone and oxygen layers of Planet Earth having been totally destroyed. People would creep along through this tubing, single file, stark naked, their only view the asshole of the one before them in the line, their urine and excrement flowing down through vents in the floor, until they were randomly selected by a digitalized mechanism, at which point they would be sucked into a side tunnel, ground up, and fed to the others through a series of nipple-shaped appendages on the inside of the tube. The system would be self-sustaining and perpetual, and would serve everybody right.

Since the volume of the Elephant’s Foot alone could not account for all the missing fuel, the team turned their attention to the room directly beneath the reactor, where they had already detected enormous levels of heat and radioactivity. Without access to a robot small enough to squeeze down the narrow tunnel they drilled into a wall, the team was forced to improvise. A plastic toy Army tank was bought from a Moscow toy store for 15 Roubles and strapped together with a torch and camera. The makeshift robot’s images were abysmal, but a vague, gigantic mass could be seen within the room. Lacking proper protective equipment and unable to venture into many areas of the basement, the expedition scientists toiled for a further year to get a better view of the room. When at last they did, they found it devastated by the reactor explosion, but still there was no fuel.

A lot goes through your mind when you’re dying. What they say about life flashing before your eyes is true. You remember things from your childhood and adolescence—specific images, vivid and real, like brilliant sparks of light exploding in your brain. Somehow you’re able to comprehend the whole of your life in that single instant of reflection, as if it were a panoramic view. You have no choice but to look at your decisions and accomplishments—or lack of them—and decide for yourself if you did all that you could do. And you panic just a little, wishing for one more chance at all the beautiful moments you didn’t appreciate, or for one more day with the person you didn’t love quite enough. You also wonder in those frantic, fleeting seconds, as your spirit shoots through a dark tunnel, if heaven exists on the other side, and if so, what you will find there. What will it look like? What color will it be? Then you see a light—a brilliant, dazzling light—more calming and loving than any words can possibly describe, and everything finally makes sense to you. You are no longer afraid, and you know what lies ahead. Sunshine and Rain

Senator Lieberman took it as a call to arms. "After watching these society. violent video games," he said, "I personally believe it is irresponsible for some in the video game industry to produce them. I wish we could ban them." This wasn't the first time that America's political and moral estab lishment had tried to save youth from their own burgeoning culture. Shortly after the Civil War, religious leaders assailed pulp novels as "Satan's efficient agents to advance his kingdom by destroying the young. rupter "In the twenties, motion pictures were viewed as the new cors/ of children, inspiring sensational media-effects research that would be cited for decades. In the fifties, Elvis was shown only from the waist up on television; AD magazine's publisher, William Gaines. was brought before Congress. In the seventies, Dungeons and Dragons with all its demons and sorcery, became associated with Satanist particularly after a player enacting the game disappeared under the steam tunnels of a Michigan university. In the eighties, heavy metal artists like Judas Priest and Ozzy Osbourne were sued for allegedly invoking young listeners to commit suicide. In the nineties, video games were the new rock 'n' roll-dangerous and uncontrolled.

It could be that God has not absconded but spread, as our vision and understanding of the universe have spread, to a fabric of spirit and sense so grand and subtle, so powerful in a new way, that we can only feel blindly of its hem. In making the thick darkness a swaddling band for the sea, God ‘set bars and doors’ and said, ‘hitherto shalt thou come, but no further.’ But have we come even that far? Have we rowed out to the thick darkness, or are we all playing pinochle in the bottom of the boat? Cruelty is a mystery, and the waste of pain. But if we describe a world to compass these things, a world that is a long, brute game, then we bump up against another mystery: the inrush of power and light, the canary that sings on the skull. Unless all ages and races of men have been deluded by the same mass hypnotist, there seems to be such a thing as beauty, a grace wholly gratuitous. If these tremendous events are random combinations of matter run amok, the yield of millions of monkeys at millions of typewriters, then what is it in us, hammered out of those same typewriters, that they ignite? Our life is a faint tracing on the surface of mystery, like the idle, curved tunnels of leaf miners on the face of a leaf. We must somehow take a wider view, look at the whole landscape, really see it, and describe what’s going on here. Then we can at least wail the right question into the swaddling band of darkness, or, if it comes to that, choir the proper praise.

