“
Whoever said that loss gets easier with time was a liar. Here's what really happens: The spaces between the times you miss them grow longer. Then, when you do remember to miss them again, it's still with a stabbing pain to the heart. And you have guilt. Guilt because it's been too long since you missed them last.
”
”
Kristin O'Donnell Tubb (The 13th Sign)
“
Twenty-two astronauts were born in Ohio. What is it about your state
that makes people want to flee the Earth?"
- Stephen Colbert to Congresswoman Stephanie Tubbs Jones,
"The Colbert Report," November 3, 2005
”
”
Stephen Colbert
“
I was lucky that I was born bigger and faster than the average Joe, and play a game that people are stupid enough to pay millions of dollars to watch.
”
”
Winfred Tubbs
“
Now Flowers was arguing the same thing back to him. If Dannon and Carver had killed Tubbs, Lucas wouldn’t find out about it except by accident. If justice were to be done, it would have to be extrajudicial.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
A Nottinghamshire man called Tubbs wished very much to see a fairy and, from thinking of fairies day and night, and from reading all sorts of odd books about them, he took it into his head that his coachman was a fairy.
”
”
Susanna Clarke (Jonathan Strange & Mr Norrell)
“
He crashed a dozen Cadillacs in one year and played the Apollo. With racial hatred burning in the headlines, the audience danced in the seats to a white boy from the bottomland, backed by pickers who talked like Ernest Tubb. “James Brown kissed me on my cheek,” he says. “Top that.
”
”
Rick Bragg (Jerry Lee Lewis: His Own Story)
“
Irma looked around her bedroom desperately. Her eyes fell on the stack of schoolbooks lying on top of her vanity table. Homework! Homework trumped everything! Irma dived toward the desk and scooped up a couple of textbooks.
"I want to do my homework!" she wailed. "I have to study. Send Leafy instead of me!" Irma pointed to her pet turtle.
"Your turtle is not going on a date with Martin Tubbs!
”
”
Elizabeth Lenhard (The Last Tear (W.I.T.C.H. Chapter Books, #5))
“
Recognition is a human need, and there is something fundamentally violent about a world that denies Black women recognition on a regular basis.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
The moral of this story is that many amazing, sometimes hidden, things happen in a library. What's the story behind yours? What's your tale? The world is waiting to hear your Once Upon a Time.
”
”
Kristin O'Donnell Tubb (The Story Collector (The Story Collector #1))
“
Story collectors tend to be superstitious. Knock on wood, black cats, four leaf clovers... that sort of thing. After all, superstitions are the little stories we tell ourselves to make sense of our chaotic world.
”
”
Kristin O'Donnell Tubb (The Story Collector (The Story Collector #1))
“
Some people are story collectors. While others collect seashells, or stuffed animals, or stamps, story collectors wrap themselves in words, surround themselves with sentences, and play with participle, even those pesky, perky dangling ones. They climb over Cs and mount Ms and lounge in Ls. Soon enough they land in the land of homonyms, then, wham! They stumble into onomatopoeia, that lovely creaking, booming bit of wordplay - and that, Dear Friend, is where our story begins.
”
”
Kristin O'Donnell Tubb (The Story Collector (The Story Collector #1))
“
And so I'm still a story collector. A word peddler. A knowledge warrior. Stories help us make sense of things that don't make sense at all. Like an unfortunate amount of bad luck. Or a forever-locked closet. Or a pile of toppled books in a deserted part of the library. I've gathered these words, these pages, this story, so I can share it with you, Friend, in hopes that you can find a bit of yourself in me or Eva or Merit or Edouard or John Jr. or Carroll. That's the truth of fiction, after all. It's hidden in feelings, not facts.
”
”
Kristin O'Donnell Tubb (The Story Seeker (The Story Collector #2))
“
Black women exist—and exist positively.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
Picture books build readers, Mr. Leon. Two missing books from our collection is like two missing bricks from a cathedral.
”
”
Kristin O'Donnell Tubb (The Story Collector (The Story Collector #1))
“
Behind her, the lamp turned back on.
