Tunes Of Glory Quotes

In speaking of this desire for our own far off country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you—the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both. We cannot tell it because it is a desire for something that has never actually appeared in our experience. We cannot hide it because our experience is constantly suggesting it, and we betray ourselves like lovers at the mention of a name. Our commonest expedient is to call it beauty and behave as if that had settled the matter. Wordsworth’s expedient was to identify it with certain moments in his own past. But all this is a cheat. If Wordsworth had gone back to those moments in the past, he would not have found the thing itself, but only the reminder of it; what he remembered would turn out to be itself a remembering. The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshipers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.

I Hear the sledges with the bells - Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells - From the jingling and the tinkling of the bells. II Hear the mellow wedding bells - Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! - From the molten - golden notes, And all in tune, What a liquid ditty floats To the turtle - dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! - how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells - Of the bells, bells, bells, bells, Bells, bells, bells - To the rhyming and the chiming of the bells! III Hear the loud alarum bells - Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now - now to sit, or never, By the side of the pale - faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear, it fully knows, By the twanging, And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells - Of the bells - Of the bells, bells, bells, bells, Bells, bells, bells - In the clamor and the clanging of the bells! IV Hear the tolling of the bells - Iron bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people - ah, the people - They that dwell up in the steeple, All alone, And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone - They are neither man nor woman - They are neither brute nor human - They are Ghouls: - And their king it is who tolls: - And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells: - Of the bells: Keeping time, time, time In a sort of Runic rhyme, To the throbbing of the bells - Of the bells, bells, bells: - To the sobbing of the bells: - Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells - Of the bells, bells, bells - To the tolling of the bells - Of the bells, bells, bells, bells, Bells, bells, bells, - To the moaning and the groaning of the bells.

And in "Elbow Room" the cast sings the glories of westward expansion in the United States, which involved the murder of native peoples and the violent conquest of half of Mexico. Among the lines in the song is one that intones, "There were plenty of fights / To win land right / But the West was meant to be / It was our Manifest Destiny?" Let it suffice to say that happily belting out a tune in which one merrily praises genocide is always easier for those whose ancestors weren't on the receiving end of the deal.

Jack or Donald marches away to glory with his knapsack on his shoulder, stepping out briskly to the tune of "The Girl I left behind me." It is she who remains and suffers,-- and has the leisure to think, and brood and remember.

Every blossoming flower warns you that it is time to seek the Lord; be not out of tune with nature, but let your heart bud and bloom with holy desires.

Hush!’ said the Cabby. They all listened. In the darkness something was happening at last. A voice had begun to sing. It was very far away and Digory found it hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself. There were no words. There was hardly even a tune. But it was, beyond comparison, the most beautiful noise he had ever heard. It was so beautiful he could hardly bear it… ‘Gawd!’ said the Cabby. ‘Ain’t it lovely?’ Then two wonders happened at the same moment. One was that the voice was suddenly joined by other voices; more voices than you could possibly count. They were in harmony with it, but far higher up the scale: cold, tingling, silvery voices. The second wonder was that the blackness overhead, all at once, was blazing with stars. They didn’t come out gently one by one, as they do on a summer evening. One moment there had been nothing but darkness; next moment a thousand, thousand points of light leaped out – single stars, constellations, and planets, brighter and bigger than any in our world. There were no clouds. The new stars and the new voices began at exactly the same time. If you had seen and heard it , as Digory did, you would have felt quite certain that it was the stars themselves who were singing, and that it was the First Voice, the deep one, which had made them appear and made them sing. ‘Glory be!’ said the Cabby. ‘I’d ha’ been a better man all my life if I’d known there were things like this.’ …Far away, and down near the horizon, the sky began to turn grey. A light wind, very fresh, began to stir. The sky, in that one place, grew slowly and steadily paler. You could see shapes of hills standing up dark against it. All the time the Voice went on singing…The eastern sky changed from white to pink and from pink to gold. The Voice rose and rose, till all the air was shaking with it. And just as it swelled to the mightiest and most glorious sound it had yet produced, the sun arose. Digory had never seen such a sun…You could imagine that it laughed for joy as it came up. And as its beams shot across the land the travellers could see for the first time what sort of place they were in. It was a valley through which a broad, swift river wound its way, flowing eastward towards the sun. Southward there were mountains, northward there were lower hills. But it was a valley of mere earth, rock and water; there was not a tree, not a bush, not a blade of grass to be seen. The earth was of many colours: they were fresh, hot and vivid. They made you feel excited; until you saw the Singer himself, and then you forgot everything else. It was a Lion. Huge, shaggy, and bright it stood facing the risen sun. Its mouth was wide open in song and it was about three hundred yards away.

