Tumble Leaf Quotes

you will never catch up. Walk around feeling like a leaf know you could tumble at any second. Then decide what to do with your time. --The Art of Disappearing

December tumbled like a dead leaf from the calendar.

Most people, Kamala, are like a falling leaf, which is blown and is turning around through the air, and wavers, and tumbles to the ground. But others, a few, are like stars, they go on a fixed course, no wind reaches them, in themselves they have their law and their course

Most people are like a falling leaf as it twists and turns its way through the air, lurches and tumbles to the ground. Others, though – a very few – are like stars set on a fixed course; no wind can reach them, and they carry their law and their path within them.

When they say Don't I know you? say no. When they invite you to the party remember what parties are like before answering. Someone telling you in a loud voice they once wrote a poem. Greasy sausage balls on a paper plate. Then reply. If they say we should get together. say why? It's not that you don't love them any more. You're trying to remember something too important to forget. Trees. The monastery bell at twilight. Tell them you have a new project. It will never be finished. When someone recognizes you in a grocery store nod briefly and become a cabbage. When someone you haven't seen in ten years appears at the door, don't start singing him all your new songs. You will never catch up. Walk around feeling like a leaf. Know you could tumble any second. Then decide what to do with your time.

I thought wulfen howls were bad when I heard them in my own garage. Hearing the high, glassy cry in the middle of the woods at night is infinitely worse, because the howls sounds like it could be words if you just listen hard enough. The horrible thing is that it pulls on that deep hidden part in every person-the blind animal part. The part that knows you're the prey. But the worst thing about it? Is when it sounds right behind you, and something hits you from behind, tumbling you into another thorn-spiked mess of vines and branches, leaf mold and dirt filling your nose, and a huge, hot, hairy hand winds in your hair.

Walk around feeling like a leaf. Know you could tumble any second, then decide what to do with your time.

Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound. Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all. Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least. First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it. "Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death. In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star. Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.

I was very timid, and bound as with chains in a man-fearing spirit. When I arose to testify I trembled like a leaf, and began to make excuses - O God, send someone else! Then the Lord in a vision caused me to see the bottomless pit open in all its horror and woe. There was weeping and wailing and gnashing of teeth. It was surrounded by a great multitude of people who seemed unconscious of their danger, and without a moments warning they would tumble into this awful place. I was above the people on a narrow plank-walk, which wound up toward heaven; and I was exhorting and pleading with the people to come upon the plank and escape that awful place. Several started. There was a beautiful bright light above me, and I was encouraging them to follow that light and they would go straight to heaven. "In all these trials God was preparing me and opening the way for the great battle against the enemy of souls and now the great desire of my heart was to work for Jesus. I longed to win a star for the Savior's crown.

Automn ill and adored You die when the hurricane blows in the roseries When it has snowed In the orchard trees Poor automn Dead in whiteness and riches Of snow and ripe fruits Deep in the sky The sparrow hawks cry Over the sprites with green hair dwarfs Who've never been loved Inthe far tree-lines The stags are groaning And how I love O season how I love your rumbling The falling fruits that no one gathers The wind in the forest that are tumbling All their tears in automn leaf by leaf The leaves You press A crowd That flows The life That goes

The Truth About Owls You flinch at leaf shadows tumbling across your driveway and the shadows notice you flinching. The thought gets under their skin, starts them asking questions to your back as you walk away. "Are we something to fear?" Two nights later, the shadows pile into three dimensions, hop twice, and fly off on soundless wings.

Do something worthwhile. Something that would last after you’re gone. Be like a leaf, during spring and summer, it provides light to the tree. And in the fall, it tumbles, carried by the river, to fulfill another sublime role.

Most people, Kamala, are like a falling leaf, which is blown and is turning around through the air, and wavers, and tumbles to the ground. But others, a few, are like stars, they go on a fixed course, no wind reaches them, in themselves they have their law and their course.

Lucky ain’t a puppy no more and he don’t bark for just any old reason. It takes a mailman, a squirrel, a car, a bird, a blowing leaf, or a tumbling scrap of paper to get him stirred up now.

And I fall deeper. Tumbling. But I know that they will catch me. And in the blackness there is only me, and my last, handwritten words. A poem. The last leaf falls But look close and you see The hidden buds of spring

She missed the autumn weekends at somebody's country house, leaf-fall and touch football, kids tumbling down grassy slopes, leaders and followers, all watched by a pair of tall slender dogs poised on their haunches like figures in myth.

