Tricky Sad Quotes

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Memories are tricky things. They can fade or fester. You have to seal them up tight like pickles and keep out impurities like how hurt you feel when you open them. Or they'll ferment and poison your brain.
Daniel Nayeri (Everything Sad Is Untrue)
Disco's are tricky. You look a total wally if you dance too early but after one crucial song tips the disco over, you look a sad saddo if you don't.
David Mitchell (Black Swan Green)
Our words had to be circumspect. We could not write anything too negative about our circumstances. This was tricky, since the very form of a married woman's letter needed to include the usual complaints -- that we were pathetic, powerless, worked to the bone, homesick, and sad. We were supposed to speak directly about our feelings without appearing ungrateful, no-account, or unfilial.
Lisa See (Snow Flower and the Secret Fan)
God, for me, is more of a feeling, a feeling of peace. I think my god lives in a silence that exists inside me. It's such a delicious fucking silence, so profound. But this can also get tricky, because if I'm feeling crazy then I'm like, Where the hell is god? Has god abandoned me? Like, no peace, no god. But it's still better than some bro deity telling me I'm a piece of shit.
Melissa Broder (So Sad Today: Personal Essays)
Zombies have got to do a lot of hanging around together--weaklings, liars, cheaters. Everybody respects them these days, everybody thinks that if they don't respect them it means they're against civil liberties or something, but I can only sympathize with them a little, but only a little; I can't respect them, they bore me--their everlasting bawling about their tricky little sadnesses and deprivations of childhood bore me. You've introduced me to some of the people you know. I don't dislike any of them, but I really can't pretend I believe in any of them, or that they don't bore me. And in being critical of them of course I'm being critical of you, too, at least for having them as friends. There are other people around, too, you know, not just the ones who start by giving up, and then just hang around to see what giving up leads to. It leads to being a zombie of one sort or another.
William Saroyan (Madness in the Family: Stories (New Directions Paperbook))
In retrospect, I now see this period in the immediate aftermath of recovery as a time of grief. I see that I was grieving a huge part of me that I had not fully reconciled myself with letting go of. But it is tricky to name it as such, because you’re not meant to feel sad over something that was so destructive to you and everyone in your life.
Evanna Lynch (The Opposite of Butterfly Hunting: The Tragedy and The Glory of Growing Up (A Memoir))
She enjoyed making people smile. She always hoped to leave them thinking, What a crackerjack that girl is, what a sassy piece of work. By sassy, of course, she wanted them to mean “pert, smart, jaunty” rather than “insolent, rude, impudent.” Walking the line between the right kind of sassy and the wrong kind was tricky, but if you pulled it off, you would never leave them thinking, What a sad little crippled girl she is, with her little twisted leg and her little gnarled hand. This evening, she suspected that she’d crossed the line between the wrong and the right kinds of sassy, and in fact walked out of sassy altogether, leaving them feeling more pity than delight.
Dean Koontz (One Door Away from Heaven)
Humans were such tricky and complicated things. As it began to spin life and being out of its dreamstuff, the remaining trees began to hum and sing together. Once upon a time, their songs had sounded different, but in this time, they sang the songs the Greywaren had given to them. It was a wailing, ascending tune, full of both misery and joy at once. And as Cabeswater distilled its magic, these trees began to fall, one by one. The psychic's daughter's sadness burst through the forest, and Cabeswater accepted that, too, and put it into the life it was building. Another tree fell, and another, and Cabeswater kept returning again and again to the humans who had made the request. It had to remember what they felt like. It had to remember to make itself small enough. As the forest diminished, the Greywaren's despair and wonder surged through Cabeswater. The trees sang soothingly back to him, a song of possibility and power and dreams, and then Cabeswater collected his wonder and put it into the life it was building. And finally, the magician's wistful regret twisted through what remained of the trees. Without this, what was he? Simply human, human, human. Cabewaster pressed leaves against his cheek one last time, and then they took that humanity for the life it was building. It was nearly human-shaped. It would fit well enough. Nothing was ever perfect. Make way for the Raven King. The last tree fell, and the forest was gone, and everything was absolutely silent. Blue touched Gansey's face. She whispered, "Wake up.