I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.

These things--the beauty, the memory of our own past--are good images of what we really desire; but if they are mistaken for the thing itself, they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.

The Song Of The Happy Shepherd The woods of Arcady are dead, And over is their antique joy; Of old the world on dreaming fed; Grey Truth is now her painted toy; Yet still she turns her restless head: But O, sick children of the world, Of all the many changing things In dreary dancing past us whirled, To the cracked tune that Chronos sings, Words alone are certain good. Where are now the warring kings, Word be-mockers?—By the Rood, Where are now the watring kings? An idle word is now their glory, By the stammering schoolboy said, Reading some entangled story: The kings of the old time are dead; The wandering earth herself may be Only a sudden flaming word, In clanging space a moment heard, Troubling the endless reverie. Then nowise worship dusty deeds, Nor seek, for this is also sooth, To hunger fiercely after truth, Lest all thy toiling only breeds New dreams, new dreams; there is no truth Saving in thine own heart. Seek, then, No learning from the starry men, Who follow with the optic glass The whirling ways of stars that pass— Seek, then, for this is also sooth, No word of theirs—the cold star-bane Has cloven and rent their hearts in twain, And dead is all their human truth. Go gather by the humming sea Some twisted, echo-harbouring shell. And to its lips thy story tell, And they thy comforters will be. Rewording in melodious guile Thy fretful words a little while, Till they shall singing fade in ruth And die a pearly brotherhood; For words alone are certain good: Sing, then, for this is also sooth. I must be gone: there is a grave Where daffodil and lily wave, And I would please the hapless faun, Buried under the sleepy ground, With mirthful songs before the dawn. His shouting days with mirth were crowned; And still I dream he treads the lawn, Walking ghostly in the dew, Pierced by my glad singing through, My songs of old earth’s dreamy youth: But ah! she dreams not now; dream thou! For fair are poppies on the brow: Dream, dream, for this is also sooth.

These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself, they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard,

When she dies, you are not at first surprised. Part of love is preparing for death. You feel confirmed in your love when she dies. You got it right. This is part of it all. Afterward comes the madness. And then the loneliness: not the spectacular solitude you had anticipated, not the interesting martyrdom of widowhood, but just loneliness. You expect something almost geological-- vertigo in a shelving canyon -- but it's not like that; it's just misery as regular as a job. What do we doctors say? I'm deeply sorry, Mrs Blank; there will of course be a period of mourning but rest assured you will come out of it; two of these each evening, I would suggest; perhaps a new interst, Mrs Blank; can maintenance, formation dancing?; don't worry, six months will see you back on the roundabout; come and see me again any time; oh nurse, when she calls, just give her this repeat will you, no I don't need to see her, well it's not her that's dead is it, look on the bright side. What did she say her name was? And then it happens to you. There's no glory in it. Mourning is full of time; nothing but time.... you should eat stuffed sow's heart. I might yet have to fall back on this remedy. I've tried drink, but what does that do? Drink makes you drunk, that's all it's ever been able to do. Work, they say, cures everything. It doesn't; often, it doesn't even induce tiredness: the nearest you get to it is a neurotic lethargy. And there is always time. Have some more time. Take your time. Extra time. Time on your hands. Other people think you want to talk. 'Do you want to talk about Ellen?' they ask, hinting that they won't be embarrassed if you break down. Sometimes you talk, sometimes you don't; it makes little difference. The word aren't the right ones; or rather, the right words don't exist. 'Language is like a cracked kettle on which we beat out tunes for bears to dance to, while all the time we long to move the stars to pity.' You talk, and you find the language of bereavement foolishly inadequate. You seem to be talking about other people's griefs. I loved her; we were happy; I miss her. She didn't love me; we were unhappy; I miss her. There is a limited choice of prayers on offer: gabble the syllables. And you do come out of it, that's true. After a year, after five. But your don't come out of it like a train coming out of a tunnel, bursting through the Downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.

