Tripod Quotes

And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.

Thanks, tripod," Eric said.... "Tripod?" Jace asked. "As hung as you are, you practically have three legs.

The secret of success in battle lies often not so much in the use of one's own strength but in the exploitation of the other side's weaknesses.

But my heart is always propped up in a field on its tripod, ready for the next arrow.

We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism." Another silence ensued. "They are taking pictures of taking pictures," he said.

And now was acknowledged the presence of the Red Death. He had come like a thief in the night. And one by one dropped the revelers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.

Huge mammals surrounded us, any one of whom could easily overturn our stupid little boat. Tripod would drown. I would drown. Joe would undoubtedly be rescued by mermaids seduced by his beauty.

Have a drink, and try to relax. All right, have another drink. There are times when getting drunk's not a bad idea.

I am a leg of the death tripod that will destroy our foes.

I say no wealth is worth my life! Not all they claim was stored in the depths of Troy, that city built on riches, in the old days of peace before the sons of Achaea came- not all the gold held fast in the Archer's rocky vaults, in Phoebus Apollo's house on Pytho's sheer cliffs! Cattle and fat sheep can all be had for the raiding, tripods all for the trading, and tawny-headed stallions. But a man's life breath cannot come back again- no raiders in force, no trading brings it back, once it slips through a man's clenched teeth. Mother tells me, the immortal goddess Thetis with her glistening feet, that two fates bear me on to the day of death. If I hold out here and I lay siege to Troy, my journey home is gone, but my glory never dies. If I voyage back to the fatherland I love, my pride, my glory dies... true, but the life that's left me will be long, the stroke of death will not come on me quickly.

In politics, the tripod is the most unstable of all structures.

As Pa said, censorship encouraged people to believe nonsense.

There are times when thinking about something is the worst possible policy.

Cattle and fat sheep can all be had for the raiding, tripods for the trading, and tawny headed stallions. But a mans's lifebreath cannot come back again- no raiders in force, no trading brings it back, once it slips through a man's clenched teeth.

He felt so lost, he said later, that the familiar studio felt like a haunted valley deep in the mountains, with the smell of rotting leaves, the spray of a waterfall, the sour fumes of fruit stashed away by a monkey; even the dim glow of the master's oil lamp on its tripod looked to him like misty moonlight in the hills.

Lee threw down the tripod, and Trip dropped the FN MAG machine gun onto it...Lee hunkered down behind the big weapon. Holly handed me an RPG. The heavy tube was reassuring in my hands. Everyone dug down into the ditch, prepared to fight. Nervous but competent. Scared but professional. We were ready to put some smack down. Not bad for an accountant, a librarian, a schoolteacher, and a stripper.

You have to understand – there is a romance to Africa. You can see a sunset and believe you have witnessed the hand of God. You watch the slow lope of a lioness and forget to breathe. You marvel at the tripod of a giraffe bent to water. In Africa, there are iridescent blues on the wings of birds that you do not see anywhere else in nature. In Africa, in the midday heat, you can see blisters in the atmosphere. When you are in Africa, you feel primordial, rocked in the cradle of the world.

And a leader has to command confidence, and consent.

The hardest part is setting the camera on the tripod, or making the decision to bring the camera out of the car, or just raising the camera to your face, believing, by those actions, that whatever you find before you, whatever you find there, is going to be good.

Nellie Fuller was racing down the stairs as we returned to the hallway, nearly tripping over her tripod in her haste. "I heard a noise," she said. "Have I already missed all of the excitement?" "Nothing of consequence," answered Jackaby. "Stay indoors, however, unless you're enthusiastic about the prospect of being eviscerated.

But the tripod upon which Eternity swings is composed of flesh and thought and emotion.

From time to time, Musk will send out an e-mail to the entire company to enforce a new policy or let them know about something that’s bothering him. One of the more famous e-mails arrived in May 2010 with the subject line: Acronyms Seriously Suck: There is a creeping tendency to use made up acronyms at SpaceX. Excessive use of made up acronyms is a significant impediment to communication and keeping communication good as we grow is incredibly important. Individually, a few acronyms here and there may not seem so bad, but if a thousand people are making these up, over time the result will be a huge glossary that we have to issue to new employees. No one can actually remember all these acronyms and people don’t want to seem dumb in a meeting, so they just sit there in ignorance. This is particularly tough on new employees. That needs to stop immediately or I will take drastic action—I have given enough warnings over the years. Unless an acronym is approved by me, it should not enter the SpaceX glossary. If there is an existing acronym that cannot reasonably be justified, it should be eliminated, as I have requested in the past. For example, there should be no “HTS” [horizontal test stand] or “VTS” [vertical test stand] designations for test stands. Those are particularly dumb, as they contain unnecessary words. A “stand” at our test site is obviously a *test* stand. VTS-3 is four syllables compared with “Tripod,” which is two, so the bloody acronym version actually takes longer to say than the name! The key test for an acronym is to ask whether it helps or hurts communication. An acronym that most engineers outside of SpaceX already know, such as GUI, is fine to use. It is also ok to make up a few acronyms/contractions every now and again, assuming I have approved them, eg MVac and M9 instead of Merlin 1C-Vacuum or Merlin 1C-Sea Level, but those need to be kept to a minimum.

If one is seeking reasons for disloyalty, it is useful to find something one can resent.

Trust to yourself; let our own eyes determine; Be they our tripods, oracles, and gods.

Let us trust to ourselves, see all with our own eyes; Let these be our oracles, our tripods and our gods.

The Stoic philosopher and playwright Seneca is said to have owned five hundred tripod tables with ivory legs—no small irony, since he was a vocal critic of the empire's extravagances.

Young children have no past. The old have no future. The rest are too busy with present. This time-tripod holds up the world. You ignore the importance of this interdependence of the three, the world as you know it is in danger of collapsing

There is only one condition in which we can imagine managers not needing subordinates, and masters not needing slaves. This condition would be that each instrument could do its own work, at the word of command or by intelligent anticipation, like the statues of Daedalus or the tripods made by Hephaestus, of which Homer relates that "Of their own motion they entered the conclave of Gods on Olympus", as if a shuttle should weave of itself, and a plectrum should do its own harp playing.

