“
Other crack teams get bat boomerangs and wall-climbing powers; we get Aquatruck.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Z: "You know, this was a hell of a lot easier when you were out cold in the back of that truck."
Phury: "That was you?"
Z:"You think it was Santa Claus or some shit?
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
There was an electric anger in his gaze, and a sort of challenge that made Simon long to hit him with something heavy. Like a pickup truck.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Isabelle snorted, "All the boys are gay. In this truck, anyway. Well, not you, Simon."
"You noticed," said Simon.
"I think of myself as a freewheeling bisexual," added Magnus.
"Please never say those words in front of my parents," said Alec.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Are you ready to take the ACT on Saturday?" my father asked.
Did chickens enjoy being put on trucks labeled KFC? "Sure.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
That's your truck parked up by the factory isn't it?" Magnus pointed. "It's awfully butch for a bookseller.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Isabelle snorted. 'All the boys are gay. In this truck, anyway. Well, not you, Simon.'
'You noticed' said Simon.
'I think of myself as a freewheeling bisexual,' added Magnus.
'Please never say those words in front of my parents,' said Alec. 'Especially my father.'
'I thought your parents were okay with you, you know, coming out,' Simon said, leaning around Isabelle to look at Alec, who was — as he often was — scowling, and pushing his floppy dark hair out of his eyes. Aside from the occasional exchange, Simon had never talked to Alec much. He wasn’t an easy person to get to know. But, Simon admitted to himself, his own recent estrangement from his mother made him more curious about Alec’s answer than he would have been otherwise.
'My mother seems to have accepted it,' Alec said. 'But my father — no, not really. Once he asked me what I thought had turned me gay.'
Simon felt Isabelle tense next to him. 'Turned you gay?' She sounded incredulous. 'Alec, you didn’t tell me that.'
'I hope you told him you were bitten by a gay spider,' said Simon.
Magnus snorted; Isabelle looked confused. 'I’ve read Magnus’s stash of comics,' said Alec, 'so I actually know what you’re talking about' A small smile played around his mouth. 'So would that give me the proportional gayness of a spider?'
'Only if it was a really gay spider,' said Magnus, and he yelled as Alec punched him in the arm. 'Ow, okay, never mind.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
When people don't express themselves, they die one piece at a time. You'd be shocked at how many adults are really dead inside—walking through their days with no idea who they are, just waiting for a heart attack or cancer or a Mack truck to come along and finish the job. It's the saddest thing I know.
”
”
Laurie Halse Anderson (Speak)
“
Now this is really going to impress Valentine."
"I don't know," Clary said. "Other crack teams get bat boomerangs and wall-crawling powers; we get the Aquatruck."
"If you don't like it, Nephilim," came Magnus's voice, faintly, from the truck cab, "you're welcome to see if you can walk on the water.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Then again, it was Jace. He'd pick a fight with a Mack truck if the urge took him.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
The truck looked like a beater, maybe built in the 1950's, mostly rust on the outside, but a spaceship on the inside.
”
”
Lisa Kaniut Cobb (Down in the Valley (The Netahs))
“
There are gods in Alabama: Jack Daniel's, high school quarterbacks, trucks, big tits, and also Jesus.
”
”
Joshilyn Jackson (Gods in Alabama)
“
I live in New York, and I was thinking about the lagoon in Central Park, down near Central Park South. I was wondering if it would be frozen over when I got home, and if it was, where did the ducks go? I was wondering where the ducks went when the lagoon got all icy and frozen over. I wondered if some guy came in a truck and took them away to a zoo or something. Or if they just flew away.
”
”
J.D. Salinger (The Catcher in the Rye)
“
It's a good thing he broke up with you because now you're free for when the right man finds you. Your prince is on his way."
"Right. I'm sure he was on his way but a truck hit him.
”
”
Jennifer Crusie (Bet Me)
“
Falling in love is like getting hit by a truck and yet not being mortally wounded. just sick to your stomach, high one minute, low the next. Starving hungry but unable to eat. hot, cold, forever horny, full of hope and enthusiasm, with momentary depressions that wipe you out.
It is also not being able to remove the smile from your face, loving life with a mad passionate intensity, and feeling ten years younger.
Love does not appear with any warning signs. You fall into it as if pushed from a high diving board. No time to think about what's happening. It's inevitable. An event you can't control. A crazy, heart-stopping, roller-coaster ride that just has to take its course.
”
”
Jackie Collins (Lucky (Lucky Santangelo, #2))
“
Isabelle snorted. "All the boys are gay. In this truck, anyway. Well, not you , Simon."
"You noticed." said Simon.
"I think of myself as a freewheeling bisexual," added Magnus.
"Please never say those words in front of my parents," said Alec. "Especially my father.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Stripping the protection wards off the ship was bad enough—it's a strong, strong enchantment, demon-based—but when you fell, I had to put a fast spell on the truck so it wouldn't sink when I lost consciousness. And I will lose consciousness, Alec.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Emma is a mattress who got thrown off the truck when her parents split up. It's not like you can blame a mattress when people don't tie it down tight enough.
”
”
Laurie Halse Anderson (Wintergirls)
“
The last time I wore an animal hide; but this time I settled for this." Eric had been wearing a long trench coat. Now he threw it off dramatically, and I could only stand and stare. Normally, Eric was a blue-jeans-and-T-shirt kind of guy. Tonight, he wore a pink tank top and Lycra leggings[...]They were pink and aqua, like the swirls down the side of Jason's truck.
”
”
Charlaine Harris (Living Dead in Dallas (Sookie Stackhouse, #2))
“
When I'm with you, bells go off in my head like a moving truck that's backing up.
”
”
Jodi Picoult (Vanishing Acts)
“
Are you afraid of me?
Uh... yes.'
The smile stayed fixed in place. 'You should be. You locked me in a refrigerator truck with three dead people. Sooner or later I'm going to get you for it.
”
”
Janet Evanovich (One for the Money (Stephanie Plum, #1))
“
Many people are like garbage trucks. They run around full of garbage, full of frustration, full of anger, and full of disappointment. As their garbage piles up, they look for a place to dump it. And if you let them, they’ll dump it on you. So when someone wants to dump on you, don’t take it personally. Just smile, wave, wish them well, and move on. Believe me. You’ll be happier.
”
”
David J. Pollay (The Law of the Garbage Truck: How to Respond to People Who Dump on You, and How to Stop Dumping on Others)
“
Writing is the hardest work in the world. I have been a bricklayer and a truck driver, and I tell you – as if you haven't been told a million times already – that writing is harder. Lonelier. And nobler and more enriching.
”
”
Harlan Ellison
“
That’s your truck parked up by the factory isn’t it?” Magnus pointed. “It’s awfully butch for a bookseller.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
I love New York. You can pop out of the Underworld in Central Park, hail a taxi, head down Fifth Avenue with a giant hellhound loping along behind you, and nobody even looks at you funny.
Of course, the Mist helped. People probably couldn't see Mrs. O'Leary, or maybe they thought she was a large,loud,very friendly truck.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
More data—such as paying attention to the eye colors of the people around when crossing the street—can make you miss the big truck.
”
”
Nassim Nicholas Taleb (Antifragile: Things That Gain From Disorder)
“
There was a smell of Time in the air tonight. He smiled and turned the fancy in his mind. There was a thought. What did time smell like? Like dust and clocks and people. And if you wondered what Time sounded like it sounded like water running in a dark cave and voices crying and dirt dropping down upon hollow box lids, and rain. And, going further, what did Time look like? Time look like snow dropping silently into a black room or it looked like a silent film in an ancient theater, 100 billion faces falling like those New Year balloons, down and down into nothing. That was how Time smelled and looked and sounded. And tonight-Tomas shoved a hand into the wind outside the truck-tonight you could almost taste time.
”
”
Ray Bradbury (The Martian Chronicles)
“
I want to lay down, but these countries are like uncles who touch you when you're young and asleep. Look at all these borders foaming at the mouth with bodies broken and desperate...I spent days and nights in the stomach of the truck; I did not come out the same. Sometimes it feels like someone else is wearing my body.
”
”
Warsan Shire (Teaching My Mother How to Give Birth)
“
Did you ever, when you were little, endure your parents’ warnings, then wait for them to leave the room, pry loose protective covers and consider inserting some metal object into an electrical outlet?
Did you wonder if for once you might light up the room?
When you were big enough to cross the street on your own, did you ever wait for a signal, hear the frenzied approach of a fire truck and feel like stepping out in front of it?
Did you wonder just how far that rocket ride might take you?
When you were almost grown, did you ever sit in a bubble bath, perspiration pooling, notice a blow dryer plugged in within easy reach, and think about dropping it into the water?
Did you wonder if the expected rush might somehow fail you?
And now, do you ever dangle your toes over the precipice, dare the cliff to crumble, defy the frozen deity to suffer the sun, thaw feather and bone, take wing to fly you home?
”
”
Ellen Hopkins (Burned (Burned, #1))
“
It’s just that we tend to treat pregnancy as the most common condition in the world—as ordinary as stubbing a toe—when the truth is, it’s like getting hit by a truck. Although obviously a truck causes less damage.
”
”
Bonnie Garmus (Lessons in Chemistry)
“
Why, oh why, had Jace picked a fight with a pack of wolves? What had possessed him? Then again, it was Jace. He'd pick a fight with a Mack truck if the urge took him.
-Clary, pg.40-
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
We used to hear the stars, too. When people stopped talking, there was silence. Now you could shut every mouth on the planet and there’d still be a hum. Air-conditioning groaning from the vent beside you. Semi trucks hissing on a highway miles away. A plane complaining ten thousand feet above you.
Silence is an extinct word.
It bothers you, doesn’t it?
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
“
I'm not sure how long we sit in Josh's truck, holding hands, surrounded by darkness and unspoken regrets. But it's long enough to know that there are no stories or secrets in the world worth holding onto more than his hand.
”
”
Katja Millay (The Sea of Tranquility)
“
He is quiet for a minute, then turns his head to look at me. "Where were you when I was twelve?"
"Well, I was nine." I cut my eyes over to him. "And probably locked in the back of a Ho-Ho truck, eating my way to freedom. Yeah, that really happened.
”
”
Nicole Christie (Falling for the Ghost of You)
“
If I had lady-spider legs, I would weave a sky where the stars lined up. Matresses would be tied down tight to their trucks, bodies would never crash through windshields. The moon would rise above the wine-dark sea and give babies only to maidens and musicians who had prayed long and hard. Lost girls wouldn't need compasses or maps. They would find gingerbread paths to lead them out of the forest and home again. They would never sleep in silver boxes with white velvet sheets, not until they were wrinkled-paper grandmas and ready for the trip.
”
”
Laurie Halse Anderson (Wintergirls)
“
I think about Old Nick carrying me into the truck, I'm dizzy like I'm going to
fall down.
"Scared is what you're feeling," says Ma, "but brave is what you're doing."
"Huh?"
"Scaredybrave."
"Scave."
Word sandwiches always make her laugh but I wasn't being funny.
”
”
Emma Donoghue (Room)
“
Amanda, still thinking more about Harry Mize than the issues before the committee, lunged forward and snatched the note from Kershing’s hand. After reading it, she stood up and walked out of the hearing, leaving the receipt on her chair. Rick glanced up as she walked out. Then, he picked up his receipt and read Kershing’s words. Get the trucks in position. It’s time to go.
”
”
Chad Boudreaux (Scavenger Hunt)
“
We are focusing on the small details and hiding the misery in the world. Look at the smoker and we miss global warming, war, and the crap we eat--not the bad guys but smoking. I smoke and they talk about cancer, I eat and they talk about cholesterol, I make love, it's AIDS. Before AIDS and cholesterol and cancer there's the pleasure of making love and eating and smoking. I have to die someday, so if the thing that gave me pleasure all of my life kills me instead of me going under a truck, that's fine. Besides, why should I live so that when I die I give fresh meat to the worms? I hope that I am rotted and they don't want to eat me. F@#$ck the worms.
”
”
Marjane Satrapi
“
How was your day?" Morelli asked me. "Oh, you know, the usual. Stole a truck. Blew up a building, and brought seven monkeys home with me.
”
”
Janet Evanovich
“
His saliva tasted like the wet dicks of ten thousand lonely truck drivers.
”
”
Chuck Palahniuk (Tell-All)
“
What care is it of yours,” Gansey asked, “what I think of Orla?”
Blue held his gaze, unflinching. Crisp, she replied, “None at all.”
And it was a lie.