Suppose for a moment that you were allowed to enter heaven without holiness. What would you do? What possible enjoyment could you feel there? To which of all the saints would you join yourself, and by whose side would you sit down? Their pleasures are not your pleasures, their tastes not your tastes, their character not your character. How could you possibly be happy, if you had not been holy on earth? Now perhaps you love the company of the light and the careless, the worldly-minded and the covetous, the reveller and the pleasure-seeker, the ungodly and the profane. There will be none such in heaven. Now perhaps you think the saints of God too strict and particular, and serious. You rather avoid them. You have no delight in their society. There will be no other company in heaven. Now perhaps you think praying, and Scripture-reading, and hymn singing, dull and melancholy, and stupid work—a thing to be tolerated now and then, but not enjoyed. You reckon the Sabbath a burden and a weariness; you could not possibly spend more than a small part of it in worshipping God. But remember, heaven is a never-ending Sabbath. The inhabitants thereof rest not day or night, saying, “Holy, holy, holy, Lord God Almighty” and singing the praise of the Lamb. How could an unholy man find pleasure in occupation such as this? Think you that such an one would delight to meet David, and Paul, and John, after a life spent in doing the very things they spoke against? Would he take sweet counsel with them, and find that he and they had much in common?—Think you, above all, that he would rejoice to meet Jesus, the Crucified One, face to face, after cleaving to the sins for which He died, after loving His enemies and despising His friends? Would he stand before Him with confidence, and join in the cry, “This is our God; we have waited for Him, we will be glad and rejoice in His salvation”? (Isa. xxv. 9.) Think you not rather that the tongue of an unholy man would cleave to the roof of his mouth with shame, and his only desire would be to be cast out! He would feel a stranger in a land he knew not, a black sheep amidst Christ’s holy flock. The voice of Cherubim and Seraphim, the song of Angels and Archangels and all the company of heaven, would be a language he could not understand. The very air would seem an air he could not breathe. I know not what others may think, but to me it does seem clear that heaven would be a miserable place to an unholy man. It cannot be otherwise. People may say, in a vague way, “they hope to go to heaven;” but they do not consider what they say. There must be a certain “meetness for the inheritance of the saints in light.” Our hearts must be somewhat in tune. To reach the holiday of glory, we must pass through the training school of grace. We must be heavenly-minded, and have heavenly tastes, in the life that now is, or else we shall never find ourselves in heaven, in the life to come.

A soul which listens to self, which is preoccupied with its feelings, which indulges in useless thoughts or desires, scatters its forces. It is not completely under God’s sway. Its lyre is not in tune, so that when the Master strikes it, he cannot draw forth divine harmonies; it is too human and discordant    The soul which reserves anything for self in its interior kingdom, whose powers are not all “enclosed” in God, cannot be a perfect “Praise of Glory,”. . . because it is not in unity. So that, instead of persevering in praise, in simplicity, whatever may happen, it must be continually tuning the strings of its instrument, which are all a little off key. How necessary is this blessed unity for the soul that desires to live here below the life of the blessed—that is, of simple beings, of spirits.

This was a desperate contest. Each move and counter move a fear and sweat-soaked thread to be woven later into fireside verse by those who had the gift. For now, though, they made just a dreadful, discordant song. The clank of blade on shield boss. The dull thud of sword on limewood boards and, now and then, the scrape of a blade's edge across iron ringmail or down bronze scales. And always the breathing, ragged and urgent. A man's lungs pumping in his chest like forge bellows, feeding the fire of hate and the blood lust. These sounds told the true story. They were the lyre strings before they are tuned to melodious accord, before the bard's fingers caress them to lift our hearts and our ideals. No glory now. Just two men hacking at each other with sharp steel. Each craving the other's death. Both desperate to live.

The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself, they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.

The communists didn’t release their grip until the late 1980s. Effective organisation kept them in power for eight long decades, and they eventually fell due to defective organisation. On 21 December 1989 Nicolae Ceaus¸escu, the communist dictator of Romania, organised a mass demonstration of support in the centre of Bucharest. Over the previous months the Soviet Union had withdrawn its support from the eastern European communist regimes, the Berlin Wall had fallen, and revolutions had swept Poland, East Germany, Hungary, Bulgaria and Czechoslovakia. Ceaus¸escu, who had ruled Romania since 1965, believed he could withstand the tsunami, even though riots against his rule had erupted in the Romanian city of Timis¸oara on 17 December. As one of his counter-measures, Ceaus¸escu arranged a massive rally in Bucharest to prove to Romanians and the rest of the world that the majority of the populace still loved him – or at least feared him. The creaking party apparatus mobilised 80,000 people to fill the city’s central square, and citizens throughout Romania were instructed to stop all their activities and tune in on their radios and televisions. To the cheering of the seemingly enthusiastic crowd, Ceauşescu mounted the balcony overlooking the square, as he had done scores of times in previous decades. Flanked by his wife, Elena, leading party officials and a bevy of bodyguards, Ceaus¸escu began delivering one of his trademark dreary speeches. For eight minutes he praised the glories of Romanian socialism, looking very pleased with himself as the crowd clapped mechanically. And then something went wrong. You can see it for yourself on YouTube. Just search for ‘Ceauşescu’s last speech’, and watch history in action.20 The YouTube clip shows Ceaus¸escu starting another long sentence, saying, ‘I want to thank the initiators and organisers of this great event in Bucharest, considering it as a—’, and then he falls silent, his eyes open wide, and he freezes in disbelief. He never finished the sentence. You can see in that split second how an entire world collapses. Somebody in the audience booed. People

