Trilogy Best Quotes

We've searched our database for all the quotes and captions related to Trilogy Best. Here they are! All 200 of them:

Why is there ever this perverse cruelty in humankind, that makes us hurt most those we love best?
Jacqueline Carey (Kushiel's Chosen (Phèdre's Trilogy, #2))
Every time you take one path, you must live with the memory of the other: of a life left unchosen. Decide as seems best, one course or the other; each way will have its bitter with its sweet.
Katherine Arden (The Girl in the Tower (The Winternight Trilogy, #2))
You don't need to be gifted with a blade. You are your own best weapon.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
The tune was sad, as the best of Ireland was, melancholy and lovely as a lover's tears.
Nora Roberts (Born in Fire (Born In Trilogy, #1))
He leans over and takes her hand. With the other he touches her face. ‘You your best thing, Sethe. You are.’ His holding fingers are holding hers. ‘Me? Me?
Toni Morrison (Beloved)
It's best to let her go," he says. No, no, that's wrong. It's never right to give up on someone.
Lauren DeStefano (Fever (The Chemical Garden, #2))
No matter what I said, we both knew the hard truth. We do our best. We try. And usually, it makes no difference at all.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Being in love with your best friend is problematic.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
You your best thing, Sethe. You are.
Toni Morrison (Beloved)
Harrow laughed. It was the first time she had ever heard Harrow really laugh. It was a rather weak and tired sound. "Gideon the Ninth, first flower of my House," she said hoarsely, "you are the greatest cavalier we have ever produced. You are our triumph, The best of all of us. It has been my privilege to be your necromancer.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
I cleared my throat and spoke into his kiss. “Sorry, it’s been a while.” “You should expect to hear the same thing from me in about five minutes,” he murmured. “Five minutes, huh?” “I’ll make it the best five minutes of your life.” I bit his lip, hard, then released him and looked into those intense blues. “Clock’s ticking.
Karina Halle (Sins & Needles (The Artists Trilogy, #1))
Each time he took a walk, he felt as though he were leaving himself behind, and by giving himself up to the movement of the streets, by reducing himself to a seeing eye, he was able to escape the obligation to think, and this, more than anything else, brought him a measure of peace, a salutary emptiness within...By wandering aimlessly, all places became equal and it no longer mattered where he was. On his best walks he was able to feel that he was nowhere. And this, finally was all he ever asked of things: to be nowhere.
Paul Auster (City of Glass (The New York Trilogy, #1))
We all leave one another. We die, we change - it's mostly change - we outgrow our best friends; but even if I do leave you, I will have passed on to you something of myself; you will be a different person because of knowing me; it's inescapable...
Edna O'Brien (Girl with Green Eyes (The Country Girls Trilogy, #2))
As much as I cared about him, I wasn’t a slave to fate. I could choose to ignore my feelings, strong as they were. It would be painful, but no more so than letting myself pine for my friend.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Risky, thought Paul D, very risky. For a used-to-be-slave woman to love anything that much was dangerous, especially if it was her children she had settled on to love. The best thing, he knew, was to love just a little bit, so when they broke its back, or shoved it in a croaker sack, well, maybe you'd have a little love left over for the next one.
Toni Morrison (Beloved)
If I wanted to imprison someone until the end of days, would it not be best to use a prison that he has no desire to escape?
Katherine Arden (The Winter of the Witch (The Winternight Trilogy, #3))
You are too attached to things as they are,” said Morozko, combing the mare’s withers. He glanced down idly. “You must allow things to be what best suits your purpose. And then they will.
Katherine Arden (The Bear and the Nightingale (The Winternight Trilogy, #1))
We do the best we can do.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
I think we’re officially best friends now,” she says.  “Oh yeah? Do you want to go do karate in the garage?
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
You your own best thing, Sethe. You are.
Toni Morrison (Beloved)
Kestrel felt a slow, slight throb, a shimmer in the blood. She knew it well. Her worst trait. Her best trait. The desire to come out on top, to set her opponent under her thumb. A streak of pride. Her mind ringed with hungry rows of foxlike teeth.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Adulthood can do the most horrific things to the best of people.
Neal Shusterman (Everwild (The Skinjacker Trilogy, #2))
I shouldn't have lost my temper that way. It just pricks his pride, makes him dig in his heels." "So why did you?" I asked, genuinely curious. It was rare for Nikolai's emotions to get the best of him. "I don't know," he said, shredding the leaf. "You got angry. I got angry. The room was too damn hot." "I don't think that's it." "Indigestion?" he offered. "It's because you actually care about what happens to this country," I said. "The throne is just a prize to Vasily, something he wants to squabble over like a favorite toy, You're not like that. You'll make a good king." Nikolai froze. "I…" For once, words seemed to have deserted him. Then a crooked, embarrassed smile crept across his face. It was a far cry from his usual self-assured grin. "Thank you," he said. I sighed as we resumed our pace. "You're going to be insufferable now, aren't you?" Nikolai laughed. "I'm already insufferable.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Now that your speech impediment has been rectified, perhaps you might say something. It would be best if it were humorous. I enjoy a good jest.' 'You are dreadfully rude,' I said to him. He sighed. 'That wasn't the slightest bit funny.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
We had everything: love, attention, the best money could buy, but we were taught that we had to first give to then receive.
Cristiane Serruya (Trust: Betrayed (Trust Trilogy, #2))
David looked at me, then, the regret plain on his face. No matter what I said, we both knew the hard truth. We do our best. We try. And usually, it makes no difference at all
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
I say we go down fighting." ... "We do the best we can.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
And sometimes the best things come out of the fire.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
The best thing she was, was her children.
Toni Morrison (Beloved)
It is a human failing, to attribute the best of motives to those we know the least, and the worst to those we love best.
Jacqueline Carey (Kushiel's Dart (Phèdre's Trilogy, #1))
That's part of why I tracked you down. I wanted to be as loyal to you as you are to your Clan. I know I can't exactly miss a life I've never known, Graystripe, but I think sharing your life and your path... is the best journey I could possibly imagine.
Erin Hunter (The Lost Warrior (Warriors Manga: Graystripe's Trilogy, #1))
...I told you how different my love is, how dark it can get, but I do love you, more than I've ever loved anyone in my life. I don't only need you; I also genuinely cannot live without you and the light you bring to my darkness. I know you deserve better, but I'm unable to let you go, so I'll try my best to be worthy of you, Lenochka.
Rina Kent (Consumed by Deception (Deception Trilogy, #3))
I know he’s a realist, he’s okay with being alone, and he helps people when he thinks no one is watching.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
We do our best. We try. And usually, it makes no difference at all.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Son, not everbody thinks that life on a cattle ranch in west Texas is the second best thing to dyin and goin to heaven.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
I'd stop the world from spinning for you." That silly line oddly touched me. "I love you." "Liked that one, did you.
Sylvia Day (Entwined with You (Crossfire, #3))
On his best walks, he was able to feel that he was nowhere. And this, finally, was all he ever asked of things: to be nowhere. New York was the nowhere he had built around himself, and he realized that he has no intention of ever leaving it again.
Paul Auster (The New York Trilogy (New York Trilogy, #1-3))
Life will hack off your head and shit down your neck every chance it gets. I've found that consuming drugs and booze, listening to music and always having an excuse in the best way to tip the scales.
Dave Matthes (Bar Nights (The Mire Man Trilogy, #1))
- ... If he finds the firebird, we may just stand a chance. - And if he doesn't? - We put on our best clothes and die like heroes.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
You’re all the best things to me, Sloane. No matter how many bruises are in your heart or on your skin.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
It seems like everyone I know has very strong feelings about which boy is the best fit for Katniss, but also because the books themselves contain a commentary on the way audiences latch onto romance, even (and maybe especially) when lives are at stake.
Jennifer Lynn Barnes (The Girl Who Was on Fire: Your Favorite Authors on Suzanne Collins' Hunger Games Trilogy)
Still, you need him as much as you need the air you breathe, and he wants you as he’s wanted nothing and no one since I made him. So it is done, and we will make the best of it.
Deborah Harkness (A Discovery of Witches (All Souls Trilogy, #1))
I want to be a Half Code. I want to be Black and White, the best of both.
Sally Green (Half Lost (The Half Bad Trilogy, #3))
We make stupid mistakes when we're young; we do our best to make amends for them as we get older. We survive by learning; by learning we survive. Such is life. So be it.
Allen M. Steele (Coyote (Coyote Trilogy, #1))
Who said anything about marriage? Good Lord, no. Do yourself a favor: don’t move in with him. Then he’ll be expecting you to cook and clean—no. Just take him for a spin and return him if he breaks. That’s the best bet.
K.F. Breene (Born in Fire (Fire and Ice Trilogy, #1; Demon Days, Vampire Nights, #1))
Ysabeau wanted me to know she approved of you. Like the gold from which it is made, you are steadfast. You hide many secrets within you, just as the bands of the ring hide the poesies from view. But it is the stone that best captures who you are: bright on the surface, fiery within, and impossible to break.
Deborah Harkness (Shadow of Night (All Souls Trilogy, #2))
And then what did you do, Lord Oliver?" Karl's eight-year-old daughter gazed up at him in awe, as though this were the best story she had ever heard.
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
Sophia, you’re the best thing that could have happened to Alistair. I’ve never seen him happier than he is now.