What I was suddenly aware of was the importance of their being whatever each of them was--cocky and contemptuous, or bothered and beaten--as long as it was something they'd come to in their own way: the importance of being human, in fact. The peace and harmony Uncle Ian and the others claimed to be handing out in fact was death, because without being yourself, an individual, you weren't really alive.

Anachronism is not the inconsequential juxtaposition of epochs, but rather their inter-penetration, like the telescoping legs of a tripod, a series of tapering structures. Since it's quite far from one end to the other they can be opened out like an accordion; but they can also be stacked inside one another like Russian dolls, where the walls around time periods are extremely close to one another. The people of other centuries hear our phonographs blaring, and through the walls of time we see them raising their hands towards the deliciously prepared meal.

I dreamed of setting it up out here in front of where I am sitting now, on the tripod that I would have ordered too, and starting, taking my time, to focus on a curling line of water, a piece of the world indifferent to the fact that there is language, that there are names to describe things, and grammar and verbs. My eye, solitary, filled with its own history, is desperate to evade, erase, forget; it is watching now, watching fiercely, like a scientist looking for a cure, deciding for some days to forget about words, to know at last that the words for colours, the blue-grey-green of the sea, the whiteness of the waves, will not work against thefullness of watching the rich chaos they yield and carry.

I wanted to ask which war---the Boer or the Crimean? It was amazing how old people could talk about The War, as though that meant something.

In politics, the tripod is he most unstable of all structures. It's be bad enough without the complication of a feudal trade culture which turns its back on most science.

collect   As many tripods as you think you’ll need,   Together with the other kinds of vessels   That the rites of sacrifice require: cauldrons,   Shallow basins, bowls; pour tall jugs full 8860 Of purest water from the sacred spring;   Have ready wood that’s dry and quick to catch;   And finally, be sure a sharp knife’s there.   All else I leave to you.” Those

Using three battens from Kirit’s wing, Djonn and Ceetcee built a tripod over the fire and suspended a small bone trivet beneath. I placed the eggs in the trivet, and we waited hungrily.

Cattle and fat sheep are things to be had for the lifting, and tripods can be won, and the tawny high heads of horses, but a man’s life cannot come back again, it cannot be lifted Nor captured again by force, once it has crossed the teeth’s barrier.

Deep inside every animal colon, ours included, thrives an entire cosmos of creatures more strange and wondrous than any dreamed up in a Hollywood special effects lab. There are whip-tailed bacteria and tripod-legged viruses, frilled fungi and microscopic worms.

Nor mourn, O living One, because her part in life was mourning: Would she have lost the poet’s fire for the anguish of the burning? The minstrel harp, for the strained string? tripod for the afflated Woe, or the vision, for those tears in which it shone dilated?

Walking back across the St-Esprit bridge, to the ghetto I'd instinctively gravitated toward, I mentally erected a more appropriate statue on the square. It would depict an unknown Sephardic Jew, kneeling over a stone tripod covered with crushed cacao beans destined for a cup of chocolate for one of the gentiles of Bayonne. It would be a symbolic piece, executed in smooth, chocolate-hued marble, and dedicated to all the other forgotten heroes--coffee-drinking Sufi dervishes, peyote-eating Native Americans, Mexican hemp-smokers--who, throughout history, have faced the wrath of all the sultans, drug czars, and Vatican clerics who have resorted to any spurious pretext to squelch one of the most venerable and misunderstood of human drives: the desire to escape, however briefly, everyday consciousness.

After the New Deal, economists began referring to America’s retirement-finance model as a “three-legged stool.” This sturdy tripod was composed of Social Security, private pensions, and combined investments and savings. In recent years, of course, two of those legs have been kicked out. Many Americans saw their assets destroyed by the Great Recession; even before the economic collapse, many had been saving less and less. And since the 1980s, employers have been replacing defined-benefit pensions that are funded by employers and guarantee a monthly sum in perpetuity with 401(k) plans, which often rely on employee contributions and can run dry before death. Marketed as instruments of financial liberation that would allow workers to make their own investment choices, 401(k)s were part of a larger cultural drift in America away from shared responsibilities toward a more precarious individualism. Translation: 401(k)s are vastly cheaper for companies than pension plans. “Over the last generation, we have witnessed a massive transfer of economic risk from broad structures of insurance, including those sponsored by the corporate sector as well as by government, onto the fragile balance sheets of American families,” Yale political scientist Jacob S. Hacker writes in his book The Great Risk Shift. The overarching message: “You are on your own.

ASTROLOGER. Greet reverentially this star-blest hour!   Let magic loose the tyranny of Reason   And Fantasy, fetched from afar, display her power, 6620 For it belongs to her, this great occasion.   What all here boldly asked to see, now see it!   A thing impossible—therefore believe it.   [Faust mounts the proscenium from the other side.]   In priestly robes, head wreathed, the wonder-working man   Now confidently consummates what he began.   A tripod from the depths accompanied his ascent,   Incense is burning in the bowl, I smell the scent,   Next comes the invocation, all’s prepared;

The mindsight tripod. Openness, objectivity, and observation are the three processes that stabilize the mindsight lens in order to see and shape the inner world with clarity, depth, and power. With openness, we accept things as they are; with objectivity, we realize that what we are aware of is just one element of our experience and not the totality of our identity; with observation, we have a sense of ourselves as observers witnessing the unfolding of experience as it emerges moment by moment. Copyright © 2010 by Mind Your Brain, Inc. Used with permission by Daniel J. Siegel, M.D., from Mindsight: The New Science of Personal Transformation (2010).

In old Norse times, the thrones of the sea-loving Danish kings were fabricated, saith tradition, of the tusks of the narwhale. How could one look at Ahab then, seated on that tripod of bones, without bethinking him of the royalty it symbolized? For a Khan of the plank, and a king of the sea and a great lord of Leviathans was Ahab.

You have to understand—there is a romance to Africa. You can see a sunset and believe you have witnessed the hand of God. You watch the slow lope of a lioness and forget to breathe. You marvel at the tripod of a giraffe bent to water. In Africa, there are iridescent blues on the wings of birds that you do not see anywhere else in nature.

She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping. My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock. It was a baby on the beach. In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb. With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket. My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines. She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.

...nothing was of value, without a mind that challenged and inquired.