Everything comes from everything and nothing escapes commonality. I am building a house already built, you are bearing a child already born. Everything comes from everything: a single cell out of another single cell; the cherry tree blossoms from the boughs; the hunter's aim from his arm; the rivers from tributaries from streams from falls from springs from wells; the Christ thorns out of the honey locust; a word from an ancient word, this book from many books; the tiny black bears out of their durable mothers tumbling from dark lairs; eightieth-generation wild crab abloom again and again and again; your hand out of your father's; firstborn out of firstborn out of firstborn out of; the weeping willows and the heart leaf, the Carolina, the silky, the upland, the sandbar willows; every tart berry; our work, which disappears; our mothers' whispers, which disappear; every Thoroughbred; every violet; every kindling twig, bone out of bone; also the heat lightborne, the pollen airborne, the rabbits soft and crickets all angles and the glossy snakes from their slithering, inexhaustible mothers, freshly terrible. When you die, you will contribute your bones like alms. More and more is the only law.

Most people, Kamala, are like a falling leaf, that wafts and drifts through the air, and twists and tumbles to the ground. Others, however, few, are like stars: they have a fixed course, no wind reaches them, they have their law and their course inside them.

Most people are like a falling leaf that twists and spirals in the air, and flutters and tumbles to the ground. But there are others, a few, who are like the stars and travel a fixed course; no breeze can blow them sideways, their wisdom and their purpose lie within them.

Most people, Kamala, are like a falling leaf that is blown and is turning around through the air, wavering and tumbling to the ground. But others, a few, are like stars: they go on a fixed course, no wind reaches them, and in themselves they have their law and their direction.

Carpe Diem By Edna Stewart Shakespeare, Robert Frost, Walt Whitman did it, why can't I? The words of Horace, his laconic phrase. Does it amuse me or frighten me? Does it rub salt in an old wound? Horace, Shakespeare, Robert Frost and Walt Whitman my loves, we've all had a taste of the devils carpe of forbidden food. My belly is full of mourning over life mishaps of should have's, missed pleasure, and why was I ever born? The leaf falls from the trees from which it was born in and cascade down like a feather that tumbles and toil in the wind. One gush! It blows away. It’s trampled, raked, burned and finally turns to ashes which fades away like the leaves of grass. Did Horace get it right? Trust in nothing? The shortness of Life is seventy years, Robert Frost and Whitman bared more, but Shakespeare did not. Butterflies of Curiosities allures me more. Man is mortal, the fruit is ripe. Seize more my darling! Enjoy the day.

Fetch? Balls and sticks capture my attention seconds at a time. Catch? I don’t think so. Bunny, tumbling leaf, a squirrel who’s—oh joy—actually scared. Sniff the wind, then I’m off again: muck, pond, ditch, residue of any thrillingly dead thing. And you? Either you’re sunk in the past, half our walk, thinking of what you never can bring back, or else you’re off in some fog concerning —tomorrow, is that what you call it? My work: to unsnare time’s warp (and woof!), retrieving, my haze-headed friend, you. This shining bark, a Zen master’s bronzy gong, calls you here, entirely, now: bow-wow, bow-wow, bow-wow.

Within it grew such a variety of plants as Elizabeth had ever seen: white roses, carnations, lobelias, mimosas, even sweet peas tumbling over each other in vigorous abandon. At one end was an herb garden, and Elizabeth recognized rue, fennel, caraway, sage, thyme and mint. Through a doorway at the rear of the courtyard she could see a grove of olive and lemon trees and on the short walk from the harbor to the house she had spotted tall, spiky thistle-like plants, palms and trees covered in white flowers. She was seized with an immediate desire to open her sketchbook and take out the magnifying glass from the pocket of her cloak, to capture the intricate detail of an almond blossom, its calyx and corolla, stamens and carpel, or perhaps to draw the curl of a vine tendril or a spiky aloe leaf

Fallin" I got the feelin I'm fallin' Like a star up in the blue Like I was fallin' off Niagara In a paddle boat canoe I got the feelin' I'm a fallin' And it's all because of you Like I was walkin' on a tight rope Swingin' in the breeze And though I tried to keep my balance When I weaken in my knees I got the feelin' I'm a fallin' Lover, help me please Like a leaf falls from the branch Like a rock from an avalanche Like the rain on a stormy day I never thought I'd fall this way I thought that love could never touch me Yeah, I was ridin' high And then my ivory tower toppled And I tumbled from the sky I got the feelin' that I'm fallin' And you're the reason why Like a life that he married for Like the walls of Jericho Like Delilah's holy town And Samson tore it down I thought that love could never touch me Yeah, I was ridin' high And then my ivory tower toppled And I tumbled from the sky I got the feelin' that I'm fallin' And you're the reason why And you're the reason why And you're the reason why And you're the reason why

