β
Listen to the mustn'ts, child. Listen to the don'ts. Listen to the shouldn'ts, the impossibles, the won'ts. Listen to the never haves, then listen close to me... Anything can happen, child. Anything can be.
β
β
Shel Silverstein
β
We donβt need a list of rights and wrongs, tables of dos and donβts: we need books, time, and silence. Thou shalt not is soon forgotten, but Once upon a time lasts forever.
β
β
Philip Pullman
β
For last year's words belong to last year's language
And next year's words await another voice.
β
β
T.S. Eliot (Four Quartets)
β
Only those who will risk going too far can possibly find out how far one can go.
β
β
T.S. Eliot
β
This is the way the world ends
Not with a bang but a whimper.
β
β
T.S. Eliot
β
April is the cruelest month, breeding
lilacs out of the dead land, mixing
memory and desire, stirring
dull roots with spring rain.
β
β
T.S. Eliot (The Waste Land)
β
To do the useful thing, to say the courageous thing, to contemplate the beautiful thing: that is enough for one man's life.
β
β
T.S. Eliot (The Use of Poetry and the Use of Criticism)
β
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.
β
β
T.S. Eliot
β
Books. Cats. Life is good.
β
β
T.S. Eliot
β
Sometimes things become possible if we want them bad enough.
β
β
T.S. Eliot
β
We die to each other daily. What we know of other people is only our memory of the moments during which we knew them. And they have changed since then. To pretend that they and we are the same is a useful and convenient social convention which must sometimes be broken. We must also remember that at every meeting we are meeting a stranger.
β
β
T.S. Eliot (The Cocktail Party)
β
You are the music while the music lasts.
β
β
T.S. Eliot
β
The very existence of libraries affords the best evidence that we may yet have hope for the future of man
β
β
T.S. Eliot
β
Most of the evil in this world is done by people with good intentions.
β
β
T.S. Eliot
β
For I have known them all already, known them allβ
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons.
β
β
T.S. Eliot (T. S. Eliot Reading: The Love Song of J. Alfred Prufrock and Others (Caedmon1045))
β
Genuine poetry can communicate before it is understood.
β
β
T.S. Eliot
β
I said to my soul, be still and wait without hope, for hope would be hope for the wrong thing; wait without love, for love would be love of the wrong thing; there is yet faith, but the faith and the love are all in the waiting. Wait without thought, for you are not ready for thought: So the darkness shall be the light, and the stillness the dancing.
β
β
T.S. Eliot
β
What is hell? Hell is oneself.
Hell is alone, the other figures in it
Merely projections. There is nothing to escape from
And nothing to escape to. One is always alone.
β
β
T.S. Eliot
β
For last year's words belong to last year's language
And next year's words await another voice.
And to make an end is to make a beginning."
(Little Gidding)
β
β
T.S. Eliot
β
These fragments I have shored against my ruins
β
β
T.S. Eliot (The Waste Land and Other Poems)
β
If you aren't in over your head, how do you know how tall you are?
β
β
T.S. Eliot
β
I will show you fear in a handful of dust.
β
β
T.S. Eliot
β
There will be time, there will be time
To prepare a face to meet the faces that you meet.
β
β
T.S. Eliot
β
Immature poets imitate; mature poets steal.
β
β
T.S. Eliot (The Sacred Wood)
β
Unreal friendship may turn to real
But real friendship, once ended, cannot be mended
β
β
T.S. Eliot (Murder in the Cathedral)
β
Half of the American people have never read a newspaper. Half never voted for President. One hopes it is the same half.
β
β
Gore Vidal (Screening History)
β
Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
β
β
T.S. Eliot (The Hollow Men)
β
If you havenβt the strength to impose your own terms upon life, then you must accept the terms it offers you.
β
β
T.S. Eliot
β
We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats' feet over broken glass
In our dry cellar
Shape without form, shade without colour,
Paralysed force, gesture without motion;
- The Hollow Men
β
β
T.S. Eliot (Poems: 1909-1925)
β
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.
β
β
T.S. Eliot
β
Footfalls echo in the memory, down the passage we did not take, towards the door we never opened, into the rose garden.
β
β
T.S. Eliot (Four Quartets)
β
Love is most nearly itself
When here and now cease to matter.
β
β
T.S. Eliot (Four Quartets)
β
So I find words I never thought to speak
In streets I never thought I should revisit
When I left my body on a distant shore.