I hadn't realized that misery maybe got worse the older you were.

Because without being yourself, an individual, you weren’t really alive.

Their perfume a ghost of summers long ago.

What value did courage have, without a free and challenging mind to direct it?

For nothing, as I now see it, equals the value of life - not the wealth they say prosperous Ilium possessed in earlier days, when there was peace, before the coming of the Greeks, nor all the treasure pilled up behind the stone threshold of Phoebus Apollo in rocky Delphi. Cattle and fat sheep can be lifted. Tripods and chestnut horses can be procured. But you cannot lift or procure a man's life, when once the breath has left his lips.

The myth is tenderly parodied in a 1928 silent film, The Cameraman, which has an inept dreamy Buster Keaton vainly struggling with his dilapidated apparatus, knocking out windows and doors whenever he picks up his tripod, never managing to take one decent picture, yet finally getting some great footage (a photojournalist scoop of a tong war in New York’s Chinatown)—by inadvertence. It is the hero’s pet monkey who loads the camera with film and operates it part of the time.

I lost something that was essential to me, and that no longer is. I no longer need it, as if I’d lost a third leg that up till then made it impossible for me to walk but that turned me into a stable tripod. I lost that third leg. And I went back to being a person I never was. I went back to having something I never had: just two legs. I know I can only walk with two legs. But I feel the useless absence of that third leg and it scares me, it was the leg that made me something findable by myself, and without even having to look for myself.

He saw a chamber, broad and low, designed, in its every rich stain of picture and slumberous hanging, to appeal to the sensuous. And here the scent was thick and motionless. Costly marqueterie; Palissy candlesticks reflected in half-concealed mirrors framed in embossed silver; antique Nankin vases brimming with pot-pourri; in one comer a suit of Milanese armour, fluted, damasquinee, by Felippo Negroli; in another a tripod table of porphyry, spectrally repeating in its polished surface the opal hues of a vessel of old Venetian glass half filled with some topaz-coloured liqueur - such and many more tokens of a luxurious aestheticism wrought in the observer an immediate sense of pleasurable enervation. He noticed, with a swaying thrill of delight, that his feet were on a padded rug of Astrakhan - one of many, disposed eccentrically about the yellow tassellated-marble floor; and he noticed that the sole light in the chamber came from an iridescent globed lamp, fed with some fragrant oil, that hung near an alcove traversed by a veil of dark violet silk. ("The Accursed Cordonnier")

It is the inattentive reader who loses my subject, not I. Some word about it will always be found off in a corner, which will not fail to be sufficient, though it takes little room. I seek out change indiscriminately and tumultuously. My style and my mine alike go roaming. A man must be a little mad if he does not want to be even more stupid, say the precepts of our masters, and even more so their examples. A thousand poets drag and languish prosaically; but the best ancient prose — and I scatter it here indiscriminately as verse — shines throughout with the vigor and boldness of poetry, and gives the effect of its frenzy. To poetry we must certainly concede mastery and preeminence in speech. The poet, says Plato, seated on the tripod of the Muses, pours out in a frenzy whatever comes into his mouth, like the spout of a fountain, without ruminating and weighing it; and from him escape things of different colors and contradictory substance in an intermittent flow. He himself is utterly poetic, and the old theology is poetry, the scholars say, and the first philosophy. It is the original language of the Gods.

Our king Apollo, O child of mighty Zeus, when you were born your father gave you a gold headband and a lyre of tortoise shell, and more: a chariot drawn by swans. You were to go to Delphi and the Kastalian springs whose waters are the gift of broad Kephissos, and there deliver justice to the Hellenes through the oracles. But when you seized the reins, you made the swans sail north to the distant land of the Hyperboreans, and though the Delphians begged you to return—with paeans of flutes and circles of women dancing about the tripod— Apollo, you remained to rule that people through the long year. Came the season when the tripod rings loud and clear in Delphi, you turned the swans to Parnassos. It was high noon of summer when you glided back from the far northlands; swallows and nightingales were singing; cicadas also sang about you; silver brooks poured down from Kastalia, and the great river Kephissos threw blue-foaming waves into the bright wind, yes, even the waters knew a god was coming home.

At the reception given by Jinnah on 14 August 1947 when Asghar Khan and Lt Col (later Maj. Gen.) Akbar Khan met Jinnah, Khan told Jinnah that they were disappointed that the higher posts in the armed forces had been given to British officers who still controlled their destiny. According to Asghar Khan, ‘the Quaid who had been listening patiently raised his finger and said, “Never forget that you are the servants of the state. You do not make policy. It is we, the people’s representatives, who decide how the country is to be run. Your job is only to obey the decision of your civilian masters.”’4 Could any politician have the temerity to say this to the army chief today? The answer has to be a resounding no. Hence, democratic governance in Pakistan instead of being a tripod of the executive, legislature and judiciary looks more like a garden umbrella in which the army is the central pole around which the other organs of the state revolve. Consequently, civilian governments in Pakistan have neither defined national security objectives nor developed strategies to implement them.

The Smiths were unable to conceive children and decided to use a surrogate father to start their family. On the day the surrogate father was to arrive, Mr. Smith kissed his wife and said, "I'm off. The man should be here soon" Half an hour later, just by chance a door-to-door baby photographer rang the doorbell, hoping to make a sale. "Good morning, madam. I've come to...." "Oh, no need to explain. I've been expecting you," Mrs. Smith cut in. "Really?" the photographer asked. "Well, good. I've made a specialty of babies" "That's what my husband and I had hoped. Please come in and have a seat" After a moment, she asked, blushing, "Well, where do we start?" "Leave everything to me. I usually try two in the bathtub, one on the couch and perhaps a couple on the bed. Sometimes the living room floor is fun too; you can really spread out!" "Bathtub, living room floor? No wonder it didn't work for Harry and me" "Well, madam, none of us can guarantee a good one every time. But, if we try several different positions and I shoot from six or seven different angles, I'm sure you'll be pleased with the results" "My, that's a lot of....." gasped Mrs. Smith. "Madam, in my line of work, a man must take his time. I'd love to be in and out in five minutes, but you'd be disappointed with that, I'm sure"  "Don't I know it," Mrs. Smith said quietly. The photographer opened his briefcase and pulled out a portfolio of his baby pictures. "This was done on the top of a bus in downtown London" "Oh my God!" Mrs. Smith exclaimed, tugging at her handkerchief. "And these twins turned out exceptionally well, when you consider their mother was so difficult to work with" "She was difficult?" asked Mrs. Smith. "Yes, I'm afraid so. I finally had to take her to Hyde Park to get the job done right. People were crowding around four and five deep, pushing to get a good look" "Four and five deep?" asked Mrs. Smith, eyes widened in amazement. "Yes," the photographer said, "And for more than three hours too. The mother was constantly squealing and yelling. I could hardly concentrate. Then darkness approached and I began to rush my shots. Finally, when the squirrels began nibbling on my equipment, I just packed it all in." Mrs. Smith leaned forward. "You mean squirrels actually chewed on your, um......equipment?" "That's right. Well, madam, if you're ready, I'll set up my tripod so we  can get to work." "Tripod?????" "Oh yes, I have to use a tripod to rest my Canon on. It's much too big for me to hold for very long. Madam? Madam? ....... Good Lord, she's fainted!!

