Troll Under The Bridge Quotes

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I don't want to live in a world where the strong rule and the weak cower. I'd rather make a place where things are a little quieter. Where trolls stay the hell under their bridges and where elves don't come swooping out to snatch children from their cradles. Where vampires respect the limits, and where the faeries mind their p's and q's. My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. When things get strange, when what goes bump in the night flicks on the lights, when no one else can help you, give me a call. I'm in the book.
Jim Butcher (Storm Front (The Dresden Files, #1))
Fear is the freaky troll under the bridge that leads to achievement.
Richie Norton (The Power of Starting Something Stupid: How to Crush Fear, Make Dreams Happen, and Live without Regret)
He also had a version of Billy Goat’s Gruff where the troll under the bridge ended up the winner.
Stephen King (Different Seasons)
The world is getting weirder. Darker every single day. Things are spinning around faster and faster, and threatening to go completely awry. Falcons and falconers. The center cannot hold. But in my corner of the country, I'm trying to nail things down. I don't want to live in Victor's jungle, even if it did eventually devour him. I don't want to live in a world where the strong rule and the weak cower. I'd rather make a place where things are a little quieter. Where trolls stay the hell under their bridges and where elves don't come swooping out to snatch children from their cradles. Where vampires respect the limits, and where the faeries mind their p's and q's. My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. When things get strange, when what goes bump in the night flicks on the lights, when no one else can help you, give me a call. I'm in the book.
Jim Butcher (Storm Front (The Dresden Files, #1))
And under that bridge sits a troll and demands every passerby pays him. Those who refuse have a leg injured, sometimes both. So I go to the alderman: “How much will you give me for that troll?” He’s amazed. “What are you talking about?” he asks, “Who will repair the bridge if the troll’s not there? He repairs it regularly with the sweat of his brow, solid work, first rate. It’s cheaper to pay his toll.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
I wanted to find something of the beauty of myth that we’ve left behind, carry its shreds before us all, so we could acknowledge it, somehow bring it back to life. I wanted to delve back into that world that cradled us when we were young enough to still touch it, when trolls lived under creek bridges, faeries fluttered under mushroom caps, and the Tooth Fairy only came once you were truly sleeping. I wanted to see if enchantment was somehow still there, simply waiting to be reached. When I felt my loss, I realized that if I could do anything in this life, I wanted to travel he world, searching for those who were still awake in that old dreamtime, and listen to their stories – because I had to know that there were grownups out there who still believed that life could be magical. And in that moment I decided: I am going to find the goddamn faeries.
Signe Pike (Faery Tale: One Woman's Search for Enchantment in a Modern World)
But sometimes stories hide themselves from writers like trolls under bridges. Then the writers of the world must keep their bodies attuned for the sudden appearance of the story that is powerful enough to change their novels and their lives. They must train themselves to recognize the divine moment when a great story reveals itself.
Pat Conroy (The Pat Conroy Cookbook: Recipes of My Life)
Keyboards were weaponised, trolls emerged from under bridges, and somewhere along the way free elections turned into free-for-alls, as if democracy were a shaggy dog story to which a joke president was the punchline. All those decades of the arms race, and it turned out there was no greater damage you could inflict on a state than ensure it was led by an idiot. Somewhere, someone, probably, was laughing.
Mick Herron (Bad Actors (Slough House #8))
Well, now it looks as if the time’s come for witchers. You’re reading Roderick de Novembre? As far as I remember, there are mentions of witchers there, of the first ones who started work some three hundred years ago. In the days when the peasants used to go to reap the harvest in armed bands, when villages were surrounded by a triple stockade, when merchant caravans looked like the march of regular troops, and loaded catapults stood on the ramparts of the few towns night and day. Because it was us, human beings, who were the intruders here. This land was ruled by dragons, manticores, griffins and amphisboenas, vampires and werewolves, striga, kikimoras, chimera and flying drakes. And this land had to be taken from them bit by bit, every valley, every mountain pass, every forest and every meadow. And we didn’t manage that without the invaluable help of witchers. But those times have gone, Geralt, irrevocably gone. The baron won’t allow a forktail to be killed because it’s the last draconid for a thousand miles and no longer gives rise to fear but rather to compassion and nostalgia for times passed. The troll under the bridge gets on with people. He’s not a monster used to frighten children. He’s a relic and a local attraction -- and a useful one at that. And chimera, manticores and amphisboenas? They dwell in virgin forests and inaccessible mountains--
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
The word addict scares adults, because it’s all about loss of control—our fears that we’d drink or gamble or screw against logic, throw money we don’t have into greedily programmed machines or wake up late mornings with a monstrous hangover and an even more monstrous bedroom companion. Kids don’t fear addiction (they don’t have much control over anything to begin with). Better for them to visualize some tangible bogeyman, like the monster under the bed or evil trolls who live beneath storybook bridges. 