”
”
Kristin O'Donnell Tubb (The Story Collector (The Story Collector #1))
“
When nightfall weaves its way through the New York Public Library, it is nothing shy of magic. Long stretched of sunlight on marble morph from white to yellow to pink to orange to red, the dim slowly, completely. Shadows yawn and stretch awake. Eighty-five miles of books on shelves blink away their daytime sleep, for book are often nocturnal creatures, ready to play. To roam. To hunt.
”
”
Kristin O'Donnell Tubb (The Story Collector (The Story Collector #1))
“
White women sought their right to vote as a symbol of parity with their husbands, brothers, and sons. Black women sought their right to vote as a means of empowering their communities and escaping reigns of terror.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
What is most revelatory in the lives of these three women was their ability to push against, break down, and step over each and every challenge that came their way. They saw themselves and their children as being worthy of life, worthy of rights, and worthy of grace.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
We must highlight the experiences of Black mothers and appreciate their ability to bring life no matter how often it is denied them. Their humanity is removed when they are forgotten, when they are not given the credit they earned, and when their names fade from history.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
He went on like that for a while, and before he was done, Lucas had dismissed him as being ineffectually goofy, although his ideas about the killing were roughly the same as Lucas’s own. Holly said he had no idea who on the staff might have been involved with Tubbs, or might be working as a spy.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
She shook her head. “I don’t know the details, exactly, but he was a lobbyist for the Minnesota Apiary Association.” “You mean, archery?” Jeff asked. “No, apiary, Daddy. You know, honey bees. There was some kind of licensing thing going on,” Brittany said. “The state was going to put on a fee, and some of the bee guys said they wouldn’t bring their hives into Minnesota if that happened, and Tubbs thought that the bees were interstate commerce and so only the feds were allowed to regulate it. Or something like that. I don’t know. I wasn’t interested enough to follow it. But Bob was around.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
In her book Killing the Black Body: Race, Reproduction, and the Meaning of Liberty, Dorothy Roberts writes that “between 1929 and 1941, more than 2,000 eugenic sterilizations were performed each year in the United States. It has been estimated that a total of over 70,000 persons were involuntarily sterilized under these [American] statutes.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
Marcus Garvey reached the height of his power with more than seven hundred UNIA branches in thirty-eight states.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
Hearts can do that, you know: hold on to something when the rest of you has forgotten about it. Hearts have longer memories than brains.
”
”
Kristin O'Donnell Tubb (The Story Collector (The Story Collector #1))
“
Their lives did not begin with motherhood; on the contrary, long before their sons were even thoughts in their minds, each woman had her own passions, dreams, and identity.
”
”
Anna Malaika Tubbs (Three Mothers: How the Mothers of Martin Luther King Jr, Malcolm X and James Baldwin Shaped a Nation)
“
Nervous people make poor listeners.
”
”
Kristin O'Donnell Tubb (The Story Collector (The Story Collector #1))
“
We need to know who it is, if he or she is there,” Lucas said. “That person’s life could be in danger from the same people who killed Tubbs . . . unless he or she did it. Then, that’d mean you’re working with a cold-blooded killer.” “Okay. I’ll think about it,” MacGuire said. “I’m not lying to you here, I really don’t know—but I’ll think about it, and ask around.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
Jesus himself provides the measuring stick by which we may know whether a teacher or practitioner of the Christian faith is genuine or fraudulent. "You shall know them by their fruit,
”
”
Brian Tubbs (Authentic: Character Traits of a Genuine Christian)
“
This special, one-of-a-kind key: the unique mix of books and stories that he would choose to read. Different from everyone else on the planet. His blanks to fill in. His Once Upon a Time.
”
”
Kristin O'Donnell Tubb (The Story Collector (The Story Collector #1))
“
In all three cases, the mothers’ worst fears became reality: each woman was alive to bury her son. It is an absolute injustice that far too many Black mothers today can say the same thing.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
Prophetic witness consists of human acts of justice and kindness that attend to the unjust sources of human hurt and misery. Prophetic witness calls attention to the causes of unjustified suffering and unnecessary social misery. It highlights personal and institutional evil, including the evil of being indifferent to personal and institutional evil.20 West’s definition adds
”
”
Leonora Tubbs Tisdale (Prophetic Preaching: A Pastoral Approach)
“
In a society where the good is defined in terms of profit rather than in terms of human need, there must always be some group of people who, through systematized oppression, can be made to feel surplus, to occupy the place of the dehumanized inferior.… Institutionalized rejection of difference is an absolute necessity in a profit economy which needs outsiders as surplus people.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
Hearing her favorite story had calmed her. It had made her braver. Familiar stories do that. They're as much a part of our identity as the backs of our hands. If we were zebras, our stories would be our stripes. If we were pilots, they would be our compass. If we were adventurers, they'd be our North Star. Our stories are what makes us unique. The combination of stories in our lives—the unique mix of the stories we choose to read, choose to live—makes each of us just a tiny bit different from everyone else on the planet.
