Tune In Tomorrow Quotes

Worry does not keep it from raining tomorrow, but it does keep it from being sunny today.

The on and off thing is kind of annoying, isn't it? First with Cole, now with Gavin. "Maybe you need a tune up." I rolled my eyes. "I'll just pop into the supernatural ability repair shop sometime tomorrow." He grinned, his fingers tracing the line of my jaw.

Life is beautiful and life is stupid. As long as you keep that in mind, and never give more weight to one than the other, the history of the galaxy, the history of a planet, the history of a person is a simple tune with lyrics flashed on-screen and a helpful, friendly bouncing disco ball of glittering, occasionally peaceful light to help you follow along. Cue the music. Cue the dancers. Cue tomorrow.

Exposition: the workings of the actual past + the virtual past may be illustrated by an event well known to collective history, such as the sinking of the Titanic. The disaster as it actually occurred descends into obscurity as its eyewitnesses die off, documents perish + the wreck of the ship dissolves in its Atlantic grave. Yet a virtual sinking of the Titanic, created from reworked memories, papers, hearsay, fiction--in short, belief--grows ever "truer." The actual past is brittle, ever-dimming + ever more problematic to access + reconstruct: in contrast, the virtual past is malleable, ever-brightening + ever more difficult to circumvent/expose as fraudulent. The present presses the virtual past into its own service, to lend credence to its mythologies + legitimacy to the imposition of will. Power seeks + is the right to "landscape" the virtual past. (He who pays the historian calls the tune.) Symmetry demands an actual + virtual future too. We imagine how next week, next year, or 2225 will shape up--a virtual future, constructed by wishes, prophecies + daydreams. This virtual future may influence the actual future, as in a self-fulfilling prophecy, but the actual future will eclipse our virtual one as surely as tomorrow eclipses today. Like Utopia, the actual future + the actual past exist only in the hazy distance, where they are no good to anyone. Q: Is there a meaningful distinction between one simulacrum of smoke, mirrors + shadows--the actual past--from another such simulacrum--the actual future? One model of time: an infinite matryoshka doll of painted moments, each "shell" (the present) encased inside a nest of "shells" (previous presents) I call the actual past but which we perceive as the virtual past. The doll of "now"likewise encases a nest of presents yet to be, which I call the actual future but which we perceive as the virtual future.

As you work toward your goals today, tune into your underlying motivations and ask yourself: Am I focusing all my energy on a happy tomorrow to the detriment of today?

You want to know the story? I'd be happy to tell you. I think I have just enough caloric energy stored up to make it through the telling of the tale. It's short. I am monstrously fat. I am a glutton. My wife was disgusted and repulsed. She gave me six months to lose one hundred pounds. I joined Weight Watchers . . . see it there, right across the street, that gaunt storefront? This afternoon was the big six-month weigh-in. So to speak. I had gained almost seventy pounds in the six months. An errant Snickers bar fell out of the cuff of my pants and rolled against my wife's foot as I stepped on the scale. The scale over there across the street is truly an ingenious device. One preprograms the desired new weight into it, and if one has achieved or gone below that new low weight, the scale bursts into recorded whistles and cheers and some lively marching-band tune. Apparently, tiny flags protrude from the top and wave mechanically back and forth. A failure--see for instance mine--results in a flatulent dirge of disappointed and contemptuous tuba. To the strains of the latter my wife left, the establishment, me, on the arm of a svelte yogurt distributor whom I am even now planning to crush, financially speaking, first thing tomorrow morning. Ms. Beadsman, you will find an eclair on the floor to the left of your chair. Could you perhaps manipulate it onto this plate with minimal chocolate loss and pass it to me.