Ahab stood for a while leaning over the bulwarks; and then, as had been usual with him of late, calling a sailor of the watch, he sent him below for his ivory stool, and also his pipe. Lighting the pipe at the binnacle lamp and planting the stool on the weather side of the deck, he sat and smoked. In old Norse times, the thrones of the sea-loving Danish kings were fabricated, saith tradition, of the tusks of the Narwhale. How could one look at Ahab then, seated on that tripod of bones, without bethinking him of the royalty it symbolized? For a Khan of the plank, and a king of the sea, and a great lord of Leviathans was Ahab. Some moments passed, during which the thick vapor came from his mouth in quick and constant puffs, which blew back again into his face. "How now," he soliloquized at last, withdrawing the tube, "this smoking no longer soothes. Oh, my pipe! hard must it go with me if thy charm be gone! Here have I been unconsciously toiling, not pleasuring, aye, and ignorantly smoking to windward all the while; to windward, and with such nervous whiffs, as if, like the dying whale, my final jets were the strongest and fullest of trouble. What business have I with this pipe? This thing that is meant for sereneness, to send up mild white vapors among mild white hairs, not among torn iron-grey locks like mine. I'll smoke no more" He tossed the still lighted pipe into the sea. The fire hissed in the waves; the same instant the ship shot by the bubble the sinking pipe made. With slouched hat, Ahab lurchingly paced the planks.

Humanity came to its gods by accepting the reality of the symbol, that is, it came to the reality of thought, which has made man lord of the earth. Devotion, as Schiller correctly conceived it, is a regressive movement of libido towards the primordial, a diving down into the source of the first beginnings. Out of this there rises, as an image of the incipient progressive movement, the symbol, which is a condensation of all the operative unconscious factors—“living form,” as Schiller says, and a God-image, as history proves. It is therefore no accident that he should seize on a divine image, the Juno Ludovici, as a paradigm. Goethe makes the divine images of Paris and Helen float up from the tripod of the Mothers99—on the one hand the rejuvenated pair, on the other the symbol of a process of inner union, which is precisely what Faust passionately craves for himself as the supreme inner atonement. This is clearly shown in the ensuing scene as also from the further course of the drama. As we can see from the example of Faust, the vision of the symbol is a pointer to the onward course of life, beckoning the libido towards a still distant goal—but a goal that henceforth will burn unquenchably within him, so that his life, kindled as by a flame, moves steadily towards the far-off beacon. This is the specific life-promoting significance of the symbol, and such, too, is the meaning and value of religious symbols. I am speaking, of course, not of symbols that are dead and stiffened by dogma, but of living symbols that rise up from the creative unconscious of the living man.

But this isn't standard Japanese picnic fare: not a grain of rice or a pickled plum in sight. Instead, they fill the varnished wooden tables with thick slices of crusty bread, wedges of weeping cheese, batons of hard salamis, and slices of cured ham. To drink, bottles of local white wine, covered in condensation, and high-alcohol microbews rich in hops and local iconography. From the coastline we begin our slow, dramatic ascent into the mountains of Hokkaido. The colors bleed from broccoli to banana to butternut to beet as we climb, inching ever closer to the heart of autumn. My neighbors, an increasingly jovial group of thirtysomethings with a few words of English to spare, pass me a glass of wine and a plate of cheese, and I begin to feel the fog dissipate. We stop at a small train station in the foothills outside of Ginzan, and my entire car suddenly empties. A husband-and-wife team has set up a small stand on the train platform, selling warm apple hand pies made with layers of flaky pastry and apples from their orchard just outside of town. I buy one, take a bite, then immediately buy there more. Back on the train, young uniformed women flood the cars with samples of Hokkaido ice cream. The group behind me breaks out in song, a ballad, I'm later told, dedicated to the beauty of the season. Everywhere we go, from the golden fields of empty cornstalks to the dense forest thickets to the rushing rivers that carve up this land like the fat of a Wagyu steak, groups of camouflaged photographers lie in wait, tripods and shutter releases ready, hoping to capture the perfect photo of the SL Niseko steaming its way through the hills of Hokkaido.