In 1935, three years before his death, Edmund Husserl gave his celebrated lectures in Vienna and Prague on the crisis of European humanity. For Husserl, the adjective "European" meant the spiritual identity that extends beyond geographical Europe (to America, for instance) and that was born with ancient Greek philosophy. In his view, this philosophy, for the first time in History, apprehended the world (the world as a whole) as a question to be answered. It interrogated the world not in order to satisfy this or that practical need but because "the passion to know had seized mankind." The crisis Husserl spoke of seemed to him so profound that he wondered whether Europe was still able to survive it. The roots of the crisis lay for him at the beginning of the Modern Era, in Galileo and Descartes, in the one-sided nature of the European sciences, which reduced the world to a mere object of technical and mathematical investigation and put the concrete world of life, die Lebenswelt as he called it, beyond their horizon. The rise of the sciences propelled man into the tunnels of the specialized disciplines. The more he advanced in knowledge, the less clearly could he see either the world as a whole or his own self, and he plunged further into what Husserl's pupil Heidegger called, in a beautiful and almost magical phrase, "the forgetting of being." Once elevated by Descartes to "master and proprietor of nature," man has now become a mere thing to the forces (of technology, of politics, of history) that bypass him, surpass him, possess him. To those forces, man's concrete being, his "world of life" (die Lebenswelt), has neither value nor interest: it is eclipsed, forgotten from the start.

Trumpets blared. ’Denham’s Dentifrice.’ Shut up, thought Montag. Consider the lilies of the field. ’Denham’s Dentifrice.’ They toil not — ’Denham’s —’ He tore the book open and flicked the pages and felt them as if he were blind, he picked at the shape of the individual letters, not blinking. ’Denham’s. Spelled: D-E-N —’ They toil not, neither do they … A fierce whisper of hot sand through empty sieve. ’Denham’s does it!’ Consider the lilies, the lilies, the lilies … ’Denham’s dental detergent.’ ‘Shut up, shut up, shut up!’ It was a plea, a cry so terrible that Montag found himself on his feet, the shocked inhabitants of the loud car staring, moving back from this man with the insane, gorged face, the gibbering, dry mouth, the flapping book in his fist. The people who have been sitting a moment before, tapping their feet to the rhythm of Denham’s Dentifrice, Denham’s Dandy Dental Detergent, Denham’s Dentifrice Dentifrice Dentifrice, one two, one two three, one two, one two three. The people whose mouths had been faintly twitching the words Dentifrice Dentifrice Dentifrice. The train radio vomited upon Montag, in retaliation, a great ton-load of music made of tin, copper, silver, chromium, and brass. The people were pounded into submission; they did not run; there was no place to run; the great air-train fell down its shafts in the earth. ’Lilies of the field.’ ’Denham’s.’ ’Lilies, I said!’ The people stared. ’Call the guard.’ ’The man’s off —’ ’Knoll View!’ The train hissed to its stop. ’Knoll View!’ A cry. ’Denham’s.’ A whisper. Montag’s mouth barely moved. ‘Lilies …’ The train door whistled open. Montag stood. The door gasped, started shut. Only then did he leap past the other passengers, screaming his mind, plunge through the slicing door only in time. He rain on the white tiles up through the tunnels, ignoring the escalators, because he wanted to feel his feet move, arms swing, lungs clench, unclench, feel his throat go raw with air. A voice drifted after him, ‘Denham’s Denham’s Denham’s,’ the train hissed like a snake. The train vanished in its hole.

… The frayed and gritty edges of everyone’s world were being worried away by neighbors you’d never noticed until the air spilled over with the tragedy of their loss. The war had taken them or their children; killed them, lost them, torn off body parts, shipped them back brain-fried…. … Tales fell from hearts in heavy, wet tones of grief and confusion…. … Even when rare moments of relative calm and clarity crept briefly through our days, they crawled in with head hanging through that most familiar of all tunnels, our sense of loss. Each new friend seemed only to step in and announce himself with his last breath. Why hadn’t we loved him earlier when there had been more time? That overriding sense of loss was the dismal cloud through which you viewed the world. Dreading life’s relentless advance, but knowing your locks could never keep it out…. … As the late 60’s gave in and died, and I trudged through my first year as an art student in college, even the old folks were growing up. Their World War II glories clouded over. Someone had shot the president, his brother, and a great civil rights leader, dragging us all out of our warm, snuggly innocence. People seemed infested by life, burdened by the stifling weight of it, until we could only force shallow, labored breaths. Each new day was just an old one playing through again, a dust-laden August, a storm always riding right on top of you that never quite cut loose. It settled into your joints until they grew achy, too heavy to lift; tarring all hearts with a dark, heavy plaque. Days stuck together as walking and breathing grew tedious. Until even my bubbly sister couldn’t offer up a smile without a shadow lurking inside it. We trudged through life as our mighty nation killed our sons and broke our buddies, defending itself from skinny barefoot farmers with sticks, in rice swamps somewhere on the other side of existence, where you couldn’t tell the good guys from the bad. Some lost tiny nowhere that hadn’t even existed when you’d been a kid; when the world had been innocent and untainted. Back when Father Knew Best, Beaver’s mom fed his dad all the answers, and Annie Oakley never had to shoot to kill…. - From “Entertaining Naked People