”
”
Kristin O'Donnell Tubb (The Story Collector (The Story Collector #1))
“
Christine would fondly recall such moments, saying, “Every now and then, I have to chuckle as I realize there are people who actually believe ML [as Martin was sometimes called by his loved ones] just appeared. They think he simply happened, that he appeared fully formed, without context, ready to change the world. Take it from his big sister, that’s simply not the case. We are the products of a long line of activists and ministers. We come from a family of incredible men and women who served as leaders in their time and place, long before
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
American gynecology was built by torturing Black women and experimenting on their bodies to test procedures. J. Marion Sims, known as the father of American gynecology, developed his techniques by slicing open the vaginal tissues of enslaved women as they were held down by force. He refused to provide them with anesthesia. François Marie Prevost, who is credited with introducing C-sections in the United States, perfected his procedure by cutting into the abdomens of laboring women who were slaves. These women were treated like animals and their pain was ignored.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
When the Littles came home from school, Louise would reteach them what they had been taught by their white teachers. She refused to let her children fall victim to a mentality that told them they were inferior to anybody else. She made sure they knew how Black people were standing up for their rights not only in the United States but also around the world.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
Their military experience made them more of a threat. Their pride was seen as something in need of control. Once again irrational white supremacist fears turned into extreme forms of brutality. According to the Equal Justice Initiative, no one was more at risk of experiencing violence and targeted racial terror than Black Veterans who had proven their valor and courage as soldiers. Thousands of Black Veterans were assaulted, threatened, abused or lynched following military service. Violence targeted at Black Veterans and their families led to one of the bloodiest summers for Black Americans, known in history as the Red Summer. Approximately 25 race riots broke out across the United States. In different cities, white rioters attacked Black men, women, and children, targeted Black organizational meetings and destroyed Black homes and Black businesses. Hundreds of Black people were killed and thousands were injured in the onslaughts.
service
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
According to the Ella Baker Center for Human Rights, the average debt for court-related fines and fees in 2018 was $13,607. The median income of African American households was only $41,361 that year and $36,959 for households headed by African American females. While one in four women in the United States has a loved one behind bars, according to Essie Justice Group, one in two Black women has a loved one who is incarcerated. Many Black American women find themselves paying much of their income to the state as a result of the incarceration of their partners, children, and other family members.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
Bertis, Louise, and Alberta, grew from children, to teenagers, to young women at a time when the birth of a nation characterized black men as scoundrels intent on brutalizing white women. When the pickaninny equated black children with animals. And during the Jim Crow years, when the most popular image of the black woman was the Mammy. This devoted domestic servant did not possess her own desires. She would do anything to please her white family. If black women acted in resistance to this image, if the spoke up for themselves, if they did not stay in their place, if they cared more for their own children than white ones, they would be punished.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
Harris-Perry reminds us that we must never focus on Black women solely as a type of conquered victim but instead acknowledge the circumstances that have oppressed them, while simultaneously highlighting the ways in which they have reclaimed their agency despite these circumstances and made meaning of their lives in their own ways.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
Christopher C. Tubbs (Kingfisher)
“
Because of that loyalty, and because of his history as an intelligence officer, she’d had him set up the shadow campaign staff—spies—to keep an eye on her opponent, Smalls. He’d also identified other possible assets: among them, Bob Tubbs.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
He continued: “The other reason is, just look what happened. A guy who does dirty tricks is involved, somehow, with a really dirty trick, which could change an important election. He might have been paid for it. Maybe a lot. So if you take the simplest, straightforward answer to a complicated question . . .” “Occam’s razor . . .” Lucas nodded. “. . . the file was going from Tubbs to Smalls. A straightforward political hit.” “So, what you’re saying is, Tubbs probably took the thumb drive to Smalls’s office, and when Smalls was gone, inserted the file.” “Yes. Or more likely, an associate of his did. Whatever happened, for either side, Tubbs was probably murdered to shut him up. Neither one of us is going to be able to avoid that . . . fact,” Lucas said.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
Personally, I’m a registered Democrat, and my wife has contributed to the campaigns of a number of Democratic candidates, including yours, I believe, though I have not. There’s no politics in this, Ms. Grant. What there is, is a vicious sabotage attempt, which would have reduced Senator Smalls’s reputation to tatters, and very probably a murder. So, if we could get back to the reason I’m here: you say you knew nothing of the pornography, and you didn’t know Bob Tubbs?