β
β
T.S. Eliot
β
We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, remembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree
Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.
βT.S. Eliot, from βLittle Gidding,β Four Quartets (Gardners Books; Main edition, April 30, 2001) Originally published 1943.
β
β
T.S. Eliot (Four Quartets)
β
Whatever you think, be sure it is what you think; whatever you want, be sure that is what you want; whatever you feel, be sure that is what you feel.
β
β
T.S. Eliot
β
What we call the beginning is often the end. And to make an end is to make a beginning. The end is where we start from.
β
β
T.S. Eliot
β
I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
β
β
T.S. Eliot (The Love Song of J. Alfred Prufrock)
β
The purpose of literature is to turn blood into ink.
β
β
T.S. Eliot
β
Anxiety is the handmaiden of creativity
β
β
T.S. Eliot
β
Some editors are failed writers, but so are most writers.
β
β
T.S. Eliot
β
Distracted from distraction by distraction
β
β
T.S. Eliot
β
And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor -
And this, and so much more? -
β
β
T.S. Eliot (The Love Song of J. Alfred Prufrock and Other Poems)
β
For us, there is only the trying. The rest is not our business.
β
β
T.S. Eliot
β
Time present and time past
Are both perhaps present in time future
And time future contained in time past.
β
β
T.S. Eliot (Four Quartets)
β
Half the harm that is done in this world is due to people who want to feel important. They don't mean to do harm; but the harm does not interest them. Or they do not see it, or they justify it because they are absorbed in the endless struggle to think well of themselves.
β
β
T.S. Eliot
β
It will do you no harm to find yourself ridiculous.
Resign yourself to be the fool you are...
...We must always take risks. That is our destiny...
β
β
T.S. Eliot (The Cocktail Party)
β
music heard so deeply
That it is not heard at all, but
you are the music
While the music lasts.
β
β
T.S. Eliot (Collected Poems, 1909-1962)
β
Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.
β
β
T.S. Eliot (The Sacred Wood)
β
I must tell you that I should really like to think there's something wrong with me- Because, if there isn't, then there's something wrong with the world itself-and that's much more frightening! That would be terrible. So I'd rather believe there is something wrong with me, that could be put right.
β
β
T.S. Eliot (The Cocktail Party)
β
Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality but an escape from personality. But, of course, only those who have personality and emotion know what it means to want to escape from these.
β
β
T.S. Eliot
β
I learn a great deal by merely observing you, and letting you talk as long as you please, and taking note of what you do not say.
β
β
T.S. Eliot
β
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.
β
β
T.S. Eliot (The Waste Land)
β
Light
Light
The visible reminder of Invisible Light.
β
β
T.S. Eliot
β
I have seen the moment of my greatness flicker, and I have seen the eternal Footman hold my coat, and snicker, and in short, I was afraid.
β
β
T.S. Eliot (The Love Song of J. Alfred Prufrock and Other Poems)
β
Success is relative. It is what we make of the mess we have made of things.
β
β
T.S. Eliot
β
We don't actually fear death, we fear that no one will notice our absence, that we will disappear without a trace.
β
β
T.S. Eliot
β
I read, much of the night, and go south in the winter.
β
β
T.S. Eliot
β
Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Decay with imprecision, will not stay in place,
Will not stay still.
β
β
T.S. Eliot
β
No one can become really educated without having pursued some study in which he took no interest- for it is a part of education to learn to interest ourselves in subjects for which we have no aptitude.
β
β
T.S. Eliot
β
Where does one go from a world of insanity? Somewhere on the other side of despair.
β
β
T.S. Eliot
β
Television is a medium of entertainment which permits millions of people to listen to the same joke at the same time, and yet remain lonesome.
β
β
T.S. Eliot
β
βListen to the MUSTN'TS, child,
Listen to the DON'TS
Listen to the SHOULDN'TS
The IMPOSSIBLES, the WON'TS
Listen to the NEVER HAVES
Then listen close to meβ
Anything can happen, child,
ANYTHING can be.
β
β
Shel Silverstein (Where the Sidewalk Ends)
β
Too many things are occurring for even a big heart to hold.
β
β
W.B. Yeats
β
There is one who remembers the way to your door: Life you may evade, but Death you shall not.
β
β
T.S. Eliot
β
Where is the wisdom we have lost in knowledge?