It should not have been, but it was, and Gansey, who prized honesty above nearly every other thing, knew it when he heard it. Blue Sargent cared whether or not he was interested in Orla. She cared a lot. As she whirled toward the truck with a dismissive shake of her head, he felt a dirty sort of thrill.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
You almost got hit by a truck because you were checking me out?" I joked and he laughed loudly.
"Yeah. Good thing you saved me. It would have been your fault if I didn't make it," he said through a grin.
”
”
Shelly Crane (Significance (Significance, #1))
“
I’ve been looking for a feeling like that everywhere I go. I’ve been waiting for someone to see all the good in me at every truck stop and intersection along the way. I’ve been waiting all my life for the moment to arrive when I can just stop. Stop looking
”
”
Elizabeth Wurtzel (More, Now, Again: A Memoir of Addiction)
“
We were twelve years old, but we walked along the hot streets of the neighborhood, amid the dust and flies that the occasional old trucks stirred up as they passed, like two old ladies taking the measure of lives of disappointment, clinging tightly to each other. No one understood us, only we two—I thought—understood one another.
”
”
Elena Ferrante (My Brilliant Friend (The Neapolitan Novels, #1))
“
Boys suck. Even when they have perfect blue eyes and ridiculously cool trucks. Maybe especially then.
”
”
Kiersten White (The Chaos of Stars)
“
We literally have three “pickup trucks” in all of England, but here they’re everywhere. What is it that Americans have to pick up that the rest of the world doesn’t?
”
”
Rainbow Rowell (Wayward Son (Simon Snow, #2))
“
It was the heaviest thing I'd ever felt, as if I were being crushed under a thousand trucks. I wanted to black out from the pain, but I breathed deeply. I can do this.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
Wouldn't that be funny, if the oil rebels were playing U2 in their jungle camps, and the government soldiers were playing U2 in their trucks. I think everyone was killing everyone else and listening to the same music... That is a good trick about this world, Sarah. No one likes each other, but everyone likes U2.
”
”
Chris Cleave (Little Bee)
“
Did you fall off the logic truck and hit your head on stupid?
”
”
K.F. Breene (Sin & Chocolate (Demigod of San Francisco, #1))
“
Reading is human contact, and the range of our human contacts is what makes us what we are. Just imagine you live the life of a long-distance truck driver. The books that you read are like the travelers you take into your cab. If you give lifts to people who are cultured and profound, you'll learn a lot from them. If you pick up fools, you'll turn into a fool yourself.
”
”
Victor Pelevin (The Sacred Book of the Werewolf)
“
Morelli beeped his truck unlocked. “If you’re looking for your rent-a-cop, I told Ranger you’d be with me this morning.”
“Did he make you take a blood oath that you’d protect me?”
“He asked me if I had adequate health insurance.
”
”
Janet Evanovich (To the Nines (Stephanie Plum, #9))
“
Here’s a tip. The good guys ask you to get in the truck. The bad guys put a black bag over your head and throw you in the truck. I’m asking.
”
”
A.G. Riddle (The Atlantis Gene (The Origin Mystery, #1))
“
Oh. Yeah, um…” I was pretty sure I matched a fire truck. “He’s a heavy sleeper.”
“I’m sure he is.” Dominic stepped back. “If you wish to join your uncle, I’ll be waiting outside. You should have time to get ready. Your uncle is a…heavy sleeper, also.”
Whaaaa…and then it hit me. Ew. Ew. Ew.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
Bipolar illness, manic depression, manic-depressive illness, manic-depressive psychosis. That’s a nice way of saying you will feel so high that no street drug can compete and you will feel so low that you wish you had been hit by a Mack truck instead.
”
”
Christine F. Anderson (Forever Different: A Memoir of One Woman's Journey Living with Bipolar Disorder)
“
Your master plan has holes big enough to drive a truck through.
”
”
Ilona Andrews (Magic Slays (Kate Daniels, #5))
“
The optimist sees the future as a rabbit sees the oncoming truck - getting bigger, not closer.
”
”
Steve Aylett
“
Mr Freeman: "Art without emotion is like chocolate cake without sugar. It makes you gag." He sticks his finger down his throat. "The next time you work on your trees, don't think about trees. Think about love, or hate, or joy, or pain- whatever makes you feel something, makes your palms sweat, or your toes curl. Focus on that feeling.
When people don't express themselves, they die on piece at a time. You'd be shocked at how many adults are really dead inside- walking through their days with no idea who they are, just waiting for a heart attack or cancer or a mack truck to come along and finish the job. It's the saddest thing I know.
”
”
Laurie Halse Anderson (Speak)
“
[Ranger] "How's your mental health?" he asked. "I heard about Soder."
[Stephanie] "I'm rattled."
"I have a cure."
Oh, boy.
He put the truck in gear and headed for the exit. "I know what you're thinking," he said. "And that wasn't where I was going. I was going to suggest work."
"I knew that."
He looked over at me and grinned. "You want me bad."
I did. God help me.
”
”
Janet Evanovich
“
Jeevan found himself thinking about how human the city is, how human everything is. We bemoaned the impersonality of the modern world, but that was a lie, it seemed to him; it had never been impersonal at all. There had always been a massive delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt. No one delivers fuel to the gas stations or the airports. Cars are stranded. Airplanes cannot fly. Trucks remain at their points of origin. Food never reaches the cities; grocery stores close. Businesses are locked and then looted. No one comes to work at the power plants or the substations, no one removes fallen trees from electrical lines. Jeevan was standing by the window when the lights went out.
”
”
Emily St. John Mandel (Station Eleven)
“
I blinked, pushing myself up into a sitting position. I felt less like a truck had run over me and then backed up to make sure the job was done properly. Now it felt as if the truck had hit me only once.
”
”
Alyxandra Harvey (My Love Lies Bleeding (Drake Chronicles, #1))
“
Sorry to hear about your Dad."
He shrugged. "He was seventy, and we always told him fast food would kill him."
"Heart attack?"
"He was hit by a Pizza Express truck.
”
”
J.A. Konrath (Whiskey Sour (Jack Daniels #1))
“
There are men and women who make the world better just by being the kind of people they are. They have the gift of kindness or courage or loyalty or integrity. It really matters very little whether they are behind the wheel of a truck or running a business or bringing up a family. The teach the truth by living it.
”
”
James A. Garfield
“
Mommy and Daddy make a lot of noise when they kiss. Mommy talks to God a lot. I talk to God sometimes too. I asked him for a puppy and a new monster truck but I was nice and didn't yell at him like Mommy does. He still hasn't gotten me the puppy though.
”
”
Tara Sivec (Futures and Frosting (Chocolate Lovers, #2))
“
Everyone got behind Fox, the name the guys had dubbed the red truck.
"Fox?" I asked, raising an eyebrow.
"Yeah," Isaac said with a grin. "Our truck is hot, like Megan Fox.
”
”
Ali Novak (My Life with the Walter Boys (My Life with the Walter Boys #1))
“
Ambition is a dream with a V8 engine. Ain't nowhere else in the world where you can go from driving a truck to cadillac overnight
”
”
Elvis Presley
“
I'm so ready you could drive a truck straight up my ass and I would bend over and push back until it was in to the rear bumper.
”
”
Cameron Dane (Devlin and Garrick (Seeking Redemption, #2))
“
man, i would have peeled off my shirt faster than you can say bubba loves trucks.
”
”
P.C. Cast
“
Action and personal happiness have no truck with each other; they are eternally at war.
”
”
Antoine de Saint-Exupéry (Night Flight)
“
Let's take my truck," Jim said as he hit the gravel. "Less noise."
And it has a radio, right?" With tragic concentration Adrian started warming up his voice, sounding like a moose being backstroked by a chesse grater.
Jim shook his head at Eddie as the doors opened "How can you stand that racket?"
Selective deafness"
Teach me,master.
”
”
J.R. Ward (Covet (Fallen Angels, #1))
“
You should go,’ Raffe says to me. ‘This is no place for a human.’
‘What about me being your second for the contest?’
‘Nobody will remember that once they see the Watchers.’
‘Are you sure you’re not just trying to avoid getting back into the truck with me and my mom?’
He almost smiles.
”
”
Susan Ee (End of Days (Penryn & the End of Days, #3))
“
Grandpa always used to make me ride in the bed of his pickup truck, so he could keep up his conversations with the 100-pound sack of manure he kept buckled up in the passenger seat. Grandpa said all they ever talked about was grass, but I know Grandpa used to do a little flirting, too.
”
”
Jarod Kintz (There are Two Typos of People in This World: Those Who Can Edit and Those Who Can't)
“
That stupid saying "What you don't know can't hurt you" is ridiculous. What you don't know can kill you. If you don't know that tractor trailer trucks hurt when hitting you, then you can play in the middle of the interstate with no fear - but that doesn't mean you won't get killed.
”
”
Dave Ramsey (Financial Peace Revisited: New Chapters on Marriage, Singles, Kids and Families)
“
A guy who loves his truck needs other people to admire his driving machine. Yeah, needs. That's the truth. I don't know why, but that's the way truck guys are.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
Frozen yogurt is tastier than ice cream; nobody is too old for cartoons; bald men are sexy; chocolate is the best medicine; BIG books are better; cats secretly rule the planet; and everything should be available in the color pink, including monster trucks.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, & Grumblings for Every Day of the Year)
“
And off we go, out onto the highway looking for a little fun. Perhaps a flatbed truck loaded with human cadavers will explode in front of a Star Trek reunion. One can only dream and hope.
”
”
George Carlin (When Will Jesus Bring the Pork Chops?)
“
It was the look you get when facing a sudden and insurmountable danger: the errant truck, the shaky ladder, the crazy person who pins you to the linoleum and insists, with increasing urgency, that everything you know and love can be undone by a grape.
”
”
David Sedaris (When You Are Engulfed in Flames)
“
How do I look?”
She was wearing a pair of tiny jean shorts and a bright pink T-shirt. Her blond hair was matted on one side and there were dirt smudges all over her arms, legs, and face.
Gabriel hesitated. “Like a Barbie doll that got run over by a garbage truck.”
“Wow. Really, Gabriel?
”
”
Chelsea Fine (Avow (The Archers of Avalon, #3))
“
While I was walking I passed these two guys that were unloading this big Christmas tree off a truck. One guy, kept saying to the other guy, 'Hold the sonunvabitch up! Hold it up, for Chrissake!' It certainly was a gorgeous way to talk about a Christmas tree.
”
”
J.D. Salinger (The Catcher in the Rye)
“
I looked over at her; if women knew how good they looked in the dash light of oversized pickup trucks, they'd never get out of them.
”
”
Craig Johnson (Death Without Company (Walt Longmire, #2))
“
Trace cursed. He actually wanted to hit something, but a tree would break his knuckles, he didn't want to put another dent in the truck, and Dare would hit back.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
Here's the thing, Grace," Cal said, a smile playing at the corner of his mouth. "Ever since that first day when you smacked me in the head with your field hockey stick-"
"You just can't let that go, can you?" I muttered.
He grinned fully now. "-and even when you hit me with the rake and dented my truck, and when you were spying on me from your attic and your dog was mauling me, Grace, I always knew you were the one for me.
”
”
Kristan Higgins (Too Good to Be True)
“
School sucks. I'm dropping out and becoming a truck stop waitress. I think i'll change my name to Flo and get a really bad perm. Flo the truck stop waitress with a bad perm doesn't need high school. She lives off the knowledge of life.
”
”
Tammy Blackwell (Destiny Binds (Timber Wolves Trilogy, #1))
“
...she still cannot resist looking out the window every couple of minutes. The sound of a passing truck causes her to glance away. Even if there is no sound, the weight of a hundred seconds always turns her head.
”
”
Mark Z. Danielewski (House of Leaves)
“
Don't wait for the muse. As I've said, he's a hardheaded guy who's not susceptible to a lot of creative fluttering. This isn't the Ouija board or the spirit-world we're talking about here, but just another job like laying pipe or driving long-haul trucks. Your job is to make sure the muse knows where you're going to be every day from nine 'til noon. or seven 'til three. If he does know, I assure you that sooner or later he'll start showing up.
”
”
Stephen King (On Writing: A Memoir of the Craft)
“
Look at me, making one of your dreams come true. You and your Norm truck driving around Normville."
"You're practically a god.
”
”
Kasie West (Split Second (Pivot Point, #2))
“
Hey, honey,” I greeted. “What’s up?”