OR. I will tell you, but these are the beginning for me of many [125] woes. After these evil things concerning my mother, on which I keep silence, had been wrought, I was driven an exile by the pursuits of the Erinnyes, when Loxias sent my foot [126] to Athens, that I might render satisfaction to the deities that must not be named. For there is a holy council, that Jove once on a time instituted for Mars on account of some pollution of his hands. [127] And coming thither, at first indeed no one of the strangers received me willingly, as being abhorred by the Gods, but they who had respect to me, afforded me [128] a stranger's meal at a separate table, being under the same house roof, and silently devised in respect to me, unaddressed by them, how I might be separated from their banquet [129] and cup, and, having filled up a share of wine in a separate vessel, equal for all, they enjoyed themselves. And I did not think fit to rebuke my guests, but I grieved in silence, and did not seem to perceive [their conduct,] deeply groaning, because I was my mother's slayer. [130] But I hear that my misfortunes have been made a festival at Athens, and that this custom still remains, that the people of Pallas honor the Libation Vessel. [131] But when I came to the hill of Mars, and stood in judgment, I indeed occupying one seat, but the eldest of the Erinnyes the other, having spoken and heard respecting my mother's death, Phœbus saved me by bearing witness, but Pallas counted out for me [132] the equal votes with her hand, and I came off victor in the bloody trial. [133] As many then as sat [in judgment,] persuaded by the sentence, determined to hold their dwelling near the court itself. [134] But as many of the Erinnyes as did not yield obedience to the sentence passed, continually kept driving me with unsettled wanderings, until I again returned to the holy ground of Phœbus, and lying stretched before the adyts, hungering for food, I swore that I would break from life by dying on the spot, unless Phœbus, who had undone, should preserve me. Upon this Phœbus, uttering a voice from the golden tripod, sent me hither to seize the heaven-sent image, and place it in the land of Athens. But that safety which he marked out for me do thou aid in. For if we can lay hold on the image of the Goddess, I both shall cease from my madness, and embarking thee in the bark of many oars, I shall settle thee again in Mycenæ. But, O beloved one, O sister mine, preserve my ancestral home, and preserve me, since all my state and that of the Pelopids is undone, unless we seize on the heavenly image of the Goddess.

The MG 34 has been justifiably described as revolutionary, being the first mass-issue weapon that could realistically fulfil virtually any task expected of a machine gun. In design terms points of interest included a relatively light weight of just over 12kg; an ability to use either ammunition belts or drums; the options of firing from a tripod, pintle, anti-aircraft mount, or lightweight bipod; and a brisk rate of fire averaging a maximum cyclic rate of well over 800 rounds per minute.

Slender, dark-haired, bearded Mathew Brady spoke to his subjects from behind the large, tripod-mounted box of his camera. He was a dapper gentleman

We need to get out of Pakistan...” she said, trailing off. “We are going to die here.” I looked towards her and saw how saddened she looked. She felt so hopeless so soon? I became concerned and scared.  “Are we going to Uncle Rannie’s to find Ambriel?” I asked. Once again, no answer. I became angry but held my tongue. She was my big sister, and I respected her more than words could express.  I thought we had to find our other leg to make the tripod whole. The two of us were incomplete without Ambriel.  We had to find our sister.

Another badass Gurkha in recent memory was Sergeant Dipprasad Pun of the Royal Gurkha Rifles. In 2010, while serving as the lone on-duty guard patrolling a small one-room outpost on the edge of the Afghan province of Helmand, Pun was suddenly ambushed by somewhere between fifteen and thirty Taliban warriors armed with RPGs and assault rifles. During his Ultimate Mega Gurkha Freakout Limit Break Mode, the five-foot-seven-inch sergeant fired off four hundred rounds of machine gun ammunition (every bullet he had), chucked seventeen grenades, detonated a remote mine, and then took an enemy soldier down by chucking a twenty-pound machine gun tripod into the dude’s face.

Teach your students not to be tripods, then.  Show them the difference between truly supporting someone and merely propping them up.

How much for a picture with the girl?” one of the men called, nodding at Lily. Another man whistled and others chortled. Oren stiffened. He tipped up his derby, and his eyebrows narrowed into a scowl. “I’ve got two rules here today, boys.” Lily stifled a smile. She’d heard Oren’s lecture plenty of times. She could only imagine what he’d say if he found out about Jimmy Neil’s attack of the night before. He’d never let her go anywhere by herself again. Oren pulled his corncob pipe out of his mouth and pointed the stem at the men. “One—you keep your filthy hands off Lily, and I’ll keep my hands off your puny chicken necks.” Except for the rhythmic ring of hammer on anvil coming from the crudely built log cabin that served as a shop for the camp blacksmith, silence descended over the clearing. “Two,” Oren continued, “you keep your shifty eyes off Lily, and I’ll keep from blowing a hole through your pea-brain heads.” With that, he toed the rifle, which he always laid on the ground in front of the tripod. She saw no need to tell them Oren had never shot anyone, at least not yet.

Max took a bag of smoke and flash grenades, the .45 and shotgun Lee had left behind, an Uzi, two short tripod- and swivel-mounted guns with radio antennae, a bag of extra clips, and the bag of surveillance equipment. As an after-thought, he took out the tire iron and jammed it into the ammo bag.

One day a fellow countryman from Valencia, Jorge Esteban, arrived to stay with the sisters. He had a travel agency back home and was driving around West Africa collecting materials for a tourist brochure. Jorge was a cheerful, merry, energetic man, naturally convivial. He felt at home everywhere, at ease with everyone. He spent only one day with us. He paid no heed to the scorching sun; the heat only seemed to energize him. He unpacked a bag full of cameras, lenses, filters, rolls of film, and began walking around the street, chatting with people, joking, making various sorts of promises. That done, he placed his Canon on a tripod, took out a loud referee’s whistle, and blew it. I was looking out the window and couldn’t believe my eyes. Instantly, the street filled with people. In a matter of seconds they formed a large circle and began to dance. I don’t know where the children came from. They had empty cans, which they beat rhythmically. Everyone was keeping the rhythm, clapping their hands and stomping their feet. People woke up, the blood flowed again through their veins, they became animated. Their pleasure in this dance, their happiness in finding themselves alive again, was palpable. Something started to happen in this street, around them, within them. The walls of the houses moved, the shadows stirred. More and more people joined the ring of dancers, which grew, swelled, and accelerated. The crowd of onlookers was also dancing, the whole street, everyone. Colorful bou-bous, white djellabahs, blue turbans, all were swaying. There is no asphalt or pavement here, so billows of dust soon began to rise above the dancers, dark, thick, hot, choking, and these clouds, just like ones from a raging fire, drew more people still from the surrounding areas. Before long the entire neighborhood was shimmying, shaking, partying—right in the middle of the worst, most debilitating and unbearable noontime heat. Partying? No, this was something different, something bigger, something loftier and more important. You had only to look at the faces of the dancers. They were attentive, listening intently to the loud rhythm the children beat on their tin cans, concentrating, so that the sliding of their feet, the swaying of their hips, the turns of their arms, and the bobbing of their heads corresponded to it. And they looked determined, decisive, alive to the significance of this moment in which they were able to express themselves, participate, prove their presence. Idle and superfluous all day long, all at once they had become visible, needed, and important. They existed. They created.

