Trilogy Best Quotes

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You are your best thing
Toni Morrison (Beloved (Beloved Trilogy, #1))
Why is there ever this perverse cruelty in humankind, that makes us hurt most those we love best?
Jacqueline Carey (Kushiel's Chosen (Phèdre's Trilogy, #2))
Every time you take one path, you must live with the memory of the other: of a life left unchosen. Decide as seems best, one course or the other; each way will have its bitter with its sweet.
Katherine Arden (The Girl in the Tower (The Winternight Trilogy, #2))
You don't need to be gifted with a blade. You are your own best weapon.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Thanks for being my best friend and making my life bearable. Oh, and sorry I fell in love with you for a while there.
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
The tune was sad, as the best of Ireland was, melancholy and lovely as a lover's tears.
Nora Roberts (Born in Fire (Born In Trilogy, #1))
He leans over and takes her hand. With the other he touches her face. ‘You your best thing, Sethe. You are.’ His holding fingers are holding hers. ‘Me? Me?
Toni Morrison (Beloved (Beloved Trilogy, #1))
It's best to let her go," he says. No, no, that's wrong. It's never right to give up on someone.
Lauren DeStefano (Fever (The Chemical Garden, #2))
No matter what I said, we both knew the hard truth. We do our best. We try. And usually, it makes no difference at all.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Being in love with your best friend is problematic.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
I cleared my throat and spoke into his kiss. “Sorry, it’s been a while.” “You should expect to hear the same thing from me in about five minutes,” he murmured. “Five minutes, huh?” “I’ll make it the best five minutes of your life.” I bit his lip, hard, then released him and looked into those intense blues. “Clock’s ticking.
Karina Halle (Sins & Needles (The Artists Trilogy, #1))
You your best thing, Sethe. You are.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Harrow laughed. It was the first time she had ever heard Harrow really laugh. It was a rather weak and tired sound. "Gideon the Ninth, first flower of my House," she said hoarsely, "you are the greatest cavalier we have ever produced. You are our triumph, The best of all of us. It has been my privilege to be your necromancer.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
Each time he took a walk, he felt as though he were leaving himself behind, and by giving himself up to the movement of the streets, by reducing himself to a seeing eye, he was able to escape the obligation to think, and this, more than anything else, brought him a measure of peace, a salutary emptiness within...By wandering aimlessly, all places became equal and it no longer mattered where he was. On his best walks he was able to feel that he was nowhere. And this, finally was all he ever asked of things: to be nowhere.
Paul Auster (City of Glass (The New York Trilogy, #1))
We all leave one another. We die, we change - it's mostly change - we outgrow our best friends; but even if I do leave you, I will have passed on to you something of myself; you will be a different person because of knowing me; it's inescapable...
Edna O'Brien (Girl with Green Eyes (The Country Girls Trilogy, #2))
As much as I cared about him, I wasn’t a slave to fate. I could choose to ignore my feelings, strong as they were. It would be painful, but no more so than letting myself pine for my friend.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Risky, thought Paul D, very risky. For a used-to-be-slave woman to love anything that much was dangerous, especially if it was her children she had settled on to love. The best thing, he knew, was to love just a little bit, so when they broke its back, or shoved it in a croaker sack, well, maybe you'd have a little love left over for the next one.
Toni Morrison (Beloved (Beloved Trilogy, #1))
We do the best we can do.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
If I wanted to imprison someone until the end of days, would it not be best to use a prison that he has no desire to escape?
Katherine Arden (The Winter of the Witch (The Winternight Trilogy, #3))
You are too attached to things as they are,” said Morozko, combing the mare’s withers. He glanced down idly. “You must allow things to be what best suits your purpose. And then they will.
Katherine Arden (The Bear and the Nightingale (The Winternight Trilogy, #1))
I think we’re officially best friends now,” she says.  “Oh yeah? Do you want to go do karate in the garage?