She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly’s wing lying upon the arches of a cathedral. Of all that only a few random marks scrawled upon the canvas remained. And it would never be seen; never be hung even, and there was Mr Tansley whispering in her ear, “Women can’t paint, women can’t write ...” She now remembered what she had been going to say about Mrs Ramsay. She did not know how she would have put it; but it would have been something critical. She had been annoyed the other night by some highhandedness. Looking along the level of Mr Bankes’s glance at her, she thought that no woman could worship another woman in the way he worshipped; they could only seek shelter under the shade which Mr Bankes extended over them both. Looking along his beam she added to it her different ray, thinking that she was unquestionably the loveliest of people (bowed over her book); the best perhaps; but also, different too from the perfect shape which one saw there. But why different, and how different? she asked herself, scraping her palette of all those mounds of blue and green which seemed to her like clods with no life in them now, yet she vowed, she would inspire them, force them to move, flow, do her bidding tomorrow. How did she differ? What was the spirit in her, the essential thing, by which, had you found a crumpled glove in the corner of a sofa, you would have known it, from its twisted finger, hers indisputably? She was like a bird for speed, an arrow for directness. She was willful; she was commanding (of course, Lily reminded herself, I am thinking of her relations with women, and I am much younger, an insignificant person, living off the Brompton Road). She opened bedroom windows. She shut doors. (So she tried to start the tune of Mrs Ramsay in her head.) Arriving late at night, with a light tap on one’s bedroom door, wrapped in an old fur coat (for the setting of her beauty was always that—hasty, but apt), she would enact again whatever it might be—Charles Tansley losing his umbrella; Mr Carmichael snuffling and sniffing; Mr Bankes saying, “The vegetable salts are lost.” All this she would adroitly shape; even maliciously twist; and, moving over to the window, in pretence that she must go,—it was dawn, she could see the sun rising,—half turn back, more intimately, but still always laughing, insist that she must, Minta must, they all must marry, since in the whole world whatever laurels might be tossed to her (but Mrs Ramsay cared not a fig for her painting), or triumphs won by her (probably Mrs Ramsay had had her share of those), and here she saddened, darkened, and came back to her chair, there could be no disputing this: an unmarried woman (she lightly took her hand for a moment), an unmarried woman has missed the best of life. The house seemed full of children sleeping and Mrs Ramsay listening; shaded lights and regular breathing.

To the winter forest And nowhere to go This girl runs From all she knows The pressure rises to the top The pressure rises (it won't stop) They want your body They want your soul They want fake smiles That's rock and roll The wolves surrond you A fever dream The wolves surrond you So start the scream Howl, into the night, Howl, until the light, Howl, your turn to fight, Howl, just make it right Howl howl howl howl (Motherfucker) You can't fight fo ever You have to comply If your life isn't working You have to ask why Remember When we were young enough Not to fear tomorrow Or mourn yesterday And we were just Us And time was just Now And we were in Life Not rising through Like arms in a sleeve Because we had time We had time to breathe The bad times are here The bad times have come but life can't be over When it hasn't begun The lake shines and the water's cold All that glitters can turn to gold Silence the music to improve the tune Stop the fake smiles and howl at the moon Howl, into the night, Howl, until the light, Howl, your turn to fight, Howl, just make it right Howl howl howl howl

Tonight I'm alone with my tune, and tonight isn't tomorrow.

A couple of days after the last time I saw him, I got a typically well-written postcard. He said that after he kissed me goodbye at LAX he was driving away and turned on the radio. Elvis was singing "It's Now or Never." In my personal religion, a faith cobbled together out of pop songs and books and movies, there is nothing closer to a sign from God than Elvis Presley telling you "tomorrow will be too late" at precisely the moment you drop off a girl you're not sure you want to drop off. Sitting on the stairs to my apartment, I read that card and wept. It said he heard the song and thought about running after me. But he didn't. And just as well--those mixed-faith marriages hardly ever work. An Elvis song coming out of the radio wasn't a sign from God to him, it was just another one of those corny pop tunes he could live without.