“His filthy, rusted, beat up, in desperate need of a trade up truck is still in front of your house, that’s what’s up,” was Martha’s greeting
”
”
Kristen Ashley (Wild Man (Dream Man, #2))
“
He left the key in the ignition. No one was likely to come up here and steal the truck- and if anyone did... well, he could deal with Charles
”
”
Patricia Briggs (Cry Wolf (Alpha & Omega, #1))
“
Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, I’m sorry I couldn’t come to your party.
Dear So-and-So, I’m sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldn’t?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think I’m the dragon,
that would be so like me, but I’m not. I’m not the dragon.
I’m not the princess either.
Who am I? I’m just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesn’t look that much different from home,
because it didn’t,
but then I noticed the black sky and all those lights.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldn’t say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.
Okay, if you’re so great, you do it—
here’s the pencil, make it work …
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where I’m coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside.
”
”
Richard Siken
“
The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable - it could not have been any other way-- a case of what I call the high probability of the improbable
”
”
Robert James Waller (The Bridges of Madison County)
“
Well, you missed out on some important protocol, Ella. You can't stand between a Texan and his power tools. We like them. Big ones that drain the national grid. We also like truck-stop breakfasts, large moving objects, Monday night football, and the missionary position. We don't drink light beer, drive Smart cars, or admit to knowing the names of more than about five or six colors. And we don't wax our chests, ever.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
A truck that’s not dirty is not a truck. It’s a pussy wagon.
”
”
Kristen Ashley (Deacon (Unfinished Hero, #4))
“
Audrey let out a breath, turned the truck around, and didn’t look back—except once. A famous movie star was waving her goodbye.
”
”
Willowy Whisper (Angel Gate)
“
She felt a little betrayed and sad, but presently a moving object came into sight. It was a huge horse-chestnut tree in full bloom bound for the Champs Elysees, strapped now into a long truck and simply shaking with laughter - like a lovely person in an undignified position yet confident none the less of being lovely. Looking at it with fascination, Rosemary identified herself with it, and laughed cheerfully with it, and everything all at once seemed gorgeous.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
The coolies pull them across Howrah bridge, which they share with cars, trucks, bullock carts, a party of young women in saris strolling in no hurry wearing bangles on their ankles, an elephant also in no hurry, and a cow that is lying down in the middle of the road chewing lazily a booklet entitled Dr W C Roy’s SPECIFIC FOR INSANITY. The camera pauses on a portion of the half-eaten text: “Dr Roy’s insanity medicine acted a charm. I am completely cured,” says Srinath Ghosh of Bundelkund. 5 rupees per phial.
”
”
Michael Tobert (Karna's Wheel)
“
Louisiana in September was like an obscene phone call from nature. The air--moist, sultry, secretive, and far from fresh--felt as if it were being exhaled into one's face. Sometimes it even sounded like heavy breathing. Honeysuckle, swamp flowers, magnolia, and the mystery smell of the river scented the atmosphere, amplifying the intrusion of organic sleaze. It was aphrodisiac and repressive, soft and violent at the same time. In New Orleans, in the French Quarter, miles from the barking lungs of alligators, the air maintained this quality of breath, although here it acquired a tinge of metallic halitosis, due to fumes expelled by tourist buses, trucks delivering Dixie beer, and, on Decatur Street, a mass-transit motor coach named Desire.
”
”
Tom Robbins (Jitterbug Perfume)
“
So, tell me, Ford—is that a family name? Or did your parents just like trucks?
”
”
J.A. Huss (Manic (Rook and Ronin, #2))
“
There’s a big difference between being happy and being selfish. Choose to be happy. Fire truck the rest.
”
”
Jay McLean (Kick, Push (Kick Push, #1))
“
They's a lot of no-good sonofabitches out there."
Arvin asks, "More than a hundred?"
Willard laughed a little and put the truck in gear. "Yeah, at least that many.
”
”
Donald Ray Pollock (The Devil All the Time)
“
Don’t you want to go outside and… shag?” It was a strange word, but much better than fuck.
A quick grin lit his face before he responded. “Oh no. Right here. Love to do it in a truck.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
Veronica ran out to tell Amber the shocking news - and returned in less than a minute with another message for Yo-Yoji: "Amber says she was watching and she knows you got in detention on purpose," she said breathlessly. "Because you have a crush on Cass!"
Cass's ears instantly turned red.
Max-Ernest looked like he'd been hit by a truck.
”
”
Pseudonymous Bosch (If You're Reading This, It's Too Late (Secret, #2))
“
The Bagshaw's blew up an armored truck one,' Gabrielle offered.
”
”
Ally Carter (Uncommon Criminals (Heist Society, #2))
“
Which is more musical, a truck passing by a factory or a truck
passing by a music school?
Are the people inside the school musical and the ones outside unmusical?
What if the ones inside can't hear very well, would that change my question?
”
”
John Cage (Silence: Lectures and Writings)
“
[The kitchen] was also messy--delightfully so, thought Jane--and it didn't look as though lots of cooking went on there. There was a laptop computer on the counter with duck stickers on it, the spice cabinet was full of Ben's toy trucks, and Jane couldn't spot a cookbook anywhere. This is the kitchen of a Thinker, she decided, and promised herself that she'd never bother with cooking, either.
”
”
Jeanne Birdsall (The Penderwicks on Gardam Street (The Penderwicks, #2))
“
One day as Father and I were returning from our walk we found the Grote Markt cordoned off by a double ring of police and soldiers. A truck was parked in front of the fish mart; into the back were climbing men, women, and children, all wearing the yellow star. . . .
"Father! Those poor people!" I cried. . . .
"Those poor people," Father echoed. But to my surprise I saw that he was looking at the solders now forming into ranks to march away. "I pity the poor Germans, Corrie. They have touched the apple of God's eye.
”
”
Corrie ten Boom (The Hiding Place: The Triumphant True Story of Corrie Ten Boom)
“
The cyborg is a creature in a post-gender world; it has no truck with bisexuality, pre-oedipal symbiosis, unalienated labour, or other seductions to organic wholeness through a final appropriation of all the powers of the parts into a higher unity.
”
”
Donna J. Haraway
“
I’m sure you could distract me with something better than hand holding, sugar.” He winked, then winced and sucked in a breath. “Holy f-f-f-f-fire truck. I think you just stitched my kidney.
”
”
Eden Summers (Blind Attraction (Reckless Beat, #1))
“
Cal: “Yesterday I was stuck in a car with you for eight hours.”
Bastard. I didn’t even sing along with the radio. Much.
Me: “Yeah. And?”
Cal: “Something happened.”
Me: “If you’re referring to my driving skills, may I just say I didn’t TOUCH that truck. What you felt was just the wind. We were going pretty fast. And there wasn’t even a scratch. I checked.”
Every Boy's Got One
”
”
Meg Cabot
“
I sleep all day. Noises flit around the house- garbage truck in the alley, rain, tree rapping against the bedroom window. I sleep. I inhabit sleep firmly, willing it, wielding it, pushing away dreams, refusing, refusing. Sleep is my lover now, my forgetting, my opiate, my oblivion. [...] It is afternoon, it is night, it is morning. Everything is reduced to this bed, this endless slumber that makes the days into one day, makes time stop, stretches and compacts time until it is meaningless.
”
”
Audrey Niffenegger
“
Amy was profoundly shocked. "A little over an hour ago, our bus was attacked by three men in ski masks. They definitely knew me, and probably Dan, too. We fought them off, but it could've gone either way."
"Like if they'd used a cookie truck instead of a gas tanker," Dan added. "Nobody's scared of Oreos.
”
”
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
“
They ask me how did you get here? Can’t you see it on my body? The Libyan desert red with immigrant bodies, the Gulf of Aden bloated, the city of Rome with no jacket. I hope the journey meant more than miles because all of my children are in the water. I thought the sea was safer than the land. I want to make love, but my hair smells of war and running and running. I want to lay down, but these countries are like uncles who touch you when you’re young and asleep. Look at all these borders, foaming at the mouth with bodies broken and desperate. I’m the colour of hot sun on the face, my mother’s remains were never buried. I spent days and nights in the stomach of the truck; I did not come out the same. Sometimes it feels like someone else is wearing my body.
”
”
Warsan Shire (Teaching My Mother How to Give Birth)
“
I'm not stalking her," I insisted.
"I'm making sure she's safe. Besides, how could you stalk Lori McGillicuddy?
She'd see you and come out to your truck and say, "Hi, I'm Lori. Are you my stalker? It's so neat to meet you! While you're stuck here watching my every move, can I bring you anything? Sweet tea?
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
Huck [Finn] and Tom [Sawyer] represent two viable models of the American Character. They exist side by side in every American and every American action. America is, and always has been, undecided about whether it will be the United States of Tom or the United States of Huck. The United States of Tom looks at misery and says: Hey, I didn't do it. It looks at inequity and says: All my life I have busted my butt to get where I am, so don't come crying to me. Tom likes kings, codified nobility, unquestioned privilege. Huck likes people, fair play, spreading the truck around. Whereas Tom knows, Huck wonders. Whereas Huck hopes, Tom presumes. Whereas Huck cares, Tom denies. These two parts of the American Psyche have been at war since the beginning of the nation, and come to think of it, these two parts of the World Psyche have been at war since the beginning of the world, and the hope of the nation and of the world is to embrace the Huck part and send the Tom part back up the river, where it belongs.
”
”
George Saunders (The Braindead Megaphone)
“
She watched the clip several times—enough times to know w certainty her father had nothing to do with the crash. He’d done everything in his power to stop the car and avoid the truck. Someone else had been driving.
”
”
Diane L. Kowalyshyn (Crossover (Cross your Heart and Die, #1))
“
So, is there a reason we’re beating up a brand-new 2024 Ford Mustang?” “We?” “I mean, I haven’t done anything yet, but I’ve got a couple of hockey sticks in my truck if you want to do some real damage?
”
”
Alexandra Moody (Rival Darling (The Darling Devils, #1))
“
And really–I would rather suck truck fumes than deal with this sort of shit forever. Mom says that Nader is a loser who will grow up to be a loser and that I'll understand when I'm forty. But I want to understand now.
”
”
A.S. King (Everybody Sees the Ants)
“
Get inside before I spank you in public."
There it was again, another of his maddening threats. Did that mean he wouldn't spank her if she did as he said or that he simply planned to spank her in private? She was still mulling over the whole unpleasant concept when he started the truck.
”
”
Susan Elizabeth Phillips (Kiss an Angel)
“
Life was persistent. There it was, every day. Each morning it woke me up. It was loud and brash. A bully. A lounge singer in a garish sequin dress. A runaway truck. A jackhammer. A brush fire. A canker sore. Death was different. It was tender, a mystery.
”
”
Ottessa Moshfegh (Death in Her Hands)
“
I'll tell you what's wrong!" he roared, "I'm trying to quit smoking!" Then he strode angrily to the truck, leaving her standing there.
She blinked her eyes, and slowly a smile stretched her lips. She strolled to the truck and got in. "So, are you homicidal or merely as irritable as a wounded buffalo?"
"About halfway in between," he said through clenched teeth.
"Anything I can do to help?"
His eyes were narrow and intense. "It isn't just the cigarettes. Take off your panties and lock your legs around me, and I'll show you.
”
”
Linda Howard (Duncan's Bride (Patterson-Cannon Family, #1))
“
The Night Vale PTA released a statement today saying that if the School Board could not promise to prevent children from learning about dangerous activities like drug use and library science during recess periods, they would be blocking all school entrances with their bodies. They pulled hundreds of bodies out from trucks, saying, “We own all of these bodies and we will not hesitate to use them to create great flesh barricades if that is what it takes to prevent our children from learning.
”
”
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
“
It quickly became a tracking operation, though. My chariot could not keep up with his truck. By the time I caught up with him, his truck was parked in one of those asphalt wastelands. What are they called again"?
The Tuatha De Danann have no problem asking Druids for information. That's what we're for, after all. The secret to becoming an Old Druid instead of a dead Druid is to betray nary a hint of condescension when answering even the simplest questions.
"They are called parking lots," I replied.
"Ah, yes, thank you. He came out of a building called 'Crussh', holding one of these potions. Are you familar with the building, Druid?"
"I belive that is a smoothie bar in England."
"Quite right. So after I killed him and stowed his body next to the doe, I sampled his smooth concoction in the parking lot and found it to be quite delicious".
See, sentences like that are why I nurture a healthy fear of the Tuatha De Danann.
”
”
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
“
Sloane shook his head. He pushed Dex from behind, guiding him into the lobby,“Get in the damn truck before I shoot you.”
“You know, you should try yoga. Find a way to channel all that aggression.”
Sloane gave Dex another push. “I have found a way. It’s called shoving my foot up your ass.”