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Kestrel felt a slow, slight throb, a shimmer in the blood. She knew it well. Her worst trait. Her best trait. The desire to come out on top, to set her opponent under her thumb. A streak of pride. Her mind ringed with hungry rows of foxlike teeth.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
You your own best thing, Sethe. You are.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Adulthood can do the most horrific things to the best of people.
Neal Shusterman (Everwild (The Skinjacker Trilogy, #2))
I shouldn't have lost my temper that way. It just pricks his pride, makes him dig in his heels." "So why did you?" I asked, genuinely curious. It was rare for Nikolai's emotions to get the best of him. "I don't know," he said, shredding the leaf. "You got angry. I got angry. The room was too damn hot." "I don't think that's it." "Indigestion?" he offered. "It's because you actually care about what happens to this country," I said. "The throne is just a prize to Vasily, something he wants to squabble over like a favorite toy, You're not like that. You'll make a good king." Nikolai froze. "I…" For once, words seemed to have deserted him. Then a crooked, embarrassed smile crept across his face. It was a far cry from his usual self-assured grin. "Thank you," he said. I sighed as we resumed our pace. "You're going to be insufferable now, aren't you?" Nikolai laughed. "I'm already insufferable.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Now that your speech impediment has been rectified, perhaps you might say something. It would be best if it were humorous. I enjoy a good jest.' 'You are dreadfully rude,' I said to him. He sighed. 'That wasn't the slightest bit funny.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
I say we go down fighting." ... "We do the best we can.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
We had everything: love, attention, the best money could buy, but we were taught that we had to first give to then receive.
Cristiane Serruya (Trust: Betrayed (Trust Trilogy, #2))
David looked at me, then, the regret plain on his face. No matter what I said, we both knew the hard truth. We do our best. We try. And usually, it makes no difference at all
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
The best thing she was, was her children.
Toni Morrison (Beloved (Beloved Trilogy, #1))
It is a human failing, to attribute the best of motives to those we know the least, and the worst to those we love best.
Jacqueline Carey (Kushiel's Dart (Phèdre's Trilogy, #1))
That's part of why I tracked you down. I wanted to be as loyal to you as you are to your Clan. I know I can't exactly miss a life I've never known, Graystripe, but I think sharing your life and your path... is the best journey I could possibly imagine.
Erin Hunter (The Lost Warrior (Warriors Manga: Graystripe's Trilogy, #1))
Do you think the world cares if you do your best? Do it again and do it right.
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
...I told you how different my love is, how dark it can get, but I do love you, more than I've ever loved anyone in my life. I don't only need you; I also genuinely cannot live without you and the light you bring to my darkness. I know you deserve better, but I'm unable to let you go, so I'll try my best to be worthy of you, Lenochka.
Rina Kent (Consumed by Deception (Deception Trilogy, #3))
I know he’s a realist, he’s okay with being alone, and he helps people when he thinks no one is watching.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
We do our best. We try. And usually, it makes no difference at all.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
And sometimes the best things come out of the fire.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
I'd stop the world from spinning for you." That silly line oddly touched me. "I love you." "Liked that one, did you.
Sylvia Day (Entwined with You (Crossfire, #3))
Son, not everbody thinks that life on a cattle ranch in west Texas is the second best thing to dyin and goin to heaven.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
Life will hack off your head and shit down your neck every chance it gets. I've found that consuming drugs and booze, listening to music and always having an excuse in the best way to tip the scales.
Dave Matthes (Bar Nights (The Mire Man Trilogy, #1))
- ... If he finds the firebird, we may just stand a chance. - And if he doesn't? - We put on our best clothes and die like heroes.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
It seems like everyone I know has very strong feelings about which boy is the best fit for Katniss, but also because the books themselves contain a commentary on the way audiences latch onto romance, even (and maybe especially) when lives are at stake.