Your name is Do Kyungsoo. You have short-term memory loss, antesomething amnesia, so you won’t remember what happened last night. But let me help you out. Last night I put my head on this pillow and my arms around your waist. My name’s Kim Jongin. I call you hyung. Yesterday you loved me. Today you’ll love me again. This is where you undressed me. This is where I undressed you. And here I pushed you up against the wall and kissed you really hard (approximately, it was kind of dark) and we thought we should have sex. Here you sat, dangling your legs. I put my palm on your kneecap and you bent forward and kissed me first. We talked about ballet. You hummed a tune and my fingers did an arabresque here, grand jeté onto the floor, fouetté en tourant and then sissonne on the back of your hand. Pas de valse fast up your arm and you smiled. I leaned on this and read your green sticky notes while you went around cleaning up invisible messes. It came to me that all the green looks like grass, and grass is boring without daisies. So I hope you like yellow? And here’s Kim Jongin. Say hello to me?

You know, Piggly Wiggly never could hang on to a night stock manager. Your math skills would be a plus, maybe even your Spanish, and you don't mind staying up late." "Piggly Wiggly, wow. I hadn't thought about that. I'll swing by, pick up an application tomorrow. But if it doesn't pan out maybe ... Never mind, it's a crazy idea." "No, tell me. I want to hear it." "Well, just as a backup plan, I did hear that Sony has an opening. They're, um, they're looking for a rock star. The hours suck, but it's no worse than night stock manager at Pigs. I bet it pays better too." Isabel stopped in her tracks, playfully slapping his arm. "Aidan, that's genius! That's what you should do! I've heard you sing, you can carry a decent tune." She looked him up and down. "With a little work, you can probably pull off the image." He tugged on her arms until she was in his. "Only if you're sure. Only if it's what we want." "Aidan, it's who you are. I've known it since the day we brought that first guitar here. I'd never want to take that away.

The way of the Essentialist is to tune into the present. To experience life in kairos, not just chronos. To focus on the things that are truly important—not yesterday or tomorrow, but right now.

You struggle because you’re locating all of the magic in your life outside of yourself. When you are loved, then you are lovable. When you are left behind, you are unlovable. When you “arrive” at some point of success and fame as a writer, you will be worthy. Until then, you are worthless. As long as you imagine that the outside world will one day deliver to you the external rewards you need to feel happy, you will always perceive your survival as exhausting and perceive your life as a long slog to nowhere. Instead, you have to savor the tiny struggles of the day: The cold glass of water after a long run. The hot bath after hours of digging through the dirt. The satisfaction of writing a good sentence, a good paragraph. You MUST feel these things, because these aren’t small rewards on the path to some big reward; these tiny things are everything. Savoring these things requires tuning in to your feelings, and it requires loving yourself instead of shoving your nose into your own question marks hour after hour, day after day. You are not lost. You are here. Stop abandoning yourself. Stop repeating this myth about love and success that will land in your lap or evade you forever. Build a humble, flawed life from the rubble, and cherish that. There is nothing more glorious on the face of the earth than someone who refuses to give up, who refuses to give in to their most self-hating, discouraged, disillusioned self, and instead learns, slowly and painfully, how to relish the feeling of building a hut in the middle of the suffocating dust. If you can learn to be where you are, without fear, then sooner than you know it, your life will quite naturally be filled with more love and more wonder than you can possibly handle. When that happens, you’ll look back and see that this was the most romantic time of your whole life. These are those terrible days, those gorgeous days, when you first learned to breathe and stand alone without fear, to believe not in finish lines but in the race itself. Your legs are aching and your heart is pounding and the world is electric. You will have 30 years or 50 years, or maybe you’ll be gone tomorrow. All that matters is this moment, right now. This is the moment you learn to be here, to feel your limbs, to feel your full heart, to realize, for the first time, just how lucky you are.

Oh, my, oh, my. He's got such a lot of feelings, this Moomintroll. I won't think of him now. He's a splendid Moomin, but I don't have to think of him now. Tonight I'm alone with my tune, and tonight isn't tomorrow.