“That doesn’t sound very relaxing.
”
”
Charlie Cochet (Hell & High Water (THIRDS, #1))
“
Andrius turned. His eyes found mine. "I'll see you," he said.
My face didn't wrinkle. I didn't utter a sound. But for the first time in months, I cried. Tears popped from their dry sockets and sailed down my cheeks in one quick stream. I looked away.
The NKVD called the bald man's name.
"Look at me," whispered Andrius, moving close. "I'll see you," he said. "Just think about that. Just think about me bringing you your drawings. Picture it, because I'll be there."
I nodded.
"Vilkas," the NKVD called.
We walked toward the truck and climbed inside. I looked down at Andrius. He raked through his hair with his fingers. The engine turned and roared. I raised my hand in a wave good-bye.
His lips formed the words "I'll see you." He nodded in confirmation.
I nodded back. The back gate slammed and I sat down. The truck lurched forward. Wind began to blow against my face. I pulled my coat closed and put my hands in my pockets. That's when I felt it. The stone. Andrius had slipped it into my pocket. I stood up to let him know I had found it. He was gone.
”
”
Ruta Sepetys (Between Shades of Gray)
“
Then Drago began the deliberate, precise, business-like process of killing. A knee-buckling burst of fire and flash laid waste to men and material within seconds. A Panhard vehicle to Silva’s left simply disappeared in an explosion that spraying metal parts willy-nilly in every direction in a spread so thorough that Drago thought they were under fire, and he yelled at his men to respond. Another blast destroyed a six-wheeled reconnaissance vehicle, but it didn’t break it apart; it simply expanded as if swollen or bloated, like an air mattress or inflatable toy, though it still had weight and quickly collapsed over its own suspension. Some trucks were overturned; a Jeep flipped end-over-end. None were left unscathed. In short order, what had been ten or twelve vehicles were reduced to a single steaming and smoking pile of metal.
”
”
John Payton Foden (Magenta)
“
Late in the afternoon, thunder growling, that same old green pickup rolled in and he saw Jack get out of the truck, beat up Resistol tilted back. A hot jolt scalded Ennis and he was out on the landing pulling the door closed behind him. Jack took the stairs two and two. They seized each other by the shoulders, hugged mightily, squeezing the breath out of each other, saying, son of a bitch, son of a bitch, then, and easily as the right key turns the lock tumblers, their mouths came together, and hard, Jack’s big teeth bringing blood, his hat falling to the floor, stubble rasping, wet saliva welling, and the door opening and Alma looking out for a few seconds at Ennis’s straining shoulders and shutting the door again and still they clinched, pressing chest and groin and thigh and leg together, treading on each other’s toes until they pulled apart to breathe and Ennis, not big on endearments, said what he said to his horses and his daughters, little darlin.
”
”
Annie Proulx (Brokeback Mountain)
“
How about that one? Is that a constellation?" I asked, pointing upward. We were down in the small valley where the truck was parked. Alex sat leaning against a rock; I was between his legs with my back against his chest, his arms around me as we stared up at the stars.
"Yeah, that's the Seven Sisters, the Pleiades." He bent his head, and I caught my breath as his warm mouth nuzzled at my neck. I hadn't gotten even remotely used yet to how good it felt to be kissed by Alex.
"It's so sexy how you know all of this," I said when I could speak again.
"Yeah?" I heard the grin in his voice. "I know the summer constellations, too. Will that get me bonus kisses?"
"I think it might, actually.
”
”
L.A. Weatherly (Angel (Angel, #1))
“
What Do Women Want?"
I want a red dress.
I want it flimsy and cheap,
I want it too tight, I want to wear it
until someone tears it off me.
I want it sleeveless and backless,
this dress, so no one has to guess
what's underneath. I want to walk down
the street past Thrifty's and the hardware store
with all those keys glittering in the window,
past Mr. and Mrs. Wong selling day-old
donuts in their café, past the Guerra brothers
slinging pigs from the truck and onto the dolly,
hoisting the slick snouts over their shoulders.
I want to walk like I'm the only
woman on earth and I can have my pick.
I want that red dress bad.
I want it to confirm
your worst fears about me,
to show you how little I care about you
or anything except what
I want. When I find it, I'll pull that garment
from its hanger like I'm choosing a body
to carry me into this world, through
the birth-cries and the love-cries too,
and I'll wear it like bones, like skin,
it'll be the goddamned
dress they bury me in.
”
”
Kim Addonizio
“
Hazel studied Reyna’s outfit with concern. “Your sword’s in the truck. Don’t you want to take a shield or something?”
“Nah. I’ve got my cloak. It’ll turn aside most weapons.” Reyna brushed the collar of her sweater wrap. Instantly it unfurled into her usual purple cape.
Frank’s smile faded. “Does my cloak do that?”
“See you, guys!” Reyna climbed behind the wheel.
“Wait, does my cloak deflect weapons?” Frank called after us. “Does mine turn into a sweater wrap?”
As we pulled away, I could see Frank Zhang in the rearview mirror, intently studying the stitching of his cape.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
Now we will count to twelve
and we will all keep still.
For once on the face of the earth
let's not speak in any language,
let's stop for one second,
and not move our arms so much.
It would be an exotic moment
without rush, without engines,
we would all be together
in a sudden strangeness.
Fishermen in the cold sea
would not harm whales
and the man gathering salt
would look at his hurt hands.
Those who prepare green wars,
wars with gas, wars with fire,
victory with no survivors,
would put on clean clothes
and walk about with their brothers
in the shade, doing nothing.
What I want should not be confused
with total inactivity.
Life is what it is about;
I want no truck with death.
If we were not so single-minded
about keeping our lives moving,
and for once could do nothing,
perhaps a huge silence
might interrupt this sadness
of never understanding ourselves
and of threatening ourselves with death.
Perhaps the earth can teach us
as when everything seems dead
and later proves to be alive.
Now I'll count up to twelve
and you keep quiet and I will go.
”
”
Pablo Neruda
“
Whether I was a genius or not did not so much concern me as the fact that I simply did not want a part of anything. The animal-drive and energy of my fellow man amazed me: that a man could change tires all day long or drive an ice cream truck or run for Congress or cut into a man's guts in surgery or murder, this was all beyond me. I did not want to begin. I still don't. Any day I that I could cheat away from this system of living seemed a good victory for me.
”
”
Charles Bukowski (Portions from a Wine-Stained Notebook: Uncollected Stories and Essays, 1944-1990)
“
Look, we can stand out here and argue about it for the next ten minutes, but you’re getting in this truck.”
My eyes narrowed. “Let me remind you of something. I don’t know you. Like at all.”
“And I’m not asking you to get naked and give me a private show.” Pausing, his gaze seemed to drift down my body again. “Although, that is way interesting. A bad idea, but way interesting.
”
”
J. Lynn (Stay with Me (Wait for You, #3))
“
I'm done waiting. Done doing things the easy way and letting things happen as they will."
Her heart caught. "What does that mean?"
"It means this is too important to let slip away again. You're too important." He leaned back against the truck with a low grunt of effort, eyes dark, jaw clenched. "I love you too, Tara.
”
”
Jill Shalvis (The Sweetest Thing (Lucky Harbor, #2))
“
Hanging out with Sam or any two-year-old is basically one big suicide watch. Their mission is to find one new way after another of offing themselves - piss in an electric socket, lick a pit bull's nose, chase an ice cream truck into traffic - and your job as a parent is to step in before it happens.
”
”
Michael J. Fox (Always Looking Up: The Adventures of an Incurable Optimist)
“
A uniform cordoned off the area with crime scene tape. The M.E. pulled in and parked. There were two EMT trucks idling at the edge of the lot. I’d stayed close to the back door, and one of the Rangeman guys had taken a position two feet from me, standing at parade rest. No doubt in my mind he’d take a bullet for me rather than face Ranger over a dead Stephanie.
”
”
Janet Evanovich (Smokin' Seventeen (Stephanie Plum, #17))
“
You get what I mean. On a normal day when you're feeling less than positive, force yourself to change your thinking. Instead of 'It sucks that I have to go to school,' think 'It's such a nice day that maybe after school I will recline the seat of my truck and read a good book while the breeze still smells like springtime.
”
”
Lynn Painter (The Do-Over)
“
The woodland made it impossible to run in a straight line. She ran deeper, unsure of her bearing or when she might find civilization. Headlights ahead to the right preceded a drumming of tires on the pavement. The truck stopped. Sharnee altered her course toward the truck and screamed. Fifteen seconds later she pitched forward as if someone grabbed her ankle and threw her to the ground.
”
”
Steve Rush (Lethal Impulse)
“
It means my luck sucks," she said. "It was nice dating a guy wo treated me like a friend instead of a blow-up doll."
"You were the one trying to unzip my pants in the truck!"
"Yeah, well, I thought you weren't interested. I didn't realize that your divining rod just pointed into a different direction."
"You're killing me," he said. But it sounded like he was smiling.
”
”
Brigid Kemmerer (Breathless (Elemental, #2.5))
“
How can even the idea of rebellion against corporate culture stay meaningful when Chrysler Inc. advertises trucks by invoking “The Dodge Rebellion”? How is one to be bona fide iconoclast when Burger King sells onion rings with “Sometimes You Gotta Break the Rules”? How can an Image-Fiction writer hope to make people more critical of televisual culture by parodying television as a self-serving commercial enterprise when Pepsi and Subaru and FedEx parodies of self-serving commercials are already doing big business? It’s almost a history lesson: I’m starting to see just why turn-of-the-century Americans’ biggest fear was of anarchist and anarchy. For if anarchy actually wins, if rulelessness become the rule, then protest and change become not just impossible but incoherent. It’d be like casting a ballot for Stalin: you are voting for an end to all voting.
”
”
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
“
Our department takes 1,120 calls every day. Do you know how many of the calls the public expects perfection on? 1,120. Nobody calls the fire department and says, 'Send me two dumb-ass firemen in a pickup truck.' In three minutes they want five brain-surgeon decathlon champions to come and solve all their problems.
”
”
John Eversole
“
Did we have some understanding? That I was going to follow your nonmedical orders? Because I don't recall that in my personal life, I'm obligated to do everything you tell me."
"Guess you're not obligated to use your brain in your personal life, either."
"I filled your truck up with gas, you old pain in the ass."
"I didn't get caught in that piece of shit foreign job of yours, you obstinate little strumpet."
And she laughed at him so hard, tears came to her eyes and she had to leave, laughing all the way back to her cabin.
-Mel and Doc
”
”
Robyn Carr (Virgin River (Virgin River, #1))
“
Without a bellyful of liquor, all I am is a woman who cracks stupid jokes to make up for being shy.
”
”
Katie Crouch (Girls in Trucks)
“
How would you take care of it?” I asked.
He shrugged. “I know some ghouls. I make a couple calls, the guys come over for dinner, problem solved.”
“They can put away nine whole giants? There’s that many ghouls in town?”
“Probably not,” Leif admitted. “But whatever they do not eat tonight, they’ll take the rest to go.”
I stared at him in disbelief. “You mean like a doggie bag?”
The vampire nodded with a thin trace of a smile. “They have a refrigerated truck, Atticus. These are practical guys.
”
”
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
“
Hey, Breanna.”
I glance over my shoulder. “Yes?”
“Be safe.”
Those are two enticing and lovely words. “I will be. I have you protecting me, right?”
Maybe I’m misreading Razor, but his eyes travel my body like he might toss me onto the bed of the truck and kiss me in a way I’ve never been kissed before. “Don’t worry. I completely have your back.
”
”
Katie McGarry (Walk the Edge (Thunder Road, #2))
“
They sit here in the darkness, trusting. That the coffee will be hot and unpoisoned. That no raging madman will come in with a gun or bomb.
It leaves him breathless at times, how much faith people put in one another. So fragile, the social contract: we will all stand by the rules, move with care and gentleness, invest in the infrastructure, agree with the penalties of failure. That this man driving his truck down the street won't, on a whim, angle into the plate glass and end things. That the president won't let his hand hover over the red button and, in moment of rage or weakness, explode the world. The invisible tissue of civilization: so thin, so easily rendable. It's a miracle that it exists at all.
”
”
Lauren Groff (Arcadia)
“
Today we’ve become far more accepting of alternative lifestyles, and people move in and out of different situations: single with roommates, single and solo, single with partner, married, divorced, divorced and living with an iguana, remarried with iguana, then divorced with seven iguanas because your iguana obsession ruined your relationship, and, finally, single with six iguanas (Arturo was sadly run over by an ice cream truck).