These things-the beauty, the memory of our own past-are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited. Do you think I am trying to weave a spell? Perhaps I am; but remember your fairy tales. Spells are used for breaking enchantments as well as for inducing them. And you and I have need of the strongest spell that can be found to wake us from the evil enchantment of worldliness which has been laid upon us for nearly a hundred years. Almost our whole education has been directed to silencing this shy, persistent, inner voice; almost all our modem philosophies have been devised to convince us that the good of man is to be found on this earth. And yet it is a remarkable thing that such philosophies of Progress or Creative Evolution themselves bear reluctant witness to the truth that our real goal is elsewhere.

The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited. Do you think I am trying to weave a spell? Perhaps I am; but remember your fairy tales. Spells are used for breaking enchantments as well as for inducing them. And you and I have need of the strongest spell that can be found to wake us from the evil enchantment of worldliness which has been laid upon us for nearly a hundred years. Almost our whole education has been directed to silencing this shy, persistent, inner voice; almost all our modem philosophies have been devised to convince us that the good of man is to be found on this earth. And yet it is a remarkable thing that such philosophies of Progress or Creative Evolution themselves bear reluctant witness to the truth that our real goal is elsewhere.

He strode forward, heedless of the murmuring that began among the women when they saw him. Then Sara turned, and her gaze met his. Instantly a guilty blush spread over her cheeks that told him all he needed to know about her intent. “Good afternoon, ladies,” he said in steely tones. “Class is over for today. Why don’t you all go up on deck and get a little fresh air?” When the women looked at Sara, she folded her hands primly in front of her and stared at him. “You have no right to dismiss my class, Captain Horn. Besides, we aren’t finished yet. I was telling them a story—” “I know. You were recounting Lysistrata.” Surprise flickered briefly in her eyes, but then turned smug and looked down her aristocratic little nose at him. “Yes, Lysistrata,” she said in a sweet voice that didn’t fool him for one minute. “Surely you have no objection to my educating the women on the great works of literature, Captain Horn.” “None at all.” He set his hands on his hips. “But I question your choice of material. Don’t you think Aristophanes is a bit beyond the abilities of your pupils?” He took great pleasure in the shock that passed over Sara’s face before she caught herself. Ignoring the rustle of whispers among the women, she stood a little straighter. “As if you know anything at all about Aristophanes.” “I don’t have to be an English lordling to know literature, Sara. I know all the blasted writers you English make so much of. Any one of them would have been a better choice for your charges than Aristophanes.” As she continued to glower at him unconvinced, he scoured his memory, searching through the hundreds of verse passages his English father had literally pounded into him. “You might have chosen Shakespeare’s The Taming of the Shrew, for example—‘fie, fie! Unknit that threatening unkind brow. / And dart not scornful glances from those eyes / to wound thy lord, thy king, thy governor.’” It had been a long time since he’d recited his father’s favorite passages of Shakespeare, but the words were as fresh as if he’d learned them only yesterday. And if anyone knew how to use literature as a weapon, he did. His father had delighted in tormenting him with quotes about unrepentant children. Sara gaped at him as the other women looked from him to her in confusion. “How . . . I mean . . . when could you possibly—” “Never mind that. The point us, you’re telling them the tale of Lysistrata when what you should be telling them is ‘thy husband is thy lord, thy life, thy keeper. /thy head, thy sovereign; one that cares for thee / and for thy maintenance commits his body / to painful labour by both sea and land.’” Her surprise at this knowledge of Shakespeare seemed to vanish as she recognized the passage he was quoting—the scene where Katherine accepts Petruchio as her lord and master before all her father’s guests. Sara’s eyes glittered as she stepped from among the women and came nearer to him. “We are not your wives yet. And Shakespeare also said ‘sigh no more, ladies, sigh no more / men were deceivers ever / one foot on sea and one on shore / to one thing constant never.’” “Ah, yes. Much Ado About Nothing. But even Beatrice changes her tune in the end, doesn’t she? I believe it’s Beatrice who says, ‘contempt, farewell! And maiden pride, adieu! / no glory lives behind the back of such./ and Benedick, love on, I will requite thee, / taming my wild heart to thy loving hand.’” “She was tricked into saying that! She was forced to acknowledge him as surely as you are forcing us!” “Forcing you?” he shouted. “You don’t know the meaning of force! I swear, if you—” He broke off when he realized that the women were staring at him with eyes round and fearful. Sara was twisting his words to make him sound like a monster. And succeeding, too, confound her.