I don't want any Halloween parties here tomorrow. Don't want anyone saying anything sweet about me; I said it all in my time and my pride. I've tasted every victual and danced every dance; now there's one last tart I haven't bit on, one tune I haven't whistled. But I'm not afraid. I'm truly curious. Death won't get a crumb by my mouth I won't keep and savor. So don't you worry over me. Now, all of you go, and let me find my sleep...

Medieval scholars held on to a classical Greek theory, according to which the movements of the stars across the sky create heavenly music that permeates the entire universe. Humans enjoy physical and mental health when the inner movements of their body and soul are in harmony with the heavenly music created by the stars. Human music should therefore echo the divine melody of the cosmos, rather than reflect the ideas and caprices of flesh-and-blood composers. The most beautiful hymns, songs and tunes were usually attributed not to the genius of some human artist but to divine inspiration.

Think constantly how many doctors have died, after knitting their brows over their own patients how many astrologers, after predicting the deaths of others, as if death were something important; how many philosophers, after endless deliberation on death or immortality; how many heroes, after the many others they killed; how many tyrants, after using their power over men’s lives with monstrous insolence, as if they themselves were immortal. Think too how many whole cities have died – Helice, Pompeii, Herculaneum, innumerable others. Go over now all those you have known yourself, one after the other: one man follows a friend’s funeral and is then laid out himself, then another follows him – and all in a brief space of time. The conclusion of this? You should always look on human life as short and cheap. Yesterday sperm: tomorrow a mummy or ashes. So one should pass through this tiny fragment of time in tune with nature, and leave it gladly, as an olive might fall when ripe, blessing the earth which bore it and grateful to the tree which gave it growth.

What', said he, ' makes the difference between man and all the rest of the animal creation? Every beast that strays beside me has the same corporeal necessities with myself; he is hungry and crops the grass, he is thirsty and drinks the stream, his thirst and hunger are appeased, he is satisfied and sleeps; he rises again and is hungry, he is again fed and is at rest. I am hungry and thirsty like him, but when thirst and hunger cease I am not at rest; I am, like him, pained with want, but am not, like him, satisfied with fullness. The intermediate hours are tedious and gloomy; I long again to be hungry that I may again quicken my attention. The birds peck the berries or the corn, and fly away to the groves where they sit in seeming happiness on the branches, and waste their lives in tuning one unvaried series of sounds. I likewise can call the lutanist and the singer, but the sounds that pleased me yesterday weary me today, and will grow yet more wearisome tomorrow. I can discover within me no power of perception which is not glutted with its proper pleasure, yet I do not feel myself delighted. Man has surely some latent sense for which this place affords no gratification, or he has some desires distinct from sense which must be satisfied before he can be happy.

-Exposition: the workings of the actual past + the virtual past may be illustrated by an event well known to collective history, such as the sinking of the Titanic. The disaster as it actually occurred descends into obscurity as its eyewitnesses die off, documents perish + the wreck of the ship dissolves in its Atlantic grave. Yet a virtual sinking of the Titanic, created from reworked memories, papers, hearsay, fiction--in short, belief--grows ever 'truer.' The actual past is brittle, ever-dimming + ever more problematic to access + reconstruct: in contrast, the virtual past is malleable, ever-brightening + ever more difficult to circumvent/expose as fraudulent. -The present presses the virtual past into its own service, to lend credence to its mythologies + legitimacy to the imposition of will. Power seeks + is the right to 'landscape' the virtual past. (He who pays the historian calls the tune.) -Symmetry demands an actual + virtualfuture, too. We imagine how next week, next year, or 2225 will shape up--a virtual future, constructed by wishes, prophecies + daydreams. This virtual future may influence the actual future, as in a self-fulfilling prophecy, but the actual future will eclipse our virtual one as surely as tomorrow eclipses today. Like Utopia, the actual future + the actual past exist only in the hazy distance, where they are no good to anyone. -Q: Is there a meaningful distinction between one simulacrum of smoke, mirrors + shadows--the actual past--from another such simulacrum--the actual future? -One model of time: an infinite matryoshka doll of painted moments, each 'shell' (the present) encased inside a nest of 'shells' (previous presents) I call the actual past but which we perceive as the virtual past. The doll of 'now' likewise encases a nest of presents yet to be, which I call the actual future but which we perceive as the virtual future. -Proposition: I am in love with Luisa Ray.