There is a creeping tendency to use made up acronyms at SpaceX. Excessive use of made up acronyms is a significant impediment to communication and keeping communication good as we grow is incredibly important. Individually, a few acronyms here and there may not seem so bad, but if a thousand people are making these up, over time the result will be a huge glossary that we have to issue to new employees. No one can actually remember all these acronyms and people don’t want to seem dumb in a meeting, so they just sit there in ignorance. This is particularly tough on new employees. That needs to stop immediately or I will take drastic action—I have given enough warnings over the years. Unless an acronym is approved by me, it should not enter the SpaceX glossary. If there is an existing acronym that cannot reasonably be justified, it should be eliminated, as I have requested in the past. For example, there should be no “HTS” [horizontal test stand] or “VTS” [vertical test stand] designations for test stands. Those are particularly dumb, as they contain unnecessary words. A “stand” at our test site is obviously a *test* stand. VTS-3 is four syllables compared with “Tripod,” which is two, so the bloody acronym version actually takes longer to say than the name! The key test for an acronym is to ask whether it helps or hurts communication. An acronym that most engineers outside of SpaceX already know, such as GUI, is fine to use. It is also ok to make up a few acronyms/contractions every now and again, assuming I have approved them, eg MVac and M9 instead of Merlin 1C-Vacuum or Merlin 1C-Sea Level, but those need to be kept to a minimum. This

bunsen burners had been replaced by computers and sophisticated microscopes. We walked past people in white coats, poring over trays containing fine soil or sand, holding jugs and vases under special blue lights. There were tripods leaning against the wall and several hi-tech cameras nestling on the filing cabinets. ‘We’ve got various computer packages

No garden can aspire to be named An Old-fashioned Garden unless it contains that beautiful plant the Garden Valerian, known throughout New England to-day as Garden Heliotrope; as Setwall it grew in every old garden, as it was in every pharmacopœia. It was termed "drink-quickening Setuale" by Spenser, from the universal use of its flowers to flavor various enticing drinks. Its lovely blossoms are pinkish in bud and open to pure white; its curiously penetrating vanilla-like fragrance is disliked by many who are not cats. I find it rather pleasing of scent when growing in the garden, and not at all like the extremely nasty-smelling medicine which is made from it, and which has been used for centuries for "histerrick fits," and is still constantly prescribed to-day for that unsympathized-with malady. Dr. Holmes calls it, "Valerian, calmer of hysteric squirms." It is a stately plant when in tall flower in June; my sister had great clumps of bloom like the ones shown above, but alas! the cats caught them before the photographer did. The cats did not have to watch the wind and sun and rain, to pick out plates and pack plate-holders, and gather ray-fillers and cloth and lens, and adjust the tripod, and fix the camera and focus, and think, and focus, and think, and then wait—till the wind ceased blowing. So when they found it, they broke down every slender stalk and rolled in it till the ground was tamped down as hard as if one of our lazy road-menders had been at it. Valerian has in England as an appropriate folk name, "Cats'-fancy.

That’s why we give people fish, and also teach people to fish, and then also do something about who owns the pond. These all have to go together like a tripod or a three-legged stool. Without one leg, the stool get a little wobbly and out of balance. Charity workers need to also have a vision for justice. And justice workers need to keep their feet on the streets of injustice.

From time to time, Musk will send out an e-mail to the entire company to enforce a new policy or let them know about something that’s bothering him. One of the more famous e-mails arrived in May 2010 with the subject line: Acronyms Seriously Suck: There is a creeping tendency to use made up acronyms at SpaceX. Excessive use of made up acronyms is a significant impediment to communication and keeping communication good as we grow is incredibly important. Individually, a few acronyms here and there may not seem so bad, but if a thousand people are making these up, over time the result will be a huge glossary that we have to issue to new employees. No one can actually remember all these acronyms and people don’t want to seem dumb in a meeting, so they just sit there in ignorance. This is particularly tough on new employees. That needs to stop immediately or I will take drastic action—I have given enough warnings over the years. Unless an acronym is approved by me, it should not enter the SpaceX glossary. If there is an existing acronym that cannot reasonably be justified, it should be eliminated, as I have requested in the past. For example, there should be no “HTS” [horizontal test stand] or “VTS” [vertical test stand] designations for test stands. Those are particularly dumb, as they contain unnecessary words. A “stand” at our test site is obviously a *test* stand. VTS-3 is four syllables compared with “Tripod,” which is two, so the bloody acronym version actually takes longer to say than the name! The key test for an acronym is to ask whether it helps or hurts communication. An acronym that most engineers outside of SpaceX already know, such as GUI, is fine to use. It is also ok to make up a few acronyms/contractions every now and again, assuming I have approved them, eg MVac and M9 instead of Merlin 1C-Vacuum or Merlin 1C-Sea Level, but those need to be kept to a minimum. This

To look at these two, one would have supposed that the tall, humanlike machine, Threepio, was the master and the stubby, tripodal robot, Artoo Detoo, an inferior. But while Threepio might have sniffed disdainfully at the suggestion, they were in fact equal in everything save loquacity.

Moses and Hesiod, David and Sappho, Deborah and Tyrtaeus, Isaiah and Homer, Delphi and Jerusalem, Pythian tripod and Cherubin-sanctuary, prophets and oracles, psalms and elegy–for us, they all lie peacefully in one box, they all rest peacefully in one grave, they all have one and the same human origin, they all have one and the same significance–human, transitory and belonging to the past. All the clouds have dispersed. The tears and sighs of our fathers no longer fill our hearts but our libraries. The warmly pulsating hearts of our fathers have become our national literature, their fervent breath of life has become the dust of our bookshelves…. Do these departed spirits rejoice in the literary gratitude of our present generation? Whom do they recognize as their true heirs? Those who repeated their prayers but forgot their names, or those who forget their prayers but remember their names?