At the last minute, he broke the rule and he looked. He was so rapt in his view of the light at the end of the tunnel, he got excited, tuned up, he got crazy nervous and for a second he wavered in his confidence and he looked! To confirm or affirm or just firm up,’ students laughing ‘his manly love for her and in that motion of divine stupidity, he killed her dead forever with a glance. Hades ripped her back into his den and that was, proverbially, that.’ A girl across from me says bitterly, ‘No second, second chance for Orpheus.’ ‘He was fucked,’ D continues, nodding. ‘Not because the gods were heartless, but because he fucked up. The guilt of that. Can you imagine? Spent the rest of his pathetic days wallowing, lamenting, composing (or was it decomposing?) heartbreaking tunes upon his lyre, dissolving in grief and music and art, never being the least bit happy or lovable. The saddest sap of all. How do we tell a story like that without being sappy? Oh woe! How do we shape into lines our most harrowing mistakes and losses without drenching them in sticky poetic sap?

The organization of insect colonies involves several mysterious features quite apart from the prodigious complexity of the social organization itself. For example, in his studies of South African termites, the naturalist Eugene Marais found that they could speedily repair damage to the mounds, rebuilding tunnels and arches, working from both sides of the breach he had made, and meeting up perfectly in the middle, even though the individual insects are blind. He then carried out a simple but fascinating experiment. He took a large steel plate several feet wider and higher than the termitary and drove it right through the center of the breach so that it divided the mound, and indeed the entire termitary, into two separate parts: The builders on one side of the breach know nothing of those on the other side. In spite of this the termites build a similar arch or tower on both sides of the plate. When eventually you withdraw the plate, the two halves match perfectly after the dividing cut has been repaired. We cannot escape the ultimate conclusion that somewhere there exists a preconceived plan which the termites merely execute. From the present point of view, such a plan would exist within the morphic field of the colony as a whole. By morphic resonance, this would contain a collective memory of all similar termite colonies in the past, as well as a memory of the colony's own past, by self-resonance.

Healing is not a straight and narrow road that leads from darkness to light. There's no sudden epiphany to take us from despair to serenity, no orchestrated steps to move us from hurting to healed. Healing is a winding mountain road with steep climbs and sudden descents, breathtaking views and breath-stealing drop-offs, dark tunnels and blinding exposures, dead ends and endless backtracks, rest stops and break downs, sheer rock walls and panoramic vistas. Healing is a journey with no destination, because healing is the journey of every lifetime.

But Fushimi-inari is not one site to be viewed from one angle; it is an experience that you must pass through, like dreaming. At the entrance is an enormous cinnabar-red torii gate, and beyond that, an outdoor stage and main hall. Before the main hall are two large fox statues: one with its mouth open, the other holding a key in its teeth. (Foxes are considered to be magical creatures, with the ability to bewitch human beings.) Above the entrance is a banner with another symbol of Inari, a flaming jewel, which also represents occult power. Behind the main hall is a procession of several hundred red torii, lined up so close together that they make a tunnel. Most visitors walk through this row of gates, then return home feeling a little disappointed. But they have turned back at the entrance to the dreamworld.

A positive emotional state is ideal for creative thought, but it is not very well suited for getting things done. Too much, and we call the person scatterbrained, flitting from one topic to another, unable to finish one thought before another comes to mind. A brain in a negative emotional state provides focus: precisely what is needed to maintain attention on a task and finish it. Too much, however, and we get tunnel vision, where people are unable to look beyond their narrow point of view. Both the positive, relaxed state and the anxious, negative, and tense state are valuable and powerful tools for human creativity and action. The extremes of both states, however, can be dangerous.