Awake ye muses nine, sing me a strain divine, Unwind the solemn twine, and tie my Valentine! Oh the Earth was made for lovers, for damsel, and hopeless swain, For sighing, and gentle whispering, and unity made of twain. All things do go a courting, in earth, or sea, or air, God hath made nothing single but thee in His world so fair! The bride, and then the bridegroom, the two, and then the one, Adam, and Eve, his consort, the moon, and then the sun; The life doth prove the precept, who obey shall happy be, Who will not serve the sovereign, be hanged on fatal tree. The high do seek the lowly, the great do seek the small, None cannot find who seeketh, on this terrestrial ball; The bee doth court the flower, the flower his suit receives, And they make merry wedding, whose guests are hundred leaves; The wind doth woo the branches, the branches they are won, And the father fond demandeth the maiden for his son. The storm doth walk the seashore humming a mournful tune, The wave with eye so pensive, looketh to see the moon, Their spirits meet together, they make their solemn vows, No more he singeth mournful, her sadness she doth lose. The worm doth woo the mortal, death claims a living bride, Night unto day is married, morn unto eventide; Earth is a merry damsel, and heaven a knight so true, And Earth is quite coquettish, and beseemeth in vain to sue. Now to the application, to the reading of the roll, To bringing thee to justice, and marshalling thy soul: Thou art a human solo, a being cold, and lone, Wilt have no kind companion, thou reap'st what thou hast sown. Hast never silent hours, and minutes all too long, And a deal of sad reflection, and wailing instead of song? There's Sarah, and Eliza, and Emeline so fair, And Harriet, and Susan, and she with curling hair! Thine eyes are sadly blinded, but yet thou mayest see Six true, and comely maidens sitting upon the tree; Approach that tree with caution, then up it boldly climb, And seize the one thou lovest, nor care for space, or time! Then bear her to the greenwood, and build for her a bower, And give her what she asketh, jewel, or bird, or flower — And bring the fife, and trumpet, and beat upon the drum — And bid the world Goodmorrow, and go to glory home!

What tyrant first dreamed of conquest and clad violent oppression in terms of virtue? Why does the imposition of one will over another draw men like no other sin? For more than two hundred years, the Emperor has demanded that the galaxy align itself to his principles at the cost of ten thousand cultures that lived free and without the need for tyranny. Now Horus demands that the stellar nations of this broken empire dance to his tune instead. Billions die for conquest, to advance the pride of these two vain creatures cast in the shapes of men. There is no virtue in fighting for conquest. Nothing is more worthless and hollow than obliterating freedom for the sake of more land, more coin, more voices singing your name in holy hymn. Conquest is as meaningless as glory. Worse, it is an evil in its selfishness. Both are triumphs only in a fool's crusade.

The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited. Do you think I am trying to weave a spell? Perhaps I am; but remember your fairy tales. Spells are used for breaking enchantments as well as for inducing them.

For the director of music. To the tune of “Do Not Destroy.” Of David. A miktam.14 When he had fled from Saul into the cave. Have mercy on me, my God, have mercy on me, for in you I take refuge. I will take refuge in the shadow of your wings until the disaster has passed. I cry out to God Most High, to God, who vindicates me. He sends from heaven and saves me, rebuking those who hotly pursue me—15 God sends forth his love and his faithfulness. I am in the midst of lions; I am forced to dwell among ravenous beasts— men whose teeth are spears and arrows, whose tongues are sharp swords. Be exalted, O God, above the heavens; let your glory be over all the earth. They spread a net for my feet— I was bowed down in distress. They dug a pit in my path— but they have fallen into it themselves. My heart, O God, is steadfast, my heart is steadfast; I will sing and make music. Awake, my soul! Awake, harp and lyre! I will awaken the dawn. I will praise you, LORD, among the nations; I will sing of you among the peoples. For great is your love, reaching to the heavens; your faithfulness reaches to the skies. Be exalted, O God, above the heavens; let your glory be over all the earth.