”
”
Aziz Ansari (Modern Romance)
“
How did you do it?" I brought the teacup to my mouth for another sip. "How did you guide Sophie's soul? I thought you were a reaper."
"He's both," Nash said from behind me, and I turned just as he followed my father through the front door, pulling his long sleeves down one at a time. He and my dad had just loaded Aunt Val's white silk couch into the back of my uncle's truck, so he wouldn't have to deal with the bloodstains when he and Sohie got back from the hospital. "Tod is very talented."
Tod brushed the curl back from his face and scowled.
Harmony spoke up from the kitchen as the oven door squealed open. "Both my boys are talented."
"Both?" I repeated, sure I'd heard her wrong.
Nash sighed and slid onto the chair his mother had vacated, then gestured toward the reaper with one hand. "Kaylee, meet my brother, Tod.
”
”
Rachel Vincent (My Soul to Take (Soul Screamers, #1))
“
Here is what the end of the world looks like:
It looks like a child running out into the road, eyes focused only on some destination ahead - the future, which is on the other side - and the child fails to notice the speeding truck that is there, on that same road, in the present.
This is what the end of the world looks like.
All roads cross here.
”
”
Andrew Smith (Grasshopper Jungle)
“
Flammable. An oddity, chiefly useful in saving lives. The common word meaning "combustible" is inflammable. But some people are thrown off by the in- and think inflammable means "not combustible." For this reason, trucks carrying gasoline or explosives are now marked FLAMMABLE. Unless you are operating such a truck and hence are concerned with the safety of children and illiterates, use inflammable.
”
”
E.B. White (The Elements of Style)
“
A deaf composer's like a cook who's lost his sense of taste. A frog that's lost its webbed feet. A truck driver with his license revoked. That would throw anybody for a loop, don't you think? But Beethoven didn't let it get to him. Sure, he must have been a little depressed at first, but he didn't let misfortune get him down. It was like, Problem? What problem? He composed more than ever and came up with better music than anything he'd ever written. I really admire the guy. Like this Archduke Trio--he was nearly deaf when he wrote it, can you believe it? What I'm trying to say is, it must be tough on you not being able to read, but it's not the end of the world. You might not be able to read, but there are things only you can do. That's what you gotta focus on--your strengths. Like being able to talk with the stone.
”
”
Haruki Murakami (Kafka on the Shore)
“
I sit, tired of reading. I am sick of books. I can't tell where I leave off and the books begin. I'm nobody. I'm a polluted nothing. A confessed sin, an open door, the clutterer in the clutter.
”
”
Katherine Dunn (Truck)
“
The iron law of sobriety, with apologies to Leo Tolstoy: the stories of addicts are all alike; but each person gets sober their own way. Addiction is an old country song: you lose the dog, lose the truck, lose the high school sweetheart. In recovery you play the song backward, and that’s where things get interesting. Where’d you find the truck? Did the dog remember you? What’d your sweetheart say when they saw you again?
”
”
Kaveh Akbar (Martyr!)
“
How could you do that to me?" I repeat. I don´t have to itemize. He knows what I speak of.
Eventually N produces three answers, in this order:
1. "Because I am a complete rotter." I silently agree, but it´s a cop-out: I have maggots, therefore I am dead.
2. "I was stressed at work and unhappy and we were always fighting...and you know I was just crazy..."
I cut him off, saying, "You don´t get to be crazy. You did exactly what you chose to do."
Which is true, he did. It is what he has always done. He therefore seems slightly puzzled at the need for further diagnosis, which may explain his third response:
3. "I don´t know."
This, I feel instinctively, is the correct answer. How can I stay angry with him for being what he is? I was, after all, his wife, and I chose him. No coincidences, that´s what Freud said. None. Ever.
I wipe my eyes on my sleeve and walk toward the truck, saying to his general direction, "Fine. At least now I know: You don´t know."
I stop and turn around and fire one more question: a bullet demanding attention in the moment it enters the skin and spreads outward, an important bullet that must be acknowledged.
"What did you feel?"
After a lengthy pause, he answers. "I felt nothing."
And that, I realize too late, was not the whole truth, but was a valid part of the truth.
Oh, and welcome to the Serengeti. That too.
”
”
Suzanne Finnamore (Split: A Memoir of Divorce)
“
Sometimes we’re on a collision course, and we just don’t know it. Whether it’s by accident or by design, there’s not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she’d stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who’d stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn’t been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot.
When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater. And if only one thing had happened differently: if that shoelace hadn’t broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn’t broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn’t stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would’ve crossed the street, and the taxi would’ve driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone’s control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
”
”
Eric Roth (The Curious Case of Benjamin Button Screenplay)
“
I like Daniel. He takes care of you."
I blinked. "Oh my God. Did you really just say that? He takes care of me?"
Dad flushed. "I didn't mean it like-"
"Takes care of me? Did I go to sleep and wake up in the nineteenth century?" I looked down at my jeans and T-shirt. "Ack! I can't go to school like this. Where's my corset? My bonnet?"
Dad sighed as Mom walked in with her empty teacup.
"What did I miss?" She said.
"Dad's trying to marry me off to Daniel." I looked at him.
"You know, if you offer him a new truck for a dowry, he might go for it.
”
”
Kelley Armstrong (The Gathering (Darkness Rising, #1))
“
Wonderful what Hollywood will do to a nobody. It will make a radiant glamour queen out of a drab little wench who ought to be ironing a truck driver's shirts, a he-man hero with shining eyes and brilliant smile reeking of sexual charm out of some overgrown kid who was meant to go to work with a lunch-box. Out of a Texas car hop with the literacy of a character in a comic strip it will make an international courtesan, married six times to six millionaires and so blasé and decadent at the end of it that her idea of a thrill is to seduce a furniture-mover in a sweaty undershirt.
”
”
Raymond Chandler (The Little Sister (Philip Marlowe, #5))
“
I am by nature a person suspicious of the economic machine that feeds me. And yet I am a captive of that economic machine, and my mind is structured by its lessons and demands. I consume its wealth with zest. I drive a truck, watch a color television, and write on a computer, but I cannot overcome the feeling that these objects and the industrial culture that produced them are temporary things, a kind of fat beast feeding on the bounty of the earth that will starve to death within the next century, or at least be severely diminished.
”
”
Charles Bowden
“
But now, Mr. Bates didn't scream or try to get the truck's license plate, nor did Mrs. Bates, who had once wept when we set off firecrackers in her state-fair tulips - they said nothing, and our parents said nothing, so that we sensed how ancient they were, how accustomed to trauma, depressions, and wars. We realized that the version of the world that they rendered for us was not the world they really believed in, and that for all their caretaking and bitching about crabgrass they didn't give a damn about lawns.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
There are blondes and blondes and it is almost a joke word nowadays. All blondes have their points, except perhaps the metallic ones who are as blond as a Zulu under the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde who cheeps and twitters, and the big statuesque blonde who straight-arms you with an ice-blue glare. There is the blonde who gives you the up-from-under look and smells lovely and shimmers and hangs on your arm and is always very tired when you take her home. She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo’s rapier or Lucrezia’s poison vial. There is the soft and willing and alcoholic blonde who doesn’t care what she wears as long as it is mink or where she goes as long as it is the Starlight Roof and there is plenty of dry champagne. There is the small perky blonde who is a little pal and wants to pay her own way and is full of sunshine and common sense and knows judo from the ground up and can toss a truck driver over her shoulder without missing more than one sentence out of the editorial in the Saturday Review. There is the pale, pale blonde with anemia of some non-fatal but incurable type. She is very languid and very shadowy and she speaks softly out of nowhere and you can’t lay a finger on her because in the first place you don’t want to and in the second place she is reading The Waste Land or Dante in the original, or Kafka or Kierkegaard or studying Provençal. She adores music and when the New York Philharmonic is playing Hindemith she can tell you which one of the six bass viols came in a quarter of a beat too late. I hear Toscanini can also. That makes two of them. And lastly there is the gorgeous show piece who will outlast three kingpin racketeers and then marry a couple of millionaires at a million a head and end up with a pale rose villa at Cap Antibes, an Alfa-Romeo town car complete with pilot and co-pilot, and a stable of shopworn aristocrats, all of whom she will treat with the affectionate absent-mindedness of an elderly duke saying goodnight to his butler.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
Lonely's a temporary condition, a cloud that blocks out the sun for a spell and then makes the sunshine seem even brighter after it travels along. Like when you're far away from home and you miss the people you love and it seems like you're never going to see them again. But you will, and you do, and then you're not lonely anymore.
Lonesome's a whole other thing. Incurable. Terminal. A hole in your heart you could drive a semi truck through. So big and so deep that no amount of money or whiskey or pussy or dope in the whole goddamn world can fill it up because you dug it yourself and you're digging it still, one lie, one disappointment, one broken promise at a time.
”
”
Steve Earle (I'll Never Get Out of This World Alive)
“
When my now-adult daughter was a child, another child once hit her on the head with a metal toy truck. I watched that same child, one year later, viciously push his younger sister backwards over a fragile glass-surfaced coffee table. His mother picked him up, immediately afterward (but not her frightened daughter), and told him in hushed tones not to do such things, while she patted him comfortingly in a manner clearly indicative of approval. She was out to produce a little God-Emperor of the Universe. That’s the unstated goal of many a mother, including many who consider themselves advocates for full gender equality. Such women will object vociferously to any command uttered by an adult male, but will trot off in seconds to make their progeny a peanut-butter sandwich if he demands it while immersed self-importantly in a video game. The future mates of such boys have every reason to hate their mothers-in-law. Respect for women? That’s for other boys, other men—not for their dear sons.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
I told him what my dad had said. That got him laughing and as we pulled into the school parking lot, even the sight of Rafe waiting for me only made him roll his eyes.
We got out. I glanced at Daniel.
He sighed. "Go on."
"You sound like you're giving a five-year-old permission to play with an unsuitable friend."
"If the shoe fits..."
I flipped him off.
"Watch it or I won't marry you," he said. "Truck of no truck."
I laughed and jogged over to Rafe.
"Did he just say...?" Rafe began.
”
”
Kelley Armstrong (The Gathering (Darkness Rising, #1))
“
Granuaile looked terminally depressed when she emerged from the bathroom with raven hair and, as a result rather Goth by accident. She didn't want to get her picture taken.
"Aughh!" she said miserably, looking in the vanity mirror in the truck of the cab and fingering a wavy curl near her temple. "This sucks more than anything has ever sucked before. You know what we look like? A couple of emo douche bags."
"Well, look at the bright side, Granuaile. Emo Douche Bags would be a great band name."
[That's brilliant! It's already the unofficial name of more bands than I can count.]
”
”
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
“
Sometimes I'd see my father, walking past my building on his way to another nowhere. I could have given him a key, offered a piece of my floor. A futon. A bed. But I never did. If I let him inside I would become him, the line between us would blur, my own slow-motion car wreck would speed up. The slogan on the side of a moving company truck read TOGETHER WE ARE GOING PLACES--modified by a vandal or a disgruntled employee to read TOGETHER WE ARE GOING DOWN. If I went to the drowning man the drowning man would pull me under. I couldn't be his life raft.
”
”
Nick Flynn (Another Bullshit Night in Suck City)
“
I looked around me to make sure it was clear. That's when I noticed the still, white figure. Edward Cullen was leaning against the front door of the Volvo, three cars down from me, and staring intently in my direction. I swiftly looked away and threw the truck into reverse, almost hitting a rusty Toyota Corolla in my haste. Lucky for the Toyota, I stomped on the brake in time. It was just the sort of car that my truck would make scrap metal of. I took a deep breath, still looking out the other side of my car, and cautiously pulled out again, with greater success. I stared straight ahead as I passed the Volvo, but from a peripheral peek, I would swear I saw him laughing.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
I’ve been thinking about the way, when you walk
down a crowded aisle, people pull in their legs
to let you by. Or how strangers still say “bless you”
when someone sneezes, a leftover
from the Bubonic plague. “Don’t die,” we are saying.
And sometimes, when you spill lemons
from your grocery bag, someone else will help you
pick them up. Mostly, we don’t want to harm each other.
We want to be handed our cup of coffee hot,
and to say thank you to the person handing it. To smile
at them and for them to smile back. For the waitress
to call us honey when she sets down the bowl of clam chowder,
and for the driver in the red pick-up truck to let us pass.
We have so little of each other, now. So far
from tribe and fire. Only these brief moments of exchange.
What if they are the true dwelling of the holy, these
fleeting temples we make together when we say, “Here,
have my seat,” “Go ahead—you first,” “I like your hat.