Peter’s mom told me he was talking about transferring to UNC next year. She wanted me to break up with him before he messed up his life for me.” “Damn! Peter’s mom is kind of a bitch!” “She didn’t use those exact words, but that was the gist of it.” I take a sip of tea. “I wouldn’t want him to transfer for me either…My mom used to say not to go to college with a boyfriend, because you’ll lose out on a true freshman experience.” “Well, to be fair, your mom never met Peter Kavinsky. She didn’t have all the facts. If she had met him…” Trina lets out a low whistle. “She might’ve been singing a different tune.” Tears fill my eyes. “Honestly I regret breaking up with him and I wish I could take it all back!” She tips up my chin. “Then why don’t you?” “I don’t think he’ll ever forgive me for hurting him like that. He doesn’t let people in easily. I think I’m probably dead to him.” Trina tries to hide a smile. “I doubt that. Look, you’ll talk to him at the wedding tomorrow. When he sees you in that dress, all will be forgiven.” I sniffle. “I’m sure he’s not coming.” “I’m sure he is. You don’t plan a man’s bachelor party and then not show to the wedding. Not to mention the fact that he’s crazy about you.” “But what if I hurt him again?” She wraps both her hands around her mug of tea and takes a sip. “You can’t protect him from being hurt, babe, no matter what you do. Being vulnerable, letting people in, getting hurt…it’s all a part of being in love.” I take this in. “Trina, when did you figure out that you and my dad were the real thing?” “I don’t know…I think I just--decided.” “Decided on what?” “Decided on him. On us.” She smiles at me. “On all of it.

When one has walked a long way to reach the turning in the path that discloses an anticipated view, and that view appears, there is always a vibration of the landscape. It is repeated in the walker’s body. The harmony of the two presences, like two strings in tune, each feeding off the vibration of the other, is like an endless relaunch. Eternal Recurrence is the unfolding in a continuous circle of the repetition of those two affirmations, the circular transformation of the vibration of the presences. The walker’s immobility facing that of the landscape … it is the very intensity of that co-presence that gives birth to an indefinite circularity of exchanges: I have always been here, tomorrow, contemplating this landscape.

As though if I could make my body fit on one of these tiny barstools, I'd be in a perfect, fulfilling relationship instead of forcing myself to get through this date, wishing I could just disappear. Of course I know that none of that is true. That I can't change my body type (and don't even want to!), that thin women are no more happy than I am, that these insecurities are seeded and tended in my brain by the weight-loss industry, which profits from our collective self-loathing to the tune of $70 billion each year-despite the fact the 97% of diets fail. (Side note: What if we put all that money towards solving actual health problems instead? Could we cure ovarian cancer, like, tomorrow?) I know all these things, but tonight, I just can't feel them

The communists didn’t release their grip until the late 1980s. Effective organisation kept them in power for eight long decades, and they eventually fell due to defective organisation. On 21 December 1989 Nicolae Ceaus¸escu, the communist dictator of Romania, organised a mass demonstration of support in the centre of Bucharest. Over the previous months the Soviet Union had withdrawn its support from the eastern European communist regimes, the Berlin Wall had fallen, and revolutions had swept Poland, East Germany, Hungary, Bulgaria and Czechoslovakia. Ceaus¸escu, who had ruled Romania since 1965, believed he could withstand the tsunami, even though riots against his rule had erupted in the Romanian city of Timis¸oara on 17 December. As one of his counter-measures, Ceaus¸escu arranged a massive rally in Bucharest to prove to Romanians and the rest of the world that the majority of the populace still loved him – or at least feared him. The creaking party apparatus mobilised 80,000 people to fill the city’s central square, and citizens throughout Romania were instructed to stop all their activities and tune in on their radios and televisions. To the cheering of the seemingly enthusiastic crowd, Ceauşescu mounted the balcony overlooking the square, as he had done scores of times in previous decades. Flanked by his wife, Elena, leading party officials and a bevy of bodyguards, Ceaus¸escu began delivering one of his trademark dreary speeches. For eight minutes he praised the glories of Romanian socialism, looking very pleased with himself as the crowd clapped mechanically. And then something went wrong. You can see it for yourself on YouTube. Just search for ‘Ceauşescu’s last speech’, and watch history in action.20 The YouTube clip shows Ceaus¸escu starting another long sentence, saying, ‘I want to thank the initiators and organisers of this great event in Bucharest, considering it as a—’, and then he falls silent, his eyes open wide, and he freezes in disbelief. He never finished the sentence. You can see in that split second how an entire world collapses. Somebody in the audience booed. People

Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...

Exposition: the workings of the actual past + the virtual past may be illustrated by an event well known to collective history, such as the sinking of the Titanic. The disaster as it actually occurred descends into obscurity as its eyewitnesses die off, documents perish + the wreck of the ship dissolves in its Atlantic grave. Yet a virtual sinking of the Titanic, created from reworked memories, papers, hearsay, fiction - in short, belief - grows ever “truer.” The actual past is brittle, ever-dimming + ever more problematic to access + reconstruct: in contrast, the virtual past is malleable, ever-brightening + ever more difficult to circumvent/expose as fraudulent. The present presses the virtual past into its own service, to lend credence to its mythologies + legitimacy to the imposition of will. Power seeks + is the right to “landscape” the virtual past. (He who pays the historian calls the tune.) Symmetry demands an actual + virtual future, too. We imagine how next week, next year, or 2225 will shape up - a virtual future, constructed by wishes, prophecies + daydreams. This virtual future may influence the actual future, as in a self-fulfilling prophecy, but the actual future will eclipse our virtual one as surely as tomorrow eclipses today. Like Utopia, the actual future + the actual past exist only in the hazy distance, where they are no good to anyone. Q: Is there a meaningful distinction between one simulacrum of smoke, mirrors + shadows - the actual past - from another such simulacrum - the actual future? One model of time: an infinite matryoshka doll of painted moments, each “shell” (the present) encased inside a nest of “shells” (previous presents) I call the actual past but which we perceive as the virtual past. The doll of “now” likewise encases a nest of presents yet to be, which I call the actual future but which we perceive as the virtual future. Proposition: I have fallen in love with Luisa Rey.

Some of these bots are already arriving in 2021 in more primitive forms. Recently, when I was in quarantine at home in Beijing, all of my e-commerce packages and food were delivered by a robot in my apartment complex. The package would be placed on a sturdy, wheeled creature resembling R2-D2. It could wirelessly summon the elevator, navigate autonomously to my door, and then call my phone to announce its arrival, so I could take the package, after which it would return to reception. Fully autonomous door-to-door delivery vans are also being tested in Silicon Valley. By 2041, end-to-end delivery should be pervasive, with autonomous forklifts moving items in the warehouse, drones and autonomous vehicles delivering the boxes to the apartment complex, and the R2-D2 bot delivering the package to each home. Similarly, some restaurants now use robotic waiters to reduce human contact. These are not humanoid robots, but autonomous trays-on-wheels that deliver your order to your table. Robot servers today are both gimmicks and safety measures, but tomorrow they may be a normal part of table service for many restaurants, apart from the highest-end establishments or places that cater to tourists, where the human service is integral to the restaurant’s charm. Robots can be used in hotels (to clean and to deliver laundry, suitcases, and room service), offices (as receptionists, guards, and cleaning staff), stores (to clean floors and organize shelves), and information outlets (to answer questions and give directions at airports, hotels, and offices). In-home robots will go beyond the Roomba. Robots can wash dishes (not like a dishwasher, but as an autonomous machine in which you can pile all the greasy pots, utensils, and plates without removing leftover food, with all of them emerging cleaned, disinfected, dried, and organized). Robots can cook—not like a humanoid chef, but like an automated food processor connected to a self-cooking pot. Ingredients go in and the cooked dish comes out. All of these technology components exist now—and will be fine-tuned and integrated in the decade to come. So be patient. Wait for robotics to be perfected and for costs to go down. The commercial and subsequently personal applications will follow. By 2041, it’s not far-fetched to say that you may be living a lot more like the Jetsons!