The intensity of my sensations has always been less than the intensity of my awareness of them. I've always suffered more from my consciousness that I was suffering than from the suffering of which I was conscious. The life of my emotions moved early on to the chambers of thought, and that's where I've most fully lived my emotional experience of life. And since thought, when it shelters emotion, is more demanding than emotion by itself, the regime of consciousness in which I began to live what I felt made how I felt more down-to earth, more physical, more titillating. By thinking so much, I became echo and abyss. By delving within, I made myself into many. The slightest incident — a change in the light, the tumbling of a dry leaf, the faded petal that falls from a flower, the voice speaking on the other side of the stone wall, the steps of the speaker next to those of the listener, the half-open gate of the old country estate, the courtyard with an arch and houses clustered around it in the moonlight — all these things, although not mine, grab hold of my sensory attention with the chains of longing and emotional resonance. In each of these sensations I am someone else, painfully renewed in each indefinite impression. I live off impressions that aren't mine. I'm a squanderer of renunciations, someone else in the way I'm I.

He loves you,’ I said, and smoothed the tumbled hair off her flushed face. ‘He won’t stop.’ I got up, brushing yellow leaves from my skirt. ‘We’ll have a bit of time, then, but none to waste. Jamie can send word downriver, to keep an eye out for Roger. Speaking of Roger …’ I hesitated, picking a bit of dried fern from my sleeve. ‘I don’t suppose he knows about this, does he?’ Brianna took a deep breath, and her fist closed tight on the leaf in her hand, crushing it. ‘Well, see, there’s a problem about that,’ she said. She looked up at me, and suddenly she was my little girl again. ‘It isn’t Roger’s.’ ‘What?’ I said stupidly. ‘It. Isn’t. Roger’s. Baby,’ she said, between clenched teeth. I sank down beside her once more. Her worry over Roger suddenly took on new dimensions. ‘Who?’ I said. ‘Here, or there?’ Even as I spoke, I was calculating – it had to be someone here, in the past. If it had been a man in her own time, she’d be farther along than two months. Not only in the past, then, but here, in the Colonies. I wasn’t planning to have sex, she’d said. No, of course not. She hadn’t told Roger, for fear he would follow her – he was her anchor, her key to the future. But in that case – ‘Here,’ she said, confirming my calculations. She dug in the pocket of her skirt, and came out with something. She reached toward me, and I held out my hand automatically. ‘Jesus H. Roosevelt Christ.’ The worn gold wedding band sparked in the sun, and my hand closed reflexively over it. It was warm from being carried next to her skin, but I felt a deep coldness seep into my fingers. ‘Bonnet?’ I said. ‘Stephen Bonnet?’ Her throat moved convulsively, and she swallowed, head jerking in a brief nod. ‘I wasn’t going to tell you – I couldn’t; not after Ian told me about what happened on the river. At first I didn’t know what Da would do; I was afraid he’d blame me. And then when I knew him a little better – I knew he’d try to find Bonnet – that’s what Daddy would have done. I couldn’t let him do that. You met that man, you know what he’s like.’ She was sitting in the sun, but a shudder passed over her, and she rubbed her arms as though she was cold. ‘I do,’ I said. My lips were stiff. Her words were ringing in my ears. I wasn’t planning to have sex. I couldn’t tell … I was afraid he’d blame me. ‘What did he do to you?’ I asked, and was surprised that my voice sounded calm. ‘Did he hurt you, baby?’ She grimaced, and pulled her knees up to her chest, hugging them against herself. ‘Don’t call me that, okay? Not right now.’ I reached to touch her, but she huddled closer into herself, and I dropped my hand. ‘Do you want to tell me?’ I didn’t want to know; I wanted to pretend it hadn’t happened, too. She looked up at me, lips tightened to a straight white line. ‘No,’ she said. ‘No, I don’t want to. But I think I’d better.’ She had stepped aboard the Gloriana in broad daylight, cautious, but feeling safe by reason of the number of people around; loaders, seamen, merchants, servants – the docks bustled with life. She had told a seaman on the deck what she wanted; he had vanished into the recesses of the ship, and a moment later, Stephen Bonnet had appeared. He had on the same clothes as the night before; in the daylight, she could see that they were of fine quality, but stained and badly crumpled. Greasy candle wax had dripped on the silk cuff of his coat, and his jabot had crumbs in it. Bonnet himself showed fewer marks of wear than did his clothes; he was fresh-shaven, and his green eyes were pale and alert. They passed over her quickly, lighting with interest. ‘I did think ye comely last night by candlelight,’ he said, taking her hand and raising it to his lips. ‘But a-many seem so when the drink is flowin’. It’s a good deal more rare to find a woman fairer in the sun than she is by the moon.