Great dark wings were spreading out from the alcove. The air undulated. Kendra felt like she was viewing the basement from far away, through a narrow tunnel. Hugo

when America entered the era of the automobile, there was a noticeable tendency for the affluent of American cities to build their homes on the east side of town rather than the west. This occurred when it was noticed that with this arrangement, the motorist had the sun behind him and not blazing in his eyes when he drove to work in the morning, and behind him again when he drove home at night. But why this notion should have persisted in Manhattan to the present day—when hardly any New Yorkers drive themselves to and from work—is unclear. Compared with the airy views available to those who live on unfashionable Central Park West, those who live on the East Side’s fashionable Park Avenue live along a boring, airless tunnel of granite and glass, where apartment buildings merely look at one another.

The tunnel was massive. Its grey concrete walls were illuminated by orange bursts of light that flashed overhead. The roar of the GTR and the high-pitched whine of the turbo-charged Acura merged in an unholy mechanical scream. As they shot past the traffic at the entrance, the cars behind them slowed to a crawl. For a brief second, they were alone in the tunnel, like two shiny bullets racing down the barrel of a gun. Here on the smooth straightaway of the tunnel, Caine’s powerful GTR had the advantage. He closed the gap, pulling up next to the Acura. He saw the driver glance over at him, his brow furrowed in determination. Caine turned his eyes back to the road. A sea of blinking red tail lights filled his view: they had caught up with the tunnel traffic.

Usually we perceive things through a sort of ‘tunnel vision’. If we have been chronically unhappy, for instance, we tend to see things through that prism. And with a particular problem in mind, anything that doesn’t immediately seem relevant drops out of our field of view.

Our life is a faint tracing on the surface of mystery, like the idle, curved tunnels of leaf miners on the face of a leaf. We must somehow take a wider view, look at the whole landscape, really see it, and describe what’s going on here. Then we can at least wail the right question into the swaddling band of darkness, or, if it comes to that, choir the proper praise.

Now queer communities are an entirely different thing. That would be like if you decided to round up all of the people who have ever bicycled through the Posey Tube and put them all in the same room together. At first, you would all bond over your shared experiences traversing and surviving the tunnel. There would be expressions of Posey Tube Pride abound, and it would no doubt be a wonderful affair. But fairly shortly after that, you would all start to realize that you have nothing in common with one another aside from this one thing. After all, you each come from different backgrounds and have different personal and political views. Not to mention different bicycles!

But from a spiritual point of view, an apocalyptic manifestation should be regarded as a moment of profound transformation of human nature such as a passage from evil to good so that the planet becomes mainly beneficially oriented.  Because now, as you can easily see for yourself, the major tendency is towards regression, amplification of evil and perversity.  And if this situation has been perpetuated until now, the time of ‘drawing the line’ will also come and the huge negative accumulation in karma can lead to ‘compensations’ measuring up to the people who led to these accumulations

Practice & Ash 2. Scales of the Malefic Viper 3. Lucenti Plains 4. Pondering on Ponds 5. Introspection 6. Intermission 1 – Viridia (1/2) 7. Intermission 1 – The Malefic Viper (2/2) 8. Moment of Curiosity 9. Cleaning Up the Plains 10. The Great White Stag 11. No Rest for the Wicked 12. Loot & Healing 13. True Protagonist 14. Into the Dark 15. The Right Way 16. Dark Mana & Dark Tunnels 17. Many Rats! Handle it! 18. Dark Attunement 19. Nest Watcher 20. A Final Gift 21. Willful Ignorance 22. The Balance Broken 23. Beers & Exposition 24. Of Fate & Destiny 25. William & Jake 26. Spring Cleaning = Loot 3.0 27. Valley of Tusks 28. Going with the Flow 29. The Right Way Forward 30. Mana 101 31. A Thoughtful Touch 32. Pigs for Slaughter 33. Limit Break 34. Falling Rocks 35. Horde Leader 36. Next Target: King of the Forest 37. King 38. Eclipse 39. Fall 40. When the Curtains Fall 41. Tutorial Rewards: Titles & Math 42. Tutorial Rewards: Narrowing Down Options 43. Tutorial Rewards: Getting Stuff 44. Intermission 2 - Life after Death (Casper) 45. Records 46. A Godlike Getaway 47. Danger Bath 48. Second Part? 49. Embracing Power 50. Defiance & Gains 51. You know, I'm something of a sage myself 52. Homecoming 53. Intermission 3 - Carmen 54. Intermission 4 - Noboru Miyamoto 55. Intermission 5 - Eron 56. The Blue Marble 57. One Step Mile 58. Pylon of Civilization 59. Intermission 6 - Matteo (1/2) 60. Intermission 6 - Matteo (2/2) 61. The Times They Are A-Changin' 62. Monsters 63. Living with the Consequences 64. Points of View 65. Going Down 66. Two Kinds of People 67. Big Blue Mushroom 68. Delegating (avoiding) Responsibilities 69. Construction Plans 70. First World Problems 71. How to Train Your Dragon Wings 72. Freedom