Jennifer Lynn Barnes (The Girl Who Was on Fire: Your Favorite Authors on Suzanne Collins' Hunger Games Trilogy)
On his best walks, he was able to feel that he was nowhere. And this, finally, was all he ever asked of things: to be nowhere. New York was the nowhere he had built around himself, and he realized that he has no intention of ever leaving it again.
Paul Auster (The New York Trilogy (New York Trilogy, #1-3))
We make stupid mistakes when we're young; we do our best to make amends for them as we get older. We survive by learning; by learning we survive. Such is life. So be it.
Allen M. Steele (Coyote (Coyote Trilogy, #1))
I want to be a Half Code. I want to be Black and White, the best of both.
Sally Green (Half Lost (The Half Bad Trilogy, #3))
Still, you need him as much as you need the air you breathe, and he wants you as he’s wanted nothing and no one since I made him. So it is done, and we will make the best of it.
Deborah Harkness (A Discovery of Witches (All Souls Trilogy, #1))
You’re all the best things to me, Sloane. No matter how many bruises are in your heart or on your skin.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Ysabeau wanted me to know she approved of you. Like the gold from which it is made, you are steadfast. You hide many secrets within you, just as the bands of the ring hide the poesies from view. But it is the stone that best captures who you are: bright on the surface, fiery within, and impossible to break.
Deborah Harkness (Shadow of Night (All Souls Trilogy, #2))
And then what did you do, Lord Oliver?" Karl's eight-year-old daughter gazed up at him in awe, as though this were the best story she had ever heard.
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
Friendship matters first.
Kristine Cuevas (Never Love your Best Friend (Dream Trilogy #1))
Sophia, you’re the best thing that could have happened to Alistair. I’ve never seen him happier than he is now.
Cristiane Serruya (Trust: A New Beginning (Trust Trilogy, #1))
Who said anything about marriage? Good Lord, no. Do yourself a favor: don’t move in with him. Then he’ll be expecting you to cook and clean—no. Just take him for a spin and return him if he breaks. That’s the best bet.
K.F. Breene (Born in Fire (Fire and Ice Trilogy, #1; Demon Days, Vampire Nights, #1))
We walked to dinner, ate together, and talked nearly the whole time. I was amazed that I had as much in common with her as I did. I’d been raised mostly in a completely different country, yet we were so similar.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
I suppose that means you don’t want any band-aids, either,” I said, a touch more bitterly than I’d meant to.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Like all parents, they were just doing their best from moment to moment.
Deborah Harkness (A Discovery of Witches (All Souls Trilogy, #1))
Don’t you think it’s best that you stay away from mortals? You know they break so easily these days.
Kimberly Spencer (Limerick (The Shimmer Trilogy, #2))
Did you ever notice me at Keramzin?" He was silent for a long moment, and when I glanced at him, he was looking up at the glass ceiling. He'd gone red as a beet. "Mal?" He cleared his throat, crossed his arms. "As a matter of fact, I did. I had some very ... distracting thoughts about you." "You did?" I sputtered. "And I felt guilty for every one of them. You were supposed to be my best friend, not ..." He shrugged and turned even redder. "Idiot.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Men were the only animals that slaughtered their own kind by the million, and turned the landscape into a waste of shell craters and barbed wire. Perhaps the human race would wipe itself out completely, and leave the world to the birds and trees, Walter thought apocalyptically. Perhaps that would be for the best.
Ken Follett (Fall of Giants (The Century Trilogy #1))
Education is a great shield against experience. It offers so much, ready-made and all from the best shops, that there's a temptation to miss your own life in pursuing the life of your betters.
Robertson Davies (World of Wonders (The Deptford Trilogy, #3))
The world tilted slightly sideways. 'I think I need to sit down.' The floor seemed like the best option. It was close and he'd already proved that he could hit it. His legs folded.
Tanya Huff (Smoke and Shadows (Smoke Trilogy #1))
He’s made me believe that I belong with him, with this kind of life, that this is the best that I can get.” “He’s right.