Cristiane Serruya (Trust: A New Beginning (Trust Trilogy, #1))
Friendship matters first.
Kristine Cuevas (Never Love your Best Friend (Dream Trilogy #1))
Men were the only animals that slaughtered their own kind by the million, and turned the landscape into a waste of shell craters and barbed wire. Perhaps the human race would wipe itself out completely, and leave the world to the birds and trees, Walter thought apocalyptically. Perhaps that would be for the best.
Ken Follett (Fall of Giants (The Century Trilogy #1))
We walked to dinner, ate together, and talked nearly the whole time. I was amazed that I had as much in common with her as I did. I’d been raised mostly in a completely different country, yet we were so similar.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Harrow laughed. It was the first time she had ever heard Harrow really laugh. It was a rather weak and tired sound. "Gideon the Ninth, first flower of my House," she said hoarsely, "you are the greatest cavalier we have ever produced. You are our triumph, The best of all of us. It has been my privilege to be your necromancer.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
I suppose that means you don’t want any band-aids, either,” I said, a touch more bitterly than I’d meant to.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Like all parents, they were just doing their best from moment to moment.
Deborah Harkness (A Discovery of Witches (All Souls Trilogy, #1))
Don’t you think it’s best that you stay away from mortals? You know they break so easily these days.
Kimberly Spencer (Limerick (The Shimmer Trilogy, #2))
Did you ever notice me at Keramzin?" He was silent for a long moment, and when I glanced at him, he was looking up at the glass ceiling. He'd gone red as a beet. "Mal?" He cleared his throat, crossed his arms. "As a matter of fact, I did. I had some very ... distracting thoughts about you." "You did?" I sputtered. "And I felt guilty for every one of them. You were supposed to be my best friend, not ..." He shrugged and turned even redder. "Idiot.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
Education is a great shield against experience. It offers so much, ready-made and all from the best shops, that there's a temptation to miss your own life in pursuing the life of your betters.
Robertson Davies (World of Wonders (The Deptford Trilogy, #3))
He’s made me believe that I belong with him, with this kind of life, that this is the best that I can get.” “He’s right.
Karina Halle (Shooting Scars (The Artists Trilogy, #2))
The world tilted slightly sideways. 'I think I need to sit down.' The floor seemed like the best option. It was close and he'd already proved that he could hit it. His legs folded.
Tanya Huff (Smoke and Shadows (Smoke Trilogy #1))
Choose what ever suite suits you best,” Arin said. “But please: keep that tiger in his cage.” “Arin’s a kitten,” Roshar protested. Purely for the purpose of annoying Arin, it seemed, Roshar had named the tiger after him. “He’s sweet-tempered and polite and very good-looking . . . unlike some people I could mention.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
He is indeed but breathing dust and a careless touch would unmake him. And in his best thoughts there are such things mingled as, if we thought them, our light would perish. But he is in the body of Maleldil and his sins are forgiven.
C.S. Lewis (Perelandra (The Space Trilogy, #2))
Drive-by declaration of love, how romantic,” Becca joked. Zahara smirked. “Hey, it’s either that or sending a carrier pigeon, but I have a feeling Rekesh would be pissed if a bird crapped all over him.” ~Zahara and Becca
Annabell Cadiz (Lucifer (Sons of Old Trilogy, #1))
Is Gabriel still mad at me?" "Nesbitt hesitates and then says, "On a scale of one to ten, I'd say he's at nine and a half." "So, it could be worse then." "He'll calm down." Nesbitt nudges me and says, "The best thing about arguments is the making-up after. I see a big reconciliation ahead for you two: you apologise and he takes you into his arms and --" "Nesbitt, shut up.
Sally Green (Half Lost (The Half Bad Trilogy, #3))
Sethe, he says, "me and you, we got more yesterday than anybody. We need some kind of tomorrow." He leans over and takes her hand. With the other he touches her face. "You your best thing, Sethe, You are." His holding fingers are holding hers. "Me? Me?
Toni Morrison (Beloved)
Living well is the best revenge (Margot Radcliffe)
Laura Moore (Believe in Me (Rosewood Trilogy, #2))
A King has the most value, but without a Queen, he's a hell of a lot less powerful. Together, they have the best chance of victory.
Meghan March (Sinful Empire (Mount Trilogy, #3))
You must allow things to be what best suits your purpose. And then they will.
Katherine Arden (The Bear and the Nightingale (Winternight Trilogy, #1))
If he finds the firebird, we may just stand a chance." "And if he doesn't?" Nikolai shrugged. "We put on our best clothes and die like heroes.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
the Black Hats, Simon Cutler’s Iron Brigade, best troops in the Union Army. An
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
Would you prefer to be feared or loved Lord Ells?" He smiled crookedly at her, "You like quotes, don't you? So, it's as Machievelli said, 'It is best to be both feared and loved; however, if one cannot have both it is better to be feared than loved.'" "I'd rather be loved. Only loved," she whispered to him.
Cristiane Serruya (Trust: A New Beginning (Trust Trilogy, #1))
It is for the best was on the tip of the priest's tongue. But he thought again of years, of childbearing and exhaustion. The wildness gone, the hawk's grace chained up... He swallowed. It is for the best. The wildness was sinful.
Katherine Arden (The Bear and the Nightingale (The Winternight Trilogy, #1))
My sense of teasing is completely lost on you.", Patrick said, hoisting himself back up. "It's a shame too. Most people tell me my sense of humor is my best quality, only outdone by my otherworldly good looks.
Nicole Williams (Fallen Eden (Eden Trilogy, #2))
I can’t tell what’s the best way to love you, whether it’s trying to catch you or to let you go.
Sierra Simone (American King (New Camelot Trilogy, #3))
Sometimes he was weird, sometimes he was Captain Douchebag, but he was always my best friend.
Sharon Sant (Not of Our Sky (Sky Song trilogy #3))
In books, even the very best boy detectives are dismissed with a laugh. In real life, they're sent to psychologists.
Aaron Starmer (The Riverman (The Riverman Trilogy, #1))
I lose myself in a world that isn’t mine and for a while, that’s for the best.
Courtney Cole (Verum (The Nocte Trilogy, #2))
Sometimes I have to act without your approval to do what's best for my family! Not just you, all four of us!
Julie Soto (Rose in Chains (The Evermore Trilogy, #1))
Again and again, I pushed my memories away. There were days when it was easy and days when it was hard. My love ... was a boulder in my heart. I sought to let go of it and let it sink. Let it sink below the surface, carrying my heart with it. Let it come to rest on the stream's bottom, a vast hidden bulwark, dividing the current. Let it stay there, hidden and unseen. Forgotten. Betimes it worked. Betimes it didn't. It was the best I could do.
Jacqueline Carey (Kushiel's Justice (Imriel's Trilogy, #2))
Tatum Elliot O'Shea, sometimes I think you are the stupidest goddamn person I have ever met. Sometimes I think you're crazy. Sometimes I think I hate you. Sometimes I think you're a psychotic bitch, sent from hell to drag me back. But always, ALWAYS, I think you are the best thing that has ever happened to me.
Stylo Fantome (Reparation (The Kane Trilogy, #3))
The best thing, he knew, was to love just a little bit; everything, just a little bit, so when they broke its back, or shoved it in a croaker sack, well, maybe you’d have a little love left over for the next one.
Toni Morrison (Beloved (Beloved Trilogy, #1))
I loved the feeling of finally falling in love to someone who would love me back.
Kristine Cuevas (Not a Melodious Harmony (Dream Trilogy #2))
The knowledge that someone was trying his best to kill you was overwhelmingly oppressive,
Ken Follett (Fall of Giants (The Century Trilogy #1))
You are your own best weapon.” Kestrel
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Well, I found I am my own best company. I don’t annoy myself and I always have something important I want to hear myself say.
Ashlan Thomas (To Love (The To Fall Trilogy #3))
Nostalgia is the best and the worst feeling—complex—nothing has the ability to so delight and wound us simultaneously, except perhaps for love.’ 
Mark Lawrence (The Book That Wouldn’t Burn (The Library Trilogy, #1))
He turns to leave, stops, looks back at me. "Just so you know: What you did for Victor means a lot to us. You could have left him to die." "No, Richard, I couldn't." I see in his eyes that he understands. I didn't save Victor because I knew that his being alive was best for Denver. I gave him my blood because I didn't want to live in a world without him in it.
J.A. London (Blood-Kissed Sky (Darkness Before Dawn Trilogy, #2))
But there was something about the number of choices that paralysed him. Rather like when it came to choosing a new book from the stacks. The knowledge that he couldn’t possibly read all the books on offer put a peculiar pressure on choosing his next read. There must be diamonds out there, the best book in a thousand, the best book in a million, and surely he didn’t want to waste his time reading one that was merely adequate when he could be reading one of those diamonds? So instead, he often wasted his time hunting for a read instead of reading.
Mark Lawrence (The Book That Wouldn’t Burn (The Library Trilogy, #1))
Perhaps I am not so wise as you would have me, for all my years in this world. I do not know what you should choose. Every time you take one path, you must live with the memory of the other: of a life left unchosen. Decide as seems best, one course or the other; each way will have its bitter with its sweet.