Ever since I realised that depression lied about the future I have wanted to write a book about my experience, to tackle depression and anxiety head-on. So this book seeks to do two things. To lessen that stigma, and - the possibly more quixotic ambition to try and actually convince people that the bottom of the valley never provides the clearest view. I wrote this because the oldest clichés remain the truest. Time heals. The tunnel does have light at the end of it, even if we aren't able to see it. And there's a two-for-one offer on clouds and silver linings. Words, just sometimes, can set you free.

But Elodie didn’t waste time with the view. She hadn’t gotten to the helm of the company by daydreaming. At fifty-three years old, she was a woman with tunnel vision, and her focus at the moment was the party she was hosting tomorrow night.

Rolling across the floor, she reached Vigor. The monsignor crouched near the top of the firepit tunnel. She handed him her gun. “Down,” she ordered. “Shoot anybody that comes into view.” “What about you?” “No, don’t shoot me.” “I mean where are you going?

It was hard to imagine the icy water thawed and re-sealing, or the sky returning to a lively blue. She had a sense of contraction, of huddling against the weather. Later, it figured in her mind as Stalinist classicism, the wind tunnel of the vast and inhuman Karl-Marx-Allee, and the shapes of people in padded jackets bending against the cruel air. A scene from Eisenstein, perhaps, with a gelid lens and the special effects of monumental vision, swollen by an aerial view and historical misery. Black outlines on white snow, impersonality, extinguishment. Exaggeration of this kind was irresistible. In that early, fierce cold, Berliners coped better.

My life was destined to eternal hell and no matter what way I turned, it led in that same direction. My guardian angel had a messed up sense of humor. Just when I thought I could see a glow at the end of the tunnel, another obstruction blocked my view and everything went dark. A metaphor for my life.

We see most big problems as information problems, which means that with enough data and the ability to crunch it, virtually any challenge facing humanity today can be solved. We think computers will serve at the behest of people—all people—to make their lives better and easier. And we are quite sure that we, as a couple of Silicon Valley guys, will come under a lot of criticism for this Pollyannaish view of the future. But that doesn’t matter. What matters is that there is a bright light at the end of the tunnel.

Thus much of our Western thinking is not scientific and objective but is orientated through a one-eyed perspective which reflects the prejudiced values of the West, and which necessarily prevents the enquirer from seeing the full picture. This is equivalent to what Blaut calls 'Eurocentric tunnel history'.32 What happens, then, when we view the world through a more inclusive two-eyed perspective?

To minimize the sense of confinement, one of our video channels provided a breathtaking view of our journey, as seen from a helicopter flying low over the landscape, following our exact route on a lovely spring day. The photographic sequence had been speeded up so that each view corresponded in real-time to a point directly above our location deep underground in the floater tunnel. That was, I concluded, a rather easy trick technically, because all the photographic information obtained in the original helicopter flight was stored electronically for easy recall.

As the fierce battle raged on between Prince Assad and the soldiers, the small puddle nestled amidst the underbrush continued to mirror the night sky and the radiant moon. Its surface rippled gently, distorting the celestial reflection and adding an entrancing aura to the scene. Within the puddle's depths, a bright, luminescent orb seemed suspended in the water's embrace, mirroring the moon's radiance. Amidst the enchanting dance of ripples in the puddle, Dilaram, Princess Mehjabeen's loyal companion emerged, took a deep breath, and made a daring decision. She knew the danger that Prince Assad faced in the relentless battle with the soldiers, and her love and loyalty to the princess drove her to act. With her heart pounding, Dilaram raised her delicate hands and began whispering an incantation, her words imbued with ancient magic. Dilaram's incantation, born from the depths of her love and loyalty to Princess Mehjabeen, was a powerful spell that wove together the mystical forces of Tilsim Hoshruba. It was an incantation that had been passed down through generations of enchantresses, carefully guarded and used only in the direst of circumstances. The incantation itself was a blend of ancient words and intricate hand movements, a delicate dance of both spoken and unspoken magic. As Dilaram whispered the words and traced the patterns in the air, the spell took form: "By the moon's radiant light, by the heart's unwavering might, In the name of love, in the name of fate, Create for him an unseen gate." As Dilaram continued her chant, the magic came to life. It created a shimmering tunnel amidst the swampy underbrush. Prince Assad, still embroiled in combat, continued to face the soldiers with unwavering determination. His every strike was a testament to his prowess as a skilled warrior. Dilaram's incantation worked like a silent, invisible wind. It pulled Prince Assad away from the battlefield and into the concealed tunnel she had created. The soldiers, bewildered by his sudden disappearance, exchanged confused glances, their swords raised and ready. Within the concealed tunnel, Prince Assad was transported to safety, away from the immediate danger of the soldiers' blades. As he stepped into this mystical passage, the world around him shifted, and he found himself hidden from view. Dilaram's work was not done yet. Her incantation had created the gate, and now she whispered another set of words: "Through the veil of night, beyond the soldiers' sight, Guide him to where he'll be free, under the moon's decree." This incantation was designed to lead Prince Assad to a safe location, away from the soldiers' pursuit. It was as if the night itself had become his protector, guiding him to a place where he could regroup and remain hidden. With her final words, the portal shimmered and then vanished, leaving no trace of its existence. Dilaram, her heart heavy with concern for Prince Assad, disappeared inside the puddle, from where she had initiated the spell. She knew that the fate of both Prince Assad and Princess Mehjabeen hung in the balance, and the path they would choose was a destiny intertwined with the enigmatic realm of Tilsim Hoshruba.