Karina Halle (Shooting Scars (The Artists Trilogy, #2))
Choose what ever suite suits you best,” Arin said. “But please: keep that tiger in his cage.” “Arin’s a kitten,” Roshar protested. Purely for the purpose of annoying Arin, it seemed, Roshar had named the tiger after him. “He’s sweet-tempered and polite and very good-looking . . . unlike some people I could mention.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
He is indeed but breathing dust and a careless touch would unmake him. And in his best thoughts there are such things mingled as, if we thought them, our light would perish. But he is in the body of Maleldil and his sins are forgiven.
C.S. Lewis (Perelandra (The Space Trilogy, #2))
Harrow laughed. It was the first time she had ever heard Harrow really laugh. It was a rather weak and tired sound. "Gideon the Ninth, first flower of my House," she said hoarsely, "you are the greatest cavalier we have ever produced. You are our triumph, The best of all of us. It has been my privilege to be your necromancer.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
Drive-by declaration of love, how romantic,” Becca joked. Zahara smirked. “Hey, it’s either that or sending a carrier pigeon, but I have a feeling Rekesh would be pissed if a bird crapped all over him.” ~Zahara and Becca
Annabell Cadiz (Lucifer (Sons of Old Trilogy, #1))
Sethe, he says, "me and you, we got more yesterday than anybody. We need some kind of tomorrow." He leans over and takes her hand. With the other he touches her face. "You your best thing, Sethe, You are." His holding fingers are holding hers. "Me? Me?
Toni Morrison (Beloved (Beloved Trilogy, #1))
You must allow things to be what best suits your purpose. And then they will.
Katherine Arden (The Bear and the Nightingale (Winternight Trilogy, #1))
Living well is the best revenge (Margot Radcliffe)
Laura Moore (Believe in Me (Rosewood Trilogy, #2))
If he finds the firebird, we may just stand a chance." "And if he doesn't?" Nikolai shrugged. "We put on our best clothes and die like heroes.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
A King has the most value, but without a Queen, he's a hell of a lot less powerful. Together, they have the best chance of victory.
Meghan March (Sinful Empire (Mount Trilogy, #3))
Is Gabriel still mad at me?" "Nesbitt hesitates and then says, "On a scale of one to ten, I'd say he's at nine and a half." "So, it could be worse then." "He'll calm down." Nesbitt nudges me and says, "The best thing about arguments is the making-up after. I see a big reconciliation ahead for you two: you apologise and he takes you into his arms and --" "Nesbitt, shut up.
Sally Green (Half Lost (The Half Bad Trilogy, #3))
Would you prefer to be feared or loved Lord Ells?" He smiled crookedly at her, "You like quotes, don't you? So, it's as Machievelli said, 'It is best to be both feared and loved; however, if one cannot have both it is better to be feared than loved.'" "I'd rather be loved. Only loved," she whispered to him.
Cristiane Serruya (Trust: A New Beginning (Trust Trilogy, #1))
It is for the best was on the tip of the priest's tongue. But he thought again of years, of childbearing and exhaustion. The wildness gone, the hawk's grace chained up... He swallowed. It is for the best. The wildness was sinful.
Katherine Arden (The Bear and the Nightingale (The Winternight Trilogy, #1))
My sense of teasing is completely lost on you.", Patrick said, hoisting himself back up. "It's a shame too. Most people tell me my sense of humor is my best quality, only outdone by my otherworldly good looks.
Nicole Williams (Fallen Eden (Eden Trilogy, #2))
Sometimes he was weird, sometimes he was Captain Douchebag, but he was always my best friend.
Sharon Sant (Not of Our Sky (Sky Song trilogy #3))
I lose myself in a world that isn’t mine and for a while, that’s for the best.