Katherine Arden (The Girl in the Tower (Winternight Trilogy, #2))
You caught me, I was definitely dreaming of you. If I remember correctly, you were frolicking on a beach, wearing a pretty skimpy red bikini and some kind of flower in your hair. Gotta say that was the best dream I’ve ever had.” ~Bryan
Annabell Cadiz (Lucifer (Sons of Old Trilogy, #1))
There is one thing you can do. You can resign now. You can refuse to lead it. But I cannot even do that. Cannot leave the man alone. Cannot leave him with that attack in the hands of Hill. Cannot leave because I disagree, because, as he says, it's all in the hands of God. And maybe God really wants it this way. But they will mostly all die. We will lose it here. Even if they get to the hill, what will they have left, what will we have left, all ammunition gone, our best men gone? And the thing is, I cannot even refuse, I cannot even back away, I cannot leave him to fight it alone, they're my people, my boys. God help me, I can't even quit.
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
Looks like I messed up your pretty face after all, despite my best efforts.” “Oh, this is nothing.” She laughs breathlessly. “You should see the damage I did to your pretty face.” My lips quirk into a smile as I lift my head toward hers. “Oh, darling, as long as you still think I’m pretty, I don’t give a damn what I look like.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
Risky, thought Paul D, very risky. For a used-to-be-slave woman to love anything that much was dangerous, especially if it was her children she had settled on to love. The best thing, he knew, was to love just a little bit; everything, just a little bit, so when they brok its back, or shoved it in a croaker sack, well, maybe you'd have a little love left over for the next one.
Toni Morrison (Beloved)
I was about to say that we all hurt the ones we love. That we can’t help it and that for some reason, we’re just defective like that. Maybe because those we love most bring out the very best and the worst in us, and in some twisted way, we resist that magic.
Rachael Wade (Repossession (The Keepers Trilogy, #1))
I’ve never been more serious, Alayna. You’re the first person I’ve ever met who makes me believe I might not be crazy. It’s the best thing that’s ever happened to me. You’re the best thing that’s ever happened to me.
Laurelin Paige (The Fixed Trilogy (Fixed, #1-3))
You’re my friend. Maybe someday my best friend.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Funny how a nice ass, firm pecs, and a great smile could thwart a woman’s best plans.
Karina Halle (Sins & Needles (The Artists Trilogy, #1))
The phrasing annoyed Sage. As long as she was pretty and in a good mood, her husband would love her? People needed love most when they weren't at their best.
Erin Beaty (The Traitor's Kiss (The Traitor's Circle, #1))
If he can’t handle it, then you aren’t very good friends, are you?
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Last Resort friends are for getting from, not giving to.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Sometimes you have to forgive the process, knowing that the outcome is for the best.
Beth Ciotta (Jinxed (Friends and Lovers Trilogy, #1))
The best aunts aren't substitute parents, they're co-conspirators.
Daryl Gregory (Harrison Squared (Harrison Squared Trilogy, #1))
There I drank life because death was in the pool. That was the best of drinks save one.” “What one?” Asked Ransom “Death itself in the day I drink it and go to Maleldil.
C.S. Lewis (Out of the Silent Planet (The Space Trilogy, #1))
Don’t even think about saying he only did it because he’s looking out for my best interest.” “I wasn’t,” William replied. “I was going to agree with you. It was none of his bloody business.
Nicole Williams (Eternal Eden (Eden Trilogy, #1))
It’s so peaceful. I could go to sleep in here.” His eyes flickered to me once more, and for a dizzying second I wasn’t thinking about sleep or storms but about pressing my lips to his. I gave my head a slight shake and tried to slow my pulse
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
His failure hurt too badly for that. It was a bad equation. Best erase it and try a new one. If adults could put aside their obsessions with such firmness, the world would undoubtedly be a better place. Robertson Davies does not say that in his Deptford Trilogy ... but he strongly hints at it.
Stephen King (The Tommyknockers)
So how can we determine what’s real and what’s not? We can’t. We can just pick and choose what we want to believe and rationalize it as best we can. Reality, after all, is basically a movie projected inside our heads. It’s based on the colors our senses permit us to see, the sounds they permit us to hear and whatever else our brains let slip through the gates. But outside our limited senses, surrounding us, there is, unquestionably, a much greater reality, a universe we live in but cannot see. Well, most of us, anyway. Out there, in the dark, All Things Are Possible.
Richard B. Spence (The Orphan Conspiracies: 29 Conspiracy Theories from The Orphan Trilogy)
To say 'Hail Mary, Hail Mary,' is the best way of telling her how much we love her. And then this string of beads is like Our Lady's girdle, and her children love to finger it, and whisper to her. And then we say our paternosters, too; and all the while we are talking she is shewing us pictures of her dear Child, and we look at all the great things He did for us, one by one; and then we turn the page and begin again.
Robert Hugh Benson (By What Authority? (English Reformation Trilogy #1))
As a doc, though, I've seen what happens when people are under a lot of stress. Doesn't always bring out their best. When people are scared, they get angry. They'll do things they never thought they would. They'll bargain and compromise in order to survive; they'll chase after miracle cures and believe just about anything so long as it gives them hope. When hope fails, then watch out. Some people get brutal. They'll turn on each other; they'll become their own worst enemies.
Ilsa J. Bick (Ashes (Ashes Trilogy, #1))
I was … at the Tengu’s home.” When his eyes went wide with a mixture of horror and anger, she rushed on. “He’s not the best host, but he isn’t that bad. He brought food, but he wouldn’t get me a brush for my hair and he got mad when I asked for something else to wear. His crows wanted to eat me but he told them to leave me—” “His crows what?
Annette Marie (Dark Tempest (Red Winter Trilogy, #2))
Amazing? My heart fluttered. “But I don’t want Flash or Harry,” I murmured. “You want Spider-Man,” he finished for me, looking a little wistful. I shrugged. “And Peter Parker.” He looked at me, very seriously. “Then don’t settle,” he said.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
I want only the best for you, Alina Starkov. For you and your friends. So few remain. If anything were to happen to them—
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
And if he doesn't.' Nikolai shrugged. 'We put on our best clothes and die like heroes.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
Nostalgia is the best and the worst feeling - complex - nothing has the ability to so delight and wound us simultaneously, except perhaps for love.
Mark Lawrence (The Library Trilogy)
With best wishes on this most happy of occasions, Alina Starkov, Idiot When
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Familiarity is not the same as knowledge. But sometimes it's the best we can hope for. We can only love or hate what the other seems to be.
Linden MacIntyre (Why Men Lie (The Cape Breton Trilogy #3))
And with every step he took away from her, he felt like he was leaving the best pieces of him further and further behind.
Maisey Yates (Take Me (Fifth Avenue Trilogy #0.5))
One of the first rules the Emperor had drummed into her [Mara Jade] so long ago was to blend in as best she could with her surroundings
Timothy Zahn (Star Wars: Dark Force Rising (The Thrawn Trilogy, #2))
There’s a kind of man that when he cant have what he wants he wont take the next best thing but the worst he can find.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
You don’t pick your family, you take what you’re given and you make the best of it.
Joe Abercrombie (The First Law Trilogy Boxed Set: The Blade Itself, Before They Are Hanged, Last Argument of Kings)
No Grisha has ever taken a second amplifier. The risks—" "Now that's a word best not used around me. I tend to be overfond of risk.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Sometimes it's best to do what feels safe, and sometimes it's better to do what you know is right, even though the cost may be high.
Deborah Wiles (Revolution (The Sixties Trilogy, #2))
The best revenge isn't killing your enemy. The best revenge is living well.
Daniel Arenson (Dawn of Dragons: The Complete Trilogy (Dawn of Dragons #1-3))
Someone once said that the best way to find out if you can trust somebody is to trust them
Sally Green (Half Bad (The Half Bad Trilogy, #1))
You your best thing, Sethe.
Toni Morrison (Beloved)
It's not like any of you could best me. I mean, it's three on one and you're still losing.
Matthew D. Devitt (The Quest for Freedom (The Conquest Trilogy, #1))
I want you in my arms. I want you in my bed. I want to bury myself deep inside you and feel you shatter beneath me, again and again. I want you daily, nightly, repeatedly, constantly, forever. And when I know it’s safe to take you, you’d best be ready. If you’re not, you’d better run and hide, because it will take a legion of angels and demons to keep me off of you.
Juliette Cross (Forged in Fire (The Vessel Trilogy, #1))
Pain was a difficult concept to conjure in memory, Hoop had said. Like tasting the best cake ever. Such thoughts only really meant anything when the tasting-or the pain- was happening.