”
”
Danusha Laméris (The Moons of August)
“
To believe in things that you cannot. Let me illustrate. I heard once of an American who so defined faith, `that faculty which enables us to believe things which we know to be untrue.' For one, I follow that man. He meant that we shall have an open mind, and not let a little bit of truth check the rush of the big truth, like a small rock does a railway truck. We get the small truth first. Good! We keep him, and we value him, but all the same we must not let him think himself all the truth in the universe.
”
”
Bram Stoker (Dracula)
“
Let’s face it - English is a crazy language. There is no egg in eggplant nor ham in hamburger; neither apple nor pine in pineapple. English muffins weren’t invented in England or French fries in France. Sweetmeats are candies while sweetbreads, which aren’t sweet, are meat. We take English for granted. But if we explore its paradoxes, we find that quicksand can work slowly, boxing rings are square and a guinea pig is neither from Guinea nor is it a pig.
And why is it that writers write but fingers don’t fing, grocers don’t groce and hammers don’t ham? If the plural of tooth is teeth, why isn’t the plural of booth beeth? One goose, 2 geese. So one moose, 2 meese? One index, 2 indices? Doesn’t it seem crazy that you can make amends but not one amend? If you have a bunch of odds and ends and get rid of all but one of them, what do you call it?
If teachers taught, why didn’t preachers praught? If a vegetarian eats vegetables, what does a humanitarian eat? In what language do people recite at a play and play at a recital? Ship by truck and send cargo by ship? Have noses that run and feet that smell? How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites?
You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out and in which an alarm goes off by going on. English was invented by people, not computers, and it reflects the creativity of the human race (which, of course, isn’t a race at all). That is why, when the stars are out, they are visible, but when the lights are out, they are invisible.
And finally, why doesn't "buick" rhyme with "quick"?
”
”
Richard Lederer
“
It's simply a national acknowledgement that in any kind of priority, the needs of human beings must come first. Poverty is here and now. Hunger is here and now. Racial tension is here and now. Pollution is here and now. These are the things that scream for a response. And if we don't listen to that scream - and if we don't respond to it - we may well wind up sitting amidst our own rubble, looking for the truck that hit us - or the bomb that pulverized us. Get the license number of whatever it was that destroyed the dream. And I think we will find that the vehicle was registered in our own name.
[from a Commencement Address at the University of Southern California; March 17, 1970]
”
”
Rod Serling
“
So are you comin' back with me or what?"
Megan lifted her head and sighed. "I have a few conditions."
"Shoulda known," Doug said, rolling his eyes.
"First of all, I did not sign up for a truck stop bathroom," Megan said. "You guys need to start cleaning up after yourselves in there. No more blood, no more hair, no more stains that I don't even want to identify."
"All right, all right," Doug said. "That it?"
"Hardly," Megan said. "I want a hands-off rule on all my stuff. Including my bike."
"Okay..."
"And I want everyone to stop calling me Megan C Cups behind my back."
Doug's jaw went slack as he flushed. "How did you know about that?"
Megan raised her eyebrows.
"All right, fine.
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
What would it mean in practice to eliminate all the 'negative people' from one's life? It might be a good move to separate from a chronically carping spouse, but it is not so easy to abandon the whiny toddler, the colicky infant, or the sullen teenager. And at the workplace, while it's probably advisable to detect and terminate those who show signs of becoming mass killers, there are other annoying people who might actually have something useful to say: the financial officer who keeps worrying about the bank's subprime mortgage exposure or the auto executive who questions the company's overinvestment in SUVs and trucks. Purge everyone who 'brings you down,' and you risk being very lonely, or, what is worse, cut off from reality.
”
”
Barbara Ehrenreich (Bright-Sided: How the Relentless Promotion of Positive Thinking Has Undermined America)
“
Situations produce vibrations. Negative, potentially harmful situations emit slow vibrations. Positive, potentially life-enhancing situations emit quick vibrations. As these vibrations impact on your energy field they produce either resonance or dissonance in your lower and middle tantiens (psychic power stations) depending on your own vibratory rate at the time. When you psychic field force is strong and your vibratory rate is fast, therefore, you will draw only positive situations to you. When you mind is quiet enough and your attention is on the moment, you will literally hear the dissonance in your belly and chest like an alarm bell going off, urging you from deep within your body to move in such and such a direction. Always follow it. At times these urges may come to you in the form of internally spoken dialogue with your higher self, spirit guide, guardian angel, alien intelligence, however you see the owner of the “still, small voice within.” This form of dialogue can be entertaining and reassuring but is best not overindulged in as, in the extreme; it tends to lead to the loony bin. At times you may receive your messages from “Indian signs”, such as slogans on passing trucks or cloud formations in the sky. This is also best kept in moderation, to avoid seeing signs in everything and becoming terribly confused. Just let it happen when it happens and don’t try looking for it.
”
”
Stephen Russell (Barefoot Doctor's Guide to the Tao: A Spiritual Handbook for the Urban Warrior)
“
Have a joke for me Tania," he says, "I could use a joke."
"Hmm." She thinks, looks at him, looks to see where Anthony is. He's far in the back. "Okay, what about this." With a short cough she leans into Alexander and lowers her voice.
"A man and his young girlfriend are driving in a car. The man has never seen his girlfriend naked. She thinks he is driving too slow, so they decide to play a game. For every five miles he goes above 50, she will take off a piece of her clothing. In no time at all, he is flying and she is naked. The man gets so excited that he loses control of the car. It veers off the road and hits a tree. She is unharmed but he is stuck in the car and can’t get out. “Go back on the road and get help,” he tells her. “But I’m naked,” she says. He rummages around and pulls off his shoe. “Here, just put this between your legs to cover yourself.” She does as she is told and runs out to the road. A truck driver, seeing a naked crying woman, stops. “Help me, Help me,” she sobs, “My boyfriend is stuck and I can’t get him out.”
The Truck driver says, “Miss, if he’s that far in, I’m afraid he’s a goner.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
There's an energy to these autumn nights that touches something primal inside of me. Something from long ago. From my childhood in Western Iowa. I think of high school football games and the stadium lights blazing down on the players. I smell ripening apples, and the sour reek of beer from keg parties in the cornfields. I feel the wind in my face as I ride in the bed of an old pickup truck down a country road at night, dust swirling red in the taillights and the entire span of my life yawning out ahead of me.
It's the beautiful thing about youth.
There's a weightlessness that permeates everything because no damning choices have been made, no paths committed to, and the road forking out ahead is pure, unlimited potential.
”
”
Blake Crouch (Dark Matter)
“
I eat a bunch of spinach, but only to clean out my pipes to make room for more ribs, fool! I will submit to fruit and zucchini, yes, with gusto, so that my steak-eating machine will continue to masticate delicious charred flesh at an optimal running speed. By consuming kale, I am buying myself bonus years of life, during which I can eat a shit-ton more delicious meat. You don’t put oil in your truck because it tastes good. You do it so your truck can continue burning sweet gasoline and hauling a manly payload.
”
”
Nick Offerman (Paddle Your Own Canoe: One Man's Principles for Delicious Living)
“
A wife! No one else could love a man who had been trampled on by iron feet. She would wash his feet after he had been spat on; she would comb his tangled hair; she would look into his embittered eyes. The more lacerated his soul, the more revolting and contemptible he became to the world, the more she would love him. She would run after a truck; she would wait in queues on Kuznetsky Most, or even by the camp boundary fence, desperate to hand over a few sweets or an onion; she would bake shortbread for him on an oil stove; she would give years of her life just to be able to see him for half an hour...
Not every woman you sleep with can be called a wife.
”
”
Vasily Grossman (Life and Fate)
“
There are a number of things a woman can tell about a man who is roughly twenty-nine years old,
sitting in the cab of a pickup truck at 3:37 in the afternoon on a weekday, facing the Pacific,
writing furiously on the back of pink invoice slips. Such a man may or may not be employed, but
regardless, there is mystery there. If this man is with a dog, then that's good, because it means he's
capable of forming relationships. But if the dog is a male dog, that's probably a bad sign, because
it means the guy is likely a dog, too. A girl dog is much better, but if the guy is over thirty, any
kind of dog is a bad sign regardless, because it means he's stopped trusting humans altogether. In
general, if nothing else, guys my age with dogs are going to be work.
Then there's stubble: stubble indicates a possible drinker, but if he's driving a van or a pickup
truck, he hasn't hit bottom yet, so watch out, honey. A guy writing something on a clipboard
while facing the ocean at 3:37 P.M. may be writing poetry, or he may be writing a letter begging
someone for forgiveness. But if he's writing real words, not just a job estimate or something
business-y, then more likely than not this guy has something emotional going on, which could
mean he has a soul.
”
”
Douglas Coupland (Hey Nostradamus!)
“
My arrogance knows no bounds
And I will make no peace today
And you shall be so lucky
To find a woman like me
Today neither will the East claim me
nor the West admit me
Today my belly is a well
wherein serpents are coiled
ready to poison the world,
and you should be so lucky.
All I have is my arrogance
I will teach it to lean back
and smoke a cigarette in your faces,
and you should be so lucky
No I will make no peace
even though my hands are empty
I will talk as big as I please
I will be all or nothing
And I will jump before the heavy trucks
And I will saw off my leg at the thigh
before I bend one womanly knee
I am poison
And you will drink me
And you should be so lucky.
”
”
Mohja Kahf
“
It must stink to know everyone’s future but your own. (Danger)
You’ve no idea. It’s actually cruel in my opinion. But then maybe it doesn’t matter after all since futures can and do change. Something as simple as you’re supposed to turn right down a street one day…and in your bones you know it, and yet for reasons no one understands, you decide to debunk fate and go left. Now instead of meeting the spouse of your dreams and having a house full of kids, you get flattened by an ice-cream truck and spend the next five years in physical therapy. And all because you exercised free will and turned the opposite way on a whim. (Alexion)
”
”
Sherrilyn Kenyon (Sins of the Night (Dark-Hunter, #7))
“
You walk into a room and flip a switch and the room fills with light. You leave your garbage in bags on the curbside, and a truck comes and transports it to some invisible place. When you're in danger, you call for the police. Hot water pours from faucets. Lift a receiver or press a button on a telephone, and you can speak to anyone. All the information in the world is on the Internet, and the Internet is all around you, drifting through the air like pollen on a summer breeze. There is money, slips of paper that can be traded for anything: houses, boats, perfect teeth. There are dentists. She tried to imagine this life playing out somewhere at the present moment. Some parallel Kristen in an air-conditioned room, waking from an unsettling dream of walking through an empty landscape.
”
”
Emily St. John Mandel (Station Eleven)
“
What advice would you give to a smart, driven college student about to enter the “real world”? What advice should they ignore? I’m probably hopelessly out of date but my advice is get real-world experience: Be a cowboy. Drive a truck. Join the Marine Corps. Get out of the hypercompetitive “life hack” frame of mind. I’m 74. Believe me, you’ve got all the time in the world. You’ve got ten lifetimes ahead of you. Don’t worry about your friends “beating” you or “getting somewhere” ahead of you. Get out into the real dirt world and start failing. Why do I say that? Because the goal is to connect with your own self, your own soul. Adversity. Everybody spends their life trying to avoid it. Me too. But the best things that ever happened to me came during the times when the shit hit the fan and I had nothing and nobody to help me. Who are you really? What do you really want? Get out there and fail and find out.
”
”
Timothy Ferriss (Tribe Of Mentors: Transformative Wisdom From Icons and Innovators to Help You Navigate Life's Challenges)
“
Or maybe that wasn't the time it snowed. Maybe it was the time we slept in the truck and I rolled over on the bunnies and flattened them. It doesn't matter. What's important for me to remember now is that early the next morning the snow was melted off the windshield and the daylight woke me up. A mist covered everything and, with the sunshine, was beginning to grow sharp and strange. The bunnies weren't a problem yet, or they'd already been a problem and were already forgotten, and there was nothing on my mind. I felt the beauty of the morning. I could understand how a drowning man might suddenly feel a deep thirst being quenched. Or how a slave might become a friend to his master.
”
”
Denis Johnson (Jesus’ Son)
“
Aghhh! You don’t get it! I have to resist! No kiss, no matter how good it is, is worth killing you for. I’ve already lost one boyfriend. I am not going to
lose another one! Do you understand me?” Ryan didn’t answer my question, but he was positively glowing. “You just called me your boyfriend!” he
accused.
“I—” My mouth dropped all the way to my lap. “I did not!”
“Yes you did! You said you weren’t going to lose another boyfriend, and that would be me—the other boyfriend you don’t want to lose.”