Courtney Cole (Verum (The Nocte Trilogy, #2))
Again and again, I pushed my memories away. There were days when it was easy and days when it was hard. My love ... was a boulder in my heart. I sought to let go of it and let it sink. Let it sink below the surface, carrying my heart with it. Let it come to rest on the stream's bottom, a vast hidden bulwark, dividing the current. Let it stay there, hidden and unseen. Forgotten. Betimes it worked. Betimes it didn't. It was the best I could do.
Jacqueline Carey (Kushiel's Justice (Imriel's Trilogy, #2))
Tatum Elliot O'Shea, sometimes I think you are the stupidest goddamn person I have ever met. Sometimes I think you're crazy. Sometimes I think I hate you. Sometimes I think you're a psychotic bitch, sent from hell to drag me back. But always, ALWAYS, I think you are the best thing that has ever happened to me.
Stylo Fantome (Reparation (The Kane Trilogy, #3))
He turns to leave, stops, looks back at me. "Just so you know: What you did for Victor means a lot to us. You could have left him to die." "No, Richard, I couldn't." I see in his eyes that he understands. I didn't save Victor because I knew that his being alive was best for Denver. I gave him my blood because I didn't want to live in a world without him in it.
J.A. London (Blood-Kissed Sky (Darkness Before Dawn Trilogy, #2))
Perhaps I am not so wise as you would have me, for all my years in this world. I do not know what you should choose. Every time you take one path, you must live with the memory of the other: of a life left unchosen. Decide as seems best, one course or the other; each way will have its bitter with its sweet.
Katherine Arden (The Girl in the Tower (Winternight Trilogy, #2))
There is one thing you can do. You can resign now. You can refuse to lead it. But I cannot even do that. Cannot leave the man alone. Cannot leave him with that attack in the hands of Hill. Cannot leave because I disagree, because, as he says, it's all in the hands of God. And maybe God really wants it this way. But they will mostly all die. We will lose it here. Even if they get to the hill, what will they have left, what will we have left, all ammunition gone, our best men gone? And the thing is, I cannot even refuse, I cannot even back away, I cannot leave him to fight it alone, they're my people, my boys. God help me, I can't even quit.
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
I was about to say that we all hurt the ones we love. That we can’t help it and that for some reason, we’re just defective like that. Maybe because those we love most bring out the very best and the worst in us, and in some twisted way, we resist that magic.
Rachael Wade (Repossession (The Keepers Trilogy, #1))
But there was something about the number of choices that paralysed him. Rather like when it came to choosing a new book from the stacks. The knowledge that he couldn’t possibly read all the books on offer put a peculiar pressure on choosing his next read. There must be diamonds out there, the best book in a thousand, the best book in a million, and surely he didn’t want to waste his time reading one that was merely adequate when he could be reading one of those diamonds? So instead, he often wasted his time hunting for a read instead of reading.
Mark Lawrence (The Book That Wouldn’t Burn (The Library Trilogy, #1))
Looks like I messed up your pretty face after all, despite my best efforts.” “Oh, this is nothing.” She laughs breathlessly. “You should see the damage I did to your pretty face.” My lips quirk into a smile as I lift my head toward hers. “Oh, darling, as long as you still think I’m pretty, I don’t give a damn what I look like.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
Risky, thought Paul D, very risky. For a used-to-be-slave woman to love anything that much was dangerous, especially if it was her children she had settled on to love. The best thing, he knew, was to love just a little bit; everything, just a little bit, so when they brok its back, or shoved it in a croaker sack, well, maybe you'd have a little love left over for the next one.
Toni Morrison (Beloved (Beloved Trilogy, #1))
His failure hurt too badly for that. It was a bad equation. Best erase it and try a new one. If adults could put aside their obsessions with such firmness, the world would undoubtedly be a better place. Robertson Davies does not say that in his Deptford Trilogy ... but he strongly hints at it.