Norman Prentiss (Invisible Fences)
I bring this up because in writing some thoughts about a father, or not having a father, I feel as though I'm writing a book about a troll under a bridge or a dragon. For me, a father was nothing more than a character in a fairy tale. I know fathers are not like dragons because fathers actually exist. I have seen them on television and sliding their arms around their wives in grocery stores, and I have seen them in the malls and in the coffee shops, but these were characters in other people's stories. The sad thing is, as a kid, I wondered why I couldn't have a dragon, but I never wondered why I didn't have a father. (page 20)
Donald Miller (Father Fiction: Chapters for a Fatherless Generation)
So use other people’s experiences. The unicorn virgins, when they lost their jobs, immediately popped their cherry. Some, eager to make up for the years of sacrifice, became famous far and wide for their technique and zeal. The ratcatchers … Well, you’d better not copy them, because they, to a man, took to drink and went to the dogs. Well, now it looks as if the time’s come for witchers. You’re reading Roderick de Novembre? As far as I remember, there are mentions of witchers there, of the first ones who started work some three hundred years ago. In the days when the peasants used to go to reap the harvest in armed bands, when villages were surrounded by a triple stockade, when merchant caravans looked like the march of regular troops, and loaded catapults stood on the ramparts of the few towns night and day. Because it was us, human beings, who were the intruders here. This land was ruled by dragons, manticores, griffins and amphisboenas, vampires and werewolves, striga, kikimoras, chimera and flying drakes. And this land had to be taken from them bit by bit, every valley, every mountain pass, every forest and every meadow. And we didn’t manage that without the invaluable help of witchers. But those times have gone, Geralt, irrevocably gone. The baron won’t allow a forktail to be killed because it’s the last draconid for a thousand miles and no longer gives rise to fear but rather to compassion and nostalgia for times passed. The troll under the bridge gets on with people. He’s not a monster used to frighten children. He’s a relic and a local attraction—and a useful one at that. And chimera, manticores and amphisboenas? They dwell in virgin forests and inaccessible mountains—” “So
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
HAVE YOU SEEN ME? The last count Jim had heard was 190 missing kids. The number would have seemed like fantasy if not for the evidence he saw everywhere: a higher fence around the school, larger numbers of parents patrolling the playgrounds, the police crackdown on kids being on the streets after dark. It was unusual that Jim and Jack would be allowed to be out on their bikes this close to sundown, but it was Jack's birthday and their parents couldn't say no.... Jim squinted into the sun. He could make out Jack pedaling so fast that birds threw themselves out of the way not land until they had gone south for the winter. Jack whooped and dry leaves danced in the Sportcrest's wake. In just a few seconds, Jack would pass under the Holland Transit Bridge, a monolith of concrete and steel.... He had to catch up to his brother. When they got home, he wanted it to be as equals... The training wheels protested - SQUEAK, SQUEAK, SQUEAK! - but he kept on cycling his legs, willing them to be longer and stronger. When he looked up again, Jack was gone. Jim could see the Sportcrest lying beneath the bridge, silhouetted by the falling sun, it's handlebars bent and the front wheel still spinning.
Guillermo del Toro (Trollhunters)
There are trolls who've spent the last two hundred years sitting alone under a bridge. If you can get past the bluster and the wooden clubs, if you bring them a little bone broth, they're just grateful to have a sympathetic ear.