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
The DFL headquarters was a low white-brick building in a St. Paul business park across the Mississippi from downtown that possibly looked hip for fifteen minutes after it was built but no longer did. Lucas talked to a receptionist, who made a call. Schariff came out and got him, and said, “We’re down in the conference room.” “Who’s we?” Lucas asked. “Me and Daryl Larson, our attorney,” Schariff said. He was a stocky, dark-haired man with a neatly trimmed beard and dark-rimmed glasses. He was wearing a white shirt with a couple of pens in a plastic pocket protector. In any other circumstance, Lucas would have been willing to arrest him on the basis of the pocket protector alone. “I asked, and everybody said when you’re talking to a cop . . . especially one investigating the Grant-Smalls fight . . .” “Okay,” Lucas said. Larson was a tall, thin man whom Lucas knew through Weather’s association with the St. Paul Chamber Orchestra. Larson raised money for the orchestra, usually by wheedling rich wives; it’d worked with Weather. When Lucas stepped into the room, Larson put down the paper he’d been reading and stood to shake hands. “Lucas, nice to see you. How’s Weather?” “Broke. She’s broke. She’s got no money left. She’s wondering how we’re going to feed the kids.” “Hate to hear that,” Larson said, with a toothy smile. “I’ll call her with my condolences.” The pleasantries out of the way, they settled into the conference chairs and Lucas outlined some of what he knew and believed about Tubbs’s disappearance. He finished by saying, “You guys are probably not going to want to talk about this, because when the media puts Tubbs’s disappearance together with the porn trick . . . it’s gonna look bad.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
Lucas finished up at the urinal and walked over to wash his hands and said, “Say you’ve got a hot, rich politician running for office, but she’s losing, then her opponent is hit with a scandal involving child porn on his computers, then the guy you think put it there suddenly disappears and the politician turns out to have armed security people, including a couple of guys with thick necks who were in special operations in the army. What we unsophisticates call ‘trained killers.’ What do you think?” Jenkins paused, half of his face covered with shaving cream, the other half bare and shaven; he asked, “You got that much for sure?” “I’m being told all that,” Lucas said. “Have you hooked Tubbs to Grant?