Tim Lebbon (Alien: Out of the Shadows (Canonical Alien Trilogy, #1))
He picked up a twist of straw and began to rub her down. In the space of a blink, the twist of straw became a brush of boar’s hair. The mare stood with her ears flopping, loose-lipped with enjoyment. Vasya went nearer, fascinated. “Did you change the straw? Was that magic?” “As you see.” He went on with his grooming. “Can you tell me how you do it?” She came up beside him and peered eagerly at the brush in his hand. “You are too attached to things as they are,” said Morozko, combing the mare’s withers. He glanced down idly. “You must allow things to be what best suits your purpose. And then they will.” Vasya,
Katherine Arden (The Bear and the Nightingale (Winternight Trilogy, #1))
Who are you? Where do you fit into poetry and myth? Do you know who I think you are, Ramsay? I think you are Fifth Business. You don't know what that is? Well, in opera in a permanent company of the kind we keep up in Europe you must have a prima donna -- always a soprano, always the heroine, often a fool; and a tenor who always plays the lover to her; and then you must have a contralto, who is a rival to the soprano, or a sorceress or something; and a basso, who is the villain or the rival or whatever threatens the tenor. "So far, so good. But you cannot make a plot work without another man, and he is usually a baritone, and he is called in the profession Fifth Business, because he is the odd man out, the person who has no opposite of the other sex. And you must have Fifth Business because he is the one who knows the secret of the hero's birth, or comes to the assistance of the heroine when she thinks all is lost, or keeps the hermitess in her cell, or may even be the cause of somebody's death if that is part of the plot. The prima donna and the tenor, the contralto and the basso, get all the best music and do all the spectacular things, but you cannot manage the plot without Fifth Business! It is not spectacular, but it is a good line of work, I can tell you, and those who play it sometimes have a career that outlasts the golden voices. Are you Fifth Business? You had better find out.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
He watched her as she carried the stone over to one of the walls and set it down. She exhaled and wiped her brow. Then she glared at him. He smiled—one of his best, he thought. "You ought to bend your legs when you lift the stones," he called out. "It's better for your back." "It's better for your back," she mimicked under her breath, "lazy, good-for-nothing, stupid little—" "Excuse me?" "Thank you for your advice." Her voice was sweetness personified.
Julia Quinn (Minx (The Splendid Trilogy, #3))
He tried to go over the plan with the captain, who interrupted him with a dismissive flick of the hand. “That’s not a plan. That’s simple piracy. You needn’t teach me that.” Arin was taken aback. “Before the war, the Herrani were the best at sea. We gained wealth through sea trade. We weren’t pirates.” The captain laughed and laughed.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Readers often tell me after they've read the books, they find it difficult to sum up the plot in a simple way. My response is, "It's a story about the love a father shares for his daughter. All the rest is just filler." - MJ Mancini, on his best-selling trilogy, "Revelation".
M.J. Mancini
His answer was not in words, but his hands, perhaps, spoke for him when his fingertips found the pulse behind her jaw. She did not move. His eyes were cold and still: pale stars to make her lost. “Vasya,” he said again, low and—almost ragged, into her ear. “Perhaps I am not so wise as you would have me, for all my years in this world. I do not know what you should choose. Every time you take one path, you must live with the memory of the other: of a life left unchosen. Decide as seems best, one course or the other; each way will have its bitter with its sweet.
Katherine Arden (The Girl in the Tower (Winternight Trilogy, #2))
Then, unprompted, Henry says into the stretching stillness, “Return of the Jedi.” A beat. “What?” “To answer your question,” Henry says. “Yes, I do like Star Wars, and my favorite is Return of the Jedi.” “Oh,” Alex says. “Wow, you’re wrong.” Henry huffs out the tiniest, most poshly indignant puff of air. It smells minty. Alex resists the urge to throw another elbow. “How can I be wrong about my own favorite? It’s a personal truth.” “It’s a personal truth that is wrong and bad.” “Which do you prefer, then? Please show me the error of my ways.” “Okay, Empire.” Henry sniffs. “So dark, though.” “Yeah, which is what makes it good,” Alex says. “It’s the most thematically complex. It’s got the Han and Leia kiss in it, you meet Yoda, Han is at the top of his game, fucking Lando Calrissian, and the best twist in cinematic history. What does Jedi have? Fuckin’ Ewoks.” “Ewoks are iconic.” “Ewoks are stupid.” “But Endor.” “But Hoth. There’s a reason people always call the best, grittiest installment of a trilogy the Empire of the series.” “And I can appreciate that. But isn’t there something to be valued in a happy ending as well?” “Spoken like a true Prince Charming.” “I’m only saying, I like the resolution of Jedi. It ties everything up nicely. And the overall theme you’re intended to take away from the films is hope and love and … er, you know, all that. Which is what Jedi leaves you with a sense of most of all.
Casey McQuiston (Red, White & Royal Blue)
And then both men begin moving, going slow to find the rhythm that suits us all best, because of course it's not about finding the best way for two people, but for three, and then they find it, that perfect tempo, their two cocks rubbing together inside my pussy the same way they rubbed together
Sierra Simone (American Queen (New Camelot Trilogy, #1))
I wish you would have stayed, Blackbird. I would have taken you back into the kitchen. We could have made something together.”  “You were busy. I was…intruding.”  “I would have made time for you. You’re…” I swallow before I can say more than I should. “You’re my friend. Maybe someday my best friend.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
It was a sunny day in early summer, and he could hear birdsong. In a nearby orchard that had so far escaped shelling, apple trees were blossoming bravely. Men were the only animals that slaughtered their own kind by the million, and turned the landscape into a waste of shell craters and barbed wire. Perhaps the human race would wipe itself out completely, and leave the world to the birds and trees, Walter thought apocalyptically. Perhaps that would be for the best.
Ken Follett (Fall of Giants (The Century Trilogy #1))
The good you do today may be forgotten tomorrow. Do good anyway. Honesty and transparency make you vulnerable. Be honest and transparent anyway. What you spend years building may be destroyed overnight. Build anyway. Give the world the best you have and you may get hurt. Give the world your best anyway. —MOTHER TERESA
Alka Joshi (The Secret Keeper of Jaipur (The Jaipur Trilogy, #2))
We all leave one another. We die, we change - it's mostly change - we outgrow our best friends; but even if I do leave you, I will have passed on to you something of myself; you will be a different person because of knowing me; it's inescapable...
Edna O'Brien (The Country Girls Trilogy and Epilogue)
Alex finally turned around and noticed that there were three women in the room. He quickly swept his eyes over them, taking in their comfortable position. As his gaze settled on Emma, she lifted her teacup to her lips and took a sip. "My, my," he drawled, "aren't we the best of friends?" All three women shot him irritated glances. Alex looked a trifle disgruntled at their collective unfavorable response to his presence.
Julia Quinn (Splendid (The Splendid Trilogy, #1))
Of course I long for her, but in honesty I must say that I would rather long for her than have her continuously present. Travel agents assure us that 'getting there is half the fun'; I might say with at least equal truth that longing is some of the best of loving.
Robertson Davies (The Cunning Man (Toronto Trilogy, #2))
You're all the best things to me, Sloane. No matter how many bruises are in your heart or on your skin.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
He leans over and takes her hand. With the other he touches her face. “You your best thing, Sethe. You are.” His holding fingers are holding hers. “Me? Me?
Toni Morrison (Beloved (Beloved Trilogy, #1))
I never want to be in love, afraid of the decimating power of its loss. So I buried it. Starved it. Tried my best to keep it out.
Brynne Weaver (Leather & Lark (The Ruinous Love Trilogy, #2))
And who am I, that I should be asking you of all people for an easy life? As you think best then Lord, but only, give me patience when my own runs out...
Penelope Wilcock (The Hawk and the Dove Trilogy (The Hawk and the Dove #1-3))
He skidded to a dead halt and stared hard at Austin. The boy’s chin carried so many nicks from his first shave that it was a wonder he hadn’t bled to death. He was a year older than Houston had been when he’d last stood on a battlefield. Sweet Lord, Houston had never had the opportunity to shave his whole face; he’d never flirted with girls, wooed women, or danced through the night. He’d never loved. Not until Amelia. And he’d given her up because he’d thought it was best for her. Because he had nothing to offer her but a one-roomed log cabin, a few horses, a dream so small that it wouldn’t cover the palm of her hand. And his heart. His wounded heart.
Lorraine Heath (Texas Destiny (Texas Trilogy, #1))
I don’t know you well,” Risha’s voice was low. “But I know what Verex has told me about you, and what I see for myself. You don’t need to be gifted with a blade. You are your own best weapon.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
They were good friends, weren’t they? The best of friends. She ought to be able to walk into his room and ask him the reason for his absence this evening—and the reason for his absence from her bed. But she couldn’t, because it was all a sham, their friendship, at least on her part, a disguise for her true feelings, an awful solace for not being his one and only. A thing without wings.
Sherry Thomas (Ravishing the Heiress (Fitzhugh Trilogy, #2))
She snuggles against me, and I can’t help but realize that this is the first time I’ve ever actually cuddled with a woman. It’s nice. But I have a feeling it’s only nice because it’s Holly. She’s turned my entire fucking world upside down, and it’s the best goddamn thing that has ever happened to me. My
Meghan March (Dirty Together (The Dirty Billionaire Trilogy, #3))
Nikolai cleared his throat. “With all due respect, Oretsev, you don’t quite seem at your best.” “I’m fine.” “Have you looked in a mirror lately?” “I think you do that enough for the both of us,” Mal shot back.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
The best explanation of masochism, the appeal of masochism, is that it accepts shame; the sickening shame one must swallow and hide is at last accepted, employed, even loved—the shame about a mutilation, hairiness, too much or not enough fat, the shame about wanting to serve, to be a dog, son, wife, slave, horse, prisoner.
Edmund White (The Beautiful Room Is Empty (The Edmund Trilogy, #2))
Now, I believe the best way for you to learn is immersion and since we can't teleport you all to France," he grinned at me, and there were once again sighs from the girls. "I'll be speaking only in French and will expect you to do the same. Is anyone here already proficient in the language?" I narrowed my eyes at him. He knew darn well I was fluent in French and several other languages. "Eveline, I believe your dad mentioned at dinner the other night that you are?" What was he doing? "Umm. Yes-" He shook his head at me. "En français s'il vous plait." More sighs from the class. I clenched my jaw and spoke rapidly. "Oui, Monsieur Smith. Je parle français. Qu'est-ce que tu veux?" Yes, Mr.Smith. I speak French. What do you want? His eyes smoldered and caressed my face as he delivered his swift reply, "Je veux plus de toi que vous imaginez, ma petit lueur.