am Divinely guided in all my ways, and I adapt myself to all new ideas. Infinite Intelligence is constantly revealing to me better ways to serve my fellow man. I am guided and directed to create products that will bless and help humanity. I at- tract men and women who are spiritual, loyal, faithful, and talented, and who contribute to the peace, prosperity, and progress of our business. I am an irre- sistible magnet and attract fabulous wealth by giving the best possible quality of products and services. I am constantly in tune with the Infinite and the substance of wealth. Infinite Intelligence governs all my plans and purposes, and I predicate all my success on the truth that God leads, guides, and governs me in all my un- dertakings. I am at peace inwardly and outwardly at all times. I am a tremendous success. I am one with God, and God is always successful. I must succeed. I am succeeding now. I grasp the essentials of all details of my business. I radiate love and goodwill to all those around me and to all my employees. I fill my mind and heart with God’s love, power, and energy. All those connected with me are spiritu- al links in my growth, welfare, and prosperity. I give all honor and glory to God.” This business tycoon brought all these things that he had affirmed to pass, and he blessed countless others…Go, and do thou likewise (Luke 10:37), and become a multimillionaire blessing multitudes.

Lastly, we must be holy, because without holiness on earth — we will never be prepared to enjoy Heaven. ...I do not know what others may think — but to me it does seem clear that Heaven would be a miserable place to an unholy man. It cannot be otherwise. People may say in a vague way, that they "hope to go to Heaven," but they do not consider what they say. There must be a certain "fitness for the inheritance of the saints in light." Our hearts must be somewhat in tune. To reach the holiday of glory — we must pass through the training school of grace. We must be heavenly-minded and have heavenly tastes in the present life — or else we will never find ourselves in Heaven in the life to come! (Holiness)

BET (may be sung to the tune of Grosser Gott) Blessed are You, O Lord of all; With my heart I have sought to see You. Blessed am I when I heed Your call, Walk unswervingly by Your leading— Follow on the path before Which You lead me evermore. I declare Your holy way; Raise my voice to sing Your glory. Ponder Your statutes night and day, To claim the riches You stored up for me— Follow on the path before Which You lead me evermore.

DO NOT BE AFRAID, for I am with you. Hear Me saying, “Peace, be still,” to your restless heart. No matter what happens, I will never leave you or forsake you. Let this assurance soak into your mind and heart until you overflow with Joy. Though the earth give way and the mountains fall into the heart of the sea, you need not fear! The media relentlessly proclaim bad news: for breakfast, lunch, and dinner. A steady diet of their fare will sicken you. Instead of focusing on fickle, ever-changing news broadcasts, tune in to the living Word—the One who is always the same. Let Scripture saturate your mind and heart, and you will walk steadily along the path of Life. Even though you don’t know what will happen tomorrow, you can be absolutely sure of your ultimate destination. I hold you by your right hand, and afterward I will take you into Glory. MARK 4:39 NKJV; DEUTERONOMY 31:6; PSALM 46:2; PSALM 73:23

April 22 The Light That Fails We all with open face beholding . . . the glory of the Lord. 2 Corinthians 3:18 A servant of God must stand so much alone that he never knows he is alone. In the first phases of Christian life disheartenments come, people who used to be lights flicker out, and those who used to stand with us pass away. We have to get so used to it that we never know we are standing alone. “All men forsook me: . . . notwithstanding the Lord stood with me” (2 Timothy 4:16–17). We must build our faith, not on the fading light, but on the light that never fails. When “big” men go we are sad, until we see that they are meant to go; the one thing that remains is looking in the face of God for ourselves. Allow nothing to keep you from looking God sternly in the face about yourself and about your doctrine, and every time you preach see that you look God in the face about things first, then the glory will remain all through. A Christian worker is one who perpetually looks in the face of God and then goes forth to talk to the people. The characteristic of the ministry of Christ is that of unconscious glory that abides. “Moses wist not that the skin of his face shone while He talked with him.” We are never called on to parade our doubts or to express the hidden ecstasies of our life with God. The secret of the worker’s life is that he keeps in tune with God all the time.

Eternal Power! Eternal Power, whose high abode Becomes the grandeur of a God: Infinite lengths beyond the bounds Where stars revolve their little rounds: Thee while the first archangel sings, He hides his face behind his wings: And ranks of shining thrones around Fall worshipping, and spread the ground. Lord, what shall earth and ashes do? We would adore our Maker too; From sin and dust to Thee we cry, The Great, the Holy, and the High. Earth, from afar, hath heard Thy fame, And worms have learn’d to lisp Thy Name; But O! the glories of Thy mind Leave all our soaring thoughts behind. God is in heaven, and men below: Be short our tunes; our words be few: A solemn reverence checks our songs, And praise sits silent on our tongues. —Issac Watts, 1674-1748

However, the Glory of GOD can be experienced everywhere on the Earthly Plane: I remember when I went to see the Phantom of the Opera in Los Angeles, I thought it was one of the most profound Spiritual experiences of my life! I felt like I was lifted up into the fifth dimension for three hours! Traveling in Europe to visit the Sistine Chapel, Louvre Museum, the Acropolis, the Holy Land, and other sacred sites! Watching the birds, rabbits, butterflies, chipmunks from my window where I work in the mornings! Watering the garden and tuning into the plant spirits and devas! Communing with nature! GOD is everywhere!