While Mrs. Hisa steeped fresh fava beans in sugar syrup, Stephen dry-fried baby chartreuse peppers. I made a salad of crunchy green algae and meaty bonito fish cubes tossed with a bracing blend of soy and ginger juice. Mrs. Hisa created a tiny tumble of Japanese fiddleheads mixed with soy, rice vinegar, and salted baby fish. For the horse mackerel sushi, Stephen skinned and boned several large sardine-like fillets and cut them into thick slices along the bias. I made the vinegared rice and then we all made the nigiri sushi. After forming the rice into triangles, we topped each one with a slice of bamboo grass, as if folding a flag. Last, we made the wanmori, the heart of the tenshin. In the center of a black lacquer bowl we placed a succulent chunk of salmon trout and skinned kabocha pumpkin, both of which we had braised in an aromatic blend of dashi, sake, and sweet cooking wine. Then we slipped in two blanched snow peas and surrounded the ingredients with a bit of dashi, which we had seasoned with soy to attain the perfect whiskey color, then lightly salted to round out the flavor. Using our teacher's finished tenshin as a model, we arranged most of the dishes on three polished black lacquer rectangles, first lightly spraying them with water to suggest spring rain. Then we actually sat down and ate the meal. To my surprise, the leaf-wrapped sushi, the silky charred peppers, candied fava beans, and slippery algae did taste cool and green.

There was life in her gaze once more, a sharpness that went beyond the occasional cutting remark, hinting at a mind finally cleared of durhang’s dulling fog. She still coughed as if her lungs were filled with fluid, although the sage mixed in with the rust-leaf had eased that somewhat. She was returning his regard with an inquisitive—if slightly hard—expression, drawing steadily on the hookah’s mouthpiece, smoke tumbling down from her nostrils. ‘If I could see you,’ Heboric muttered, ‘I’d conclude you’ve improved some.’ ‘I have, Destriant of Treach, though I would have thought those feline eyes of yours could pierce every veil.’ He grunted. ‘It’s more that you no longer slur your words, Scillara.

When the universe was very young, in the first moments after the Big Bang, powerful charged electrons began to pour out of the swirling furnace that filled empty space. Many became part of simple hydrogen atoms that tumbled through the cosmos and ended up within huge stars. In their long sojourn within the stars, and then even more when the stars blasted apart, multitudes of those simple atoms were squeezed together with such force that larger atoms were created. Metals such as copper, iron, and silver were born. For eons these metals, too, floated through space. In time they fell toward a new solar system, and became part of ore deposits on the North American continent. They were joined by metal atoms that had been created in other distant starbursts. Hidden deep inside each atom, as the ore lay buried, powerful electron charges remained. Mountains rose and fell. Giant reptiles hunted in fern forests; ecosystems changed, and giant mammals hunted in coniferous and broad-leaf forests. Small groups of arrow-using humans arrived from Asia; thousands of years later, more humans arrived, on giant floating vessels from Europe and Africa. There were cruel frontier wars, and new settlements arose. The soil was turned over for planting, and probed for metal ore. The hidden electron charges, unchanged for billions of years, were about to be released.

The piece that bond us together, tumble over and left us shattered, Time is a life line, that can't be revisited, All I gave you was gone like a thin air. Now it's hard to see, whether I was fooled or you're the liar, every moments we shared together, patching up to make it memorable for us, the smiles, kiss and warmth, I thought it'll keep us together for long. But it got torn like a page in a story, and we got drifted apart like the rush, from water waves till it got dried up. Empty, now feeling like a mess, for the love I thought I could boast of. It all fell down like a withered leaf.