Heather Self (The One (The Portal Trilogy, #1))
They have trapped Blue into doing nothing, into being so inactive as to reduce his life to almost no life at all. Yes, says Blue to himself, that's what it feels like: like nothing at all. He feels like a man who has been condemned to sit in a room and go on reading a book for the rest of his life. This is strange enough - to be only half alive at best, seeing the world only through words, living only through the lives of others.
Paul Auster (Ghosts (The New York Trilogy, #2))
The Golden Tits of America!” Jason Rapsis cried from the shotgun seat. Rob had worked with any number of paramedics over his fifteen years as an EMT, and Jace Rapsis was the best: easygoing when nothing was happening, unflappable and sharply focused when everything was happening at once. “We shall be fed! God bless capitalism! Pull in, pull in!
Stephen King (End of Watch (Bill Hodges Trilogy, #3))
The more that's known about the world, the more people seem determined to search for what is lost or hidden. There are archaeologists, treasure hunters, and ghost hunters--the legions of the curious--searching for secrets and the places that hold them. They ignore the possibility that some secrets are best kept, some places better left untouched....
K.J. Wignall (Blood (Mercian Trilogy, #1))
Sometimes you meet your partner too soon, but love persuades you to leap, trusting that he’ll catch you. Life is real and it’s right now. Life is fireflies in your palm, gleaming gold, and then setting them free. In the best moments, life is fireworks. Sometimes life is having the rug pulled out from under you and the one you love helping you up. But most of all, life is what happens when you open the door and let beauty in, even if it doesn’t fit according to your plans.
Ann Aguirre (I Want It That Way (2B Trilogy #1))
Discover where you are now, and go on from there, making the best of things. Accept your life, and you might survive it. If you hold back from it, insisting this is not your life, not where you are meant to be, life will pass you by. You may not die from such foolishness, but you might as well be dead for all the good your life will do you or anyone else.
Robin Hobb (The Liveship Traders Trilogy (Liveship Traders, #1-3))
As we were about to cross the road, Davin suddenly grabbed my wrist and held me back a moment; a car peeled out of the driveway and roared past us. “Geez,” I gasped, and then, glancing at him curiously, I added, “Thanks.” He didn’t say anything, but slowly released my wrist. Before he completely withdrew, I took his hand and interlaced my fingers through his. He looked at me, his lips parted in surprise, but then he smiled shyly and gave my hand a squeeze as we kept walking. It gave me a feeling of nervous flutters in the best way. As we walked up to the doors, Jill and Laurel came bursting out the exit.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
I told you to stay off that goddamn horse, but you wouldn't listen! And I paid the price for your stubbornness. For forty-three days I traveled through hell, wanting that woman like I've never wanted anything in my life. For forty-three days, I drew your goddamn brand in the dirt to remind myself that she belonged to you, that she deserved the best of men. Think what you want of me, but never for one goddamn minute think less of her because you forced her in my company. Houston to Dallas
Lorraine Heath (Texas Destiny (Texas Trilogy, #1))
People don’t put their bad experiences online; they put their best ones. You could be having the worst day in the world, but if you upload a photo of a great view then that two-second snapshot of your day represents the entirety of it to a stranger.
Daniel Hurst (Influence (Influencing Trilogy #1))
You must never forget that dealing with a monarch is not like dealing with an ordinary man,” Ibn Sina said. “A king is not like you or me. He drops a hand carelessly and someone like us is put to death. Or he wiggles a finger and someone is allowed to live. That is absolute power, and no man born of woman is able to resist it. It drives even the best of monarchs slightly mad.
Noah Gordon (The Physician (The Cole Trilogy, 1))
You’re right about all those worries that are circling around in your head. Maybe all of them are true. But maybe it shouldn’t matter, because everyone messes up. We all let each other down once in a while. And sometimes the best things come out of the fire.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
My love for these books, at its purest, is not really about Peeta or anything silly and girly. I love that a young woman character is fierce and strong but hum in ways I find believable, relatable. Katniss is clearly a heroine, but a heroine with issues. She intrigues me because she never seems to know her own strength. She isn't blandly insecure the way girls are often forced to be in fiction. She is brave but flawed. She is a heroine, but she is also a girl who loves two boys and can't choose which boy she loves more. She is not sure she is up to the task of leading a revolution, but she does her best, even as she doubts herself. Katniss endures the unendurable. She is damaged and it shows. At times, it might seem like her suffering is gratuitous, but life often presents unendurable circumstances people manage to survive. Only the details differ. The Hunger Games trilogy is dark and brutal, but in the end, the books also offer hope - for a better world and a better people and, for one woman, a better life, a life she can share with a man who understands her strength and doesn't expect her to compromise that strength, a man who can hold her weak places and love her through the darkest of her memories, the worst of her damage. Of course I love the Hunger Games. The trilogy offers the tempered hope that everyone who survives something unendurable hungers for.
Roxane Gay
Every word I say to you is straight from my heart and soul. I want to start off by saying that you are the most beautiful woman I’ve ever seen, and you look absolutely stunning. I feel like I’m the luckiest man alive to have you in my life, and not just as your best friend, but as your husband. You stole my heart from the moment you turned around and looked at me. The moment I saw your smile, I knew I was done for, and everything I thought I had believed in disappeared. You showed me love, and taught me that it was ok to love someone. We grew together as friends and then as lovers. Now, we will grow together as husband and wife. I promise to love you forever, and to never break your heart. I promise to keep you safe at all times. I promise you a world of happiness and joy, and I promise to take away your pain and sadness. You are my forever,
Sandi Lynn (The Forever Trilogy (Forever, #1-3))
We never asked to bow. Who is he to say Red and Browns toiling to death is for the greater good? Who is he to say Pink children being harvested for rape, Obsidians and Grays for battle, is a necessity? How can he sit there and say that he alone knows what is best for me, for my family? It’s not his right
Pierce Brown (Golden Son (Red Rising Saga, #2))
Tips for aliens in New York: ‘Land anywhere, Central Park, anywhere. No one will care, or indeed even notice. ‘Surviving: Get a job as a cab driver immediately. A cab driver’s job is to drive people anywhere they want to go in big yellow machines called taxis. Don’t worry if you don’t know how the machine works and you can’t speak the language, don’t understand the geography or indeed the basic physics of the area, and have large green antennae growing out of your head. Believe me, this is the best way of staying inconspicuous. ‘If your body is really weird try showing it to people in the streets for money.
Douglas Adams (The Complete Hitchhiker's Guide to the Galaxy: The Trilogy of Five)
It is woefully hard to find good, or even merely literate, writers, and they laugh at me when I say that sloppy, go-as-you-please writing carries less authority than decent prose. You must remember our public, they say. And indeed that is what I do, and I think the public is fully able to deal with the best they can produce. Patronizing the public, and assuming that it hangs, breathless, upon what it reads in the papers, is almost the worst of journalistic sins.
Robertson Davies (Murther and Walking Spirits (Toronto Trilogy, #1))
Eunice Goddard," he said, all pretense of sleepiness gone from his eyes, "will you marry me? I have no flowery speech prepared and would feel remarkably idiotic delivering it even if I had. Will you just simply marry me, my love? Because I love you? Will you take the risk? I am fully aware that there is a risk. I can only urge you to take a chance on me while I promise to do my very best to love and cherish you for the rest of my days and even perhaps beyond them.
Mary Balogh (The Secret Mistress (Mistress Trilogy, #3))
Don Juan advises Carlito to choose a path with heart. I am familiar with it for the same reason that so many spiritual seekers are familiar with it, because it has that ring of sagely goodness that makes it the one thing out of all of Castenada’s writings that gets widely remembered. Does that make it true or valuable? Obviously not, just another cliché. Just another piece of pretty misdirection. I am well aware that a great many of the world’s most popular spiritual doctrines advocate a heart-centered approach to spiritual development, but popularity among the soundly asleep may not be the best criterion by which to judge a method for waking up.