We have been dreaming of robots since Homer. In Book 18 of the Iliad , Achilles’ mother, the nymph Thetis, wants to order a new suit of armor for her son, and so she pays a visit to the Olympian atelier of the blacksmith-god Hephaestus, whom she finds hard at work on a series of automata: . . . He was crafting twenty tripods to stand along the walls of his well-built manse, affixing golden wheels to the bottom of each one so they might wheel down on their own [automatoi] to the gods’ assembly and then return to his house anon: an amazing sight to see. These are not the only animate household objects to appear in the Homeric epics. In Book 5 of the Iliad we hear that the gates of Olympus swivel on their hinges of their own accord, automatai , to let gods in their chariots in or out, thus anticipating by nearly thirty centuries the automatic garage door. In Book 7 of the Odyssey , Odysseus finds himself the guest of a fabulously wealthy king whose palace includes such conveniences as gold and silver watchdogs, ever alert, never aging. To this class of lifelike but intellectually inert household helpers we might ascribe other automata in the classical tradition. In the Argonautica of Apollonius of Rhodes, a third-century-BC epic about Jason and the Argonauts, a bronze giant called Talos runs three times around the island of Crete each day, protecting Zeus’s beloved Europa: a primitive home alarm system.

There is a creeping tendency to use made up acronyms at SpaceX. Excessive use of made up acronyms is a significant impediment to communication and keeping communication good as we grow is incredibly important. Individually, a few acronyms here and there may not seem so bad, but if a thousand people are making these up, over time the result will be a huge glossary that we have to issue to new employees. No one can actually remember all these acronyms and people don’t want to seem dumb in a meeting, so they just sit there in ignorance. This is particularly tough on new employees. That needs to stop immediately or I will take drastic action—I have given enough warnings over the years. Unless an acronym is approved by me, it should not enter the SpaceX glossary. If there is an existing acronym that cannot reasonably be justified, it should be eliminated, as I have requested in the past. For example, there should be no “HTS” [horizontal test stand] or “VTS” [vertical test stand] designations for test stands. Those are particularly dumb, as they contain unnecessary words. A “stand” at our test site is obviously a *test* stand. VTS-3 is four syllables compared with “Tripod,” which is two, so the bloody acronym version actually takes longer to say than the name! The key test for an acronym is to ask whether it helps or hurts communication. An acronym that most engineers outside of SpaceX already know, such as GUI, is fine to use. It is also ok to make up a few acronyms/contractions every now and again, assuming I have approved them, eg MVac and M9 instead of Merlin 1C-Vacuum or Merlin 1C-Sea Level, but those need to be kept to a minimum.

Rich never knew cats snored; unfortunately, he also learned cats fart. Tripod nearly gassed him out during a movie marathon while in his ice cream coma.

We saw the smoke pouring out of your apartment and called 911.” The fire truck pulled up a minute later, and the firefighters had Wayne, Henry, Rich, and Tripod wait outside until they made sure there was no further danger and gave them permission to return to the premises.

Well, you’ve heard my old nickname, haven’t you?” Rudy shook her head. “Murphy the human tripod.” Rudy’s jaw dropped as Murph wiggled his eyebrows. “Sadly, it’s because I used to have a camera holding fetish.

As a boy, I was fascinated by speed, the wild range of speeds in the world around me. People moved at different speeds; animals much more so. The wings of insects moved too fast to see, though one could judge their frequency by the tone they emitted—a hateful noise, a high E, with mosquitoes, or a lovely bass hum with the fat bumblebees that flew around the hollyhocks each summer. Our pet tortoise, which could take an entire day to cross the lawn, seemed to live in a different time frame altogether. But what then of the movement of plants? I would come down to the garden in the morning and find the hollyhocks a little higher, the roses more entwined around their trellis, but, however patient I was, I could never catch them moving. Experiences like this played a part in turning me to photography, which allowed me to alter the rate of motion, speed it up, slow it down, so I could see, adjusted to a human perceptual rate, details of movement or change otherwise beyond the power of the eye to register. Being fond of microscopes and telescopes (my older brothers, medical students and bird-watchers, kept theirs in the house), I thought of the slowing down or the speeding up of motion as a sort of temporal equivalent: slow motion as an enlargement, a microscopy of time, and speeded-up motion as a foreshortening, a telescopy of time. I experimented with photographing plants. Ferns, in particular, had many attractions for me, not least in their tightly wound crosiers or fiddleheads, tense with contained time, like watch springs, with the future all rolled up in them. So I would set my camera on a tripod in the garden and take photographs of fiddleheads at hourly intervals; I would develop the negatives, print them up, and bind a dozen or so prints together in a little flickbook. And then, as if by magic, I could see the fiddleheads unfurl like the curled-up paper trumpets one blew into at parties, taking a second or two for what, in real time, took a couple of days.

Language systems stand on a tripod. There's the language, there's the libraries, and there are the tools. And how successful a language is depends on a complex interaction between those three things.

If that don't work, use more guns. Like this; heavy caliber-tripod mounted-little old number designed by me, built by me; and you best hope, not pointed at you.

An inventory of the items in the kitchen of Richard Toky, a member of the prosperous Grocers’ Company, in 1391 gives some idea of fourteenth-century kitchen equipment. It included: for food preparation – two mortars and two pestles, two meat-hooks, two pairs of tongs, two axes and two hatchets, four ‘tables’ [abacuses: calculators], a ‘dressing-knife’, a skimmer, two ladles, and a kneading tub for cooking – three brass pots, two little pans, two frying pans, one chafing pan [used over a charcoal fire for small, delicate dishes], two kettles, four copper pans, three iron spits and a rack, two grid-irons for grilling, two tripods, a grate, a bellows, and some wood and coal for laundry – a water-tankard [the kind of big hod used to deliver water to the household by the tankard-bearer], two washing tubs and a barrel.

Talk of automatic machinery replacing human muscle power goes back to the ancient world. The Iliad, Homer’s eighth-century BCE epic, describes a driverless vehicle, the tripod of Hephaestus, that navigates on its own. Homer refers to the vehicle as “automatic.”1 Aristotle, around 350 BCE, raised the possibility of machines replacing humans: For if every instrument could accomplish its own work, obeying or anticipating the will of others, like the statues of Daedalus, or the tripods of Hephaestus, which, says the poet, “of their own accord entered the assembly of the Gods”; if, in like manner, the shuttle would weave and the plectrum touch the lyre without a hand to guide them, chief workmen would not want servants, nor masters slaves.