DO NOT BE AFRAID, for I am with you. Hear Me saying, “Peace, be still,” to your restless heart. No matter what happens, I will never leave you or forsake you. Let this assurance soak into your mind and heart until you overflow with Joy. Though the earth give way and the mountains fall into the heart of the sea, you need not fear! The media relentlessly proclaim bad news: for breakfast, lunch, and dinner. A steady diet of their fare will sicken you. Instead of focusing on fickle, ever-changing news broadcasts, tune in to the living Word—the One who is always the same. Let Scripture saturate your mind and heart, and you will walk steadily along the path of Life. Even though you don’t know what will happen tomorrow, you can be absolutely sure of your ultimate destination. I hold you by your right hand, and afterward I will take you into Glory. MARK 4:39 NKJV; DEUTERONOMY 31:6; PSALM 46:2; PSALM 73:23

While love is celebrated, we are assured that a satisfying sexual encounter does not require love. If the Shirelles tune were written today, the singer would likely have to lower the bar down to “Will You Respect Me Tomorrow”—if even that.

first grade is the prelude of things to come, a life organized around frontal-lobe capacities: sitting still; keeping sphincters in check; being able to use words rather than acting out; understanding abstract and symbolic ideas; planning for tomorrow; and being in tune with teachers and classmates.

Carrington got generally higher marks from critics than most of her daytime competition. Though Rosemary was cited for its “realistic approach to life,” such devices as amnesia (in fact a rare malady that seemed to infect soap opera characters almost weekly) gave it the breathless “tune in tomorrow” edge they all had.

But you can’t forget how easy it is to seduce people,” Ben said. “You see that everywhere, be it politics or religion. Even here in Europe, populists have been wildly successful despite the fact that this continent has a lot of experience with fanatical right- and left-wing ideology.” “Most people yearn for guidance,” Fritz said. “They want others to determine their lives for them, at least when all is said and done. In politics, the only people who are respected are so-called ‘strong’ leaders or politicians who show the way. It’s hardly surprising these people don’t have a basic understanding of democracy.” “That’s the problem,” said Ben. “People love to be told what they should do. And the worse they have it, the more grateful they are for a strong hand to push them.” “That said, we don’t exactly have it that bad here in Europe,” Hannes added. “Sure, there’s always some economic crisis and unemployment is rising, but still most people have it good enough that they can’t be enthralled by some dictator.” “Economic crises aren’t the only reason people turn to extremism,” Fritz said. “It’s also about personal crises. Look at the faces on the bus. How many people look happy?” “They’re probably just tired,” Ben joked. “But it’s true. There are plenty of studies which suggest that people in poorer countries are happier than we are. But when did you last hear politicians discuss the question of how we actually want to live? Emotional needs are basically irrelevant. It’s all about growth, recovery, optimization, and efficiency. If you work day after day in some office like a robot, there’s an inner emptiness that reality shows and dramas on television can no longer fill. Take a look at the nonsense the masses tune into night after night. You can’t consume real feelings, you have to live them.” “But that’s exactly what our society has forgotten how to do,” Fritz said. “You need someone to advise you on how to be ‘happy.’ At some schools, students can now choose Happiness as an elective. How sad is that? Have we become so far removed from real life that we have to introduce happiness as a school subject? How can society not understand something so fundamental?” “Now some charismatic, eloquent politician appears who knows exactly how to appeal to people,” Ben said. “Do you really think we would be completely immune to a politician’s temptations and promises today?” “Okay, okay!” Hannes laughed and raised his hands. “I give up. At the next neo-Nazi march, I’ll be standing in the front line of the counterdemonstration, I promise. But speaking of robots—I spent way too long spinning on the hamster wheel today. And Fritz has already given me a list of things to do tomorrow. It’s been lovely chatting, but I have to hit the hay.” “Man! But we’ve only just started planning the revolution,” Ben joked. “No, my young colleague’s right.” Fritz rose from his chair. “I just have to use the bathroom and then I’ll be on my way.” “It’s straight ahead.” Ben showed him the way and handed Hannes another beer. “Come on, you Goody Two-Shoes. Let’s have a