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
Squeak. Tubbs was half-asleep on the couch, his face covered with an unfolded Star Tribune. The overhead light was still on, and when he’d collapsed on the couch, he’d been too tired to get up and turn it off. The squeak wasn’t so much consciously felt, as understood: he had a visitor. But nobody knocked.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
I will say that it appears likely that Tubbs was working alone, out of a personal animus toward Smalls.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
From what the army investigators say about what happened in Afghanistan, I don’t suppose the murders of a couple more people would bother you—nothing for me to work with, there,” Lucas said. Carver rolled his eyes up and sideways, as if to say, Please, the way New Yorkers say it. As if to say, Now you’re wasting our time. “That’s like asking me if I feel bad when somebody gets killed in a car accident. I mean, I gotta tell you, if I don’t know them, I don’t feel bad. It’s like that with this Tubbs guy. Don’t know him, never saw him. If I could snap my fingers and he’d come walking through the door, I’d do it. But feel bad, if he’s dead? No. Sorry.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
Sands said to Rose Marie, “You can handle the politics. I think that’s proper. But the Tubbs murder . . . and what comes out of it, a definite finding on how the porn got on Smalls’s computer . . . is that St. Paul? Or is that us? St. Paul has been handling the case, and Detective Morris seems to have done an excellent job so far.” The chief never tried to catch that hot potato—he just let it fly by. “It’s you,” he said. “I’ll be goddamned if this department is going to investigate the Minneapolis department. That seems to be one of the critical questions, where the porn came from, and you guys have jurisdiction in Minneapolis. We don’t.” “That’s true,” Sands began. “However—” Rose Marie jumped in: “Henry, give it to Lucas.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
Henderson nodded, and closed his eyes. Then he said, “The murder.” “I’d want to stay on that,” Lucas said. “I’d insist. This thing will leak five minutes after you call St. Paul, and there’s gonna be a shit storm. I’ll be outraged, and you’ll be my minister plenipotentiary to the investigation. That’ll give us a reason for these . . . conferences.” “That’ll work, I think,” Lucas said. They sat there for a minute, then Henderson said, “There’s the elephant in the room . . . that we haven’t talked about.” Lucas nodded: “Who did it. Who killed Tubbs.” “If he’s dead.” “Yeah, if he’s dead. But . . . it feels like it.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
1. The Culture Shock of Preaching
1
2. Aiming toward Contextual Preaching
31
3. Exegeting the Congregation
56
4. Preaching as Local Theology
91
5. Preaching as Folk Art
”
”
Leonora Tubbs Tisdale (Preaching as Local Theology and Folk Art (Fortress Resources for Preaching))
“
actually many pastors in the United States who, like cross-cultural missionaries, are struggling to proclaim the Gospel to people whose worlds are different from their own.
”
”
Leonora Tubbs Tisdale (Preaching as Local Theology and Folk Art (Fortress Resources for Preaching))
“
In chapter 2 1 propose that one way to bridge this gap is to view preaching as an act of constructing "local theology"-that is, theology crafted for a very particular people in a particular time and place. Like theologies that have emerged from base communities in Latin America, preaching is a highly contextual act, requiring its practitioners to consider context as seriously as they consider biblical text in the interpretive process. Indeed, if we preachers want to reflect in our own proclamation the God who became incarnate for our sakes (meeting us on our turf), to remove from our own preaching any "false stumbling blocks" that might hinder a faithful hearing of the gospel, and to bring the gospel and contemporary life together in ways that capture and transform congregational imaginations, then we necessarily must first attend carefully to the contexts in which we are preaching.
”
”
Leonora Tubbs Tisdale (Preaching as Local Theology and Folk Art (Fortress Resources for Preaching))
“
chapter 3 I turn toward the task of congregational exegesis, outlining a very practical method for interpreting congregational subcultures that can be engaged by busy pastors while carrying on the ordinary tasks of ministry. Drawing on the expertise of authors in the fields of congregational studies and cultural anthropology, this chapter identifies seven symbols of congregational life that hold particular promise for revealing cultural and theological identity, and provides interpretive frameworks through
which the local pastor can deepen his or her understanding of the congregation's own worldview, values, and ethos. At stake is not only enhanced cultural understanding, but also a deepening awareness of the local theologies that already exist within the life of a congregation (beliefs regarding God, humanity, nature, time, the church, and their interrelationships).
Chapter 4 then turns to the question: "So, what difference does all this make for the theology of preaching?" Here we revisit the "text-to-sermon" process (revisioned as a "con/text-to-sermon" process), observing how greater attention to congregational context at each juncture-from the selection of biblical texts for proclamation, to the pastor's initial reading of them, to the methods used for biblical interpretation, to the discernment of fitting themes and strategies for proclamation-can positively contribute toward preaching as local theology. Sermons of local pastors, preached in their own unique congregational contexts, provide real-life examples of contextual theologizing in
”
”
Leonora Tubbs Tisdale (Preaching as Local Theology and Folk Art (Fortress Resources for Preaching))
“
Finally, in chapter 5, we turn toward the art of the sermon, exploring ways in which an enhanced emphasis upon contextuality in preaching can also contribute to sermons that are more fitting for local congregations in regard to their language, illustrations, and form. Here preaching is likened to folk art-more particularly to a circular folk dance-in which the preacher stays close to the ground of the hearers, enfleshing the sermon in language, rhythms, and forms that encourage local hearers to want to put on their own dancing shoes and join in the dance of faith.
