Tube Driver Quotes

I don’t know about you driving. What if your beast comes out? I don’t think he’s got a driver’s permit.” In a weird voice, she said, “He don’t even have his license, Lisa.” “Who’s Lisa?” She blinked at him. “Weird Science? Never mind, crypt keeper. I’ll shoot you a YouTube sometime, through this thing we youngsters like to call ‘electronic mail.

Tess exited YouTube, Binged Richard Widmark, and found what she expected, given

O'Shaughnessy is hitting Denholt on the side of his head with his free arm, great, walloping, pile-driver blows. The two of them stagger together, like partners in a crazy dance. Glass is breaking all around them. Gray smoke from the six shots, pink-and-white dust from the chipped brick-and-plaster walls, swirl around them in a rainbow haze. Something vividly green flares up from one of the overturned retorts, goes right out again. O'Shaughnessy tears the emptied gun away, flings it off somewhere. More breaking glass, and this time a tart pungent smell that makes the nostrils sting. The crunch of pulverized tube glass underfoot makes it sound as if they were scuffling in sand or hard-packed snow. ("Jane Brown's Body")

Clark Air base in Angeles City is a hub of commerce. The streets teem with industrious Filipinos hustling to make a living. Rusty cars and trucks clog narrow streets and honk their horns with abandon. Jeepneys ferry passengers around town for only a few pesos and serve as public transportation. The jeepney is the official vehicle of the Philippines. Jeepneys are long, open-sided jeeps and have bench seats for passengers. The best jeepneys are very ornate, their hoods festooned with a multitude of fancy chrome horses and ornaments, multihued streamers, and hand-operated rubber-bulb horns. Safety standards are third-world-relaxed in the PI, and jeepney drivers casually smoke cigarettes while they sit with plastic containers of gasoline nestled between their feet. The clear plastic jugs have a tube that connects to the engine and serves as the jeepney’s improvised gas tank, making it easier for the driver to monitor and conserve fuel. Jeepneys are not the only transportation available. Small, sidecar-equipped motorcycles called tricycles, also serve as cheap taxis, crowding the streets near popular establishments. The alleys are lined with side-by-side food stalls, and street vendors occupy every corner.

As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.

There’s an unexpected lull in the traffic about two-thirds of the way to Darmstadt, and I make the mistake of breathing a sigh of relief. The respite is short-lived. One moment I’m driving along a seemingly empty road, bouncing from side to side on the Smart’s town-car suspension as the hairdryersized engine howls its guts out beneath my buttocks, and the next instant the dashboard in front of me lights up like a flashbulb. I twitch spasmodically, jerking my head up so hard I nearly dent the thin plastic roof. Behind me the eyes of Hell are open, two blinding beacons like the landing lights on an off-course 747. Whoever they are, they’re standing on their brakes so hard they must be smoking. There’s a roar, and then a squat, red Audi sports coupe pulls out and squeezes past my flank close enough to touch, its blonde female driver gesticulating angrily at me. At least I think she’s blonde and female. It’s hard to tell because everything is gray, my heart is trying to exit through my rib cage, and I’m frantically wrestling with the steering wheel to keep the roller skate from toppling over. A fraction of a second later she’s gone, pulling back into the slow lane ahead of me to light off her afterburners. I swear I see red sparks shooting out of her two huge exhaust tubes as she vanishes into the distance, taking about ten years of my life with her.

They had grown up with a constant stream of global warming and gun violence burbling on low from their parents’ radios as they were driven to and from soccer or clarinet. Their lives, for the most part (at least the majority of students who attended this liberal and very expensive college), were cloaked in the postmillennial blanket of peace and prosperity, while terrible threats loomed in the shadowy corners of the larger world. They were overpraised and overpressured. There were teenage billionaires, twelve-year-old YouTube stars, and no jobs for them once they graduated. Once Trump became president, the illusion, the one imparted to them comfortably from the driver’s seat of a minivan, the idea that the world would slowly get better, that “the arc of history is long but it bends toward justice,” was upended.