Jed McKenna (Spiritual Enlightenment: The Damnedest Thing (The Enlightenment Trilogy Book 1))
He pulled her mirror out of his other pocket. “You left your mirror on my table.” He extended it toward her. “You can keep it,” she said quietly. “We have lots of mirrors here.” “I’ll keep it, then.” “Good. I’m glad.” He’d never rushed headlong into a battle, but he figured this time, it might be the best approach. “I spent a lot of time studying it. The back is real pretty with all the gold carving. Took me about an hour to gather up the courage to turn it over and look at the other side.” “And what did you see?” “ Aman who loves you more than life itself.” Closing her eyes, she dropped her chin to her chest. “I wouldn’t blame you if you hated me. I haven’t held your feelings as precious as I should have.” “I don’t hate you,” she whispered hoarsely. “I tried to, but I can’t.” -Houston and Amelia
Lorraine Heath (Texas Destiny (Texas Trilogy, #1))
Look how you’ve grown. I remember the day you were born. I could hold you with one hand. You were the world’s best thing. The most precious.” Aren’t I now, to you? she wanted to say. Instead, she whispered, “Tell me how I was.” “You had a warrior’s heart, even then.” “I was just a baby.” “No, you did. Your cry was so fierce. You held my finger so tightly.” “All babies cry. All babies hold on tight.” He let go of her hand to lift his, and brush his knuckles across her cheek. “Not like you.” *
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
General Trajan’s hand closed around the watch. What a silly gift to give a man who led nighttime assaults where stealth could mean the difference between life and death. “Give it to me,” Kestrel said. “I will find a nice convenient rock to drop it on.” The general smiled a little. “When the emperor gives you a gift, it’s best to wear it.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
You loved her, but you let her marry some other fella? Why’d you do a fool thing like that?” “Because it was best for her.” “How do you know it was best for her?” Houston swiveled his head and captured his brother’s gaze. “What?” Austin shrugged. “What if what you thought was best for her wasn’t what she wanted?” “What are you talking about?” Austin slid his backside across the porch. “I’m not learned in these matters so I don’t understand how you know what you did was best for her.” -Houston and Austin
Lorraine Heath (Texas Destiny (Texas Trilogy, #1))
I’m sorry for making you feel bad when I should’ve done the opposite. I lost the ability to feel love when I was a boy, but you’ve slowly but surely yanked those feelings out of me. You didn’t only yank them out, you also held tight to a part of me I thought was long gone. For you, I want to go back in time and keep that part alive for the moment I met you. In the past, I thought people were destined to leave, so being attached to anyone was useless. And I thought that at some point, you would leave, too. I fought the pull to you. I fought the lure of your rose scent and your breakable softness. But I couldn’t fucking last. Not when I craved your presence the moment you were out of sight. Not when my thoughts of breaking your purity turned to a need to protect it. I told you how different my love is, how dark it can get, but I do love you, more than I’ve ever loved anyone in my life. I don’t only need you; I also genuinely cannot live without you and the light you bring to my darkness. I know you deserve better, but I’m unable to let you go, so I’ll try my best to be worthy of you, Lenochka.
Rina Kent (Consumed by Deception (Deception Trilogy, #3))
The truth isn’t scary. Not when you understand it, not when you understand the repercussions of it, and not when you aren’t worried that something’s being kept from you. The truth is only scary when you think part of it might be missing. And those people? They like it when you’re scared. So they do their best to sit on the truth, to sensationalize the truth, to filter the truth in ways that make it something you can be afraid of. If we didn’t have to fear the truths we didn’t hear, we’d lose the need to fear the ones we did. People should consider that.
Mira Grant (Feed (Newsflesh Trilogy, #1))
You have to enjoy power, have a certain ruthlessness, to accept the beauty and not mourn the fact that it overshadows everything else. As with any exaggerated trait that sets you apart and makes you exceptional—and enviable, and hateable—to accept your beauty, to accept its effect on others, to play with it, to make the best of it, you’re well advised to develop a sense of humor.
Philip Roth (American Pastoral (The American Trilogy, #1))
I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.” “No,” Kestrel said. “You’re not. Your voice is beautiful.” The silence after that was soft.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Adam Parrish. This was how it had begun: Ronan Lynch had been in the passenger seat of Richard Campbell Gansey III's bright orange '73 Camaro, hanging out the window because walls couldn't hold him. Little historic Henrietta, Virginia, curled close, trees and streetlights alike leaning in as if to catch the conversation down below. What a pair the two of them were. Gansey, searching desperately for meaning. Ronan, sure that he wouldn't find any. Voted most and least likely to succeed, respectively, at Aglionby Academy, their shared high school. Those days, Gansey was the hunter and Ronan the hawkish best friend kept hooded and belled to prevent him tearing himself to shreds with his own talons. This was how it had begun: a student walking his bike up the last hill into town, clearly headed the same place they were. He wore the Aglionby uniform, although as they grew closer Ronan saw it was threadbare in a way school uniforms couldnt manage in a single year's use--secondhand. His sleeves were pushed up and his forearms were wiry, the thin muscles picked out in stark relief. Ronan's attention stuck on his hands. Lovely boyish hands with prominent knuckles, gaunt and long like his unfamiliar face. "Who's that?" Gansey had asked, and Ronan hadn't answered, just kept hanging out the window. As they passed, Adam's expression was all contradictions: intense and wary, resigned and resilient, defeated and defiant. Ronan hadn't known anything about who Adam was then and, if possible, he'd known even less about who he himself was, but as they drove away from the boy with the bicycle, this was how it had begun: Ronan leaning back against his seat and closing his eyes and sending up a simple, inexplicable, desperate prayer to God: Please.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
Sloane Sutherland, my beautiful Blackbird. From the moment I met you, you changed the course of my life. I can’t remember anything being fun or exciting or new without you. I can’t remember feeling anything but numb until you burst into my world in your smelly little cage of orzo pastas … I can’t envision the future without you in it. And I don’t want to, not ever. So marry me, Sloane, and we’ll go on crazy adventures forever and fuck shit up, and be best friends and do karate in the garage and make love every day and grow old together. Because I can’t imagine anyone I’d rather spend all those moments with than you.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Choose a good vintage,” Cheat said to Kestrel. “You’ll know the best.” As she left the room, his eyes followed her, glittering. She returned with a clearly labeled bottle of Valorian wine dated to the year of the Herran War. She placed it on the table in front of the two seated men. Arin’s jaw set, and he shook his head slightly. Cheat lost his grin. “This was the best,” Kestrel said. “Pour.” Cheat shoved his glass toward her. She uncorked the bottle and poured--and kept pouring, even as the red wine flowed over the glass’s rim, across the table, and onto Cheat’s lap. He jumped to his feet, swatting wine from his fine stolen clothes. “Damn you!” “You said I should pour. You didn’t say I should stop.” Kestrel wasn’t sure what would have happened next if Arin hadn’t intervened. “Cheat,” he said, “I’m going to have to ask you to stop playing games with what is mine.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
It was some time before she heard galloping behind her, and then she did ease up, instinctively wheeling Javelin around to see the blur of horse and rider coming down the path. Arin slowed, and sidled alongside Kestrel. The horses whickered. Arin looked at her, at the smile she couldn’t hide, and his face seemed to hold equal parts frustration and amusement. “You are a bad liar,” she told him. He laughed. She found it hard to look at him then, and her gaze dropped to his stallion. Her eyes widened. “That is the horse you chose?” “He is the best,” Arin said seriously. “He is my father’s.” “I won’t hold that against the horse.” It was Kestrel’s turn to laugh.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
These are illusions of popular history which a successful religion must promote: Evil men never prosper; only the brave deserve the fair; honesty is the best policy; actions speak louder than words; virtue always triumphs; a good deed is its own reward; any bad human can be reformed; religious talismans protect one from demon possession; only females understand the ancient mysteries; the rich are doomed to unhappiness … —From the Instruction Manual: Missionaria Protectiva
Frank Herbert (The Great Dune Trilogy)
Let’s talk about sex.” “No.” Rolling my eyes, I walked away. “Sex is good!” “Shut up, Tink.” “Sex is fun!” he continued to shout. I shook my head “The only thing you’re having sex with is inanimate objects, so what do you know?” He ignored me. “Sex is best when it’s one on one!” Stopping in the hall, I turned to where he was doing a pelvic thrust. “Isn't that a George Michael song?” “Maybe. but he was wrong. I like to think sex is best when it's like three on three or something. Seems more adventurous.
Jennifer L. Armentrout (Wicked (A Wicked Trilogy #1))
The care of babies involves education, and is entrusted only to the most fit,” she repeated. “Then you separate mother and child!” I cried in cold horror, something of Terry’s feeling creeping over me, that there must be something wrong among these many virtues. “Not usually,” she patiently explained. “You see, almost every woman values her maternity above everything else. Each girl holds it close and dear, an exquisite joy, a crowning honor, the most intimate, most personal, most precious thing. That is, the child-rearing has come to be with us a culture so profoundly studied, practiced with such subtlety and skill, that the more we love our children the less we are willing to trust that process to unskilled hands—even our own.” “But a mother’s love—” I ventured. She studied my face, trying to work out a means of clear explanation. “You told us about your dentists,” she said, at length, “those quaintly specialized persons who spend their lives filling little holes in other persons’ teeth—even in children’s teeth sometimes.” “Yes?” I said, not getting her drift. “Does mother-love urge mothers—with you—to fill their own children’s teeth? Or to wish to?” “Why no—of course not,” I protested. “But that is a highly specialized craft. Surely the care of babies is open to any woman—any mother!” “We do not think so,” she gently replied. “Those of us who are the most highly competent fulfill that office; and a majority of our girls eagerly try for it—I assure you we have the very best.” “But the poor mother—bereaved of her baby—” “Oh no!” she earnestly assured me. “Not in the least bereaved. It is her baby still—it is with her—she has not lost it. But she is not the only one to care for it. There are others whom she knows to be wiser. She knows it because she has studied as they did, practiced as they did, and honors their real superiority. For the child’s sake, she is glad to have for it this highest care.