”
”
Leonora Tubbs Tisdale (Preaching as Local Theology and Folk Art (Fortress Resources for Preaching))
“
Almost by instinct I began to incorporate more narrative in my preaching, in part because storytelling seemed to be the one communicational mode I could depend upon to cross lines of education and age.
”
”
Leonora Tubbs Tisdale (Preaching as Local Theology and Folk Art (Fortress Resources for Preaching))
“
How does a pastor get to know the listeners as "congregation" so that the Word can take root and grow in local soil? Craddock recommends three strategies: formal, informal, and empathetic imagi- nation.45
”
”
Leonora Tubbs Tisdale (Preaching as Local Theology and Folk Art (Fortress Resources for Preaching))
“
Focus" and "function" statements (which articulate respectively the central theological affirmation of the sermon and the sermon's intended "affect" upon the hearers) are to be prepared with specific congregations in mind, acknowledging that a shift in congregational context may well necessitate a shift in sermonic focus and function." Illustrations and examples are to be selected which can address and are reflective of the diversity of life situations and experiences congregants bring to the preaching event.
”
”
Leonora Tubbs Tisdale (Preaching as Local Theology and Folk Art (Fortress Resources for Preaching))
“
from the butt of the Colt at his waist.
”
”
E.C. Tubb (Cauldron of Violence)
“
Rather than equating the terms 'local' and 'cosmopolitan' with geographical areas (rural and urban respectively), sociologist Wade Clark Roof suggests that these terms refer to character types who can be found in a diversity of settings in the United States. Locals are strongly oriented toward community or neighborhood, favor commitments to primary groups (family, neighborhood, fraternal and community organizations), tend to personalize their interpretations of social experience, and are more traditional in their beliefs and values. Cosmopolitans, on the other hand, are oriented toward the world outside the residential community, prefer membership in professional or special interest organizations, and are more open to social change and more tolerant of diversity in belief than locals. While a disproportionate number of locals are found in smaller communities, studies indicate that other factors - such as length of residence in a community, age, and educational level - play an even stronger role in determining orientation.
”
”
Leonora Tubbs Tisdale (Preaching as Local Theology and Folk Art (Fortress Resources for Preaching))
“
You have been taught the basic laws of survival. The first is self preservation. The second is to be aware at all times. The third is always expect the unexpected. The fourth is never to underestimate anyone. The fifth is to respect all that exists in life.'
'To simplify; always avoid trouble, always be alert, take nothing for granted, never trust another, always anticipate the worst.
”
”
E.C. Tubb (Child of Earth)
“
...Dumarest looked at his companion.
'You see?'
'See what? I--'
'The reality of that garbage you were spouting. The rubbish about people sharing a common misfortune and making the best of it. You live in a jungle and you'd better realize it. You can't stop violence. All life is a continual act of violence. In order to survive you have to fight every step of the way and keep on fighting. Against disease, starvation, thirst, heat, cold, nakedness. Against the parasites wanting to feed off you. Lice and insects and ordinary predators. And against scum like Gengiz.
”
”
E.C. Tubb (Angado (Dumarest of Terra, #29))
“
Dumarest said quietly, “From terror, they fled to find new places on which to expiate their sins. Only when cleansed will the race of Man be again united.”
The creed of the Original People...
”
”
E.C. Tubb (The Quillian Sector (Dumarest of Terra, #19))
Christopher C Tubbs (Independence: The Dorset Boy Book 16)
“
fluttered her eyelashes. “Why, captain,
”
”
Christopher C. Tubbs (LEGACY a thrilling historical naval adventure (The Scarlett Fox series Book 3))
“
To this day, it is unclear who shot Martin Luther King, Jr.,
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
In 2017, Black women were imprisoned at twice the rate of white women.
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
“
While one in four women in the United States has a loved one behind bars, according to Essie Justice Group, one in two Black women has a loved one who is incarcerated
”
”
Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
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As I sat down, my eyes flicked to Ms. Kenyon. The smile hadn’t moved from her face. I briefly wondered if she was some kind of robot. No one could hold a smile for this long, surely? Mr. Tubbs cleared his throat again. “I’m sure you are wondering why you are here, Mr. Stevenson.