“But…I…I…”
“Ha! You said it, and you can’t take it back! You are so my girlfriend now!”
“I am not!”
“Are too!
“Am not!”
“So are too!”
“Aghhh!” I screamed again. “You are so impossible!”
When I screamed, I lost control for a second and let out a burst of energy that stalled the truck.
Ryan just grinned at me. He was lucky the car stopped right then, because I was contemplating knocking the stupid cocky smirk right off his face.
Instead, I flung the door open.
“Bye, honey!” Ryan called playfully as I jumped out of the truck. “I’ll see you at school tomorrow!
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
Fifteen Ways to Stay Alive
1. Offer the wolves your arm only from the elbow down. Leave tourniquet space. Do not offer them your calves. Do not offer them your side. Do not let them near your femoral artery, your jugular. Give them only your arm.
2. Wear chapstick when kissing the bomb.
3. Pretend you don’t know English.
4. Pretend you never met her.
5. Offer the bomb to the wolves. Offer the wolves to the zombies.
6. Only insert a clean knife into your chest. Rusty ones will cause tetanus. Or infection.
7. Don’t inhale.
8. Realize that this love was not your trainwreck, was not the truck that flattened you, was not your Waterloo, did not cause massive haemorrhaging from a rusty knife. That love is still to come.
9. Use a rusty knife to cut through most of the noose in a strategic place so that it breaks when your weight is on it.
10. Practice desperate pleas for attention, louder calls for help. Learn them in English, French, Spanish: May Day, Aidez-Moi, Ayúdame.
11. Don’t kiss trainwrecks. Don’t kiss knives. Don’t kiss.
12. Pretend you made up the zombies, and only superheroes exist.
13. Pretend there is no kryptonite.
14. Pretend there was no love so sweet that you would have died for it, pretend that it does not belong to someone else now, pretend like your heart depends on it because it does. Pretend there is no wreck — you watched the train go by and felt the air brush your face and that was it. Another train passing. You do not need trains. You can fly. You are a superhero. And there is no kryptonite.
15. Forget her name.
”
”
Daphne Gottlieb
“
One morning as I closed the cyclone-fence gate / to begin a slow drift / down to the cookhouse on foot / (because my truck wheels were glued / in deep mud once again), / I walked straight into / the waiting non-arms of a snake, / its tan beaded-bag skin / studded with black diamonds.
Up it coiled to speak to me a eye level. / Imagine! that sleek finger / rising out of the land's palm / and coiling faster than a Hindu rope. / The thrill of a bull snake / startled in the morning / when the mesas lie pooled / in a custard of light / kept me bright than ball lightning all day.
Praise leapt first to mind / before flight or danger, / praise that knows no half-truth, and pardons all.
”
”
Diane Ackerman (I Praise My Destroyer: Poems)
“
HOME
no one leaves home unless
home is the mouth of a shark
you only run for the border
when you see the whole city running as well
your neighbors running faster than you
breath bloody in their throats
the boy you went to school with
who kissed you dizzy behind the old tin factory
is holding a gun bigger than his body
you only leave home
when home won’t let you stay.
no one leaves home unless home chases you
fire under feet
hot blood in your belly
it’s not something you ever thought of doing
until the blade burnt threats into
your neck
and even then you carried the anthem under
your breath
only tearing up your passport in an airport toilets
sobbing as each mouthful of paper
made it clear that you wouldn’t be going back.
you have to understand,
that no one puts their children in a boat
unless the water is safer than the land
no one burns their palms
under trains
beneath carriages
no one spends days and nights in the stomach of a truck
feeding on newspaper unless the miles travelled
means something more than journey.
no one crawls under fences
no one wants to be beaten
pitied
no one chooses refugee camps
or strip searches where your
body is left aching
or prison,
because prison is safer
than a city of fire
and one prison guard
in the night
is better than a truckload
of men who look like your father
no one could take it
no one could stomach it
no one skin would be tough enough
the
go home blacks
refugees
dirty immigrants
asylum seekers
sucking our country dry
niggers with their hands out
they smell strange
savage
messed up their country and now they want
to mess ours up
how do the words
the dirty looks
roll off your backs
maybe because the blow is softer
than a limb torn off
or the words are more tender
than fourteen men between
your legs
or the insults are easier
to swallow
than rubble
than bone
than your child body
in pieces.
i want to go home,
but home is the mouth of a shark
home is the barrel of the gun
and no one would leave home
unless home chased you to the shore
unless home told you
to quicken your legs
leave your clothes behind
crawl through the desert
wade through the oceans
drown
save
be hunger
beg
forget pride
your survival is more important
no one leaves home until home is a sweaty voice in your ear
saying-
leave,
run away from me now
i dont know what i’ve become
but i know that anywhere
is safer than here
”
”
Warsan Shire
“
Let go!” I insisted. He ignored me. I staggered along sideways across the wet sidewalk until we reached the Volvo. Then he finally freed me – I stumbled against the passenger door.
“You are so pushy!” I grumbled
“It’s open,” was all he responded. He got in the driver’s side.
“I am perfectly capable of driving myself home!” I stood by the car, fuming. It was raining harder now, and I’d never put my hood up, so my hair was dripping down my back.
He lowered the automatic window and leaned toward me across the seat. “Get in, Bella.”
I didn’t answer. I was mentally calculating my chances of reaching the truck before he could catch me. I had to admit it, they weren’t good.
“I’ll just drag you back,” he threatened, guessing my plan.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
Does anyone beside me experience a deep sorrow that someone called a "Hero for the Planet" and a "star of the sustainability movement" is designing truck factories and Nike headquarters? Ninety percent of the large fish in the ocean are gone. Ninety-seven percent of the world's native forests have been cut. There are 2 million dams just in the United States. Once-mighty flocks of passenger pigeons are gone. Islands full of great aucks, gone. Rich runs of salmon, gone. Gone. Gone. Gone. The oceans are filled with plastic. Every stream in the United States is contaminated with carcinogens. The world is being killed, and this is the respond? Not only am I angry, not only am I disgusted, I am also deeply, deeply sorrowful.
And I am deeply ashamed.
We need to act differently.
”
”
Derrick Jensen (What We Leave Behind)
“
I have found that there are three key steps to identifying your own core personal projects.
First, think back to what you loved to do when you were a child. How did you answer the question of what you wanted to be when you grew up? The specific answer you gave may have been off the mark, but the underlying impulse was not. If you wanted to be a fireman, what did a fireman mean to you? A good man who rescued people in distress? A daredevil? Or the simple pleasure of operating a truck? If you wanted to be a dancer, was it because you got to wear a costume, or because you craved applause, or was it the pure joy of twirling around at lightning speed? You may have known more about who you were then than you do now.
Second, pay attention to the work you gravitate to. At my law firm I never once volunteered to take on an extra corporate legal assignment, but I did spend a lot of time doing pro bono work for a nonprofit women’s leadership organization. I also sat on several law firm committees dedicated to mentoring, training, and personal development for young lawyers in the firm. Now, as you can probably tell from this book, I am not the committee type. But the goals of those committees lit me up, so that’s what I did.
Finally, pay attention to what you envy. Jealousy is an ugly emotion, but it tells the truth. You mostly envy those who have what you desire.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
The city of Leonia refashions itself every day: every morning the people wake between fresh sheets, wash with just-unwrapped cakes of soap, wear brand-new clothing, take from the latest model refrigerator still unopened tins, listening to the last-minute jingles from the most up-to-date radio.
On the sidewalks, encased in spotless plastic bags, the remains of yesterday's Leonia await the garbage truck. Not only squeezed tubes of toothpaste, blown-out light bulbs, newspapers, containers, wrappings, but also boilers, encyclopedias, pianos, porcelain dinner services.
It is not so much by the things that each day are manufactured, sold, bought, that you can measure Leonia's opulence, but rather by the things that each day are thrown out to make room for the new.
So you begin to wonder if Leonia's true passion is really , as they say, the enjoyment of new things, and not, instead, the joy of expelling, discarding, cleansing itself of a recurrent impurity. The fact is that street cleaners are welcomed like angels.
”
”
Italo Calvino (Invisible Cities)
“
Every year, Kansas watches the world die. Civilizations of wheat grow tall and green; they grow old and golden, and then men shaped from the same earth as the crop cut those lives down. And when the grain is threshed, and the dances and festivals have come and gone, then the fields are given over to fire, and the wheat stubble ascends into the Kansas sky, and the moon swells to bursting above a blackened earth.
The fields around Henry, Kansas, had given up their gold and were charred. Some had already been tilled under, waiting for the promised life of new seed. Waiting for winter, and for spring, and another black death.
The harvest had been good. Men, women, boys and girls had found work, and Henry Days had been all hot dogs and laughter, even without Frank Willis's old brown truck in the parade.
The truck was over on the edge of town, by a lonely barn decorated with new No Trespassing signs and a hole in the ground where the Willis house had been in the spring and the early summer. Late summer had now faded into fall, and the pale blue farm house was gone. Kansas would never forget it.
”
”
N.D. Wilson (The Chestnut King (100 Cupboards, #3))
“
Valuable and ingenious he might be, thought Jack, fixing him with his glass, but false he was too, and perjured. He had voluntarily sworn to have no truck with vampires, and here, attached to his bosom, spread over it and enfolded by one arm, was a greenish hairy thing, like a mat - a loathsome great vampire of the most poisonous kind, no doubt. ‘I should never have believed it of him: his sacred oath in the morning watch and now he stuffs the ship with vampires; and God knows what is in that bag. No doubt he was tempted, but surely he might blush for his fall?’
No blush; nothing but a look of idiot delight as he came slowly up the side, hampered by his burden and comforting it in Portuguese as he came.
‘I am happy to see that you were so successful, Dr Maturin,’ he said, looking down into the launch and the canoes, loaded with glowing heaps of oranges and shaddocks, red meat, iguanas, bananas, greenstuff. ‘But I am afraid no vampires can be allowed on board.’
‘This is a sloth,’ said Stephen, smiling at him. ‘A three-toed sloth, the most affectionate, discriminating sloth you can imagine!’ The sloth turned its round head, fixed its eyes on Jack, uttered a despairing wail, and buried its face again in Stephen’s shoulder, tightening its grip to the strangling-point.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
Stephen nodded. 'Tell me,' he said, in a low voice, some moments later. 'Were I under naval discipline, could that fellow have me whipped?'He nodded towards Mr Marshall.
'The master?' cried Jack, with inexpressible amazement.
'Yes,' said Stephen looking attentively at him, with his head slightly inclined to the left.
'But he is the master...' said Jack. If Stephen had called the sophies stem her stern, or her truck her keel, he would have understood the situation directly; but that Stephen should confuse the chain of command, the relative status of a captain and a master, of a commissioned officer and a warrant officer, so subverted the natural order, so undermined the sempiternal universe, that for a moment his mind could hardly encompass it. Yet Jack, though no great scholar, no judge of a hexameter, was tolerably quick, and after gasping no more than twice he said, 'My dear sir, I beleive you have been lead astray by the words master and master and commander- illogical terms, I must confess. The first is subordinate to the second. You must allow me to explain our naval ranks some time. But in any case you will never be flogged- no, no; you shall not be flogged,' he added, gazing with pure affection, and with something like awe, at so magnificent a prodigy, at an ignorance so very far beyond anything that even his wide-ranging mind had yet conceived.
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
DAYS WENT BY, and weeks. Jonas learned, through the memories, the names of colors; and now he began to see them all, in his ordinary life (though he knew it was ordinary no longer, and would never be again). But they didn’t last. There would be a glimpse of green—the landscaped lawn around the Central Plaza; a bush on the riverbank. The bright orange of pumpkins being trucked in from the agricultural fields beyond the community boundary—seen in an instant, the flash of brilliant color, but gone again, returning to their flat and hueless shade. The Giver told him that it would be a very long time before he had the colors to keep. “But I want them!” Jonas said angrily. “It isn’t fair that nothing has color!” “Not fair?” The Giver looked at Jonas curiously. “Explain what you mean.” “Well . . .” Jonas had to stop and think it through. “If everything’s the same, then there aren’t any choices! I want to wake up in the morning and decide things! A blue tunic, or a red one?” He looked down at himself, at the colorless fabric of his clothing. “But it’s all the same, always.” Then he laughed a little. “I know it’s not important, what you wear. It doesn’t matter. But—” “It’s the choosing that’s important, isn’t it?” The Giver asked him. Jonas nodded.