Charlotte Perkins Gilman (Herland (The Herland Trilogy, #2))
She heard him close the door. “I was going to impress you with my romantic eloquence, of course. I’d thought to wax philosophical about the beauty of your brow.” Lucy blinked. “My brow?” “Mmm. Have I told you that your brow intimidates me?” She felt his warmth at her back as he moved behind her, but he didn’t touch her. “It’s so smooth and white and broad, and ends with your straight, knowing eyebrows, like a statue of Athena pronouncing judgment. If the warrior goddess had a brow like yours, it is no wonder the ancients worshiped and feared her.” “Blather,” she murmured. “Blather, indeed. Blather is all I am, after all.” She frowned and turned to contradict him, but he moved with her so that she couldn’t quite catch sight of his face. “I am the duke of nonsense,” he whispered in her ear. “The king of farce, the emperor of emptiness.” Did he really see himself so? “But—” “Blathering is what I do best,” he said, still unseen. “I’d like to blather about your golden eyes and ruby lips.” “Simon—” “The perfect curve of your cheek,” he murmured close. She gasped as his breath stirred the hair at her neck. He was distracting her with lovemaking. And it was working. “What a lot of talk.” “I do talk too much. It’s a weakness you’ll have to bear in your husband.” His voice was next to her ear. “But I’d have to spend quite a bit of time outlining the shape of your mouth, its softness and the warmth within. -Simon to Lucy on their wedding night.
Elizabeth Hoyt (The Serpent Prince (Princes Trilogy, #3))
He braced his elbows on the desk,his brow on his fists. "She came shrieking across the court.I'd just hit a line drive,barely missed beaning her. Cameras rolling, and there I am trying to look my sixth-generational-hotelier best, the athletic yet intelligent, the world-traveled yet dedicated, the dashing yet concerned heir to the Templeton name." "You'd be good at that," Margo murmured, hoping to placate him. He didn't even look at her. "Suddenly I've got my arms full of this half-naked, spitting, swearing, clawing mass who's screaming that my sister, her lesbian companion, and my whore attacked her." He pinched the bridge of his nose, hoping to relieve some pressure. "I figured out right away who my sister was. Though I didn't appreciate the term,I deduced you must be my whore.The lesbian companion might have stumped me,but for process of elimination." He lifted his head. "I was tempted to belt her,but I was too busy trying to keep her from ripping off my face." "It's such a nice face too." Hoping to soothe, she walked around the desk and sat on his lap. "I'm sorry she took it out on you." "She sratched me." He turned his head to show her the trio of angry welts on the side of his throat. Dutifully, Margo kissed them. "What am I going to do with you?" he asked wearily and rested his cheek on her head. Then he chuckled. "How the hell did you stuff her into one of those skinny lockers?" "It wasn't easy but it was fun." He narrowed his eyes. "You're not going to do it again,no matter what the provocation-unless you sedate her first." "Deal." Since the crisis seemed to have passed, she slipped a hand under his shirt, stroked it over his chest, watched his brow lift. "I've been waxed and polished.If you're interested." "Well,just so the day isn't a complete loss." He picked her up and carried her to the bed.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
He muses on the terrorists who brought down the World Trade Center (he muses on them often). Those clowns actually thought they were going to paradise, where they'd live in a kind of eternal luxury hotel being services by gorgeous young virgins. Pretty funny, and the best part? They joke was on them...not that they knew it. What they got was a momentary view of all those windows and a final flash of light. After that, they and their thousands of victims were just gone. Poof. Seeya later, alligator. Off you go, killers and killed alike, off you go into the universe null set that surrounds one lonely blue planet and all its mindlessly bustling denizens. Every religion lies. Every moral precept is a delusion. Even the stars are a mirage. The truth is darkness, and the only thing that matters is making a statement before one enters it. Cutting the skin of the world and leaving a scar. That's all history is, after all: scar tissue.
Stephen King (Mr. Mercedes (Bill Hodges #1))
That anybody white could take your whole self for anything that came to mind. Not just work, kill, or maim you, but dirty you. Dirty you so bad you couldn’t like yourself anymore. Dirty you so bad you forgot who you were and couldn’t think it up. And though she and others lived through and got over it, she could never let it happen to her own. The best thing she was, was her children. Whites might dirty her all right, but not her best thing, her beautiful, magical best thing—the part of her that was clean. No undreamable dreams about whether the headless, feetless torso hanging in the tree with a sign on it was her husband or Paul A; whether the bubbling-hot girls in the colored-school fire set by patriots included her daughter; whether a gang of whites invaded her daughter’s private parts, soiled her daughter’s thighs and threw her daughter out of the wagon. She might have to work the slaughterhouse yard, but not her daughter.
Toni Morrison (Beloved (Beloved Trilogy, #1))
The Machinery are a bunch of fuckwits who believe that the human body is best conceptualised as a machine, and that if behaviour is stripped down to only what is functional, a higher form of humanity will emerge. This means actions that lead to the fulfilment of their basic needs only. Disease is a malfunction. You can see where this goes. They’re boring as hell, they only speak to convey information and they are more inflexible than actual machines. They are said to be good spouses and accountants. The one beside me has a distinct self-image, fully identified as a machine. He repeats to himself mentally, ‘You are a machine, you are a machine.
Tade Thompson (Rosewater (The Wormwood Trilogy, #1))
One question I feel compelled to ask; Before they agreed to marry, did all the Cynster females behave as irrationally as Heather is?" He glanced briefly up, but Richard didn't look up from the lure he was tying off as he unperturably replied, "Prickly at the best of times, then 'have-at-you' the instant you set a foot, nay, a toe, wrong?" "Exactly." "Then yes." Richard straightened, tipping his head as he examined his lure. "It seems to be a family failing, even when they're not Cynster-born." Breckenridge humphed. He was carefully placing the fresh hook into his clamp when Richard continued, "There seems to be this prevailing wisdom, not just over marrying for love, but what that actually equates to. They seem to all have it firmly in their heads that without some cast-iron assurance, preferably in the form of an open declaration from us, then no matter the reality of any love, that love won't be solid and strong." Unwinding the vise to release his completed lure, Richard grimaced. "It's almost as if they think that unless we state our feelings out aloud, we won't know what they-our feelings-are." He snorted. "As if we somehow might not notice that our lives have suddenly shifted to revolve solely about them and their well-being." Breckenridge grunted in masculine agreement. "Sadly," Richard said, selecting another hook, "it appears futile to expect them to go against the familial grain.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
A budget?" He'd expected an explosion.Even, perversely,hoped for one.Margo's tantrums were always so..stimulating.It didn't appear that he was going to be disappointed. "A budget?" she repeated,storming to him. "Of all the unbelievable,bloody nerve.You arrogant son of a bitch. Do you think I'm going to stand here and let you treat me like some sort of brainless bimbo who needs to be told how much she can spend on face powder?" "Face powder." Deliberately, he scanned the papers,took a pen out of his pocket,and made a quick note. "That would come under 'Miscellaneous Luxuries.' I think I've been very generous there. Now,as to your clothing allowance-" "Allowance!" She used both hands to shove him back a step. "Just let me tell you what you can do with your fucking allowance." "Careful,duchess." He brushed the front of his shirt. "Turnbill and Asser." The strangled sound in her throat was the best she could do.If there had been anything at all to throw,she'd have heaved it at his head. "I'd rather be picked apart,alive, by vultures than let you handle the money." "You don't have any money," he began, but she barreled on as she whirled around the room. Watching her, he all but salivated. "I'd rather be gang-raped by midgets, staked naked to a wasp nest,be force-fed garden slugs." "Go three weeks without a manicure?" he put in and watched her hands curl into claws. "You go after my face with those, I'll have to hurt you." "Oh,I hate you." "No,you don't.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
New York was an inexhaustible space, a labyrinth of endless steps, and no matter how far he walked, no matter how well he came to know its neighborhoods and streets, it always left him with the feeling of being lost. Lost, not only in the city, but within himself as well. Each time he took a walk, he felt as though he were leaving himself behind, and by giving himself up to the movement of the streets, by reducing himself to a seeing eye, he was able to escape the obligation to think, and this, more than anything else, brought him a measure of peace, a salutary emptiness within. The world was outside of him, around him, before him, and the speed with which it kept changing made it impossible for him to dwell on any one thing for very long. Motion was of the essence, the act of putting one foot in front of the other and allowing himself to follow the drift of his own body. By wandering aimlessly, all places became equal, and it no longer mattered where he was. On his best walks, he was able to feel that he was nowhere. And this, finally, was all he ever asked of things: to be nowhere. New York was the nowhere he had built around himself, and he realized that he had no intention of ever leaving it again.