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Katrina Kahler (Switched (Body Swap #4))
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I should have known that something really great was coming up, because there’s a pattern to these things. Before every great victory, there had to be a great attack or fight. It is always the darkest before dawn. Weeping may endure for a night, but a joy comes in the morning. You will reap a harvest if you faint not.
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Michael Tubbs (The Deeper the Roots: A Memoir of Hope and Home)
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Tubbs’ essay exemplifies what The Color Purple is about: the belief that each of us has an indomitable spirit within us that we can trust to carry us through perils even more terrifying than the systems of domination—whether by race, gender, class or other—set in place to keep us down. That we own our own souls and are therefore offered the freedom to choose dignity and self-respect, which, happily chosen, gives us the courage to live our own lives. And, what is more, to cherish and enjoy them!
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Michael Tubbs (The Deeper the Roots: A Memoir of Hope and Home)
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He who wants to bring about change must first be changed by those he wants to help,” read the door of Beth Uriel, which means “House of Light” in Hebrew.
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Michael Tubbs (The Deeper the Roots: A Memoir of Hope and Home)
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All my life I had to fight!
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Michael Tubbs (The Deeper the Roots: A Memoir of Hope and Home)
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They were a reminder that there is a future that has not yet succumbed to cynicism. Joy. Hope against all hope. Child’s play. It’s the only way to survive a chaotic, beleaguered world, I thought. The way to battle injustice. The way to not lose your mind. The way to please God, even, because how better to demonstrate faith than to be a child at play in the middle of a war?
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Michael Tubbs (The Deeper the Roots: A Memoir of Hope and Home)
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Our testimonies are sources of pride and reservoirs of strength. Storytelling—truth-telling—is how we make sense of the world as it is and gain the vision and courage to create the world as it should be.
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Michael Tubbs (The Deeper the Roots: A Memoir of Hope and Home)
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In that vein, I see my calling not as a political one, but as a narrative one. I am more a griot than a politician and, to quote my favorite rapper, J. Cole: “My story ain’t the only story I’m trying to tell.
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Michael Tubbs (The Deeper the Roots: A Memoir of Hope and Home)
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Grace is both necessary and sufficient to power us through hard times, I would learn. Grace and the love of fierce women were the nutrients I needed to grow in the soil I was planted in: Stockton, California.
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Michael Tubbs (The Deeper the Roots: A Memoir of Hope and Home)
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Dumarest tightened his belt and stamped his feet in their boots. They were good boots. A wise traveller looked after his feet.
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E.C. Tubb (The Winds of Gath (Dumarest of Terra #1))
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A la media noche del 8 de octubre del 2017, el teléfono sonó en su casa ubicada en las colinas de Santa Rosa en California. Jan despertó y contestó el teléfono; era su hija Zoe, quién vivía en San Francisco. “¡Ustedes tienen que salir!” le suplicaba Zoe a su madre. Jan miró por la ventana y vio un resplandor rojizo. Alimentado por fuertes vientos, el incendio de Tubbs –el más destructivo incendio forestal en la historia de California- se acercaba rápidamente.
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Steve Wohlberg (La Advertencia Final de Dios: El Mensaje De Los Tres Angeles (Spanish Edition))
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Tubbs sees poverty as the root of all Stockton’s challenges; reversing this longtime crisis is at the top of his goals as mayor. “Homelessness, trash, housing, violence, crime, third-grade reading—the real crux of all those problems is poverty. In a community where 25 percent of the people are in poverty, where the average median income is $46,000 for a household—not even for an individual, but for a family—where almost half the jobs in this county are minimum-wage jobs, all our issues make sense. They’re almost a byproduct.” One
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Christopher Varelas (How Money Became Dangerous: The Inside Story of Our Turbulent Relationship with Modern Finance)
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Dehumanization takes various forms. People are treated as less than human when their basic rights are not granted/respected, when their agency is taken away, when they are objectified through language and actions, when violence is used against them, and when they are expected to remain silent despite these circumstances.
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Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
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The tragedies Black women have been subject to in this country are unique as a result of their intersecting identities, and they inform Black women’s varied approaches to faith and resistance. Any loss can become destabilizing when one is not afforded basic supports and instead is further victimized and blamed.