Shoats had pushed his chair back from the table to allow himself room for the guitar, between the table edge and his belly, and was tuning it. He wore that hearing-secret-harmonies expression people wore when they tuned guitars.

In this existentialist-humanist mode of consciousness, on the other hand, we "are" agnostic, and consciously recognize our models as our creations. In this state, we "are" model-relativists, "sophisticates" and actively creative; all perceptions (gambles) are actively known as gambles. We consciously seek to edit less and tune in more, and we look especially for events that do not neatly fit our model, since they will teach us to make a better model tomorrow, and an even better one the day after. We are not dominated by The "Real" Universe since we remember that the linguistic construct is just our latest gamble and we can make a better one quickly.

Twenty-One Love Poems [Poem III] - 1929-2012 Since we’re not young, weeks have to do time for years of missing each other. Yet only this odd warp in time tells me we’re not young. Did I ever walk the morning streets at twenty, my limbs streaming with a purer joy? did I lean from any window over the city listening for the future as I listen here with nerves tuned for your ring? And you, you move toward me with the same tempo. Your eyes are everlasting, the green spark of the blue-eyed grass of early summer, the green-blue wild cress washed by the spring. At twenty, yes: we thought we’d live forever. At forty-five, I want to know even our limits. I touch you knowing we weren’t born tomorrow, and somehow, each of us will help the other live, and somewhere, each of us must help the other die.

Part of resisting the disease is captured in simply not letting the fear of tomorrow control the quality of today. The Rodgers and Hammerstein song from The King and I makes the point better than I can: I whistle a happy tune, and every single time, the happiness in the tune convinces me that I’m not afraid. Powering through the fear may seem like denial, but fear doesn’t change the prognosis. It only changes the way I would feel between now and whenever the inevitable occurs. So that is what I did.

short, tomorrow’s lawyers will need to be more in tune with tomorrow’s clients. In contrast, when meeting with their clients today, many partners of law firms are said to broadcast and pontificate instead of listening to what is actually on the minds of those they are serving. In other words, many law firms lack empathy. They fail to put themselves in their clients’ shoes and see the business from the clients’ perspective. It is often claimed that, because they do not pause to listen, firms cannot distinguish between those occasions when a client wants quick, rough-and-ready guidance as opposed to detailed and exhaustive legal analysis. This lack of empathy and inability to listen could be deeply prejudicial to long-term relationships between firms and clients in the future.

Challenge yourself today, to improve, for a better tomorrow than yesterday.

To-day I feel so joyful that I could dance to the tune of Miriam’s timbrel; but perhaps when I wake to-morrow morning I shall only be able to sing in harmony with Jeremiah’s lamentations. Has my salvation changed according to these feelings? Then it must have had a very movable foundation. Feelings are more fickle than the winds, more unsubstantial than bubbles: are these to be the gauge of the divine fidelity? States of mind more or less depend upon the condition of the liver or the stomach; are we to judge the Lord by these? Certainly not. The state of the barometer may send our feelings up or down: can there be much dependence upon things so changeable?

From chapter 3, Attention Starts with the Breath (page 25): Practicing mindful attention takes effort. It is never easy to break with habits and patterns. The same is true for our mind. By tuning in to their breath, kids learn just how easily they are distracted by thoughts, fantasies, and plans for tomorrow that pop into their heads.

you have a face that’s perfect for radio!

You’re not married. You just—you don’t really count,

An experiment, to see if she could feel more like a woman instead of an impostor in a dress.