THE CITY Our story begins in a city, with buildings and streets and bridges and parks. Humans were strolling, automobiles were driving, airships were flying, robots were hard at work. Weaving through the city streets was a delivery truck. The truck knew where to go, and how to get there, all by itself. It pulled up to a construction site and automatically unloaded some crates. A few more turns and it unloaded more crates down at the docks. The truck zigged and zagged across the city, delivering crates as it went, and then it merged onto a highway. Cars and buses and trucks were cruising along the highway together. But as the delivery truck continued, the traffic became lighter, the buildings became smaller, and the landscape became greener. With nothing but open road ahead, the truck accelerated to its top speed. The landscape outside was now just a green blur, occasionally broken by a flicker of gray as a town flew past. On and on the delivery truck went, racing over long bridges, shooting through mountain tunnels, gliding down straight stretches of highway, until it started to slow. It drifted from the fast lane to the exit lane, and then it rolled down a ramp and into farm country. Clouds of dust billowed up behind the truck as it drove past fields and fences. In the hazy distance, enormous barns loomed above the plains. The air was thick with the smells of soil and livestock. Robot crews methodically worked the crops and fed the animals and operated the massive farm machines. A hill gradually climbed into view. The hill was crowned with

A lot goes through your mind when you’re dying. What they say about life flashing before your eyes is true. You remember things from your childhood and adolescence—specific images, vivid and real, like brilliant sparks of light exploding in your brain. Somehow you’re able to comprehend the whole of your life in that single instant of reflection, as if it were a panoramic view. You have no choice but to look at your decisions and accomplishments—or lack of them—and decide for yourself if you did all that you could do. And you panic just a little, wishing for one more chance at all the beautiful moments you didn’t appreciate, or for one more day with the person you didn’t love quite enough. You also wonder in those frantic, fleeting seconds, as your spirit shoots through a dark tunnel, if heaven exists on the other side, and if so, what you will find there. What will it look like? What color will it be? Then you see a light—a brilliant, dazzling light—more calming and loving than any words can possibly describe, and everything finally makes sense to you. You are no longer afraid, and you know what lies ahead.

Queen Coral tried flashing some more questions at Tsunami, but finally she flapped her wings and pointed to the surface. Tsunami pressed the egg to her chest and followed her mother, up and up and up through winding tunnels and cavernous palace rooms, through emerald-studded coral and pearl-laced curtains of golden sea grass. They swam to the top of the palace, where a guard stood watch over a view for miles underwater.

human view of reality is little short of pathetic. Our normal reality is like each of us living in a tiny, windowless cell in a house that contains a hundred thousand rooms and covers a thousand acres of land, We believe that the cell is all there is, so we live in it isolated and alone. What is even sadder is that if a few people like me manage to tunnel out of their cells and see some of the other rooms awaiting entry, the majority of people think we are imagining things.

The surface of the Mediterranean is lower than the Atlantic by as much as twenty centimeters, a declivity created by prevailing winds and the rapid evaporation of this warm salty lake between Europe and Africa. The effect is most noticeable at the Strait of Gibraltar, where surface currents run steadily eastward in a flow that peaks at each high tide, like the slow pulsing of blood in some great aorta. Combined with the vendaval, this is today making our navigational goal feel a bit like digging a tunnel with a spoon. A light wind develops from the north, at first a gentle exhalation and before long enough to ruffle the sea surface and raise the occasional crest of foam. We shut down our engine and set sail, exulting in the sudden silence.