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Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
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Christine would fondly recall such moments, saying, “Every now and then, I have to chuckle as I realize there are people who actually believe ML [as Martin was sometimes called by his loved ones] just appeared. They think he simply happened, that he appeared fully formed, without context, ready to change the world. Take it from his big sister, that’s simply not the case. We are the products of a long line of activists and ministers. We come from a family of incredible men and women who served as leaders in their time and place, long before ML was ever thought of.
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Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
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The trouble with you starry-eyed patriots is that you never take the trouble to think for yourselves. Something unpleasant happens and immediately you scream for a scapegoat.
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E.C. Tubb (Project One)
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langridge. They are to be manned at
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Christopher C. Tubbs (Kingfisher)
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She firmly believed that fears were best fought head-on. Courage being fear stuffed with hope and whatnot.
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Kristin O'Donnell Tubb (The Story Collector (The Story Collector #1))
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Still today, many Black families, especially those with members who live with mental illness, fear what might happen if they call for help. There have been numerous cases throughout history where Black people with mental illness have been locked away or even killed by those who were called to help them.
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Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
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I imagine that one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, that they will be forced to deal with pain.
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Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
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Louise’s experiences as a poor Black immigrant woman in a racist city were completely ignored and misunderstood. Her ability to provide for her children for nearly a decade following her husband’s death is described as “maladjustment.” Her depression is described as a “change of personality.
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Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
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In 1933, as the Third Reich began its reign of terror, Black American writers and activists were quick to draw connections between Nazi dictates and American race laws. It was a proven and commonly held belief that Hitler saw America’s approach to the Jim Crow laws as a model for his own eugenicist agenda.
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Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
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More than one captain had been driven insane by contemplation of the cosmos, fantasies born in distorted minds, the product of wild radiations and wilder rumors. Things lived in space, or so it was hinted, great beings with gossamer wings which caught the light of suns and carried them like drifting smears of moonlight across the voids. And other creatures which no one living had ever seen. Ravenous beasts which lurked in space as great fish lurked in seas, waiting to rend ships and men.
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E.C. Tubb (Spectrum of a Forgotten Sun: The Dumarest Saga Book 15)
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I was so used to feeling the emotions of others that I could not recognize my own.
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Kristin O'Donnell Tubb (Luna Howls at the Moon)
E.C. Tubb (The Temple of Truth: The Dumarest Saga Book 31)
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WITH THEIR CASUAL ACQUIESCENCE to the DNA tests, Lucas was left stranded. He asked some perfunctory questions—where were you last night at one o’clock? (At our apartments.) Did anyone see you there? (No.) Any proof that you were there? (Made some phone calls, moved some documents on e-mail.) Can we see those? (Of course.) Did you know either Tubbs or Roman? (No.) Lucas walked away and made a call, asking them to wait, got hold of a crime-scene specialist, and made arrangements for Carver and Dannon to be DNA-typed.
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John Sandford (Silken Prey (Lucas Davenport #23))
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Quintana had known Tubbs since high school; Tubbs had been one of the slightly nerdy intellectuals on the edge of the popular clique, while Quintana had been metal shop and a football lineman.
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John Sandford (Silken Prey (Lucas Davenport #23))
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With Dannon, he had Quintana’s belief that Dannon was the man behind the phone call. The phone call indicated knowledge of at least the planting of the pornography on Smalls’s computer, and from there, inductively, the murders of Tubbs and Roman.
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John Sandford (Silken Prey (Lucas Davenport #23))
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Wouldn't have been so bad if Tubbs had let me alone. Damn these old men, damn these Men of Measured Merriment, these Important Men that come and offer you honors. Money. Decorations. Titles. Want to make you windy with authority. Honors! If you get 'em, you become pompous, and then when you're used to 'em, if you lost 'em you feel foolish
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Sinclair Lewis (Arrowsmith)
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Lorde shows that dehumanization is a component of any society that views capital as more important than humanity and as something that affects and implicates all members of such a society. However, each member is inherently treated differently depending on levels of disadvantage.
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Anna Malaika Tubbs (The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation)
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As someone else once said, "Write what you know". Well I know very little, so I write, and illustrate, Nonsense.
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Paul H Tubb