”
”
Lois Lowry (The Giver (The Giver, #1))
“
This is a love story,” Michael Dean says, ”but really what isn’t? Doesn’t the detective love the mystery or the chase, or the nosey female reporter who is even now being held against her wishes at an empty warehouse on the waterfront? Surely, the serial murder loves his victims, and the spy loves his gadgets, or his country or the exotic counterspy. The ice-trucker is torn between his love for ice and truck and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk. Just as the housewives live for catching glimpses of their own botoxed brows in gilded hall mirrors and the rocked out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on hookbook. Because this is reality, they are all in love, madly, truly, with the body-mic clipped to their back-buckle and the producer casually suggesting, “Just one more angle.”, “One more jello shot.”.
And the robot loves his master. Alien loves his saucer. Superman loves Lois. Lex and Lana. Luke loves Leia, til he finds out she’s his sister. And the exorcist loves the demon, even as he leaps out the window with it, in full soulful embrace. As Leo loves Kate, and they both love the sinking ship. And the shark, god the shark, loves to eat. Which is what the Mafioso loves too, eating and money and Pauly and Omertà. The way the cowboy loves his horse, loves the corseted girl behind the piano bar and sometimes loves the other cowboy. As the vampire loves night and neck. And the zombie, don’t even start with the zombie, sentimental fool, has anyone ever been more love-sick than a zombie, that pale dull metaphor for love, all animal craving and lurching, outstretched arms. His very existence a sonnet about how much he wants those brains. This, too is a love story.
”
”
Jess Walter (Beautiful Ruins)
“
I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely.
“He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers.
I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.”
I’m so suave.
I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father.
This is silly.
Brushing through my embarrassment, I walk up, put my hand on his shoulder.
He straightens up with a wide grin. “Am I glad to see you!”
“Oh, really?”
“Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.”
“Maybe you should have gotten more sleep,” I offer.
“No way,” he says. Then we just gaze at each other for a long moment.
For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also.
“That was the best study session I ever had,” I tell him.
“Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.”
“This thumb?” I reach for one of his callused hands, kiss the thumb.
“It was the left one.” Jase’s face creases into a smile as I pick up his other hand.
“I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.”
I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt.
“Feeling better?”
His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.”
My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.”
Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
Later, at the sink in our van, Mama rinsed the blue stain and the odd spiders, caterpillars, and stems from the bucket.
"Not what we usually start with, but we can go again tomorrow. And this will set up nicely in about six, eight jars."
The berries were beginning to simmer in the big pot on the back burner. Mama pushed her dark wooden spoon into the foaming berries and cicrcled the wall of the pot slowly.
I leaned my hot arms on the table and said, "Iphy better not go tomorrow. She got tired today." I was smelling the berries and Mamaa's sweat, and watching the flex of the blue veins behind her knees.
"Does them good. The twins always loved picking berries, even more than eating them. Though Elly likes her jam."
"Elly doesn't like anything anymore."
The knees stiffened and I looked up. The spoon was motionless. Mama stared at the pot.
"Mama, Elly isn't there anymore. Iphy's changed. Everything's changed. This whole berry business, cooking big meals that nobody comes for, birthday cakes for Arty. It's dumb, Mama. Stop pretending. There isn't any family anymore, Mama."
Then she cracked me with the big spoon. It smacked wet and hard across my ear, and the purple-black juice spayed across the table. She started at me, terrified, her mouth and eyes gaping with fear. I stared gaping at her. I broke and ran.
I went to the generator truck and climbed up to sit by Grandpa. That's the only time Mama ever hit me and I knew I deserved it. I also knew that Mama was too far gone to understand why I deserved it. She'd swung that spoon in a tigerish reflex at blasphemy. But I believed that Arty had turned his back on us, that the twins were broken, that the Chick was lost, that Papa was weak and scared, that Mama was spinning fog, and that I was an adolescent crone sitting in the ruins, watching the beams crumble, and warming myself in the smoke from the funeral pyre. That was how I felt, and I wanted company. I hated Mama for refusing to see enough to be miserable with me. Maybe, too, enough of my child heart was still with me to think that if she would only open her eyes she could fix it all back up like a busted toy.
”
”
Katherine Dunn (Geek Love)
“
Like That"
Love me like a wrong turn on a bad road late at night, with no
moon and no town anywhere
and a large hungry animal moving heavily through the brush in
the ditch.
Love me with a blindfold over your eyes and the sound of rusty
water
blurting from the faucet in the kitchen, leaking down through
the floorboards to hot cement. Do it without asking,
without wondering or thinking anything, while the machinery’s
shut down and the watchman’s slumped asleep before his small TV
showing the empty garage, the deserted hallways, while the thieves
slice through
the fence with steel clippers. Love me when you can’t find
a decent restaurant open anywhere, when you’re alone in a glaring
diner
with two nuns arguing in the back booth, when your eggs are
greasy
and your hash browns underdone. Snick the buttons off the front
of my dress
and toss them one by one into the pond where carp lurk just
beneath the surface,
their cold fins waving. Love me on the hood of a truck no one’s
driven
in years, sunk to its fenders in weeds and dead sunflowers;
and in the lilies, your mouth on my white throat, while turtles
drag
their bellies through slick mud, through the footprints of coots and
ducks.
Do it when no one’s looking, when the riots begin and the planes
open up,
when the bus leaps the curb and the driver hits the brakes and the
pedal sinks to the floor,
while someone hurls a plate against the wall and picks up another,
love me like a freezing shot of vodka, like pure agave, love me
when you’re lonely, when we’re both too tired to speak, when you
don’t believe
in anything, listen, there isn’t anything, it doesn’t matter; lie down
with me and close your eyes, the road curves here, I’m cranking up
the radio
and we’re going, we won’t turn back as long as you love me,
as long as you keep on doing it exactly like that.
”
”
Kim Addonizio (Tell Me)
“
Richards remembered the day - that glorious and terrible day - watching the planes slam into the towers, the image repeated in endless loops. The fireballs, the bodies falling, the liquefaction of a billion tons of steel and concrete, the pillowing clouds of dust. The money shot of the new millennium, the ultimate reality show broadcast 24-7. Richards had been in Jakarta when it happened, he couldn't even remember why. He'd thought it right then; no, he'd felt it, right down to his bones. A pure, unflinching rightness. You had to give the military something to do of course, or they'd all just fucking shoot each other. But from that day forward, the old way of doing things was over. The war - the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more - the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are - would be fought by men like Richards: men with faces you didn't notice and couldn't remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees - the subjects hadn't changed, they never would, all coming down, after you'd boiled away the bullshit, to somebody's quarterly earnings report and who got to sit where - but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.
”
”
Justin Cronin (The Passage (The Passage, #1))
“
There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane.
“I’m cold,” Snowden had whimpered. “I’m cold.”
“There, there,” Yossarian had tried to comfort him. “There, there.”
They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.
”
”
Joseph Heller (Catch-22)
“
Thank you," he said. "Welcome. Welcome especially to Mr. Coyle Mathis and the other men and women of Forster Hollow who are going to be employed at this rather strikingly energy-inefficient plant. It's a long way from Forster Hollow, isn't it?"
"So, yes, welcome," he said. "Welcome to the middle class! That's what I want to say. Although, quickly, before I go any further, I also want to say to Mr. Mathis here in the front row: I know you don't like me. And I don't like you. But, you know, back when you were refusing to have anything to do with us, I respected that. I didn't like it, but I had respect for your position. For your independence. You see, because I actually came from a place a little bit like Forster Hollow myself, before I joined the middle class. And, now you're middle-class, too, and I want to welcome you all, because it's a wonderful thing, our American middle class. It's the mainstay of economies all around the globe!"
"And now that you've got these jobs at this body-armor plant," he continued, "You're going to be able to participate in those economies. You, too, can help denude every last scrap of native habitat in Asia, Africa, and South America! You, too, can buy six-foot-wide plasma TV screens that consume unbelievable amounts of energy, even when they're not turned on! But that's OK, because that's why we threw you out of your homes in the first places, so we could strip-mine your ancestral hills and feed the coal-fired generators that are the number-one cause of global warming and other excellent things like acid rain. It's a perfect world, isn't it? It's a perfect system, because as long as you've got your six-foot-wide plasma TV, and the electricity to run it, you don't have to think about any of the ugly consequences. You can watch Survivor: Indonesia till there's no more Indonesia!"
"Just quickly, here," he continued, "because I want to keep my remarks brief. Just a few more remarks about this perfect world. I want to mention those big new eight-miles-per-gallon vehicles you're going to be able to buy and drive as much as you want, now that you've joined me as a member of the middle class. The reason this country needs so much body armor is that certain people in certain parts of the world don't want us stealing all their oil to run your vehicles. And so the more you drive your vehicles, the more secure your jobs at this body-armor plant are going to be! Isn't that perfect?"
"Just a couple more things!" Walter cried, wresting the mike from its holder and dancing away with it. "I want to welcome you all to working for one of the most corrupt and savage corporations in the world! Do you hear me? LBI doesn't give a shit about your sons and daughters bleeding in Iraq, as long as they get their thousand-percent profit! I know this for a fact! I have the facts to prove it! That's part of the perfect middle-class world you're joining! Now that you're working for LBI, you can finally make enough money to keep your kids from joining the Army and dying in LBI's broken-down trucks and shoddy body armor!"
The mike had gone dead, and Walter skittered backwards, away from the mob that was forming. "And MEANWHILE," he shouted, "WE ARE ADDING THIRTEEN MILLION HUMAN BEINGS TO THE POPULATION EVERY MONTH! THIRTEEN MILLION MORE PEOPLE TO KILL EACH OTHER IN COMPETITION OVER FINITE RESOURCES! AND WIPE OUT EVERY OTHER LIVING THING ALONG THE WAY! IT IS A PERFECT FUCKING WORLD AS LONG AS YOU DON'T COUNT EVERY OTHER SPECIES IN IT! WE ARE A CANCER ON THE PLANT! A CANCER ON THE PLANET!
”
”
Jonathan Franzen (Freedom)
“
I had recently read to my dismay that they have started hunting moose again in New England. Goodness knows why anyone would want to shoot an animal as harmless and retiring as the moose, but thousands of people do—so many, in fact, that states now hold lotteries to decide who gets a permit. Maine in 1996 received 82,000 applications for just 1,500 permits. Over 12,000 outof-staters happily parted with a nonrefundable $20 just to be allowed to take part in the draw. Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old. That’s all there is to it. Without doubt, the moose is the most improbable, endearingly hopeless creature ever to live in the wilds. Every bit of it—its spindly legs, its chronically puzzled expression, its comical oven-mitt antlers—looks like some droll evolutionary joke. It is wondrously ungainly: it runs as if its legs have never been introduced to each other. Above all, what distinguishes the moose is its almost boundless lack of intelligence. If you are driving down a highway and a moose steps from the woods ahead of you, he will stare at you for a long minute (moose are notoriously shortsighted), then abruptly try to run away from you, legs flailing in eight directions at once. Never mind that there are several thousand square miles of forest on either side of the highway. The moose does not think of this. Clueless as to what exactly is going on, he runs halfway to New Brunswick before his peculiar gait inadvertently steers him back into the woods, where he immediately stops and takes on a startled expression that says, “Hey—woods. Now how the heck did I get here?” Moose are so monumentally muddle-headed, in fact, that when they hear a car or truck approaching they will often bolt out of the woods and onto the highway in the curious hope that this will bring them to safety. Amazingly, given the moose’s lack of cunning and peculiarly-blunted survival instincts, it is one of the longest-surviving creatures in North America. Mastodons, saber-toothed tigers, wolves, caribou, wild horses, and even camels all once thrived in eastern North America alongside the moose but gradually stumbled into extinction, while the moose just plodded on. It hasn’t always been so. At the turn of this century, it was estimated that there were no more than a dozen moose in New Hampshire and probably none at all in Vermont. Today New Hampshire has an estimated 5,000 moose, Vermont 1,000, and Maine anywhere up to 30,000. It is because of these robust and growing numbers that hunting has been reintroduced as a way of keeping them from getting out of hand. There are, however, two problems with this that I can think of. First, the numbers are really just guesses. Moose clearly don’t line up for censuses. Some naturalists think the population may have been overstated by as much as 20 percent, which means that the moose aren’t being so much culled as slaughtered. No less pertinent is that there is just something deeply and unquestionably wrong about killing an animal that is so sweetly and dopily unassuming as a moose. I could have slain this one with a slingshot, with a rock or stick—with a folded newspaper, I’d almost bet—and all it wanted was a drink of water. You might as well hunt cows.
”
”
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)