Paul Auster (The New York Trilogy (New York Trilogy, #1-3))
As he rowed the launch toward Wensan’s ship, which was Herrani-made and studded with Valorian cannon, Arin remembered the exhaustion of that work, but also how it had corded his muscles until the ache in his arms became stone. He was grateful to the Valorians for having made him strong. If he was strong enough, he might live through this night. If he lived, he could reclaim the shreds of who he had been, and explain himself to Kestrel in a way she would understand. She sat silent next to him in the launch. The other Herrani at the oars watched as she lifted her bound hands to tug at the black cloth covering her hair. It was an awkard business. It was also necessary, since a new twist in the plan called for Kestrel to be seen and recognized. The Herrani watched her struggle. They watched Arin drop an oar in its lock to offer a hand. She flinched hard enough that her shifted weight shook the boat It was only a slight tremor along wood, but they all felt it. Shame ate into his gut. Kestrel pulled the cloth from her head. Even though clouds swelled in the sky, swallowing the moon and deepening the dark around them, Kestrel’s hair and pale skin seemed to glow. It looked like she was lit from within. It wasn’t something Arin could bear to see. He returned to the oars and rowed. Arin knew, far better than any of the ten Herrani in the launch, that Kestrel could be devious. That he shouldn’t trust her plan any more than he should have fallen for her ploys at Bite and Sting, or followed her blindly into the trap she had set and sprung for him the morning of the duel. Her plan to seize the ship was sound. Their best option. Still, he kept examining it like he might a horse’s hoof, tapping the surface for a flaw, a dangerous split. He couldn’t see it. He thought that there must be one, then realized that the flaw he sensed lay inside him. Tonight had cracked Arin open. It had brought the battle inside him to a boiling war. Of course he was certain that something was wrong. Impossible. It was impossible to love a Valorian and also love his people. Arin was the flaw.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
And here before me stands a marvelously groomed little man who is pinning a hero's medal on me because some of his forebears were Alfred the Great and Charles the First, and even King Arthur, for anything I knew to the contrary. But I shouldn't be surprised if inside he feels as puzzled about the fate that brings him here as I. we are public icons, we two: he an icon of kingship, and I an icon of heroism, unreal yet very necessary; we have obligations above what is merely personal, and to let personal feelings obscure the obligations would be failing in one's duty. This was clearer still afterward, at lunch at the Savoy....; they all seemed to accept me as a genuine hero, and I did my best to behave decently, neither believing in it too obviously, nor yet protesting that I was just a simple chap who had done his duty when he saw it--a pose that has always disgusted me. Ever since, I have tried to think charitably of people in prominent positions of one kind or another. We cast them in roles, and it is only right to consider them as players, without trying to discredit them with knowledge of their off-stage life--unless they drag it into the middle of the stage themselves.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved)
Don't listen to Hassan i Sabbah," they will tell you. "He wants to take your body and all pleasures of the body away from you. Listen to us. We are serving The Garden of Delights Immortality Cosmic Consciousness The Best Ever In Drug Kicks. And love love love in slop buckets. How does that sound to you boys? Better than Hassan i Sabbah and his cold windy bodiless rock? Right?" At the immediate risk of finding myself the most unpopular character of all fiction—and history is fiction—I must say this: "Bring together state of news—Inquire onward from state to doer—Who monopolized Immortality? Who monopolized Cosmic Consciousness? Who monopolized Love Sex and Dream? Who monopolized Life Time and Fortune? Who took from you what is yours? Now they will give it all back? Did they ever give anything away for nothing? Did they ever give any more than they had to give? Did they not always take back what they gave when possible and it always was? Listen: Their Garden Of Delights is a terminal sewer—I have been at some pains to map this area of terminal sewage in the so called pornographic sections of Naked Lunch and Soft Machine—Their Immortality Cosmic Consciousness and Love is second-run grade-B shit—Their drugs are poison designed to beam in Orgasm Death and Nova Ovens—Stay out of the Garden of Delights—It is a man-eating trap that ends in green goo—Throw back their ersatz Immortality—It will fall apart before you can get out of The Big Store—Flush their drug kicks down the drain—They are poisoning and monopolizing the hallucinogen drugs—learn to make it without any chemical corn—All that they offer is a screen to cover retreat from the colony they have so disgracefully mismanaged. To cover travel arrangements so they will never have to pay the constituents they have betrayed and sold out. Once these arrangements are complete they will blow the place up behind them.
William S. Burroughs (Nova Express (The Nova Trilogy, #2))
I am sure you’re very pleased to have a pair of foxes,” Kestrel told Irex now, “but you’ll have to do better.” “I set down my tile,” Irex said coldly. “I cannot take it back.” “I’ll let you take it back. Just this once.” “You want me to take it back.” “Ah. So you agree that I know what tile you mean to play.” Benix shifted his weight on Lady Faris’s delicate chair. It creaked. “Flip the damn tile, Irex. And you, Kestrel: Quit toying with him.” “I’m merely offering friendly advice.” Benix snorted. Kestrel watched Irex watch her, his anger mounting as he couldn’t decide whether Kestrel’s words were a lie, the well-meant truth, or a truth she hoped he would judge a lie. He flipped the tile: a fox. “Too bad,” said Kestrel, and turned over one of hers, adding a third bee to her other two matching tiles. She swept the four gold coins of the ante to her side of the table. “See, Irex? I had only your best interests at heart.” Benix blew out a gusty sigh. He settled back in his protesting chair, shrugged, and seemed the perfect picture of amused resignation. He kept his head bowed while he mixed the Bite and Sting tiles, but Kestrel saw him shoot Irex a wary glance. Benix, too, had seen the rage that turned Irex’s face into stone. Irex shoved back from the table. He stalked over the flagstone terrace to the grass, which bloomed with the highest members of Valorian society. “That wasn’t necessary,” Benix told Kestrel. “It was,” she said. “He’s tiresome. I don’t mind taking his money, but I cannot take his company.” “You couldn’t spare a thought for me before chasing him away? Maybe I would like a chance to win his gold.” “Lord Irex can spare it,” Ronan added. “Well, I don’t like poor losers,” said Kestrel. “That’s why I play with you two.” Benix groaned. “She’s a fiend,” Ronan agreed cheerfully. “Then why do you play with her?” “I enjoy losing to Kestrel. I will give anything she will take.” “While I live in hope to one day win,” Benix said, and gave Kestrel’s hand a friendly pat. “Yes, yes,” Kestrel said. “You are both fine flatterers. Now ante up.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years. A floorboard creaked somewhere in one of the outer chambers. Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this. With her caught touching his things. Her gaze dropped. “I’m sorry,” she murmured. “It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy. She cleared her throat. “Do you still play?” He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.” “No,” Kestrel said. “You’re not. Your voice is beautiful.” The silence after that was soft.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
As people turned away, Kestrel saw a clear path to Irex, tall and black-clad in the center of the space marked for the duel. He smiled at her, and Kestrel was so thrown out of herself that she didn’t know her father had arrived until she felt his hand on her shoulder. He was dusty and smelled of horse. “Father,” she said, and would have tucked herself into his arms. He checked her. “This isn’t the time.” She flushed. “General Trajan,” Ronan said cheerfully. “So glad you could come. Benix, do I see the Raul twins over there, in the front, closest to the dueling ground? No, you blind bat. There, right next to Lady Faris. Why don’t we watch the match with them? You, too, Jess. We need your feminine presence so we can pretend that we’re only interested in the twins because you’d like to chat about feathered hats.” Jess squeezed Kestrel’s hand, and the three of them would have left immediately had the general not stopped them. “Thank you,” he said. Kestrel’s friends dropped their merry act, which Jess wasn’t performing well anyway. The general focused on Ronan, sizing him up like he would a new recruit. Then he did something rare. He gave a nod of approval. The corner of Ronan’s mouth lifted in a small, worried smile as he led the others away. Kestrel’s father faced her squarely. When she bit her lip, he said, “Now is not the time to show any weakness.” “I know.” He checked the straps on her forearms, at her hips, and against her calves, tugging the leather that secured six small knives to her body. “Keep your distance from Irex,” he said, his voice low, though the people nearest to them had withdrawn to give some privacy--a deference to the general. “Your best bet is to keep this to a contest of thrown knives. You can dodge his, throw your own, and might even get first blood. Make him empty his sheaths. If you both lose all six Needles, the duel is a draw.” He straightened her jacket. “Don’t let this turn into hand-to-hand combat.” The general had sat next to her at the spring tournament. He had seen Irex fight and directly afterward had tried to enlist him in the military. “I want you to be at the front of the crowd,” Kestrel said. “I wouldn’t be anywhere else.” A small crease appeared between her father’s brows. “Don’t let him get close.” Kestrel nodded, though she had no intention of taking his advice. She walked through the throngs of people to meet Irex.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years. A floorboard creaked somewhere in one of the outer chambers. Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this. With her caught touching his things. Her gaze dropped. “I’m sorry,” she murmured. “It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy. She cleared her throat. “Do you still play?” He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.” “No,” Kestrel said. “You’re not. Your voice is beautiful.” The silence after that was soft. Her fingers curled around the violin. She wanted to ask Arin a question yet couldn’t bear to do it, couldn’t say that she didn’t understand what had happened to him the night of the invasion. It didn’t make sense. The death of his family was what her father would call a “waste of resources.” The Valorian force had had no pity for the Herrani military, but it had tried to minimize civilian casualties. You can’t make a dead body work. “What is it, Kestrel?” She shook her head. She set the violin back on the wall. “Ask me.” She remembered standing outside the governor’s palace and refusing to hear his story, and was ashamed once more. “You can ask me anything,” he said. Each question seemed the wrong one. Finally, she said, “How did you survive the invasion?” He didn’t speak at first. Then he said, “My parents and sister fought. I didn’t.” Words were useless, pitifully useless--criminal, even, in how they could not account for Arin’s grief, and could not excuse how her people had lived on the ruin of his. Yet again Kestrel said, “I’m sorry.” “It’s not your fault.” It felt as if it was. Arin led the way out of his old suite. When they came to the last room, the greeting room, he paused before the outermost door. It was the slightest of hesitations, no longer than if the second hand of a clock stayed a beat longer on its mark than it should. But in that fraction of time, Kestrel understood that the last door was not paler than the others because it had been made from a different wood. It was newer. Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained. She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))