Memories of lost love they do enpain, Fleeting images of what once was never again to gain. Hold tight those memories that slip through the mind, To walk in those fields again with her—a dream divined. Oh to be with that lost Valkyrie forevermore again, To hold her hand delicate until the last world’s end. To be at peace once amore in deep loving soul, Husband to wife in embracing hold. How he loved her so, but she was now gone, Leaf to the wind, heart tossed and tumbled torn. Memories like arrows stick deep—ohhh so deep, Shafts of pain and joy assail the soul’s lonely keep. --Angel-Heart, Ch. 22 Valley of the Damned

The leaf twirls gently To the dry ground The flake tumbles lightly To the snow mound The lightning falls mightily To the earth with a crash And I plummet sleepily From the fridge to the trash. Such is nature's way

After a long time he starts leafing through Don Quixote, and then he reads, “ ‘Having thus lost his understanding, he unluckily tumbled upon the oddest fantasy that ever entered into a madman’s brain; for now he thought it convenient and necessary, as well as for the increase of his own honor, as the service of the public, to turn knight errant.’ 

In short, Dick Tinto's friends feared that he had acted like the animal called the sloth, which, having eaten up the last green leaf upon the tree where it has established itself, ends by tumbling down from the top, and dying of inanition.

Right here is my favorite sanctuary in Tokyo," said Ryuu. "It's called Momijidani. It means 'autumn leaf valley.'" We'd reached an artificial ravine with a waterfall tumbling down from a high rock formation about three stories tall, surrounded by a variety of rocks, and maple trees with red autumn leaves. A stream ran below the waterfall, with a picturesque bridge path over it. The effect was spectacular, like being deep in a valley surrounded by mountains- serene, private, magical- but with Tokyo Tower looming over it, a reminder of the bustling city just beyond.

With tinny drumbeats, the rain pounds the roof My teary eyes compete They can't keep up Breathe Let it go Breathe The vice on my chest tightens its razoring grip I gasp No relief If only tears could soothe the pain Then, I would look upon the tidal waves against these walls without fear Crush and roll me, I'd plead, Mold my body anew But with these tears come no healing, Just death, slow and determined This old girl, this old woman, this old soul lives here inside A tortoise outgrowing this hare's body This youthful skin encasing a crumbling frame I smooth the matted web of curls off my sweaty neck And roll my eyes at the clock How slowly the time squeaks by here in this room, In this comfortless bed I abandon the warmth from under my blanket tower and shiver The draft rattles my spine One by one, striking my vertebrae Like a spoon chiming empty wine glasses, Hitting the same fragile note till my neck shakes the chill away I swipe along the naked floor with a toe for the slippers beneath the bed Plush fabric caresses my feet Stand! Get up With both hands, Gravity jerks me back down Ugh! This cursed bed! No more, I want no more of it I try again My legs quiver in search of my former strength Come on, old girl, Come on, old woman, Come on, old soul, Don't quit now The floor shakes beneath me, Hoping I trip and fall To the living room window, I trudge My joints grind like gravel under tires More pain no amount of tears can soothe away Pinching the embroidered curtain between my knuckles, I find solace in the gloom The wind humming against the window, Makes the house creak and groan Years ago, the cold numbed my pain But can it numb me again, This wretched body and fractured soul? Outside I venture with chants fluttering my lips, Desperate solemn pleas For comfort, For mercy For ease, For health I open the plush throw spiraled around my shoulders And tiptoe around the porch's rain-soaked boards The chilly air moves through me like Death on a mission, My body, an empty gorge with no barriers to stop him, No flesh or bone My highest and lowest extremities grow numb But my feeble knees and crippling bones turn half-stone, half-bone Half-alive, half-dead No better, just worse The merciless wind freezes my tears My chin tumbles in despair I cover myself and sniffle Earth’s scent funnels up my nose: Decay with traces of life in its perfume The treetops and their slender branches sway, Defying the bitter gusts As I turn to seek shelter, the last browned leaf breaks away It drifts, it floats At the weary tree’s feet, it makes its bed alongside the others Like a pile of corpses, they lie Furled and crinkled with age No one mourns their death Or hurries to honor the fallen with thoughtful burials No rage-filled cries echo their protests at the paws trampling their fragile bodies, Or at the desecration by the animals seeking morning relief And new boundaries to mark Soon, the stark canopy stretching over the pitiful sight Will replace them with vibrant buds and leaves Until the wasting season again returns For now, more misery will barricade my bones as winter creeps in Unless Death meets me first to end it