P2 - We are well on the way in a number of areas. Both billionaires and big Pharma are getting increasingly interested and money is starting to pour into research because it is clear we can see the light at the end of the tunnel which to investors equates to return on investment. Numerous factors will drive things forward and interest and awareness is increasing rapidly among both scientists, researchers and the general population as well as wealthy philanthropists. The greatest driving force of all is that the baby boomers are aging and this will place increasing demands on healthcare systems. Keep in mind that the average person costs more in medical expenditure in the last year of their life than all the other years put together. Also, the number of workers is declining in most developed countries which means that we need to keep the existing population working and productive as long as possible. Below are a list which are basically all technologies potentially leading to radical life extension with number 5 highlighted which I assume might well be possible in the second half of the century: 1. Biotechnology - e.g stem cell therapies, enhanced autophagy, pharmaceuticals, immunotherapies, etc 2. Nanotechnology - Methods of repairing the body at a cellular and molecular level such as nanobots. 3. Robotics - This could lead to the replacement of increasing numbers of body parts and tends to go hand in hand with AI and whole brain emulation. It can be argued that this is not life extension and that it is a path toward becoming a Cyborg but I don’t share that view because even today we don’t view a quadriplegic as less human if he has four bionic limbs and this will hold true as our technology progresses. 4. Gene Therapies - These could be classified under the first category but I prefer to look at it separately as it could impact the function of the body in very dramatic ways which would suppress genes that negatively impact us and enhance genes which increase our tendency toward longer and healthier lives. 5. Whole brain emulation and mindscaping - This is in effect mind transfer to a non biological host although it could equally apply to uploading the brain to a new biological brain created via tissue engineering this has the drawback that if the original brain continues to exist the second brain would have a separate existence in other words whilst you are identical at the time of upload increasing divergence over time will be inevitable but it means the consciousness could never die provided it is appropriately backed up. So what is the chance of success with any of these? My answer is that in order for us to fail to achieve radical life extension by the middle of the century requires that all of the above technologies must also fail to progress which simply won't happen and considering the current rate of development which is accelerating exponentially and then factoring in that only one or two of the above are needed to achieve life extension (although the end results would differ greatly) frankly I can’t see how we can fail to make enough progress within 10-20 years to add at least 20 to 30 years to current life expectancy from which point progress will rapidly accelerate due to increased funding turning aging at the very least into a manageable albeit a chronic incurable condition until the turn of the 22nd century. We must also factor in that there is also a possibility that we could find a faster route if a few more technologies like CRISPR were to be developed. Were that to happen things could move forward very rapidly. In the short term I'm confident that we will achieve significant positive results within a year or two in research on mice and that the knowledge acquired will then be transferred to humans within around a decade. According to ADG, a dystopian version of the post-aging world like in the film 'In Time' not plausible in the real world: "If you CAREFULLY watch just the first

Whether the challenge is political or personal, effective remedies differ from individual to individual. But solutions always involve altering perspective, replacing tunnel vision with an expanded view that lets in more light and more possibilities—the oxygen upon which hope thrives.

A long historical view not only helps us to keep calm in a "time of trouble" but reminds us that there is an end to the longest tunnel. Even if we can see no good hope ahead, an historical interest as to what will happen is a help in carrying on. For a thinking man, it can be the strongest check on a suicidal feeling. I would add that the only hope for humanity, now, is that my particular field of study, warfare, will become purely a subject of antiquarian interest. For with the advent of atomic weapons we have come either to the last page of war, at any rate on the major international scale we have known in the past, or to the last page of history.

The view out the window was too much—the whoosh through the tunnel, the bright subway ads flashing by, taunting her with offers for travel insurance, human-sized pictures of chocolate bars . . . all the flotsam and jetsam of life. Numbers and houses and futures and food. Why did all this stuff have to fly into her face? Who needed it all? Why go this fast?

The landscape has an intricate numinous geography; it is charged with meaning that must be respected and heeded. The earth, in this view, is not something to be left alone; the wak’a that litter Peruvian anthropological sites are often partly sculpted, as if they had needed some human attention to manifest their sacred qualities. Thus the human-made tunnels into the temple were part of what made it embody the power of a mountain. As I walked down the dimly lighted corridor toward where the torchlit deity had stood, my fingers ran along the walls created by Chavín craftworkers. They were fit beautifully into place and as cold and hard as the mountains they came from. But they did not gain their power without my hand to close the circuit. The natural world is incomplete without the human touch.