And when you and I are long forgot, they'll say, 'You should have heard them playing. You should have seen them marching, then.' And it'll snow again. But it'll no break 'til after the parade. And when we come back from the hill it'll be bitter cold, and a wee bit misty maybe, and pink over the roofs. I see it fine.

He saw “new propaganda” emerging, and he said its goal was “not to convince or persuade, but to keep the viewer hooked and distracted, passive and paranoid.” RT, which received more than $1 billion a year from the Kremlin, began to fine-tune its English-language shows, targeting the fringes of the American political spectrum on the right and the left.

Laine gathers everyone in a circle as fire emits from her fingertips. She passes that fire to the others--- little balls of flame that manifest in their hands. I don't feel insulted that I'm not gifted with a little piece of her. My magic is too weak in this realm to control the flames he shares with the others. Fire cupped in their hands, everyone, even Uncle, begins to sing an ode to my life, their voices pleasant despite the slightly disjointed rhythm. It makes me feel warm inside but not as warm as I feel when Laine takes a deep breath, calling upon all of her magic. Caroline and Marcella continue to sing, but much like White Robe Jeon and Uncle, I watch, stunned, as Laine's flames transform the air around her into hot ribbons of light. Those ribbons whisk upward with the air, flickering in tune to the rhythm Caroline and Marcella sing. It shines with glory, restrained yet wild, pained yet happy. And Laine is its master, calling to not only it but all those gifted with flame, to the creatures birthed from the flame itself. Dragons. Only one appears tonight, wild and true as its silver scales catch the glimmer of the moon. It doesn't look back at us, but it has sensed Laine's magic. And it lets out a raw cry that could only have reverberated through Laine to reveal hidden truths.

there’s no possible way our spirits can filter through the massive stream of information into which most of us are daily immersed. In view of that, unless we do some form of “tuning out,” the subtle and not-so-subtle innuendo, violence, gossip, and vanity will dig into our hearts and souls, making us into selfish and petty people.

The key to realizing a dream is to focus not on success but on service. Ask yourself, what are the gifts and talents you can share to raise the collective consciousness of all that you encounter? Making that shift from self to service will bring an immeasurable amount of fulfillment to your job, your relationships, and the vision you have of your own best life. Gary Zukav brilliantly describes this as the moment you discover your authentic power: “When your personality comes fully to serve the energy of its soul.” Fulfilling your purpose, with meaning, is what gives you that powerful spark of energy unique to only you. The result is an electrifying current of clarity rising from the deepest part of yourself. By tapping into that source, you will no longer feel like the salmon swimming upstream. Instead, people will finally see the highest, truest version of you and stand in awe, wondering how you achieved your dreams. As you read this chapter, my hope is that you will find the courage to tune out the negative voices telling you all the reasons to give up. Make the choice to turn up the volume to your unique calling, the glory that is your own life. —Oprah

O Lantern bright, who through the night Reclines in silent leisure While gold and silver moons above Conspire thus in pleasure; Their gleaming glow, to us below Bequeaths an eve resplendent And thus we know as, to and fro, They rise in fire ascendant. O show us, lamp of day, where hide the moons Who light our loving night with star-shine strewn O show us, lamp of day, where hide the moons Who light our loving night with star-shine strewn O silver moon, grant us this boon, Who far below observe thee We see thy love so far above, And only wish to serve thee The hour is late, and so thy mate Arises swift to claim thee With ardour hot, and so has got No reason for to shame thee O show us, lamp above, where silver shines Thus followed by thy love, who for thee pines O show us, lamp above, where silver shines Thus followed by thy love, who for thee pines O golden moon, we raise this tune Unto thy gilt-edged glory We know thy name, and blush for shame To hear thee tell thy story Thy silv’ry mate thy rich estate Desires not to plunder She rides above on wings of love And fills the world with wonder O tell us, lamp of gold, the reason why Thou dost pursue thy love across the sky O tell us, lamp of gold, the reason why Thou dost pursue thy love across the sky O heed my tunes, thou loving moons, Who ply the sky above me Perchance thy light, this darkling night Shall find me one to love me My aching heart must play its part, For ‘tis alone and tender And waxing bright, in thy fair light, Shall rise to nightly splendour! O prithee tell me true, ye moons above – Shall I have naught but thee to be my love? O prithee tell me true, ye moons above; Shall I have naught but thee to be my love?