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Lemon Barley Chicken Soup: The first thing you have to do is make chicken broth. Over here in France, I can’t seem to find acceptable packaged chicken broth, so I make it from scratch; it’s really not tricky. Remove the skin from four or five chicken thighs. Put them in a big pot, along with a cut-up onion, a carrot or two, some celery, salt and pepper, and lots of water. Cook this mélange very, very slowly (bubbles just rising) for a few hours (at least three). When you’ve got the broth under way, cook the barley: take 1 cup of barley and simmer it slowly in 4 to 5 cups of water. When it’s soft, drain the barley, but reserve any remaining barley water so you can add it to the broth. When the broth is ready, skim off the froth. Then remove the chicken thighs and when they’re cool enough, strip the meat off the bones, saving it for the soup. Strain the broth and put it to the side. Now that you’ve got chicken broth, it’s time for the soup itself—the rest is even easier. Cut up some leeks, if you have them, though an onion works just fine, too. If you’ve got leeks, put some butter in your (now emptied) stockpot over low heat; use olive oil instead if you have onions. While the leeks/onions are softening, finely mince a knob of ginger and 2 or 3 garlic cloves. If you can get some, you can also crush some lemongrass and put it in at this point. I never seem to cook it right (it always stays tough), but it adds great flavor. Dump all that in with the softened leeks/onions. Cook until you can smell it, but take care to avoid browning. Then add the cut-up chicken and the barley, and pour in the broth. Simmer it over low heat for about half an hour. Add salt to taste. To get a great lemon kick, squeeze 2 lemons and beat the juice well with 2 egg yolks. With the pot removed from the heat source, briskly whisk this mixture into the soup, being careful that the eggs don’t separate and curdle. Then return the pot to the heat and stir vigorously for a bit, until the eggs are cooked. This soup is excellent for sick people (ginger, hot lemon, and chicken; need I say more?) and a tonic for sad people (total comfort). And it’s even better the next day.
Eloisa James (Paris In Love)
Memories are tricky things. They can fade or fester. You have to seal them up tight like pickles and keep out impurities like how hurt you feel when you open them. Or they’ll ferment and poison your brain.
Daniel Nayeri (Everything Sad Is Untrue (a true story))
Looking at sample five — "The car . . . was a blue Ford" we might again encounter Bertrand Russell's two-head paradox. It seems a blue Ford exists "in" the head of the witness, but whether the blue Ford also existed "outside" that head remains unsure. Even outside tricky psychology labs, ordinary perception has become problematical due to the whole sad history of eye-witness testimony frequently breaking down in court. Or does the "external universe" (including the blue Ford) exist in some super-Head somewhere? It seems that the translation into E-Prime — "I recall the car . . . as a blue Ford" better accords with the experiential level of our existence in space-time than the two heads and other paradoxes we might encounter in Standard English.
Robert Anton Wilson (Quantum Psychology: How Brain Software Programs You and Your World)
It sad think to see that many people think that it only body needs fitness the tricky thing is you can workout and build body years end up quitting through ungetting expected results you forget about soul and spirit you can't make it without it to make you balance.
Nozipho N.Maphumulo
A dry run for separation might start like this: “On Monday, you’ll have your first day of school. Let’s think about how we want to say goodbye and then practice it a few times so our bodies are ready for the moment when it comes!” Then come up with a short routine and practice it, maybe even acting out the walking away or taking a deep breath and using a mantra if a child feels sad. Even if your child becomes distressed, keep in mind that this rehearsal will not make your child more anxious; rather, it will allow your child to gain mastery and comfort with a tricky situation.
Becky Kennedy (Good Inside: A Guide to Becoming the Parent You Want to Be)
You are people on earth. You are not alone here, and that means you owe the other people on earth certain things. What you owe them, more or less, is to live by rules they wouldn’t reject as unfair (assuming they’re decent, reasonable people). (...) If you feel like those people could reasonably reject your idea for what to do, maybe don’t do it. Maybe do something else. Or you can try this: You can think to yourself, before you do something, “Would it be okay if everyone did this? What would the world be like if every single person were allowed to do whatever I’m about to do?” If that world seems twisted, or unfair, or nonsensical, you should probably do something else. Or: Think about what you’re about to do, and imagine the result. Think of how many people will be happy, and how many sad, and how happy or sad they’ll be. Think about how soon they’ll be sad or happy, and for how long they’ll be sad or happy. Try to total it all up in your mind, and think about whether what you’re about to do will result in more total sadness or happiness. This one is tricky, but sometimes it’s the best way to find an answer. And while you’re here on earth, think about the parts of people you love—their kindness, generosity, loyalty, courage, determination, mildness. Aim yourselves at the exact right amount of those qualities, as best you can—not too much, not too little. And know that you’re going to get it wrong. You’ll try to be mild, let’s say, and you won’t be mild enough, then you’ll overcompensate and become too mild, and that’ll keep happening, and it’ll annoy people, and that will sting. But hopefully, by trying over and over, you’ll get closer and closer to getting it right. The trying is important. Keep trying.
Michael Schur (How to Be Perfect: The Correct Answer to Every Moral Question)