Rainbow Rowell (Wayward Son (Simon Snow, #2))
some people feel good about themselves only when they’re putting other people down. by making you feel inferior, they, in turn, feel superior. don’t give them the satisfaction of a response; give them only dignified silence. trolls belong under bridges, but you, a mighty queen, belong in the castle they can only dream of living in.
Amanda Lovelace (shine your icy crown (You Are Your Own Fairy Tale, #2))
Ancient stone amulets from England? Silver spikes? The notions swirled through Don’s mind, getting mixed up with images of Merlin the magician and the Wicked Witch of the West. Don felt as if he’d stepped into a fairy tale. Next he’d start finding trolls under the bridges.
Chet Williamson (A Haunting of Horrors: A Twenty-Novel eBook Bundle of Horror and the Occult)
Dear Influencers: Trolls will lurk under the bridges you build to gobble you up. They are hangry for attention. Build bridges anyways.
Richie Norton
The word 'troll' is of Nordic origin, and in the fairy-tales of Northern Europe it is supposed to have been a human-like, mischievous and hairy dwarf who swaps troll children for human children in the middle of the night. For good measure, trolls are sometimes depicted as equally mischievous and hairy giants, some of whom lived under bridges or in caves. Which would be all well and good but for the singular observation that the word 'troll' is entirely absent from the original Anglo-Saxon text of Beowulf
Bill Cooper (After the Flood)
Rosie was a bright spot in all their lives. Even a decade ago, people would come to sit beside Herself at the roadside hoping for a chance to see the pretty, dreamy girl reading a book in the grass or walking slowly and lazily across the bridge from the island. If she talked back then, she talked about the characters in books, as though their adventures were real, or she'd say she saw a troll under the bridge.
Bonnie Jo Campbell (The Waters)
Take my hand!” screamed the voice again. Raymie’s heart jumped up high in her chest, and then sank down low. “Who is that?” asked Raymie. “That’s Alice Nebbley,” said Isabelle. “Ignore her. She knows one sentence, and she says it day and night. The monotony of her request is too horrible to bear.” To Raymie, the voice didn’t sound like it belonged to someone named Alice. Instead, it sounded like the voice of a troll who was standing under a bridge hoping that an unsuspecting billy goat would walk by.
Kate DiCamillo (Raymie Nightingale)
It’s like whatever spell was keeping his noble-prince persona in place is melting away, layer by layer, and now I can see him for what he really is. First he morphs into a fairy tale villain, a sneering troll under a bridge. And then a sad little boy who isn’t doing anything with his life except drumming up drama, obeying his father’s toxic wishes, and bullying everyone “beneath” him so he can feel important.
Sarah Kuhn (From Little Tokyo, with Love)
In the next room, my son, stout but saggy-kneed, clings to the crib bars like a prisoner. Menthol steam from the vaporizer has made a ghost of him. His ringlets are plastered to his head, and coughs rack his small frame. The animal suffering that’s rattling him throws ice water on me, and I enjoy a surge of unalloyed love for him, followed by panic, followed by guilt. He sees me rushing toward him and abruptly drops his outstretched arms an instant to say, No pants? His head’s tilted with bald curiosity. Which cracks me up, and he laughs till the coughs start exploding through him again, by which point I’ve cleaved him to me, both of us sweating. His diaper’s sagging from the vaporizer’s work, but fresh steam is his lifeline. Carrying him to the bathroom, I crank on the shower. But before I change him, before I squirt the syrupy acetaminophen into his mouth, I haul him whooping down the stairs to the kitchen. I open the stove where a near empty bottle of Jack Daniels squats like the proverbial troll under the bridge. Needing neither glass nor ice, I press my lips to the cool mouth, and it blows into my lungs so I can keep on.
Mary Karr (Lit)
destabilisation scenarios were the hot-button issue; leverage applied by major players to keep the ragamuffin nations to heel. Then the internet levelled the playing field, and the old rule-book was trampled underfoot. Once, you had to appear big to play the bully. Now minnows could be rogue nations too. Keyboards were weaponised, trolls emerged from under bridges, and somewhere along the way free elections turned into free-for-alls, as if democracy were a shaggy dog story to which a joke president was the punchline.
Mick Herron (Bad Actors (Slough House, #8))