Stephen King (The Tommyknockers)
So how can we determine what’s real and what’s not? We can’t. We can just pick and choose what we want to believe and rationalize it as best we can. Reality, after all, is basically a movie projected inside our heads. It’s based on the colors our senses permit us to see, the sounds they permit us to hear and whatever else our brains let slip through the gates. But outside our limited senses, surrounding us, there is, unquestionably, a much greater reality, a universe we live in but cannot see. Well, most of us, anyway. Out there, in the dark, All Things Are Possible.
Richard B. Spence (The Orphan Conspiracies: 29 Conspiracy Theories from The Orphan Trilogy)
To say 'Hail Mary, Hail Mary,' is the best way of telling her how much we love her. And then this string of beads is like Our Lady's girdle, and her children love to finger it, and whisper to her. And then we say our paternosters, too; and all the while we are talking she is shewing us pictures of her dear Child, and we look at all the great things He did for us, one by one; and then we turn the page and begin again.
Robert Hugh Benson (By What Authority? (English Reformation Trilogy #1))
I want you in my arms. I want you in my bed. I want to bury myself deep inside you and feel you shatter beneath me, again and again. I want you daily, nightly, repeatedly, constantly, forever. And when I know it’s safe to take you, you’d best be ready. If you’re not, you’d better run and hide, because it will take a legion of angels and demons to keep me off of you.
Juliette Cross (Forged in Fire (The Vessel Trilogy, #1))
As a doc, though, I've seen what happens when people are under a lot of stress. Doesn't always bring out their best. When people are scared, they get angry. They'll do things they never thought they would. They'll bargain and compromise in order to survive; they'll chase after miracle cures and believe just about anything so long as it gives them hope. When hope fails, then watch out. Some people get brutal. They'll turn on each other; they'll become their own worst enemies.
Ilsa J. Bick (Ashes (Ashes Trilogy, #1))
He picked up a twist of straw and began to rub her down. In the space of a blink, the twist of straw became a brush of boar’s hair. The mare stood with her ears flopping, loose-lipped with enjoyment. Vasya went nearer, fascinated. “Did you change the straw? Was that magic?” “As you see.” He went on with his grooming. “Can you tell me how you do it?” She came up beside him and peered eagerly at the brush in his hand. “You are too attached to things as they are,” said Morozko, combing the mare’s withers. He glanced down idly. “You must allow things to be what best suits your purpose. And then they will.” Vasya,
Katherine Arden (The Bear and the Nightingale (Winternight Trilogy, #1))
He watched her as she carried the stone over to one of the walls and set it down. She exhaled and wiped her brow. Then she glared at him. He smiled—one of his best, he thought. "You ought to bend your legs when you lift the stones," he called out. "It's better for your back." "It's better for your back," she mimicked under her breath, "lazy, good-for-nothing, stupid little—" "Excuse me?" "Thank you for your advice." Her voice was sweetness personified.
Julia Quinn (Minx (The Splendid Trilogy, #3))
Who are you? Where do you fit into poetry and myth? Do you know who I think you are, Ramsay? I think you are Fifth Business. You don't know what that is? Well, in opera in a permanent company of the kind we keep up in Europe you must have a prima donna -- always a soprano, always the heroine, often a fool; and a tenor who always plays the lover to her; and then you must have a contralto, who is a rival to the soprano, or a sorceress or something; and a basso, who is the villain or the rival or whatever threatens the tenor. "So far, so good. But you cannot make a plot work without another man, and he is usually a baritone, and he is called in the profession Fifth Business, because he is the odd man out, the person who has no opposite of the other sex. And you must have Fifth Business because he is the one who knows the secret of the hero's birth, or comes to the assistance of the heroine when she thinks all is lost, or keeps the hermitess in her cell, or may even be the cause of somebody's death if that is part of the plot. The prima donna and the tenor, the contralto and the basso, get all the best music and do all the spectacular things, but you cannot manage the plot without Fifth Business! It is not spectacular, but it is a good line of work, I can tell you, and those who play it sometimes have a career that outlasts the golden voices. Are you Fifth Business? You had better find out.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
His answer was not in words, but his hands, perhaps, spoke for him when his fingertips found the pulse behind her jaw. She did not move. His eyes were cold and still: pale stars to make her lost. “Vasya,” he said again, low and—almost ragged, into her ear. “Perhaps I am not so wise as you would have me, for all my years in this world. I do not know what you should choose. Every time you take one path, you must live with the memory of the other: of a life left unchosen. Decide as seems best, one course or the other; each way will have its bitter with its sweet.