What is the core transaction? The core transaction is the set of actions consumers and producers must complete in order to exchange value. Every platform has a core transaction. On Uber, drivers make themselves available and consumers submit requests for rides. On YouTube, producers upload videos and consumers watch, rate, and share them. On Lending Club people or small businesses request loans and others fund them. These examples of the core transaction highlight its purpose: to construct a set of simple, repeatable actions that producers and consumers take to create and consume value through a platform.

Every major change in the technologies underlying our lifestyles, from gunpowder to steel to the internal combustion engine to the rise of electricity, has required a leap of faith and a major break from the past. Imagine the fear, traveling long distances aboard a rickety vehicle that burned an explosively flammable liquid and rode upon black rubber tubes filled with air. What could possibly go wrong?! Yet people quickly overcame their fear of cars and focused instead on how to improve safety and reliability.

Four blue-blazered, gray-slacked guards stood at the entrance—real guards, Myron noted, with cop eyes and KGB facial tics, not the rent-a-uniforms you saw at department stores or airports. The four of them stood silently, eyeing Myron like he was wearing a tube top in the Vatican. One of the guards stepped forward. “May I see some ID please?” Myron took out his wallet and showed him a credit card and driver’s license. “There’s no photo on the driver’s license,” the guard said. “New Jersey doesn’t require them.” “I need a photo ID.” “I have my picture on my health club membership card.” Cop-patient sigh. “That won’t do, sir. Do you have a passport?” “In midtown Manhattan?” “Yes, sir. For the purposes of ID.” “No,” Myron said. “Besides, it’s a terrible picture. Doesn’t fully capture the radiant blue in my eyes.” Myron batted them for emphasis. “Wait here, sir.” He

Look, then, upon the modern metropolis in which people are packed together and yet remain strangers. In the subway, underground or "tube" they meet and yet never meet, experiencing the closest physical intimacy at the same time as total separation. If they make eye contact in the crowded streets they are embarrassed and hastily turn away. If one of their number falls to the pavement the rest avert their heads, fearing involvement. In solitary rooms and apartments a man or woman grieves or dies unnoticed. The rain that falls—that powerful reminder of the divine mercy—is grubby and polluted, and the drivers marooned in their stationary motor cars resist the temptation to express their rage in some act of violence. Everyone is in a hurry ("Haste comes from Satan", according to a saying of the Prophet), slaves to a busy schedule, and everyone is locked into the prison of their own problems and anxieties. They behave like enemies, so unwilling are they to meet.

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There was so much to think about and so much to do with all this activity and responsibility that he hardly had time to really consider how he missed London, the hum of it, the Brixton roar and the beloved river, the West Indian take aways, the glittering of the tower blocks at night, the mobile phone shacks, the Africans in Peckham, the common proximity of plantain, the stern beauty of church women on Sunday mornings, the West End, the art in the air, the music in the air, the sense of possibility. He missed the tube, the telephone boxes. He even missed, deep down, the wicked parking inspectors and the heartless bus drivers who flew past queues of freezing pedestrians out of spite. He missed riding from Loughborough to Surrey Quays on his bike with the plane trees whizzing by, the sight of some long-weaved woman walking along in tight jeans and a studded belt and look-at-me boots and maybe a little boy holding her hand. The skylines, the alleyways, and yes, the sirens and helicopters and the hit of life, all these things he knew so well. And the fact, most of all, that he belonged there in a way that he would never, could never, belong in Dorking. He was outside, displaced. He was off the A-Z. He felt, in a very fundamental way, that he was living outside of his life, outside of himself. And the problem was, if indeed it was a problem – how could you call something like this a problem when there were bills to pay and children to feed and a house to maintain? – the problem was that he did not know what to do about it, how to get rid of this feeling, how to get to a place where he felt that he was in the right place. And this not being such a serious problem, not really a problem at all, he had suppressed it and accepted things as they were.

The way that Berardi describes labor will sound as familiar to anyone concerned with their personal brand as it will to any Uber driver, content moderator, hard-up freelancer, aspiring YouTube star, or adjunct professor who drives to three campuses in one week: In the global digital network, labor is transformed into small parcels of nervous energy picked up by the recombining machine…The workers are deprived of every individual consistency. Strictly speaking, the workers no longer exist. Their time exists, their time is there, permanently available to connect, to produce in exchange for a temporary salary.15 (emphasis mine)