At the liquor store, Buster, emboldened by the feeling that he had made friends for the first time in years, used almost the absolute last of the cash in his wallet to buy all the alcohol the soldiers wanted. He felt warm and authentic inside his new clothes and thought, handing over all he owned to the liquor-store clerk, that he could live here forever. Now it was Buster’s turn. He leaned over a massive air cannon mounted on a tripod, which the soldiers referred to as Air Force One. Instead of potatoes, the gun used two-liter soda bottles as ammunition. “See, we don’t like to call them spud guns,” said David, who seemed, as the night progressed, to become more tightly wound. “Some shoot ping-pong balls and some shoot soda bottles and some shoot tennis balls that you fill with pennies.

You guys have a pet?” Antonio looked between them. “Her name is Star and she’s my tripod kitty.” Riley smiled. “And she’s the best.” “She’s a nightmare, but we all have our delusions,” Zachary growled. “She’s a little monster to anything with a dick. Avoid her.

Get him that enormous caldron on the tripod so he can bloat his stomach with every food. It is cool but soon will boil with good soup which gobbler Alkman likes sparkling hot, especially in the cold season of the solstice. The glutton Alkman abstains from fancy dishes but like the demos eats a plain massive meal.

We've a three-point civilization: the Imperial Household balanced against the Federated Great Houses of the Landsraad, and between them, the Guild with its damnable monopoly on interstellar transport. In politics, the tripod is the most unstable of all structures. It'd be bad enough without the complication of a feudal trade culture which turns its back on most science.

A model shoot was going on at half-court. Lots of those umbrella lights and tall, bony women-cum-children and tripods and people huffing and fluffing about. Myron waited for someone to mistake him for a model. And waited.

Individual identities and national destines were shaped by the tripod of history, geography, and philosophy.

The text is filled with anecdotes and accounts of effective managers putting to use the very skills that Lissack and Roos call on the rest of us to develop. We visit Southwest Airlines, lKEA, Tripod, and other exemplars of success. Though there is much discussion of chaos and complexity theory, there is no showy science or gratuitous mathematics. Though a work of philosophy by a pair of professional scholars, there's not a speck of academic pretension. No, you won't find recipes, roadmaps, or 12 steps to recovery here. But as you read this book you may find yourself asking why you ever thought other authors could provide such all-purpose solutions to the unique vexations of your own organization life.

Apropos of which, this book adopts storytelling not just as a subject but as a method. The text is filled with anecdotes and accounts of effective managers putting to use the very skills that Lissack and Roos call on the rest of us to develop. We visit Southwest Airlines, lKEA, Tripod, and other exemplars of success. Though there is much discussion of chaos and complexity theory, there is no showy science or gratuitous mathematics. Though a work of philosophy by a pair of professional scholars, there's not a speck of academic pretension.

earned fame and the Medal of Honor for the steel nerves and sheer guts he showed in turning back the Japs that night. Later, I read an interview where Basilone told how he did what seemed impossible against the charging Japs—not once but over and over again—with three machine guns and a pistol. “We kept firing and drove them back, but our ammunition was getting low,” he said, “so I left the guns and started running to the next outfit to get some more. Soon after I got back, a runner came in and told me that at the emplacements on the right, Japs had broken through . . . and the guns were jammed. “I took off up the trail to see what happened. . . . After that I came back to my own guns, grabbed one of them, and told the crew to follow me. Up the trail we went. I was carrying the machine gun by the tripod. We left six dead Japs on the trail. “While I fixed the jams on the other two guns up there, we started to set up. We were really pinned down. Bullets were smacking into the sandbags. “The Japs were still coming at us, and I rolled over from one gun to the other, firing them as fast as they could be loaded. . . . We all thought our end had come. “Some Japs would sneak through the lines and behind us. It got pretty bad because I’d have to stop firing every once in a while and shoot behind me with my pistol. “At dawn, our guns were just burnt out. Altogether we got rid of 26,000 rounds.” More

The walls were draped with banners covered with cabalistic signs, an abundance of owls of all kinds, scarabs and ibises, and Oriental divinities of uncertain origin. Near the rear wall was a dais, a proscenium of burning torches held up by rough logs, and in the background an altar with a triangular altarpiece and statuettes of Isis and Osiris. The room was ringed by an amphitheater of figures of Anubis, and there was a portrait of Cagliostro (it could hardly have been of anyone else, could it?), a gilded mummy in Cheops format, two five-armed candelabra, a gong suspended from two rampant snakes, on a podium a lectern covered by calico printed with hieroglyphics, and two crowns, two tripods, a little portable sarcophagus, a throne, a fake seventeenth-century fauteuil, four unmatched chairs suitable for a banquet with the sheriff of Nottingham, and candles, tapers, votive lights, all flickering very spiritually.

Schwartzman smiled, sharing his enthusiasm. When the morgue had installed a camera with a UV filter on a tripod for timed exposures to help her identify pre- and perimortem injury patterns under the skin, she’d been as excited as Roger was now. Of course, at the time she’d been surrounded by dead people in drawers, so she’d kept the excitement to herself.

Of course, we respect your decision, Farmer Ben,” he said. “I’d like to make one last request, if I may. Would you allow us cubs to sleep in the barn tomorrow night? Sort of our way of saying good-bye to the farm.” “A sleepover?” said Ben. “Why, sure. After everything you cubs have done for Mrs. Ben and me, it’s the least I can do.” “Then perhaps you’ll grant me another last request,” said Ferdy. “Would you and the cubs wait while I go home and get my camera and tripod? I’d like to take a group photo right here in the living room.” “I’d be honored,” said Farmer Ben. “Go on, son. Git!” Trudy went with Ferdy so she could carry the camera while he carried the tripod. As they headed down the drive to the front gate, Trudy said, “A sleepover and group photo are wonderful ideas, Ferd. Very sweet.” “Sweet has nothing to do with it,” said Ferdy. “I think I know how to save the Halloween Festival--and, thus, the farm!

From out of the shadows, the British agent swung the yellow-and-black pole of a work light rig like a two-handed sword, striking the gunman squarely in the chest with the cluster of lamps at the upper end. Glass and plastic shattered against him, hardened halogen bulbs popping and sparking, disconnected power cables snapping through the air like whips. The gunman staggered backward, his balance failing, and Marc swung back the other way, this time catching the assassin across the face with the splayed metal legs of the work light tripod