Katherine Arden (The Girl in the Tower (Winternight Trilogy, #2))
Then, unprompted, Henry says into the stretching stillness, “Return of the Jedi.” A beat. “What?” “To answer your question,” Henry says. “Yes, I do like Star Wars, and my favorite is Return of the Jedi.” “Oh,” Alex says. “Wow, you’re wrong.” Henry huffs out the tiniest, most poshly indignant puff of air. It smells minty. Alex resists the urge to throw another elbow. “How can I be wrong about my own favorite? It’s a personal truth.” “It’s a personal truth that is wrong and bad.” “Which do you prefer, then? Please show me the error of my ways.” “Okay, Empire.” Henry sniffs. “So dark, though.” “Yeah, which is what makes it good,” Alex says. “It’s the most thematically complex. It’s got the Han and Leia kiss in it, you meet Yoda, Han is at the top of his game, fucking Lando Calrissian, and the best twist in cinematic history. What does Jedi have? Fuckin’ Ewoks.” “Ewoks are iconic.” “Ewoks are stupid.” “But Endor.” “But Hoth. There’s a reason people always call the best, grittiest installment of a trilogy the Empire of the series.” “And I can appreciate that. But isn’t there something to be valued in a happy ending as well?” “Spoken like a true Prince Charming.” “I’m only saying, I like the resolution of Jedi. It ties everything up nicely. And the overall theme you’re intended to take away from the films is hope and love and … er, you know, all that. Which is what Jedi leaves you with a sense of most of all.
Casey McQuiston (Red, White & Royal Blue)
He skidded to a dead halt and stared hard at Austin. The boy’s chin carried so many nicks from his first shave that it was a wonder he hadn’t bled to death. He was a year older than Houston had been when he’d last stood on a battlefield. Sweet Lord, Houston had never had the opportunity to shave his whole face; he’d never flirted with girls, wooed women, or danced through the night. He’d never loved. Not until Amelia. And he’d given her up because he’d thought it was best for her. Because he had nothing to offer her but a one-roomed log cabin, a few horses, a dream so small that it wouldn’t cover the palm of her hand. And his heart. His wounded heart.
Lorraine Heath (Texas Destiny (Texas Trilogy, #1))
Now, I believe the best way for you to learn is immersion and since we can't teleport you all to France," he grinned at me, and there were once again sighs from the girls. "I'll be speaking only in French and will expect you to do the same. Is anyone here already proficient in the language?" I narrowed my eyes at him. He knew darn well I was fluent in French and several other languages. "Eveline, I believe your dad mentioned at dinner the other night that you are?" What was he doing? "Umm. Yes-" He shook his head at me. "En français s'il vous plait." More sighs from the class. I clenched my jaw and spoke rapidly. "Oui, Monsieur Smith. Je parle français. Qu'est-ce que tu veux?" Yes, Mr.Smith. I speak French. What do you want? His eyes smoldered and caressed my face as he delivered his swift reply, "Je veux plus de toi que vous imaginez, ma petit lueur.