Where is the knowledge we have lost in information?
β
β
T.S. Eliot (The Rock)
β
April is the cruelest month, T.S. Eliot wrote, by which I think he meant (among other things) that springtime makes people crazy. We expect too much, the world burgeons with promises it can't keep, all passion is really a setup, and we're doomed to get our hearts broken yet again. I agree, and would further add: Who cares? Every spring I go out there anyway, around the bend, unconditionally. ... Come the end of the dark days, I am more than joyful. I'm nuts.
β
β
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
β
We had the experience but missed the meaning. And approach to the meaning restores the experience in a different form.
β
β
T.S. Eliot
β
Where is the Life we have lost in living? Where is the wisdom we have lost in knowledge? Where is the knowledge we have lost in information?
β
β
T.S. Eliot
β
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you
I will show you fear in a handful of dust
β
β
T.S. Eliot (The Waste Land)
β
In my end is my beginning.
β
β
T.S. Eliot (Four Quartets)
β
Teach us to care and not to care
β
β
T.S. Eliot
β
We do not pass through the same door twice
Or return to the door through which we did not pass
β
β
T.S. Eliot
β
I grow old β¦ I grow old β¦
I shall wear the bottoms of my trousers rolled.
β
β
T.S. Eliot (The Love Song of J. Alfred Prufrock and Other Poems)
β
The last act is the greatest treason. To do the right deed for the wrong reason.
β
β
T.S. Eliot (Murder in the Cathedral)
β
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
β
β
T.S. Eliot
β
An election is coming. Universal peace is declared and the foxes have a sincere interest in prolonging the lives of the poultry.
β
β
T.S. Eliot
β
This is one moment, / But know that another / Shall pierce you with a sudden painful joy.
β
β
T.S. Eliot (Murder in the Cathedral)
β
Humor is also a way of saying something serious.
β
β
T.S. Eliot
β
For you know only a heap of broken images
β
β
T.S. Eliot (The Waste Land)
β
I should have been a pair of ragged claws/ Scuttling across the floors of silent seas.
β
β
T.S. Eliot (The Love Song of J. Alfred Prufrock and Other Poems)
β
My nerves are bad to-night. Yes, bad. Stay with me.
'Speak to me. Why do you never speak? Speak.
'What are you thinking of? What thinking? What?
'I never know what you are thinking. Think.
β
β
T.S. Eliot (The Waste Land)
β
It would be inappropiate, undignified, at 38, to conduct friendships or love affairs with the ardour or intensity of a 22 year old. Falling in love like that? Writing poetry? Crying at pop songs? Dragging people into photobooths? Taking a whole day to make a compilation tape? Asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or TS Eliot or, god forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at 38, to expect a song or book or film to change your life.
β
β
David Nicholls (One Day)
β
This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.
β
β
T.S. Eliot (The Hollow Men)
β
I love reading another readerβs list of favorites. Even when I find I do not share their tastes or predilections, I am provoked to compare, contrast, and contradict. It is a most healthy exercise, and one altogether fruitful.
β
β
T.S. Eliot
β
Happiness is good management of expectations and good management means making order and assembling the contingent elements of the "do's'" and the "don'ts", the "maybe yes'" and the "maybe not's". When we really want to live in agreement with ourselves and find peace with the surrounding world, good management is liberating. ( " Expectations " )
β
β
Erik Pevernagie
β
I can connect
Nothing with nothing
β
β
T.S. Eliot
β
At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
β
β
T.S. Eliot
β
Who is the third who walks always beside you?
When I count, there are only you and I together
But when I look ahead up the white road
There is always another one walking beside you
Gliding wrapt in a brown mantle, hooded
I do not know whether a man or a woman
-But who is that on the other side of you?
β
β
T.S. Eliot (The Waste Land and Other Poems)
β
I have measured out my life in coffee spoons.
β
β
T.S. Eliot (The Love Song of J. Alfred Prufrock and Other Poems)
β
To arrive where you are, to get from where you are not,
You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
You must go by a way which is the way of ignorance.
In order to possess what you do not possess
You must go by the way of dispossession.
In order to arrive at what you are not
You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not.
β
β
T.S. Eliot
β
The endless cycle of idea and action,
Endless invention, endless experiment,
Brings knowledge of motion, but not of stillness;
Knowledge of speech, but not of silence;
Knowledge of words, and ignorance of the Word.