Anne Kihagi Explores San Francisco’s Best Cultural Attractions The city of San Francisco offers many museums and enriching cultural attractions. Here, Anne Kihagi explores three of the city’s best ones to visit shared in 3 part series. California Academy of Sciences The California Academy of Sciences houses several attractions under one roof sure to interest visitors of all ages. Offering an aquarium, a natural history museum, and a planetarium, the academy also boasts a 2.5-acre living roof. The venue is also home to various educational and research programs. The academy’s featured exhibits include the Steinhart Aquarium, which has 40,000 species, and the Osher Rainforest, which is a four-level exhibit with butterflies and birds. The academy has several long-standing exhibits like the Philippine Coral Reef, the Human Odyssey, the Tusher African Hall, and the California Coast. There are three exhibits for the academy’s youngest visitors to enjoy. The Naturalist Center features live species and educational games and films, while the Curiosity Grove is a California forest-themed play area. Finally, the Discovery Tidepool allows children to interact with California tidepool species.The academy also offers sleepovers for their youngest visitors. Children will be able to view the exhibits after-hours and enjoy milk and cookies before bed. They can choose to sleep in areas such as the flooded forest tunnel or the Philippine Coral Reef. The academy’s newest exhibits include the planetarium show Passport to the Universe, 400 gemstones and minerals in the geology collection, and the Giants of Land and Sea that showcases the northern part of the state’s natural wonders. You can visit the academy Monday through Saturday from 9:30 AM – 5:00 PM and on Sundays from 11:00 AM – 5:00 PM. Visitors who are 21 and older can attend the academy’s NightLife on Thursdays from 6:00 – 10:00 PM. General adult admission is $35.95 and senior citizen admission (65+ with ID) is $30.95. Child admission (ages 4-11) is $25.95, while youth admission (ages 12-17) is $30.95. Children under three receive free admission.

I know,” Menelaou said. “But it’ll be decided way higher up the food chain.” Alexei raised his eyebrows at Jack. He whispered: “Ball-breaker.” Jack suppressed a laugh. They pushed off and floated out of the tunnel, into Central Port. There was no ‘up’ and ‘down’ on the ISS, but the little portholes set into one wall, framing views of Earth, made that wall feel like the floor, and that’s the way Menelaou and Howard were oriented. “Hi, Kate,” Alexei said. “I’m just showing Jack around. It’s his first time on-station.

Beneath a plateau in southern Africa, late in the nineteenth century, miners crawl through miles of narrow tunnel – cut deeper underground here than anywhere else on Earth at this time – lugging ore from a sunken reef of gold. Some of these men, who have migrated to the area in their thousands to work, will die soon in rockfalls and accidents. More will die slowly of silicosis from breathing the rock dust down there in the killing dark, year after year. Here the human body is largely disposable in the view of the corporations that own the mine and the markets that drive it: a small, unskilled tool of extraction to be replaced when it fails or wears out. The ore the men bring up is crushed and smelted, and the wealth it yields lines the pockets of shareholders in distant countries.

my view of the future had narrowed to tunnel vision, aimed squarely at the next week, next month . . . would I have a next year? I was carrying not only the burden of my sickness but the pressure of making something worthwhile of each day now that my towering stack of them had fallen into ruin and left me clutching at each hour as it slipped between my fingers.

The impulse to be looking constantly with central vision is part of a psychophysical syndrome which includes spinal fixation as another characteristic. Tunnel vision -- the use of the macula, or central portion of the retina, to the relative exclusion of the surrounding area -- is hard on/eyes and diminishes their visual potential; it accentuates selective fixation upon objects one after another, missing the whole view and seeing objects as separate from their larger context. It accompanies and fortifies a tunneling habit of mind, a tendency to, fasten onto particular issues or circumstances, to hold doggedly and sometimes with exaggerated emotionality to a point of view, and to be unable to contextualize or to find fresh responses.

over the ship’s skin. It also provided a view towards the rudder, some 245 meters away, an unbelievable sight. Since this was the coolest location within the ship, it also acted as a cold storage area for food to be served during the flight. With the exception of the forward and three rear cells, all gas cells were tailored in the form of a tunnel (or donut) to allow the catwalk sections to be assembled later. Each cell provided inflation sleeves, to allow the gas to expand, especially when temperatures