Heather Self (The One (The Portal Trilogy, #1))
My love for these books, at its purest, is not really about Peeta or anything silly and girly. I love that a young woman character is fierce and strong but hum in ways I find believable, relatable. Katniss is clearly a heroine, but a heroine with issues. She intrigues me because she never seems to know her own strength. She isn't blandly insecure the way girls are often forced to be in fiction. She is brave but flawed. She is a heroine, but she is also a girl who loves two boys and can't choose which boy she loves more. She is not sure she is up to the task of leading a revolution, but she does her best, even as she doubts herself. Katniss endures the unendurable. She is damaged and it shows. At times, it might seem like her suffering is gratuitous, but life often presents unendurable circumstances people manage to survive. Only the details differ. The Hunger Games trilogy is dark and brutal, but in the end, the books also offer hope - for a better world and a better people and, for one woman, a better life, a life she can share with a man who understands her strength and doesn't expect her to compromise that strength, a man who can hold her weak places and love her through the darkest of her memories, the worst of her damage. Of course I love the Hunger Games. The trilogy offers the tempered hope that everyone who survives something unendurable hungers for.
Roxane Gay
The care of babies involves education, and is entrusted only to the most fit,” she repeated. “Then you separate mother and child!” I cried in cold horror, something of Terry’s feeling creeping over me, that there must be something wrong among these many virtues. “Not usually,” she patiently explained. “You see, almost every woman values her maternity above everything else. Each girl holds it close and dear, an exquisite joy, a crowning honor, the most intimate, most personal, most precious thing. That is, the child-rearing has come to be with us a culture so profoundly studied, practiced with such subtlety and skill, that the more we love our children the less we are willing to trust that process to unskilled hands—even our own.” “But a mother’s love—” I ventured. She studied my face, trying to work out a means of clear explanation. “You told us about your dentists,” she said, at length, “those quaintly specialized persons who spend their lives filling little holes in other persons’ teeth—even in children’s teeth sometimes.” “Yes?” I said, not getting her drift. “Does mother-love urge mothers—with you—to fill their own children’s teeth? Or to wish to?” “Why no—of course not,” I protested. “But that is a highly specialized craft. Surely the care of babies is open to any woman—any mother!” “We do not think so,” she gently replied. “Those of us who are the most highly competent fulfill that office; and a majority of our girls eagerly try for it—I assure you we have the very best.” “But the poor mother—bereaved of her baby—” “Oh no!” she earnestly assured me. “Not in the least bereaved. It is her baby still—it is with her—she has not lost it. But she is not the only one to care for it. There are others whom she knows to be wiser. She knows it because she has studied as they did, practiced as they did, and honors their real superiority. For the child’s sake, she is glad to have for it this highest care.
Charlotte Perkins Gilman (Herland (The Herland Trilogy, #2))
He braced his elbows on the desk,his brow on his fists. "She came shrieking across the court.I'd just hit a line drive,barely missed beaning her. Cameras rolling, and there I am trying to look my sixth-generational-hotelier best, the athletic yet intelligent, the world-traveled yet dedicated, the dashing yet concerned heir to the Templeton name." "You'd be good at that," Margo murmured, hoping to placate him. He didn't even look at her. "Suddenly I've got my arms full of this half-naked, spitting, swearing, clawing mass who's screaming that my sister, her lesbian companion, and my whore attacked her." He pinched the bridge of his nose, hoping to relieve some pressure. "I figured out right away who my sister was. Though I didn't appreciate the term,I deduced you must be my whore.The lesbian companion might have stumped me,but for process of elimination." He lifted his head. "I was tempted to belt her,but I was too busy trying to keep her from ripping off my face." "It's such a nice face too." Hoping to soothe, she walked around the desk and sat on his lap. "I'm sorry she took it out on you." "She sratched me." He turned his head to show her the trio of angry welts on the side of his throat. Dutifully, Margo kissed them. "What am I going to do with you?" he asked wearily and rested his cheek on her head. Then he chuckled. "How the hell did you stuff her into one of those skinny lockers?" "It wasn't easy but it was fun." He narrowed his eyes. "You're not going to do it again,no matter what the provocation-unless you sedate her first." "Deal." Since the crisis seemed to have passed, she slipped a hand under his shirt, stroked it over his chest, watched his brow lift. "I've been waxed and polished.If you're interested." "Well,just so the day isn't a complete loss." He picked her up and carried her to the bed.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))