All our knowledge brings us nearer to our ignorance,
All our ignorance brings us nearer to death,
But nearness to death no nearer to God.
Where is the Life we have lost in living?
Where is the wisdom we have lost in knowledge?
Where is the knowledge we have lost in information?
The cycles of Heaven in twenty centuries
Bring us farther from God and nearer to the Dust.
β
β
T.S. Eliot
β
Thatβs why I admired that kid who spelled it wrong on purpose so he could sit down. He knew he wasnβt going to win, so why stand there for 3 hours.
First round. βCat, K-A-T, Iβm outta here.β Then as he passed you, βHa! I know thereβs 2 Tβs.
β
β
Brian Regan (Live)
β
The dove descending breaks the air
With flame of incandescent terror
Of which the tongues declare
The one discharge from sin and error.
The only hope, or else despair
Lies in the choice of pyre or pyre-
To be redeemed from fire by fire.
Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame
Which human power cannot remove.
We only live, only suspire
Consumed by either fire or fire.
β
β
T.S. Eliot (Four Quartets)
β
I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.
β
β
T.S. Eliot (The Love Song of J. Alfred Prufrock)
β
Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
For Thine is the Kingdom
Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
Life is very long
Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
For Thine is the Kingdom
For Thine is
Life is
For Thine is the
This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.
β
β
T.S. Eliot (The Hollow Men)
β
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives.
To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates.
'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic.
They've served their purpose.
Nature is unsentimental.
Death is built in.
β
β
Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Humans by ANN DRUYAN' 'CARL SAGAN (1992-05-03))
β
I grow old β¦ I grow old β¦
I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.
β
β
T.S. Eliot (The Love Song of J. Alfred Prufrock)
β
So here I am, in the middle way, having had twenty years-
Twenty years largely wasted, the years of l'entre deux guerres-
Trying to use words, and every attempt
Is a wholy new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it. And so each venture
Is a new beginning, a raid on the inarticulate,
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion. And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate - but there is no competition -
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious. But perhaps neither gain nor loss.
For us, there is only the trying. The rest is not our business.
β
β
T.S. Eliot (Four Quartets)
β
The Naming of Cats is a difficult matter,
It isn't just one of your holiday games;
You may think at first I'm as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there's the name that the family use daily,
Such as Peter, Augustus, Alonzo or James,
Such as Victor or Jonathan, or George or Bill Bailey -
All of them sensible everyday names.
There are fancier names if you think they sound sweeter,
Some for the gentlemen, some for the dames:
Such as Plato, Admetus, Electra, Demeter -
But all of them sensible everyday names.
But I tell you, a cat needs a name that's particular,
A name that's peculiar, and more dignified,
Else how can he keep up his tail perpendicular,
Or spread out his whiskers, or cherish his pride?
Of names of this kind, I can give you a quorum,
Such as Munkustrap, Quaxo, or Coricopat,
Such as Bombalurina, or else Jellylorum -
Names that never belong to more than one cat.
But above and beyond there's still one name left over,
And that is the name that you never will guess;
The name that no human research can discover -
But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation,
The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
Of the thought, of the thought, of the thought of his name:
His ineffable effable
Effanineffable
Deep and inscrutable singular Name.
β
β
T.S. Eliot (Old Possum's Book of Practical Cats)
β
No, this, she felt, was real life and if she wasnβt as curious or passionate as she had once been, that was only to be expected. It would be inappropriate, undignified, at thirty-eight, to conduct friendships or love affairs with the ardour and intensity of a twenty-two-year-old. Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photo-booths, taking a whole day to make a compilation tape, asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or T.S. Eliot or, God forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at thirty-eight, to expect a song or book or film to change your life. No, everything had evened out and settled down and life was lived against a general background hum of comfort, satisfaction and familiarity. There would be no more of these nerve-jangling highs and lows. The friends they had now would be the friends they had in five, ten, twenty yearsβ time. They expected to get neither dramatically richer or poorer; they expected to stay healthy for a little while yet. Caught in the middle; middle class, middle-aged; happy in that they were not overly happy.
Finally, she loved someone and felt fairly confident that she was loved in return. If someone asked Emma, as they sometimes did at parties, how she and her husband had met, she told them:
βWe grew up together.
β
β
David Nicholls (One Day)