We dare not be original; our American Pine must be cut to the trim pattern of the English Yew, though the Pine bleed at every clip. This poet tunes his lyre at the harp of Goethe, Milton, Pope, or Tennyson. His songs might better be sung on the Rhine than the Kennebec. They are not American in form or feeling; they have not the breath of our air; the smell of our ground is not in them. Hence our poet seems cold and poor. He loves the old mythology; talks about Pluto—the Greek devil,—— the Fates and Furies—witches of old time in Greece,—-but would blush to use our mythology, or breathe the name in verse of our Devil, or our own Witches, lest he should be thought to believe what he wrote. The mother and sisters, who with many a pinch and pain sent the hopeful boyto college, must turn over the Classical Dictionary before they can find out what the youth would be at in his rhymes. Our Poet is not deep enough to see that Aphrodite came from the ordinary waters, that Homer only hitched into rhythm and furnished the accomplishment of verse to street talk, nursery tales, and old men’s gossip, in the Ionian towns; he thinks what is common is unclean. So he sings of Corinth and Athens, which he never saw, but has not a word to say of Boston, and Fall River, and Baltimore, and New York, which are just as meet for song. He raves of Thermopylae and Marathon, with never a word for Lexington and Bunkerhill, for Cowpens, and Lundy’s Lane, and Bemis’s Heights. He loves to tell of the Ilyssus, of “ smooth sliding Mincius, crowned with vocal reeds,” yet sings not of the Petapsco, the Susquehannah, the Aroostook, and the Willimantick. He prates of the narcissus, and the daisy, never of American dandelions andbue-eyed grass; he dwells on the lark and the nightingale, but has not a thought for the brown thrasher and the bobolink, who every morning in June rain down such showers of melody on his affected head. What a lesson Burns teaches us addressing his “rough bur thistle,” his daisy, “wee crimson tippit thing,” and finding marvellous poetry in the mouse whose nest his plough turned over! Nay, how beautifully has even our sweet Poet sung of our own Green river, our waterfowl,of the blue and fringed gentian, the glory of autumnal days.

While other London clubs in fancier neighborhoods—Arsenal, Tottenham, Chelsea—have all enjoyed long periods as the capital’s preeminent team with championships and trophies to their name, glory has always remained tantalizingly out of West Ham’s grasp. Not that their fans are unduly concerned; they embrace their status as the city’s gruff, blue-collar underdogs with a healthy slice of gallows humor. When Harry Redknapp, a former player at the club, went to inspect the club’s trophy cabinet after taking over as manager, “Lord Lucan, Shergar, and two Japanese prisoners of war fell out,” he wrote. Even the club’s anthem, “I’m Forever Blowing Bubbles,” is an old Broadway tune about shattered dreams and disappointment, and it’s bellowed by thousands of supporters wearing the team’s claret and blue jerseys before every game.

Living the abundant life God has crafted for you with intention, passion, and willingness to do whatever He’s asked you to with a fine-tuned focus on His glory.

The men sing wordless songs. There are seven Simchas Torah tunes, and they are all primitive melodies strung together by meaningless syllables. But these sounds are classic Jewish sounds, expressions of pure, animal emotion that transcend any language. On this night, words aren’t needed. Thousands of men lift their hands to the heavens and stamp their feet rhythmically on the stone floor, singing, “Oy yoy yoy yoy, yei ti ri rei ti ri rei ti ri rei oy yoy!” and “Ay yay yay yay, ay di ri ra ra ay di ri ra ra . . .” I am almost swept away myself, by the power of all those voices blending together; for a moment it seems as if these men can blur the lines between heaven and earth with their rapturous singing. I can no longer see people; instead I am surrounded by saints; all sin is temporarily wiped clean. Only I remain mortal, fallible. Perhaps I am beginning to understand the glory of this event after all; maybe the only reason I scorned it is because I am truly ignorant, overlooked by the divine light that seems to shine on everyone else. I feel as if tonight may be the night when I finally understand my role, my common destiny, and shake off the cold threads of doubt that separate me from my people.

Of tunes, I’d listen to the musician than to a plumber or a technician. Of eyes, I’d listen to the optician than to a painter or a beautician. Ah, you may be the Master of the Sea with tons of knowledge, degrees, and glory, but if you would lecture on poverty, I’d rather listen to the poor than thee!

I SPEAK TO YOU from the depths of eternity. Before the world was formed, I AM! You hear Me in the depths of your being, where I have taken up residence. I am Christ in you, the hope of Glory. I, your Lord and Savior, am alive within you. Learn to tune in to My living Presence by seeking Me in silence.